INSTITUTE OF CONTEMPORARY ART: Form 990, tax year 2016

View the entire original 990 at ProPublica ↗

Organization
INSTITUTE OF CONTEMPORARY ART (EIN 04-2104327)
Tax period
2016-07-01 to 2017-06-30
Filed
2018-04-27
IRS object ID
201811179349300836
Schema version
2016v3.0
Source
Download XML · Original 990 at ProPublica

Every field in the e-filed return. Faint text is the IRS element name, for citing.

Return header ReturnHeader

FieldValueIRS element (for citing)
Return2018-04-27T12:03:41-05:00ReturnTs
Tax Period End2017-06-30TaxPeriodEndDt

Preparer Firm PreparerFirmGrp

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Preparer Firm EIN420714325PreparerFirmEIN

Preparer Firm Name PreparerFirmName

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Business Name Line1RSM US LLPBusinessNameLine1Txt

Preparer US Address PreparerUSAddress

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Address Line180 CITY SQUAREAddressLine1Txt
CityBOSTONCityNm
State AbbreviationMAStateAbbreviationCd
ZIP021293742ZIPCd
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Return Type990ReturnTypeCd
Tax Period Begin2016-07-01TaxPeriodBeginDt

Filer Filer

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EIN042104327EIN

Business Name BusinessName

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Business Name Line1THE INSTITUTE OF CONTEMPORARY ART INCBusinessNameLine1Txt
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Business Name ControlINSTBusinessNameControlTxt
Phone6174783100PhoneNum

US Address USAddress

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Address Line125 HARBOR SHORE DRIVEAddressLine1Txt
CityBOSTONCityNm
State AbbreviationMAStateAbbreviationCd
ZIP02210ZIPCd

Business Officer BusinessOfficerGrp

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PersonJILL MEDVEDOWPersonNm
Person TitleDIRECTOR/EX-OFFICIO/CEOPersonTitleTxt
Phone6174783100PhoneNum
Signature2018-04-27SignatureDt
Discuss With Paid PreparerYes (1)DiscussWithPaidPreparerInd

Preparer Person PreparerPersonGrp

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Preparer PersonLYNNE JOHNSONPreparerPersonNm
PTINP00757336PTIN
Phone6179129000PhoneNum

Filing Security Information FilingSecurityInformation

IP Address IPAddress

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I Pv4 Address69.174.87.164IPv4AddressTxt
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IP2018-04-27IPDt
IP Tm13:00:57IPTm
IP TimezoneEDIPTimezoneCd
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FieldValueIRS element (for citing)
Tax2016TaxYr
Build TS2021-01-29 14:40:06ZBuildTS

Form 990 IRS990

Doing Business As Name DoingBusinessAsName

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Business Name Line1ICABOSTONBusinessNameLine1Txt
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Principal OfficerJILL MEDVEDOWPrincipalOfficerNm

US Address USAddress

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Address Line125 HARBOR SHORE DRIVEAddressLine1Txt
CityBOSTONCityNm
State AbbreviationMAStateAbbreviationCd
ZIP02210ZIPCd
FieldValueIRS element (for citing)
Gross Receipts$27,617,679GrossReceiptsAmt
Group Return For Affiliates0GroupReturnForAffiliatesInd
Organization501c3Yes (X)Organization501c3Ind
Website AddressWWW.ICABOSTON.ORGWebsiteAddressTxt
Type Of Organization CorpYes (X)TypeOfOrganizationCorpInd
Formation1936FormationYr
Legal Domicile StateMALegalDomicileStateCd
Activity Or MissionSEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS.ActivityOrMissionDesc
Voting Members Governing Body33VotingMembersGoverningBodyCnt
Voting Members Independent32VotingMembersIndependentCnt
Total Employee249TotalEmployeeCnt
Total Volunteers189TotalVolunteersCnt
Total Gross UBI-$58,592TotalGrossUBIAmt
Net Unrelated Bus Txbl Incm-$58,592NetUnrelatedBusTxblIncmAmt
PY Contributions Grants$10,552,512PYContributionsGrantsAmt
CY Contributions Grants$20,951,011CYContributionsGrantsAmt
PY Program Service Revenue$2,225,144PYProgramServiceRevenueAmt
CY Program Service Revenue$1,806,806CYProgramServiceRevenueAmt
PY Investment Income$645,280PYInvestmentIncomeAmt
CY Investment Income$852,947CYInvestmentIncomeAmt
PY Other Revenue$140,396PYOtherRevenueAmt
CY Other Revenue$81,901CYOtherRevenueAmt
PY Total Revenue$13,563,332PYTotalRevenueAmt
CY Total Revenue$23,692,665CYTotalRevenueAmt
PY Grants And Similar Paid$0PYGrantsAndSimilarPaidAmt
CY Grants And Similar Paid$0CYGrantsAndSimilarPaidAmt
PY Benefits Paid To Members$0PYBenefitsPaidToMembersAmt
CY Benefits Paid To Members$0CYBenefitsPaidToMembersAmt
PY Salaries Comp Emp Bnft Paid$6,634,474PYSalariesCompEmpBnftPaidAmt
CY Salaries Comp Emp Bnft Paid$7,105,236CYSalariesCompEmpBnftPaidAmt
PY Total Prof Fndrsng Expns$26,000PYTotalProfFndrsngExpnsAmt
CY Total Prof Fndrsng Expns$25,262CYTotalProfFndrsngExpnsAmt
CY Total Fundraising Expense$1,215,581CYTotalFundraisingExpenseAmt
PY Other Expenses$11,293,051PYOtherExpensesAmt
CY Other Expenses$8,033,481CYOtherExpensesAmt
PY Total Expenses$17,953,525PYTotalExpensesAmt
CY Total Expenses$15,163,979CYTotalExpensesAmt
PY Revenues Less Expenses-$4,390,193PYRevenuesLessExpensesAmt
CY Revenues Less Expenses$8,528,686CYRevenuesLessExpensesAmt
Total Assets BOY$83,133,157TotalAssetsBOYAmt
Total Assets EOY$94,045,182TotalAssetsEOYAmt
Total Liabilities BOY$5,764,522TotalLiabilitiesBOYAmt
Total Liabilities EOY$5,752,963TotalLiabilitiesEOYAmt
Net Assets Or Fund Balances BOY$77,368,635NetAssetsOrFundBalancesBOYAmt
Net Assets Or Fund Balances EOY$88,292,219NetAssetsOrFundBalancesEOYAmt
Info In Schedule O Part IIIYes (X)InfoInScheduleOPartIIIInd
MissionTHE MISSION OF THE INSTITUTE OF CONTEMPORARY ART IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS.MissionDesc
Significant New Program Srvc0SignificantNewProgramSrvcInd
Significant Change0SignificantChangeInd
Expense$6,566,815ExpenseAmt
Revenue$993,770RevenueAmt
DescART EXHIBITIONS: GALLERY PRESENTATIONS: THE ICA PRESENTED THE FOLLOWING 14 CONTEMPORARY ART EXHIBITIONS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. ATTENDANCE FOR THE GALLERY EXHIBITS TOTALED 139,761 VISITORS, AND TOTAL PROGRAMMING ATTENDANCE WAS 207,303 IN FY17.GEOFFREY FARMERAPR 13 - JUL 17, 2016, PAUL AND CATHERINE BUTTENWIESER AND FOTENE DEMOULAS GALLERIESGEOFFREY FARMER (B. 1967, VANCOUVER) IS BEST KNOWN FOR HIS INSTALLATIONS AND LARGE-SCALE, SCULPTURAL PHOTO COLLAGES. THIS IMMERSIVE SURVEY OF THE ARTIST'S RECENT MAJOR "PAPER WORKS" PRESENTS ROOM-SIZED INSTALLATIONS COMPOSED OF HUNDREDS OF SMALL SCULPTURES MADE OF CUTOUT PHOTOGRAPHS, FABRIC, AND VARIOUS SUPPORTS. IN THESE RECENT WORKS, PROCESSIONS OF FIGURES ASSEMBLED FROM FRAGMENTS OF BOOK AND MAGAZINE PHOTOGRAPHY AND ILLUSTRATION MANIFEST THE ARTIST'S INTEREST IN THE CROSS-POLLINATION OF HISTORICAL AND VERNACULAR IMAGERY. EACH SPECTACULAR COMPOSITION BEGINS TO CHART THE HISTORICAL CONTOURS OF OUR IMAGE-SATURATED CONTEMPORARY CULTURE, AND SUGGEST THE RECURRING CULTURAL THEMES AND FORMAL PATTERNS. FARMER USES MOVEMENT, SOUND, ANIMATION, PUPPET CHARACTERS, AND A PANOPLY OF HIGHLY CHOREOGRAPHED BODIES AND CHARACTERS TO INVESTIGATE WORLD HISTORY FROM THE DIFFERENT ANGLES OF ITS PHOTOGRAPHIC AND SCULPTURAL ACCOUNTS.ORGANIZED BY DAN BYERS, MANNION FAMILY SENIOR CURATOR, WITH JESSICA HONG, CURATORIAL ASSOCIATE.UGO RONDINONE: MOONRISE SCULPTURESMAY 17 - SEP 11, 2016, INSTALLED OUTSIDE OF THE ICABEST KNOWN FOR HIS LARGE-SCALE SCULPTURES AND INSTALLATIONS, UGO RONDINONE (BORN 1964, BRUNNEN, SWITZERLAND) WORKS IN A DIVERSE RANGE OF MEDIA, INCLUDING DRAWING, PAINTING, PHOTOGRAPHY, AND VIDEO. RONDINONE'S SERIES MOONRISE-HIS FIRST FIGURATIVE SCULPTURES-ARE EIGHT-FOOT-HIGH BUSTS DERIVED FROM MASKS. MODELED IN CLAY BEFORE BEING CAST IN ALUMINUM AND PAINTED, THE SCULPTURES SHOW THE ENDURING MARKS OF THE ARTIST'S HAND. RONDINONE HAS LONG BEEN INTERESTED IN THE SUBJECT OF TIME, AND HE REPRESENTS IT HERE BY THE RELATIONSHIP BETWEEN MOON, TIDE, AND CALENDAR: EACH OF THE TWELVE SCULPTURES IN THE SERIES WAS MADE IN HOMAGE TO THE MOON AND IS NAMED AFTER A MONTH OF THE CALENDAR YEAR. TWO OF THE TWELVE ARE ON VIEW HERE. THESE MONUMENTAL VISAGES, WITH PLAYFULLY DISTORTED FACES THAT SMILE AND GRIMACE, CONVEY A KIND OF UNCANNY ROMANTICISM, WELCOMING WONDER AND EMPATHY IN EQUAL MEASURE.ORGANIZED BY DAN BYERS, MANNION FAMILY SENIOR CURATOR.LIZ DESCHENESJUN 29 - OCT 16, 2016, WEST GALLERYDESCHENES (B. 1966, BOSTON), IS KNOWN FOR HER LUSHLY BEAUTIFUL AND MEDITATIVE WORK IN PHOTOGRAPHY AND SCULPTURE, AND SINCE THE EARLY 1990S HAS PRODUCED A SINGULAR AND INFLUENTIAL BODY OF WORK THAT PROBES THE RELATIONSHIP BETWEEN THE MECHANICS OF SEEING, IMAGE-MAKING PROCESSES, AND MODES OF DISPLAY. THE FIRST MID-CAREER SURVEY DEDICATED TO DESCHENES'S WORK, THIS EXHIBITION WILL FEATURE 20 YEARS OF HER ART, INCLUDING EXPLORATIONS OF VARIOUS PHOTOGRAPHIC TECHNOLOGIES, RICH AND NUANCED WORK WITH PHOTOGRAMS (A TYPE OF PHOTOGRAPHIC IMAGE MADE WITHOUT A CAMERA), AND SCULPTURAL INSTALLATIONS THAT REFLECT THE MOVEMENTS AND LIGHT WITHIN A GIVEN SPACE AND RESPOND TO A SITE'S UNIQUE FEATURES.ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH JESSICA HONG, CURATORIAL ASSOCIATE.NALINI MALANI: IN SEARCH OF VANISHED BLOODJUN 29 - OCT 16, 2016, WEST GALLERYNALINI MALANI (B. 1946, KARACHI) IS INDIA'S FOREMOST VIDEO AND INSTALLATION ARTIST AND A COMMITTED ACTIVIST FOR WOMEN'S RIGHTS. CURRENTLY LIVING AND WORKING IN MUMBAI, MALANI CAME TO INDIA AS A REFUGEE DURING THE 1947 PARTITION OF INDIA AND PAKISTAN, AN EXPERIENCE THAT DEEPLY INFORMS HER WORK. THIS EXHIBITION CENTERS ON MALANI'S SIGNATURE MULTIMEDIA INSTALLATION, IN SEARCH OF VANISHED BLOOD (2012), THE TITLE OF WHICH COMES FROM A POEM BY THE REVOLUTIONARY PAKISTANI POET FAIZ AHMED FAIZ. THE INSTALLATION IS INSPIRED BY EAST GERMAN WRITER AND CRITIC CHRISTA WOLF'S 1984 NOVEL CASSANDRA, ABOUT A STRUGGLING FEMALE ARTIST AND VISIONARY. COMBINING IMAGERY FROM EASTERN AND WESTERN CULTURES, WITH SOUND, PROJECTED IMAGE, AND LIGHT, IN SEARCH OF VANISHED BLOOD IS AN ENTHRALLING, IMMERSIVE EXPERIENCE. THE WORK COMPRISES SIX 11-MINUTE VIDEO PROJECTIONS STREAMED AROUND THE ROOM THROUGH FIVE CLEAR MYLAR CYLINDERS, HAND-PAINTED WITH A VARIETY OF CULTURAL AND HISTORICAL ICONOGRAPHY, WHICH HANG IN THE CENTER OF THE ROOM. AS THE MYLAR CYLINDERS ROTATE, THE COLORFUL AND LAYERED IMAGERY IS PROJECTED ONTO THE WALLS, CREATING A MAGICAL ENVIRONMENT REMINISCENT OF LANTERN SLIDE PRESENTATIONS AND OTHER PROTO-CINEMA EXPERIMENTS IN THE 18TH AND 19TH CENTURIES. THE PRESENTATION OF MALANI'S IMMERSIVE VIDEO INSTALLATION WILL BE ACCOMPANIED BY A SELECTION OF RELATED WORKS ON PAPER.ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH JESSICA HONG, CURATORIAL ASSOCIATE.FIRST LIGHT: A DECADE OF COLLECTING AT THE ICAAUG 17, 2016 - JAN 16, 2017, PAUL AND CATHERINE BUTTENWIESER, FOTENE DEMOULAS, AND KIM AND JIM PALLOTTA GALLERIESCOINCIDING WITH THE TEN-YEAR ANNIVERSARY OF ICA'S MOVE TO ITS ICONIC WATERFRONT BUILDING, THIS EXHIBITION WILL CELEBRATE THE MUSEUM'S FIRST DECADE OF COLLECTING. DRAWN ENTIRELY FROM ICA'S COLLECTION AND FEATURING MULTIPLE THEMATIC, ARTIST-SPECIFIC, AND HISTORICAL SECTIONS, THE EXHIBITION WILL BRING TOGETHER BOTH NEW ACQUISITIONS AND FAVORITES FROM THE PERMANENT COLLECTION. CONCEIVED AS A SERIES OF INTERRELATED AND ROTATING STAND-ALONE EXHIBITIONS, THIS PRESENTATION WILL HIGHLIGHT MAJOR SINGULAR WORKS FROM THE COLLECTION, SUCH AS A NEWLY ACQUIRED MONUMENTAL CUT-PAPER SILHOUETTE TABLEAU BY KARA WALKER, AS WELL AS THE BARBARA LEE COLLECTION OF ART BY WOMEN, GROUPINGS OF WORK BY ARTISTS HELD IN DEPTH SUCH AS LOUISE BOURGEOIS AND NAN GOLDIN, AND THEMATIC AND ART-HISTORICAL GROUPINGS. A NEW MULTIMEDIA WEB PLATFORM WILL BE CREATED TO MARK THE OCCASION.ORGANIZED BY ICA'S CURATORIAL DEPARTMENT UNDER THE LEADERSHIP OF EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH JESSICA HONG, CURATORIAL ASSOCIATE.THE BARBARA LEE COLLECTION OF ART BY WOMEN, PART OF FIRST LIGHT: A DECADE OF COLLECTING AT THE ICAAUG 17, 2016 - JAN 16, 2017, KIM AND JIM PALLOTTA GALLERIESTHE BARBARA LEE COLLECTION OF ART BY WOMEN FEATURES ART BY WOMEN WHO HAVE MADE SIGNIFICANT CONTRIBUTIONS TO THE VISUAL FIELD IN THE LAST FORTY YEARS. IT WAS ESTABLISHED BY VISIONARY ACTIVIST AND ICA/BOSTON BOARD MEMBER BARBARA LEE, WHO IS COMMITTED TO EMPOWERING WOMEN IN POLITICS AND ART. THE BARBARA LEE COLLECTION OF ART BY WOMEN REFLECTS LEE'S COMMITMENT TO GENDER EQUALITY AND HER BELIEF IN THE POWER OF TELLING WOMEN'S STORIES. IT BRINGS TOGETHER PAINTING, SCULPTURE, INSTALLATION, AND PHOTOGRAPHY BY ICONIC MODERN AND CONTEMPORARY ARTISTS WHOSE WORK AND IDEAS HAVE CHANGED THE COURSE OF ART HISTORY. GUIDED BY A DISCERNING EYE AND DEDICATION TO ART THAT SPEAKS TO THE MOST PRESSING ISSUES OF OUR TIME, LEE ASSEMBLED A SINGULAR COLLECTION THAT INCLUDES BOTH CANONICAL ARTISTS AND OVERLOOKED FIGURES. LEE SHARES THE ICA'S BELIEF IN THE POWER OF ART TO ENRICH AND TRANSFORM LIVES, AND HAS BEEN A STEADFAST SUPPORTER OF THE MUSEUM, LAUNCHING ITS COLLECTION OVER A DECADE AGO WITH THE PROMISED GIFT OF CORNELIA PARKER'S MONUMENTAL SCULPTURE HANGING FIRE (SUSPECTED ARSON), 1999. THE COLLECTION INCLUDES WORK BY TARA DONOVAN, MARLENE DUMAS, JENNY HOLZER, RONI HORN, SHERRIE LEVINE, MARISOL, CINDY SHERMAN, KIKI SMITH, AND KARA WALKER. WITH THIS INAUGURAL EXHIBITION, THE BARBARA LEE COLLECTION OF ART BY WOMEN NOW FORMS A VITAL PART OF THE CULTURAL FABRIC OF BOSTON.ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR.SOFT POWER, PART OF FIRST LIGHT: A DECADE OF COLLECTING AT THE ICAAUG 17, 2016 - JAN 16, 2017, PAUL AND CATHERINE BUTTENWIESERROPE, THREAD, CORD, HEMP, STRING, TAPE, PINS, PAINT, AND FABRIC. FORMED BY FLEXIBLE MATERIALS, THE WORKS IN SOFT POWER DERIVE THEIR PRESENCE AND POWER FROM, ON THE ONE HAND, THE SEDUCTIVE QUALITIES OF FIBER AND FABRIC, AND ON THE OTHER, THEIR SOCIAL AND CULTURAL CONNOTATIONS. THE MULTIGENERATIONAL GROUP OF ARTISTS REPRESENTED IN THIS DISPLAY EMPLOY SOFTNESS AS A PHYSICAL FACT AND AS A METAPHOR FOR THE BODY. OFTEN, THEY APPROPRIATE CLOTHING, OBJECTS FROM POPULAR CULTURE, AND OTHER EVERYDAY MATERIALS WE BRING CLOSE TO OURSELVES. TRADITIONAL DICHOTOMIES-INSIDE AND OUTSIDE, SURFACE AND DEPTH, PROTECTION AND EXPOSURE-DISSOLVE IN EACH WORK AS IT CONJURES THE HUMAN BODY THROUGH LAYERS OF MATERIAL AND SUGGESTIVE FORMS.ORGANIZED BY DAN BYERS, MANNION FAMILY SENIOR CURATOR.QUESTION YOUR TEASPOONS, PART OF FIRST LIGHT: A DECADE OF COLLECTING AT THE ICAAUG 17, 2016 - OCT 02, 2016, FOTENE DEMOULAS GALLERYFOR ARTISTS, ESPECIALLY WOMEN ARTISTS, THE HOME HAS LONG SERVED AS A SITE FOR THE CREATION OF WORK, PROVIDING A MEANINGFUL ALTERNATIVE TO THE MORE CELEBRATED LOCALES OF THE ARTIST'S STUDIO AND THE PUBLIC SPHERE.Desc

