2013-07-15T09:12:44-05:00 2012-06-30 131517563 LOEB & TROPER LLP 655 THIRD AVENUE 12TH FLOOR NEW YORK NY 10017 990 2011-07-01 131624098 MUSEUM OF THE CITY OF NEW YORK MUSE 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 SUSAN HENSHAW JONES 2125341672 2013-07-15 1 FREDERICK H ROTHMAN P01275277 2128674000 2011 2016-02-24 21:20:13Z X SUSAN HENSHAW JONES 1220 FIFTH AVENUE NEW YORK NY 10029 14586496 0 X WWW.MCNY.ORG X 1923 NY THE MUSEUM OF THE CITY OF NEW YORK PRESENTS AND INTERPRETS THE PAST, PRESENT AND FUTURE OF NEW YORK CITY AND CELEBRATES ITS HERITAGE OF DIVERSITY, TOLERANCE, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NON-PROFIT CORPORATION, THE MUSEUM SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM ACROSS THE COUNTRY AND AROUND THE WORLD THROUGH EXHIBITIONS, COLLECTIONS, PUBLICATIONS, AND SCHOOL AND PUBLIC PROGRAMS. 45 45 178 111 0 0 11869257 9097458 1391978 1687835 728896 671804 -53884 77449 13936247 11534546 0 1427806 0 0 6173779 6705549 42000 48000 1396079 4818499 5239939 11034278 13421294 2901969 -1886748 47549532 45345733 687484 675866 46862048 44669867 X THE MUSEUM OF THE CITY OF NEW YORK PRESENTS AND INTERPRETS THE PAST, PRESENT AND FUTURE OF NEW YORK CITY AND CELEBRATES ITS HERITAGE OF DIVERSITY, TOLERANCE, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NON-PROFIT CORPORATION, THE MUSEUM SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM ACROSS THE COUNTRY AND AROUND THE WORLD THROUGH EXHIBITIONS, COLLECTIONS, PUBLICATIONS, AND SCHOOL AND PUBLIC PROGRAMS. 0 0 4395606 712864 EXHIBITIONS AND PUBLICATIONS:GREATEST GRIDTHE GREATEST GRID: THE MASTER PLAN OF MANHATTAN (DECEMBER 6, 2011 THROUGH JULY 15, 2012) CELEBRATED THE 200TH ANNIVERSARY OF THE COMMISSIONERS' PLAN OF 1811, THE FOUNDATIONAL DOCUMENT THAT ESTABLISHED MANHATTAN'S FAMOUS STREET GRID. FEATURING AN ORIGINAL HAND-DRAWN MAP OF NEW YORK'S PLANNED STREETS AND AVENUES PREPARED BY THE COMMISSION IN 1811, AS WELL AS OTHER RARE HISTORIC MAPS, PHOTOGRAPHS, PRINTS, DOCUMENTS, AND ARTIFACTS, THE EXHIBITION AND ITS COMPANION BOOK PRESENTED THE GROUNDBREAKING SCHOLARSHIP OF CURATOR HILARY BALLON, TRACING FOR THE FIRST TIME THE STORY OF THE GRID'S DESIGN, IMPLEMENTATION, AND EVOLUTION. THIS BLOCKBUSTER EXHIBITION MET WITH UNIVERSAL CRITICAL ACCLAIM; ORIGINALLY SCHEDULED TO CLOSE IN APRIL, IT WAS EXTENDED THROUGH JULY 15, 2012 IN ORDER MEET THE OVERWHELMING PUBLIC RESPONSE. THE WALL STREET JOURNAL'S ARCHITECTURAL CRITIC, ADA LOUISE HUXTABLE, NOTED THAT IT WAS "BEAUTIFULLY RESEARCHED AND ORGANIZED BY ITS CURATOR, HILARY BALLON, UNIVERSITY