2011-11-14T14:53:22-06:00 2010-12-31 LUTZ AND CARR CPAS LLP 300 EAST 42ND STREET NEW YORK NY 10017 990 2010-01-01 226799567 RUBIN MUSEUM OF ART AKA THE SHELLEY & DONALD RUBIN CULTURAL TRUST RUBI 2126205000 150 WEST 17TH STREET NEW YORK NY 10011 MARILENA CHRISTODOULOU 2126205000 2011-11-14 1 2126972299 2010 2016-02-24 21:20:13Z DONALD RUBIN 150 WEST 17TH STREET NEW YORK NY 10011 23662143 0 X WWW.RMANYC.ORG X 1999 NY THE MUSEUM IS A CULTURAL AND EDUCATIONAL INSTITUTION DEDICATED TO THE ART OF THE HIMALAYAS. 20 20 105 260 0 0 6767350 1728846 656917 662444 -2869956 1163931 1306502 1012452 5860813 4567673 0 0 0 0 4609523 5116000 0 49744 1090950 8293565 8827876 12903088 13993620 -7042275 -9425947 121721422 118659431 942801 1328869 120778621 117330562 X SEE SCHEDULE OTHE RUBIN MUSEUM OF ART (RMA) IS A CULTURAL AND EDUCATIONAL INSTITUTION DEDICATED TO THE ART OF THE HIMALAYAS. ITS MISSION IS TO ESTABLISH, PRESENT, PRESERVE AND DOCUMENT A PERMANENT COLLECTION THAT REFLECTS THE VITALITY, COMPLEXITY AND HISTORICAL SIGNIFICANCE OF HIMALAYAN ART AND TO CREATE EXHIBITIONS AND PROGRAMS THAT EXPLORE THE ARTISTIC LEGACY OF THE HIMALAYAN REGION AND PLACE IT IN THE CONTEXT OF WORLD CULTURES. RMA IS COMMITTED TO ADDRESSING A DIVERSE AUDIENCE - FROM CONNOISSEURS AND SCHOLARS, TO THE GENERAL PUBLIC AND YOUNG CHILDREN. THROUGH ITS COLLECTION, EXHIBITIONS, EDUCATIONAL PROGRAMS, AND LIBRARY RMA AIMS TO SERVE AS AN INTERNATIONAL CENTER FOR THE PRESERVATION, STUDY AND ENJOYMENT OF HIMALAYAN ART. 0 0 5676836 320731 COLLECTIONS & EXHIBITIONS AT THE RUBIN MUSEUM OF ARTTHE MUSEUM'S COLLECTION OF MORE THAN 2,000 OBJECTS IS CONSIDERED TO BE THE MOST EXTENSIVE OF ITS KIND IN THE WEST. IT INCLUDES HIMALAYAN PAINTINGS, SCULPTURE, TEXTILES, RITUAL OBJECTS, AND PRINTS SPANNING A PERIOD FROM THE 2ND CENTURY TO THE 21ST CENTURY. THE FOLLOWING EXHIBITIONS OPENED AND WERE VIEWED BY NEARLY 200,000 VISITORS IN 2010: - A BRITISH LIFE IN A MOUNTAIN KINGDOM: EARLY PHOTOGRAPHS OF SIKKIM AND BHUTANAUGUST 6, 2010 - JANUARY 10, 2011THE FIRST EXHIBITION OF LATE 19TH AND EARLY 20TH CENTURY PHOTOGRAPHS BY BRITISH GOVERNMENT OFFICER JOHN CLAUDE WHITE, WHO DOCUMENTED HIS JOURNEYS AND THE PEOPLE HE MET IN SIKKIM AND BHUTAN.... - TRADITION TRANSFORMED: TIBETAN ARTISTS RESPONDJUNE 11, 2010 - OCTOBER 18, 2010THE FIRST EXHIBITION OF CONTEMPORARY TIBETAN ART IN A NEW YORK CITY MUSEUM FEATURING NINE TIBETAN ARTISTS WHO EXPLORE CONTEMPORARY ISSUES AND MODERN INFLUENCES WITH TRADITIONAL TIBETAN BUDDHIST ART.- REMEMBER THAT YOU WILL DIE: DEATH ACROSS CULTURESMARCH 19, 2010 - AUGUST 9, 2010THIS EXHIBITION EXPLORED THE CONCEPTS OF DEATH AND THE AFTERLIFE IN THE EUROPEAN AND HIMALAYAN TRADITIONS FROM THE 14TH CENTURY TO THE PRESENT.- IN THE SHADOW OF EVEREST: PHOTOGRAPHS BY TOM WOOLFEBRUARY 26, 2010 - JULY 26, 2010IN THE SHADOW MOUNT EVEREST LIES THE RUGGED EXPANSE OF THE RONGBUK VALLEY WHERE PHOTOGRAPHER TOM WOOL CAPTURED THIS COLLECTION OF SENSITIVE PHOTOGRAPHS THAT DEPICT THE REMOTE LAND, AND ITS RELIGIOUS AND VILLAGE LIFE.