2013-11-15T12:35:55-06:00 2012-12-31 721202445 POSTLETHWAITE & NETTERVILLE ONE GALLERIA BLVD STE 2100 METAIRIE LA 70001 990 2012-01-01 726000331 NEW ORLEANS MUSEUM OF ART NEWO 5046584101 PO BOX 19123 NEW ORLEANS LA 701790123 SUSAN M TAYLOR 5046584101 2013-11-15 1 SHARON CASSIERE P00543368 5048375990 2012 2016-02-25 16:41:14Z SUSAN M TAYLOR 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 7111405 0 X WWW.NOMA.ORG X 1911 LA TO INSPIRE THE LOVE OF ART; TO COLLECT, PRESERVE, EXHIBIT & PRESENT EXCELLENCE IN THE VISUAL ARTS; TO EDUCATE, CHALLENGE & ENGAGE A DIVERSE PUBLIC. 48 48 80 800 0 0 5547356 5233915 589347 491436 301673 402235 139990 309086 6578366 6436672 0 0 0 0 3785261 3701325 0 0 816066 4670008 3346608 8455269 7047933 -1876903 -611261 50249525 53563543 1123622 627876 49125903 52935667 X THE MISSION OF THE NEW ORLEANS MUSEUM OF ART IS TO INSPIRE THE LOVE OF ART; TO COLLECT, PRESERVE, EXHIBIT AND PRESENT EXCELLENCE IN THE VISUAL ARTS, TO EDUCATE, CHALLENGE AND ENGAGE A DIVERSE PUBLIC. 0 0 1744315 524101 COLLECTION DEPARTMENT SERVICESTHE HEART OF NOMA IS ITS COLLECTION DEPARTMENT. THE MUSEUM'S PRIMARY PURPOSE OF COLLECTING, PRESERVING, INSTALLING AND INTERPRETING THE COLLECTION IS ADMINISTERED BY THIS DEPARTMENT TO MAINTAIN AN EFFECTIVE, BALANCED ART PROGRAM. EACH OF THESE FOUR ASPECTS OF THE COLLECTIONS DEPARTMENT IS INTERDEPENDENT UPON THE OTHERS.THE MUSEUM HAS DEVELOPED AN ACCESSION POLICY FOR ACQUIRING WORKS OF ART EITHER THROUGH PURCHASE OR BY GIFT WITH A GOAL OF CONTINUING TO AUGMENT ITS HOLDINGS IN THE AREAS OF ITS STRENGTHS RATHER THAN INAUGURATING NEW AREAS IN WHICH THE MUSEUM CURRENTLY HAS LITTLE OR NO HOLDINGS.ACKNOWLEDGING THE RESPONSIBILITY OF PRESERVING ITS ART COLLECTION, THE MUSEUM MAINTAINS A COMPREHENSIVE PROGRAM OF ART CONSERVATION AND SAFEKEEPING. THIS INCLUDES CONSTANT MONITORING OF THE ART AS WELL AS PERIODIC CONSERVATION TREATMENT OF WORKS OUT OF THE BUILDING BY NOTED CONSERVATORS IN THE FIELD.WITH NOMA'S CURATORS ORIGINATING SERIOUS ART HISTORICAL EXHIBITIONS, PREFERABLY ACCOMPANIED BY CATALOGUES WITH CRITICAL ESSAYS AND OTHER SCHOLARLY DOCUMENTATION, THE MUSEUM CAN FULFILL, IN PART, ANOTHER BASIC MISSION--INTERPRETATION AND ANALYSIS OF ARTWORKS, PARTICULARLY ITS OWN. IF THE GENERAL PUBLIC IS NOT PROPERLY EDUCATED AND INFORMED ABOUT THE ART IT IS VIEWING, THE INTELLECTUAL PURSUIT AND ENJOYMENT IS INCOMPLETE AND THE WHOLE MUSEUM FUNCTION BECOMES A WORTHLESS EXERCISE.THE MUSEUM'S EDUCATION PROGRAMMING FOCUSES ON IN-HOUSE AND OUTREACH ACTIVITIES. LECTURES, FILMS CONCERTS, DOCENT SCHOOL TOURS, CHILDREN'S ART CLASSES, AND MULTI-EVENT THEME FESTIVALS ARE SCHEDULED AT THE MUSEUM TO COMPLEMENT THE SPECIAL EXHIBITIONS AND PERMANENT COLLECTION WHILE A UNIVERSITY STUDENT MEMBERSHIP PROGRAM, A SERIES OF SPECIALIZED FRIENDS SUPPORT GROUPS, A SPEAKER'S BUREAU, AND THE ARTS QUARTERLY NEWSPAPER INVOLVES VARIOUS CONSTITUENCIES WITH INFORMATIVE PROGRAMS FOR FURTHER AUDIENCE DEVELOPMENT. 