PROFESSOR OF URBAN STUDIES AND ARCHITECTURE AT NEW YORK UNIVERSITY, AND EXPERTLY INSTALLED BY WENDY EVANS JOSEPH," AND THE NEW YORK TIMES'S MICHAEL KIMMELMAN HAILED THE EXHIBITION FOR CELEBRATING "THE ANNIVERSARY OF WHAT REMAINS NOT JUST A LANDMARK IN URBAN HISTORY BUT IN MANY WAYS THE DEFINING FEATURE OF THE CITY."THE GREATEST GRID WAS CO-SPONSORED BY THE MANHATTAN BOROUGH PRESIDENT'S OFFICE, WHICH MADE AVAILABLE THE HAND-DRAWN "RANDEL FARM MAPS" DOCUMENTING THE ISLAND IN THE 1810S; THROUGH A COLLABORATION WITH THE MUSEUM'S DIGITAL PROJECT, THE FULL SET OF 92 MAPS WAS DIGITIZED AND MADE AVAILABLE TO THE PUBLIC FOR THE FIRST TIME VIA A DEDICATED WEBSITE. IN ADDITION, THE EXHIBITION WAS CO-PRESENTED WITH THE NEW YORK PUBLIC LIBRARY AND THE ARCHITECTURAL LEAGUE OF NEW YORK, AND THE LEAGUE ALSO COLLABORATED ON A COMPANION EXHIBITION, THE UNFINISHED GRID: DESIGN SPECULATIONS FOR MANHATTAN (DECEMBER 6, 2011 THROUGH APRIL 27, 2012). THE UNFINISHED GRID PRESENTED THE EIGHT WINNING PROJECTS SUBMITTED IN RESPONSE TO AN INTERNATIONAL CALL FOR IDEAS ISSUED BY THE ARCHITECTURAL LEAGUE IN PARTNERSHIP WITH THE MUSEUM AND ARCHITIZER, INVITING ARCHITECTS AND URBAN DESIGNERS TO SPECULATE ABOUT HOW MANHATTAN'S GRID MIGHT BE ADAPTED, EXTENDED, OR TRANSFORMED IN THE FUTURE. THUMB DESIGN PROVIDED GRAPHIC DESIGN.GLORIOUS SKYGLORIOUS SKY: HERBERT KATZMAN'S NEW YORK (NOVEMBER 5, 2010, TO FEBRUARY 21, 2011) FEATURED NEARLY 90 PAINTINGS AND WORKS ON PAPER BY HERBERT KATZMAN (1923-2004), AN EXPRESSIONIST PAINTER WHO FIRST CAME TO PROMINENCE WHEN HIS WORK APPEARED IN THE SEMINAL 1952 MUSEUM OF MODERN ART EXHIBITION FIFTEEN AMERICANS. OVER THE COURSE OF HIS CAREER, KATZMAN PRODUCED LYRICAL REPRESENTATIONS OF NEW YORK CITY ICONS, INCLUDING THE CITY'S BRIDGES, SKYLINE, LANDMARKS, AND WATERWAYS, VISUALIZED THROUGH HIS HIGHLY PERSONAL LENS WITH ANIMATED BRUSHSTROKES, SIMPLIFIED SHAPES, AND DARING, NON-REFERENTIAL USES OF COLOR. GLORIOUS SKY WAS HAILED AS A SIGNIFICANT REEVALUATION OF THIS ARTIST'S 50-YEAR CAREER BY CRITICS, INCLUDING IN ARTNEWS WHICH PRAISED THE SHOW AS "THE FIRST, AND VERY WELCOME, MUSEUM SHOW DEVOTED TO KATZMAN." THE EXHIBITION WAS CURATED BY JULIA BLAUT AND DESIGNED BY ANA LUISA LEITE AND LAURA HOWELL OF JUICYORANGE; THE COMPANION BOOK WAS CO-PUBLISHED BY BUNKER HILL PRESS.CECIL BEATONCECIL BEATON: THE NEW YORK YEARS (OCTOBER 25, 2011 THROUGH APRIL 22, 2012) FEATURED THE WORK OF A MULTITALENTED MID-20TH CENTURY CHRONICLER OF HIGH SOCIETY WHO BECAME A CELEBRITY IN HIS OWN RIGHT. FROM THE 1920S THROUGH THE '60S, MANHATTAN'S ARTISTIC AND