2026-05-15T12:16:35-05:00 2025-06-30 420714325 RSM US LLP 9801 WASHINGTONIAN BLVD STE 500 GAITHERSBURG MD 20878 990 2024-07-01 526000162 BALTIMORE MUSEUM OF ART BALT 4435731849 10 ART MUSEUM DRIVE BALTIMORE MD 21218 CHRISTINE DIETZE BONANNO CHIEF OPERATING OFFICER 4435731849 2026-05-15 1 1 JULIA FLANNERY P00928918 3012963600 2026-05-15 2024 2025-03-06 01:10:19Z CHRISTINE DIETZE BONNANO 10 ART MUSEUM DRIVE BALTIMORE MD 21218 37024967 0 X WWW.ARTBMA.ORG X 1914 MD THE BALTIMORE MUSEUM OF ART CONNECTS ART TO BALTIMORE AND BALTIMORE TO THE WORLD, (SEE SCH. O) EMBODYING A COMMITMENT TO ARTISTIC EXCELLENCE AND SOCIAL EQUITY IN EVERY DECISION FROM ART PRESENTATION, INTERPRETATION, AND COLLECTING, TO THE COMPOSITION OF OUR BOARD OF TRUSTEES, STAFF, AND VOLUNTEERS - CREATING A MUSEUM WELCOMING TO ALL. 36 36 245 44 91299 0 14467563 16064569 2331460 1767686 9472780 13783016 260253 149206 26532056 31764477 0 0 0 0 13360561 14640074 0 15000 1517895 13704983 9781249 27065544 24436323 -533488 7328154 205294835 222677637 3909839 3240499 201384996 219437138 X THE BALTIMORE MUSEUM OF ART CONNECTS ART TO BALTIMORE AND BALTIMORE TO THE WORLD, EMBODYING A COMMITMENT TO ARTISTIC EXCELLENCE AND SOCIAL EQUITY IN EVERY DECISION FROM ART PRESENTATION, INTERPRETATION, AND COLLECTING, TO THE COMPOSITION OF OUR BOARD OF TRUSTEES, STAFF, AND VOLUNTEERS - CREATING A MUSEUM WELCOMING TO ALL. 0 0 8357250 1704997 COLLECTION CARE & EXHIBITIONSTHE BALTIMORE MUSEUM OF ART (BMA) CARES FOR AND INTERPRETS A COLLECTION OF OVER 97,000 WORKS OF ART, CAREFULLY MONITORING ITS STORAGE, PRESERVATION, DOCUMENTATION, AND EXHIBITION. IN FY25, THE BMA CONTINUED ITS ACTIVE PROGRAM OF EXHIBITIONS AND EVENTS GEARED TOWARDS INCREASING DIVERSITY, ACCESS, AND INCLUSION FOR ITS AUDIENCE IN BALTIMORE, MARYLAND AND BEYOND. THE MUSEUM'S EXHIBITION PROGRAM CENTERED ON THE EXPANSION AND CONTINUATION OF OUR CORE THEMES, INCLUDING THE COMMITMENT TO EXCELLENCE, FAIRNESS, RELEVANCE, AND SOCIAL JUSTICE BY BRINGING FORWARD UNDERREPRESENTED VOICES AND STORIES THAT RESONATE BOTH LOCALLY AND GLOBALLY. SUCH PROJECTS INCLUDED PREOCCUPIED: INDIGENIZING THE MUSEUM, A MAJOR MUSEUM-WIDE INITIATIVE THAT SOUGHT TO ADDRESS THE HISTORICAL ERASURE OF INDIGENOUS CULTURE BY ARTS INSTITUTIONS WHILE CREATING NEW PRACTICES FOR MUSEUMS. THE EXPANSIVE PREOCCUPIED PROJECT ACTIVATED THE GALLERIES AND BEYOND WITH NINE EXHIBITIONS, NUMEROUS PUBLIC PROGRAMS, STAFF TRAINING, AND NEW INTERPRETIVE TEXTS FOR ARTWORKS THROUGHOUT THE MUSEUM. A SECOND YEAR-LONG SUITE OF EXHIBITIONS THAT FELL WITHIN THE LATTER HALF OF FY25 WAS TURN AGAIN TO THE EARTH, AN AMBITIOUS INITIATIVE CENTERED ON THE ENVIRONMENT, ENCOURAGING CONVERSATION AND ACTION AROUND CLIMATE CHANGE AND THE ROLE OF THE MUSEUM. TURN AGAIN TO THE EARTH'S EXHIBITIONS CONTINUED THROUGH THE SPRING OF 2026. OTHER EXHIBITION PROJECTS INCLUDED: THE ART OF PATTERN: HENRI MATISSE AND JAPANESE WOODCUT ARTISTS WHICH PAIRED MATISSE'S COMPOSITIONS WITH THOSE OF 19TH-CENTURY JAPANESE WOODCUT ARTISTS TO EXPLORE THE GLOBAL APPEAL OF COLOR AND PATTERN ACROSS SPACE AND TIME, AND THE BAKER ARTIST AWARDS, THE BIENNIAL EXHIBITION THAT SHOWCASED THE WORK OF FIVE ARTISTS, EACH GROUNDED IN HISTORIES AND STORIES RELATED TO SPIRITUALITY, PLACE, AND IDENTITY DEEPLY