2012-11-20T15:12:05-06:00 2011-12-31 131655065 LUTZ AND CARR CPAS LLP 300 EAST 42ND STREET NEW YORK NY 10017 990 2011-01-01 133585408 MUSEUM OF ARTS AND DESIGN MUSE 2122997777 2 COLUMBUS CIRCLE NEW YORK NY 100191800 ROBERT J SALEMO 2122997777 2012-11-19 1 FREDERICK MARTENS P00298107 2126972299 2011 2016-02-24 21:20:13Z HOLLY HOTCHNER 2 COLUMBUS CIRCLE NEW YORK NY 100191800 20226229 0 X WWW.MADMUSEUM.ORG X 1991 NY IN 2011, THE MUSEUM OF ARTS AND DESIGN MARKED ITS THIRD ANNIVERSARY AT 2 COLUMBUS CIRCLE. 35 34 116 100 -24470 -24720 14123551 9908635 1466061 1073733 265422 509838 2233873 2400734 18088907 13892940 0 0 0 0 4054962 4366547 66119 60251 1308779 8559488 9017408 12680569 13444206 5408338 448734 103227147 100052871 13678914 10770519 89548233 89282352 X THE MUSEUM OF ARTS AND DESIGN COLLECTS, DISPLAYS, AND INTERPRETS OBJECTS THAT DOCUMENT CONTEMPORARY AND HISTORIC INNOVATION IN CRAFT, ART, AND DESIGN. IN ITS EXHIBITIONS AND EDUCATIONAL PROGRAMS, THE MUSEUM CELEBRATES THE CREATIVE PROCESS THROUGH WHICH MATERIALS ARE CRAFTED INTO WORKS THAT ENHANCE CONTEMPORARY LIFE. 0 0 7721698 1058269 EXHIBITIONS IN 2011, THE MUSEUM SHOWCASED THIRTEEN DISTINCT EXHIBITIONS IN THE NANETTE L. LAITMAN GALLERIES, IN ADDITION TO ROTATING DISPLAYS FROM THE MUSEUM'S COLLECTION IN ITS THIRD-FLOOR COLLECTIONS GALLERIES. EXHIBITIONS DRAWN FROM THE PERMANENT COLLECTION INCLUDED EAT DRINK ART DESIGN (SEPTEMBER 21, 2010 - FEBRUARY 27, 2011), FEATURING 60 OBJECTS FOR EATING AND DRINKING; JUDY CHICAGO TAPESTRIES: WOVEN BY AUDREY COWAN (MARCH 1 - JUNE 19, 2011), CELEBRATING A GENEROUS GIFT FROM AUDREY AND BOB COWAN; FLORA AND FAUNA: MAD ABOUT NATURE (JUNE 28 - NOVEMBER 6, 2011), AN EXPLORATION OF HOW ARTISTS REPRESENT NATURE IN MATERIALS SUCH AS CERAMIC, GLASS, FIBER, METAL AND WOOD; AND BEAUTY IN ALL THINGS: JAPANESE ART AND DESIGN (NOVEMBER 22, 2011 - FEBRUARY 19, 2012), PRESENTING WORKS BY IMPORTANT JAPANESE CREATORS.THINK AGAIN: NEW LATIN AMERICAN JEWELRY (OCTOBER 12, 2010-FEBRUARY 27, 2011)THINK AGAIN SHOWCASED MORE THAN EIGHTY WORKS BY OVER FIFTY LATIN AMERICAN JEWELRY ARTISTS/DESIGNERS, INCLUDING MIRLA FERNANDES AND CLAUDIA CUCCHI (BRAZIL), VALENTINA ROSENTHAL (CHILE), ELISA GULMINELLI AND FRANCISCA KWEITEL (ARGENTINA), JORGE MANILLA AND ALCIDES FORTES (MEXICO), AND MIGUEL LUCIANO (PUERTO RICO); THEIR WORKS WERE SHOWN IN CONTEXT WITH A GROUP OF HISTORICAL WORKS PRIMARILY FROM BRAZIL, ARGENTINA, COLOMBIA, MEXICO, AND CUBA, TO FURTHER ENHANCE THE VISITOR'S UNDERSTANDING AND VIEWING EXPERIENCE.THE GLOBAL AFRICA PROJECT (NOVEMBER 17, 2010 - MAY 15, 2011)AN UNPRECEDENTED EXHIBITION EXPLORING THE BROAD SPECTRUM OF CONTEMPORARY AFRICAN ART, DESIGN, AND CRAFT WORLDWIDE, THE GLOBAL AFRICA PROJECT PREMIERED IN 2010. FEATURING THE WORK OF OVER 100 ARTISTS WORKING IN AFRICA, EUROPE, ASIA, THE UNITED STATES, AND THE CARIBBEAN, THE GLOBAL AFRICA PROJECT SURVEYED THE RICH POOL OF NEW TALENT EMERGING FROM THE AFRICAN CONTINENT AND ITS INFLUENCE ON ARTISTS AROUND THE WORLD. THE GLOBAL AFRICA PROJECT SHOWCASED A DIVERSE GROUP OF CREATORS, INCLUDING ARTISTS EXPERIMENTING WITH THE FUSION OF CONTEMPORARY PRACTICES AND TRADITIONAL MATERIALS AND DESIGN COLLECTIVES USING THEIR CREATIVE OUTPUT AS ENGINES OF LOCAL ECONOMIC CHANGE.OTHERWORLDLY: