2012-03-05T12:20:01-06:00 2011-06-30 RSM MCGLADREY INC 80 CITY SQUARE BOSTON MA 02129 990 2010-07-01 042104327 THE INSTITUTE OF CONTEMPORARY ART INC INST 6174783100 100 NORTHERN AVENUE BOSTON MA 02210 RSM 6174783100 2011-10-05 1 LYNNE JOHNSON 6179129000 2010 2016-02-24 21:20:13Z JILL MEDVEDOW 100 NORTHERN AVENUE BOSTON MA 02210 14951161 0 X WWW.ICABOSTON.ORG X 1936 MA SEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 36 35 189 92 5457 0 8371582 7532702 2007121 1967498 199382 498149 325399 180485 10903484 10178834 0 0 0 0 4220517 4572446 0 0 817246 5692234 5599092 9912751 10171538 990733 7296 71645535 71290438 10091225 8443457 61554310 62846981 X THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 0 0 3199120 815078 ART EXHIBITIONS:GALLERY PRESENTATIONS: THE ICA PRESENTED THE FOLLOWING 8 CONTEMPORARY ART EXHIBITIONS AND COMMISSIONED PROJECTS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. GENERAL ADMISSION AND PRIVATE TOUR ATTENDANCE FOR THE GALLERY EXHIBITS TOTALED 147,515 VISITORS IN FY11(SEE SCHEDULE O FOR CONTINUATION.)* ICA COLLECTION 5: (8/4/10 - 6/19/11) THE FIFTH ANNUAL INSTALLATION OF THE ICA COLLECTION HIGHLIGHTS RECENT ACQUISITIONS, INCLUDING A WALL INSTALLATION BY SWOON AND A GROUP OF PRINTS BY SHEPARD FAIREY. THE INSTALLATION ALSO FEATURES A GALLERY DEDICATED TO THE PRESENTATION OF A VARIETY OF APPROACHES TO SCULPTURE, INCLUDING A NEW ACQUISITION OF A WORK BY DAMIAN ORTEGA. ACCOMPANYING EACH WORK IS A QUOTE PULLED FROM INTERVIEWS WITH THE ARTISTS, HIGHLIGHTING THEIR UNITQUE PRACTICES.* SANDRA AND GERALD FINEBERG ART WALL: FRANCESCA DIMATTIO: (7/3/10 - 8/14/11) FOR THE FOURTH INSTALLATION OF THE SANDRA AND GERALD FINEBERG ART WALL, A SPACE DEDICATED TO MONUMENTAL, SITE-SPECIFIC WORKS BY LEADING CONTEMPORARY ARTISTS, NEW YORK-BASED PAINTER FRANCESCA DIMATTIO CREATED BANQUET - FIVE LARGE-SCALE CANVASES THAT COMBINE IMAGERY FROM A WIDE RANGE OF ARCHITECTURAL, DECORATIVE, AND ART HISTORICAL SOURCES. SHE LACES TOGETHER UNDERLYING PATTERNS TO CONSTRUCT THESE COMPLICATED COMPOSITIONS, LENDING A SENSE OF LOGIC TO HER SEEMINGLY CHAOTIC ASSEMBLAGES. DRAWING INSPIRATION FROM THE ICA'S DRAMATIC ARCHITECTURE AND WATERFRONT SETTING, BANQUEST COMBINES INTERIOR AND EXTERIOR SPACE AND INCORPORATES IMAGES OF SHIPS AND THE SEA. THIS EXHIBITION WAS ACCOMPANIED BY A FREE BROCHURE. * CHARLES LEDRAY: WORKWORKWORKWORKWORK: (7/16/10 - 10/17/10) THIS EXHIBITION TRACED THE TWENTY-YEAR CAREER OF NEW YORK-BASED ARTIST CHARLES LEDRAY WHO HAS CREATED HANDMADE SCULPTURES IN STITCHED FABRIC, CARVED BONE, AND WHEEL-THROWN CLAY. LEDRAY PAINSTAKINGLY FASHIONS SMALLER-THAN-LIFE FORMAL SUITS, EMBROIDERED PATCHES, TIES, AND HATS, AS WELL AS SCALED-DOWN CHESTS OF DRAWERS, DOORS, THOUSANDS OF UNIQUE, THIMBLE-SIZED VESSELS, AND EVEN COMPLEX MODELS OF THE SOLAR SYSTEM. THE EXHIBITION PRESENTED OVER 50 SCULPTURES AND INSTALLATIONS, FROM SEMINAL EARLY WORKS TO THE FIRST U.S. PRESENTATION OF MENS SUITS (2006-2009), HIS HIGHLY ACCLAIMED PROJECT PRESENTING THREE COMPLEX, SMALL-SCALE VIGNETTES OF SECOND-HAND CLOTHING SHOPS. THE ICA ALSO PREMIERED THROWING SHADOWS (2008-2010), AN EXTRAORDINARY NEW CERAMIC WORK INCLUDING MORE THAN 3,000 VESSELS MADE OF BLACK PORCELAIN, EACH