- BARDO: TIBETAN ART OF THE AFTERLIFEFEBRUARY 12, 2010 - SEPTEMBER 6, 2010AN EXPLORATION OF THE TRANSITIONAL STATES BETWEEN DEATH, AND EITHER THE ATTAINMENT OF SPIRITUAL ENLIGHTENMENT OR THE RETURN TO THE CYCLE OF REBIRTH.- VISIONS OF THE COSMOS: FROM THE MILKY OCEAN TO AN EVOLVING UNIVERSEDECEMBER 11, 2009 - MAY 10, 2010A JUXTAPOSITION OF EASTERN AND WESTERN CONCEPTIONS OF THE UNIVERSE, INCLUDING SCULPTURES, PAINTINGS, ILLUMINATED MANUSCRIPTS, AND RARE PRINTS FROM AMERICAN AND EUROPEAN COLLECTIONS AND HUBBLE SPACE TELESCOPE PHOTOGRAPHS.- GRAIN OF EMPTINESS: BUDDHISM-INSPIRED CONTEMPORARY ARTNOVEMBER 5, 2010 - APRIL 11, 2011GRAIN OF EMPTINESS FEATURES FIVE CONTEMPORARY ARTISTS: SANFORD BIGGERS, THEASTER GATES, ATTA KIM, WOLFGANG LAIB, AND CHARMION VON WIEGAND - WHOSE WORKS ARE INSPIRED BY EASTERN RELIGIOUS BELIEFS.- EMBODYING THE HOLY: ICONS IN EASTERN ORTHODOX CHRISTIANITY AND TIBETAN BUDDHISMOCTOBER 6, 2010 - MARCH 7, 2011EMBODYING THE HOLY EXPLORES THE BASIC SIMILARITIES AND DIFFERENCES BETWEEN SACRAL REPRESENTATIONS IN THE EASTERN ORTHODOX CHRISTIAN AND TIBETAN BUDDHIST TRADITIONS.- THE NEPALESE LEGACY IN TIBETAN PAINTINGSEPTEMBER 3, 2010 - MAY 23, 2011THIS EXHIBITION TRACES THE DEVELOPMENT, PATRONAGE, AND DISTINCTIVE FEATURES OF NEWARS' PAINTING STYLE, KNOWN AS THE BERI, ADOPTED IN TIBET AS ONE OF THE COUNTRY'S MOST INFLUENTIAL ARTISTIC STYLES FOR FOUR CENTURIES.- GATEWAY TO HIMALAYAN ART AND THE TIBETAN SHRINE ROOMJULY 23, 2010 - JANUARY 1, 2012A NEW KEYSTONE EXHIBITION PRESENTS THE PRINCIPAL CONCEPTS OF HIMALAYAN ART, INCLUDING SYMBOLS, MATERIALS AND TECHNIQUES, AND THE ART'S PURPOSES AND FUNCTIONS IN CONTEXT WITH THE TIBETAN SHRINE ROOM INSTALLATION FROM THE ALICE S. KANDELL COLLECTION.- FROM THE LAND OF THE GODS: ART OF THE KATHMANDU VALLEYFEBRUARY 2, 2008 - FEBRUARY 7, 2011THIS EXHIBITION FEATURES THE FINEST EXAMPLES OF NEPALESE ART FROM THE MUSEUM COLLECTION, HIGHLIGHTING THE VARIETY OF FORMS AND SUBJECTS, TECHNIQUES AND MEDIA THAT EMERGED FROM THE CREATIVE MATRIX OF THE KATHMANDU VALLEY. 1517748 EDUCATION AND OUTREACH AT THE RUBIN MUSEUM OF ARTTHE MUSEUM FOSTERS A DEEP EXPERIENCE WITH HIMALAYAN ART THROUGH CLOSE OBSERVATION AND DISCOVERY. FAMILIES, STUDENTS AND SENIORS ARE ENCOURAGED TO CONSIDER THE INTERPLAY OF ART AND CULTURE AND TO MAKE PERSONAL CONNECTIONS THROUGH MEANINGFUL INTERACTIONS. OFFERED AT THE MUSEUM AND IN SCHOOLS, THE CURRICULA ALIGNED WITH THE NY STATE STANDARDS FOR GLOBAL HISTORY AND ART EDUCATION IN NEW YORK CITY SCHOOLS. PROGRAMS FOR THE STATED PERIOD INCLUDED:- THINKING THROUGH ART (TTA) WAS TAUGHT AT LIBERTY HIGH SCHOOL ACADEMY FOR NEWCOMERS, HIGH SCHOOL FOR LAW AND PUBLIC SERVICE, AND P.S. 86 IN THE BRONX. THESE 10-SESSION RESIDENCIES PROVIDED HANDS-ON, ACTIVE LEARNING AND ART MAKING OPPORTUNITIES THAT INCREASED ARTS AND ... CULTURAL AWARENESS AS WELL AS VISUAL, WRITTEN, AND ORAL COMMUNICATION SKILLS. TTA AND OTHER SHORT TERM PARTNERSHIPS (HIMALAYAN ART ENCOUNTERS, CLASSROOM CONNECTIONS, AND PREVISITS) ENGAGED NEARLY 3,000 STUDENTS IN OVER 40 SCHOOLS.