SOCIAL CIRCLES EMBRACED BRITISH-BORN PHOTOGRAPHER AND DESIGNER CECIL BEATON (1904-80). THE EXHIBITION BROUGHT TOGETHER EXTRAORDINARY PHOTOGRAPHS, DRAWINGS, DESIGNS, AND COSTUMES BY BEATON TO CHRONICLE HIS IMPACT ON THE CITY'S CULTURAL LIFE. BEATON'S RELENTLESS ENERGY AND CURIOSITY SPURRED HIM TO PURSUE NEW FIELDS, FROM FASHION AND PORTRAIT PHOTOGRAPHY TO COSTUME AND SCENIC DESIGN FOR BROADWAY, BALLET, AND OPERA, AND TO PUT HIS OWN AESTHETIC STAMP ON EACH OF THESE ENDEAVORS. THE EXHIBITION WAS CURATED BY DONALD ALBRECHT, CURATOR OF ARCHITECTURE AND DESIGN; IT WAS DESIGNED BY PURE + APPLIED, WHO ALSO DESIGNED THE COMPANION BOOK. 2458640 324999 COLLECTIONS CARE:THE CITY MUSEUM HAS TAKEN PERHAPS ITS BIGGEST STEP FORWARD IN THE AREA OF COLLECTIONS. THE DEPARTMENT HAS GROWN IN THE LAST TWO FISCAL YEARS, ADDING THREE IN CURATORIAL SUPPORT FOR FURNITURE AND THE DECORATIVE ARTS, AND THE COSTUME COLLECTION. VERY IMPORTANTLY, AS PART OF OUR COLLECTION ACCESS INITIATIVE, SEVERAL ARCHIVISTS AND TWO DIGITAL PHOTOGRAPHERS JOINED THE MUSEUM TO MOVE FORWARD WITH THE PAINSTAKING, LONG-TERM PROJECT OF ELECTRONIC CATALOGING AND DIGITIZING OF THE MUSEUMS COLLECTIONS. IT IS NOT ONLY PAINSTAKING, IT IS ALSO EXPENSIVE, AND IN FY 2011 AND 2012, A TOTAL OF $2.3 MILLION WAS RAISED FOR THIS PROJECT.IN ADDITION TO THE HIRING OF NEW STAFF, A DIGITAL LAB/PHOTOGRAPHY STUDIO WAS INSTALLED IN NEWLY-CONSTRUCTED SPACE ON THE GROUND FLOOR-INCLUDING A STATE-OF-THE-ART DIGITAL CAMERA THAT MAKES HIGH RESOLUTION IMAGING POSSIBLE. ACCORDINGLY, WITH THE GOAL OF MAKING THESE IMAGES AND INFORMATION ACCESSIBLE ON THE MUSEUM'S WEBSITE, THE COLLECTIONS PORTAL, HTTP://COLLECTIONS.MCNY.ORG, WAS LAUNCHED IN DECEMBER 2010 WITH AROUND 50,000 DIGITIZED ITEMS FROM THE PHOTOGRAPHY COLLECTION. IT HAS SINCE GROWN TO MORE THAN 120,000 ITEMS, INCLUDING PRINTS, DRAWINGS, POSTCARDS, AND EPHEMERA. BETWEEN ITS LAUNCH AND THE END OF FY2012, THE SITE DREW MORE THAN 238,000 VISITORS WHO VIEWED MORE THAN 3.3 MILLION PAGES.THE COLLECTIONS STAFF ALSO LAUNCHED A BLOG, WWW.MCNYBLOG.ORG, IN MAY 2011. FEATURING WEEKLY POSTS ON INDIVIDUAL IMAGES AND OBJECTS AND TEXT ON HOW THEY RELATE TO THE HISTORY OF THE CITY, THE BLOG HAS HAD MORE THAN 130,000 VISITORS SO FAR.PRIVATE AND GOVERNMENT GRANTS FOR COLLECTIONS ACCESS INCLUDE A GRANT FROM THE NEA FOR THE DIGITIZATION OF THE PHOTOGRAPHS TAKEN BY REGINALD MARSH THAT WERE PREPARATORY TO HIS ART WORKS, INCLUDING THE CREATION OF AN ONLINE EXHIBITION; FUNDING FROM VARIOUS SOURCES, INCLUDING THE DAVID BERG FOUNDATION, FOR CATALOGING, TRANSLATING, AND DIGITIZING