CONNECTED TO THE BALTIMORE REGION, ITS ECOLOGY, AND PEOPLE. PREOCCUPIED: INDIGENIZING THE MUSEUMDYANI WHITE HAWK: BODIES OF WATERJOHN WATERS ROTUNDAAPRIL 21 - DECEMBER 1, 2024CAROLINE MONNET: RIVER FLOWS THROUGH BENT TREESCONTEMPORARY WING 14-17MAY 12 - DECEMBER 1, 2024DON'T WAIT FOR ME, JUST TELL ME WHERE YOU'RE GOING [SKY HOPINKA FILM PROGRAM]CONTEMPORARY WING 4 (SMALL BLACK BOX)MAY 12 - DECEMBER 1, 2024ENDURING BUFFALOCONTEMPORARY WING 5MAY 12 - DECEMBER 1, 2024ILLUSTRATING AGENCYCONTEMPORARY WING 6MAY 12 - DECEMBER 1, 2024FINDING HOMECONTEMPORARY WING 7MAY 12 - DECEMBER 1, 2024NICHOLAS GALANIN: EXIST IN THE WIDTH OF A KNIFE'S EDGECONTEMPORARY WING 14-17JULY 14, 2024 - FEBRUARY 16, 2025 LAURA ORTMAN: WOOD THAT SINGSCONTEMPORARY WING 10, BLACK BOXJULY 17, 2024 - JANUARY 5, 2025 DANA CLAXTONCONTEMPORARY WING 10, BLACK BOXAUGUST 4, 2024 - JANUARY 5, 2025 TURN AGAIN TO THE EARTHLATOYA RUBY FRAZIER: MORE THAN CONQUERORS, A MONUMENT FOR COMMUNITY HEALTH WORKERS OF BALTIMORE, MARYLAND, 2021-2022MAY GALLERYNOVEMBER 3, 2024 - APRIL 6, 2025ABIGAIL LUCIEN: UNDER OTHER SKIESCONTEMPORARY WING 1FEBRUARY 26, 2025 - SEPTEMBER 14, 2025CONFRONTING CHANGE AT THE WATER'S EDGE: EARLY MODERN DUTCH ART AND THE ENVIRONMENTPDP STUDY CENTER GALLERYFEBRUARY 9 - JULY 27, 2025AIR QUALITY: THE INFLUENCE OF SMOG ON EUROPEAN MODERNISMJAY MCKEAN FISHER GALLERYFEBRUARY 9, 2025 - FEBRUARY 22, 2026EARTH AS MEDIUM: EXTRACTING ART FROM NATURECONE GALLERY 5APRIL 6, 2025 - AUGUST 17, 2025OTHER EXHIBITIONSTHE ART OF PATTERN: HENRI MATISSE AND JAPANESE WOODCUT ARTISTSJAY MCKEAN FISHER GALLERYJUNE 2, 2024 - JANUARY 5, 2025BAKER ARTIST AWARDSCONTEMPORARY WING 14-17APRIL - JULY 2025ALL EXHIBITIONS LISTED ABOVE WERE PRESENTED FREE TO THE PUBLIC. 6467432 BUILDINGS & GROUNDSOPENED IN 1929 AS A SINGLE BUILDING ADJACENT TO THE CAMPUS OF THE JOHNS HOPKINS UNIVERSITY, THE BMA NOW COMPRISES 10 CONTIGUOUS BUILDINGS AND WINGS (210,000 SQ. FT.), ONE HISTORIC STRUCTURE, AND TWO OUTDOOR SCULPTURE GARDENS (3 ACRES). THE MUSEUM WORKS DILIGENTLY TO MAINTAIN AND PRESERVE OUR BUILDING ENVELOPE TO PROTECT ITS PRICELESS COLLECTION. THE MECHANICAL AND ELECTRICAL SYSTEMS WHICH RECEIVED SIGNIFICANT UPGRADES DURING MULTIPLE RENOVATIONS ARE NOW ACHIEVING IMPORTANT ECONOMIES IN ENERGY MANAGEMENT. THE BMA'S ENGINEERING STAFF FOLLOWED A DETAILED SCHEDULE OF PREVENTATIVE MAINTENANCE TO ENSURE THE LONGEVITY OF THESE SYSTEMS. SECURITY WAS ASSURED THROUGH A TRAINED SECURITY, 4248724 62689 EDUCATIONTHE BALTIMORE MUSEUM OF ART ADVANCED ITS ROLE AS A LEADING EDUCATIONAL RESOURCE IN FY25 BY EXPANDING PROGRAMS FOR STATEWIDE ENGAGEMENT FOR NEARLY 13,000 STUDENTS FROM BALTIMORE CITY AND NINE MARYLAND COUNTIES, AS WELL AS 7,900 PARTICIPANTS IN PUBLIC PROGRAMS. THE PATRICIA AND MARK JOSEPH EDUCATION CENTER IS THE LOCUS FOR EDUCATIONAL PROGRAMS AT THE BMA AS AN ENTRY POINT FOR STUDENT GROUPS, A CLASSROOM FOR ARTMAKING, AND A GALLERY FOR INTERACTIVE LEARNINGS. SIGNATURE SCHOOL PROGRAMS - INCLUDING CLOSE ENCOUNTERS AND LITERACY THROUGH ART - SERVED 800 STUDENTS FROM BALTIMORE CITY AND COUNTY, WHILE ART-TO-GO RESOURCES REACHED 3,300 EDUCATORS ACROSS MARYLAND AND BEYOND. TEACHER WORKSHOPS AND PROFESSIONAL DEVELOPMENT INITIATIVES CONNECTED HUNDREDS OF EDUCATORS WITH THE MUSEUM'S