- RMA TEENS IS A FREE AFTER-SCHOOL PROGRAM DESIGNED TO MAKE HIMALAYAN ART AND CULTURE ACCESSIBLE TO TEENS WITH A STRONG INTEREST IN ART OR CAREERS IN THE ARTS. FORTY PARTICIPANTS RECEIVED A BEHIND THE SCENES LOOK AT MUSEUM OPERATIONS, EXPLORED ART CAREERS, GAINED VALUABLE PUBLIC SPEAKING AND LEADERSHIP SKILLS, ACCESSED MUSEUM ART COLLECTIONS THROUGHOUT NYC, CREATED ART, AND RECEIVED CAREER GUIDANCE FROM CURATORS AND ARTS PROFESSIONALS. AFTER A YEAR OF TRAINING, TEENS LEAD FAMILY TOURS, FOR WHICH THEY WERE PAID A STIPEND. ART STUDIO FOR TEENS SERVES NYC HIGH SCHOOL STUDENTS INTERESTED IN EXPLORING ART MAKING PRACTICES AND MATERIALS FROM THE HIMALAYAS. TEN PARTICIPANTS GAINED A DEMONSTRATED KNOWLEDGE OF ART MAKING PROCESSES AND THEIR CULTURAL ORIGINS THROUGH SKILL BASED EXERCISES, LECTURES, CLASS CRITIQUES, ASSIGNED READINGS AND MUSEUM FIELDTRIPS. - UNIVERSITY PROGRAMS OFFER CUNY STUDENTS AND FACULTY THE ABILITY TO EXPLORE THE ART AND VARYING CULTURAL TRADITIONS OF THE HIMALAYAN REGION TO GAIN A HIGHER LEVEL OF ARTISTIC AND SCHOLARLY KNOWLEDGE, AND ENHANCE THEIR UNDERSTANDING OF THE HUMANITIES. IN 2010, THE MUSEUM COLLABORATED WITH 6,500 BARUCH COLLEGE FRESHMAN.- ADULT LEARNING PROGRAMS ENGAGED NEARLY 2,000 SENIOR CITIZENS ON FREE SENIORS DAYS, 1ST MONDAY THE MONTH, WITH FREE GALLERY TOURS, PROGRAMS, CINEMA SCREENINGS AND ART ACTIVITIES. EDUCATION PROGRAMS INCLUDED TIBETAN MEDICINE AND ART, A SPECIAL PROGRAM FOR ALZHEIMER PATIENTS AND CAREGIVERS, AND AUSPICIOUS STITCHES NEEDLEWORK WORKSHOPS.- EXPLORE AREAS AND GALLERY RESOURCES HAVE A WEALTH OF OFFERINGS THAT INCREASE ACCESS TO THE ARTS FOR VISITORS. EXPLORE AREAS PROVIDED BACKGROUND INFORMATION AND INTERPRETIVE STRATEGIES FOR THE ART ON DISPLAY, INCLUDING: MULTIMEDIA STATIONS FOR RELEVANT WEBSITES AND DOCUMENTARY FILMS; DISPLAY MATERIALS AND TECHNIQUES INVOLVED IN THE CREATION OF HIMALAYAN ART; INTERACTIVE ACTIVITIES THAT UTILIZE CONCEPTS FOUND IN EXHIBITIONS; AND GUIDED VIEWING AND HANDS-ON OPPORTUNITIES TO ENABLE VISITORS TO LEARN MORE ABOUT THE GEOGRAPHY, HISTORY AND CULTURE.- GUIDED TOURS ARE COMPLIMENTARY GUIDED TOURS OFFERED THROUGHOUT THE GALLERIES, WITH NEW PERSPECTIVES EVERY WEEK THAT AIM TO INCREASE CULTURAL AWARENESS AND FOSTER ARTISTIC INTEREST. MUSEUM GUIDES ENCOURAGED VISITORS TO LOOK AND THINK DEEPLY WHILE EXPLORING THE ARTS, CULTURE, RELIGION, AND ICONOGRAPHY OF THE HIMALAYAN REGION.- THE VOLUNTEER DOCENT PROGRAM AT THE RUBIN MUSEUM FACILITATES THE GUIDED TOUR PROGRAM. THROUGH RESEARCH AND INTENSIVE TRAINING, VOLUNTEER DOCENTS ORGANIZE AND PRESENT THEMATIC GALLERY TOURS, GALLERY TALKS AND OTHER EDUCATIONAL INITIATIVES, AND ROAM THE GALLERY FLOORS FOR INFORMAL CONVERSATIONS WITH VISITORS.