OPTICAL DELUSIONS AND SMALL REALITIES (JUNE 7, 2011 - SEPTEMBER 18, 2011)THIS EXHIBITION ILLUMINATED THE PHENOMENAL RENAISSANCE OF INTEREST AMONG ARTISTS WORLDWIDE IN CONSTRUCTING SMALL-SCALE HAND-BUILT DEPICTIONS OF ARTIFICIAL ENVIRONMENTS AND ALTERNATIVE REALITIES, EITHER AS SCULPTURE OR AS SUBJECTS FOR PHOTOGRAPHY AND VIDEO. WORKS PRESENTED INCLUDED DIORAMAS, MODELS, SNOW GLOBES, AND SITE SPECIFIC INSTALLATIONS, AS WELL AS PHOTOGRAPHS AND VIDEO. EACH WORK OF ART IN THE EXHIBITION REFLECTED THE MUSEUM'S DRIVE TO CHALLENGE AND ERODE THE HIERARCHICAL BOUNDARIES THAT HAVE TRADITIONALLY SEPARATED FIELDS OF CREATIVITY, AND THE ARTIST'S PASSIONATE INTEREST IN HOW MATERIALS AND PROCESS CONVEY MEANING. OTHERWORLDLY: OPTICAL DELUSIONS AND SMALL REALITIES WAS ALSO THE MUSEUM'S FIRST EXHIBITION TO FULLY EMBRACE THE FIELD OF PHOTOGRAPHY UNDER THE UMBRELLA OF ITS MISSION, THUS ESTABLISHING NEW AND CREATIVE LINKS BETWEEN ART, CRAFTSMANSHIP, DESIGN, AND VISUAL IMAGING.CRAFTING MODERNISM: MID-CENTURY AMERICAN ART AND DESIGN, 1945-1969 (OCTOBER 11, 2011 - JANUARY 15, 2012)CRAFTING MODERNISM FOLLOWS THE GROWTH AND TRANSFORMATION OF AMERICAN LIFE THROUGH THE TURBULENT PERIOD OF THE 1960S, AS CRAFT ENTERED THE PUBLIC REALM THROUGH MUSEUM EXHIBITIONS AND PUBLICATIONS AND CAME TO REPRESENT A COUNTER-CULTURE LIFESTYLE. IN THE PERIOD IMMEDIATELY AFTER WORLD WAR II, THE HANDMADE OBJECT OFFERED A HUMANIZING COUNTERPOINT TO THE MACHINE AESTHETIC AND THE PREVAILING ETHOS OF MASS PRODUCTION. CRAFTING MODERNISM COVERS A 25-YEAR PERIOD THAT BEGINS WITH THE CRAFTSMAN-DESIGNERS OF THE 1940S AND 1950S AND CONCLUDES IN 1969 WITH INNOVATIVE WORKS THAT UPEND TRADITIONAL CONCEPTS OF CRAFT, AND INCLUDED HUMOR, PSYCHOLOGICAL CONTENT, AND SOCIAL COMMENTARY IN PROVOCATIVE AND UNIQUE WORKS OF ART. A BIT OF CLAY ON THE SKIN: NEW CERAMIC JEWELRY (MARCH 15, 2011 - SEPTEMBER 4, 2011)THIS EXHIBITION EXPLORED THE MANIFOLD APPEAL OF CERAMICS, ESPECIALLY PORCELAIN, IN JEWELRY. ORGANIZED BY THE FONDATION D'ENTREPRISE BERNARDAUD AND CURATED BY THE RENOWNED GERMAN-BORN GOLDSMITH AND JEWELRY ARTIST MONIKA BRUEGGER, THE EXHIBITION SHOWCASED THE VERSATILITY AND ALLURE OF THE MEDIUM, WHICH CAN BE MODELED OR CAST, USED ALONE OR WITH METAL, WOOD, AND STONE, AND MAY VARY WIDELY IN COLOR AND TEXTURE. PICASSO TO KOONS: THE ARTIST AS JEWELER (SEPTEMBER 20, 2011 - JANUARY 8, 2012) GUEST CURATED BY DIANE VENET AND FEATURING OVER 180 MASTERPIECES, PICASSO TO KOONS: THE ARTIST AS JEWELER EXPLORES WORKS FROM AN ARRAY OF ARTISTS WHO, WHILE NOT KNOWN AS JEWELERS, HAVE CREATED STUNNING WORKS OF JEWELRY BOTH REMINISCENT OF THEIR EXISTING ARTISTIC VOCABULARY AND IN OTHER INSTANCES REPRESENTING A STRIKING DEPARTURE FROM THEIR OEUVRE. THESE RICHLY IMAGINATIVE PIECES WERE NEVER INTENDED FOR MAINSTREAM PRODUCTION, BUT RATHER WERE CREATED AS ONE-OF-A-KIND PIECES OR LIMITED EDITIONS THAT WERE OFTEN PERSONAL GIFTS MADE FOR FAMILY AND FRIENDS, REVEALING AN INTIMATE VIEW INTO THE LIVES OF THE ARTISTS WHO CREATED THEM. MADPROJECTS: IN THE MUSEUM'S SECOND-FLOOR MADPROJECTS GALLERY, CURATORS FROM THE WORLD OF DESIGN ARE INVITED TO SHOWCASE THEIR KNOWLEDGE OF AND LOVE FOR A SINGLE SUBJECT OR OBJECT. BY INVITING UNCONVENTIONAL CURATORS TO ORGANIZE THESE EXHIBITIONS, OFTEN WITH