751254 93498 EXHIBITION PROGRAMTHE MUSEUM'S EXHIBITION PROGRAM IS TWO-FOLD: INSTALLATION OF THE PERMANENT COLLECTION AND PRESENTATION OF SPECIAL TEMPORARY EXHIBITIONS. SELECTIONS FROM THE PERMANENT COLLECTION ARE INSTALLED BY THE CURATORIAL STAFF IN THE GALLERIES IN AN ARRANGEMENT, WHICH WILL REFLECT THE CONTINUITY OF THE HISTORY OF ART. A MEANINGFUL PROGRESSION OF PERIODS AND CULTURES WILL AID THE MUSEUM VISITOR IN HIS/HER APPRECIATION AND UNDERSTANDING OF THE ARTWORKS. WHEN AVAILABLE, WORKS ON LOAN FROM OTHER SOURCES CAN EFFECTIVELY AUGMENT THE INSTALLATIONS AND FILL IN GAPS IN THE COLLECTION.TO COMPLEMENT THE PERMANENT COLLECTION INSTALLATIONS, THE CURATORIAL STAFF DESIGNS A PROGRAM OF SPECIAL TEMPORARY EXHIBITIONS OF VARIOUS SIZES PRESENTED THROUGHOUT THE YEAR. THESE EXHIBITIONS ORIGINATED BY THE STAFF OR BROUGHT IN FROM OTHER NATIONAL OR INTERNATIONAL SOURCES, OFFER A WIDE VARIETY OF SUBJECTS, THEMES, STYLISTIC MODES, CULTURES, AND ARTISTS. NEARLY A DECADE AGO, THE MUSEUM COMMITTED ITSELF TO THE PRESENTATION OF A SERIES OF MAJOR INTERNATIONAL "BLOCKBUSTER" EXHIBITIONS WHICH ENHANCED THE INSTITUTION'S LOCAL, REGIONAL, AND NATIONAL IMAGE; DEVELOPED A BROADER AUDIENCE; ESTABLISHED A NEW ECONOMIC BASE (WHICH SERVED AS THE NUCLEUS FOR THE NEW GENERAL ENDOWMENT); AND GAVE THE REGION AN OPPORTUNITY TO SEE RARE ART TREASURES. 370480 28214 EDUCATION DEPARTMENT SERVICESTHE EDUCATION DIVISION SERVICED APPROXIMATELY 10,422 PEOPLE IN THE COMMUNITY WITH FAMILY WORKSHOPS, CRAFTS DEMONSTRATIONS, ART CLASSES, STORYTELLING AND A LECTURE SERIES. THE MUSEUM ALSO PROVIDES TEACHER WORKSHOPS AND CURRICULUM PLANNING TO NEW ORLEANS PUBLIC SCHOOL TEACHERS. 244842 ART ACQUISITIONSTHE NEW ORLEANS MUSEUM OF ART DOES NOT POSSESS THE RESOURCES TO ASSEMBLE AN ENCYCLOPEDIC COLLECTION OF WORLD ART. RECOGNIZING THAT FINANCIAL LIMITATIONS NECESSITATE A SELECTIVE ACQUISITION POLICY, THE MUSEUM HAS FOCUSED ITS COLLECTING ACTIVITIES IN SEVERAL SPECIALIZED AREAS. BY BUILDING THE STRENGTH IN THESE SELECTED AREAS, THE MUSEUM HAS BEEN ABLE TO ASSEMBLE AN IMPORTANT COLLECTION OF BOTH QUALITY AND DEPTH.WHILE ART PURCHASES ARE ESSENTIALLY LIMITED TO THE DESIGNATED AREAS OF SPECIALIZATION, THE BOARD AND STAFF ARE ALWAYS WILLING TO CONSIDER NEW AREAS OF COLLECTING AS OPPORTUNITIES ARISE, PARTICULARLY THROUGH DONATIONS. THE OVERRIDING CRITERION FOR THE PURCHASE OR ACCEPTANCE OF GIFTS IS THE QUALITY OF INDIVIDUAL WORKS OF ART. THE EIGHT AREAS OF COLLECTION SPECIALIZATION ARE: EUROPEAN ART FROM THE 16TH THROUGH 21ST CENTURIES (PARTICULARLY THE WORKS OF