- FAMILY LEARNING AT THE RUBIN MUSEUM PROVIDES PROGRAMS, TOURS, AND GALLERY ACTIVITIES TO HELP PARENTS AND CHILDRENN HAVE FUN TOGETHER WHILE LEARNING ABOUT HIMALAYAN ART AND CULTURE. 2,430 PARTICIPANTS ATTENDED A WIDE VARIETY OF PROGRAMS INCLUDING LOOK, PLAY, CREATE! (ALL AGES); SATURDAY FAMILY WORKSHOPS (AGES 6 AND UP); THE YAK PACKERS (AGES 2-4) AND THE LITTLE EXPLORER'S CLUB (AGES 3-5). THE MUSEUM'S ANNUAL PEACE LAB ON SATURDAY, OCTOBER 2ND WELCOMED 450 PARTICIPANTS TO CELEBRATE THE INTERNATIONAL DAY OF NON-VIOLENCE. PEACE LAB FEATURED ART ACTIVITIES, TOURS, LIVE MUSIC, AND INTERACTIVE EXPERIMENTS ON OUR PERCEPTIONS OF PEACE. THE FAMILY DAY ASSOCIATED TO VISIONS OF THE COSMOS EXHIBITION WELCOMED OVER 1,000 PEOPLE. 918753 341713 PUBLIC PROGRAMMING AT THE RUBIN MUSEUM OF ARTSINCE THE RUBIN MUSEUM OPENED ITS DOORS IN OCTOBER 2004, THE MUSEUM HAS HOSTED NEARLY 6,000 LIVE PROGRAMS, FROM CONCERTS BY ARTISTS DEBBIE HARRY, ROSANNE CASH, STEVE MARTIN, AND ELVIS COSTELLO TO TALKS WITH PAUL SIMON, LOU REED, ALICE WALKER, DAVID BYRNE, AND MARTIN SCORSESE. SUCH AN ENERGY-LADEN PROGRAMMING SCHEDULE HAS BECOME A HALLMARK OF THE MUSEUM IN ITS SHORT EXISTENCE. PROGRAMS IN 2010 INCLUDE: - CABARET CINEMA FRIDAY EVENINGS FEATURE CLASSIC FILMS INTRODUCED BY FOREMOST ARTISTS, WRITERS, SCHOLARS AND ACTORS OF OUR TIME. PATRONS ENJOY COCKTAILS WHILE VIEWING MOVIES CONNECTED TO CURRENT EXHIBITIONS.- LUNCH MATTERS - A SERIES OF SHORT DOCUMENTARY FILMS FOLLOWED BY MODERATED DISCUSSIONS WEDNESDAYS AT 1 PM. LUNCH MATTERS IN 2010 ... FEATURED COSMOS, AN EMMY AND PEABODY AWARD-WINNING SERIES BY CARL SAGAN. THE THIRTEEN EPISODES WERE INTRODUCED BY PROMINENT INDIVIDUALS IN ASTRONOMY, ASTROPHYSICS, PHYSICS AND ASTROBIOLOGY.- PERFORMANCE POETRY, MUSIC, DANCING, AND CREATIVE PERFORMANCES ADVANCE THE UNDERSTANDING OF HIMALAYAN CULTURE AND INCLUDE WIDELY RECOGNIZED ARTISTS OF DIVERSE BACKGROUNDS AND THEIR EXPRESSIONS OF CREATIVITY AND STYLE. NAKED SOUL, HARLEM IN THE HIMALAYAS SERIES, IN ASSOCIATION WITH THE NATIONAL JAZZ MUSEUM IN HARLEM, AND RESONATING LIGHT, A NEW SUNDAY NIGHT CLASSICAL MUSIC SERIES HOSTED BY WQXR'S ELLIOTT FORREST WERE OF NOTE IN 2010.- BRAINWAVE 2010 - THE THIRD ANNUAL BRAINWAVE TEN-WEEK SERIES OF TALKS, PERFORMANCES AND SCREENINGS EXAMINED HOW ART, MUSIC, AND MEDITATION AFFECT THE HUMAN MIND WELCOMED 2,734 ATTENDEES. THROUGHOUT THE SERIES, PROMINENT NEUROSCIENTISTS WERE PAIRED WITH BUDDHIST PRACTITIONERS, ARTISTS AND WRITERS TO DISCUSS TOPICS SUCH AS BRAIN RESPONSE TO VIGOROUS EXERCISE, QUIET REFLECTION, FEAR, DARKNESS, ISOLATION, PHYSICAL DISTRESS AND MEDITATION. AMONG PARTICIPANTS WERE CHOREOGRAPHER MARK MORRIS & NEUROLOGIST BEVIL R. CONWAY, COMPOSER PHILIP GLASS & ASTRONOMER GREG LAUGHLIN, WRITER SIRI HUSTVEDT & NEUROSCIENTIST HANS BREITER, SCREENWRITER/DIRECTOR CHARLIE KAUFMAN & PHYSICIST BRIAN GREENE, PERFORMANCE ARTIST LAURIE ANDERSON & ASTROPHYSICIST JANNA LEVIN, MUSICIAN CLAIRE EVANS + ASTROPHYSICIST FRED C. ADAMS, FILM DIRECTOR SHEKHAR KAPUR & ASTROPHYSICIST PIET HUT, AND GUITARIST LENNY KAYE & NEUROSCIENTIST JOSEPH E. LEDOUX.