2011-11-14T17:27:05-06:00 2010-12-31 POSTLETHWAITE & NETTERVILLE ONE GALLERIA BLVD STE 2100 METAIRIE LA 70001 990 2010-01-01 726000331 NEW ORLEANS MUSEUM OF ART NEWO 5046584101 PO BOX 19123 NEW ORLEANS LA 701790123 SUSAN M TAYLOR 5046584101 2011-11-14 1 SHARON CASSIERE 5048375990 2010 2016-02-24 21:20:13Z SUSAN M TAYLOR 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 9069234 0 X WWW.NOMA.ORG X 1911 LA INSPIRE LOVE OF ART;TO COLLECT, PRESERVE, EXHIBIT & PRESENT EXCELLENCE IN VISUAL ARTS, TO EDUCATE, CHALLENGE & ENGAGE A DIVERSE PUBLIC 47 47 87 800 13870 0 3968164 6805949 523163 575186 48445 433017 937222 538130 5476994 8352282 90000 1525428 0 0 2679367 2756308 0 0 788658 3670073 5120354 6439440 9402090 -962446 -1049808 50350876 53023641 1318538 1184373 49032338 51839268 X THE MISSION OF THE NEW ORLEANS MUSEUM OF ART IS TO INSPIRE THE LOVE OF ART; TO COLLECT, PRESERVE, EXHIBIT AND PRESENT EXCELLENCE IN THE VISUAL ARTS, TO EDUCATE, CHALLENGE AND ENGAGE A DIVERSE PUBLIC. 0 0 2989618 1525428 1121278 COLLECTION DEPARTMENT SERVICESTHE HEART OF NOMA IS ITS COLLECTION DEPARTMENT. THE MUSEUM'S PRIMARY PURPOSE OF COLLECTING, PRESERVING, INSTALLING AND INTERPRETING THE COLLECTION IS ADMINISTERED BY THIS DEPARTMENT. TO MAINTAIN AN EFFECTIVE, BALANCED ART PROGRAM, EACH OF THESE FOUR ASPECTS OF THE COLLECTIONS DEPARTMENT IS INTERDEPENDENT UPON THE OTHERS.THE MUSEUM HAS DEVELOPED AN ACCESSION POLICY FOR ACQUIRING WORKS OF ART EITHER THROUGH PURCHASE OR BY GIFT WITH A GOAL OF CONTINUING TO AUGMENT ITS HOLDINGS IN THE AREAS OF ITS STRENGTHS RATHER THAN INAUGURATING NEW AREAS IN WHICH THE MUSEUM CURRENTLY HAS LITTLE OR NO HOLDINGS.ACKNOWLEDGING THE RESPONSIBILITY OF PRESERVING ITS ART COLLECTION, THE MUSEUM MAINTAINS A COMPREHENSIVE PROGRAM OF ART CONSERVATION AND SAFEKEEPING. THIS INCLUDES CONSTANT MONITORING OF THE ART AS WELL AS PERIODIC CONSERVATION TREATMENT OF WORKS OUT OF THE BUILDING BY NOTED CONSERVATORS IN THE FIELD.WITH NOMA'S CURATORS ORIGINATING SERIOUS ART HISTORICAL EXHIBITIONS, PREFERABLY ACCOMPANIED BY CATALOGUES WITH CRITICAL ESSAYS AND OTHER SCHOLARLY DOCUMENTATION, THE MUSEUM CAN FULFILL, IN PART, ANOTHER BASIC MISSION--INTERPRETATION AND ANALYSIS OF ARTWORKS, PARTICULARLY ITS OWN. IF THE GENERAL PUBLIC IS NOT PROPERLY EDUCATED AND INFORMED ABOUT THE ART IT IS VIEWING, THE INTELLECTUAL PURSUIT AND ENJOYMENT IS INCOMPLETE AND THE WHOLE MUSEUM FUNCTION BECOMES A WORTHLESS EXERCISE.THE