LESS THAN TWO INCHES TALL. THE EXHIBITION TOURED NATIONALLY TO THE WHITNEY MUSEUM OF AMERICAN ART, NEW YORK (NOVEMBER 18, 2010-FEBRUARY 13, 2011) AND THE MUSEUM OF FINE ARTS, HOUSTON (MAY 15-SEPTEMBER 11, 2011). THIS EXHIBITION WAS ACCOMPANIED BY AN EXHIBITION CATALOGUE. THE CURATOR GAVE PUBLIC TALKS IN THE GALLERY SPACE, AND AN AUDIO GUIDE TOUR WAS PRODUCED. * 2010 JAMES AND AUDREY FOSTER PRIZE: (9/22/10 - 1/17/11) FROM LARGE-SCALE PHOTOGRAPHS OF THE PERUVIAN AMAZON TO EXPERIMENTAL FILM TO INSTALLATIONS INSPIRED BY 17TH-CENTURY FRESCOES, THE ARTISTS SELECTED FOR THE 2010 FOSTER PRIZE OFFERED A WIDE-RANGING VIEW OF THE ART BEING CREATED IN THE BOSTON AREA TODAY. SHOWCASING AND CELEBRATING WORK IN OUR OWN COMMUNITY HAS BEEN AN INTEGRAL ASPECT OF THE ICA'S EXHIBITION PROGRAM SINCE THE PRIZE'S INCEPTION IN 1999. THIS BIENNIAL AWARD SHOW TOOK A NEW, EXPANDED FORMAT, FEATURING WORK BY NINE ARTISTS. THE EXHIBITION INCLUDED SCULPTURE, INSTALLATION, FILM, VIDEO, PAINTING, DRAWING AND PHOTOGRAPHY. THE 2010 JAMES AND AUDREY FOSTER PRIZE RECIPIENT WAS AMY SIEGEL, BLACK MOON, 2010 AND IT WAS ANNOUNCED IN DECEMBER 2010. THIS EXHIBITION WAS ACCOMPANIED BY A FREE BROCHURE. THE CURATOR GAVE PUBLIC TALKS IN THE GALLERY SPACE, AND AN AUDIO GUIDE TOUR WAS PRODUCED.* MARK BRADFORD: (11/19/10-3/13/11) ORGANIZED BY THE WEXNER CENTER FOR THE ARTS, THE OHIO STATE UNIVERSITY, THIS IS THE FIRST SURVEY EXHIBITION OF THE LOS ANGELES BASED ARTIST MARK BRADFORD. MARK BRADFORD INCLUDES PAINTING, SCULPTURE, INSTALLATION, AND VIDEO FROM 1997 TO 2010, AND SEVERAL NEW WORKS THAT EXPLORE ISSUES OF CLASS, RACE, AND GENDER IN AMERICAN URBAN SOCIETY. AN ARCHEOLOGIST OF HIS OWN ENVIRONMENT, LOS ANGELES, BRADFORD USES FOUND MATERIALS-PEELING MOVIE POSTERS, HAND-LETTERED "FOR SALE" SIGNS, ENDPAPERS USED TO PERM BLACK HAIR, SALVAGED PLYWOOD-WHICH HE LAYERS, EMBELLISHES, ERODES AND RECONSTITUTES INTO A ABSTRACT COMPOSITIONS. THE CURATOR GAVE A PUBLIC TALK IN THE GALLERY SPACE. IN A RELATED EVENING PROGRAM, THE ARTIST, CURATOR, AND AUTHOR HILTON ALS SPOKE IN THE ICA BARBARA LEE FAMILY FOUNDATION THEATER.* GABRIEL KURI: NOBODY NEEDS TO KNOW THE PRICE OF YOUR SAAB: (2/2/11-7/4/11) ORGANIZED BY THE BLAFFER ART MUSEUM AT THE UNIVERSITY OF HOUSTON, THIS IS THE FIRST SOLO MUSEUM EXHIBITION IN THE U.S. OF THE MEXICO AND BELGIUM BASED ARTIST GABRIEL KURI. USING FAMILIAR MATERIALS SUCH AS RECEIPTS, NEWSPAPER, BAND SOAPS, AND PLASTIC BAGS, GABRIEL KURI FOCUSES OUR ATTENTION ON CONTEMPORARY CONSUMER CULTURE AND THE CIRCULATION OF MONEY, INFORMATION, AND ENERGY IN BOTH OUR GLOBAL ECONOMY AND IN OUR DAY-TO-DAY ACTIVITIES. KURI HAS BEEN DESCRIBED AS A PLAYFUL ACCOUNTANT WHO USES PERSONAL EXPERIENCE AS A POINT OF DEPARTURE TO EXPLORE THE WAYS WE QUANTIFY AND CHART THE MOST BASIC EVENTS AND TRANSACTIONS IN OUR LIVES. THE EXHIBITION INCLUDES APPROXIMATELY 30 SCULPTURES AND 15 COLLAGES, INCLUDING UNTITLED (SUPERAMA), A SERIES OF THREE NINE-FOOT-TALL TAPESTRIES INTRICATELY HAND-WOVEN IN MEXICO TO RESEMBLE WAL-MART RECEIPTS. THE CURATOR GAVE A PUBLIC TALK IN THE GALLERY SPACE. * CATHERINE OPIE: EMPTY AND FULL: (4/15/11 - 9/5/11) THE EXHIBITION PRESENTS THE TWO MOST RECENT BODIES WORK BY THE LOS ANGELES-BASED ARTIST