THE YIDDISH THEATER COLLECTION; A GRANT FROM BLOOMBERG PHILANTHROPIES TO FUND THE DIGITAL TEAM; AND A SECOND GRANT FROM THE LEON LEVY FOUNDATION FOR THE DIGITIZATION AND CATALOGING OF THE WURTS BROS. PHOTOGRAPHY COLLECTION; AND FROM THE KOBY FOUNDATION, FOR THE DIGITIZATION OF CERTAIN GOWNS FROM THE WORTH AND MAINBOCHER COLLECTIONS AS WELL AS THE CREATION OF AN ONLINE EXHIBITION.CONSERVATION IS ANOTHER HIGH PRIORITY: CONSERVATION SUPPORT CAME FROM THE PETER A. ARON FOUNDATION, FOR THE CONSERVATION OF MARINE PAINTINGS; FROM THE NATIONAL ENDOWMENT FOR THE ARTS, FOR CONSERVATION OF SELECTED PORTRAITS; AND FROM THE NATIONAL ENDOWMENT FOR THE HUMANITIES, FOR THE CONSERVATION OF SELECTED WORKS FROM THE J. CLARENCE DAVIES COLLECTION. ADDITIONAL CONSERVATION WAS UNDERTAKEN THROUGH THE SALE OF OFF-MISSION PAINTINGS. (AS A HISTORY MUSEUM, PROCEEDS FROM SUCH SALES CAN SUPPORT COLLECTIONS CARE AS WELL AS NEW ACQUISITIONS.)COLLECTIONS CARE AT BROOKLYN COLLECTIONS STORAGE WAS ENHANCED WITH THE PURCHASE OF STORAGE CABINETS THAT ALLOW FOR BOTH PRESERVATION OF AND VISUAL ACCESS TO A RANGE OF ITEMS FROM THE DECORATIVE ARTS COLLECTION, INCLUDING CERAMICS AND GLASSWARE. 1351902 346976 EDUCATION:EDUCATION IS AT THE CORE OF THE CITY MUSEUM'S MISSION. DURING THE 2010-11 AND 2011-12 SCHOOL YEARS, THE MUSEUM'S FREDERICK A.O. SCHWARZ CHILDREN'S CENTER WELCOMED 63,440 SCHOOLCHILDREN AND TEACHERS AS PARTICIPANTS IN HANDS-ON, STANDARDS-BASED PROGRAMS THAT MADE NEW YORK CITY'S HISTORY COMPELLING AND ACCESSIBLE AND ENABLED YOUNGSTERS TO ENVISION THEIR OWN ROLES AS THE CITY'S FUTURE CITIZENS AND CIVIC LEADERS.THE SCHWARZ CENTER'S SERVICE TO THE COMMUNITY WAS GREATLY ENHANCED WITH THE OPENING OF BRAND NEW CLASSROOMS, WHICH WERE CONSTRUCTED DURING PHASE II OF THE MUSEUM'S MODERNIZATION AND EXPANSION PROJECT. THE CENTER - IN SORE NEED OF REFURBISHMENT AFTER MANY YEARS OF SERVICE - WAS TRANSFORMED WITH TECHNOLOGICALLY ENHANCED AND FLEXIBLE EDUCATIONAL SPACES, COMPLETE WITH AUDIOVISUAL EQUIPMENT, OVERHEAD PROJECTORS, AND INTERNET ACCESS. WITH 1,800 SQUARE FEET OF SPACE THAT CAN BE SPLIT INTO TWO OR THREE CLASSROOMS VIA A RETRACTABLE PARTITION WALL, THE CENTER IS NOW ABLE TO ACCOMMODATE MULTIPLE GROUPS AT THE SAME TIME. MUSEUM TRUSTEE WILLIAM C. VRATTOS AND HIS WIFE HEATHER MADE A GENEROUS $250,000 GIFT TO NAME ONE OF THE CLASSROOMS.THE BROAD RANGE OF PROGRAMMING OFFERED BY THE SCHWARZ CENTER - INCLUDING ITS FLAGSHIP SCHOOL PROGRAMS FOR GROUPS VISITING ON FIELD TRIPS, THREE OUT-OF-SCHOOL TIME PROGRAMS (NEIGHBORHOOD EXPLORERS: AN AFTER-SCHOOL PROGRAM FOR TEENS IN