- THE TIBETAN BOOK OF THE DEAD BOOK CLUB - A SERIES OF SEVEN SESSIONS THAT EXPLORED THIS SEMINAL GUIDE TO THE AFTERLIFE FROM SEVEN DIFFERENT VANTAGE POINTS: EACH WEEK DR. RAMON PRATS, RUBIN MUSEUM OF ART CURATOR, EXPLORED WITH AN EXPERT FROM A DIFFERENT DISCIPLINE HOW THIS TEXT, BORN OUT OF ONE ANCIENT CULTURE, CAN BE APPLIED TO OUR PRESENT. THE BOOK CLUB SERIES DREW 905 ATTENDEES.- ICONS CONFERENCE - OCTOBER 8-9, 2010IN ASSOCIATION WITH THE EMBODYING THE HOLY EXHIBITION, THE MUSEUM HOSTED AN INTERNATIONAL CONFERENCE TO EXPLORE RELIGIOUS ICONOGRAPHY IN THE TIBETAN BUDDHIST AND ORTHODOX CHRISTIAN RELIGIONS, AND THE UNIVERSAL POWER OF RELIGIOUS SYMBOLISM IN GENERAL. PARTICIPANTS INCLUDED ANNEMARIE WEYL CARR, DISTINGUISHED PROFESSOR OF ART HISTORY EMERITA AT SOUTHERN METHODIST UNIVERSITY; MICHAEL S. FLIER, PROFESSOR OF UKRAINIAN PHILOLOGY AT HARVARD; PHYLLIS GRANOFF, PROFESSOR OF DEPARTMENT OF RELIGIOUS STUDIES AT YALE; KOICHI SHINOHARA, AND PROFESSOR OF EAST ASIAN BUDDHISM IN THE DEPARTMENT OF RELIGIOUS STUDIES AT YALE AMONG OTHERS.- ...TALK ABOUT NOTHING - A DIALOGUE SERIES, PRESENTED IN ASSOCIATION WITH GRAIN OF EMPTINESS EXHIBITION, THAT FEATURED ON-STAGE CONVERSATIONS BETWEEN PROMINENT ARTISTS AND PROFESSIONALS FROM DIFFERENT WALKS OF LIFE ON THE BUDDHIST PHILOSOPHIES EXPLORED IN THE EXHIBITION. PARTICIPANTS INCLUDED DOCUMENTARIAN KEN BURNS, COMEDIENNE SARAH BERNHARD, PERFORMANCE ARTIST LAURIE ANDERSON, DIRECTORS MIKE NICHOLS AND PETER SELLERS, AUTHOR MICHAEL CUNNINGHAM, ARTIST ANTONY GORMLEY AND ACTRESS FIONA SHAW. 982 ATTENDEES.- OUT IN THE HIMALAYAS - THIS ANNUAL EVENT SERIES WAS LAUNCHED DURING GAY PRIDE MONTH. THE WEDNESDAY NIGHT LINE-UPS OF SPECIAL GUEST SPEAKERS AND PERFORMANCES FOCUSED ON GAY, LESBIAN, AND TRANSGENDER ISSUES IN THE HIMALAYAN REGION. 2025634 451176 PUBLICATIONS, INCLUDING EXHIBITIONS CATALOGUES, SHOP, PUBLIC RELATIONS & MARKETING. 2025634 451176 10138971 1 1 0 0 0 0 0 1 0 1 1 0 0 0 1 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 0 1 169 0 1 105 1 0 0 0 0 0 1 1 0 0 0 0 X 20 20 1 0 0 0 0 1 0 1 1 0 0 1 1 1 1 0 0 1 1 0 NY X MARILENA CHRISTODOULOU 2126205000 150 WEST 17TH STREET NEW YORK NY 10011 DONALD RUBIN 20.00 X X 0 0 0 SHELLEY RUBIN 5.00 X X 0 0 0 RAVI AKHOURY 1.00 X 0 0 0 ROBERT BAYLIS 1.00 X 0 0 0 EDWARD BERGMAN 1.00 X 0 0 0 PAYAL CHAUDHRI 1.00 X 0 0 0 KIMBERLY FERRARI 1.00 X 0 0 0 EVA HALLER 1.00 X 0 0 0 PETER HUTCHINGS 1.00 X X 0 0 0 ROBERT JAIN 1.00 X 0 0 0 VIKAS KAPOOR 1.00 X 0 0 0 MICHAEL MCCORMICK 1.00 X 0 0 0 REV JAMES P MORTON 1.00 X 0 0 0 DAVID NALIN 1.00 X 0 0 0 MARK NORELL 1.00 X 0 0 0 DAVID PRITZKER 1.00 X 0 0 0 EILEEN CAULFIELD SCHWAB 1.00 X 0 0 0 DANIEL SCHWARTZ 1.00 X 0 0 0 ERIC SCHOENBERG 1.00 X 0 0 0 STEPHEN SPAHN 1.00 X 0 0 0 MARILENA CHRISTODOULOU 40.00 X 176303 0 24442 PATRICK SEARS 40.00 X 181605 0 7651 MARTIN BRAUEN 40.00 X 178693 0 19395 TIM MCHENRY 40.00 X 