CATHERINE OPIE. EMERGING AS ONE OF THE DEFINING ARTISTS OF HER GENERATION, PHOTOGRAPHER CATHERINE OPIE HAS DRAMATICALLY EXPANDED HER WORK OVER THE PAST TWO AND A HALF DECADES. TRAINING HER CAMERA ON A VARIETY OF COMMUNITIES AND LANDSCAPES -FROM BOY SCOUTS AND CAMPGROUNDS TO ICE FISHERMEN AND LOADING DOCKS-THAT HELP TO DEFINE THE UNITED STATES' GREAT HETEROGENEITY, SHE HAS QUIETLY BECOME ONE OF AMERICA'S PREMIER DOCUMENTARIANS. EMPTY AND FULL MEDITATES ON THE RELATIONSHIP BETWEEN PEOPLE AND PLACE, AND THE ENERGY AND DESIRES CREATED WHEN MASSES OF PEOPLE CONVENE AROUND A SHARED INTEREST OR VALUE-WHETHER A WOMEN'S MUSIC FESTIVAL OR A TEA PARTY RALLY. HER PHOTOGRAPHS EXPLORE THE INTIMATE RELATIONS BETWEEN COMMUNITY AND POLITICS, CITIZENS AND THE LANDSCAPE, OFFERING US A DYNAMIC, OPEN, COMPLICATED, AND LOVING PORTRAIT OF THE UNITED STATES AT THE DAWN OF THE TWENTY-FIRST CENTURY. THIS EXHIBITION WAS ACCOMPANIED BY AN EXHIBITION CATALOGUE. THE CURATOR GAVE A PUBLIC TALK IN THE GALLERY SPACE. IN A RELATED PROGRAM, THE ARTIST, CURATOR, AND AUTHOR EILEEN MYLES GAVE A TALK IN THE ICA BARBARA LEE FAMILY FOUNDATION THEATER. * THE RECORD: CONTEMPORARY ART AND VINYL? (4/15/11 - 9/5/11) ORGANIZED BY THE NASHER MUSEUM OF ART AT DUKE UNIVERSITY, THE RECORD: CONTEMPORARY ART AND VINYL IS THE FIRST MUSEUM EXHIBITION TO EXPLORE THE CULTURE OF VINYL RECORDS IN CONTEMPORARY ART FROM 1965 TO 2010. BRINGING TOGETHER ARTISTS FROM AROUND THE WORLD WHO HAVE WORKED WITH RECORDS AS THEIR SUBJECT OR MEDIUM, THIS EXHIBITION EXPLORES THE INTERSECTION BETWEEN VISUAL ART AND MUSIC, CONSIDERING THE VINYL RECORD AS A LENS THROUGH WHICH TO VIEW THE WORLD. POWERFULLY MARKED WITH NOSTALGIA, THE RECORD HAS LONG BEEN BOTH A SIGNIFICANT SOURCE OF INSPIRATION AND A MATERIAL FOR ARTISTIC PRODUCTION. INDEED, FOR MANY CONTEMPORARY ARTISTS, THE VINYL RECORD LOOMS LARGE, TAKING ON A POWER AND SIGNIFICANCE THAT MOVES WELL BEYOND THE MEDIUM'S TRADITIONAL USE, AND THOROUGHLY INTO A SPACE OF INNOVATIVE ARTISTIC PRODUCTION. THROUGH SOUND WORK, SCULPTURE, INSTALLATION, DRAWING, PAINTING, PHOTOGRAPHY, VIDEO AND PERFORMANCE, THIS EXHIBITION COMBINES CONTEMPORARY ART WITH SELF-TAUGHT ART, AUDIO WITH VISUAL, FINE ART WITH POPULAR CULTURE, AND ESTABLISHED ARTISTS WITH THOSE WHO WILL BE EXHIBITING IN A US MUSEUM FOR THE FIRST TIME. 2566849 215461 PUBLIC PROGRAMS:PERFORMING ARTS: THE ICA PRESENTS SOME OF THE MOST TALENTED AND FORWARD LOOKING CHOREOGRAPHERS, MUSICIANS, THEATER COMPANIES AND GENRE BENDING ARTISTS FROM BOSTON AND THE REST OF THE WORLD. IN FY11 WE PRESENTED 48 PERFORMANCES BY THE FOLLOWING PERFORMERS, ARTISTS AND ENSEMBLE COMPANIES. ATTENDANCE AT THESE PERFORMANCES TOTALED 18,372. (SEE SCHEDULE O FOR CONTINUATION.)* HARBORWALK SOUNDS - 8 PERFORMANCES BY VARIOUS ARTISTS* ANNE CARSON AND RASHAUN MITCHELL* JENNY HOLZER AND MIGUEL GUTIERREZ* TRAJAL HARRELL* BILL T. JONES/ARNIE ZANE DANCE COMPANY* YOUNG JEAN LEE: THE SHIPMENT* SAM GREEN AND DAVE CERF* JAY SCHEIB: BELLONA* THE CALLITHUMPIAN CONSORT: GAVIN BRYARS SINKING OF THE TITANIC* THE CELESTIAL SEPTET* SO PERCUSSION AND BOBBY PREVITE: TERMINALS* KEREN ANN* PEACHES CHRIST SUPERSTAR* KEERIL MAKAN: WASHED BY FIRE* CRASHARTS: CAITLIN CORBETT DANCE COMPANY, DANIEL MCCUSKER DANCE PROJECTS, KELLEY DONOVAN AND DANCERS* CRASHARTS: RUBBERBANDANCE GROUP* CRASHARTS: DOUG VARONE AND DANCERS* CRASHARTS: PHILADANCO* CRASHARTS: DAVID DORFMAN DANCE* NTUSA'S CHAUTAUQUA!