2011-05-13T13:02:25-05:00 2010-06-30 Deloitte Tax LLP 50 Fremont Street san francisco CA 94105 990 2009-07-01 941156300 San Francisco Museum of Modern Art SANF 4153574000 151 Third Street San Francisco CA 941033159 Ikuko Satoda 4153574000 2011-05-11 1 Sharon Zorbach 4157834000 2009 2016-02-24 21:20:13Z NEAL BENEZRA 151 THIRD STREET SAN FRANCISCO CA 94103 124054919 0 X www.sfmoma.org X 1935 CA SFMOMA IS A DYNAMIC CENTER FOR MODERN AND CONTEMPORARY ART. THE MUSEUM STRIVES TO ENGAGE AND INSPIRE A DIVERSE RANGE OF AUDIENCES BY PURSUING AN INNOVATIVE PROGRAM OF EXHIBITIONS, EDUCATION, PUBLICATIONS, AND COLLECTIONS ACTIVITIES. INTERNATIONAL IN SCOPE, WHILE REFLECTING THE DISTINCTIVE CHARACTER OF OUR REGION, THE MUSEUM EXPLORES COMPELLING EXPRESSIONS OF VISUAL CULTURE. 66 66 385 267 284943 -10641 19119573 41948566 8144284 6363646 2456768 2197161 6158398 4299624 35879023 54808997 0 0 16449538 16072204 24358 33788 2694254 24005976 23020426 40479872 39126418 -4600849 15682579 219296193 238590661 12788626 7651880 206507567 230938781 The San Francisco Museum of Modern Art is a dynamic center for modern and contemporary art. The museum strives to engage and inspire a diverse range of audiences by pursuing an innovative program of exhibitions, education, publications, and collections activities. International in scope, while reflecting the distinctive character of our region, the museum explores compelling expressions of visual culture. 0 0 10456093 5234890 ExhibitionsA key objective of SFMOMA's mission is to present exhibitions that explore works by leading modern and contemporary artists and the most significant artistic directions of our time, in the context of an active dialogue with local, national and international art communities. The museum seeks a balanced exhibition program that includes monographic and thematic exhibitions of broad appeal as well as those that reflect SFMOMA's distinctive curatorial voice in contemporary painting and sculpture, photography, media arts, and architecture and design. The exhibitions program includes twenty to twenty-five presentations annually, of which 75 percent are organized by SFMOMA and 25 percent are traveling exhibitions organized by other institutions. Recent exhibitions organized by SFMOMA include:How Wine Became Modern: Design + Wine 1976 to Now; Exposed: Voyeurism, Surveillance and the Camera; The More Things Change; Luc Tuymans; Calder to Warhol: Introducing the Fisher Collection; SFMOMA: 75 Years of Looking Forward; Bill Fontana: Sonic Shadows; Long Play: Bruce Conner and Singles from the Collection; William Kentridge: Five Themes; New Work: Mika Rottenberg; New Work: R.H. Quaytman; New Work: Mai-Thu Perret; New Work: Mary Temple, Alyson Shotz, Zilvinas Kempinas; The Studio Sessions; On View: Candice Breitz; The Art of Participation: 1950 to Now; Brought to Light: Photography and the Invisible 1840 - 1900; Frida Kahlo; Jeff Wall; Passageworks: Contemporary Art from the Collection; Take Your Time: Olafur Eliasson.SFMOMA's exhibitions tour widely and have been presented nationally and internationally at such venues as the Albertina Museum, Vienna; Art Institute of Chicago; The Center for Creative Photography; Corcoran Gallery of Art; Dallas Museum of Art; Fundacion BBK, Bilbao; Galerie Rudofinum; Galleria Civica di Modena; the Jeu de Paume: Los Angeles County Museum of Art; The Metropolitan Museum of Art; Modern Art Museum of Fort Worth; Museum of Contemporary Art, Chicago; Museum of Contemporary Art, Sydney; Museum Folkwang; Museum of Modern Art, New York; Museum Wiesbaden; Norton Museum of Art; Philadelphia Museum of Art; Tate Modern; Vitra Design Museum, Rhein; Walker Art Center; Wexner Center for the Arts; and Whitney Museum of American Art. 3831221 78754 Collections and Purchase of ArtOne of the most important functions of a museum is to develop an outstanding collection of works of art, thereby creating and offering an artistic legacy to the community, nation, and the world. Since 