A TURNAROUND TIME OF FEWER THAN THREE MONTHS, THE MUSEUM IS ABLE TO ACCOMMODATE EXHIBITIONS OTHER MUSEUMS CANNOT THAT MIRROR DEVELOPING IDEAS AND TRENDS IN THE DESIGN WORLD AS THEY HAPPEN. AS AN ILLUSTRATION OF THE MUSEUM'S GLOBAL DESIGN FOCUS, THESE EXHIBITIONS ARE INTERNATIONAL IN SCOPE, AND FEATURE BOTH ESTABLISHED AND EMERGING DESIGNERS. IN 2011, THE MUSEUM PRESENTED THREE MADPROJECTS EXHIBITIONS:PATRICK JOUIN: DESIGN AND GESTURE (NOVEMBER 9, 2010 - FEBRUARY 6, 2011)THIS EXHIBITION INCORPORATED THE PARIS-BASED DESIGNER'S LANDMARK OBJECTS IN A MULTIMEDIA INSTALLATION, WITH A PANORAMIC MOVIE CONCEIVED BY HIM AND DIRECTED BY THE BELGIAN MOVIE DIRECTOR JEROME DE GERLACHE THAT EXPLORED THE RELATIONSHIP BETWEEN OBJECT AND GESTURE. STEPHEN BURKS: ARE YOU A HYBRID? (MAY 3, 2011 - OCTOBER 2, 2011)THIS EXHIBITION EXPLORES THE PRESENCE, IMPACT AND INFLUENCE OF THE DEVELOPING WORLD ON CONTEMPORARY DESIGN. CURATED BY STEPHEN BURKS, WHOSE BROOKLYN-BASED DESIGN STUDIO READYMADE PROJECTS, HAS MADE CULTURAL FUSION ITS SIGNATURE STRATEGY, STEPHEN BURKS: ARE YOU A HYBRID? CELEBRATES THE WORK OF OTHER ARTISTS, DESIGNERS AND PHOTOGRAPHERS WHOSE INFLUENTIAL PROJECTS HAVE SET GLOBAL TRENDS. BOTH HISTORICAL AND CONTEMPORARY, THE WORKS IN THIS EXHIBITION SHARE COMMON FORMAL INFLUENCES AND DIY CONCEPTUAL STRATEGIES THAT FAVOR THE SPIRIT OF IMMEDIACY AND CRAFTSMANSHIP. KOREAN EYE: ENERGY AND MATTER (NOVEMBER 1, 2011 - FEBRUARY 19, 2012)THIS INTERNATIONALLY-ACCLAIMED EXHIBITION BRINGS TOGETHER 21 EMERGING AND ESTABLISHED KOREAN ARTISTS WORKING IN PHOTOGRAPHY, PAINTING, VIDEO, AND MIXED MEDIA. KOREAN EYE: ENERGY AND MATTER REFLECTS A NEW ERA OF DIVERSITY IN KOREAN LIFE, POLITICS, AND CULTURE, AND OFFERS A UNIQUE OPPORTUNITY FOR EDUCATION AND APPRECIATION OF KOREA'S RAPIDLY DEVELOPING ART SCENE, WHICH UNTIL RECENTLY HAS SEEN LITTLE GLOBAL EXPOSURE. KOREAN EYE: ENERGY AND MATTER EXTENDS THE MUSEUM'S FOCUS ON MATERIALS AND PROCESS IN CONTEMPORARY ART AND DESIGN BY SHOWCASING WORKS OF ART IN AN ASTONISHING RANGE OF MATERIALS, REFLECTING THE WAYS IN WHICH KOREAN ARTISTS TODAY ARE EXPLORING TECHNIQUES BOTH TRADITIONAL AND INNOVATIVE. TRAVELING EXHIBITIONS PROGRAMTHE MUSEUM OF ARTS AND DESIGN'S TRAVELING EXHIBITIONS PROGRAM IS A VITAL COMPONENT OF THE MUSEUM'S OUTREACH TO AUDIENCES INTERNATIONALLY. IN 2011, THE MUSEUM CIRCULATED READ MY PINS: THE MADELEINE ALBRIGHT COLLECTION TO THE INDIANAPOLIS MUSEUM OF ART, THE FREEDOM TOWER AT MIAMI-DADE COLLEGE, THE NEW ORLEANS MUSEUM OF ART, AND THE JIMMY CARTER LIBRARY AND MUSEUM; AS WELL AS CRAFTING MODERNISM: MIDCENTURY AMERICAN ART AND DESIGN, 1945-1969 TO THE ROCHESTER MEMORIAL ART GALLERY. THESE BOOKINGS BROUGHT THE MUSEUM'S SIGNATURE APPROACH TO DECORATIVE ARTS AND DESIGN TO HUNDREDS OF THOUSANDS OF MUSEUMGOERS NATIONWIDE. AS WELL, THE MUSEUM REACHED OUT TO NUMEROUS VENUES FOR ADVANCE BOOKINGS OF UPCOMING EXHIBITIONS SLATED TO TRAVEL, INCLUDING CHANGING HANDS 3: ART WITHOUT RESERVATIONS AND AGAINST THE GRAIN: WOOD IN CONTEMPORARY CRAFT AND DESIGN. 