136566 0 15833 MITCHELL S ROTH 40.00 X 116822 0 27391 CHRIS PHELAN 40.00 X 106878 0 10981 896867 0 105693 6 0 1 0 IBEX CONSTRUCTION 1372 BROADWAY NEW YORK NY 10018 CONSTRUCTION CONTRACTING 1319996 T & M PROTECTION 230 PARK AVENUE NEW YORK NY 10169 SECURITY SERVICES 476251 LEE H SKOLNICK ARCHITECTURE & DESIGN 7 WEST 22ND STREET NEW YORK NY 10010 ARCHITECTURAL DESIGN 239487 UNITED SERVICES OF AMERICA 2001 WEST MAIN STREET STAMFORD CT 06902 CLEANING SERVICES 178841 INSIGHT EXHIBITS 75 BRYANT TRAIL CARMEL NY 10509 EXHIBITION FRAMING 162376 9 418082 400720 143086 766958 35082 1728846 PROGRAM FEES 713990 341713 341713 MUSEUM ADMISSION FEES 713990 320731 320731 662444 1642054 1642054 1018763 457487 561276 561276 561276 17504225 17982348 -478123 -478123 -478123 165130 400720 165130 0 902194 489505 412689 412689 MISCELLANEOUS REVENUE 900099 38487 38487 38487 4567673 1113620 0 1725207 588090 410866 137075 40149 3630135 2363823 908247 358065 63909 42044 15561 6304 473312 311430 117769 44113 360554 237175 89364 34015 18111 13463 1583 3065 69300 69300 49744 49744 174280 174280 1833720 1511116 223435 99169 442139 381367 28073 32699 1219567 872902 241131 105534 1011647 709839 264072 37736 192238 153921 28438 9879 2080750 1567667 371416 141667 133595 115533 13397 4665 ART COLLECTION PURCHASE 710000 710000 PROGRAM & SUPPORTING SE 575247 413273 42648 119326 ART FRAMINING AND CONSE 304295 304295 0 0 MISCELLANEOUS EXPENSES 35653 2040 32912 701 PUBLICATIONS, SUBS/DUES 27334 18217 4998 4119 13993620 10138971 2763699 1090950 235720 170275 426204 272766 760358 611589 144281 125420 625152 628134 162305 246851 71989881 13731080 58240655 58258801 57147559 53829955 3949510 4515640 29678 0 121721422 118659431 828656 1241612 45000 17275 69145 69982 942801 1328869 X 114339989 115636681 6438632 1693881 120778621 117330562 121721422 118659431 X -9425947 5977888 X 0 1 1 X 0 X 50050669 10017818 1396198 6767350 1728846 69960881 50050669 10017818 1396198 6767350 1728846 69960881 60237367 9723514 3103619 6753724 2453487 2181033 2660817 17152680 127770 90862 30286 44770 38487 332175 87445736 6667671 0.11120 X THE RUBIN MUSEUM OF ART'S PERCENTAGE OF PUBLIC SUPPORT IS 11.12%. THE ORGANIZATION DOES NOT QUALIFY AS PUBLICLY SUPPORTED UNDER THE 33 1/3% TEST. HOWEVER, IT HAS A SOLICITATION PLAN FOR ATTRACTING PUBLIC SUPPORT AND A BROAD REPRESENTATIVE GOVERNING BODY; AND ITS PROGRAM SERVICES DIRECTLY BENEFIT THE GENERAL PUBLIC. THEREFORE, IT QUALIFIES AS A PUBLIC CHARITY UNDER THE FACTS AND CIRCUMSTANCES TEST OF IRC SEC. 170(B)(1)(A)(VI). THE MUSEUM SUCCESSFULLY COMPLETED THE TERMINATION OF ITS PRIVATE FOUNDATION STATUS AS OF DECEMBER 31, 2010 AND RECEIVED A DETERMINATION LETTER FROM THE INTERNAL REVENUE SERVICE IN 2011 AFFIRIMING ITS PUBLIC CHARITY STATUS BASED ON THESE FACTS AND CIRCUMSTANCES. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 48566274 6454458 292625 54728107 38138518 10427756 48566274 76051060 -27289490 10623052 38138518 1.00000 0 0 378750 5650496 6029246 2146250 30382864 6591531 25937583 635952 30761991 5650923 25747020 1415397 1093678 321719 11019 607162 394948 223233 58258801 SECURITY DEPOSITS 69982 69982 4567673 13993620 -9425947 5977888 5977888 -3448059 11318273 5977888 5977888 5340385 174280 -946992 -772712 4567673 14056332 946992 946992 13109340 174280 710000 884280 13993620 PART III, LINE 1A: THE VALUE OF THE COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE MUSUEM'S INCEPTION, IS NOT REFLECTED AS AN ASSET ON THE STATEMENTS OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN UNRESTRICTED NET ASSETS IN THE YEAR OF ACQUISITION. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENTS OF ACTIVITIES. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES WOULD BE REFLECTED ON THE STATEMENTS OF ACTIVITIES BASED ON THE ABSENCE OR EXISTENCE AND NATURE OF DONOR-IMPOSED RESTRICTIONS. THE COLLECTION IS HELD FOR PUBLIC SERVICE RATHER THAN FINANCIAL GAIN, PROTECTED AND PRESERVED, AND SUBJECT TO AN ORGANIZATIONAL POLICY THAT REQUIRES THE PROCEEDS FROM SALES OF SUCH ITEMS TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. PART III, LINE 4: THE MUSEUM'S COLLECTION OF MORE THAN 2,000 OBJECTS IS CONSIDERED TO BE THE MOST EXTENSIVE OF ITS KIND IN THE WEST. IT INCLUDES HIMALAYAN PAINTINGS, SCULPTURES, RITUAL OBJECTS, AND PRINTS SPANNING THE PERIOD FROM THE 2ND CENTURY TO THE 21ST CENTURY. THE COLLECTION IS THE BASIS OF THE MUSEUM'S EXHIBITIONS, EDUCATION AND PUBLIC PROGRAMS WHICH ARE VIEWED AND ENJOYED BY APPROXIMATELY 200,000 PEOPLE PER YEAR. DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X: MANAGEMENT HAS EVALUATED ALL INCOME TAX POSITIONS AND CONCLUDED THAT NO DISCLOSURES RELATING TO UNCERTAIN TAX POSITIONS ARE REQUIRED IN THE FINANCIAL STATEMENTS. PART XII, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD -489,505. EXPENSES - RESIDENTIAL APARTMENTS -457,487. PART XIII, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD 489,505. EXPENSES - RESIDENTIAL APARTMENTS 457,487. PART XIII, LINE 4B - OTHER ADJUSTMENTS: ART COLLECTION PURCHASES 710,000. X X X X X X X 1 SUSAN ULIN ASSOCIATES LTD 156 FIFTH AVENUE NEW YORK NY 10010 PROFESSIONAL FUNDRAISING/GALA PLANNING 1 565850 49744 516106 565850 49744 516106 NY GALA 565850 400720 165130 80801 1750 82579 565850 400720 165130 80801 1750 82579 165130 0 X 0 0 0 0 0 0 0 0 0 MARILENA CHRISTODOULOU 175275 0 0 0 1028 0 5535 0 18907 0 200745 0 0 0 PATRICK SEARS 180554 0 0 0 1051 0 5651 0 2000 0 189256 0 0 0 MARTIN BRAUEN 177642 0 0 0 1051 0 3461 0 15934 0 198088 0 0 0 TIM MCHENRY 136318 0 0 0 248 0 4329 0 11504 0 152399 0 0 0 X 32 0 X 1 35082 FMV 7 0 1 0 NON REPORTING OF REVENUE: PART I, LINE 33: RMA DOES NOT CAPITALIZE ITS COLLECTION, AND PURSUANT TO ITS ACCOUNTING POLICY, DOES NOT RECOGNIZE REVENUE FOR ANY DONATIONS OF COLLECTION ITEMS IN THE STATEMENT OF ACTIVITIES. FORM 990, PART VI, SECTION A, LINE 2 DONALD RUBIN AND SHELLEY RUBIN HAVE