* FLOORLORDSFILMS:THE ICA FILM, VIDEO AND NEW MEDIA PROGRAM IS DEDICATED TO PROMOTING THE BEST OF LOCAL, NATIONAL, AND INTERNATIONAL CINEMA. THE ICA PRESENTED FEATURE, DOCUMENTARY AND ANIMATED FILMS INCLUDING DIGITAL MEDIA, HARD TO FIND FILMS, FILMS ON ART, INDEPENDENT AND EXPERIMENTAL WORK. 4,409 INDIVIDUALS ATTENDED THE 50 SCREENINGS OF THE FOLLOWING FILMS. * TO THE OTHER SIDE* RISEUP* BEYOND IPANEMA* INTO THE HEART OF MUSIC: AL OTRO LADO* PIPILOTTI RIST'S PEPPERMINTA* WORDS AND IMAGES: REBECCA MEYERS* THE ARMENIAN FILM FESTIVAL: FROM ARARAT TO ZION, THE FIFTH COLUMN, AND MOUNT ATHOS: THE MONK'S REPUBLIC* WORDS AND IMAGES: AMIE SIEGEL* WOMEN AND MEN* THE ART AND TECHNIQUE OF AMERICAN COMMERCIALS* AWARD-WINNING BRITISH COMMERCIALS 2011* 48TH ANN ARBOR FILM FESTIVALTHE OTTAWA INTERNATIONAL ANIMATION FESTIVAL* 2011 ACADEMY AWARD SHORT FILMS IN ANIMATION* DOUBLE TAKE* 2011 ACADEMY AWARD SHORT FILMS LIVE ACTION* UTOPIA IN FOUR MOVEMENTS* THE INTERNATIONAL EXPERIMENTAL CINEMA EXPOSITION* NEW ENGLAND ANIMATORS* !WOMEN ART REVOLUTION! TALKS: THE SPEAKER SERIES AT THE ICA PRESENT THE MOST CREATIVE THINKERS, ARTISTS, AUTHORS AND PERFORMERS- THE PACESETTERS OF CONTEMPORARY CULTURE. ATTENDANCE AT THESE TALKS TOTALED 2,607 IN FY11. THE TALKS CONSISTED OF:* CHARLES LEDRAY: SHOP TALK WITH MATT REGONINI AND PHILIP SAUL* CHARLES LEDRAY: DRESS PATTERNS WITH KATHLEEN MCDERMOTT* FOSTER PRIZE: THINK GLOBAL, ACT LOCAL WITH RANDI HOPKINS, LILA KANNER AND DINA DEITCH* FOSTER PRIZE: DANIELA RIVERA, FRED H.C. LIANG, STEPHEN TOURLENTES* FOSTER PRIZE: REBECCA MEYERS, EVELYN RYDZ, EIRIK JOHNSON* FOSTER PRIZE: ROBERT DE SAINT PHALLE, AMIE SIEGEL, MATTEW RICH* MARK BRADFORD, HILTON ALS, AND HELEN MOLESWORTH* MARK BRADFORD: KIM MCLARIN* MARK BRADFORD: NUIT BANAI* CATHERINE OPIE, EILEEN MYLES, AND HELEN MOLESWORTH* CATHERINE OPIE: TIMOTHY MCCARTHY* CATHERINE OPIE: STEPHEN AND AMBER DAVIS TOURLENTES* CATHERINE OPIE: JILL LEPORE AND HELEN MOLESWORTH* THE RECORD: DARIO ROBLETO* THE RECORD: ANNIE BALLIRO* ICA/AIGA DESIGN SERIES: VAUGHAN OLIVER* MAKE DANCE SEE: BILL T. JONES, ELIZABETH STREB, KAROLE ARMITAGE* SHIFT BOSTON* TALKING TASTE: KEN ORINGER AND JAMIE BISSONNETTE, BARRY MAIDEN, TONY MAWS, BARBARA LYNCHCOURSES: THESE ENGAGING, STIMULATING CLASSES DRAW FROM THE ICA'S ARCHITECTURE AND EXHIBITIONS AND ARE INTENDED FOR A GENERAL ADULT AUDIENCE. THE ICA ALSO OFFERS SELECT NUMBER OF WORKSHOPS FOR EDUCATORS. IN FY11 82 INDIVIDUALS ATTENDED THE FOLLOWING COURSES:* ART NOW* DJ SCHOOL* EDUCATOR WORKSHOP: CLASSROOM CONNECTIONS* EDUCATOR WORKSHOP: RYMAEC SCRATCH* RYMAEC WEB 2.0FAMILIES PROGRAMMING: ON THE LAST SATURDAY OF THE MONTH FAMILY-FRIENDLY FILMS, PERFORMANCES AND ACTIVITIES SUITABLE FOR CHILDREN AGES 5-12 AND THEIR ACCOMPANYING ADULTS WERE PROVIDED. ADDITIONAL ACTIVITIES WERE OFFERED TO FAMILIES DURING HOLIDAY WEEKS. 