MUSEUM'S EDUCATION PROGRAMMING FOCUSES ON IN-HOUSE AND OUTREACH ACTIVITIES. LECTURES, FILMS CONCERTS, DOCENT SCHOOL TOURS, CHILDREN'S ART CLASSES, AND MULTI-EVENT THEME FESTIVALS ARE SCHEDULED AT THE MUSEUM TO COMPLEMENT THE SPECIAL EXHIBITIONS AND PERMANENT COLLECTION WHILE A UNIVERSITY STUDENT MEMBERSHIP PROGRAM, A SERIES OF SPECIALIZED FRIENDS SUPPORT GROUPS, A SPEAKER'S BUREAU, AND THE ARTS QUARTERLY NEWSPAPER INVOLVES VARIOUS CONSTITUENCIES WITH INFORMATIVE PROGRAMS FOR FURTHER AUDIENCE DEVELOPMENT. 1810918 ART ACQUISITIONSTHE NEW ORLEANS MUSEUM OF ART DOES NOT POSSESS THE RESOURCES TO ASSEMBLE AN ENCYCLOPEDIC COLLECTION OF WORLD ART. RECOGNIZING THAT FINANCIAL LIMITATIONS NECESSITATE A SELECTIVE ACQUISITION POLICY, THE MUSEUM HAS FOCUSED ITS COLLECTING ACTIVITIES IN SEVERAL SPECIALIZED AREAS. BY BUILDING THE STRENGTH IN THESE SELECTED AREAS, THE MUSEUM HAS BEEN ABLE TO ASSEMBLE AN IMPORTANT COLLECTION OF BOTH QUALITY AND DEPTH.WHILE ART PURCHASES ARE ESSENTIALLY LIMITED TO THE DESIGNATED AREAS OF SPECIALIZATION, THE BOARD AND STAFF ARE ALWAYS WILLING TO CONSIDER NEW AREAS OF COLLECTING AS OPPORTUNITIES ARISE, PARTICULARLY THROUGH DONATIONS. THE OVERRIDING CRITERION FOR THE PURCHASE OR ACCEPTANCE OF GIFTS IS THE QUALITY OF INDIVIDUAL WORKS OF ART. THE EIGHT AREAS OF COLLECTION SPECIALIZATION ARE: EUROPEAN ART FROM THE 16TH THROUGH 20TH CENTURIES (PARTICULARLY THE WORKS OF THE FRENCH SCHOOL); THE ARTS OF THE AMERICAS (PRE-COLUMBIAN, LATIN COLONIAL, AND THE AMERICAN PAINTING AND SCULPTURE); AFRICAN AND OCEANIC ART; ASIAN ART (PARTICULARLY CHINESE AND JAPANESE OF THE EDO PERIOD 1615-1867); PHOTOGRAPHY; DECORATIVE ARTS; AND GRAPHICS AND SCULPTURE.THE DIRECTOR OF THE MUSEUM, IN CONSULTATION WITH THE CURATORIAL STAFF, RECOMMENDS ALL PURCHASES AND GIFTS TO THE ACCESSIONS COMMITTEE OF THE BOARD OF TRUSTEES FOR THEIR APPROVAL OR DISAPPROVAL. THE FULL BOARD THEN APPROVES THE RECOMMENDATIONS OF THE ACCESSIONS COMMITTEE. 549966 71329 EXHIBITION PROGRAMTHE MUSEUM'S EXHIBITION PROGRAM IS TWO-FOLD: INSTALLATION OF THE PERMANENT COLLECTION AND PRESENTATION OF SPECIAL TEMPORARY EXHIBITIONS. SELECTIONS FROM THE PERMANENT COLLECTION ARE INSTALLED BY THE CURATORIAL STAFF IN THE GALLERIES IN AN ARRANGEMENT, WHICH WILL REFLECT THE CONTINUITY OF THE HISTORY OF ART. A MEANINGFUL PROGRESSION OF PERIODS AND CULTURES WILL AID THE MUSEUM VISITOR IN THEIR APPRECIATION AND UNDERSTANDING OF THE ARTWORKS. WHEN