THE FRENCH SCHOOL); THE ARTS OF THE AMERICAS (PRE-COLUMBIAN, LATIN COLONIAL, AND THE AMERICAN PAINTING AND SCULPTURE); AFRICAN AND OCEANIC ART; ASIAN ART (PARTICULARLY CHINESE AND JAPANESE OF THE EDO PERIOD 1615-1867); PHOTOGRAPHY; DECORATIVE ARTS; AND GRAPHICS AND SCULPTURE.THE DIRECTOR OF THE MUSEUM, IN CONSULTATION WITH THE CURATORIAL STAFF, RECOMMENDS ALL PURCHASES AND GIFTS TO THE ACCESSIONS COMMITTEE OF THE BOARD OF TRUSTEES FOR THEIR APPROVAL OR DISAPPROVAL. THE FULL BOARD THEN APPROVES THE RECOMMENDATIONS OF THE ACCESSIONS COMMITTEE. 79075 41179 MEMBER EVENTS DEPARTMENTTHE NEW ORLEANS MUSEUM OF ART OFFERS NUMEROUS MEMBERSHIP PACKAGES THAT OFFER VARIOUS LEVELS OF UNIQUE CULTURAL PROGRAMS AND SUPPORT OF NOMA. THESE MEMBERSHIP PRIVILEGES INCLUDE SPECIAL PREVIEWS OF ALL EXHIBITIONS, A QUARTERLY PUBLICATION WITH ADVANCE NOTICE OF EDUCATIONAL PROGRAMS AND SPECIAL EVENTS AS WELL AS ARTICLES ON EXHIBITIONS, COLLECTIONS, ARTISTS, WORKS OF ART AND OTHER RELATED SUBJECTS AS WELL AS OTHER PRIVILEGES APPROPRIATE FOR THE LEVEL OF GIVING. 323917 41179 3189966 1 1 0 0 0 0 0 1 0 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 1 0 0 0 0 1 107 0 1 80 1 0 0 0 0 0 1 1 0 0 0 0 X 48 48 1 0 1 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 X GAIL ASPRODITES 5046584101 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 WILLIAM D AARON JR 1.00 X 0 0 0 JUSTIN T AUGUSTINE III 1.00 X 0 0 0 GAIL BERTUZZI 1.00 X 0 0 0 SIDDHARTH BHANSALI 1.00 X 0 0 0 SUSAN BRENNAN 1.00 X 0 0 0 KIA SILVERMAN BROWN 1.00 X 0 0 0 ROBIN BURGESS BLANCHARD 1.00 X 0 0 0 DARYL BYRD 1.00 X 0 0 0 SARAH CAREY 1.00 X 0 0 0 EDGAR L CHASE III 1.00 X 0 0 0 TOMMY COLEMAN 1.00 X 0 0 0 COLLETTE CREPPELL 1.00 X 0 0 0 LEONARD DAVIS 1.00 X 0 0 0 DAVID F EDWARDS 1.00 X 0 0 0 HM FAVROT JR 1.00 X 0 0 0 STEPHANIE FEOLI 2.00 X 0 0 0 SUSAN GUIDRY 1.00 X 0 0 0 LEE HAMPTON 1.00 X 0 0 0 STEPHEN HANSEL 2.00 X 0 0 0 ADREA HEEBE 1.00 X 0 0 0 ALLISON KENDRICK 1.00 X 0 0 0 MITCH LANDRIEU 1.00 X 0 0 0 ELLY LANE 1.00 X 0 0 0 PAUL MASINTER 1.00 X 0 0 0 ANNE MILLING 1.00 X 0 0 0 MICHAEL MOFFITT 1.00 X 0 0 0 BRENDA MOFFITT 1.00 X 0 0 0 HOWARD J OSOFSKY 1.00 X 0 0 0 PIXIE REISS 1.00 X 0 0 0 WENDY RODRIGUE 1.00 X 0 0 0 DONNA ROSEN 1.00 X 0 0 0 ELIZABETH RYAN 1.00 X 0 0 0 BRIAN SCHNEIDER 1.00 X 0 0 0 JOLIE SHELTON 1.00 X 0 0 0 KITTY DUNCAN SHERRILL 1.00 X 0 0 0 MIKE SIEGEL 1.00 X 0 0 0 LIZ SLOSS 1.00 X 0 0 0 ALEXANDRA STAFFORD 1.00 X 0 0 0 ANN STRUB 1.00 X 0 0 0 ROBERT TAYLOR 1.00 X 0 0 0 SUZANNE THOMAS 1.00 X 0 0 0 BRENT WOOD 1.00 X 0 0 0 CAMERON MAYER 5.00 X X 0 0 0 JULIE GEORGE 2.00 X X 0 0 0 E RALPH LUPIN 2.00 X X 0 0 0 SYDNEY J BESTHOFF III 2.00 X X 0 0 0 TIMOTHY FRANCIS 2.00 X X 0 0 0 KAY MCARDLE TREASURER 2.00 X X 0 0 0 SUSAN M TAYLOR 35.00 X 260630 0 26384 GAIL