Prog Srvc Accom Acty2 ProgSrvcAccomActy2Grp

FieldValueIRS element (for citing)
Expense$1,399,300ExpenseAmt
Revenue$159,084RevenueAmt
DescPERFORMING AND MEDIA ARTS:THE ICA PRESENTS SOME OF THE MOST TALENTED AND FORWARD LOOKING CHOREOGRAPHERS, MUSICIANS, FILMMAKERS, THEATER COMPANIES AND GENRE BENDING ARTISTS FROM BOSTON AND THE REST OF THE WORLD. IN FY17 WE PRESENTED 73 PRESENTATIONS OF 39 INDIVIDUAL PROGRAMS (PERFORMING ARTS AND FILM). ATTENDANCE TOTALED 21,264.WE PRESENTED 46 PERFORMANCES BY THE FOLLOWING PERFORMERS, ARTISTS AND ENSEMBLE COMPANIES. ATTENDANCE AT THESE PERFORMANCES TOTALED 18,910. DANCE/THEATER - MARIA HASSABI: WORK IN PROGRESS PRESENTATION OF STAGED - BIG DANCE THEATER: SHORT FORM - SUSAN SGORBATI: SEEING, BEING SEEN, BEING - BILL T. JONES/ARNIE ZANE COMPANY: A LETTER TO MY NEPHEW - ON DISPLAY: A MOVEMENT INSTALLATION BY HEIDI LATSKY - ALESSANDRO SCIARRONI: FOLK-S, WILL YOU STILL LOVE ME TOMORROW? - MARIA HASSABI: STAGED? - BETH GILL: BRAND NEW SIDEWALK - WORLD MUSIC/CRASHARTS PRESENTS - RAPHAEL XAVIER - BALLETX - ODC/DANCE - GALLIM DANCE - BODYTRAFFIC - MAUREEN FLEMINGMUSIC -HARBORWALK SOUNDS: - LULA WILES - NOE/MAR|CO - RICKEXPRESS - SELAH POITIER - SUDACAS - CHOROBOP & +55 GROUP - SLEEPING LION / IIVES - NIYA NORWOOD - NIU RAZA + THE WILDER PROJECT -DJ NIGHTS: - DEEP DIVES: REGGAE (DJ BUD E. GREEN, DJ WARLOCK, JUNIOR RODIGAN) - TUNE-YARDS - DEEP DIVES: HIP-HOP (DJS KNIFE, 7L, MADSOL DESAR) - DEEP DIVES: DISCO (DJS ALFREDO, NITE TRAIN, SAUCY LADY) - DJ WINDOWS 98 (WIN BUTLER) - BEIRUT - GRACE JONES OUTDOOR FILM SCREENING W/ DJ SET BY LIGHT ASYLUM - RY X - MEREDITH MONK AND ANNE WALDMAN - TALEA ENSEMBLE - DAYME AROCENA (CO-PRESENTED WITH WORLD MUSIC/CRASHARTS)IN FY17 WE PRESENTED 27 SCREENINGS OF THE FOLLOWING FILMS. ATTENDANCE AT THESE SCREENINGS TOTALED 2,354. FILM - 2016 BRITISH ARROWS - OTTAWA INTERNATIONAL ANIMATION FESTIVAL - SUNDANCE FILM FESTIVAL SHORTS - 2017 OSCAR NOMINATED SHORT FILMS - BOSTON LGBT FILM FESTIVAL OPENING NIGHTDesc

Prog Srvc Accom Acty3 ProgSrvcAccomActy3Grp

FieldValueIRS element (for citing)
Expense$1,486,411ExpenseAmt
Revenue$65,167RevenueAmt
DescEDUCATION, TEENS, ADULTS:ADULT & INTERPRETIVE PROGRAMS: ADULT PROGRAMS SERVED A TOTAL OF 4,928 PEOPLE, INCLUDING GALLERY TALKS, POP UP TALKS, LECTURES (THE ARTIST'S VOICE, ICA FORUMS, ICA READS), AND OTHER PROGRAMS. SELECT LECTURES IN FY17 WERE DOCUMENTED AND MADE AVAILABLE THROUGH ICA'S WEBSITE AMONG OTHER RESOURCES. VIEWERS AND LISTENERS ACCESSED THESE RESOURCES ONLINE VIA ICA'S WEBSITE, MOBILE GUIDE, AND/OR ONSITE COMPUTERS (PARTICIPATION NOT QUANTIFIABLE). AN ADDITIONAL 12,168 INDIVIDUALS PARTICIPATED IN GUIDED AND SELF GUIDED TOURS AT THE ICA.ADULT PROGRAMSEXHIBITION RELATED PROGRAMSICA COLLECTION: TRANSCENDING MATERIALJUL 23, 2015 - JUL 17, 2016 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENTGEOFFREY FARMERAPR 13 - JUL 17, 2016 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIOUGO RONDINONE: MOONRISE SCULPTURESMAY 17 - SEP 11, 2016 - PUBLIC TOURSRACHEL PERRY: KARAOKE WRONG NUMBERMAY 24 - SEP 12, 2016 - PUBLIC TOURS - ICA-PRODUCED AUDIOETHAN MURROW: SEASTEADJULY 11, 2015 - NOV 27, 2016 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENTNALINI MALANI: IN SEARCH OF VANISHED BLOODJUN 29 - OCT 16, 2016 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO - ART TALK: MIEKE BAL AND EVA RESPINI ON NALINI MALANI - ICA FORUM: HISTORY, WOMEN, AND MODERN INDIA WITH HARLEEN SINGH AND EVA RESPINILIZ DESCHENES JUN 29 - OCT 16, 2016 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO AND VIDEO TOUR CONTENT - GALLERY TALK: MAGGIE WESSLING ON LIZ DESCHENES - GALLERY TALK: DANIEL RANALLI ON LIZ DESCHENES - THE ARTIST'S VOICE: LIZ DESCHENES (X2)FIRST LIGHT: A DECADE OF COLLECTING AT THE ICAAUG 17 - JAN 16, 2017 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - GALLERY TALK: MARCIE BEGLEITER ON EVA HESSE - GALLERY TALK: TREVA LINDSEY ON ELLEN GALLAGHER - CURATOR TOUR: JESSICA HONG AND JEFFREY DE BLOIS ON FIRST LIGHT - GALLERY TALK: SARAH PARRISH ON FRANCOISE GROSSEN - THE ARTIST'S VOICE: NICHOLAS NIXON AND ABELARDO MORELL WITH EVA RESPINI - THE ARTIST'S VOICE: KARA WALKER WITH EVA RESPINI - STAFF PICKS: FIRST LIGHT (X6)THE ARTIST'S MUSEUMNOV 16, 2016 - MAR 26, 2017 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - CURATOR TOUR: DAN BYERS ON THE ARTIST'S MUSEUM - GALLERY TALK: JEREMY MELIUS ON RACHEL HARRISON - GALLERY TALK: SANDY ALEXANDRE ON XAVIERA SIMMONS - THE ARTIST'S VOICE: CAROL BOVE WITH GREG WILLIAMS AND DAN BYERSICA COLLECTION: NEW ACQUISITIONS FEB 15, 2017 - FEB 25, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - CURATOR TOUR: RUTH ERICKSON ON NEW ACQUISITIONS - GALLERY TALK: BERYL LIPTON ON JENNY HOLZERSTEVE MCQUEEN: ASHESFEB 15, 2017 - FEB 25, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENTJAMES AND AUDREY FOSTER PRIZE 2017FEB 15 - JUL 9, 2017 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT AND VIDEO TOUR CONTENT - FOSTER TALKS: VERENA PARAVEL AND LUCIEN CASTAING-TAYLOR WITH DENNIS LIM - FOSTER TALKS: LUCY KIM WITH MELISSA DOFT - FOSTER TALKS: JENNIFER BORNSTEIN WITH RHEA ANASTAS - FOSTER TALKS: SONIA ALMEIDA WITH ULRIKE MULLER GILLIAN WEARING: ROCK 'N' ROLL 70DEC 9, 2016 - JAN 1, 2018 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - GALLERY TALK: LUCAS BLALOCK ON GILLIAN WEARINGNARI WARD: SUN SPLASHEDAPR 26 - SEP 4, 2017 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT AND VIDEO TOUR CONTENT - GALLERY TALK: PETRINA DACRES ON NARI WARD - CURATOR TOUR: RUTH ERICKSON ON NARI WARD - GALLERY TALK: POETIC RESPONSES TO NARI WARD WITH NICOLE TEREZ DUTTON, KRYSTEN HILL, EMMANUEL OPPONG-YEBOAH, AND AMANDA TORRES - THE ARTIST'S VOICE: NARI WARD AND TANIA BRUGUERA WITH RUTH ERICKSON - NARI WARD NATURALIZATION TABLE ACTIVATION (X5) - NATURALIZATION CEREMONYNARI WARD: LANDAPR 26 - SEP 4, 2017 - PUBLIC TOURSADULT PROGRAMS / OTHER:ICA READS: KINDRED: A GRAPHIC NOVEL ADAPTATION BY DAMIAN DUFFY AND JOHN JENNINGS - THE ARTIST'S VOICE: DAMIAN DUFFY AND JOHN JENNINGS WITH KIMBERLY JUANITA BROWNOTHER ADULT PROGRAMS - WIKIPEDIA EDIT-A-THON - HARVARD GRADUATE SCHOOL OF EDUCATION - AIGA/ICA LECTURE: NANCY SKOLOS AND THOMAS WEDELL - TEACHER WORKSHOP: CONTEMPORARY ART IN THE CLASSROOM - SITES OF CONSCIENCE TRAININGFAMILIES: FAMILY PROGRAMS SERVED 5,395 VISITORS THROUGH PLAY DATES AND BOOKS AND LOOKS. AN ADDITIONAL 6,192 INDIVIDUALS PARTICIPATED IN ARTIST CREATED ACTIVITIES IN THE BANK OF AMERICA ART LAB. AN UNQUANTIFIABLE NUMBER OF INDIVIDUALS UTILIZED GALLERY GAMES.FAMILY PROGRAMS- BOOKS + LOOKS- GALLERY GAMES- FAMILY POP UP TALKS - PLAY DATES - IMAGINATION FEST - SEASIDE ADVENTURES - ENJOYING COLLECTING - CONTEMPORARY CREATIVE EXPRESS - REIMAGINING OUR WORLD - FAMILY FILM PROGRAM - PAUSE, LOOK, AND LISTEN - COMMUNICATING THROUGH ART - UNCOVERING ARTISTS' STORIES - RHYTHM AND HUES - MAKING BRIDGES TOGETHER- VACATION WEEKS - DECEMBER HOLIDAY WEEK - FEBRUARY VACATION WEEK - APRIL VACATION WEEK- MAKE/MADE ART LAB - THE ART OF BUILDING (JUL-NOV 2016) - COLLECTIONS CONNECTION (DEC 2016-MAR 2017): SUSANNAH LAWRENCE - FISH OUT OF WATER (APR-JUN 2017): BENNIE FLORES ANSELLCOMMUNITY PROGRAMS & PARTNERSHIPS (SELECT):THE ICA COLLABORATED WITH NUMEROUS ORGANIZATIONS THROUGHOUT FISCAL YEAR 2017. BELOW IS A LIST OF SELECT PARTNER ORGANIZATIONS. PROGRAMS INCLUDE, FOR EXAMPLE, FREE FUN FRIDAY (2,682 PARTICIPANTS); BOSTON CHILDREN'S HOSPITAL (135 PARTICIPANTS); AND MAKE/MADE, A PROGRAM IN COLLABORATION WITH ARTISTS SUSANNAH LAWRENCE AND BENNIE FLORES ANSELL (4,963 PARTICIPANTS). COMMUNITY PROGRAMS & PARTNERSHIPS (SELECT)- SITES OF CONSCIENCE- DECORDOVA MUSEUM & SCULPTURE PARK- MUSEUM OF FINE ARTS BOSTON- MASSART BAKALAR & PAINE GALLERIES- MIT LIST VISUAL ARTS CENTER- PEABODY ESSEX MUSEUM- SUSANNAH LAWRENCE- BENNIE FLORES ANSELL- ETHAN AND VITA MURROW- THE TRIVENI SCHOOL OF DANCE- PETER DIMURO- PUBLIC DISPLAYS OF MOTION- AARON LARGET-CAPLAN- URBANITY DANCE- BOSTON CHILDREN'S CHORUS- SR9 TRIO- I'M STILL HERE FOUNDATION- ROGERSON HOUSE- HIGHLAND STREET FOUNDATION- TRIANGLE INC.- ROSIE'S PLACE- BOSTON CHILDREN'S HOSPITAL- SOCIEDAD LATINA- INQUILINOS BORICUAS EN ACCION- MASS LEAP- ZUMIX- HYDE SQUARE TASK FORCE- BOSTON PUBLIC SCHOOLSDesc