1935, SFMOMA has been a pioneer among modern and contemporary art museums in collecting and programming in the fields of photography, architecture and design, and new media, even as it has assembled premier holdings in the more traditional media of painting and sculpture. SFMOMA's collection begins in the twentieth century (with the exception of photography, where the full history of that medium, from its inception in 1839 to the present, is within the scope of museum activity). The museum has more than 28,000 objects. The collection is regional, national, and international in scope and reflects distinct collecting strategies within each of the four curatorial departments and the special collections of the research library. Department of Painting and SculptureThe collection of painting and sculpture forms the backbone of SFMOMA's permanent collection and represents the full legacy of the museum's activities. Although the Department of Painting and Sculpture was formally established in the mid-1980s, SFMOMA has been actively engaged in the acquisition, research, presentation, and interpretation of a diverse range of modern and contemporary works since the museum's founding in 1935. The collection is distinguished by its concentrations in Fauvism, German Expressionism, Surrealism, Latin American art, Abstract Expressionism, Pop art, Postminimalism, German painting, art from the San Francisco Bay Area, and major large-scale installations from artists working in the 1990s. While these masterworks form the foundation of the collection, the museum is actively building a preeminent collection of contemporary art. The department focuses its current collecting practices toward acquiring the masterworks of tomorrow, following mid-career and emerging artists who are working at the highest levels of artistic maturity. Department of PhotographySFMOMA was among the first American art museums to recognize photography as an art form. The museum has been dedicated to the acquisition, research, presentation, and interpretation of photographs for nearly seventy years, making SFMOMA's holdings one of the oldest collections of photography among art museums nationwide. The museum's collection is particularly well-regarded for its photography of California and the West, the European avant-garde, and American modernism. Other areas of strength include Japanese photography, vernacular photography, landscape photography, and a growing nineteenth-century collection.Department of Architecture and DesignThroughout its history SFMOMA has been an active forum for examining issues of architecture and design in relation to modern art. The museum presented an impressive number of architecture and design exhibitions before an official curatorial department was founded in 1987. Featuring both historical and contemporary works, the collection focuses on the areas of architecture, furniture design, product design, and graphic design. SFMOMA is now recognized as one of the foremost repositories of modern and contemporary architecture and design; the collection is international in scope while reflecting the distinctive character of California. Over the past two decades, the department's commitment to experimental design and theoretical architecture has expanded to include work from the early twentieth century to the present. Department of Media ArtsSFMOMA has been a pioneer among museums nationwide in collecting works of art created in a variety of innovative media. The museum's commitment to diverse types of media art significantly predates the establishment of the Department of Media Arts in 1988. The collection reflects the diversity of electronic art technologies, including audio, film, slides, video, and computer-based works. The museum's holdings include a number of works by pioneering video artists that provide a context for understanding the San Francisco Bay Area as a historic center for experimental art.Special Collections in the SFMOMA Research LibraryThe