7,657 VISITORS PARTICIPATED IN THE FOLLOWING FAMILY PROGRAMMING. PLAY DATES* PLAY DATE JULY: INSIDE THE CREATIVE PROCESS* PLAY DATE AUGUST: POSITIVELY CAPTIVATING PORTRAITS* PLAY DATE SEPTEMBER: FRANCESCA DIMATTIO'S ART WALL* PLAY DATE OCTOBER: CONTEMPORARY MASTERPIECES* PLAY DATE NOVEMBER: URBAN PARABLES* PLAY DATE JANUARY: FIGURE AND GROUND* PLAY DATE FEBRUARY: MATERIALS AND MEANING* PLAY DATE MARCH: INTERNATIONAL CHILDREN'S FILM FESTIVAL* PLAY DATE APRIL: KIDSBUILD! ICA CITY* PLAY DATE MAY: WHAT'S INSIDE? WHAT'S OUTSIDE?* PLAY DATE JUNE: ART + MUSIC: THE RECORDOTHER FAMILY PROGRAMS* FREE FUN FRIDAY* VETERANS DAY ACTIVITIES* FAMILY ART-MAKING WORKSHOP: IMOVIE* HOLIDAY WEEK FAMILY PROGRAMS* COLLAGE PAINTING FOR FAMILIES* APRIL VACATION WEEK FAMILY ACTIVITIESTEENS PROGRAMMING: TEEN NIGHTS ARE ART HAPPENINGS ORGANIZED AND PROMOTED FOR TEENS, BY TEENS. TEENS GATHER FOR ARTIST TALKS, KARAOKE, FASHION SHOWS, GRAFFITI ART, T-SHIRT PAINTING, POETRY READINGS AND MORE. TEEN NEW MEDIA CLASSES, INCLUDING THE FAST FORWARD PROGRAM, MULTI-SESSION AND YEAR-LONG PROGRAMS, ARE HELD IN OUR STATE-OF-THE-ART STUDIO. THEY ARE TAUGHT BY PROFESSIONAL MEDIA ARTISTS. ARTIST ENCOUNTERS ARE OPPORTUNITIES FOR TEENS TO INTERACT WITH ARTISTS AT THE ICA AND CAN INCLUDE VISUAL AND PERFORMANCE ARTISTS. A TOTAL OF 2,112 TEENS PARTICIPATED IN THE FOLLOWING PROGRAMS AND EVENTS. * WALL TALK* TEEN NEW MEDIA WORKSHOPS INCLUDING: SUMMER VIDEO BOOT CAMP ANIMATION PHOTOSHOP DJ SCHOOL AFTER EFFECTS DIGITAL COLLAGE PHOTOGRAPHY 2 FASHION PHOTOGRAPHY VIDEO GAME DESIGN TECH BOSTON HYBRID CLASS GRAPHIC DESIGN/SKATEBOARDS* FAST FORWARD* TEEN ARTS COUNCIL* NATIONAL CONVENING FOR TEENS IN THE ARTS: ART & IDENTITY* SUMMER TEEN RESIDENCY WITH ARTIST RAUL GONZALEZ* TEEN NIGHT: AUGUST* TEEN NIGHT: NOVEMBER* TEEN NIGHT: FEBRUARY* TEEN NIGHT: MAY * PERFORMANCES INCLUDING: YOUNG JEAN LEE, THE SHIPMENT RUBBERBANDANCE GROUP, LOAN SHARKING BILL T. JONES/ARNIE ZANE DANCE COMPANY, BODY AGAINST BODY ANNA MEYER DANCE, STREET TALK, SUITE TALK THE NATIONAL THEATER OF THE UNITED STATES OF AMERICA, CHAUTAUQUA!EXHIBITION TOURS: THE ICA OFFERS EXHIBITION AND MUSEUM TOURS. * PRIVATE BOOKED TOURS: 8,496 INDIVIDUALS * PUBLIC TOURS: 2,496 INDIVIDUALS 932746 PROGRAM MARKETING AND COMMUNICATIONS:DEVELOPED AND IMPLEMENTED MARKETING, ADVERTISING, AND PUBLIC RELATIONS STRATEGIES THAT PROMOTED THE ICA'S EXHIBITIONS, PERFORMANCES, AND EDUCATIONAL AND COMMUNITY PROGRAMS TO THE PUBLIC AND ICA MEMBERS. THESE STRATEGIES ALLOWED THE ICA TO ACHIEVE 196,286 IN TOTAL VISITORS TO THE ICA IN FISCAL YEAR 2011. 344122 533042 MEMBERSHIP: MEMBERSHIP CONTRIBUTIONS HELP THE ICA PRESENT EXHIBITIONS, PERFORMANCES, AND PROGRAMS FOR TEENS, FAMILIES AND ADULTS, CREATING A PLACE WHERE PEOPLE OF ALL AGES AND BACKGROUNDS CAN SHARE THE EXCITEMENT OF NEW ART AND IDEAS. IN FY2011 THE MEMBERSHIP DEPARTMENT SERVED OVER 6,100 HOUSEHOLDS PROVIDING THE PRIMARY BENEFITS OF FREE MUSEUM ADMISSION, DISCOUNTS IN THE ICA STORE AND WATER CAFE, EXHIBITION PREVIEWS AND OPENING RECEPTIONS AND A SUBSCRIPTION TO THE ICA MAGAZINE "NEW". THE ICA SAW OVER 12,000 MEMBER VISITS TO THE GALLERIES AND AT MEMBERS-ONLY EVENTS IN FY2011. 