WHICH THEY LEARN TO SOLVE A DESIGN PROBLEM IN THE MUSEUM'S HOME NEIGHBORHOOD OF EAST HARLEM; NEW YORK CITY HISTORY DAY: A YEAR-LONG INDEPENDENT RESEARCH CONTEST; AND SATURDAY ACADEMY: FREE ACADEMIC ENRICHMENT PLUS SAT PREP CLASSES ON SATURDAY MORNINGS), AND PROFESSIONAL DEVELOPMENT WORKSHOPS FOR TEACHERS - WAS SUPPORTED BY MANY OTHER GENEROUS INDIVIDUAL AND INSTITUTIONAL DONORS DURING THE CITY MUSEUM'S 2011 AND 2012 FISCAL YEARS. THESE INCLUDE THE LEONA M. AND HARRY B. HELMSLEY CHARITABLE TRUST, WHICH MADE A GRANT OF $250,000, THE SECOND INSTALLMENT OF A TWO-YEAR $500,000 AWARD SUPPORTING THE SCHWARZ CENTER'S PROGRAMMING; THE U.S. DEPARTMENT OF JUSTICE'S OFFICE OF JUVENILE JUSTICE AND DELINQUENCY PREVENTION, WITH $350,000 IN FUNDING SECURED WITH THE SUPPORT OF REPRESENTATIVE CAROLYN B. MALONEY FOR OUT-OF-SCHOOL TIME PROGRAMS TARGETING CHILDREN FROM AT-RISK COMMUNITIES; AND TARGET, WHICH AWARDED THE SCHWARZ CENTER $35,000 EACH YEAR TO SUPPORT SCHOOL PROGRAMS AND MADE IT POSSIBLE FOR ALL SCHOOLS IN EAST HARLEM TO PARTICIPATE IN THEM AT NO COST. 2455189 1427806 535912 2455189 1427806 535912 10661337 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 1 0 0 1 1 0 0 1 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 143 0 178 1 0 0 0 0 0 1 1 0 0 0 0 X 45 45 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 0 0 0 NY X NANCY BOSLER 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 JAMES G DINAN 1.00 X X 0 0 0 NEWTON PS MERRILL 1.00 X X 0 0 0 THOMAS M FLEXNER 1.00 X X 0 0 0 RONAY MENSCHEL 1.00 X X 0 0 0 JAMES E QUINN 1.00 X X 0 0 0 BRUNO A QUINSON 1.00 X X 0 0 0 LAWRENCE J SIMON 1.00 X X 0 0 0 JANE B O'CONNELL 1.00 X X 0 0 0 MITCHELL S STEIR 1.00 X X 0 0 0 MARTIN J MCLAUGHLIN 1.00 X X 0 0 0 ELIZABETH FARRAN TOZER 1.00 X X 0 0 0 JEREMY H BIGGS 1.00 X 0 0 0 MICHAEL BRUNO 1.00 X 0 0 0 JAMES E BUCKMAN 1.00 X 0 0 0 JAMES CACIOPPO 1.00 X 0 0 0 JILL CHALSTY 1.00 X 0 0 0 PAMELA CLOUD 1.00 X 0 0 0 MARVIN H DAVIDSON 1.00 X 0 0 0 TODD DEGARMO 1.00 X 0 0 0 JAMES P DRUCKMAN 1.00 X 0 0 0 VERNON EVENSON 1.00 X 0 0 0 BARBARA J FIFE 1.00 X 0 0 0 LAURA LOFARO FREEMAN 1.00 X 0 0 0 LESLIE GODRIDGE 1.00 X 0 0 0 LORNA GOODMAN 1.00 X 0 0 0 DAVID GUIN 1.00 X 0 0 0 JAMES HANLEY 1.00 X 0 0 0 SYLVIA HEMINGWAY 1.00 X 0 0 0 JANE HOFFMAN 1.00 X 0 0 0 ROBERT A JEFFE 1.00 X 0 0 0 JOAN KHOURY 1.00 X 0 0 0 STANFORD G LADNER 1.00 X 0 0 0 STEPHEN S LASH 1.00 X 0 0 0 JAMES A LEBENTHAL 1.00 X 0 0 0 NANCY MAHON 1.00 X 0 0 0 HEBE DOWLING MURPHY 1.00 X 0 0 0 GURUDATTA NADKARNI 1.00 X 0 0 0 DANIEL J OSHEYACK 1.00 X 0 0 0 TRACEY PONTARELLI 1.00 X 0 0 0 VALERIE