3235200 1666630 EDUCATION AND OTHER PROGRAMS: EDUCATION AND OUTREACH PROGRAMMINGTHE MUSEUM'S OUTREACH PROGRAMS ARE A HALLMARK OF ITS VISITOR EXPERIENCE. IN 2011, THE MUSEUM'S EDUCATION DEPARTMENT CONTINUED TO DEVELOP AND EXPAND SIGNATURE OFFERINGS FOR CHILDREN, TEACHERS, YOUTH, FAMILIES, AND ADULTS, MAINTAINING THE MUSEUM'S PROFILE AS AN EDUCATIONAL INSTITUTION FIRST AND FOREMOST. EDUCATIONAL PROGRAMS FOR CHILDREN, YOUTH, AND TEACHERS:MADLAB K--12GROUNDED IN NEW YORK STATE LEARNING STANDARDS, MAD'S FLAGSHIP EDUCATION PROGRAM LINKS THE ARTS TO SUBJECT AREAS ACROSS THE CURRICULUM AND SPECIFIC UNITS OF STUDY IN THE CLASSROOM. THROUGH WORKSHOPS, STRUCTURED DISCUSSION, AND MUSEUM TOURS, STUDENTS EXPLORE 3-D ART-MAKING AS WELL AS CURRENT ISSUES AND EVENTS IN ORDER TO STIMULATE INQUIRY, DISCUSSION, CREATION, AND LIFE-LONG LEARNING. ARTS ACCESSLAUNCHED IN MID-2010, ARTS ACCESS PROVIDES MADLAB K-12 FREE OF CHARGE TO TITLE ONE SCHOOLS WITH LITTLE OR NO ACCESS TO BASIC ARTS AND DESIGN EDUCATION PROGRAMS. IN ITS FIRST YEAR OF OPERATION, THE PROGRAM SERVED SOME 60 TITLE I SCHOOLS AND ACCOUNTED FOR 75% OF ALL NEW YORK CITY PUBLIC SCHOOLS SERVED THROUGH MADLAB K-12 (65% OVERALL). ARTS REACHIN FALL 2011, MAD FORMALLY LAUNCHED ARTS REACH, A PROGRAM FOR NEW YORK CITY MIDDLE AND HIGH SCHOOL STUDENTS SERVING SHORT-TERM SUSPENSIONS IN THE MANHATTAN ALTERNATE LEARNING CENTERS (MALCS). THE PROGRAM, WHICH IS DESIGNED TO ENGAGE SEVERELY AT-RISK YOUTH AND WAS PILOTED IN NEW YORK CITY'S 2010/11 SCHOOL YEAR, IS AN IN-CLASS VISUAL ARTS STUDIO WORKSHOP PROGRAM LED BY THE MUSEUM'S PROFESSIONALLY- TRAINED TEACHING ARTISTS AND STRUCTURED AROUND OBJECTS IN MUSEUM EXHIBITIONS AND THE MAD COLLECTION.ARTSLIFE INTERNSHIPSAS OF FALL 2011, THE MUSEUM HAS NOW WELCOMED THREE FULL CLASSES OF INTERNS TO THE ARTSLIFE PROGRAM, WHICH OFFERS PAID SUMMER INTERNSHIPS FOR RISING JUNIORS AND SENIORS FROM UNDERSERVED NEIGHBORHOODS IN THE FIVE BOROUGHS. INTERNS, CHOSEN THROUGH A COMPETITIVE APPLICATION PROCESS, WORKED IN EVERY DEPARTMENT AT THE MUSEUM; EACH COMPLETED A SPECIFIC PROJECT IN THAT DEPARTMENT AND MET WITH MUSEUM PROFESSIONALS WEEKLY, AS WELL AS PROFESSIONALS AND ARTISTS FROM OTHER ARTS ORGANIZATIONS AROUND THE CITY.TEENS@MADTHE MUSEUM CONTINUED TO GROW AND DEVELOP ITS PROGRAMMING FOR TEENS IN 2011, IN LINE WITH OUR COMMITMENT TO ENGAGE STUDENTS WITH NO PREVIOUS INTEREST IN THE ARTS, ESPECIALLY THOSE WHO ARE UNDERSERVED AND/OR AT-RISK. TO THAT END, THE MUSEUM LAUNCHED AN INITIATIVE TO OFFER FREE ADMISSION FOR HIGH SCHOOL STUDENTS WITH VALID IDENTIFICATION, THUS MAKING THE RESOURCES OF THE MUSEUM AVAILABLE TO TEENS YEAR-ROUND; MAD ALSO OFFERS PERIODIC PORTFOLIO REVIEWS DURING TEENS CAN RECEIVE ADVICE FROM WORKING ARTISTS ON ASSEMBLING A COMPETITIVE ART PORTFOLIO, MOST RECENTLY IN PARTNERSHIP WITH PARSONS: THE NEW SCHOOL FOR DESIGN.UNDERGRADUATE- AND GRADUATE-LEVEL INTERNSHIPSIN 2011, THE MUSEUM OFFERED APPROXIMATELY 50 UNPAID UNDERGRADUATE- AND GRADUATE-LEVEL INTERNSHIPS PER YEAR, AVAILABLE IN THE MUSEUM'S EDUCATION, CURATORIAL, DEVELOPMENT, PUBLIC RELATIONS, MARKETING, REGISTRATION, AND EXECUTIVE DEPARTMENTS. EACH INTERN WAS MENTORED BY A FULL-TIME MUSEUM STAFF MEMBER. PROFESSIONAL DEVELOPMENTIN 2011, THE MUSEUM CONTINUED TO OFFER IN-DEPTH TRAINING PROGRAMS FOR NEW YORK CITY TEACHERS ON THE DEPARTMENT OF EDUCATION'S DESIGNATED PROFESSIONAL DEVELOPMENT DAYS. THE THREE ANNUAL SESSIONS FOR NEW YORK CITY PUBLIC SCHOOL K-12 TEACHERS INCLUDED PARTICIPATORY LECTURES AND