AVAILABLE, WORKS ON LOAN FROM OTHER SOURCES CAN EFFECTIVELY AUGMENT THE INSTALLATIONS AND FILL IN GAPS IN THE COLLECTION.TO COMPLEMENT THE PERMANENT COLLECTION INSTALLATIONS, THE CURATORIAL STAFF DESIGNS A PROGRAM OF SPECIAL TEMPORARY EXHIBITIONS OF VARIOUS SIZES PRESENTED THROUGHOUT THE YEAR. THESE EXHIBITIONS ORIGINATED BY THE STAFF OR BROUGHT IN FROM OTHER NATIONAL OR INTERNATIONAL SOURCES, OFFER A WIDE VARIETY OF SUBJECTS, THEMES, STYLISTIC MODES, CULTURES, AND ARTISTS. NEARLY A DECADE AGO, THE MUSEUM COMMITTED ITSELF TO THE PRESENTATION OF A SERIES OF MAJOR INTERNATIONAL "BLOCKBUSTER" EXHIBITIONS WHICH ENHANCED THE INSTITUTION'S LOCAL, REGIONAL, AND NATIONAL IMAGE; DEVELOPED A BROADER AUDIENCE; ESTABLISHED A NEW ECONOMIC BASE (WHICH SERVED AS THE NUCLEUS FOR THE NEW GENERAL ENDOWMENT); AND GAVE THE REGION AN OPPORTUNITY TO SEE RARE ART TREASURES. 86137 42073 MEMBER EVENTS DEPARTMENTTHE NEW ORLEANS MUSEUM OF ART OFFERS NUMEROUS MEMBERSHIP PACKAGES THAT OFFER VARIOUS LEVELS OF UNIQUE CULTURAL PROGRAMS AND SUPPORT OF NOMA. THESE MEMBERSHIP PRIVILEGES INCLUDE SPECIAL PREVIEWS OF ALL EXHIBITIONS, A QUARTERLY PUBLICATION WITH ADVANCE NOTICE OF EDUCATIONAL PROGRAMS AND SPECIAL EVENTS AS WELL AS ARTICLES ON EXHIBITIONS, COLLECTIONS, ARTISTS, WORKS OF ART AND OTHER RELATED SUBJECTS AS WELL AS OTHER PRIVILEGES APPROPRIATE FOR THE LEVEL OF GIVING. 290906 6350 EDUCATION DEPARTMENT SERVICESTHE EDUCATION DIVISION SERVICED APPROXIMATELY 10,331 PEOPLE IN THE COMMUNITY WITH FAMILY WORKSHOPS, CRAFTS DEMONSTRATIONS, ART CLASSES, STORYTELLING AND A LECTURE SERIES. SINCE HURRICANE KATRINA THE MUSEUM HAS BEEN PROVIDING CURRICULUM PLANNING TO NEW ORLEANS PUBLIC SCHOOLS AND HAS PROVIDED AN ART THERAPIST TO TWO NEW ORLEANS RECOVERY CHARTER SCHOOLS. 377043 48423 5727545 1 1 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 0 0 0 0 1 0 0 1 0 0 0 0 0 0 0 0 0 1 1 1 0 0 1 0 0 0 0 0 1 54 0 1 87 1 1 1 0 0 0 0 1 1 0 0 0 0 X 47 47 0 0 0 0 1 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 X TY SMITHWECK 5046584111 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 X GAIL BERTUZZI 1.00 X 0 0 0 SYDNEY BESTHOFF III 1.00 X 0 0 0 SARAH CAREY 1.00 X 0 0 0 EDGAR L CHASE III 1.00 X 0 0 0 LEONARD DAVIS 1.00 X 0 0 0 HM FAVROT JR 1.00 X 0 0 0 STEPHANIE FEOLI 1.00 X 0 0 0 TIMOTHY FRANCIS 1.00 X 0 0 0 JAMES GABLE 1.00 X 0 0 0 ANNE GAUTHIER 1.00 X 0 0 0 JULIE GEORGE 1.00 X 0 0 0 ROY A GLAPION 1.00 X 0 0 0 