Prog Srvc Accom Acty Other ProgSrvcAccomActyOtherGrp (3 entries)

ExpenseExpenseAmtRevenueRevenueAmtDescDesc
$361,758$585,383MEMBERSHIPS: MEMBERSHIP CONTRIBUTIONS HELP THE ICA PRESENT EXHIBITIONS, PERFORMANCES, AND PROGRAMS FOR TEENS, FAMILIES AND ADULTS, CREATING A PLACE WHERE PEOPLE OF ALL AGES AND BACKGROUNDS CAN SHARE THE EXCITEMENT OF NEW ART AND IDEAS. IN FISCAL YEAR 2017 THE MEMBERSHIP DEPARTMENT SERVED NEARLY 6,000 HOUSEHOLDS PROVIDING THE PRIMARY BENEFITS OF FREE MUSEUM ADMISSION, PERFORMANCE TICKET DISCOUNTS, DISCOUNTS IN THE ICA STORE AND WATER CAFE, EXHIBITION PREVIEWS, FIRST FRIDAYS, OPENING EXHIBITION RECEPTIONS AND A SUBSCRIPTION TO THE ICA MAGAZINE "NEW". THE ICA HAD OVER 15,806 MEMBER VISITS TO THE GALLERIES, PERFORMANCES AND EVENTS IN FY17.
$891,471$849,925EARNED INCOME ACTIVITIES: TRAVELING EXHIBITS: - THE ICA-ORGANIZED EXHIBITION, LEAP BEFORE YOU LOOK: BLACK MOUNTAIN COLLEGE 1933-1957 TOURED TO THE HAMMER MUSEUM FROM 2/21/16 - 5/15/16, AND TO THE WEXNER CENTER FOR THE ARTS FROM 9/17/16 - 1/1/17. ART TRIPS: IN FY17 THE ICA SPONSORED FOUR ART TRIPS TO:REYKJAVIK, KASSEL, MUNSTER, AND ATHENS, SAN FRANCISCO AND SONOMA, AND MIAMI.EVENT SPACE RENTALS: THE ICA HAD 52 EVENT SPACE RENTALS IN FY17 THAT WERE ATTENDED BY 8,655 VISITORS WHO GOT THE OPPORTUNITY TO VIEW THE ICA'S AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS.
$1,197,421PROGRAM MARKETING AND COMMUNICATIONS: DEVELOPED AND IMPLEMENTED MARKETING, ADVERTISING, SOCIAL MEDIA, AND PUBLIC RELATIONS STRATEGIES THAT PROMOTED THE EXPERIENCE OF THE ICA INCLUDING EXHIBITIONS, PERFORMANCES, AND EDUCATIONAL COMMUNITY AND SOCIAL PROGRAMS, AND FREE HOLIDAY MONDAYS TO THE PUBLIC AND ICA MEMBERS. THESE STRATEGIES ALLOWED THE ICA TO ACHIEVE 207,303 IN TOTAL VISITORS TO THE ICA IN FISCAL YEAR 2017.
FieldValueIRS element (for citing)
Total Other Prog Srvc Expense$2,450,650TotalOtherProgSrvcExpenseAmt
Total Other Prog Srvc Revenue$1,435,308TotalOtherProgSrvcRevenueAmt
Total Program Service Expenses$11,903,176TotalProgramServiceExpensesAmt
Described In Section501c3Yes (1)DescribedInSection501c3Ind
Schedule B RequiredYes (1)ScheduleBRequiredInd
Political Campaign Acty0PoliticalCampaignActyInd
Lobbying Activities0LobbyingActivitiesInd
Subject To Proxy Tax0SubjectToProxyTaxInd
Donor Advised Fund0DonorAdvisedFundInd
Conservation Easements0ConservationEasementsInd
Collections Of ArtYes (1)CollectionsOfArtInd
Credit Counseling0CreditCounselingInd
Temp Or Permanent EndowmentsYes (1)TempOrPermanentEndowmentsInd
Report Land Building EquipmentYes (1)ReportLandBuildingEquipmentInd
Report Investments Other Sec0ReportInvestmentsOtherSecInd
Report Program Related Invst0ReportProgramRelatedInvstInd
Report Other Assets0ReportOtherAssetsInd
Report Other LiabilitiesYes (1)ReportOtherLiabilitiesInd
Include FIN48 FootnoteYes (1)IncludeFIN48FootnoteInd
Independent Audit Fincl StmtYes (1)IndependentAuditFinclStmtInd
Consolidated Audit Fincl Stmt0ConsolidatedAuditFinclStmtInd
School Operating0SchoolOperatingInd
Foreign Office0ForeignOfficeInd
Foreign Activities0ForeignActivitiesInd
More Than5000 K To Org0MoreThan5000KToOrgInd
More Than5000 K To Individuals0MoreThan5000KToIndividualsInd
Professional FundraisingYes (1)ProfessionalFundraisingInd
Fundraising ActivitiesYes (1)FundraisingActivitiesInd
Gaming Activities0GamingActivitiesInd
Operate Hospital0OperateHospitalInd
Grants To Organizations0GrantsToOrganizationsInd
Grants To Individuals0GrantsToIndividualsInd
Schedule J RequiredYes (1)ScheduleJRequiredInd
Tax Exempt BondsYes (1)TaxExemptBondsInd
Invest Tax Exempt Bonds0InvestTaxExemptBondsInd
Escrow Account0EscrowAccountInd
On Behalf Of Issuer0OnBehalfOfIssuerInd
Engaged In Excess Benefit Trans0EngagedInExcessBenefitTransInd
PY Excess Benefit Trans0PYExcessBenefitTransInd
Loan Outstanding0LoanOutstandingInd
Grant To Related Person0GrantToRelatedPersonInd
Business Rln With Org Mem0BusinessRlnWithOrgMemInd
Business Rln With Fam Mem0BusinessRlnWithFamMemInd
Business Rln With Officer Ent0BusinessRlnWithOfficerEntInd
Deductible Non Cash ContriYes (1)DeductibleNonCashContriInd
Deductible Art ContributionYes (1)DeductibleArtContributionInd
Terminate Operations0TerminateOperationsInd
Partial Liquidation0PartialLiquidationInd
Disregarded Entity0DisregardedEntityInd
Related Entity0RelatedEntityInd
Related Organization Ctrl Ent0RelatedOrganizationCtrlEntInd
Trnsfr Exmpt Non Chrtbl Rltd Org0TrnsfrExmptNonChrtblRltdOrgInd
Activities Conducted Prtshp0ActivitiesConductedPrtshpInd
Schedule O RequiredYes (1)ScheduleORequiredInd
IRP Document228IRPDocumentCnt
IRP Document W2 G0IRPDocumentW2GCnt
Backup Wthld ComplianceYes (1)BackupWthldComplianceInd
Employee249EmployeeCnt
Employment Tax Returns FiledYes (1)EmploymentTaxReturnsFiledInd
Unrelated Bus Incm Over LimitYes (1)UnrelatedBusIncmOverLimitInd
Form990 T FiledYes (1)Form990TFiledInd
Foreign Financial Account0ForeignFinancialAccountInd
Prohibited Tax Shelter Trans0ProhibitedTaxShelterTransInd
Taxable Party Notification0TaxablePartyNotificationInd
Nondeductible Contributions0NondeductibleContributionsInd
Quid Pro Quo ContributionsYes (1)QuidProQuoContributionsInd
Quid Pro Quo Contri DisclYes (1)QuidProQuoContriDisclInd
Form8282 Property Disposed Of0Form8282PropertyDisposedOfInd
Rcv Fnds To Pay Prsnl Bnft Cntrct0RcvFndsToPayPrsnlBnftCntrctInd
Pay Premiums Prsnl Bnft Cntrct0PayPremiumsPrsnlBnftCntrctInd
Indoor Tanning Services0IndoorTanningServicesInd
Info In Schedule O Part VIYes (X)InfoInScheduleOPartVIInd
Governing Body Voting Members33GoverningBodyVotingMembersCnt
Independent Voting Member32IndependentVotingMemberCnt
Family Or Business Rln0FamilyOrBusinessRlnInd
Delegation Of Mgmt Duties0DelegationOfMgmtDutiesInd
Change To Org Documents0ChangeToOrgDocumentsInd
Material Diversion Or Misuse0MaterialDiversionOrMisuseInd
Members Or Stockholders0MembersOrStockholdersInd
Election Of Board Members0ElectionOfBoardMembersInd
Decisions Subject To Approva0DecisionsSubjectToApprovaInd
Minutes Of Governing BodyYes (1)MinutesOfGoverningBodyInd
Minutes Of CommitteesYes (1)MinutesOfCommitteesInd
Officer Mailing Address0OfficerMailingAddressInd
Local Chapters0LocalChaptersInd
Form990 Provided To Gvrn BodyYes (1)Form990ProvidedToGvrnBodyInd
Conflict Of Interest PolicyYes (1)ConflictOfInterestPolicyInd
Annual Disclosure Covered PrsnYes (1)AnnualDisclosureCoveredPrsnInd
Regular Monitoring EnfrcYes (1)RegularMonitoringEnfrcInd
Whistleblower PolicyYes (1)WhistleblowerPolicyInd
Document Retention PolicyYes (1)DocumentRetentionPolicyInd
Compensation Process CEOYes (1)CompensationProcessCEOInd
Compensation Process OtherYes (1)CompensationProcessOtherInd
Investment In Joint Venture0InvestmentInJointVentureInd
States Where Copy Of Return Is FldMAStatesWhereCopyOfReturnIsFldCd
Upon RequestYes (X)UponRequestInd

Books In Care Of Detail BooksInCareOfDetail

Business Name BusinessName

FieldValueIRS element (for citing)
Business Name Line1MICHAEL TAUBENBERGERBusinessNameLine1Txt
FieldValueIRS element (for citing)
Phone6174783192PhoneNum

US Address USAddress

FieldValueIRS element (for citing)
Address Line125 HARBOR SHORE DRIVEAddressLine1Txt
CityBOSTONCityNm
State AbbreviationMAStateAbbreviationCd
ZIP02210ZIPCd

Form990 Part VII Section A Form990PartVIISectionAGrp (42 entries)

TitleTitleTxtAverage Hours Per WeekAverageHoursPerWeekRtIndividual Trustee Or DirectorIndividualTrusteeOrDirectorIndReportable Comp From OrgReportableCompFromOrgAmtReportable Comp From Rltd OrgReportableCompFromRltdOrgAmtOther CompensationOtherCompensationAmtOfficerOfficerIndKey EmployeeKeyEmployeeIndHighest Compensated EmployeeHighestCompensatedEmployeeInd
LORI FIREMAN BALDWIN
TRUSTEE1.00Yes (X)$0$0$0
CHARLES BRIZIUS
PRESIDENT1.00Yes (X)$0$0$0Yes (X)
DR PAUL BUTTENWIESER
TRUSTEE1.00Yes (X)$0$0$0
KAREN SWETT CONWAY
TRUSTEE1.00Yes (X)$0$0$0
STEVEN D CORKIN
TRUSTEE1.00Yes (X)$0$0$0
ROBERT DAVOLI
TRUSTEE1.00Yes (X)$0$0$0
FOTENE DEMOULAS
VICE PRESIDENT1.00Yes (X)$0$0$0Yes (X)
JOHN DESPREZ III
TRUSTEE (ON LEAVE)1.00Yes (X)$0$0$0
MARY SCHNEIDER ENRIQUEZ
TRUSTEE1.00Yes (X)$0$0$0
BRIDGITT EVANS
TRUSTEE1.00Yes (X)$0$0$0
OLIVER EWALD
TRUSTEE1.00Yes (X)$0$0$0
GERALD FINEBERG
TRUSTEE1.00Yes (X)$0$0$0
JAMES C FOSTER
CHAIR1.00Yes (X)$0$0$0Yes (X)
ERICA GERVAIS PAPPENDICK
TRUSTEE1.00Yes (X)$0$0$0
VIVIEN HASSENFELD
TRUSTEE1.00Yes (X)$0$0$0
HAL HESS
VICE CHAIR1.00Yes (X)$0$0$0Yes (X)
ALLISON JOHNSON
TRUSTEE1.00Yes (X)$0$0$0
CHARLA JONES
TRUSTEE1.00Yes (X)$0$0$0
BARBARA F LEE
VICE CHAIR1.00Yes (X)$0$0$0Yes (X)
KENT LUCKEN
TRUSTEE1.00Yes (X)$0$0$0
TRISTIN MANNION
VICE CHAIR1.00Yes (X)$0$0$0Yes (X)
RONALD O'HANLEY
TRUSTEE1.00Yes (X)$0$0$0
JAMES PALLOTTA
TRUSTEE1.00Yes (X)$0$0$0
ELLEN M POSS MD
TRUSTEE1.00Yes (X)$0$0$0
DAVID PUTH
TRUSTEE1.00Yes (X)$0$0$0
CHARLES RODGERS
TRUSTEE1.00Yes (X)$0$0$0
MARIO RUSSO
TRUSTEE1.00Yes (X)$0$0$0
MARK SCHWARTZ
TREASURER/SECRETARY/CLERK1.00Yes (X)$0$0$0Yes (X)
JONATHAN SEELIG
TRUSTEE1.00Yes (X)$0$0$0
ANTHONY TERRANA DMD
TRUSTEE1.00Yes (X)$0$0$0
CHARLOTTE WAGNER
VICE PRESIDENT1.00Yes (X)$0$0$0Yes (X)
MICHAEL WILENS
TRUSTEE1.00Yes (X)$0$0$0
NICK WINTON
TRUSTEE (ON LEAVE)1.00Yes (X)$0$0$0
NICOLE ZATLYN
EX-OFFICIO1.00Yes (X)$0$0$0
JILL MEDVEDOW
DIRECTOR/EX-OFFICIO/CEO40.00Yes (X)$489,583$0$49,140Yes (X)
MICHAEL TAUBENBERGER
CFO & COO40.00$188,923$0$18,632Yes (X)
EVA RESPINI
CHIEF CURATOR40.00$186,510$0$29,324Yes (X)
DAVID HENRY
DIR. OF PERFORMING ARTS & MEDIA ARTS40.00$154,644$0$32,123Yes (X)
KELLY GIFFORD
DIR. OF EXTERNAL RELATIONS40.00$143,180$0$28,236Yes (X)
KATHRYN GREENBERG MAYSHAK
DIRECTOR OF DEVELOPMENT40.00$146,089$0$22,492Yes (X)
MONICA GARZA
DIRECTOR OF EDUCATION40.00$114,574$0$26,451Yes (X)
DANIEL BYERS
SENIOR CURATOR40.00$104,349$0$12,726Yes (X)
FieldValueIRS element (for citing)
Total Reportable Comp From Org$1,527,852TotalReportableCompFromOrgAmt
Tot Reportable Comp Rltd Org$0TotReportableCompRltdOrgAmt
Total Other Compensation$219,124TotalOtherCompensationAmt
Indiv Rcvd Greater Than100 K8IndivRcvdGreaterThan100KCnt
Former Ofcr Employees Listed0FormerOfcrEmployeesListedInd
Total Comp Greater Than150 KYes (1)TotalCompGreaterThan150KInd
Compensation From Other Srcs0CompensationFromOtherSrcsInd