COLLECTIONS AND EXHIBITIONS, STRENGTHENING THE INTEGRATION OF ART INTO CLASSROOMS THROUGHOUT THE STATE.THE BMA ALSO DEEPENED ENGAGEMENT THROUGH INTERPRETATION WITH ROBUST DIGITAL GUIDES FOR SEVERAL EXHIBITIONS OFFERED ON THE MUSEUM'S WEBSITE AND THROUGH BLOOMBERG CONNECTS. THESE RESOURCES EXPAND THE BMA'S IMPACT BEYOND THE CLASSROOM THROUGH ROBUST PUBLIC PROGRAMMING AND ARTIST AND COMMUNITY PARTNERSHIPS AT THE LEXINGTON MARKET SATELLITE AS WELL AS THE BUILDING ON ART MUSEUM DRIVE. FREE FAMILY SUNDAYS, COMMUNITY CELEBRATIONS, AND ART AFTER HOURS COLLECTIVELY WELCOMED THOUSANDS OF PARTICIPANTS, WHILE PUBLIC SCHOOL EXHIBITIONS SHOWCASED K-12 STUDENT TALENT FROM 228 SCHOOLS ACROSS BALTIMORE CITY AND BALTIMORE COUNTY. ADULT TOURS, UNIVERSITY COLLABORATIONS, AND NEW ACCESSIBILITY INITIATIVES UNDERSCORED THE BMA'S COMMITMENT TO INCLUSIVE LEARNING AND REINFORCED THE MUSEUM'S POSITION AS A VITAL CULTURAL AND EDUCATIONAL RESOURCE FOR COMMUNITIES THROUGHOUT MARYLAND.GALLERY LEARNINGSTUDENTS OF ALL AGES EXPLORED THE BMA'S EXHIBITIONS AND COLLECTIONS IN FY25, EITHER LED BY A MUSEUM EDUCATOR OR ON A SELF-GUIDED VISIT. EXPANDED OUTREACH TO REGIONAL COLLEGES AND UNIVERSITIES HAS SUBSTANTIALLY INCREASED USE OF THE NANCY DORMAN AND STANLEY MAZAROFF CENTER FOR PRINTS, DRAWINGS AND PHOTOGRAPHS AND THE RUTH R. MARDER CENTER FOR MATISSE STUDIES. 7,412 PRE-K-12 AND YOUTH GROUP PARTICIPANTS1,474 PRE-K-12 AND YOUTH GROUP VIRTUAL TOUR PARTICIPANTS26 COLLEGES AND UNIVERSITIES174 COLLEGE AND UNIVERSITY VISITS2,361 COLLEGE STUDENT PARTICIPANTSTEACHER WORKSHOPSTEACHER WORKSHOPS AND PROFESSIONAL DEVELOPMENT OPPORTUNITIES ARE DESIGNED TO SUPPORT UNDERSTANDING OF THE BMA'S COLLECTIONS AND EXHIBITIONS, TEACHING WITH ART, AND HOW TO USE THE BMA AS A LEARNING RESOURCE. TEACHERS RECEIVE EXTENSIVE BACKGROUND INFORMATION AND PARTICIPATE IN CREATIVE ACTIVITIES THAT SPARK NEW THINKING ABOUT WAYS TO INTEGRATE ART INTO THEIR CURRICULUM AND DEVELOP THE CREATIVE CAPACITIES OF THEIR STUDENTS. 57 TEACHER WORKSHOP PARTICIPANTS 37 TEACHER SHOWCASE PARTICIPANTS14,131 STUDENTS IMPACTEDART-TO-GOART-TO-GO IS A MONTHLY ACTIVITY DESIGNED TO PROVIDE TEACHERS WITH A FUN, FREE RESOURCE FOR THE CLASSROOM. EVERY MONTH FROM OCTOBER TO MAY, THEY RECEIVE AN EMAIL WITH THE LATEST ACTIVITY. EACH ART-TO-GO COMES WITH A PRINTABLE FULL-COLOR IMAGE OF A BMA ARTWORK, BACKGROUND ON THE COLLECTION ITEM, AND AN ACTIVITY DESIGNED AROUND A SINGLE, IMPORTANT, TEACHABLE IDEA. 3,299 SUBSCRIBERSFAMILY PROGRAMSONE OF THE BMA'S MOST POPULAR PROGRAMS, FREE FAMILY SUNDAYS IS DESIGNED TO TEACH CHILDREN HOW TO THINK, SEE, AND MAKE LIKE ARTISTS. THE MUSEUM BEGAN OFFERING BABY ART DATES IN FY25 AND THEY QUICKLY FILLED UP WITH INFANTS AND CAREGIVERS LOOKING FOR INTERACTIVE EXPERIENCES. ALL WORKSHOPS ARE LED BY TEACHING ARTISTS AND INSPIRED BY EXHIBITIONS AND THE COLLECTIONS. 4,165 FREE FAMILY SUNDAY PARTICIPANTS 387 BABY ART DATE PARTICIPANTSCLOSE ENCOUNTERS CLOSE ENCOUNTERS IS A MULTIPLE-VISIT PROGRAM FOR FOURTH-GRADE STUDENTS IN PARTNERSHIP WITH BALTIMORE CITY PUBLIC SCHOOLS. LAUNCHED IN 1982, THE PROGRAM HAS ENGAGED STUDENTS FROM 117 ELEMENTARY SCHOOLS FROM ACROSS BALTIMORE CITY. IN FY25, EACH SCHOOL HAD THREE CLOSE ENCOUNTERS SESSIONS IN PERSON AT THE MUSEUM AND THREE ART-MAKING SESSIONS HELD VIRTUALLY IN THEIR CLASSROOM. 