ASPRODITES 35.00 X 108366 0 15053 368996 0 41437 2 0 1 0 ASSOCIATED OFFICE SYSTEMS 400 POYDRAS STREET SUITE 1700 NEW ORLEANS LA 70130 SHELVING AND STORAGE 307783 1 1249562 851788 775939 2356626 391610 5233915 ADMISSION CHARGES 900099 366752 366752 EXHIBITION PROGRAMS 900099 93498 93498 EDUCATION PROGRAMS 611710 28214 28214 PUBLICATIONS AND TOURS 541800 2972 2972 491436 402235 402235 23101 23101 349565 73618 275947 275947 275947 256684 851788 443148 -186464 -186464 314716 157967 156749 156749 MEMBER EVENTS 900099 38207 38207 MISCELLANEOUS 900099 946 946 DEACCESSIONS 900099 600 600 39753 6436672 686992 0 515765 X 410433 246259 82087 82087 2489272 807077 1406555 275640 132292 43685 74982 13625 406498 142226 211864 52408 262830 90754 134998 37078 5804 5804 29900 29900 19101 19101 712810 335268 331785 45757 208086 11836 15128 181122 1012315 576071 374311 61933 71562 19345 52217 168707 90487 29635 48585 560426 484881 60526 15019 33442 50 33392 ACQUISITIONS OF ART 244842 244842 REPAIRS AND MAINTENANCE 223211 69442 153723 46 DUES AND PUBLICATIONS 46615 22313 21536 2766 TAXES & LICENSES 9787 5430 4357 7047933 3189966 3041901 816066 540813 1425486 3103137 896313 843370 990981 109599 149022 8898 31922 22254665 9772015 12739118 12482650 32599220 37310082 305370 277087 50249525 53563543 885822 508131 237800 119745 1123622 627876 X 20079065 21383839 5761556 7425155 23285282 24126673 49125903 52935667 50249525 53563543 -611261 4421025 0 X X 0 1 X 1 1 1 X 5933293 3968164 6805949 5547356 5233915 27488677 3261208 3295000 3295000 3295000 3330000 16476208 9194501 7263164 10100949 8842356 8563915 43964885 1647062 42317823 510977 229085 660739 552022 774901 2727724 118555 904514 641240 40497 39753 1744559 48437168 3764573 0.87370 0.86440 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 33676160 202050 6050619 2352920 137422 37438487 34077094 13078 2005582 2191894 227700 33676160 31814162 59995 5347282 1474489 1669856 34077094 27818191 28255 5747058 766599 1012743 31814162 36060002 24250 -6303158 1660180 302723 27818191 0.24590 0.64450 0.10960 1 0 436260 436260 17125416 8320877 8804539 966752 576104 390648 3726237 875034 2851203 12482650 ACCRUED PERSONNEL COSTS 119745 119745 X 11097615 4421025 239918 4660943 6436672 0 6436672 7287851 239918 239918 7047933 0 7047933 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART PURCHASED AND DONATED IS NOT CAPITALIZED. DURING 2012 AND 2011, THE COST OF COLLECTION ITEMS PURCHASED BY THE MUSEUM AS A DECREASE IN THE APPROPRIATE CLASS OF NET ASSETS WAS $247,030 AND $1,201,235, RESPECTIVELY. WHEN NOT ON DISPLAY IN THE PERMANENT COLLECTION GALLERIES, THE OBJECTS ARE MAINTAINED IN CLIMATE CONTROLLED STORAGE. THE MUSEUM MAINTAINS POLICIES AND PROCEDURES ADDRESSING THE MAINTENANCE AND