WORKSHOPS THAT SUPPLEMENTED THE TEACHERS' KNOWLEDGE OF CONTEMPORARY ART, CRAFT, AND DESIGN PRACTICES. TEACHER RESOURCE PACKETSTHE MUSEUM'S EDUCATION DEPARTMENT PRODUCED TEACHER RESOURCE PACKETS FOR EACH MAJOR EXHIBITION PRESENTED AT MAD IN 2011, INCLUDING K-12 LESSON PLANS; ART MATERIALS SOURCES; BIBLIOGRAPHIES; GLOSSARIES; ARTIST INTERVIEWS; LINKS TO ADDITIONAL ONLINE RESOURCES, AND MORE. TEACHER RESOURCE PACKETS ARE AVAILABLE ONLINE (HTTP://WWW.MADMUSEUM.ORG/LEARN/RESOURCE-MATERIALS), AT NO CHARGE.PUBLIC OUTREACH PROGRAMS FOR ALL MUSEUM VISITORS:OPEN STUDIOSMAD'S OPEN STUDIOS PROVIDE VISITORS WITH THE OPPORTUNITY TO OBSERVE AND INTERACT WITH ARTISTS AT WORK, AND ARTISTS WITH ACCESS TO NEW AUDIENCES. THE STUDIOS ACCOMMODATE ARTISTS WORKING IN MATERIALS INCLUDING CERAMICS, FIBER, MIXED MEDIA, GLASS, AND METALS, AND ARE AVAILABLE TO THE PUBLIC EACH DAY MAD IS OPEN. ARTISTS RECEIVE VALUABLE STUDIO SPACE AT NO CHARGE AS WELL AS HONORARIA OF $125 PER ARTIST PER DAY IN RETURN FOR THEIR PARTICIPATION IN THE PROGRAM; MANY WORK CLOSELY WITH THE MUSEUM'S TEACHING ARTISTS TO ENRICH THE MADLAB ARTS IN EDUCATION PROGRAMS. IN 2011, MAD HOSTED 22 OPEN STUDIOS ARTISTS WORKING IN ALL MEDIA.CINEMA AT MADLIKE THE MUSEUM'S OTHER PROGRAMMATIC OFFERINGS CENTERED IN ITS 144-SEAT THEATER, CINEMA AT MAD IS CONCERNED WITH MATERIALS, PROCESS, AND CONTEMPORARY CREATION. CINEMA AT MAD CONSTITUTES FOUR MAJOR SERIES EACH YEAR-ONE PER SEASON-EACH OF WHICH IS ORGANIZED AROUND A CENTRAL THEME. STUDIO SUNDAYS / WEDNESDAY WORKSHOPSMAD HELD STUDIO SUNDAYS AT LEAST ONCE PER MONTH IN 2011; THESE INTERGENERATIONAL WORKSHOPS WERE LED BY MAD'S PROFESSIONAL ARTIST-EDUCATORS AS WELL AS FEATURED GUEST ARTISTS. THE MUSEUM ALSO PERIODICALLY OFFERED WEDNESDAY WORKSHOPS, GEARED TOWARD SENIORS: TOPICS INCLUDED A SERIES OF JEWELRY-MAKING WORKSHOPS IN THE SPRING OF 2011 IN CONJUNCTION WITH THE MUSEUM'S EXHIBITION A BIT OF CLAY ON THE SKIN. CULTURAL COLLECTIVEIN 2011, MAD COLLABORATED ON EVENTS WITH ALLIED CULTURAL ORGANIZATIONS THROUGH ITS CULTURAL COLLECTIVE INITIATIVE. PARTNER ORGANIZATIONS, WHICH RANGED FROM AIGA TO THE JAPAN SOCIETY TO THE AMERICAN DESIGN CLUB, WERE ABLE TO USE MAD'S FACILITIES AT SHARPLY DISCOUNTED FEES; IN RETURN, THE MUSEUM BENEFITED FROM NEW AUDIENCES ALLIED WITH ITS PARTNERS.DANCE: UNDER THE INFLUENCEIN SPRING 2011, MAD DEBUTED DANCE: UNDER THE INFLUENCE, A NEW SERIES GUEST-CURATED BY VALERIE GLADSTONE, PRESENTING PERFORMANCES INSPIRED BY ART PRACTICES OUTSIDE OF DANCE. IN ITS FIRST SEASON, DANCE: UNDER THE INFLUENCE FEATURED THREE COMPANIES AT EACH OF FOUR PERFORMANCES, IN FEBRUARY, MARCH, APRIL, AND MAY, RESPECTIVELY. IN NOVEMBER, 2011, A WEEKEND-LONG FESTIVAL PRESENTATION FEATURED THE MUSEUM'S FIRST MUSICAL COMMISSIONING PROJECT. ONLINE VISITOR EXPERIENCES:WEB PRESENCEIN 2011, THE ONLINE COLLECTIONS DATABASE, A SEARCHABLE DATABASE OF THE ENTIRE MUSEUM COLLECTION, THE MATERIALS AND TECHNIQUES DATABASE, AND THE MADBLOG, WITH SECTIONS DEDICATED TO CURATORIAL AND VISITOR COMMENTS, CONTINUED TO FORM THE NEXUS OF THE MUSEUMS ONLINE PRESENCE. THE EDUCATION DEPARTMENT LAUNCHED A NEW AND ENHANCED WEBSITE (WWW.MADMUSEUM.ORG) TO HOUSE THOSE OFFERINGS AND EXPANDED ITS FACEBOOK, TWITTER, YOUTUBE, AND FLICKR COVERAGE. AS WELL, THE