SFMOMA Research Library has acquired rare books and works of art since the museum was founded. The library's holdings are particularly rich in artists' books, which have been collected for their research and aesthetic value, commentary on the phenomenon of the book, experimentation with the book's physical format, and relation to the museum's permanent collection. Collecting focuses on artists represented in SFMOMA's permanent collection who create books as one of various formats in their oeuvres. While the works held within the SFMOMA Research Library are not accessioned works of art, they represent a significant contribution to the museum's collection. 2977827 40554 Education, Interpretation, and Public ProgramsEducation Department-The Education Department creates accessible learning activities for various audiences of all ages.Families-SFMOMA is committed to providing accessibility to the museum for all families. Family Sundays continue to offer a programming schedule of every first and third Sunday of the month, moving to every Sunday before the end of 2011. Family Sundays encourage families to explore art, create their own, and participate in docent-led family tours in the galleries. Larger, museumwide Free Family Days take place three times a year.Students and Teachers-SFMOMA's school tours encourage students to think creatively while stimulating an interest in modern and contemporary art. The museum offers various kinds of tours to accommodate all levels of learning. Each tour is preceded by an in-school orientation. SFMOMA also offers Certified Self-Guided Touring Workshops for high school teachers wishing to lead independent tours with their students, as well as professional development programs for teachers that introduce them to the museum's collections and special exhibitions. The museum's online curriculum ArtThink supports integrated arts learning in schools.Public Tours-Throughout the year SFMOMA docents give over 1,800 tours of the permanent collection and special exhibitions for over 22,000 people. The museum also offers the Art Extension outreach program, in which docents bring the museum experience to classes unable to visit SFMOMA.Interpretation-The Interpretation group is a leader in creating educational resources and materials, both analog and digital, onsite and online.Onsite- SFMOMA provides a coherent and expanding set of resources to help on-site visitors interpret the works on view and to make SFMOMA a stimulating, generous, and welcoming place for visitors. Online- For more than a decade, SFMOMA has been a leader in the production of outstanding educational media content. The museum continues to create new kinds of content, including commentary and responses from artists and our visitors, and deliver it through diverse channels.Public ProgramsTalks and DiscussionsEach year SFMOMA organizes a wide range of talks and discussions that provide an open forum for the public to engage with modern art and culture. The museum's blog, Open Space, takes the discussion online.FilmsThe film program focuses on artists' films and videos for theatre presentation, retrospective and themed series of historical cinema, and current independent films from around the world. Live ArtLive Art at SFMOMA produces social spaces that permit rich, varied, and direct engagements among artists, audiences, and art objects. Koret Visitor Education CenterAll areas of the Education Department are involved in the Koret Visitor Education Center, which offers new pathways to enjoying art. This drop-in facility on the museum's second floor provides a broad range of individualized and interactive services and resources, as well as a full calendar of public programs and activities. 14472765 1206890 4. Collectors ForumCollectors Forum is dedicated to encouraging the collection of art and enhancing its members' knowledge of it. Collectors Forum supports exhibitions and museum accessions. To encourage membership, SFMOMA offers several educational programs each year and one or two trips to cities of interest. 