TERRANCE HALL 1.00 X 0 0 0 LEE HAMPTON 1.00 X 0 0 0 ADREA HEEBE 1.00 X 0 0 0 ALLISON KENDRICK 1.00 X 0 0 0 SUBHASH KULKARNI 1.00 X 0 0 0 HENRY LAMBERT 1.00 X 0 0 0 ELLY LANE 1.00 X 0 0 0 PAUL LEAMAN JR 1.00 X 0 0 0 E RALPH LUPIN 1.00 X 0 0 0 PAUL MASINTER 1.00 X 0 0 0 EDWARD C MATHES 1.00 X 0 0 0 KAY MCARDLE 1.00 X 0 0 0 DR ALVIN MERLIN 1.00 X 0 0 0 SHELLEY MIDURA 1.00 X 0 0 0 ANNE MILLING 1.00 X 0 0 0 BRENDA MOFFITT 1.00 X 0 0 0 C RAY NAGIN 1.00 X 0 0 0 DR HOWARD J OSOFSKY 1.00 X 0 0 0 DEBBIE PATRICK 1.00 X 0 0 0 THOMAS REESE 1.00 X 0 0 0 PIXIE REISS 1.00 X 0 0 0 WENDY RODRIGUE 1.00 X 0 0 0 BRAIN SCHNEIDER 1.00 X 0 0 0 JOLIE SHELTON 1.00 X 0 0 0 LIZ SLOSS 1.00 X 0 0 0 ALEXANDRA STAFFORD 1.00 X 0 0 0 ANN STRUB 1.00 X 0 0 0 PHYLLIS TAYLOR 1.00 X 0 0 0 LOUIS A WILSON JR 1.00 X 0 0 0 STEPHEN A HANSEL 1.00 X X 0 0 0 WILLIAM AARON JR 1.00 X X 0 0 0 JANET FRISCHHERTZ 1.00 X X 0 0 0 CAMMIE MAYER 1.00 X X 0 0 0 DAVID EDWARDS 1.00 X X 0 0 0 MICHAEL MOFFIT 1.00 X X 0 0 0 SUSAN M TAYLOR 35.00 X X 109165 0 0 E JOHN BULLARD 35.00 X X 148351 0 0 257516 0 0 2 0 0 0 UNITED HEALTH CARE DEPT CH 10151 PALANTINE IL 60055 EMPLOYEE HEALTH INSURANCE 250821 LOUISIANA LANDSCAPE 1701 BELLE CHASSE HWY GRETNA LA 70056 FEMA WORK IN GARDEN 171388 2 1218914 884585 345775 4356675 129113 6805949 ADMISSION CHARGES 900099 469287 469287 EXHIBITION PROGRAMS 900099 71329 71329 PUBLICATIONS AND TOURS 541800 28220 14350 13870 EDUCATION PROGRAMS 611710 6350 6350 575186 433017 433017 2372 2372 225350 48004 177346 177346 177346 76861 884585 485470 -408609 -408609 309259 183478 125781 125781 DEACCESSIONS 900099 526210 526210 INSURANCE PROCEEDS 900099 100795 100795 MEMBER EVENTS 900099 13853 13853 382 382 641240 8352282 1227160 13870 305303 1525428 1525428 257516 154510 51503 51503 1823679 710161 885593 227925 160655 74569 72811 13275 341548 133204 161240 47104 172910 63954 87507 21449 945642 286569 641650 17423 271335 271335 492576 264881 171342 56353 687393 127389 560004 125901 41719 22073 62109 551740 477365 59588 14787 70095 19926 47029 3140 ACQUISITIONS OF ART 1810918 1810918 REPAIRS AND MAINTENANCE 130976 25848 105128 0 DUES AND PUBLICATIONS 33778 11104 20419 2255 9402090 5727545 2885887 788658 137038 356738 3854679 4439780 219743 293370 243008 161860 21984280 8714219 15347229 13270061 28209719 29675940 2335469 4571367 3991 254525 50350876 53023641 680346 799985 638192 384388 1318538 1184373 X 23096204 22635923 5277651 7638255 