CONSERVATION OF THE COLLECTION, AS WELL AS OTHER ASPECTS OF ITS MANAGEMENT, INCLUDING ACCESSION/DEACCESSION POLICIES. PART III, LINE 4: THE MUSEUM HAS THE LARGEST AND MOST COMPLETE REPOSITORY OF FINE ART IN THE STATE OF LOUISIANA AND IS RECOGNIZED NATIONALLY AS ONE OF THE LEADING ART INSTITUTIONS SERVING THE PUBLIC. IN PARTICULAR, THE MUSEUM HAS A NATIONAL REPUTATION OF A 3,500 YEAR HISTORY OF GLASS; AN IN-DEPTH 150 YEAR HISTORY OF PHOTOGRAPHS; JAPANESE SCREENS AND SCROLL PAINTINGS OF THE EDO PERIOD; A 500 YEAR SURVEY OF CHINESE EARTHENWARE, PORCELAIN, AND STONE SCULPTURES; 17TH THROUGH 20TH CENTURY FRENCH PAINTINGS; ITALIAN AND SPANISH PAINTINGS FROM THE RENAISSANCE AND BAROQUE PERIODS; 16TH THROUGH 18TH CENTURY PAINTINGS FROM THE "LOW COUNTRIES" OF NORTHERN EUROPE; TRIBAL ARTS OF SUB-SAHARAN AFRICA; 18TH AND 19TH CENTURY FRENCH HARD-PASTE, BONE AND PARIAN PORCELAIN; 20TH CENTURY AMERICAN ART POTTERY; SPANISH COLONIAL LATIN AMERICAN PAINTINGS AND SCULPTURE; ENGLISH AND CONTINENTAL PORTRAIT MINIATURES; JEWELED OBJECTS DE VERTU BY PETER CARL FABERGE; 18TH TO 20TH CENTURY AMERICAN PAINTINGS AND SCULPTURES; 18TH AND 19TH CENTURY AMERICAN AND ENGLISH SILVER; AND THE ARTS OF PRE-COLUMBIAN MEXICO, CENTRAL AND SOUTH AMERICA, AND NATIVE NORTH AMERICAN INDIANS. THE MUSEUM EMPLOYS A PROFESSIONAL CURATORIAL STAFF WHOSE FUNCTION IS TO CARE FOR ITS COLLECTIONS; CARRY OUT RESEARCH ON THE OBJECTS IN THE COLLECTION; ORGANIZE SPECIAL EXHIBITIONS ON PARTICULAR SUBJECTS OR THEMES; WRITE SCHOLARLY INTERPRETATIVE ARTICLES, CATALOGUES AND BOOKS ON ART SUBJECTS; RECOMMEND AND OVERSEE NEEDED RESTORATION AND CONSERVATION TREATMENT ON OBJECTS IN THE COLLECTION; CULTIVATE AND ADVISE PRIVATE ART COLLECTORS AND ENCOURAGE DONATIONS; SEEK OUT AND RECOMMEND OBJECTS FOR ACQUISITION OR DEACCESSION BY THE MUSEUM; TRAIN VOLUNTEER DOCENTS TO GIVE GUIDED TOURS OF THE MUSEUM; DEVISE AND IMPLEMENT EDUCATIONAL PROGRAMS SUCH AS LECTURES, SYMPOSIUMS, FILMS, CONCERTS, FAMILY FESTIVALS ON SPECIFIC THEMES, STUDIO ART CLASSES, AND OTHER OUTREACH METHODS; FAMILY AND TEACHER WORKSHOPS, AND ART THERAPY PROGRAMS FOR DESIGNATED PUBLIC SCHOOLS. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: OPERATIONS, PROGRAMS, AND ACQUISITIONS DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X, LINE 2: THE MUSEUM IS EXEMPT FROM FEDERAL INCOME TAXES UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE AND FROM STATE INCOME TAXES UNDER SECTION 121(5) OF TITLE 47 OF THE LOUISIANA REVISED STATUTES OF 1950. THE MUSEUM APPLIES A "MORE-LIKELY-THAN-NOT" RECOGNITION THRESHOLD FOR ALL TAX UNCERTAINTIES. THIS APPROACH ONLY ALLOWS THE RECOGNITION OF THOSE TAX BENEFITS THAT HAVE A GREATER THAN 50% LIKELIHOOD OF BEING SUSTAINED UPON EXAMINATION BY THE TAXING AUTHORITIES. AS