A FAMILY RELATIONSHIP. FORM 990, PART VI, SECTION A, LINE 7A TWO TRUSTEES, DONALD RUBIN AND SHELLEY RUBIN, HAVE THE RIGHT TO APPOINT UP TO THREE TRUSTEES TO THE BOARD PROVIDED SUCH TRUSTEES ARE FAMILY MEMBERS OF THEIR FAMILY. TO DATE, DONALD RUBIN AND SHELLEY RUBIN HAVE NEVER EXERCISED THIS RIGHT. FORM 990, PART VI, SECTION B, LINE 11 FORM 990 IS PREPARED BY THE RUBIN MUSEUM OF ART'S INDEPENDENT ACCOUNTANTS, REVIEWED BY THE CHIEF FINANCIAL OFFICER AND DISTRIBUTED TO THE FULL BOARD OF TRUSTEES PRIOR TO THE FILING TO ALLOW FOR TRUSTEES' QUESTIONS OR COMMENTS. IT IS THEN FILED BY THE ORGANIZATION. FORM 990, PART VI, SECTION B, LINE 12C THE RUBIN MUSEUM OF ART'S "CODE OF ETHICS FOR TRUSTEES, EMPLOYEES AND VOLUNTEERS" IS AGREED AND ACCEPTED IN WRITING BY ALL SUCH INDIVIDUALS WHEN THEY JOIN THE ORGANIZATION IN THEIR RESPECTIVE CAPACITIES. IN ACCORDANCE WITH THE PROVISIONS OF THIS POLICY, EACH TRUSTEE AND EMPLOYEE WITH MANAGERIAL RESPONSIBILITIES IS FURNISHED A COPY OF THIS CODE OF ETHICS AT LEAST ANNUALLY AND REQUESTED TO COMPLETE AND FILE WITH THE ORGANIZATION AN "ANNUAL CONFLICT OF INTEREST STATEMENT". THE CFO REVIEWS ALL SUCH STATEMENTS AND, IF THERE IS A POTENTIAL OR ACTUAL CONFLICT OF INTEREST, THE CFO BRINGS IT TO THE ATTENTION OF THE CEO AND THE EXECUTIVE COMMITTEE. THE EXECUTIVE COMMITTEE REVIEWS POTENTIAL CONFLICTS AND, AT ITS DISCRETION, MAY INVESTIGATE FURTHER AND IMPOSE RESTRICTIONS ON THE TRUSTEES' INVOLVEMENT IN MATTERS WHERE A CONFLICT MAY EXIST. ANY MEMBER INVOLVED IN THE POTENTIAL CONFLICT IS NOT INVOLVED IN THE DECISION PROCESS. FORM 990, PART VI, SECTION B, LINE 15 THE CEO OF THE RUBIN MUSEUM OF ART RECEIVES NO COMPENSATION. THE PROCESS USED TO ESTABLISH COMPENSATION FOR TOP MANAGEMENT AND KEY EMPLOYEES INCLUDES REVIEW OF COMPENSATION FOR SIMILAR POSITIONS AT COMPARABLE MUSEUMS AND CHARITIES IN THE NEW YORK METROPOLITAN AREA; THE CPI FOR NYC; PERFORMANCE EVALUATIONS; AND RELATIVE PARITY WITHIN THE ORGANIZATION. THIS INFORMATION IS PRESENTED TO THE CEO BY THE COO AND CFO ON AN ANNUAL BASIS. THE COMPENSATION FOR EMPLOYEES IS THEN APPROVED BY THE CEO AND ALSO BY THE CHAIR OF THE EXECUTIVE COMMITTEE OF THE BOARD. THIS PROCESS WAS LAST UNDERTAKEN FOR SENIOR MANAGEMENT (ALL DEPARTMENT HEADS, CHIEF CURATOR, COO AND CFO) IN DECEMBER 2010. FORM 990, PART VI, SECTION C, LINE 19 THE RUBIN MUSEUM OF ART'S FINANCIAL STATEMENTS ARE MADE PUBLIC IN ITS ANNUAL REPORT, WHICH IS ALSO POSTED ON ITS WEBSITE. THE MUSEUM'S GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY ARE NOT MADE AVAILABLE TO THE PUBLIC. CHANGES IN NET ASSETS OR FUND BALANCES: FORM 990, PART XI, LINE 5: NET UNREALIZED GAINS ON INVESTMENTS: 5,977,888. FORM 990, PART VI, SECTION B, LINES 13 AND 14: RUBIN MUSEUM OF ART'S PUBLIC CHARITY STATUS WAS APPROVED BY THE INTERNAL REVENUE SERVICE IN SEPTEMBER 2011, EFFECTIVE JANUARY 1, 2006. THE MUSEUM IS NOW IN THE PROCESS OF ADOPTING WHISTLEBLOWER AND DOCUMENT RETENTION POLICIES.