ROWE 1.00 X 0 0 0 MARY BURWELL SCHORR 1.00 X 0 0 0 JEFFREY S TABAK 1.00 X 0 0 0 DARYL BROWN UBER 1.00 X 0 0 0 WILLIAM C VRATTOS 1.00 X 0 0 0 PAULA ZAKARIA 1.00 X 0 0 0 SUSAN HENSHAW JONES 40.00 X 354117 0 20118 CARL DREYER 40.00 X 140383 0 39908 SARAH HENRY 40.00 X 197838 0 40876 SUSAN MADDEN 40.00 X 193239 0 24784 GERARD GALLAGHER 40.00 X 109172 0 13275 DONALD ALBRECHT 40.00 X 114889 0 15977 BARBARA LIVENSTEIN 40.00 X 108819 0 21315 JAMES TOTTIS 40.00 X 113809 0 16844 PREL GJELAJ 40.00 X 104617 0 24884 1436883 0 217981 9 0 1 0 ENNEAD ARCHITECTS 320 WEST 13TH ST NEW YORK NY 10014 ARCHITECTS 1737331 C&L CONTRACTING 14-20 128TH ST COLLEGE POINT NY 11356 CONTRACTOR 160940 CAROLYN TOMKIEWICZ 15 FOURTH STREET BROOKLYN NY 11231 PAINTING CONSERVATION 116500 3 2312436 2515588 4269434 9097458 ADMISSIONS 900099 712864 712864 EDUCATIONAL PROGRAMS 611710 346976 346976 LICENSING AND OTHER FE 900099 324999 324999 MEMBERSHIP DUES 900099 302996 302996 1687835 290589 290589 264388 49935 214453 214453 214453 2339075 88338 2031378 14820 307697 73518 381215 381215 304895 2312436 674815 -369920 -369920 513918 281002 232916 232916 11534546 1920751 0 516337 1427806 1427806 1005057 635571 99540 269946 4408033 3587915 166366 653752 293120 244597 9559 38964 535169 436571 18547 80051 464170 372934 20067 71169 90999 2830 74747 13422 28800 28800 48000 48000 93334 93334 597489 525875 62781 8833 1392753 1136372 147142 109239 155049 74349 70046 10654 614363 539039 37662 37662 11002 11002 1069388 641634 374285 53469 EXHIBITION DESIGN AND F 1007603 1007603 BAD DEBT 150000 150000 29159 28241 918 13421294 10661337 1363878 1396079 2726439 1508538 2657542 1696903 5443381 3892208 87174 67026 199804 70926 26098936 5318151 19231449 20780785 13934426 11580798 3269317 5748549 47549532 45345733 533276 424374 154208 251492 687484 675866 X 22594416 22963759 15719190 13749313 8548442 7956795 46862048 44669867 47549532 45345733 X -1886748 -305433 X X 0 1 1 X 1 1 X 14440158 16509012 10439230 11869257 9097458 62355115 14440158 16509012 10439230 11869257 9097458 62355115 8673668 53681447 529815 455732 418438 546995 554977 2505957 476986 476986 65338058 10369685 0.82160 0.83210 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: EXPENSE RECOVERIES RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 8548542 158723 750370 7956895 8102697 746409 50000 250564 8548542 5873733 1915853 313111 8102697 3987326 1886407 5873733 1.00000 0 0 21365066 3587290 17777776 64506 19993 44513 674839 381625 293214 3994525 1329243 2665282 20780785 KING STREET LIMITED PARTNERSHIP 2265300 F