5.Foto ForumFoto Forum brings together a diverse group of people who share an enthusiasm for photography. Members include collectors, practicing photographers, scholars, arts professionals, and others who enjoy looking at photographs and want to learn more about them. From September through June, Foto Forum presents programs on all types of photography, conducted in an informal, friendly atmosphere. The majority of annual dues collected from Foto Forum members go toward the purchase of photographs for the museum's permanent collection. 6.SECA (Society for the Encouragement of Contemporary Art)Founded in 1961, SECA brings together art enthusiasts, collectors, curators, and arts professionals through a variety of events that strengthen members' knowledge of contemporary art. The group works closely with SFMOMA curators to identify the best new art in the Bay Area and to present the highly respected biennial SECA Art Award and its associated exhibition and catalogue at SFMOMA. Throughout the year SECA organizes special events and exclusive visits to art galleries, private collections, and artist studios for its members as part of its ongoing support of contemporary art in our region.7.Architecture + Design Forum (A+D Forum)The Architecture + Design Forum extends and complements the activities of the Department of Architecture and Design at SFMOMA. It serves as a lively forum for viewing and interpreting significant design practices. The A+D Forum is a diverse group of individuals who share a common enthusiasm for design and a collective commitment to supporting SFMOMA's design-related programs. A+D Forum members are invited to a wide range of events, including exhibition previews, local and regional excursions, parties, studio visits, and building tours.8.Artists Gallery The Artists Gallery, located in Fort Mason Center, has been committed to promoting contemporary art in the Bay Area for thirty years. In partnership with over 700 new and established artists in the community, the gallery maintains an extensive selection of artworks for rent and for sale. Seasoned collectors, corporate clients, and art-world newcomers have the opportunity to enjoy original works of art in their homes and offices while supporting local artists. The gallery also helps sustain a vibrant local art scene with a dynamic exhibition program featuring new works by the artists we represent. The majority of the Artists Gallery proceeds from rentals and sales go directly back to the artists in the community. The remainder supports exhibitions and educational programming at SFMOMA. 14472765 1206890 31737906 1 1 0 0 0 0 1 0 1 1 0 1 0 0 0 0 0 1 1 0 0 0 0 1 0 0 0 1 0 0 0 1 1 1 0 0 1 1 0 0 0 1 426 0 1 385 1 1 1 0 0 0 0 1 1 0 0 0 66 66 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 CA X Ikuko Satoda 4153574000 151 Third Street San Francisco CA 94103 Charles R Schwab 1.00 X X 0 0 0 Robert J Fisher 1.00 X X 0 0 0 Richard L Greene 1.00 X X 0 0 0 Robin M Wright 1.00 X X 0 0 0 Dennis J Wong 1.00 X X 0 0 0 Bruce Atwater 1.00 X 0 0 0 Gay-Lynn Blanding 1.00 X 0 0 0 James W Breyer 1.00 X 0 0 0 Carolyn Butcher 1.00 X 0 0 0 Charles M Collins 1.00 X 0 0 0 Lionel Conacher 1.00 X 0 0 0 Jean Douglas 1.00 X 0 0 0 Rebecca S Draper 1.00 X 0 0 0 Carla Emil 1.00 X 0 0 0 Linda W Gruber 1.00 X 0 0 0 Mimi L Haas 1.00 X 0 0 0 Kamala D Harris 1.00 X 0 0 0 Adriane Iann 1.00 X 0 0 0 Bradley James 1.00 X 0 0 0 Richard M Kovacevich 1.00 X 0 0 0 Pamela Kramlich 1.00 X 0 0 0 Janet W Lamkin 1.00 X 0 0 0 Gretchen C Leach 1.00 X 0 0 0 David Mahoney 1.00 X 0 0 0 Marissa Mayer 1.00 X 0 0 0 Nion McEvoy 1.00 X 0 0 0 Elaine McKeon 1.00 X 0 0 0 Kenneth P McNeely 1.00 X 0 0 0 Eileen M Michael 1.00 X 0 0 0 Lisa S Miller 1.00 X 0 0 0 Christine Murray 1.00 X 0 0 0 Diana Nelson 1.00 X 0 0 0 Stuart L Peterson 1.00 X 0 0 0 Andrew P Pilara 1.00 X 0 0 0 Courtney Roberts 1.00 X 0 0 0 Paul Sack 1.00 X 0 0 0 Chara Schreyer 1.00 X 0 0 0 Charlotte