11 PARTICIPATING SCHOOLS509 PARTICIPATING STUDENTS2,646 CONTACT HOURS FOR STUDENTSLITERACY THROUGH ARTLITERACY THROUGH ART IS AN EARLY LEARNING PROGRAM THAT FOSTERS INTERDISCIPLINARY LEARNING AMONG PRE-K AND KINDERGARTEN STUDENTS BY ENCOURAGING CREATIVE CONVERSATIONS ABOUT ART. IN FY25, BMA EDUCATORS LED 26 LITERACY THROUGH ART SESSIONS IN PERSON AT THE MUSEUM, AND THREE IN VIRTUAL CLASSES.4 PARTICIPATING SCHOOLS292 PARTICIPATING STUDENTSADULT GROUP TOURSTHE BMA WELCOMED A WIDE RANGE OF ADULT GROUPS WHO PARTICIPATED IN INTERACTIVE GUIDED TOURS THAT HIGHLIGHTED WORKS THROUGHOUT THE MUSEUM. PARTICIPANTS INCLUDED CHURCH AND SOCIAL CLUBS, AND ORGANIZATIONS SUCH AS THE ARC BALTIMORE, WHICH SERVES PEOPLE WITH DEVELOPMENTAL DISABILITIES.2,580 PARTICIPANTSCOMMUNITY CELEBRATIONS THE BMA HOSTED LIVELY COMMUNITY DAYS WITH PERFORMANCES, TASTINGS, HANDS-ON ARTMAKING, AND ACCESS FOR PREOCCUPIED EXHIBITIONS IN SEPTEMBER, TURN AGAIN TO THE EARTH EXHIBITIONS IN MAY, AND BAKER ARTIST AWARDS IN JUNE.1,739 PARTICIPANTSART AFTER HOURSTHIS POPULAR EVENT ATTRACTED ADULTS OVER 21 WITH EVENING ACCESS TO THE COLLECTION GALLERIES, OPPORTUNITIES TO EXPERIENCE THE PREOCCUPIED EXHIBITIONS AND FREE ADMISSION TO SPECIAL EXHIBITIONS SUCH AS BLACK EARTH RISING, ALONG WITH FOOD, MUSIC, DANCING, AND OPPORTUNITIES TO MIX AND MINGLE. 1,174 PARTICIPANTSPUBLIC SCHOOL EXHIBITIONSTHE BMA'S LONG-STANDING PUBLIC SCHOOL EXHIBITIONS - FYIFOR YOUR INSPIRATION (BALTIMORE CITY) AND ART IS FOR EVERYONE (BALTIMORE COUNTY) - CONTINUE TO BE POPULAR SHOWCASES FOR EMERGING ARTISTIC TALENT. 64 PARTICIPATING BALTIMORE CITY PUBLIC SCHOOLS1,452 BALTIMORE CITY EXHIBITION PARTICIPANTS164 PARTICIPATING BALTIMORE COUNTY PUBLIC SCHOOLS2,378 BALTIMORE COUNTY EXHIBITION PARTICIPANTSPANEL DISCUSSIONS AND LECTURESA WIDE RANGE OF PANEL DISCUSSIONS AND LECTURES PRESENTED IN FY25 INCLUDED CENTERING THE MARGINS: UPLIFTING COMMUNITY HEALTH WORKERS TO ADVANCE HEALTH EQUITY; SLAVERY IN MOTION; AND A DEEP HOUSE OF SOULFUL VISION (5TH ANNUAL DONALD V. BENTLEY MEMORIAL LECTURE), AS WELL AS MAKING HOURS ON THURSDAY EVENINGS. THESE EVENTS WERE ALSO REALIZED THROUGH PARTNERSHIPS THAT INCLUDED THE JOHNS HOPKINS CENTER FOR HEALTH EQUITY, THE JOHNS HOPKINS UNIVERSITY BILLIE HOLIDAY CENTER FOR LIBERATION ARTS, AND THE MARYLAND INSTITUTE COLLEGE OF ART.1,865 PARTICIPANTSBMA LEXINGTON MARKET (BMA LM)PROGRAMMING AT BMA LEXINGTON MARKET HAS SUBSTANTIALLY INCREASED WITH NUMEROUS ARTIST AND COMMUNITY COLLABORATIONS. TWENTY-SEVEN PROGRAMS ATTRACTED NEARLY 3,500 PARTICIPANTS WHO ENJOYED MAKING WITH MICA STUDENTS, CRAFTING WITH SCRAP BALTIMORE, STOP-MOTION ANIMATION WITH WIDE ANGLE YOUTH MEDIA, AND A FILM SCREENING OF MORE THAN HYPE, AMONG OTHERS.3,448 PROGRAM PARTICIPANTSJJC TALKSJJC TALKS IS A MONTHLY ARTIST CONVERSATION HOSTED BY THE JOSHUA JOHNSON COUNCIL (JJC), ONE OF THE OLDEST AFRICAN AMERICAN MUSEUM SUPPORT GROUPS IN THE U.S. THESE EVENTS FOSTER INSIGHTFUL DIALOGUE AND EXAMINE THE ISSUES THAT SOME OF THE MOST EXCITING BALTIMORE-BASED BLACK ARTISTS TODAY FACE IN THEIR RESPECTIVE CREATIVE PRACTICES. THE FY25 LIVESTREAMED EVENTS FEATURED JJC ARTIST RESIDENTS VONNE NAPPER AND AINSLEY BURROWS, AS WELL AS LARRY PONCHO BROWN, VICTORIA WALTON, AND SAM POLLARD. THE JJC ALSO CELEBRATED ITS 40TH ANNIVERSARY THIS YEAR AND HOSTED A LIVELY CELEBRATION. 