20658483 21565090 49032338 51839268 50350876 53023641 X -1049808 3856738 X X 0 1 1 X 0 X 5910898 6362436 5933293 3968164 6805949 28980740 3196949 3228919 3261208 3295000 3295000 16277076 9107847 9591355 9194501 7263164 10100949 45257816 1092642 44165174 504490 557355 510977 229085 660739 2462646 114880 1433915 118555 904514 641240 3213104 50933566 3714620 0.86710 0.88980 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 478807 509721 988528 1482792 15000 15000 30000 119702 127430 247132 370698 15000 15000 X X X X 1 31814162 59995 5347282 1474489 1669856 34077094 27818191 28255 5747058 766599 1012743 31814162 36060002 24250 -6303158 1660180 302723 27818191 0.63000 0.37000 1 0 436260 436260 17125416 7463911 9661505 635911 510110 125801 3786693 740198 3046495 13270061 OTHER SECURITIES 4429027 F LIMITED PARTNERSHIP HEDGE FUNDS 142340 F 4571367 ACCRUED PERSONNEL COSTS 233388 OTHER LIABILITIES 151000 384388 8352282 9402090 -1049808 3856738 3856738 2806930 12440502 3856738 231482 4088220 8352282 0 8352282 9633572 231482 231482 9402090 0 9402090 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART PURCHASED AND DONATED IS NOT CAPITALIZED. DURING 2010 AND 2009, THE COST OF COLLECTION ITEMS PURCHASED BY THE MUSEUM IS A DECREASE IN THE APPROPRIATE CLASS OF NEW ASSETS WAS $1,810,918 AND $631,670, RESPECTIVELY. WHEN NOT ON DISPLAY IN THE PERMANENT COLLECTION GALLERIES, THE OBJECTS ARE MAINTAINED IN CLIMATE CONTROLLED STORAGE. THE MUSEUM MAINTAINS POLICIES AND PROCEDURES ADDRESSING THE MAINTENANCE AND CONSERVATION OF THE COLLECTION, AS WELL AS OTHER ASPECTS OF ITS MANAGEMENT, INCLUDING ACCESSION/DEACCESSION POLICIES. PART III, LINE 4: THE MUSEUM HAS THE LARGEST AND MOST COMPLETE REPOSITORY OF FINE ART IN THE STATE OF LOUISIANA AND IS RECOGNIZED NATIONALLY AS ONE OF THE LEADING ART INSTITUTIONS SERVING THE PUBLIC. IN PARTICULAR, THE MUSEUM HAS A NATIONAL REPUTATION OF A 3,500 YEAR HISTORY OF GLASS; AN IN-DEPTH 150 YEAR HISTORY OF PHOTOGRAPHS; JAPANESE SCREENS AND SCROLL PAINTINGS OF THE EDO PERIOD; A 500 YEAR SURVEY OF CHINESE EARTHENWARE, PORCELAIN, AND STONE SCULPTURES; 17TH THROUGH 20TH CENTURY FRENCH PAINTINGS; ITALIAN AND SPANISH PAINTINGS FROM THE RENAISSANCE AND BAROQUE PERIODS; 16TH THROUGH 18TH CENTURY PAINTINGS FROM THE "LOW COUNTRIES" OF NORTHERN EUROPE; TRIBAL ARTS OF SUB-SAHARAN AFRICA; 18TH AND 19TH CENTURY FRENCH HARD-PASTE, BONE AND PARIAN PORCELAIN; 20TH CENTURY AMERICAN