TACONIC OPPORTUNITY OFFSHORE FUND 3483249 F 5748549 CAPITAL LEASE OBLIGATIONS 21449 DEFERED RENT EXPENSE 131773 DUE TO SEAPORT MUSEUM NEW YORK 98270 251492 11534546 13421294 -1886748 -305433 -305433 -2192181 11631424 -305433 445710 49935 190212 11441212 93334 93334 11534546 13823605 445710 49935 495645 13327960 93334 93334 13421294 PART III, LINE 1A: THE MUSEUM'S COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ITS INCEPTION, IS NOT RECOGNIZED AS AN ASSET ON THE ACCOMPANYING BALANCE SHEET. COLLECTION ITEMS ARE EXPENSED WHEN ACQUIRED. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED IN THE ACCOMPANYING FINANCIAL STATEMENTS. DETAILED INVENTORY RECORDS, HOWEVER, ARE MAINTAINED FOR COLLECTIONS. THE VALUE OF THE COLLECTION IS NOT READILY DETERMINABLE AND THE MUSEUM DOES NOT INSURE THE COLLECTION FOR THE COST OF ITS REPLACEMENT. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: THE MUSEUM HAS DONOR-RESTRICTED ENDOWMENT FUNDS ESTABLISHED TO HELP FUND VARIOUS PROJECTS AT THE MUSEUM DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X: UNCERTAINTY IN INCOME TAXES - THE MUSEUM HAS DETERMINED THAT THERE ARE NO MATERIAL UNCERTAIN TAX POSITIONS THAT REQUIRE RECOGNITION OR DISCLOSURE IN THE FINANCIAL STATEMENTS. PERIODS ENDING JUNE 30, 2009 AND SUBSEQUENT REMAIN SUBJECT TO EXAMINATION BY APPLICABLE TAXING AUTHORITIES. PART XI, LINE 8 - OTHER ADJUSTMENTS: RENTAL EXPENSES PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 49,935. PART XIII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 49,935. CENTRAL AMERICA AND THE CARIBBEAN 0 0 INVESTMENTS 5748549 0 0 0 0 0 0 5748549 0 5748549 0 0 0 1 0 0 X X X X X X X 1 MARK GILBERTSON 22 EAST 81ST ST NEW YORK NY 10028 DIRECTOR'S COUNCIL EVENTS 0 882645 48000 834645 882645 48000 834645 NY CHAIRMAN'S LEADERSHIP AWARD DINNER 1193110 1102510 90600 41376 100190 38950 26175 WINTER BALL 550825 436225 114600 44999 64000 1250 10000 4 873396 773701 99695 15939 55167 9569 267200 2617331 2312436 304895 102314 219357 49769 303375 674815 -369920 1 SEAPORT MUSEUM NEW YORK 12 FULTON STREET NEW YORK NY 10038 132596500 501(C)(3) 1427806 FMV OF CONTRIBUTED EXPENSES SALARIES AND RELATED BENEFITS, LEGAL AND OTHER EXPENSES TO SUPPORT THE OPERATIONS OF SEAPORT MUSEUM OF NEW YORK 1 0 PROCEDURE FOR MONITORING GRANTS IN THE U.S.: PART I, LINE 2: SCHEDULE I, PART I, LINE 2: ALL EXPENSES PAID ON BEHALF OF THE SEAPORT MUSEUM WERE PROCESSED THROUGH MCNY, AND WERE ONLY PROCESSED AFTER PROPER SUPPORT WAS PRESENTED X 0 0 0 0 0 0 0 1 0 SUSAN HENSHAW JONES 352632 0 0 0 1485 0 14235 0 5883 0 374235 0 0 0 CARL