505 PARTICIPANTS IN PERSON1,472 PARTICIPANTS ONLINESANKOFA DANCE THEATER: 30 YEARS OF MUSIC MOVEMENT AND FOLKWAYSTHE BMA HOSTED TWO WEEKENDS OF FREE WORKSHOPS AND TICKETED PERFORMANCES BY THE ACCLAIMED SANKOFA DANCE THEATER IN NOVEMBER 24 TO CELEBRATE RELEASE OF SANKOFA DANCE THEATER: 30 YEARS OF MUSIC MOVEMENT AND FOLKWAYS, A LIMITED-EDITION HARDCOVER BOOK THAT CHRONICLES THE TROUPE'S HISTORY AS A CULTURAL AMBASSADOR IN BALTIMORE AND WEST AFRICA.60 WORKSHOP PARTICIPANTS515 PERFORMANCE PARTICIPANTS 141580 141580 19214986 1 1 0 1 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 1 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 156 0 1 245 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 36 36 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MD X X CHRISTINE DIETZE BONANNO 4435731849 10 ART MUSEUM DRIVE BALTIMORE MD 21218 JAMES D THORNTON CHAIR 1.00 X X 0 0 0 CLAIR ZAMOISKI SEGAL IMMEDIATE PAST CHAIR 1.00 X X 0 0 0 DARIUS GRAHAM VICE CHAIR 1.00 X X 0 0 0 ELIZABETH J HURWITZ VICE CHAIR 1.00 X X 0 0 0 PAMELA HOEHN-SARIC SECRETARY 1.00 X X 0 0 0 PAUL OOSTBURG SANZ TREASURER 1.00 X X 0 0 0 ELLEN R DAME VICE PRESIDENT 1.00 X X 0 0 0 AMY GOULD VICE PRESIDENT 1.00 X X 0 0 0 PATRICIA LASHER VICE PRESIDENT 1.00 X X 0 0 0 JOHN MEYERHOFF VICE PRESIDENT 1.00 X X 0 0 0 STEVEN K PULIMOOD VICE PRESIDENT 1.00 X X 0 0 0 KATE SCHULZE VICE PRESIDENT 1.00 X X 0 0 0 DAVID W WALLACE PE VICE PRESIDENT 1.00 X X 0 0 0 DERRICK ADAMS TRUSTEE 1.00 X 0 0 0 VIRGINIA ADAMS TRUSTEE 1.00 X 0 0 0 SHARON BUTLER TRUSTEE 1.00 X 0 0 0 SAM CALLARD TRUSTEE 1.00 X 0 0 0 BEVERLY BENTLEY CARROLL TRUSTEE 1.00 X 0 0 0 AMY ELIAS TRUSTEE 1.00 X 0 0 0 NUPUR PAREKH FLYNN TRUSTEE 1.00 X 0 0 0 JOANNE GOLD TRUSTEE 1.00 X 0 0 0 KIM MUMBY GREEN TRUSTEE 1.00 X 0 0 0 DIVESH GUPTA TRUSTEE 1.00 X 0 0 0 NANCY HACKERMAN TRUSTEE 1.00 X 0 0 0 SHERRILYN IFILL TRUSTEE 1.00 X 0 0 0 LORI N JOHNSON TRUSTEE 1.00 X 0 0 0 GEORGE MCCULLOCH TRUSTEE 1.00 X 0 0 0 SHEELA MURTHY TRUSTEE 1.00 X 0 0 0 ANTOINETTE PEELE TRUSTEE 1.00 X 0 0 0 GEORGE PETROCHEILOS TRUSTEE 1.00 X 0 0 0 MARK SAUDEK TRUSTEE 1.00 X 0 0 0 LYNN SELBY TRUSTEE 1.00 X 0 0 0 MICHAEL SHERMAN TRUSTEE 1.00 X 0 0 0 STUART O SIMMS TRUSTEE 1.00 X 0 0 0 ANNE L STONE TRUSTEE 1.00 X 0 0 0 JOHN WATERS TRUSTEE 1.00 X 0 0 0 ASMA NAEEM EXECUTIVE DIRECTOR 40.00 X 411428 0 4228 CHRISTINE BONANNO CHIEF OPERATING OFFICER 40.00 X 254655 0 56816 KEVIN TERVALA CHIEF CURATOR 40.00 X 162275 0 20024 KIMBERLY BOUNTRESS SENIOR DIRECTOR OF HUMAN RESOURCES 40.00 X 153911 0 38001 ELIZABETH CALLIHAN CHIEF EDUCATION OFFICER 40.00 X 162409 0 30274 STACEY HUBBARD SENIOR DIRECTOR OF FINANCE 40.00 X 129041 0 49876 ANNA LINCOLN WHITEHURST SR. DIRECTOR OF ADVANCEMENT 40.00 X 125654 0 36617 KATHERINE ROTHKOPF DIR, CTR FOR MATISSE STUDIES 40.00 X 124679 0 45084 BEYZA AKCAM DIR OF INFO TECHNOLOGY 40.00 X 120197 0 48412 JESSICA NOVAK SR DIR, CONTENT STRATEGY & PUBS 40.00 X 117188 0 46031 1761437 0 375363 14 0 1 0 THE WHITING-TURNER CONTRACTING COMPANY C/O KURT WINTER 300 E JOPPA ROAD BALTIMORE MD 21286 CONSTRUCTION 853752 QUINN EVANS ARCHITECTS DEPARTMENT 1112 PO BOX 30516 LANSING MI 48909 ARCHITECTURAL DESIGN 803473 