Contractor Compensation ContractorCompensationGrp (5 entries)

Address Line1ContractorAddress/USAddress/AddressLine1TxtCityContractorAddress/USAddress/CityNmState AbbreviationContractorAddress/USAddress/StateAbbreviationCdZIPContractorAddress/USAddress/ZIPCdServicesServicesDescCompensationCompensationAmt
ANMAHIAN WINTON ARCHITECTS
650 CAMBRIDGE STREETCAMBRIDGEMA02141ARCHITECTURAL SERVICES$316,545
AMERICAN CLEANING COMPANY INC
PO BOX 390702CAMBRIDGEMA02139CLEANING SERVICES$290,391
ALLIED BARTON SECURITY
PO BOX 828854PHILADELPHIAPA19182SECURITY SERVICES$283,923
ARTEX INC
8712 JERICHO CITY DRIVELANDOVERMD20785SHIPPING SERVICES$252,584
WOLFGANG PUCK CATERING
25 HARBOR SHORE DRIVEBOSTONMA02210CATERING SERVICES$180,897
FieldValueIRS element (for citing)
Cntrct Rcvd Greater Than100 K12CntrctRcvdGreaterThan100KCnt
Fundraising$1,164,888FundraisingAmt
Government Grants$377,013GovernmentGrantsAmt
All Other Contributions$19,409,110AllOtherContributionsAmt
Noncash Contributions$1,976,795NoncashContributionsAmt
Total Contributions$20,951,011TotalContributionsAmt

Program Service Revenue ProgramServiceRevenueGrp (4 entries)

DescDescBusinessBusinessCdTotal Revenue ColumnTotalRevenueColumnAmtRelated Or Exempt Func IncomeRelatedOrExemptFuncIncomeAmt
ADMISSIONS AND PROGRAM FEES900099$1,038,487$1,038,487
MEMBERSHIP DUES900099$585,383$585,383
EXHIBITIONS900099$179,036$179,036
TRIP AND TOURS900099$3,900$3,900
FieldValueIRS element (for citing)
Total Program Service Revenue$1,806,806TotalProgramServiceRevenueAmt

Investment Income InvestmentIncomeGrp

FieldValueIRS element (for citing)
Total Revenue Column$452,501TotalRevenueColumnAmt
Exclusion$452,501ExclusionAmt

Gross Rents GrossRentsGrp

FieldValueIRS element (for citing)
Real$598,097RealAmt

Less Rental Expenses LessRentalExpensesGrp

FieldValueIRS element (for citing)
Real$656,689RealAmt

Rental Income Or Loss RentalIncomeOrLossGrp

FieldValueIRS element (for citing)
Real-$58,592RealAmt

Net Rental Income Or Loss NetRentalIncomeOrLossGrp

FieldValueIRS element (for citing)
Total Revenue Column-$58,592TotalRevenueColumnAmt
Unrelated Business Revenue-$58,592UnrelatedBusinessRevenueAmt

Gross Amount Sales Assets GrossAmountSalesAssetsGrp

FieldValueIRS element (for citing)
Securities$2,825,795SecuritiesAmt

Less Cost Oth Basis Sales Expnss LessCostOthBasisSalesExpnssGrp

FieldValueIRS element (for citing)
Securities$2,425,349SecuritiesAmt

Gain Or Loss GainOrLossGrp

FieldValueIRS element (for citing)
Securities$400,446SecuritiesAmt

Net Gain Or Loss Investments NetGainOrLossInvestmentsGrp

FieldValueIRS element (for citing)
Total Revenue Column$400,446TotalRevenueColumnAmt
Exclusion$400,446ExclusionAmt
FieldValueIRS element (for citing)
Fundraising Gross Income$117,600FundraisingGrossIncomeAmt
Contri Rpt Fundraising Event$1,164,888ContriRptFundraisingEventAmt
Fundraising Direct Expenses$515,215FundraisingDirectExpensesAmt

Net Incm From Fundraising Evt NetIncmFromFundraisingEvtGrp

FieldValueIRS element (for citing)
Total Revenue Column-$397,615TotalRevenueColumnAmt
Exclusion-$397,615ExclusionAmt
FieldValueIRS element (for citing)
Gross Sales Of Inventory$752,146GrossSalesOfInventoryAmt
Cost Of Goods Sold$327,761CostOfGoodsSoldAmt

Net Income Or Loss NetIncomeOrLossGrp

FieldValueIRS element (for citing)
Total Revenue Column$424,385TotalRevenueColumnAmt
Related Or Exempt Func Income$424,385RelatedOrExemptFuncIncomeAmt

Other Revenue Misc OtherRevenueMiscGrp (2 entries)

DescDescBusinessBusinessCdTotal Revenue ColumnTotalRevenueColumnAmtExclusionExclusionAmtRelated Or Exempt Func IncomeRelatedOrExemptFuncIncomeAmt
FOOD SERVICES722210$93,879$93,879
OTHER REVENUE900099$19,844$19,844
FieldValueIRS element (for citing)
Other Revenue Total$113,723OtherRevenueTotalAmt

Total Revenue TotalRevenueGrp

FieldValueIRS element (for citing)
Total Revenue Column$23,692,665TotalRevenueColumnAmt
Related Or Exempt Func Income$2,251,035RelatedOrExemptFuncIncomeAmt
Unrelated Business Revenue-$58,592UnrelatedBusinessRevenueAmt
Exclusion$549,211ExclusionAmt

Comp Current Ofcr Directors CompCurrentOfcrDirectorsGrp

FieldValueIRS element (for citing)
Total$962,112TotalAmt
Management And General$962,112ManagementAndGeneralAmt

Other Salaries And Wages OtherSalariesAndWagesGrp

FieldValueIRS element (for citing)
Total$5,072,909TotalAmt
Program Services$3,931,195ProgramServicesAmt
Management And General$339,777ManagementAndGeneralAmt
Fundraising$801,937FundraisingAmt

Pension Plan Contributions PensionPlanContributionsGrp

FieldValueIRS element (for citing)
Total$169,060TotalAmt
Program Services$127,100ProgramServicesAmt
Management And General$10,059ManagementAndGeneralAmt
Fundraising$31,901FundraisingAmt

Other Employee Benefits OtherEmployeeBenefitsGrp

FieldValueIRS element (for citing)
Total$430,806TotalAmt
Program Services$335,485ProgramServicesAmt
Management And General$31,987ManagementAndGeneralAmt
Fundraising$63,334FundraisingAmt

Payroll Taxes PayrollTaxesGrp

FieldValueIRS element (for citing)
Total$470,349TotalAmt
Program Services$334,784ProgramServicesAmt
Management And General$78,665ManagementAndGeneralAmt
Fundraising$56,900FundraisingAmt

Fees For Services Legal FeesForServicesLegalGrp

FieldValueIRS element (for citing)
Total$9,763TotalAmt
Program Services$3,004ProgramServicesAmt
Management And General$6,759ManagementAndGeneralAmt

Fees For Services Accounting FeesForServicesAccountingGrp

FieldValueIRS element (for citing)
Total$55,686TotalAmt
Management And General$55,686ManagementAndGeneralAmt

Fees For Services Prof Fundraising FeesForServicesProfFundraising

FieldValueIRS element (for citing)
Total$25,262TotalAmt
Fundraising$25,262FundraisingAmt

Fees For Srvc Invst Mgmnt Fees FeesForSrvcInvstMgmntFeesGrp

FieldValueIRS element (for citing)
Total$107,778TotalAmt
Management And General$94,819ManagementAndGeneralAmt
Fundraising$12,959FundraisingAmt

Fees For Services Other FeesForServicesOtherGrp

FieldValueIRS element (for citing)
Total$775,480TotalAmt
Program Services$660,021ProgramServicesAmt
Management And General$113,509ManagementAndGeneralAmt
Fundraising$1,950FundraisingAmt

Advertising AdvertisingGrp

FieldValueIRS element (for citing)
Total$335,582TotalAmt
Program Services$334,543ProgramServicesAmt
Management And General$905ManagementAndGeneralAmt
Fundraising$134FundraisingAmt

Office Expenses OfficeExpensesGrp

FieldValueIRS element (for citing)
Total$26,304TotalAmt
Program Services$13,778ProgramServicesAmt
Management And General$9,377ManagementAndGeneralAmt
Fundraising$3,149FundraisingAmt

Information Technology InformationTechnologyGrp

FieldValueIRS element (for citing)
Total$89,459TotalAmt
Program Services$52,172ProgramServicesAmt
Management And General$14,930ManagementAndGeneralAmt
Fundraising$22,357FundraisingAmt

Occupancy OccupancyGrp

FieldValueIRS element (for citing)
Total$767,456TotalAmt
Program Services$671,626ProgramServicesAmt
Management And General$60,923ManagementAndGeneralAmt
Fundraising$34,907FundraisingAmt

Travel TravelGrp

FieldValueIRS element (for citing)
Total$511,277TotalAmt
Program Services$439,852ProgramServicesAmt
Management And General$19,338ManagementAndGeneralAmt
Fundraising$52,087FundraisingAmt

Conferences Meetings ConferencesMeetingsGrp

FieldValueIRS element (for citing)
Total$15,323TotalAmt
Program Services$7,575ProgramServicesAmt
Management And General$2,197ManagementAndGeneralAmt
Fundraising$5,551FundraisingAmt

Interest InterestGrp

FieldValueIRS element (for citing)
Total$144,912TotalAmt
Program Services$95,702ProgramServicesAmt
Management And General$47,365ManagementAndGeneralAmt
Fundraising$1,845FundraisingAmt

Depreciation Depletion DepreciationDepletionGrp

FieldValueIRS element (for citing)
Total$1,827,568TotalAmt
Program Services$1,754,575ProgramServicesAmt
Management And General$39,167ManagementAndGeneralAmt
Fundraising$33,826FundraisingAmt

Insurance InsuranceGrp

FieldValueIRS element (for citing)
Total$112,699TotalAmt
Program Services$61,350ProgramServicesAmt
Management And General$51,349ManagementAndGeneralAmt

Other Expenses OtherExpensesGrp (4 entries)

DescDescTotalTotalAmtProgram ServicesProgramServicesAmtManagement And GeneralManagementAndGeneralAmtFundraisingFundraisingAmt
ART ACQUISITIONS$797,900$797,900
RENTAL AND EQUIPMENT$708,389$651,020$19,108$38,261
SHIPPING & STORAGE$571,719$571,719
ARTIST FEES$508,327$477,006$2,100$29,221

All Other Expenses AllOtherExpensesGrp

FieldValueIRS element (for citing)
Total$667,859TotalAmt
Program Services$582,769ProgramServicesAmt
Management And General$85,090ManagementAndGeneralAmt

Total Functional Expenses TotalFunctionalExpensesGrp

FieldValueIRS element (for citing)
Total$15,163,979TotalAmt
Program Services$11,903,176ProgramServicesAmt
Management And General$2,045,222ManagementAndGeneralAmt
Fundraising$1,215,581FundraisingAmt

Cash Non Interest Bearing CashNonInterestBearingGrp

FieldValueIRS element (for citing)
BOY$2,688,337BOYAmt
EOY$4,640,003EOYAmt

Pledges And Grants Receivable PledgesAndGrantsReceivableGrp

FieldValueIRS element (for citing)
BOY$11,796,814BOYAmt
EOY$16,337,007EOYAmt

Accounts Receivable AccountsReceivableGrp

FieldValueIRS element (for citing)
BOY$289,119BOYAmt
EOY$127,973EOYAmt

Inventories For Sale Or Use InventoriesForSaleOrUseGrp

FieldValueIRS element (for citing)
BOY$312,318BOYAmt
EOY$328,882EOYAmt

Prepaid Expenses Defrd Charges PrepaidExpensesDefrdChargesGrp

FieldValueIRS element (for citing)
BOY$349,111BOYAmt
EOY$217,928EOYAmt
FieldValueIRS element (for citing)
Land Bldg Equip Cost Or Other Bss$62,031,400LandBldgEquipCostOrOtherBssAmt
Land Bldg Equip Accum Deprec$18,904,790LandBldgEquipAccumDeprecAmt

Land Bldg Equip Basis Net LandBldgEquipBasisNetGrp

FieldValueIRS element (for citing)
BOY$44,068,086BOYAmt
EOY$43,126,610EOYAmt

Investments Pub Traded Sec InvestmentsPubTradedSecGrp

FieldValueIRS element (for citing)
BOY$23,062,515BOYAmt
EOY$28,735,264EOYAmt

Investments Other Securities InvestmentsOtherSecuritiesGrp

FieldValueIRS element (for citing)
BOY$501,200BOYAmt
EOY$531,515EOYAmt

Other Assets Total OtherAssetsTotalGrp

FieldValueIRS element (for citing)
BOY$65,657BOYAmt
EOY$0EOYAmt

Total Assets TotalAssetsGrp

FieldValueIRS element (for citing)
BOY$83,133,157BOYAmt
EOY$94,045,182EOYAmt

Accounts Payable Accr Expnss AccountsPayableAccrExpnssGrp

FieldValueIRS element (for citing)
BOY$788,906BOYAmt
EOY$852,627EOYAmt

Deferred Revenue DeferredRevenueGrp

FieldValueIRS element (for citing)
BOY$66,667BOYAmt
EOY$45,833EOYAmt

Tax Exempt Bond Liabilities TaxExemptBondLiabilitiesGrp

FieldValueIRS element (for citing)
BOY$4,208,949BOYAmt
EOY$3,604,503EOYAmt

Other Liabilities OtherLiabilitiesGrp

FieldValueIRS element (for citing)
BOY$700,000BOYAmt
EOY$1,250,000EOYAmt

Total Liabilities TotalLiabilitiesGrp

FieldValueIRS element (for citing)
BOY$5,764,522BOYAmt
EOY$5,752,963EOYAmt
FieldValueIRS element (for citing)
Organization Follows SFAS117Yes (X)OrganizationFollowsSFAS117Ind