ART POTTERY; SPANISH COLONIAL LATIN AMERICAN PAINTINGS AND SCULPTURE; ENGLISH AND CONTINENTAL PORTRAIT MINIATURES; JEWELED OBJECTS DE VERTU BY PETER CARL FABERGE; 18TH TO 20TH CENTURY AMERICAN PAINTINGS AND SCULPTURES; 18TH AND 19TH CENTURY AMERICAN AND ENGLISH SILVER; AND THE ARTS OF PRE-COLUMBIAN MEXICO, CENTRAL AND SOUTH AMERICA, AND NATIVE NORTH AMERICAN INDIANS. THE MUSEUM EMPLOYS A PROFESSIONAL CURATORIAL STAFF WHOSE FUNCTION IS TO CARE FOR ITS COLLECTIONS; CARRY OUT RESEARCH ON THE OBJECTS IN THE COLLECTION; ORGANIZE SPECIAL EXHIBITIONS ON PARTICULAR SUBJECTS OR THEMES; WRITE SCHOLARLY INTERPRETATIVE ARTICLES, CATALOGUES AND BOOKS ON ART SUBJECTS; RECOMMEND AND OVERSEE NEEDED RESTORATION AND CONSERVATION TREATMENT ON OBJECTS IN THE COLLECTION; CULTIVATE AND ADVISE PRIVATE ART COLLECTORS AND ENCOURAGE DONATIONS; SEEK OUT AND RECOMMEND OBJECTS FOR ACQUISITION OR DEACCESSION BY THE MUSEUM; TRAIN VOLUNTEER DOCENTS TO GIVE GUIDED TOURS OF THE MUSEUM; DEVISE AND IMPLEMENT EDUCATIONAL PROGRAMS SUCH AS LECTURES, SYMPOSIUMS, FILMS, CONCERTS, FAMILY FESTIVALS ON SPECIFIC THEMES, STUDIO ART CLASSES, AND OTHER OUTREACH METHODS; FAMILY AND TEACHER WORKSHOPS, AND ART THERAPY PROGRAMS FOR DESIGNATED PUBLIC SCHOOLS. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: OPERATIONS, PROGRAMS, AND ACQUISITIONS DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X: THE MUSEUM IS EXEMPT FROM FEDERAL INCOME TAXES UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE AND FROM STATE INCOME TAXES UNDER SECTION 121(5) OF TITLE 47 OF THE LOUISIANA REVISED STATUTES OF 1950. THE MUSEUM APPLIES A "MORE-LIKELY-THAN-NOT" RECOGNITION THRESHOLD FOR ALL TAX UNCERTAINTIES. THIS APPROACH ONLY ALLOWS THE RECOGNITION OF THOSE TAX BENEFITS THAT HAVE A GREATER THAN 50% LIKELIHOOD OF BEING SUSTAINED UPON EXAMINATION BY THE TAXING AUTHORITIES. AS A RESULT OF IMPLEMENTING THIS APPROACH, THE MUSEUM HAS REVIEWED ITS TAX POSITIONS AND DETERMINED THERE WERE NO OUTSTANDING, OR RETROACTIVE TAX POSITIONS WITH LESS THAN A 50% LIKELIHOOD OF BEING SUSTAINED UPON EXAMINATION BY THE TAXING AUTHORITIES. THEREFORE, THE IMPLEMENTATION OF THIS STANDARD HAS NOT HAD A MATERIAL EFFECT ON THE MUSEUM. THE MUSEUM'S TAX RETURNS FOR THE YEARS ENDED DECEMBER 31, 2009, 2008 AND 2007 REMAIN OPEN AND SUBJECT TO EXAMINATION BY TAXING AUTHORITIES. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 48,004. COST OF GOODS SOLD 183,478. PART XIII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 48,004. COST OF GOODS SOLD 183,478. ODYSSEY BALL 422662 357962 64700 57450 6400 66814 ART IN BLOOM 380498 379907 591 62006 1400 213650 3 157627 146715 10912 30020 4990 41733 960787 884584 76203 149476 12790 322197 484463 -408260 1 CITY OF NEW ORLEANS 1300 PERDIDO ST NEW ORLEANS LA 70112 726000969 1525428 BOOK ART STORAGE BUILDING NOMA PURCHASED THIS BUILDING TO HOUSE ART OFF THE MAIN SITE DUE TO INSURANCE RESTRICTIONS. ALL OTHER FACILITIES USED BY NOMA ARE IN THE PUBLIC DOMAIN, THEREFORE NOMA DONATED THIS BUILDING TO THE CITY OF NEW ORLEANS. 1 0 PROCEDURE FOR MONITORING GRANTS IN THE U.S.: PART I, LINE 2: SCHEDULE I, PART I, LINE 2: GRANT IS UNRESTRICTED JANET FRISCHHERTZ MEMBER OF BOARD OF DIRECTORS 24613 ELECTRICAL WORK FROM FRISCHHERTZ ELECTRICAL 0 X 128 X 32 X 15 57113 MARKET X FOOD & PAPER GOODS 155 72000 COMPARABLE SALES 38 0 1 0 METHOD FOR DETERMINING NUMBER OF CONTRIBUTORS: PART I, COLUMN (B): THE ORGANIZATION IS REPORTING THE NUMBER OF WORKS OF ART DONATED, NUMBER OF CONTRIBUTORS OF SECURITIES, AND NUMBER OF CONTRIBUTORS OF FOOD & PAPER GOODS. NON REPORTING OF REVENUE: PART I, LINE 33: IN CONFORMITY WITH SFAS 116 FORM 990, PART VI, SECTION A, LINE 6 BOARD OF DIRECTORS FORM 990, PART VI, SECTION B, LINE 11 THE FORM 990 IS E-MAILED TO ALL BOARD MEMBERS FOR THEIR REVIEW. FORM 990, PART VI, SECTION B, LINE 12C ANNUAL CONFLICT OF INTEREST STATEMENTS ARE FILED BY EACH TRUSTEE AND PROVIDED TO THE LEGAL COMMITTEE FOR REVIEW AND COMPLIANCE. FORM 990, PART VI, SECTION B, LINE 15 EXECUTIVE DIRECTOR COMPENSATION IS DETERMINED BY THE EXCEUTIVE COMMITTEE. ALL OTHER COMPENSATION IS SET BY THE EXECUTIVE DIRECTOR USING NEW ORLEANS CIVIL SERVICE PAY PLAN AND THE ASSOCIATION OF ART MUSEUM DIRECTORS ANNUAL SALARY SURVEY AS GUIDES. FORM 990, PART VI, SECTION C, LINE 19 UPON REQUEST, BY PAPER COPY REPORTABLE COMPENSATION FORM 990, PART XII, SECTION A, LINE 1C THE AMOUNT OF REPORTABLE COMPENSATION FOR SUSAN TAYLOR, WHO IS THE MUSEUM'S EXECUTIVE DIRECTOR, INCLUDES AN AMOUNT OF $14,908 FOR ONE-TIME RELOCATION EXPENSES. CHANGES IN NET ASSETS OR FUND BALANCES: FORM 990, PART XI, LINE 5: NET UNREALIZED GAINS ON INVESTMENTS: 3,856,738. COMMITTEE THAT ASSUMES RESPONSIBILITY FOR OVERSIGHT OF THE AUDIT FORM 990, PART XI, LINE 2C NO CHANGE FROM THE PRIOR YEAR AMON LLC 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 800316564 REAL ESTATE OWNERSHIP LA N/A