944435 799204 EARNED INCOME ACTIVITIES:* TRAVELING EXHIBITS: THE ICA-ORGANIZED DR. LAKRA EXHIBITION (ON-VIEW AT THE ICA APRIL 14-SEPTEMBER 6, 2010) TOURED ACROSS MEXICO THROUGH FY11 AND INTO FY12 AT THE MUSEO AMPARO, PUEBLA (JANUARY 29-MAY 9, 2011; TOTAL ATTENDANCE 33,046), THE MUSEO DE ARTE CONTEMPORANEO DE MONTERREY (MARCO), MEXICO (MAY 19-OCTOBER 30, 2011; TOTAL 97,088), AND THE MUSEO DE LA CIUDAD DE MEXICO, MEXICO CITY (DECEMBER 7, 2011 - MARCH 11, 2012). THE ICA-ORGANIZED SURVEY EXHIBITION, CHARLES LEDRAY: WORKWORKWORKWORKWORK, TOURED TO TWO PRESTIGIOUS NATIONAL VENUES: THE WHITNEY MUSEUM OF AMERICAN ART, NEW YORK (NOVEMBER 18, 2010-FEBRUARY 13, 2011; TOTAL ATTENDANCE 107,480 AND THE MUSEUM OF FINE ARTS, HOUSTON (MAY 15-SEPTEMBER 11, 2011; TOTAL ATTENDANCE 66,163).* ART TRIPS: IN FY11 THE ICA SPONSORED FOUR ART TRIPS TO MIAMI FOR ART BASEL, SAO PAULO, BRAZIL FOR THE BIENNIAL, CHICAGO AND ITALY AND ONE PERFORMANCE TRIP TO NEW YORK CITY. * EVENT SPACE RENTALS: THE ICA HAD 57 EVENT RENTALS IN FY11 THAT WERE ATTENDED BY 7,041 VISITORS WHO GOT THE OPPORTUNITY TO VIEW THE ICA'S AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS. 1288557 1332246 7987272 1 1 0 0 0 0 1 0 1 1 0 0 0 1 1 0 1 0 0 0 0 0 0 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 1 0 0 0 0 1 148 0 189 1 1 1 0 0 0 0 1 1 0 0 0 0 X 36 35 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MA X MICHAEL TAUBENBERGER 6174783192 100 NORTHERN AVENUE BOSTON MA 02210 LORI FIREMAN BALDWIN 1.00 X 0 0 0 CHARLES BRIZIUS 1.00 X X 0 0 0 DR PAUL BUTTENWIESER 1.00 X X 0 0 0 ANN K COLLIER 1.00 X 0 0 0 KAREN SWETT CONWAY 1.00 X 0 0 0 STEVEN D CORKIN 1.00 X X 0 0 0 ROBERT DAVOLI 1.00 X 0 0 0 FOTENE DEMOULAS 1.00 X 0 0 0 JOHN DESPREZ III 1.00 X 0 0 0 MARY SCHNEIDER ENRIQUEZ 1.00 X X 0 0 0 BRIDGITT EVANS 1.00 X 0 0 0 IAN FERGUSON 1.00 X 0 0 0 GERALD FINEBERG 1.00 X 0 0 0 JEAN-FRANCOIS FORMELA 1.00 X 0 0 0 JAMES C FOSTER 1.00 X 0 0 0 NIKI FRIEDBERG 1.00 X 0 0 0 ANSBERT GADICKE 1.00 X 0 0 0 VIVIEN HASSENFELD 1.00 X 0 0 0 WILLIAM H HESS 1.00 X 0 0 0 WILLIAM E KELLY 1.00 X X 0 0 0 CURTIS KEMENY 1.00 X 0 0 0 BARBARA F LEE 1.00 X X 0 0 0 TRISTIN MANNION 1.00 X X 0 0 0 SHERYL MARSHALL 1.00 X 0 0 0 JILL MEDVEDOW 40.00 X X 273000 0 10066 JAMES PALLOTTA 1.00 X 0 0 0 ELLEN M POSS MD 1.00 X 0 0 0 DAVID PUTH 1.00 X 0 0 0 CHARLES RODGERS 1.00 X 0 0 0 KAREN ROTENBERG 1.00 X 0 0 0 MARIO RUSSO 1.00 X 0 0 0 MARK SCHWARTZ 1.00 X 0 0 0 JONATHAN SEELIG 1.00 X 0 0 0 ANTHONY TERRANA DMD 1.00 X 0 0 0 NICK WINTON 1.00 X 0 0 0 NICOLE ZATLYN 1.00 X 0 0 0 MICHAEL TAUBENBERGER 40.00 X 138616 0 11254 PAUL BESSIRE 40.00 X 185836 0 20742 DAVID HENRY 40.00 X 123896 0 23564 HELEN MOLESWORTH 40.00 X 121080 0 5242 842428 0 70868 5 0 1 0 SECURITAS SECURITY SERVICES PO BOX 403412 ATLANTA GA 30384 SECURITY SERVICES 288666 AMERICAN CLEANING COMPANY INC PO BOX 390702 CAMBRIDGE MA 02139 CLEANING SERVICES 275492 WOLFGANG PUCK CATERING 100 NORTHERN AVENUE BOSTON MA 02210 CATERING 270636 US ART COMPANY INC 66 PACELLA PARK DRIVE RANDOLPH MA 02368 SHIPPING 140603 THE GRAPHIC GROUP 203 MIDDLESEX TURNPIKE BURLINGTON MA 01803 PRINTING 127690 12 669806 75060 6787836 597245 7532702 ADMISSIONS AND PROGRAM 900099 1030539 1030539 MEMBERSHIP DUES 900099 533042 533042 TRIP AND TOURS 900099 286623 286623 EXHIBITIONS 900099 117294 117294 1967498 285768 285768 435936 430479 5457 5457 5457 3694538 3482157 212381 212381 212381 268104 669806 268104 0 715641 591587 