MUSEUM'S EDUCATION DEPARTMENT CREATED WEB-ONLY CONTENT SUCH AS AN INTERACTIVE BLOG THAT ACCOMPANIED THE POPULAR EXHIBITION THE GLOBAL AFRICA PROJECT AND THE "SMALL REALITIES" WEBSITE THAT ACCOMPANIED OTHERWORLDLY (HTTP://SMALLREALITIES.MADMUSEUM.ORG/). CELL PHONE TOURS & VIDEO CLIPSTHE MUSEUM'S EDUCATION DEPARTMENT CONTINUED TO PRODUCE CELL PHONE TOURS, MEANWHILE SHIFTING ITS FOCUS TO VIDEO CLIPS FEATURING CURATORS, ARTISTS, AND OUTSIDE EXPERTS SPEAKING ABOUT WORKS IN THE MUSEUM'S COLLECTIONS FOR USE ONLINE AS WELL AS IN THE GALLERIES. THE VIDEO CLIPS ATTRACTED OVER 24,000 VIEWS ON YOUTUBE IN 2011; MAD ESTIMATES THAT USAGE VIA OTHER CHANNELS IS IN THE RANGE OF 40,000-50,000 VIEWS FOR THE SAME PERIOD. 10956898 1 1 0 1 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 0 0 0 0 0 0 0 1 1 1 0 0 0 0 0 0 0 0 1 113 0 1 116 1 0 0 0 0 0 1 1 0 0 0 0 X 35 34 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 0 0 NY NJ X X ROBERT J SALEMO 2122997777 2 COLUMBUS CIRCLE NEW YORK NY 10019 LEWIS KRUGER 1.00 X X 0 0 0 JEROME A CHAZEN 1.00 X X 0 0 0 BARBARA TOBER 1.00 X X 0 0 0 FRED KLEISNER 1.00 X X 0 0 0 LINDA E JOHNSON 1.00 X X 0 0 0 STANLEY S ARKIN 1.00 X 0 0 0 DIEGO ARRIA 1.00 X 0 0 0 GEORGE BOURI 1.00 X 0 0 0 CECILY CARSON 1.00 X 0 0 0 SIMONA CHAZEN 1.00 X 0 0 0 MICHELE COHEN 1.00 X 0 0 0 ERIC DOBKIN 1.00 X 0 0 0 MARCIA DOCTER 1.00 X 0 0 0 RENAUD DUTREIL 1.00 X 0 0 0 C VIRGINIA FIELDS 1.00 X 0 0 0 CAROLEE FRIEDLANDER 1.00 X 0 0 0 KRIS FUCHS 1.00 X 0 0 0 SETH GLICKENHAUS 1.00 X 0 0 0 SANDRA B GROTTA 1.00 X 0 0 0 EDWIN B HATHAWAY 1.00 X 0 0 0 ANN KAPLAN 1.00 X 0 0 0 J JEFFERY KAUFFMAN 1.00 X 0 0 0 NANETTE LAITMAN 1.00 X 0 0 0 ERIC J LEE 1.00 X 0 0 0 JEFFREY MANOCHERIAN 1.00 X 0 0 0 ROBERT LEE MORRIS 1.00 X 0 0 0 KARIM RASHID 1.00 X 0 0 0 BARBARA KARP SHUSTER 1.00 X 0 0 0 KLARA SILVERSTEIN 1.00 X 0 0 0 R ADAM SMITH 1.00 X 0 0 0 ANGELA SUN 1.00 X 0 0 0 WILLIAM S TAUBMAN 1.00 X 0 0 0 SUZANNE TICK 1.00 X 0 0 0 MILES YOUNG 1.00 X 0 0 0 HOLLY HOTCHNER 40.00 X 291080 0 5453 ROBERT SALEMO 40.00 X 178258 0 5453 DAVID MCFADDEN 40.00 X 145728 0 5424 JOHN D'AMBROSIO 40.00 X 112840 0 189 JUDITH KAMIEN 40.00 X 124930 0 5453 ALAN YAMAHATA 40.00 X 123410 0 5188 MARISA BARTOLUCCI 40.00 X 124892 0 5424 1101138 0 32584 10 0 1 0 CARNEY SECURITY SERVICES 45 EAST 28TH STREET NEW YORK NY 10016 GUARD SERVICE 387427 GILTEDGE TRAVEL 11086 STEENBERG ESTATE CAPE TOWN SF TRAVEL AGENT FOR SOUTH AFRICA TRIP 267136 ROCK IT CARGO 1800 BYBERRY ROAD HUNGTINGTON VALLEY PA 19006 SHIPPING/CUSTOMS 228620 LAKESIDE COLLABORATIVE 115 WOOSTER STREET NEW YORK NY 10012 RETAIL CONSULTING 197622 ERIC LINDVEIT 290 NINTH AVENUE 18A NEW YORK NY 10001 PREPARATOR 136641 6 627288 1586633 428681 7266033 2148689 9908635 MUSEUM ADMISSION FEES 713990 1001279 1001279 TRAVEL EXHIBITION FEES 713990 56990 56990 LECTURES AND WORKSHOPS 900099 28846 28846 TRAVEL TOURS, NET 561520 -13382 -13382 1073733 448457 -24470 472927 738157 0 738157 738157 738157 4592645 4531264 61381 61381 61381 317533 1586633 317533 0 3135658 1484492 1651166 1651166 OTHER REVENUE 900099 11411 11411 11411 13892940 2724899 -24470 1283876 479867 365541 51522 62804 3340088 2852304 110942 376842 225263 190789 8659 25815 321329 270763 13592 36974 74858 74858 70200 70200 60251 60251 76820 76820 