C&G PARTNERS LLC 116 EAST 16TH STREET FL 10 NEW YORK NY 10003 WEBSITE DEVELOPMENT 258911 ART & SOUND 313 BIRKWOOD PLACE BALTIMORE MD 21218 ART PACKERS 202588 H S LANDSCAPING 14430 LAUREL BOWIE ROAD LAUREL MD 20708 LANDSCAPING 144020 7 487103 931230 6347449 8298787 1549354 16064569 PROGRAM REVENUE 900099 922415 922415 TRAVELING EXHIBITS 900099 801243 801243 ADMISSIONS 900099 44028 44028 1767686 4463596 -17312 4480908 146629 0 146629 146629 146629 13411685 4092265 9319420 9319420 9319420 63600 931230 120200 -56600 -56600 772015 1048025 -276010 108611 -384621 PARKING REVENUE 900099 296112 296112 DEACCESSIONS 900099 39075 39075 335187 31764477 1767686 91299 13840923 990530 592670 263000 134860 10383728 8112634 1641382 629712 212822 163541 32913 16368 2171601 1781798 302807 86996 881393 731169 89177 61047 124018 83632 40386 81474 10296 71178 105725 105725 36508 36508 15000 15000 369129 369129 279348 257194 22154 568756 409154 67917 91685 294538 294538 1575221 1575221 66716 38435 28263 18 46189 33127 12354 708 506917 389789 83596 33532 275914 275914 EXHIBITION & COLLECTION 2556979 2556979 ACCESSIONS 1604726 1604726 OTHER FEES 302632 302632 EDUCATION & ARTISTIC PR 146951 146951 839508 130500 283193 425815 24436323 19214986 3703442 1517895 1286719 1503125 2494740 1252099 3958127 3364415 1064721 994267 392970 392600 15148483 5312739 5342676 9835744 71229386 65018337 117951044 139562468 1574452 754582 205294835 222677637 2555317 2899668 562407 312916 792115 27915 3909839 3240499 X 26407086 27285761 174977910 192151377 201384996 219437138 205294835 222677637 X 7328154 9484512 1239476 X 0 1 X 1 1 1 X 17446054 21203396 20076853 14467563 16064569 89258435 17446054 21203396 20076853 14467563 16064569 89258435 89258435 3110586 8682111 4427643 4110463 4610225 24941028 64241 226881 344674 283711 335187 1254694 115454157 10134506 0.77310 0.74600 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 0 0 0 0 0 0 0 0 1 36508 36508 0 PART II-B, LINE 1: IN FY25, MUSEUM STAFF, VOLUNTEERS, AND A PAID LOBBYIST COMMUNICATED WITH STATE AND LOCAL ELECTED OFFICIALS AND EMPLOYEES REGARDING RENOVATION PROJECTS IN NEED OF SUPPORT. THE MUSEUM ALSO DISCUSSED SUPPORT OF THE ANNUAL ALLOCATION TO THE MARYLAND STATE ARTS COUNCIL (MSAC). MSAC IS A STATE AGENCY THAT MAKES GRANTS TO CULTURAL NONPROFITS ORGANIZATIONS IN MARYLAND, INCLUDING THE BMA. THIS COMMUNICATION INCLUDED WRITING LETTERS AND EMAILS TO SPECIFIC OFFICIALS AND EMPLOYEES, TELEPHONE CALLS AND MEETINGS WITH SPECIFIC OFFICIALS AND EMPLOYEES. X X X X 0 189886652 1243430 22773943 8272312 205631713 172849311 5364415 23487709 11814783 189886652 160561452 3376000 17487859 8576000 172849311 186729923 3692711 -22668474 7192708 160561452 136321528 6066695 52132727 7791027 186729923 0.12237 0.87763 0 0 315900 315900 11312029 4051746 7260283 3520554 1260993 2259561 9835744 HEDGE FUNDS OF FUNDS 12900 F PRIVATE EQUITY FUNDS 17264743 F VANGUARD INSTL INDEX FD (VINIX) 28953960 F VANGUARD RUSSELL 1000 GROWTH INDEX FUND (VRGWX) 25401212 F VANGUARD RUSSELL 1000 VALUE INDEX FUND (VRVIX) 25023911 F VANGUARD TOTAL INTERNATIONAL STOCK INDEX FUND (VTSNX) 31646026 F VANGUARD MID CAP INDX (VIMAX) 11259716 F 139562468 PAYABLES UNDER SPLIT INTEREST AGREEMENT 27915 27915 X 43287561 9484512 1239476 