124054 124054 FOOD SERVICES 722210 37447 37447 OTHER REVENUE 900099 13527 13527 50974 10178834 2105079 5457 535596 639514 432936 206578 3359611 2639812 419719 300080 93640 66582 14758 12300 184297 166818 4658 12821 295384 214287 49598 31499 13903 2000 11903 33000 33000 16539 16539 639617 544337 61490 33790 409401 409401 13742 8406 4204 1132 59305 36381 15740 7184 588614 513909 49144 25561 289103 192431 63523 33149 5034 765 10 4259 151415 122703 26251 2461 1755390 1683643 37983 33764 72227 20750 51477 ARTISTS'/PERFORMANCE FE 446000 446000 SHIPPING/STORAGE 355375 355375 POSTAGE & PRINTING 223948 201208 7354 15386 EQUIP. RENTAL & MAINT. 141391 124166 17225 LICENSES 103380 63782 31349 8249 281708 174516 18159 89033 10171538 7987272 1367020 817246 583671 565687 351267 424479 8539693 8421050 110322 129761 211857 225794 234598 180405 58936931 8210741 52334145 50726190 8243694 9538354 462733 529574 573555 549144 71645535 71290438 701225 678152 190000 162500 8800000 7100000 400000 502805 10091225 8443457 X 46571081 45969725 4544676 5692723 10438553 11184533 61554310 62846981 71645535 71290438 X 7296 1285375 X 0 1 1 X 0 X 14566701 9310475 5402855 8324952 7665925 45270908 14566701 9310475 5402855 8324952 7665925 45270908 4195883 41075025 735996 829709 825284 606667 721704 3719360 1566329 306067 406364 443798 278517 3001075 51991343 15400572 0.79000 0.77260 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X 0 9286769 676000 1764640 550000 11177409 7678806 910105 1037858 340000 9286769 9350844 250000 -1783958 138080 7678806 1.00000 1 0 55999299 6280098 49719201 2937632 1930643 1006989 50726190 LINE OF CREDIT 450000 CAPITAL LEASE OBLIGATIONS 52805 502805 10178834 10171538 7296 1218534 66841 1285375 1292671 12844029 1218534 106189 50302 1375025 11469004 -1290170 -1290170 10178834 11551358 106189 1290170 1396359 10154999 16539 16539 10171538 PART III, LINE 1A: CONTRIBUTIONS OF WORKS OF ART, HISTORICAL TREASURES AND SIMILAR ASSETS HELD AS PART OF A COLLECTION - FOR EDUCATION, RESEARCH OR PUBLIC EXHIBITION PURPOSES - RATHER THAN FOR SALE OR FINANCIAL GAIN ARE NOT RECOGNIZED OR CAPITALIZED ON THE AUDITED FINANCIAL STATEMENTS. PART III, LINE 4: IN ACCOMPLISHING THE ORGANIZATION'S MISSION IN ART EDUCATION, CONTEMPORARY ARTWORKS FROM VARIOUS ARTISTS ARE EXHIBITED TO THE GENERAL PUBLIC. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: THE ORGANIZATION'S ENDOWMENT FUNDS ARE FOR THE ORGANIZATION'S OPERATING EXPENSES. DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X: THE INSTITUTE IS GENERALLY EXEMPT FROM FEDERAL AND STATE INCOME TAXES UNDER THE PROVISIONS OF SECTION 501(A) OF THE INTERNAL REVENUE CODE AS ORGANIZATIONS DESCRIBED IN SECTION 501(C)(3). ACCORDINGLY, NO PROVISION FOR INCOME TAXES HAS BEEN RECORDED IN THE ACCOMPANYING CONSOLIDATED FINANCIAL STATEMENTS. THE INSTITUTE FOLLOWS THE FASB GUIDANCE, ACCOUNTING FOR UNCERTAINTY IN INCOME TAXES, WHICH CLARIFIES THE ACCOUNTING FOR UNCERTAINTY IN INCOME TAXES BY PRESCRIBING THE RECOGNITION THRESHOLD A TAX POSITION IS REQUIRED TO MEET BEFORE BEING RECOGNIZED IN THE FINANCIAL STATEMENTS. IT ALSO PROVIDES GUIDANCE ON DERECOGNITION, CLASSIFICATION, INTEREST AND PENALTIES, ACCOUNTING IN INTERIM PERIODS, DISCLOSURE, AND