Unrestricted Net Assets UnrestrictedNetAssetsGrp

FieldValueIRS element (for citing)
BOY$40,358,661BOYAmt
EOY$40,106,350EOYAmt

Temporarily Rstr Net Assets TemporarilyRstrNetAssetsGrp

FieldValueIRS element (for citing)
BOY$7,648,352BOYAmt
EOY$12,610,201EOYAmt

Permanently Rstr Net Assets PermanentlyRstrNetAssetsGrp

FieldValueIRS element (for citing)
BOY$29,361,622BOYAmt
EOY$35,575,668EOYAmt

Total Net Assets Fund Balance TotalNetAssetsFundBalanceGrp

FieldValueIRS element (for citing)
BOY$77,368,635BOYAmt
EOY$88,292,219EOYAmt

Tot Liab Net Assets Fund Balance TotLiabNetAssetsFundBalanceGrp

FieldValueIRS element (for citing)
BOY$83,133,157BOYAmt
EOY$94,045,182EOYAmt
FieldValueIRS element (for citing)
Info In Schedule O Part XIYes (X)InfoInScheduleOPartXIInd
Reconcilation Revenue Expnss$8,528,686ReconcilationRevenueExpnssAmt
Net Unrlzd Gains Losses Invst$2,364,583NetUnrlzdGainsLossesInvstAmt
Other Changes In Net Assets$30,315OtherChangesInNetAssetsAmt
Method Of Accounting AccrualYes (X)MethodOfAccountingAccrualInd
Accountant Compile Or Review0AccountantCompileOrReviewInd
FS AuditedYes (1)FSAuditedInd

FS Audited Basis FSAuditedBasisGrp

FieldValueIRS element (for citing)
Separate Basis Fincl StmtYes (X)SeparateBasisFinclStmtInd
FieldValueIRS element (for citing)
Audit CommitteeYes (1)AuditCommitteeInd
Federal Grant Audit Required0FederalGrantAuditRequiredInd

Schedule A IRS990ScheduleA

FieldValueIRS element (for citing)
Public Organization170Yes (X)PublicOrganization170Ind

Gifts Grants Contri Rcvd170 GiftsGrantsContriRcvd170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$11,064,748CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$16,473,594CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$11,499,610CurrentTaxYearMinus2YearsAmt
Current Tax Year Minus1 Year$10,522,512CurrentTaxYearMinus1YearAmt
Current Tax Year$20,951,011CurrentTaxYearAmt
Total$70,511,475TotalAmt

Total Calendar Year170 TotalCalendarYear170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$11,064,748CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$16,473,594CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$11,499,610CurrentTaxYearMinus2YearsAmt
Current Tax Year Minus1 Year$10,522,512CurrentTaxYearMinus1YearAmt
Current Tax Year$20,951,011CurrentTaxYearAmt
Total$70,511,475TotalAmt
FieldValueIRS element (for citing)
Substantial Contributors Tot$13,354,158SubstantialContributorsTotAmt
Public Support Total170$57,157,317PublicSupportTotal170Amt

Gross Investment Income170 GrossInvestmentIncome170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$204,024CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$223,606CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$321,791CurrentTaxYearMinus2YearsAmt
Current Tax Year Minus1 Year$402,230CurrentTaxYearMinus1YearAmt
Current Tax Year$452,501CurrentTaxYearAmt
Total$1,604,152TotalAmt

Unrelated Business Net Incm170 UnrelatedBusinessNetIncm170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus3 Years$3,281CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$9,208CurrentTaxYearMinus2YearsAmt
Total$12,489TotalAmt

Other Income170 OtherIncome170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$156,592CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$201,874CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$197,407CurrentTaxYearMinus2YearsAmt
Current Tax Year Minus1 Year$227,565CurrentTaxYearMinus1YearAmt
Current Tax Year$211,479CurrentTaxYearAmt
Total$994,917TotalAmt
FieldValueIRS element (for citing)
Total Support$73,123,033TotalSupportAmt
Gross Receipts Rltd Activities$13,099,357GrossReceiptsRltdActivitiesAmt
Public Support CY1700.78170PublicSupportCY170Pct
Public Support PY1700.75030PublicSupportPY170Pct
Thirty Thr Pct Suprt Tests CY170Yes (X)ThirtyThrPctSuprtTestsCY170Ind

Schedule B IRS990ScheduleB

Contributor Information ContributorInformationGrp

FieldValueIRS element (for citing)
ContributorRESTRICTEDContributorNum

Contributor Business Name ContributorBusinessName

FieldValueIRS element (for citing)
Business Name Line1RESTRICTEDBusinessNameLine1

Contributor US Address ContributorUSAddress

FieldValueIRS element (for citing)
Address Line1RESTRICTEDAddressLine1
Address Line2RESTRICTEDAddressLine2
CityRESTRICTEDCity
StateRESTRICTEDState
ZIP CodeRESTRICTEDZIPCode
FieldValueIRS element (for citing)
Total ContributionsRESTRICTEDTotalContributionsAmt

Schedule D IRS990ScheduleD

FieldValueIRS element (for citing)
Collection Used Pub ExhibitionYes (X)CollectionUsedPubExhibitionInd
Coll Used Scholarly RsrchYes (X)CollUsedScholarlyRsrchInd
Collection Used PreservationYes (X)CollectionUsedPreservationInd
Solicited Assets Sale0SolicitedAssetsSaleInd

CY Endwmt Fund CYEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$23,668,861BeginningYearBalanceAmt
Contributions$3,951,001ContributionsAmt
Investment Earnings Or Losses$3,122,711InvestmentEarningsOrLossesAmt
Other Expenditures$1,125,000OtherExpendituresAmt
End Year Balance$29,617,573EndYearBalanceAmt

CY Minus1 Yr Endwmt Fund CYMinus1YrEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$21,210,871BeginningYearBalanceAmt
Contributions$3,692,065ContributionsAmt
Investment Earnings Or Losses-$299,075InvestmentEarningsOrLossesAmt
Other Expenditures$935,000OtherExpendituresAmt
End Year Balance$23,668,861EndYearBalanceAmt

CY Minus2 Yr Endwmt Fund CYMinus2YrEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$16,495,334BeginningYearBalanceAmt
Contributions$4,914,708ContributionsAmt
Investment Earnings Or Losses$528,829InvestmentEarningsOrLossesAmt
Other Expenditures$728,000OtherExpendituresAmt
End Year Balance$21,210,871EndYearBalanceAmt

CY Minus3 Yr Endwmt Fund CYMinus3YrEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$13,042,861BeginningYearBalanceAmt
Contributions$1,992,263ContributionsAmt
Investment Earnings Or Losses$2,035,210InvestmentEarningsOrLossesAmt
Other Expenditures$575,000OtherExpendituresAmt
End Year Balance$16,495,334EndYearBalanceAmt

CY Minus4 Yr Endwmt Fund CYMinus4YrEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$10,292,117BeginningYearBalanceAmt
Contributions$2,105,639ContributionsAmt
Investment Earnings Or Losses$1,150,105InvestmentEarningsOrLossesAmt
Other Expenditures$505,000OtherExpendituresAmt
End Year Balance$13,042,861EndYearBalanceAmt
FieldValueIRS element (for citing)
Prmnnt Endowment Balance EOY0.92770PrmnntEndowmentBalanceEOYPct
Term Endowment Balance EOY0.07230TermEndowmentBalanceEOYPct
Endowments Held Unrelated OrgYes (1)EndowmentsHeldUnrelatedOrgInd
Endowments Held Related Org0EndowmentsHeldRelatedOrgInd

Buildings BuildingsGrp

FieldValueIRS element (for citing)
Other Cost Or Other Basis$56,553,900OtherCostOrOtherBasisAmt
Depreciation$14,692,521DepreciationAmt
Book Value$41,861,379BookValueAmt

Equipment EquipmentGrp

FieldValueIRS element (for citing)
Other Cost Or Other Basis$5,477,500OtherCostOrOtherBasisAmt
Depreciation$4,212,269DepreciationAmt
Book Value$1,265,231BookValueAmt
FieldValueIRS element (for citing)
Total Book Value Land Buildings$43,126,610TotalBookValueLandBuildingsAmt

Other Liabilities Org OtherLiabilitiesOrgGrp

FieldValueIRS element (for citing)
DescLINE OF CREDITDesc
Amt$1,250,000Amt
FieldValueIRS element (for citing)
Total Liability$1,250,000TotalLiabilityAmt
Footnote TextYes (X)FootnoteTextInd
Total Rev Etc Audited Fincl Stmt$27,537,042TotalRevEtcAuditedFinclStmtAmt
Net Unrealized Gains Invst$2,364,583NetUnrealizedGainsInvstAmt
Donated Services And Use Fclts$44,633DonatedServicesAndUseFcltsAmt
Other Revenue-$64,504OtherRevenueAmt
Revenue Not Reported$2,344,712RevenueNotReportedAmt
Revenue Subtotal$25,192,330RevenueSubtotalAmt
Other Revenues Not Included-$1,499,665OtherRevenuesNotIncludedAmt
Revenue Not Reported Fincl Stmt-$1,499,665RevenueNotReportedFinclStmtAmt
Total Revenue Per Form990$23,692,665TotalRevenuePerForm990Amt
Tot Expns Etc Audited Fincl Stmt$16,613,458TotExpnsEtcAuditedFinclStmtAmt
Donated Services Use Fclts$44,633DonatedServicesUseFcltsAmt
Other Expenses Included$1,499,665OtherExpensesIncludedAmt
Expenses Not Reported$1,544,298ExpensesNotReportedAmt
Expenses Subtotal$15,069,160ExpensesSubtotalAmt
Other Expenses Not Included$94,819OtherExpensesNotIncludedAmt
Expenses Not Rpt Fincl Stmt$94,819ExpensesNotRptFinclStmtAmt
Total Expenses Per Form990$15,163,979TotalExpensesPerForm990Amt

Supplemental Information Detail SupplementalInformationDetail (8 entries)

Form And Line ReferenceFormAndLineReferenceDescExplanationExplanationTxt
PART III, LINE 1A:COLLECTIONS CONSIST OF WORKS OF ART, HISTORICAL TREASURES AND SIMILAR ASSETS HELD AS PART OF A COLLECTION FOR THE PURPOSES OF EDUCATION, RESEARCH OR PUBLIC EXHIBITION, RATHER THAN FOR SALE OR FINANCIAL GAIN. COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ICA'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN UNRESTRICTED NET ASSETS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS A DECREASE IN TEMPORARILY RESTRICTED NET ASSETS IF THE ASSETS ARE USED TO PURCHASE THE ITEMS ARE RESTRICTED BY DONORS. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASSES. THE COLLECTIONS ARE SUBJECT TO A POLICY THAT REQUIRES PROCEEDS FROM THEIR SALES TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. THE INSTITUTE OF CONTEMPORARY ART, INC. PURCHASED 16 PIECES OF ART FOR THE PERMANENT COLLECTIONS DURING THE YEAR ENDED JUNE 30, 2017. THE ICA PURCHASED 13 PIECES OF ART FOR THE PERMANENT COLLECTIONS DURING THE YEAR ENDED JUNE 30, 2016.
PART III, LINE 4:IN ACCOMPLISHING THE ORGANIZATION'S MISSION IN ART EDUCATION, CONTEMPORARY ARTWORKS FROM VARIOUS ARTISTS ARE EXHIBITED TO THE GENERAL PUBLIC.
PART V, LINE 4:THE ORGANIZATION'S ENDOWMENT FUNDS ARE FOR THE ORGANIZATION'S OPERATING EXPENSES AS DESIGNATED BY DONOR.
PART X, LINE 2:THE ICA IS GENERALLY EXEMPT FROM FEDERAL AND STATE INCOME TAXES UNDER THE PROVISIONS OF SECTION 501(A) OF THE INTERNAL REVENUE CODE AS ORGANIZATIONS DESCRIBED IN SECTION 501(C)(3) AND 501(C)(2), RESPECTIVELY. ACCORDINGLY, NO PROVISION FOR INCOME TAXES HAS BEEN RECORDED IN THE ACCOMPANYING FINANCIAL STATEMENTS. THE ICA RECOGNIZES A TAX BENEFIT FROM AN UNCERTAIN TAX POSTION ONLY IF IT IS MORE LIKELY THAN NOT THAT THE TAX POSITION WILL BE SUSTAINED ON EXAMINATION BY TAXING AUTHORITIES. MANAGEMENT EVALUATED THE ICA'S TAX POSITIONS AND CONCLUDED THAT THE ICA HAD NO MATERIAL UNCERTAINTIES IN INCOME TAXES AS OF JUNE 30, 2017 AND 2016. WITH FEW EXCEPTIONS, THE ICA IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE U.S., FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR FISCAL YEARS BEFORE 2014. THE ICA WILL ACCOUNT FOR INTEREST AND PENALTIES RELATED TO UNCERTAIN TAX POSITIONS, IF ANY, AS PART OF TAX EXPENSE.
PART XI, LINE 2D - OTHER ADJUSTMENTS:INVESTMENT EXPENSES NETTED WITH INVESTMENT REVENUE ON AUDITED FS -94,819. GAIN SPLIT INTEREST AGREEMENT 30,315.
PART XI, LINE 4B - OTHER ADJUSTMENTS:COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B -327,761. SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B -515,215. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B -656,689.
PART XII, LINE 2D - OTHER ADJUSTMENTS:SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B 515,215. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B 656,689. COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B 327,761.
PART XII, LINE 4B - OTHER ADJUSTMENTS:INVESTMENT EXP. NETTED WITH INVESTMENT REV. ON AUDITED FS 94,819.