DREYER 140098 0 0 0 285 0 11104 0 28804 0 180291 0 0 0 SARAH HENRY 197632 0 0 0 206 0 14235 0 26641 0 238714 0 0 0 SUSAN MADDEN 193054 0 0 0 185 0 14235 0 10549 0 218023 0 0 0 PART I, LINE 7 DONALD ALBRECHT RECEIVED A DISCRETIONARY BONUS OF $15,000. FORM 990, PART VI, SECTION A, LINE 2 MR. QUINSON AND MS. GOODMAN HAVE A FAMILY RELATIONSHIP. MR. DINAN, MR. JAIN AND MR. VRATTOS HAVE A BUSINESS RELATIONSHIP FORM 990, PART VI, SECTION B, LINE 11 A COPY OF THE AMMENDED 990 WILL BE REVIEWED BY THE BOARD PRIOR TO BEING FILED. FORM 990, PART VI, SECTION B, LINE 12C EACH MEMBER, TRUSTEE, PRINCIPAL OFFICER AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD-DELEGATED POWERS SHALL ANNUALLY SIGN A CONFLICT OF INTEREST FORM. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, AN INTERESTED PERSON MUST DISCLOSE THE EXISTENCE OF THE FINANCIAL INTEREST AND BE GIVEN THE OPPORTUNITY TO DISCLOSE ALL MATERIAL FACTS TO THE TRUSTEES AND MEMBERS OF COMMITTEES WITH GOVERNING BOARD DELEGATED POWERS CONSIDERING THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE INTERESTED PERSON, HE/SHE SHALL LEAVE THE GOVERNING BOARD OR COMMITTEE MEETING WHILE THE DETERMINATION OF A CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. THE REMAINING BOARD OR COMMITTEE MEMBERS SHALL DECIDE IF A CONFLICT OF INTEREST EXISTS. AN INTERESTED PERSON MAY MAKE A PRESENTATION AT THE GOVERNING BOARD OR COMMITTEE MEETING, BUT AFTER THE PRESENTATION, HE/SHE SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION OR ARRANGEMENT INVOLVING THE POSSIBLE CONFLICT OF INTEREST. THE CHAIRMAN OR THE GOVERNING BOARD OR COMMITTEE SHALL, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE WHETHER MCNY CAN OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED TRUSTEES WHETHER THE TRANSACTION OR ARRANGEMENT IS IN MCNY'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE. IN CONFORMITY WITH THE ABOVE DETERMINATION IT SHALL MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. ANY DECISION BY A COMMITTEE SHALL BE SUBJECT TO REVIEW AND DETERMINATION BY THE GOVERNING BOARD SHOULD IT ELECT TO DO SO. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE GENERAL PUBLIC UPON REQUEST CHANGES IN NET ASSETS OR FUND BALANCES: FORM 990, PART XI, LINE 5: NET UNREALIZED LOSSES ON INVESTMENTS: -305,433. RENTAL EXPENSES TOTAL TO FORM 990, PART XI, LINE 5: -305,433. FORM 990, PART XII, LINE 2C THE PROCESS HAS NOT CHANGED FROM THE PRIOR YEAR EXPLANATION OF AMENDMENT: THE FORM 990 IS BEING AMENDED TO SUBMIT INFORMATION RELATING TO PASSIVE FOREIGN INVESTMENT COMPANIES. (SEE FORM 8621'S).