10723988 32563573 369129 -1168225 -799096 31764477 25235419 1168225 1168225 24067194 369129 369129 24436323 PART III, LINE 1A: THE MUSEUM'S PERMANENT COLLECTION CONSISTS OF OVER 97,000 OBJECTS. THE VALUE OF THE MUSEUM'S COLLECTION OF ART OBJECTS IS NOT CAPITALIZED AND HAS BEEN EXCLUDED FROM THE STATEMENTS OF FINANCIAL POSITION. CONTRIBUTED COLLECTION ITEMS ARE NOT RECOGNIZED AS CONTRIBUTION REVENUE. PURCHASES OF ART OBJECTS BY THE MUSEUM (ACCESSIONS) ARE FUNDED WITH NET ASSETS WITH DONOR RESTRICTIONS AND ARE RECORDED AS NONOPERATING DECREASES IN NET ASSETS IN THE STATEMENTS OF ACTIVITIES. SALES OF ART OBJECTS BY THE MUSEUM (DEACCESSIONS) ARE RECORDED AS NONOPERATING INCREASES IN NET ASSETS WITH DONOR RESTRICTIONS IN THE STATEMENTS OF ACTIVITIES. PART III, LINE 4: THE BALTIMORE MUSEUM OF ART CONNECTS ART TO BALTIMORE AND BALTIMORE TO THE WORLD, EMBODYING A COMMITMENT TO ARTISTIC EXCELLENCE AND SOCIAL EQUITY IN EVERY DECISION FROM ART PRESENTATION, INTERPRETATION, AND COLLECTING, TO THE COMPOSITION OF OUR BOARD OF TRUSTEES, STAFF, AND VOLUNTEERS - CREATING A MUSEUM WELCOMING TO ALL. PART V, LINE 4: UNDER THE MUSEUM'S POLICY, THE BOARD OF TRUSTEES ANNUALLY APPROVES A WITHDRAWAL RATE FOR THE INVESTMENT RETURN ON THESE FUNDS TO BE USED TO SUPPORT OPERATIONS. PART X, LINE 2: THE MUSEUM ADOPTED THE ACCOUNTING STANDARD ON ACCOUNTING FOR UNCERTAINTY IN INCOME TAXES, WHICH ADDRESSES THE DETERMINATION OF WHETHER TAX BENEFITS CLAIMED OR EXPECTED TO BE CLAIMED ON A TAX RETURN SHOULD BE RECORDED IN THE FINANCIAL STATEMENTS. UNDER THIS POLICY, THE MUSEUM MAY RECOGNIZE THE TAX BENEFIT FROM AN UNCERTAIN TAX POSITION ONLY IF IT IS MORE LIKELY THAN NOT THAT THE TAX POSITION WOULD BE SUSTAINED ON EXAMINATION BY TAXING AUTHORITIES, BASED ON THE TECHNICAL MERITS OF THE POSITION. MANAGEMENT HAS EVALUATED THE MUSEUM'S TAX POSITIONS AND HAS CONCLUDED THAT THE MUSEUM HAS TAKEN NO UNCERTAIN TAX POSITIONS THAT REQUIRE ADJUSTMENT TO THE FINANCIAL STATEMENTS TO COMPLY WITH PROVISIONS OF THIS GUIDANCE. THE MUSEUM FILES INCOME TAX RETURNS IN THE U.S. FEDERAL JURISDICTION. THE MUSEUM IS NO LONGER SUBJECT TO U.S. FEDERAL, OR STATE AND LOCAL INCOME TAX EXAMINATIONS BY TAX AUTHORITIES FOR YEARS BEFORE 2022. PART XI, LINE 2D - OTHER ADJUSTMENTS: GAIN ON PROPERTY SWAP 1,239,476. PART XI, LINE 4B - OTHER ADJUSTMENTS: RECLASSIFICATION OF COST OF GOODS SOLD -1,048,025. FUNDRAISING EXPENSES -120,200. PART XII, LINE 2D - OTHER ADJUSTMENTS: RECLASSIFICATION OF COST OF GOODS SOLD 1,048,025. FUNDRAISING EXPENSES 120,200. CENTRAL AMERICA AND THE CARIBBEAN 0 0 INVESTMENTS 6351956 0 0 0 0 0 0 6351956 0 6351956 1 0 1 1 1 0 BMA BALL 994830 931230 63600 8791 84055 5350 22004 994830 931230 63600 8791 84055 5350 22004 120200 -56600 X X X X 0 0 0 0 0 0 0 1 0 ASMA NAEEM EXECUTIVE DIRECTOR 374428 0 37000 0 0 0 3500 0 728 0 415656 0 0 0 CHRISTINE BONANNO CHIEF OPERATING OFFICER 254655 0 0 0 0 0 19781 0 37035 0 311471 0 0 0 ELIZABETH CALLIHAN CHIEF EDUCATION OFFICER 162409 0 0 0 0 0 0 0 30274 0 192683 0 0 0 KIMBERLY BOUNTRESS SENIOR DIRECTOR OF HUMAN RESOURCES 153911 0 0 0 0 0 11998 0 26003 0 191912 0 0 0 KEVIN TERVALA CHIEF CURATOR 162275 0 0 0 0 0 3500 0 16524 0 182299 0 0 0 STACEY HUBBARD SENIOR DIRECTOR OF FINANCE 129041 0 0 0 0 0 1000 0 48876 0 178917 