A RESULT OF IMPLEMENTING THIS APPROACH, THE MUSEUM HAS REVIEWED ITS TAX POSITIONS AND DETERMINED THERE WERE NO OUTSTANDING, OR RETROACTIVE TAX POSITIONS WITH LESS THAN A 50% LIKELIHOOD OF BEING SUSTAINED UPON EXAMINATION BY THE TAXING AUTHORITIES. THEREFORE, THE IMPLEMENTATION OF THIS STANDARD HAS NOT HAD A MATERIAL EFFECT ON THE MUSEUM. THE MUSEUM'S TAX RETURNS FOR THE YEARS ENDED DECEMBER 31, 2011, 2010 AND 2009 REMAIN OPEN AND SUBJECT TO EXAMINATION BY TAXING AUTHORITIES. THE MUSEUM'S TAX RETURN FOR THE YEAR ENDED DECEMBER 31, 2012 HAS NOT YET BEEN FILED. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 73,618. COST OF GOODS SOLD 157,967. GALA EXPENSES 8,333. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 73,618. COST OF GOODS SOLD 157,967. GALA EXPENSES 8,333. ODYSSEY BALL 488126 363286 124840 68510 6950 64281 ART IN BLOOM 323454 284994 38460 41000 1200 164374 4 294274 203506 90768 40000 10683 45390 1105854 851786 254068 149510 18833 274045 442388 -188320 X X X X X 0 0 0 0 0 0 0 0 0 SUSAN M TAYLOR 260630 0 0 0 0 0 20000 0 6384 0 287014 0 0 0 X 529 X 8 310610 MARKET VALUE X FOOD & PAPER GOODS 86 81000 COMPARABLE SALES 13 0 1 0 METHOD FOR DETERMINING NUMBER OF CONTRIBUTORS: PART I, COLUMN (B): THE ORGANIZATION IS REPORTING THE NUMBER OF WORKS OF ART DONATED, THE NUMBER OF CONTRIBUTORS OF SECURITIES, AND THE NUMBER OF CONTRIBUTORS OF FOOD & PAPER GOODS. NON REPORTING OF REVENUE: PART I, LINE 33: IN CONFORMITY WITH SFAS 116 FORM 990, PART VI, SECTION A, LINE 2 BRENDA MOFFITT IS MARRIED TO MICHAEL MOFFITT. FORM 990, PART VI, SECTION A, LINE 4 THE ARTICLES OF INCORPORATION WERE AMENDED AND RESTATED AS OF JANUARY 25, 2012. THE BYLAWS WERE AMENDED AND RESTATED AS OF JANUARY 25, 2012. THE CHANGES ESTABLISHED A DIRECTOR COUNCIL TO REPLACE THE PRIOR ADVISORY BOARD. CHANGES WERE MADE TO MAKE-UP OF THE BOARD OF TRUSTEES. IN ADDITION, SOME COMMITTEE CHANGES WERE MADE, INCLUDING THE FORMATION OF A GOVERNANCE COMMITTEE. OTHER ADMINISTRATIVE CHANGES WERE MADE TO THE PROCESS OF MEETINGS. FORM 990, PART VI, SECTION B, LINE 11 THE FORM 990 IS E-MAILED TO ALL BOARD MEMBERS FOR THEIR REVIEW AND COMPLIANCE. FORM 990, PART VI, SECTION B, LINE 12C ANNUAL CONFLICT OF INTEREST STATEMENTS ARE FILED BY EACH TRUSTEE AND PROVIDED TO THE LEGAL COMMITTEE FOR REVIEW AND COMPLIANCE. FORM 990, PART VI, SECTION B, LINE 15 EXECUTIVE DIRECTOR COMPENSATION IS DETERMINED BY THE EXCEUTIVE COMMITTEE. ALL OTHER COMPENSATION IS SET BY THE EXECUTIVE DIRECTOR USING NEW ORLEANS CIVIL SERVICE PAY PLAN AND THE ASSOCIATION OF ART MUSEUM DIRECTORS ANNUAL SALARY SURVEY, AND LOCAL PREVAILING WAGES AS GUIDES. FORM 990, PART VI, SECTION C, LINE 19 UPON REQUEST, BY PAPER COPY. FINANCIAL STATEMENTS AVAILABLE ON WEBSITE. OTHER FEES FORM 990, PART IX, LINE 11G ART LOAN FEE: PROGRAM SERVICE EXPENSES 72,500. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 72,500. CONSERVATION: PROGRAM SERVICE EXPENSES 13,222. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 13,222. CONTRACT SERVICES: PROGRAM SERVICE EXPENSES 8,818. MANAGEMENT AND GENERAL EXPENSES 16,850. FUNDRAISING EXPENSES 13,264. TOTAL EXPENSES 38,932. CRATING & PACKING: PROGRAM SERVICE EXPENSES 58,344. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 58,344. DUTY FEES & FACILITATION: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 66. TOTAL EXPENSES 66. EXHIBITION DESIGN: PROGRAM SERVICE EXPENSES 22,302. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 22,302. FILM DEVELOPMENT & PRINTING: PROGRAM SERVICE EXPENSES 104. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 104. FRAMING & PEDISTAL FABRICATION: PROGRAM SERVICE EXPENSES 43,244. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 43,244. HOSPITALITY SERVICES: PROGRAM SERVICE EXPENSES 793. MANAGEMENT AND GENERAL EXPENSES 9,346. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 10,139. OTHER SERVICES: PROGRAM SERVICE EXPENSES 15,261. MANAGEMENT AND GENERAL EXPENSES 26,426. FUNDRAISING EXPENSES 15,176. TOTAL EXPENSES 56,863. PAINTING: PROGRAM SERVICE EXPENSES 2,600. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 2,600. PERFORMERS & ARTISTS: PROGRAM SERVICE EXPENSES 7,870. MANAGEMENT AND GENERAL EXPENSES 35,895. FUNDRAISING EXPENSES 3,380. TOTAL EXPENSES 47,145. PHOTOGRAPHY: PROGRAM SERVICE EXPENSES 25,998. MANAGEMENT AND GENERAL EXPENSES 1,595. FUNDRAISING EXPENSES 936. TOTAL EXPENSES 28,529. PROFESSIONAL SERVICES: PROGRAM SERVICE EXPENSES 40,010. MANAGEMENT AND GENERAL EXPENSES 113,190. FUNDRAISING EXPENSES 9,000. TOTAL EXPENSES 162,200. ROYALTY & COPYRIGHT FEES: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 300. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 300. SECURITY DETAILS: PROGRAM SERVICE EXPENSES 150. MANAGEMENT AND GENERAL EXPENSES 127,883. FUNDRAISING EXPENSES 435. TOTAL EXPENSES 128,468. SOFTWARE CONSULTING: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 3,150. TOTAL EXPENSES 3,150. SPEAKERS, WRITERS, ADJUNCT CURATORS: PROGRAM SERVICE EXPENSES 19,667. MANAGEMENT AND GENERAL EXPENSES 300. FUNDRAISING EXPENSES 350. TOTAL EXPENSES 20,317. TEACHERS/ART-MAKING: PROGRAM SERVICE EXPENSES 3,510. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 3,510. TRADE SERVICES: PROGRAM SERVICE EXPENSES 875. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 875. COMMITTEE THAT ASSUMES RESPONSIBILITY FOR OVERSIGHT OF THE AUDIT FORM 990, PART XII, LINE 2C NO CHANGE FROM THE PRIOR YEAR AMON LLC 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 800316564 REAL ESTATE OWNERSHIP LA 0 0 N/A