Schedule G IRS990ScheduleG

FieldValueIRS element (for citing)
Mail SolicitationsYes (X)MailSolicitationsInd
Email SolicitationsYes (X)EmailSolicitationsInd
Phone SolicitationsYes (X)PhoneSolicitationsInd
In Person SolicitationsYes (X)InPersonSolicitationsInd
Solicitation Of Non Govt GrantsYes (X)SolicitationOfNonGovtGrantsInd
Solicitation Of Govt GrantsYes (X)SolicitationOfGovtGrantsInd
Special Fundraising EventsYes (X)SpecialFundraisingEventsInd
Agrmt Prof Fundraising ActyYes (1)AgrmtProfFundraisingActyInd

Fundraiser Activity Info FundraiserActivityInfoGrp

FieldValueIRS element (for citing)
PersonSUSAN COURTENMANCHEPersonNm

US Address USAddress

FieldValueIRS element (for citing)
Address Line140 POWDER HORN HILL ROADAddressLine1Txt
CityWILTONCityNm
State AbbreviationCTStateAbbreviationCd
ZIP06897ZIPCd
FieldValueIRS element (for citing)
ActivityFUNDRAISING STRATEGYActivityTxt
Fundraiser Control Of Funds0FundraiserControlOfFundsInd
Gross Receipts$0GrossReceiptsAmt
Retained By Contractor$25,262RetainedByContractorAmt
Net To Organization-$25,262NetToOrganizationAmt
FieldValueIRS element (for citing)
Total Retained By Contractors$25,262TotalRetainedByContractorsAmt
Total Net To Organization-$25,262TotalNetToOrganizationAmt
Licensed StatesMALicensedStatesCd

Fundraising Event Information FundraisingEventInformationGrp

FieldValueIRS element (for citing)
Event1GALAEvent1Nm
Gross Receipts Event1$934,488GrossReceiptsEvent1Amt
Charitable Contri Event1$852,488CharitableContriEvent1Amt
Gross Revenue Event1$82,000GrossRevenueEvent1Amt
Food And Beverage Event1$79,158FoodAndBeverageEvent1Amt
Entertainment Event1$7,178EntertainmentEvent1Amt
Other Direct Expenses Event1$267,236OtherDirectExpensesEvent1Amt
Event2WINE DINNEREvent2Nm
Gross Receipts Event2$348,000GrossReceiptsEvent2Amt
Charitable Contri Event2$312,400CharitableContriEvent2Amt
Gross Revenue Event2$35,600GrossRevenueEvent2Amt
Food And Beverage Event2$44,518FoodAndBeverageEvent2Amt
Other Direct Expenses Event2$117,125OtherDirectExpensesEvent2Amt
Gross Receipts Total$1,282,488GrossReceiptsTotalAmt
Charitable Contributions Tot$1,164,888CharitableContributionsTotAmt
Gross Revenue Total Events$117,600GrossRevenueTotalEventsAmt
Food And Beverage Total Events$123,676FoodAndBeverageTotalEventsAmt
Entertainment Total Events$7,178EntertainmentTotalEventsAmt
Oth Direct Expnss Total Events$384,361OthDirectExpnssTotalEventsAmt
Direct Expense Summary Events$515,215DirectExpenseSummaryEventsAmt
Net Income Summary-$397,615NetIncomeSummaryAmt

Schedule J IRS990ScheduleJ

FieldValueIRS element (for citing)
Compensation CommitteeYes (X)CompensationCommitteeInd
Form990 Of Other OrganizationsYes (X)Form990OfOtherOrganizationsInd
Compensation SurveyYes (X)CompensationSurveyInd
Board Or Committee ApprovalYes (X)BoardOrCommitteeApprovalInd
Severance Payment0SeverancePaymentInd
Supplemental Nonqual Rtr Plan0SupplementalNonqualRtrPlanInd
Equity Based Comp Arrngm0EquityBasedCompArrngmInd
Comp Based On Revenue Of Flng Org0CompBasedOnRevenueOfFlngOrgInd
Comp Bsd On Rev Related Orgs0CompBsdOnRevRelatedOrgsInd
Comp Bsd Net Earns Flng Org0CompBsdNetEarnsFlngOrgInd
Comp Bsd Net Earns Rltd Orgs0CompBsdNetEarnsRltdOrgsInd
Any Non Fixed PaymentsYes (1)AnyNonFixedPaymentsInd
Initial Contract Exception0InitialContractExceptionInd

Rltd Org Officer Trst Key Empl RltdOrgOfficerTrstKeyEmplGrp (6 entries)

TitleTitleTxtBase Compensation Filing OrgBaseCompensationFilingOrgAmtCompensation Based On Rltd OrgsCompensationBasedOnRltdOrgsAmtBonus Filing OrganizationBonusFilingOrganizationAmountBonus Related OrganizationsBonusRelatedOrganizationsAmtOther Compensation Filing OrgOtherCompensationFilingOrgAmtOther Compensation Rltd OrgsOtherCompensationRltdOrgsAmtDeferred Compensation Flng OrgDeferredCompensationFlngOrgAmtDeferred Comp Rltd OrgsDeferredCompRltdOrgsAmtNontaxable Benefits Filing OrgNontaxableBenefitsFilingOrgAmtNontaxable Benefits Rltd OrgsNontaxableBenefitsRltdOrgsAmtTotal Compensation Filing OrgTotalCompensationFilingOrgAmtTotal Compensation Rltd OrgsTotalCompensationRltdOrgsAmtComp Report Prior990 Filing OrgCompReportPrior990FilingOrgAmtComp Report Prior990 Rltd OrgsCompReportPrior990RltdOrgsAmt
JILL MEDVEDOW
DIRECTOR/EX-OFFICIO/CEO$449,583$0$40,000$0$0$0$25,729$0$23,411$0$538,723$0$0$0
MICHAEL TAUBENBERGER
CFO & COO$186,423$0$2,500$0$0$0$9,986$0$8,646$0$207,555$0$0$0
EVA RESPINI
CHIEF CURATOR$184,010$0$2,500$0$0$0$7,496$0$21,828$0$215,834$0$0$0
DAVID HENRY
DIR. OF PERFORMING ARTS & MEDIA ARTS$152,144$0$2,500$0$0$0$8,438$0$23,685$0$186,767$0$0$0
KELLY GIFFORD
DIR. OF EXTERNAL RELATIONS$140,680$0$2,500$0$0$0$7,680$0$20,556$0$171,416$0$0$0
KATHRYN GREENBERG MAYSHAK
DIRECTOR OF DEVELOPMENT$143,589$0$2,500$0$0$0$7,996$0$14,496$0$168,581$0$0$0

Supplemental Information Detail SupplementalInformationDetail

FieldValueIRS element (for citing)
Form And Line ReferencePART I, LINE 7FormAndLineReferenceDesc
ExplanationALL BONUSES ARE DISCRETIONAL (NONE ARE GUARANTEED BY A CONTRACT). THE CEO'S BONUS IS APPROVED BY THE COMPENSATION COMMITTEE OF THE BOARD OF TRUSTEES. BONUSES FOR SENIOR STAFF ARE DETERMINED BY THE CEO IN CONSULTATION WITH THE COMPENSATION COMMITTEE.ExplanationTxt

Schedule K IRS990ScheduleK

Tax Exempt Bonds Issues TaxExemptBondsIssuesGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd

Issuer Name IssuerName

FieldValueIRS element (for citing)
Business Name Line1MASSACHUSETTS DEVELOPMENT FINANCE AGENCYBusinessNameLine1Txt
FieldValueIRS element (for citing)
Bond Issuer EIN043431814BondIssuerEIN
Bond Issued2012-05-03BondIssuedDt
Issue Price$6,408,949IssuePriceAmt
PurposeREFUNDING ISSUEPurposeDesc
Defeased0DefeasedInd
On Behalf Of Issuer0OnBehalfOfIssuerInd
Pool Financing0PoolFinancingInd

Tax Exempt Bonds Proceeds TaxExemptBondsProceedsGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd
Retired$2,750,000RetiredAmt
Total Proceeds$6,408,949TotalProceedsAmt
Issuance Costs From Proceeds$96,449IssuanceCostsFromProceedsAmt
Working Capital Expenditures$6,312,500WorkingCapitalExpendituresAmt
Substantial Completion2006SubstantialCompletionYr
Current RefundingYes (1)CurrentRefundingInd
Advance Refunding0AdvanceRefundingInd
Final Allocation MadeYes (1)FinalAllocationMadeInd
Adequate Books And Rec MaintYes (1)AdequateBooksAndRecMaintInd

Tax Exempt Bonds Private Bus Use TaxExemptBondsPrivateBusUseGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd
Owning Bond Financed Property0OwningBondFinancedPropertyInd
Any Lease Arrangements0AnyLeaseArrangementsInd
Mgmt Contract Bond Fincd PropYes (1)MgmtContractBondFincdPropInd
Engage Bond Counsel ContractsYes (1)EngageBondCounselContractsInd
Any Research Agreements0AnyResearchAgreementsInd
Private Bus Use By Others0.01120PrivateBusUseByOthersPct
Private Bus Concerning UBI0.00500PrivateBusConcerningUBIPct
Total Private Business Use0.01620TotalPrivateBusinessUsePct
Bond Iss Meet Prvt Sec Pymt Test0BondIssMeetPrvtSecPymtTestInd
Change In Use Bond Financed Prop0ChangeInUseBondFinancedPropInd
Procs Nonqualified Bond RemdtdYes (1)ProcsNonqualifiedBondRemdtdInd

Tax Exempt Bonds Arbitrage TaxExemptBondsArbitrageGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd
Form8038 T Filed0Form8038TFiledInd
Rebate Not Due Yet0RebateNotDueYetInd
Exception To Rebate0ExceptionToRebateInd
No Rebate Due0NoRebateDueInd
Variable Rate IssueYes (1)VariableRateIssueInd
Hedge Identified In Bks And Rec0HedgeIdentifiedInBksAndRecInd
Gross Proceeds Invested In GIC0GrossProceedsInvestedInGICInd
Gross Proceeds Invested0GrossProceedsInvestedInd
Written Proc To Monitor ReqsYes (1)WrittenProcToMonitorReqsInd

Procedures Corrective Action ProceduresCorrectiveActionGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd
Procedures Corrective ActionYes (1)ProceduresCorrectiveActionInd

Schedule M IRS990ScheduleM

Works Of Art WorksOfArtGrp

FieldValueIRS element (for citing)
Non Cash CheckboxYes (X)NonCashCheckboxInd
Contribution11ContributionCnt

Securities Publicly Traded SecuritiesPubliclyTradedGrp

FieldValueIRS element (for citing)
Non Cash CheckboxYes (X)NonCashCheckboxInd
Contribution23ContributionCnt
Noncash Contributions Rpt F990$1,933,477NoncashContributionsRptF990Amt
Method Of Determining RevenuesFAIR MARKET VALUEMethodOfDeterminingRevenuesTxt

Food Inventory FoodInventoryGrp

FieldValueIRS element (for citing)
Non Cash CheckboxYes (X)NonCashCheckboxInd
Contribution10ContributionCnt
Noncash Contributions Rpt F990$14,380NoncashContributionsRptF990Amt
Method Of Determining RevenuesFAIR MARKET VALUEMethodOfDeterminingRevenuesTxt

Other Non Cash Contri Table OtherNonCashContriTableGrp (2 entries)

Non Cash CheckboxNonCashCheckboxIndDescDescContributionContributionCntNoncash Contributions Rpt F990NoncashContributionsRptF990AmtMethod Of Determining RevenuesMethodOfDeterminingRevenuesTxt
Yes (X)FLOWERS1$18,088FAIR MARKET VALUE
Yes (X)AUCTION ITEMS: DINNERS/CLASSES7$10,850FAIR MARKET VALUE
FieldValueIRS element (for citing)
Any Property That Must Be Held0AnyPropertyThatMustBeHeldInd
Review Process Unusual NC GiftsYes (1)ReviewProcessUnusualNCGiftsInd
Third Parties Used0ThirdPartiesUsedInd

Supplemental Information Detail SupplementalInformationDetail

FieldValueIRS element (for citing)
Form And Line ReferencePART I, LINE 33:FormAndLineReferenceDesc
ExplanationCONTRIBUTED ART COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS AS PERMITTED UNDER SFAS 116 (ASC 958). SCHEDULE M, PART I, COLUMN (B): THE NUMBER OF STOCK CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS RECEIVED. THE NUMBER OF ART CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS OF ARTWORK. THE NUMBER OF FOOD INVENTORY AND OTHER CONTRIBUTIONS IS BASED ON THE NUMBER OF CONTRIBUTORS.ExplanationTxt

Schedule O IRS990ScheduleO

Supplemental Information Detail SupplementalInformationDetail (8 entries)