M Shultz 1.00 X 0 0 0 Norah Sharpe Stone 1.00 X 0 0 0 Norman C Stone 1.00 X 0 0 0 John G Stumpf 1.00 X 0 0 0 Roselyne Chroman Swig 1.00 X 0 0 0 Susan Swig 1.00 X 0 0 0 John Walecka 1.00 X 0 0 0 Brooks Walker Jr 1.00 X 0 0 0 Thomas W Weisel 1.00 X 0 0 0 Carlie Wilmans 1.00 X 0 0 0 Michael W Wilsey 1.00 X 0 0 0 Pat Wilson 1.00 X 0 0 0 Kay Harrigan Woods 1.00 X 0 0 0 Linda Begler 1.00 X 0 0 0 Jill G Barnett 1.00 X 0 0 0 Marjory Graue 1.00 X 0 0 0 Joseph B Hershenson 1.00 X 0 0 0 Britta Campbell 1.00 X 0 0 0 Cary Bernstein 1.00 X 0 0 0 Gretchen C Leach 1.00 X 0 0 0 Ann Fisher 1.00 X 0 0 0 Dolly Chammas 1.00 X 0 0 0 Doris Fisher 1.00 X 0 0 0 Irwin Federman 1.00 X 0 0 0 Lisa S Pritzker 1.00 X 0 0 0 Lydia Shorenstein 1.00 X 0 0 0 Maryellen C Herringer 1.00 X 0 0 0 Yves Behar 1.00 X 0 0 0 ARTHUR GENSLER 1.00 X 0 0 0 Neal Benezra 40.00 X 606873 0 42413 Ikuko Satoda 40.00 X 223326 0 16939 Ruth Berson 40.00 X 230190 0 17998 Gary Garrels 40.00 X 311068 0 16120 Leonel Ballate 40.00 X 119020 0 16022 Sanchez Fernandez 40.00 X 117028 0 16558 Blair Winn 40.00 X 149925 0 17276 Sandra Phillips 40.00 X 160604 0 13440 Dominic Willsdon 40.00 X 116273 0 11442 2034307 0 168208 9 0 1 0 Cypress Private Security LLC 452 Tehama Street San Francisco CA 94103 Security/Guard Service 1969315 Vance Brown Inc 3197 Park Blvd Palo Alto CA 94306 Rooftop Garden Construction 835147 ABM Engineering Services Corp File 52609 Los Angeles CA 900742609 Engineering 592635 Gensler and Associates Inc File #3010 POBox 60000 San Francisco CA 941600000 Design Consultation 527131 Able Building Maintenance Co 868 Folsom Street San Francisco CA 941070000 Janitorial Services 506400 9 2992899 2179800 563388 36212479 10917629 41948566 Admissions 900099 4881165 4881165 Artists Gallery 900099 622351 622351 Auxiliary Dues 900099 506405 506405 Exhibition Income 900099 353725 353725 6363646 1552952 1552952 441827 92810 349017 349017 349017 65457499 7300 64820590 636909 7300 644209 7300 636909 160475 2179800 685244 -524769 -524769 7925212 3647278 4277934 3992991 284943 Misc. 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Each work of art is inventoried and cared for, and activities verifying the collections' integrity are performed continuously. Purchases of art are recorded as expense in the Museum's Consolidated Statements of Activities and Changes in Net Assets and an investing activity in the Consolidated Statements of Cash Flows in the year in which the objects are acquired. Contributed works of art are not reflected on the financial statements. Part III, Line 4: One of the most important functions of a museum is to develop an outstanding collection of works of art, thereby creating and offering an artistic legacy to the community, nation, and the world. Since 1935, SFMOMA has been a pioneer among modern and contemporary art museums in collecting and programming in the fields of photography, architecture and design, and new media, even as it has assembled premier holdings in the more traditional media of painting and sculpture. SFMOMA's collection begins in the twentieth century and is regional, national, and international in scope. Part V, Line 4: Description of Intended Use of Endowment Funds: Endowment funds are used to advance the charitable and educational purposes of the San Francisco Museum of Modern Art. Part XII, Line 2d - Other Adjustments: other supporting organizations: 4523080. special events expense: 685245. Part XIII, Line 2d - Other Adjustments: Special Events Expense: 685244. Other supporting organizations: 180442. X X X X X X X 1 Comnet Marketing Group Inc fundraising planning 0 0 33788 -33788 33788 -33788 CA 75th birthday 2024300 1920780 103520 122440 39500 409996 SF20 Preview Gala 167300 134075 33225 45486 12329 2 148675 124945 23730 34383 21110 2340275 2179800 160475 202309 39500 443435 685244 -524769 X X 1 0 X X X X X 0 0 0 0 0 0 0 0 0 Neal Benezra 525373 0 0 0 81500 0 27500 0 14913 0 649286 0 0 0 Ikuko Satoda 188826 0 0 0 34500 0 10304 0 6635 0 240265 0 0 