661832 587304 47532 26996 224728 11439 4410 208879 480006 280274 61429 138303 127819 48362 53214 26243 2481937 2226697 239435 15805 134726 68194 35658 30874 12763 3193 9570 2675757 2408182 267575 130757 19864 110893 INSTALLATION AND DESIGN 608124 607944 180 SHIPPING AND CRATING 582975 579002 379 3594 PRINTING 323742 126927 6075 190740 ART COLLECTION PURCHASE 209118 209118 141246 101001 5966 34279 13444206 10956898 1178529 1308779 2182697 479815 20726 2795551 2998755 1232249 142700 95271 470078 652230 359773 170955 92870967 9249148 86209514 83621819 10316963 10531283 161012 146005 364929 327693 103227147 100052871 817568 812121 166600 54500 12694746 9903898 13678914 10770519 X 78018176 78575753 2738746 1664288 8791311 9042311 89548233 89282352 103227147 100052871 X 448734 -714615 X 0 1 1 X 0 X 17026089 18735023 16240885 14123551 9908635 76034183 17026089 18735023 16240885 14123551 9908635 76034183 21998809 54035374 547871 483547 555856 1062085 1198025 3847384 49868 30042 9515 11411 100836 79982403 12974467 0.67560 0.71420 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 70200 70200 13374006 13444206 822210 205553 0 0 808509 752579 784028 822210 3167326 4750989 84000 86795 71609 70200 312604 202127 188145 196007 205553 791832 1187748 X X X X 0 10477975 876000 -284583 392104 10677288 9718833 1000 1043142 285000 10477975 3014164 5948950 1105719 350000 9718833 4591787 60000 -1439147 198476 3014164 0.07720 0.84690 0.07590 0 0 8510400 8510400 9229600 807590 8422010 70311904 6112970 64198934 4819063 2328588 2490475 83621819 13892940 13444206 448734 -714615 -714615 -265881 13214950 -714615 113445 -601170 13816120 76820 76820 13892940 13480831 113445 113445 13367386 76820 76820 13444206 PART III, LINE 4: THE MUSEUM MAINTAINS A COLLECTION OF WORKS OF CONTEMPORARY ART OBJECTS. A DESCRIPTION OF THE CONTENTS OF THE PERMANENT COLLECTION IS MAINTAINED BY THE REGISTRAR. THE COLLECTION IS INSURED FOR $10 MILLION PLUS $2.5 MILLION FOR ITEMS IN TRANSIT OR ON LOAN AT OTHER LOCATIONS. THE VALUE OF THE COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ORGANIZATION'S INCEPTION, IS NOT REFLECTED AS AN ASSET ON THE STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE EXPENSED IN THE YEAR OF ACQUISITION. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENT OF ACTIVITIES. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED ON THE STATEMENT OF ACTIVITIES BASED ON THE ABSENCE OR EXISTENCE AND NATURE OF DONOR-IMPOSED RESTRICTIONS. THE COLLECTION IS HELD FOR PUBLIC SERVICE RATHER THAN FINANCIAL GAIN, PROTECTED AND PRESERVED, AND SUBJECT TO AN ORGANIZATIONAL POLICY THAT REQUIRES THE PROCEEDS FROM SALES OF SUCH ITEMS TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: THE ENDOWMENT IS INTENDED TO SUPPORT THE MUSEUM'S EDUCATION PROGRAMS AND GENERAL OPERATIONS. DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X: MANAGEMENT HAS EVALUATED ALL INCOME TAX POSITIONS, INCLUDING THE POSITION THAT THE MUSEUM IS EXEMPT FROM INCOME TAXES OR NOT SUBJECT TO INCOME TAXES ON UNRELATED BUSINESS INCOME, AND CONCLUDED THAT NO DISCLOSURES RELATING TO UNCERTAIN TAX POSITIONS ARE REQUIRED IN THE FINANCIAL STATEMENTS. X X X X X 1 NPO DIRECT MARKETING 14150 PARK EAST CIRCLE CANTILLY VA 20151 NEW MEMBER ACQUISITION CAMPAIHN & RENEWAL STRATEGY 0 86085 60251 25834 86085 60251 25834 NY VISIONARIES! GALA 1064964 970187 94777 94777 LOOT! EVENT 481023 305732 175291 4855 170436 3 358179 310714 47465 47465 1904166 1586633 317533 147097 170436 317533 0 X X X X X 0 0 0 0 0 0 0 0 0 HOLLY HOTCHNER 291080 0 0 0 0 0 0 0 5453 0 296533 0 0 0 ROBERT SALEMO 178258 0 0 0 0 0 0 0 5453 0 183711 0 0 0 DAVID MCFADDEN 145728 0 0 0 0 0 0 0 5424 0 151152 0 0 0 GLICKENHAUS & CO COMPANY OF BOARD MEMBER SETH GLICKENHAUS 44161 THE MUSEUM HOLDS A PORTION OF ITS INVESTMENT PORTFOLIO WITH GLICKENHAUS & CO. 0 X 60 0 X 10 2148689 FAIR MARKET VALUE 4 0 0 0 FORM 990, PART VI, SECTION A, LINE 2 JEROME A. CHAZEN, CHAIRMAN EMERITUS, AND SIMONA CHAZEN, BOARD MEMBER - FAMILY RELATIONSHIP. FORM 990, PART VI, SECTION B, LINE 11 MANAGEMENT WORKS WITH THE MUSEUM'S AUDIT FIRM TO PREPARE THE 990 TAX RETURN. ONCE THE AUDIT FIRM COMPLETES THE 990 IT IS GIVEN TO MANAGEMENT FOR REVIEW. BOTH THE CHIEF FINANCIAL OFFICER AND THE CONTROLLER REVIEW THE DOCUMENTS PREPARED BY THE AUDIT FIRM TO ENSURE IT IS ACCURATE AND CONSISTENT WITH THE MATERIAL PROVIDED DURING AUDIT. THE CFO THEN REVIEWS THIS DOCUMENT WITH THE DIRECTOR OF THE MUSEUM AND POINTS OUT ALL OF THE DISCLOSURE ISSUES THE DIRECTOR SHOULD FOCUS ON. WHEN TIME PERMITS, THE ENTIRE FINANCE COMMITTEE REVIEWS THE DOCUMENT. FOR THE 2009 RETURN, ONLY THE FINANCE COMMITTEE CHAIR WILL HAVE THAT OPPORTUNITY TO THE TIMING OF WORK COMPLETION. A COPY OF THE 990 FILING WILL BE MADE AVAILABLE TO THE ENTIRE BOARD AT ITS NOVEMBER MEETING. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM'S CONFLICT OF INTEREST POLICY IS CONTAINED WITHIN ITS CODE OF ETHICS POLICY. THIS POLICY APPLIES TO ALL EMPLOYEES AND TO BOARD MEMBERS. AT THE BOARD LEVEL THE POLICY IS PRESENTED AND DISTRIBUTED ANNUALLY. A SELF AUDIT TAKES PLACE AND ANY POTENTIAL CONFLICTS ARE DISCLOSED TO THE EXECUTIVE COMMITTEE OF THE BOARD. ALL EMPLOYEES ARE GIVEN AN EMPLOYEE MANUAL ON THEIR FIRST DAY OF EMPLOYMENT WHICH CONTAINS CERTAIN PROVISIONS OF THE CODE OF ETHICS. THE FULL CODE IS AVAILABLE ON THE MUSEUM INTRANET. ALL POTENTIAL CONFLICTS ARE REPORTED TO THE SENIOR MANAGEMENT OF THE MUSEUM AND DISCUSSED BY BOTH THE DIRECTOR AND CFO. WHILE MOST POTENTIAL CONFLICTS ARE STRAIGHTFORWARD, LEGAL COUNSEL IS SOUGHT WHEN NECESSARY. FORM 990, PART VI, SECTION B, LINE 15A THE FINANCE COMMITTEE AND THE EXECUTIVE COMMITTEE OF THE BOARD REVIEWS OVERALL PAYROLL INFORMATION FOR THE MUSEUM AND PLANNED INCREASES. THE SALARY OF THE DIRECTOR IS SET BY CONTRACT BY THE EXECUTIVE COMMITTEE. WHEN SETTING THE CONTRACT SALARY, THE COMMITTEE RELIES ON DATA AVAILABLE FROM COMPARABLE INSTITUTIONS AND PUBLISHED IN THE 990S OF OTHER INSTITUTIONS. THE COMMITTEE ALSO CONSIDERS LONGEVITY AND ACCOMPLISHMENTS IN SETTING ALL OF THE TERMS OF THE AGREEMENT. THE DEPUTY DIRECTOR AND THE CFO ARE ALSO REVIEWED BY THE EXECUTIVE COMMITTEE OF THE BOARD. THOSE SALARIES ARE SET BASED ON MARKET CONDITIONS, COMPARABLE SALARIES, AND STAFF SALARIES WITHIN THE MUSEUM. THE REMAINING STAFF SALARIES ARE SET BASED ON THE EVALUATION BY THE DIRECTOR AND THE CFO. FORM 990, PART VI, SECTION C, LINE 19 UPON REQUEST CHANGES IN NET ASSETS OR FUND BALANCES: FORM 990, PART XI, LINE 5: NET UNREALIZED LOSSES ON INVESTMENTS: -714,615.