TRANSITION. MANAGEMENT BELIEVES THAT THE INSTITUTE HAS NO MATERIAL UNCERTAINTIES IN INCOME TAXES. WITH FEW EXCEPTIONS, THE INSTITUTE IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE U.S., FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR FISCAL YEARS BEFORE 2008. PART XI, LINE 8 - OTHER ADJUSTMENTS: GAIN ON SPLIT INTEREST AGREEMENT 66,841. PART XII, LINE 2D - OTHER ADJUSTMENTS: INVESTMENT EXPENSE REPORTED IN PART IX -16,539. GAIN ON SPLIT INTEREST AGREEMENT 66,841. PART XII, LINE 4B - OTHER ADJUSTMENTS: COSTS OF GOODS SOLD REPORTED IN PART VIII, LINE 10B -591,587. SPECIAL EVENTS DIRECT EXPENSES REPORTED IN PART VIII, LINE 8B -268,104. RENTAL EXPENSES REPORTED IN PART VIII, LINE 6B -430,479. PART XIII, LINE 2D - OTHER ADJUSTMENTS: SPECIAL EVENTS DIRECT EXPENSES REPORTED IN PART VIII, LINE 8B 268,104. RENTAL EXPENSES REPORTED IN PART VIII, LINE 6B 430,479. COSTS OF GOODS SOLD REPORTED IN PART VIII, LINE 10B 591,587. PART XIII, LINE 4B - OTHER ADJUSTMENTS: INVESTMENT EXPENSES REPORTED IN PART IX 16,539. WINE AUCTION 303769 167674 136095 136095 GALA 533431 445147 88284 88284 2 100710 56985 43725 43725 937910 669806 268104 268104 268104 0 X X X 0 0 0 0 0 0 0 0 0 JILL MEDVEDOW 273000 0 0 0 0 0 9545 0 521 0 283066 0 0 0 PAUL BESSIRE 185836 0 0 0 0 0 6479 0 14263 0 206578 0 0 0 MASSACHUSETTS DEVELOPMENT FINANCE AGENCY 043431814 57583F4X6 2004-07-29 26000000 TO FUND THE CONSTRUCTION OF THE BUILDING 0 0 0 18900000 26000000 451504 25548496 2006 0 0 1 1 0 0 1 1 1 0.01120 0.00830 0.01950 1 0 1 0 0 0 0 X 11 570211 FAIR MARKET VALUE X WINE BOTTLES 15 27034 FAIR MARKET VALUE 0 1 0 METHOD FOR DETERMINING NUMBER OF CONTRIBUTORS: PART I, COLUMN (B): THE ORGANIZATION IS REPORTING THE NUMBER OF CONTRIBUTIONS RECEIVED. FORM 990, PART VI, SECTION B, LINE 11 FORM 990 IS REVIEWED BY THE ICA'S CFO/COO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS CHARGED WITH APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO/COO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE. FORM 990, PART VI, SECTION B, LINE 12C EACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A)ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B)APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C)DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D)TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY. FORM 990, PART VI, SECTION B, LINE 15 THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (DEPUTY DIRECTOR FOR EXTERNAL RELATIONS, CFO/COO, CHIEF CURATOR AND DIRECTOR OF PROGRAMS) BUT FINAL COMPENSATION FOR SENIOR MANAGER IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONLFICT OF INTEREST POLICY, FORM 990 AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST. IN ADDITION, THE ORGANIZATION'S FORM 990 IS AVAILABLE VIA GUIDESTAR AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE. CHANGES IN NET ASSETS OR FUND BALANCES: FORM 990, PART XI, LINE 5: NET UNREALIZED GAINS ON INVESTMENTS: 1,218,534. GAIN ON SPLIT INTEREST AGREEMENT 66,841. TOTAL TO FORM 990, PART XI, LINE 5: 1,285,375. 955 BOYLSTON STREET CORPORATION 100 NORTHERN AVENUE BOSTON MA 02210 043170164 REAL ESTATE HOLDING FOR ICA MA 501(C)(2) N/A 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0