0 Ruth Berson 195690 0 0 0 34500 0 10680 0 7318 0 248188 0 0 0 Gary Garrels 311068 0 0 0 0 0 10554 0 5566 0 327188 0 0 0 Blair Winn 149925 0 0 0 0 0 6458 0 10818 0 167201 0 0 0 Sandra Phillips 160604 0 0 0 0 0 7700 0 5740 0 174044 0 0 0 NEAL BENEZRA FOR THE PURCHASE OF HIS PRIMARY RESIDENCE X 801900 560000 0 1 1 GARY GaRRELS FOR THE PURCHASE OF HIS PRIMARY RESIDENCE X 500000 500000 0 1 1 1060000 Arthur Gensler board member 344836 PAYMENTS TO GENSLER AND ASSOCIATES, INC. 0 X 36 10712672 COST OR SELLING PRICE X wine/food/beverages 42 201658 COST OR SELLING PRICE X signage/advertising 1 3050 COST OR SELLING PRICE X floral arrangement 1 249 COST OR SELLING PRICE 0 1 0 Form 990, Part VI, Section A, line 2 Family/Business Relationship between Officer/Director/Trustee/Key Employee. Form 990, Part VI, Section B, line 11 The form 990 is prepared by an independent public accounting firm based on audited financial statements and with the assistance of the organization's finance and accounting staff. The final draft of the 990 is reviewed by the Deputy Museum Director of Administration and Finance, Director, and the Chairs of the Finance and Audit Committee of the Board, and the President and Chair of the Board of Trustees. The final version of the form is made available to the full BOARD. Form 990, Part VI, Section B, line 12c The organization regularly monitors and enforces compliance with its conflict of interest policy. For trustees and officers conflict of interest policy, the Executive Director's office requests completion of an annual disclosure form from all trustees and officers. The Executive Director's office assures that all forms have been received and prepares a summary of disclosures and forwards the forms and summary to the organization's legal counsel. Any issues brought up by the legal counsel upon his/her review of the summary are addressed by the Director at the Executive Committee meeting. The Deputy Museum Director of Administration & Finance also receives a copy of the summary and reviews all forms and is responsible for assuring appropriate reporting to the external auditors and disclosure in the annual tax filings. Form 990, Part VI, Section B, line 15 The process for determining the compensation of the Executive Director and other top management officials is as follows: The Museum works with an outside compensation consulting firm to review and benchmark the Museum's salary levels against local major arts organization, national art museums, and local businesses in certain professions. In addition, the Museum participates in and uses the annual survey data conducted by the Association of Art Museum Directors. Normally, once a year, the changes to compensations for the senior positions are recommended by the Executive Director working with the staff and the outside compensation consulting firm and the recommendations are formally presented to, reviewed and approved by the Human Resources Committee whose major function is to oversee the Museum's compensation structure. The Committee holds at least one meeting a year. Form 990, Part VI, Section C, line 19 The organization makes its governing documents, conflict of interest policy, Form 990 and financial statements available upon request. 670 Howard Street LLC 151 Third Street San Francisco CA 94103 941156300 To support SFMOMA CA 7354062 SFMOMA New Florian LLC 151 Third Street San Francisco CA 94103 941156300 To support SFMOMA CA 7250330 7250242 SFMOMA New Florian Manager LLC 151 Third Street San Francisco CA 94103 941156300 To support SFMOMA CA SFMOMA ArtCartel 151 Third Street San Francisco CA 94103 943315464 To support SFMOMA CA section 501(c)(3) 9 N/A Art Supporting Foundation 601 Califronia Street San Francisco CA 941082818 943325776 To support SFMOMA CA section 501(c)(3) 7 N/A Paul Sack Photographic Trust 49 Geary Street Suite 500 San Francisco CA 94108 943308293 To support SFMOMA CA section 501(c)(3) 11 N/A 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1