Form And Line ReferenceFormAndLineReferenceDescExplanationExplanationTxt
FORM 990, PART III, LINE 4ATHROUGH MATERIALS, SUBJECT MATTER, AND AESTHETICS, ARTISTS DERIVE INSPIRATION FROM THE PLACES THEY LIVE AND THEIR OWN DAILY DOMESTIC PATTERNS. THIS EXHIBITION EXPLORES THE DOMESTIC SPHERE, IDENTIFYING A SHIFT IN FOCUS AND SCALE THAT ALLOWS THE PERSONAL, THE INTIMATE, AND THE PERIPHERAL TO BECOME THE LOCUS OF MEANING IN ART. ITS TITLE IS TAKEN FROM THE FRENCH WRITER GEORGES PEREC, THE GREAT CATALOGUER OF EVERYDAY LIFE, WHO CHALLENGED READERS TO SCRUTINIZE THE ORDINARY. TO "QUESTION YOUR TEASPOONS" IS TO PAY ATTENTION-AND A NEW KIND OF ATTENTION-TO THE QUOTIDIAN, TO STUDY LIFE IN ORDER TO LIVE IT DIFFERENTLY. ORGANIZED BY RUTH ERICKSON, ASSOCIATE CURATOR. RINEKE DIJKSTRA / NAN GOLDIN, PART OF FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA AUG 17, 2016 - OCT 2, 2016, FOTENE DEMOULAS GALLERY RINEKE DIJKSTRA AND NAN GOLDIN ARE TWO ARTISTS REPRESENTED IN DEPTH IN THE ICA/BOSTON COLLECTION. BOTH HAVE A HISTORY WITH THE MUSEUM, WHICH HOSTED DIJKSTRA'S FIRST U.S. SURVEY AND WAS ONE OF THE FIRST TO EXHIBIT GOLDIN'S WORK. TAKING DISTINCTIVE APPROACHES, BOTH ARTISTS PROBE THE SHIFTING NATURE OF IDENTITY AND SELF THROUGH THE GENRE OF PORTRAITURE. RINEKE DIJKSTRA IS KNOWN FOR HER STARKLY DIRECT AND STRIKING PHOTOGRAPHIC PORTRAITS OF INDIVIDUALS EXPERIENCING PERIODS OF TRANSITION. HER SUBJECTS, WHICH INCLUDE NEW MOTHERS AND CHILDREN GROWING INTO ADOLESCENCE OR ADULTHOOD, ARE AT THE CUSP OF AN UNPREDICTABLE CHAPTER IN THEIR LIVES. THE ARTIST USES A MEDIUM-FORMAT 4 X 5 CAMERA THAT PRESENTS HER SUBJECTS IN SHARP DETAIL EVEN WHEN ENLARGED TO THE NEARLY LIFE-SIZE SCALE OF HER PRINTS. DIJKSTRA EMPHASIZES TEMPORALITY, SOMETIMES CAPTURING A MEANINGFUL THOUGH FLEETING ENCOUNTER WITH A SITTER AND AT OTHER TIMES PHOTOGRAPHING THE SAME SITTER OVER MANY YEARS. FOR THE SERIES ALMERISA, THE ARTIST FIRST RECORDED BOSNIAN-BORN ALMERISA AS A SIX-YEAR-OLD GIRL LIVING AT A REFUGEE CENTER IN THE NETHERLANDS, AND MOST RECENTLY AS A NEW MOTHER IN HER DUTCH HOME. OVER THE COURSE OF THESE ELEVEN PICTURES-TAKEN FROM 1994 TO 2008-ALMERISA TRANSITIONS FROM CHILD TO ADULT AND FROM TENTATIVE EASTERN EUROPEAN REFUGEE TO CONFIDENT WESTERN EUROPEAN CITIZEN. DIJKSTRA'S SUSTAINED ENGAGEMENT WITH HER SUBJECTS PRODUCES NUANCED AND RESONANT PSYCHOLOGICAL PORTRAITS. THE ARTIST NOTES, "I TRY TO STRIKE A BALANCE BETWEEN WHAT PEOPLE WANT TO SHOW, AND WHAT THEY SHOW IN SPITE OF THEMSELVES." NAN GOLDIN TAKES INSPIRATION FROM HER OWN LIFE, AS SEEN IN HER INTIMATE PORTRAITS OF FRIENDS, FAMILY, AND LOVERS FORMING PART OF THE NEW YORK CITY DEMIMONDE IN THE 1970S AND '80S. THE ARTIST OFTEN CAPTURES FORTUITOUS MOMENTS AND GESTURES THAT EXPRESS HER SUBJECTS' PERSONAL RELATIONSHIPS OR EXPLORE THEIR VARIOUS GENDER IDENTITIES. GOLDIN STUDIED IN BOSTON AT THE SCHOOL OF THE MUSEUM OF FINE ARTS AND IS NOW KNOWN AS A MEMBER OF THE SO-CALLED BOSTON SCHOOL, WHICH ALSO INCLUDES PHILIP-LORCA DICORCIA, MARK MORRISROE, AND JACK PIERSON. SHE RENDERS HER BOLD IMAGES, TAKEN OVER THE COURSE OF SEVERAL DECADES, IN LUSH COLORS THAT ENHANCE THEIR EMOTIONAL RESONANCE. FROM A CONTEMPLATIVE SELF-PORTRAIT TO A DRAG QUEEN LOUNGING AT HOME, GOLDIN AND HER SUBJECTS APPEAR COMFORTABLE WITH HER EVER-PRESENT CAMERA LENS. ALSO INCLUDED IN THIS EXHIBITION ARE CANDID IMAGES THE ARTIST TOOK ON TOKYO'S STREETS THAT DEMONSTRATE HER SPIRITED STYLE AND REFLECT HER ABILITY TO CREATE CONNECTIONS WITH SUBJECTS IN A RANGE OF CONTEXTS. GOLDIN'S DIARISTIC WORKS ARE VIBRANT, POWERFULLY EMOTIVE, AND CHARGED WITH PSYCHOLOGICAL INTENT. ORGANIZED BY JESSICA HONG, CURATORIAL ASSISTANT. VIDEO WORKS, PART OF FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA AUG 17, 2016 - JAN 16, 2017, KIM AND JIM PALLOTA + FOTENE DEMOULAS GALLERIES IN 1966, ANDY WARHOL STAGED A PUBLIC PERFORMANCE OF THE LANDMARK MULTIMEDIA WORK EXPLODING PLASTIC INEVITABLE AT THE ICA/BOSTON. PRESENTED IN CONJUNCTION WITH AN EXHIBITION OF THE ARTIST'S WORK, THE PSYCHEDELIC EVENT FEATURED MUSIC BY THE VELVET UNDERGROUND AND NICO, AND MOVEMENT BY DANCERS PERFORMING WITH WARHOL'S FILMS PROJECTED AROUND THEM. THIS EVENT WAS A PRESCIENT EXAMPLE OF THE ICA'S LONGSTANDING COMMITMENT TO EXPERIMENTAL ART PRACTICES IN A VARIETY OF MEDIUMS, ESPECIALLY VIDEO. FROM THE PROJECTED IMAGE, A 1967 EXHIBITION THAT SURVEYED THE EARLY HISTORY OF MOVING IMAGE WORK, TO THE CONTEMPORARY ART TELEVISION FUND, ESTABLISHED IN 1983 AS A SPECIAL COLLABORATIVE PROJECT WITH THE WGBH NEW TELEVISION WORKSHOP TO COMMISSION, PRODUCE, AND DISTRIBUTE INNOVATIVE MOVING IMAGE WORKS, THE ICA HAS CONSISTENTLY SUPPORTED ARTISTS WORKING IN VIDEO. THE VIDEO WORKS FROM THE COLLECTION REPRESENT A CROSS-SECTION OF THE APPROACHES THAT ARTISTS TAKE TO THE MEDIUM TODAY, INCLUDING DIGITAL ANIMATION, CINEMA VERITE-STYLE DOCUMENTARY, AND ELEGIAC PORTRAITURE. DRAWN ON A COMPUTER AND PROJECTED ONTO THE GALLERY FLOOR FOR THE DURATION OF THE EXHIBITION, PAUL CHAN'S DIGITAL ANIMATION 1ST LIGHT, 2005, SHOWS THE VIEW FROM A WINDOW OF A WORLD THAT UNRAVELS OVER THE COURSE OF A DAY. SET AGAINST A BACKDROP OF SHIFTING LIGHT AND COLOR THAT VISUALLY TRACES THE PASSAGE FROM DAWN TO DUSK, A PROCESSION OF SILHOUETTED BODIES FALL TOWARD THE GROUND WHILE EARTHLY OBJECTS FLOAT UP TO THE SKY, INVERTING THE BIBLICAL STORY OF THE RAPTURE. ON VIEW FROM AUGUST 17, 2016, THROUGH OCTOBER 2, 2016, SHARON HAYES'S RICERCHE: THREE, 2013, INSPIRED BY PIER PAOLO PASOLINI'S 1963 CINEMA VERITE FILM COMIZI D'AMORE (LOVE MEETINGS), FEATURES THE ARTIST INTERVIEWING A GROUP OF MOUNT HOLYOKE COLLEGE STUDENTS ON ISSUES OF GENDER AND SEXUAL IDENTITY. RECORDING DISCUSSION AND DISAGREEMENT, THE FILM CREATES A UNIQUE PORTRAIT OF INDIVIDUAL VIEWPOINTS IN A COLLECTIVE CONTEXT. ON VIEW FROM OCTOBER 8, 2016, THROUGH JANUARY 16, 2017, RAGNAR KJARTANSSON'S THE MAN, 2010, SHOWS AMERICAN BLUES MUSICIAN PINETOP PERKINS SITTING AT AN UPRIGHT PIANO IN A FIELD NEXT TO AN ABANDONED FARMHOUSE, CYCLING THROUGH SONGS INTERSPERSED WITH COMMENTARY. THE VIDEO DOCUMENTS AN UNEDITED PERFORMANCE BY THE MUSICIAN TOWARD THE END OF HIS LIFE, WHILE ACKNOWLEDGING THE COMPLEX HISTORY OF THE CELEBRATION AND EXPLOITATION OF BLACK MUSICIANS BY WHITE PEOPLE. ORGANIZED BY JEFFREY DE BLOIS, CURATORIAL ASSISTANT. THE FREEDOM OF INFORMATION, PART OF FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA OCT 8, 2016 - JAN 16, 2017, FOTENE DEMOULAS GALLERY THE FREEDOM OF INFORMATION IS A CONCISE EXHIBITION OF ARTWORKS THAT EMPLOY STRATEGIES OF APPROPRIATION, FROM REPURPOSING OR REPHOTOGRAPHING MASS MEDIA IMAGES TO REFERENCING OR COPYING OBJECTS FROM ART HISTORY AND CONSUMER CULTURE. THE EXHIBITION TRACES A LINEAGE OF ARTISTIC APPROPRIATION THAT ACCOUNTS FOR THE VARIETY OF ITS DIFFERENT HISTORICAL AND CONTEMPORARY MODELS. HERE, AN INTERGENERATIONAL GROUP OF ARTISTS "TAKE" MATERIALS, OFTEN WITHOUT PERMISSION, FROM SOURCES SUCH AS BOOKS, POSTCARDS, TELEVISION, OR ART-SPECIFIC CONTEXTS AND MANIPULATE THEM WITH CAMERAS, PRINTERS, SCANNERS, OR OTHER MODES OF REPRODUCTION AND DISPLAY. WHILE THESE ARTISTIC STRATEGIES DATE BACK TO AT LEAST THE EARLY TWENTIETH CENTURY (SEE THE READYMADE, COLLAGE, AND MONTAGE), IT WAS IN THE 1970S AND '80S THAT THE CRITICAL TERMS OF THESE IDEAS WERE ESTABLISHED IN THE CONTEXT OF A NEW GENERATION OF INFLUENTIAL ARTISTS. THROUGH LANDMARK EXHIBITIONS SUCH AS PICTURES, AN EXHIBITION HELD AT THE ARTIST-RUN GALLERY ARTISTS SPACE IN NEW YORK IN 1977 THAT HELPED DEFINE THIS GROUP AS THE SO-CALLED PICTURES GENERATION, OR ENDGAME: REFERENCE AND SIMULATION IN RECENT PAINTING, ORGANIZED BY THE ICA/BOSTON IN 1986, ARTISTIC APPROPRIATION WAS THEORIZED AS A MEANS TO ACCOUNT FOR THE CHANGING STATUS OF THE IMAGE AND THE OBJECT, ESPECIALLY IN RELATION TO RADICAL SHIFTS IN THE ECONOMY AND CULTURE. CRITICAL THEORY WAS CENTRAL TO THE DISCOURSE ON POSTMODERNISM AT THAT TIME-TEXTS THAT HAD RECENTLY BEEN TRANSLATED INTO ENGLISH SUCH AS ROLAND BARTHES'S "THE DEATH OF THE AUTHOR" (1967) AND JEAN BAUDRILLARD'S SIMULACRA AND SIMULATION (1981) WERE INFLUENTIAL-AND ARTISTS AND CRITICS INVESTED IN THIS DISCOURSE MADE APPROPRIATION A DOMINANT STRATEGY. IN THIS CONTEXT, DIFFERENT APPROPRIATIVE MODES WERE USED TO QUESTION IDEAS ABOUT ORIGINALITY AND AUTHENTICITY, AND IN THE PROCESS SOUGHT TO REVEAL AND CRITIQUE POWER STRUCTURES UNDERLYING SOCIAL AND CULTURAL DYNAMICS. THE LONG HISTORY OF ARTISTIC APPROPRIATION CONTINUES TODAY, NOW AS A SET OF DIVERGENT PRACTICES FULLY EMBEDDED IN CONTEMPORARY ART, WHOSE FORMS ARE SHIFTING WITH NEW URGENCY THANKS ESPECIALLY TO THE MASSIVE DISSEMINATION OF IMAGES ON THE INTERNET. LIKEWISE, INSTANCES OF CULTURAL APPROPRIATION, THE USE OR MISUSE OF ELEMENTS FROM ONE CULTURE BY ANOTHER, TAKE ON NEW SIGNIFICANCE IN RAPIDLY CHANGING SITUATIONS THAT REQUIRE THOUGHTFUL CONSIDERATION. ORGANIZED BY JEFFREY DE BLOIS, CURATORIAL ASSISTANT.
FORM 990, PART III, LINE 4ALOUISE BOURGEOIS, PART OF FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA OCT 8, 2016 - JAN 16, 2017, FOTENE DEMOULAS GALLERY ONE OF THE MOST INFLUENTIAL ARTISTS OF THE TWENTIETH CENTURY, LOUISE BOURGEOIS WORKED FOR OVER SEVENTY YEARS IN A WIDE VARIETY OF MATERIALS, INCLUDING BRONZE, FIBER, MARBLE, RUBBER, AND WOOD, TO CREATE A DISTINCTIVE AND EXPANSIVE BODY OF WORK. BOURGEOIS DELVED INTO CHILDHOOD MEMORIES AND THE STRUGGLES OF EVERYDAY LIFE TO MAKE PERSONALLY CATHARTIC OBJECTS THAT REFERENCE THE BODY, SEXUALITY, FAMILY, TRAUMA, AND ANXIETY. SINCE PRESENTING THE MAJOR EXHIBITION BOURGEOIS IN BOSTON IN 2007, THE ICA/BOSTON HAS ACQUIRED MANY OF HER ARTWORKS. THIS FOCUSED PRESENTATION OFFERS AN OPPORTUNITY TO LOOK CLOSELY AT BOURGEOIS'S WORK IN SCULPTURE, DRAWING, AND PRINTMAKING AND TO REVEL IN THE COMPLEX DUALITIES THAT HAVE SHAPED HER OUTPUT. ORGANIZED BY RUTH ERICKSON, ASSOCIATE CURATOR. THE ARTIST'S MUSEUM NOV 16, 2016 - MAR 26, 2017, WEST GALLERY THE DESIRE TO COLLECT OBJECTS AND IMAGES OF PERSONAL SIGNIFICANCE, AND TO MAKE CONNECTIONS BETWEEN THEM, IS A NEARLY UNIVERSAL HUMAN EXPERIENCE. FOR CENTURIES, ARTISTS HAVE COLLECTED ARTWORKS, ALONG WITH DIVERSE CULTURAL ARTIFACTS AND NATURAL MATERIALS, AS VITAL SOURCES OF INSPIRATION AND TO CREATE HIGHLY INDIVIDUALIZED MODELS OF THEIR WORLD. THE ARTIST'S MUSEUM BEGINS WITH THIS IMPULSE TO COLLECT AND CONNECT, BRINGING TOGETHER LARGE-SCALE INSTALLATIONS, PHOTOGRAPHY, FILM, AND VIDEOS THAT EMPLOY ARTWORKS FROM THE PAST AS MATERIAL IN THE PRESENT, ANIMATING EXISTING ARTWORKS, IMAGES, AND HISTORIES TO REVEAL ART'S UNEXPECTED RELATIONSHIPS AND AFFINITIES. EACH OF THE ARTISTS IN THE ARTIST'S MUSEUM REIMAGINES THE LIVES OF ARTWORKS AND CHARTS RECURRING FORMS AND THEMES ACROSS CULTURES AND HISTORY. THEY TWEAK THE LANGUAGE OF MUSEUM DISPLAY AND ORGANIZATION TO ENGAGE A VARIETY OF DISCIPLINES AND SUBJECTS, FROM DANCE, MUSIC, AND DESIGN TO GENDER, SEXUALITY, AND TECHNOLOGY. WORKS IN THE EXHIBITION INCLUDE THE EARTH IS A MAGNET, 2016, A MAJOR NEW COMMISSION BY ANNA CRAYCROFT THAT BRINGS THE