0 0 0 KATHERINE ROTHKOPF DIR, CTR FOR MATISSE STUDIES 124679 0 0 0 0 0 11421 0 33663 0 169763 0 0 0 BEYZA AKCAM DIR OF INFO TECHNOLOGY 120197 0 0 0 0 0 10767 0 37645 0 168609 0 0 0 JESSICA NOVAK SR DIR, CONTENT STRATEGY & PUBS 117188 0 0 0 0 0 11036 0 34995 0 163219 0 0 0 ANNA LINCOLN WHITEHURST SR. DIRECTOR OF ADVANCEMENT 125654 0 0 0 0 0 0 0 36617 0 162271 0 0 0 PART I, LINE 7 THE EXECUTIVE DIRECTOR'S CONTRACT CONTEMPLATES A BONUS THAT IS CONSIDERED BY THE COMPENSATION COMMITTEE ANNUALLY BASED ON HER GOALS FOR THE FISCAL YEAR. THE COMPENSATION COMMITTEE RECOMMENDS THE AMOUNT TO THE FULL BOARD FOR APPROVAL. X 333 EXCLUDED UNDER SFAS 116 X 27 1549354 FMV 78 0 1 1 PART I, COLUMN (B): REPORTING THE NUMBER OF ITEMS RECEIVED PART I, LINE 32B: PUBLIC AUCTION IS THE USUAL MECHANISM FOR THE DISPOSAL OF WORKS BEING DE-ACCESSIONED FROM THE COLLECTION AFTER REVIEW BY THE DIRECTOR, CURATORS, AN ACCESSIONS COMMITTEE AND FINAL APPROVAL BY THE EXECUTIVE COMMITTEE AND THE BOARD OF TRUSTEES. THE MUSEUM DOES NOT USE A THIRD PARTY OR RELATED ORGANIZATION TO SOLICIT OR PROCESS NONCASH CONTRIBUTIONS. PART I, LINE 33: THE MUSEUM'S PERMANENT COLLECTION CONSISTS OF OVER 97,000 OBJECTS. IN CONFORMITY WITH ACCOUNTING POLICIES GENERALLY FOLLOWED BY ART MUSEUMS, THE VALUE OF THE MUSEUM'S COLLECTION OF ART OBJECTS IS NOT CAPITALIZED AND HAS BEEN EXCLUDED FROM THE STATEMENTS OF FINANCIAL POSITION, AND GIFTS OF ART OBJECTS ARE NOT RECOGNIZED AS CONTRIBUTED REVENUE. FORM 990, PART VI, SECTION B, LINE 11B THE AUDIT COMMITTEE REVIEWS A COPY OF FORM 990 IN DETAIL. AFTER THE AUDIT COMMITTEE COMPLETES ITS REVIEW, A DRAFT IS MADE AVAILABLE TO THE ENTIRE BOARD FOR COMMENTS PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C THE BMA HAS A QUESTIONNAIRE THAT REQUIRES TRUSTEES WITH VOTING PRIVILEGES TO DISCLOSE INTERESTS THAT COULD GIVE RISE TO CONFLICTS. ONE HUNDRED PERCENT OF VOTING TRUSTEES COMPLETED THE QUESTIONNAIRE AND CERTIFIED THE DOCUMENT WITH THEIR RESPECTIVE SIGNATURES. NO CONFLICTS OF INTEREST WERE IDENTIFIED. TRUSTEES ARE ASKED TO BRING ANY CONFLICTS OF INTEREST TO THE ATTENTION OF THE CHAIR OF THE BOARD OF TRUSTEES AS CHAIR OF THE EXECUTIVE COMMITTEE. FORM 990, PART VI, SECTION B, LINE 15 THE COMPENSATION COMMITTEE OF THE BOARD OF TRUSTEES CONDUCTS AN ANNUAL PERFORMANCE REVIEW OF THE DIRECTOR AND RECOMMENDS COMPENSATION FOR THE DIRECTOR BASED ON PERFORMANCE AND THE REVIEW OF COMPARABLE DATA FROM SIMILAR INSTITUTIONS. THE BOARD OF TRUSTEES APPROVES THE ANNUAL OPERATING BUDGET WHICH INCLUDES COMPENSATION FOR THE DIRECTOR. THE DECISIONS OF THE COMPENSATION COMMITTEE ARE COMMUNICATED IN WRITING FROM THE BOARD CHAIR TO THE CHIEF OPERATING OFFICER, WRITTEN NOTES ACCOMPANY THE BUDGET AND MINUTES OF THE BOARD OF TRUSTEES MEETINGS ARE MAINTAINED. THE MUSEUM PARTICIPATES ANNUALLY IN SALARY SURVEYS TO BENCHMARK COMPENSATION RANGES AGAINST PEER INSTITUTIONS. THE BOARD OF TRUSTEES APPROVES THE ANNUAL OPERATING BUDGET WHICH INCLUDES COMPENSATION FOR OFFICERS AND KEY EMPLOYEES. WRITTEN NOTES ACCOMPANY THE BUDGET AND MINUTES OF THE BOARD OF TRUSTEES MEETINGS ARE MAINTAINED. FORM 990, PART VI, SECTION C, LINE 19 BMA MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D). FORM 990, PART XI, LINE 9: GAIN ON PROPERTY SWAP 1,239,476.