PHOTOGRAPHY, BIOGRAPHY, AND INVENTIONS OF BERENICE ABBOTT, FAMED FOR BOTH HER STREET PHOTOGRAPHY AND RIGOROUSLY SCIENTIFIC IMAGES MADE AT MIT, TOGETHER WITH VIDEO, SCULPTURE, AND PHOTOGRAPHY BY A GROUP OF CRAYCROFT'S PEERS, INCLUDING FIA BACKSTROM, KATHERINE HUBBARD, MATT KEEGAN, JILL MAGID, MPA, LUCY RAVEN, MIKA ROTTENBERG, A. L. STEINER, AND ERIKA VOGT. ROSA BARBA'S LUSH 35MM FILM THE HIDDEN CONFERENCE: ABOUT THE DISCONTINUOUS HISTORY OF THINGS WE SEE AND DON'T SEE, 2010, IMAGINES A NARRATIVE IN WHICH PAINTINGS AND SCULPTURES IN STORAGE AT BERLIN'S NEUE NATIONALGALERIE SERVE AS PROTAGONISTS. CHRISTIAN MARCLAY'S SIXTEEN-MONITOR VIDEO INSTALLATION SHAKE RATTLE AND ROLL (FLUXMIX), 2004, FEATURES THE ARTIST LITERALLY PLAYING THE WALKER ART CENTER'S FLUXUS COLLECTION. CAROL BOVE'S SCULPTURAL MEDITATION ON THE LATENT ENERGIES OF DISPLAY, LA TRAVERS E DIFFICILE (THE DIFFICULT CROSSING), 2008, MARSHALS RENE MAGRITTE AND GERALD HEARD AS INSPIRATIONS FOR A MINI-ENCYCLOPEDIC MUSEUM. RACHEL HARRISON'S PHOTOGRAPHIC SERIES VOYAGE OF THE BEAGLE, 2007, SURVEYS HUMAN AND ANIMAL FORMS ACROSS SCULPTURAL MANIFESTATIONS RANGING FROM TAXIDERMY TO MANNEQUINS, SIGNS, AND PUBLIC ART. MARK LECKEY'S UNCANNY MOVING-IMAGE WORK CINEMA-IN-THE-ROUND, 2008, DEVELOPS UNEXPECTED CONNECTIONS BETWEEN ARTWORKS, MEDIA TECHNOLOGY, AND POPULAR CULTURE ACROSS TIME AND SPACE, BOTH REAL AND VIRTUAL. PIERRE LEGUILLON ACCOMPANIES A COLLECTION OF ARTWORKS AND PHOTOGRAPHS OF DANCERS WITH A LIGHTSHOW AND SOUNDTRACK BY AMY WINEHOUSE IN LA GRANDE EVASION (THE GREAT ESCAPE), 2012. THE ARTIST'S MUSEUM LOCATES THESE DIVERSE WORKS WITHIN A CULTURAL MOMENT AND ARTISTIC IMPULSE BOOKENDED BY THE HISTORICAL CABINET OF CURIOSITIES AND 20TH CENTURY IMAGE LIBRARIES, AND OUR CURRENT ERA OF THE HYPERLINK AND CIRCULATION OF DIGITAL IMAGES. EACH ARTWORK RECONFIGURES ESTABLISHED NARRATIVES, ASKING EACH OF US TO FIND OUR PLACE AMONGST NEWLY IMAGINED WORLDS. A FULLY ILLUSTRATED CATALOGUE FEATURES TEXTS BY BYERS, CLAIRE BISHOP, LYNNE COOKE, AND INGRID SCHAFFNER, AS WELL AS A HISTORICAL COMPENDIUM OF INFLUENTIAL 20TH-CENTURY ARTWORKS AND EXHIBITIONS THAT PROVIDE IMPORTANT PRECEDENT TO THE WORKS IN THE EXHIBITION. THE ARTIST'S MUSEUM FEATURES WORKS BY ROSA BARBA, CAROL BOVE, ANNA CRAYCROFT, RACHEL HARRISON, LOUISE LAWLER, MARK LECKEY, PIERRE LEGUILLON, GOSHKA MACUGA, CHRISTIAN MARCLAY, XAVIERA SIMMONS, ROSEMARIE TROCKEL, AND SARA VANDERBEEK. ORGANIZED BY DAN BYERS, MANNION FAMILY SENIOR CURATOR, WITH JEFFREY DE BLOIS, CURATORIAL ASSOCIATE. 2017 JAMES AND AUDREY FOSTER PRIZE FED 15 - JUL 9, 2017, PAUL AND CATHERINE BUTTENWIESER AND FOTENE DEMOULAS GALLERIES THE JAMES AND AUDREY FOSTER PRIZE IS KEY TO THE ICA'S EFFORTS TO NURTURE AND RECOGNIZE BOSTON-AREA ARTISTS OF EXCEPTIONAL PROMISE. FIRST ESTABLISHED IN 1999, THE JAMES AND AUDREY FOSTER PRIZE (FORMERLY THE ICA ARTIST PRIZE) EXPANDED ITS FORMAT WHEN THE MUSEUM OPENED ITS NEW FACILITY IN 2006. JAMES AND AUDREY FOSTER, PASSIONATE COLLECTORS AND SUPPORTERS OF CONTEMPORARY ART, ENDOWED THE PRIZE, ENSURING THE ICA'S ABILITY TO SUSTAIN AND GROW THE PROGRAM FOR YEARS TO COME. THE 2017 PRIZE AND EXHIBITION WILL FEATURE THE WORK OF SONIA ALMEIDA, JENNIFER BORNSTEIN, LUCIEN CASTAING-TAYLOR AND VERENA PARAVEL, AND LUCY KIM-ARTISTS WORKING AT A NATIONAL AND INTERNATIONAL LEVEL WHOSE WORK HAS RECEIVED LIMITED EXPOSURE HERE IN BOSTON. IN MEDIA INCLUDING PAINTING, SCULPTURE, PRINTMAKING, FILM, AND VIDEO, AND EXPLORING A RANGE OF THEMES AND SUBJECTS, EACH OF THE ARTISTS ENGAGE THE HUMAN BODY WITH A TACTILE APPROACH TO ITS CULTURAL, PSYCHOLOGICAL, AND HISTORICAL RESONANCES. EACH OF THE ARTISTS WILL PRESENT A MAJOR WORK, OR GROUP OF WORKS, ON VIEW FOR THE FIRST TIME IN BOSTON. CENTRAL TO THE EXHIBITION, THIS ITERATION OF THE JAMES AND AUDREY FOSTER PRIZE FEATURES A NEW PROGRAM, THE FOSTER TALKS, ENABLING AUDIENCES TO ENGAGE MORE DEEPLY IN THE WORK AND PRACTICE OF THE PRIZE WINNERS. OVER THE COURSE OF THE EXHIBITION, EACH ARTIST WILL PRESENT THEIR WORK AND INVITE AN IMPORTANT WRITER, ARTIST, PERFORMER, RESEARCHER, OR OTHER CULTURAL PRODUCER WHO HAS INFLUENCED THEIR ARTWORK, OR WHOSE OWN WORK RESONATES WITH THE ARTIST'S. THE CONVERSATIONS WILL BE FOLLOWED BY A FREE RECEPTION, OPEN TO THE PUBLIC. THE FOSTER TALKS WILL CONNECT QUESTIONS AROUND CONTEMPORARY ART TO A BROAD RANGE OF CULTURAL, INTELLECTUAL, AND POLITICAL ISSUES, CREATING RELATIONSHIPS BETWEEN ART AND DIFFERENT FIELDS. ORGANIZED BY DAN BYERS, MANNION FAMILY SENIOR CURATOR, WITH JEFFREY DE BLOIS, CURATORIAL ASSOCIATE. NARI WARD: SUN SPLASHED APR 26 - SEP 4, 2017, WEST GALLERY NARI WARD: SUN SPLASHED IS THE LARGEST SURVEY OF THE ARTIST'S WORK TO DATE. EMERGING ALONGSIDE A NOTABLE GROUP OF BLACK ARTISTS IN NEW YORK CITY IN THE 1990S, NARI WARD (B. 1963 IN ST. ANDREW PARISH, JAMAICA) ACTIVELY ENGAGES WITH LOCAL SITES-THEIR HISTORIES, COMMUNITIES, AND ECONOMIES-TO CREATE SPECTACULAR, AMBITIOUSLY SCALED ARTWORKS OUT OF UNLIKELY MATERIALS. HE DERIVES INSPIRATION FROM HIS IMMEDIATE ENVIRONMENT, INCORPORATING FOUND OBJECTS GATHERED IN AND AROUND URBAN NEIGHBORHOODS AND EMBRACING VARIED CULTURAL REFERENCES. WORKING IN SCULPTURE, COLLAGE, PHOTOGRAPHY, VIDEO, INSTALLATION, AND PERFORMANCE, WARD CAPTURES THE MAKESHIFT QUALITIES OF EVERYDAY LIFE AND IMBUES HIS PRODUCTION WITH A VISCERAL RELATIONSHIP TO HISTORY AND THE REAL WORLD. THE EXHIBITION INCLUDES ARTWORKS MADE FROM SODA POP, SHOELACES, SHOPPING CARTS, AND A FIRE ESCAPE, MATERIALS THAT SPEAK TO THE ARTIST'S DISTINCTIVE EXPERIMENTATION. NARI WARD: SUN SPLASHED FOCUSES ON VITAL POINTS OF REFERENCE FOR WARD, INCLUDING HIS NATIVE JAMAICA, CITIZENSHIP, AND MIGRATION, AS WELL AS AFRICAN-AMERICAN HISTORY AND CULTURE, TO EXPLORE THE DYNAMICS OF POWER AND POLITICS IN SOCIETY. ORGANIZED BY PEREZ ART MUSEUM MIAMI ASSOCIATE CURATOR DIANA NAWI. THE BOSTON PRESENTATION IS COORDINATED BY RUTH ERICKSON, ASSOCIATE CURATOR, THE INSTITUTE OF CONTEMPORARY ART/BOSTON, WITH JESSICA HONG, CURATORIAL ASSOCIATE.
FORM 990, PART III, LINE 4C- UNIVERSITY OF MASSACHUSETTS BOSTON / URBAN SCHOLARS - MAPS - DEPARTMENT OF YOUTH ENGAGEMENT AND EMPLOYMENT - AMERICAN REPARATORY THEATER TOUR PROGRAMS: OUR PUBLIC AND PRIVATE TOUR PROGRAMS SERVED THE FOLLOWING NUMBER OF PARTICIPANTS IN FY17: 12,168 TEENS: TEEN PROGRAMS SERVED A TOTAL OF 3,802 THROUGH THE PROGRAMS LISTED BELOW. TEEN NIGHTS, ART HAPPENINGS ORGANIZED AND PROMOTED FOR TEENS BY TEENS, SERVED 1,965 TEENS. EDUCATIONAL RESOURCES AND STUDENT FILMS CREATED THROUGH ICA TEEN PROGRAMS WERE ALSO ACCESSIBLE VIA THE ICATEENS.ORG WEBSITE. TEEN PROGRAMS ARTIST ENCOUNTERS - GERALD L. LEAVELL II EIGHTH ANNUAL TEEN CONVENING: AFTER THE BELL FEATURING - ART INSTITUTE OF CHICAGO, CHICAGO, IL - BROOKLYN MUSEUM, BROOKLYN, NY - THE CONTEMPORARY AUSTIN, AUSTIN, TX - CRYSTAL BRIDGES MUSEUM OF AMERICAN ART, BENTONVILLE, AR - HIGH MUSEUM OF ART, ATLANTA, GA - INSTITUTE OF CONTEMPORARY ART/BOSTON, BOSTON, MA - LOS ANGELES COUNTY MUSEUM OF ART, LOS ANGELES, CA - OGDEN MUSEUM OF SOUTHERN ART, NEW ORLEANS, LA - ARTIST: GERALD L. LEAVELL II EXTENDED TEEN PROGRAMS - ADVANCED SATURDAY PHOTO GROUP - ICA AMP: ADVANCED MUSIC PRODUCTION - ICA SLAM TEAM - FAST FORWARD ALUMNI GROUP - FAST FORWARD - THE CURRENT PLANNING COMMITTEE (FALL AND SPRING) - TEEN ARTS COUNCIL 19 STUDENTS, FROM: - BOSTON GREEN ACADEMY - URBAN SCIENCE ACADEMY - REVERE HIGH SCHOOL - ARLINGTON HIGH SCHOOL - BOSTON DAY & EVENING ACADEMY - MCKINLEY SOUTH END ACADEMY - SNOWDEN INTERNATIONAL SCHOOL AT COPLEY - BOSTON LATIN SCHOOL - SAINT JOSEPH PREPARATORY HIGH SCHOOL - PHOENIX CHARTER ACADEMY - HOMESCHOOL - BOSTON ARTS ACADEMY - BOSTON COLLEGIATE CHARTER SCHOOL TEEN NIGHTS - LOOK AT YOURSELF / OURSELVES - ASSORTED ENTERTAINMENT - COLORFUL IMPACT - FAST FORWARD SCREENING: WINDOWPAIN TRANSCENDENCE AND DIGITAL PHOTOGRAPHY EXHIBITION: LIFE OF A PHOTO THE CURRENT - RACE AND IDENTITY - FALL 2016 - REIMAGINING POSSIBLE FUTURES - SPRING 2017 TEEN NEW MEDIA WORKSHOPS - FAST FORWARD (X2) - URBAN SCHOLARS GRAPHIC DESIGN - SUMMER 2016 - URBAN SCHOLARS MUSIC PRODUCTION - SUMMER 2016 - URBAN SCHOLARS FILM - SUMMER 2016 - URBAN SCHOLARS DIGITAL PHOTOGRAPHY - SUMMER 2016 - DIGITAL PHOTOGRAPHY ADVANCED, FOCUSED FLICKS - FALL 2016 - DIGITAL PHOTOGRAPHY BEGINNER - FALL 2016 - DIGITAL PHOTOGRAPHY INTERMEDIATE - FALL 2016 - DIGITAL PHOTOGRAPHY SPECIAL FOCUS - FALL 2016 - HOME STUDIO, BEAT MAKING 201 - FALL 2016 - AMP, ADVANCED MUSIC PRODUCTION - FALL 2016 - HOME STUDIO, BEAT MAKING 101 - FALL 2016 - DJ ACADEMY 101 - FALL 2016 - DJ ACADEMY 201 - FALL 2016 - DIGITAL PHOTOGRAPHY BEGINNER - SPRING 2017 - DIGITAL PHOTOGRAPHY INTERMEDIATE - SPRING 2017 - DIGITAL PHOTOGRAPHY SPECIAL FOCUS - SPRING 2017 - HOME STUDIO, BEAT MAKING 101 - SPRING 2017 - HOME STUDIO, BEAT MAKING 201 - SPRING 2017 - MIX AND SCRATCH DJ ACADEMY 101 - SPRING 2017 - MIX AND SCRATCH DJ ACADEMY 201 - SPRING 2017 - DIGITAL STORYTELLING - FEBRUARY VACATION WEEK 2017 - FILM SCHOOL - APRIL VACATION WEEK 2017 BOSTON PUBLIC SCHOOLS ARTS CREDIT PROGRAM PARTNERS - BOSTON COMMUNITY LEADERSHIP ACADEMY - BOSTON DAY & EVENING ACADEMY - BOSTON GREEN ACADEMY - BRIGHTON HIGH SCHOOL - CHARLESTOWN HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - EXCEL HIGH SCHOOL - ENGLISH HIGH SCHOOL - FENWAY HIGH SCHOOL - NEW MISSION HIGH SCHOOL - SNOWDEN INTERNATIONAL SCHOOL AT COPLEY TEEN EXHIBITIONS - I AM. YOU ARE. WE CAN - HARVARD GRADUATE SCHOOL OF EDUCATION, MONROE C. GUTMAN LIBRARY - MAYOR'S GALLERY, BOSTON CITY HALL MISCELLANEOUS TEEN PROGRAMS - MAPS - DYEE DREAM TEAM WORKSHOP - DYEE DREAM TEAM COMMUNITY DREAM TEAM EVENT
FORM 990, PART VI, SECTION B, LINE 11BFORM 990 IS REVIEWED BY THE ICA'S CFO/COO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS RESPONSIBLE FOR APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO/COO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE.
FORM 990, PART VI, SECTION B, LINE 12CEACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A)ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B)APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C)DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D)TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY.
FORM 990, PART VI, SECTION B, LINE 15THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (CHIEF OPERATING AND CHIEF FINANCIAL OFFICERS, CHIEF CURATOR, DIRECTOR OF EXTERNAL RELATIONS, DIRECTOR OF DEVELOPMENT, DIRECTOR OF EDUCATION AND DIRECTOR OF PERFORMING AND MEDIA ARTS) BUT FINAL COMPENSATION FOR THE SENIOR MANAGEMENT TEAM IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS.
FORM 990, PART VI, SECTION C, LINE 19THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990 (PUBLIC DISCLOSURE COPY), AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D). IN ADDITION, THE ORGANIZATION'S FORM 990 WITHOUT SCHEDULE B IS AVAILABLE VIA GUIDESTAR AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE.
FORM 990, PART XI, LINE 9:LOSS ON SPLIT INTEREST AGREEMENTS 30,315.

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