2013-10-31T15:26:26-05:00 2012-12-31 131655065 LUTZ AND CARR CPAS LLP 300 EAST 42ND STREET NEW YORK NY 10017 990 2012-01-01 133585408 MUSEUM OF ARTS AND DESIGN MUSE 2122997777 2 COLUMBUS CIRCLE NEW YORK NY 100191800 ROBERT J SALEMO 2122997777 2013-10-25 1 FREDERICK MARTENS P00298107 2126972299 2012 2016-03-07 17:11:31Z GLENN ADAMSON 2 COLUMBUS CIRCLE NEW YORK NY 100191800 20440166 0 X WWW.MADMUSEUM.ORG X 1991 NY IN 2012, THE MUSEUM OF ARTS AND DESIGN MARKED ITS FOURTH ANNIVERSARY AT 2 COLUMBUS CIRCLE. 31 29 127 100 -6025 -6275 9908635 8024411 1073733 1446545 509838 64981 2400734 2363094 13892940 11899031 0 0 0 0 4366547 4405081 60251 135896 1641452 9017408 9565349 13444206 14106326 448734 -2207295 100052871 96421744 10770519 8568705 89282352 87853039 X THE MUSEUM OF ARTS AND DESIGN COLLECTS, DISPLAYS, AND INTERPRETS OBJECTS THAT DOCUMENT CONTEMPORARY AND HISTORIC INNOVATION IN CRAFT, ART, AND DESIGN. IN ITS EXHIBITIONS AND EDUCATIONAL PROGRAMS, THE MUSEUM CELEBRATES THE CREATIVE PROCESS THROUGH WHICH MATERIALS ARE CRAFTED INTO WORKS THAT ENHANCE CONTEMPORARY LIFE. 0 0 7979794 1395416 EXHIBITIONS EACH YEAR, THE MUSEUM OF ARTS AND DESIGN PRESENTS A NUMBER OF GROUNDBREAKING EXHIBITIONS THAT SUPPORT ITS MISSION TO ENGAGE AUDIENCES WITH THE IDEAS, MATERIALS AND PROCESSES OF ART, CRAFT AND DESIGN. IN 2012, THE MUSEUM SHOWCASED THIRTEEN DISTINCT EXHIBITIONS AT ITS HOME ON COLUMBUS CIRCLE, IN ADDITION TO SIX EXHIBITIONS THAT TOURED TO VENUES ACROSS THE GLOBE. PREMIERED IN 2012HANGING AROUND: NECKLACES FROM THE MAD COLLECTION (JANUARY 24-MAY 21, 2012) DISPLAYED UNIQUE NECKLACES FROM THE MUSEUM OF ARTS AND DESIGN'S OWN JEWELRY COLLECTION. DATING FROM THE 1960S TO THE PRESENT, THESE ARTISTIC CREATIONS ENCOMPASSED CONCEPTUAL AND ARTISTIC APPROACHES RANGING FROM THE DECORATIVE TO THE POLITICALLY PROVOCATIVE. SWEPT AWAY: DUST, ASHES, AND DIRT IN CONTEMPORARY ART AND DESIGN (FEBRUARY 7-AUGUST 5, 2012) WAS PART OF AN ONGOING SERIES OF EXHIBITIONS AT MAD EXPLORING THE INTERSECTION OF TRADITIONAL OR UNUSUAL MATERIALS AND TECHNIQUES WITH CONTEMPORARY ART AND DESIGN. A PROGRAM OF "LIVE" INSTALLATIONS ACCOMPANIED THE EXHIBITION, ALLOWING MUSEUM VISITORS TO INTERACT WITH ARTISTS AND THEIR SITE-SPECIFIC WORKS MADE OF ASH, DUST, SAND, AND DIRT, AND EVEN TO SWEEP AWAY THE INSTALLATIONS BY WALKING THROUGH AND TOUCHING THEM, THUS EMPHASIZING THE TRANSIENT NATURE OF THESE ARTISTS PROJECTS.GLASSTRESS NEW YORK: NEW ART FROM THE VENICE BIENNALES (FEBRUARY 14-JUNE 10, 2012) WAS AN EXTRAORDINARY INTERNATIONAL GATHERING OF GLASS SCULPTURE CREATED IN MURANO AT THE STUDIO OF ENTREPRENEUR AND MENTOR ADRIANO BERENGO. BERENGO, THE FOUNDER OF VENICE PROJECTS, HAS ENGAGED ARTISTS, ARCHITECTS, AND DESIGNERS FROM ALL OVER THE WORLD IN AN ATTEMPT TO ENABLE CONTEMPORARY PRACTITIONERS TO EXPLORE THE ANCIENT ART OF GLASSMAKING, SOME OF THEM WORKING WITH THIS CHALLENGING MEDIUM FOR THE FIRST TIME. THE WORKS THAT WERE ON VIEW WERE ORIGINALLY COMMISSIONED FOR AND PRESENTED AT THE VENICE BIENNIALS OF 2009 AND 2011. SPACE-LIGHT-STRUCTURE: THE JEWELRY OF MARGARET DE PATTA (JUNE 5-SEPTEMBER 23, 2012) WAS THE FIRST COMPREHENSIVE RETROSPECTIVE OF THE LIFE AND WORK OF MARGARET DE PATTA (1903-1964), A PIONEER IN AMERICAN STUDIO JEWELRY WHOSE BROOCHES, PENDANTS, AND RINGS MADE GROUNDBREAKING CONTRIBUTIONS TO THE FIELD OF JEWELRY DESIGN. IN 1939, DE PATTA, A SAN FRANCISCO ARTIST, BEGAN A SEARCH FOR NEW TECHNIQUES THAT WOULD ALLOW HER TO TAKE ADVANTAGE OF THE INHERENT REFRACTORY PROPERTIES OF TRANSPARENT AND SEMI-TRANSPARENT CRYSTALS. CHANGING HANDS: ART WITHOUT RESERVATION 3 (JUNE 26-OCTOBER 21, 2012) WAS THE THIRD AND FINAL EXHIBITION IN A SERIES OF SHOWS THAT EXPLORED NEW WORK BY NATIVE AMERICAN, FIRST NATIONS, METIS AND INUIT ARTISTS FROM THE CONTINENTAL UNITED STATES, THE PACIFIC RIM, AND CANADA. REPRESENTING BOTH ESTABLISHED AND EMERGING ARTISTS, THE SERIES REVEALED A NEW VITALITY AND SPIRIT OF EXPERIMENTATION AMONG THE ART PRACTICES OF NATIVE ARTISTS WORKING TODAY. THIS INCARNATION OF THE CHANGING HANDS SHOWS PRESENTED RECENT WORKS, MOSTLY CREATED WITHIN THE LAST FIVE YEARS, BY MORE THAN 80 ARTISTS, ALL ACTIVELY PURSUING A NEW UNDERSTANDING OF NATIVE WORK. THE EXHIBITION RECAST THEIR ART THROUGH THE LENS OF INTERNATIONAL ART AND DESIGN, SOME WORKS DEMONSTRATING REVITALIZED USES OF TRADITIONAL MATERIALS SUCH AS BARK, WOOD, CLAY, METAL, AND FIBER, WHILE OTHERS WERE EXAMPLES OF PERFORMANCE, VIDEO, AND DIGITAL ART. DORIS DUKE'S SHANGRI LA: ARCHITECTURE, LANDSCAPE, AND ISLAMIC ART (SEPTEMBER 4, 2012-FEBRUARY 17, 2013) SHOWCASED A SELECTION OF OBJECTS OF ISLAMIC ART FROM THE SPECTACULAR HONOLULU HOME OF PHILANTHROPIST AND ART COLLECTOR DORIS DUKE (1912-1993), AS WELL AS NEW WORKS BY SIX CONTEMPORARY ARTISTS OF ISLAMIC BACKGROUND WHO WERE RECENTLY IN RESIDENCE THERE. THE WORKS FROM DUKE'S PERSONAL COLLECTION WERE SHOWN OUTSIDE OF SHANGRI LA FOR THE FIRST TIME IN THIS EXHIBITION, WHICH WAS ORGANIZED ON THE CENTENARY OF HER BIRTH. DANIEL BRUSH: BLUE STEEL GOLD LIGHT (OCTOBER 16, 2012-FEBRUARY 24, 2013) PRESENTED FOUR DECADES OF BRUSH'S ART, FROM PAINTINGS AND DRAWINGS, TO GOLD AND STEEL SCULPTURE AND JEWELRY. OVER THE PAST 40 YEARS, DANIEL BRUSH HAS CREATED AN OEUVRE UNPARALLELED IN CONTEMPORARY AMERICAN ART-FROM LARGE-SCALE PAINTED CANVASES TO GOLD-DOMED CONTAINERS ENCRUSTED WITH GOLD GRANULES SO MINISCULE THEY MUST BE FUSED WITH MICROSCOPIC PRECISION. THE ART OF SCENT 1889-2012 (NOVEMBER 20, 2012-MARCH 3, 2013) THE FIRST MUSEUM EXHIBITION DEDICATED TO EXPLORING THE DESIGN AND AESTHETICS OF OLFACTORY ART, THE ART OF SCENT 1889-2012 FEATURED 12 PIVOTAL FRAGRANCES-DATING FROM 1889 TO THE PRESENT-THAT HAD A PROFOUND IMPACT ON THE COURSE OF THE MEDIUM. THE EXHIBITION EXAMINED MAJOR STYLISTIC DEVELOPMENTS IN THE EVOLUTION AND DESIGN OF FRAGRANCE, AND PROVIDED UNPRECEDENTED INSIGHT INTO THE CREATIVE VISIONS AND INTRICATE PROCESSES OF THE ARTISTS RESPONSIBLE FOR CRAFTING THE FEATURED WORKS. PLAYING WITH FIRE: 50 YEARS OF CONTEMPORARY GLASS (NOVEMBER 20, 2012-AUGUST 25, 2013) CELEBRATING A COMPLEX, FRAGILE, AND HIGHLY VERSATILE MATERIAL, PLAYING WITH FIRE: 50 YEARS OF CONTEMPORARY GLASS TOOK A COMPREHENSIVE AND EYE-OPENING LOOK AT THE BREADTH OF INNOVATIVE PROCESSES AND ARTISTRY IN CONTEMPORARY GLASS. THE EXHIBITION SHOWCASED AN ASTONISHING DIVERSITY OF WORKS THAT USE GLASS, FROM PIECES BY EARLY ADAPTORS SUCH AS DALE CHIHULY, WHO ENTERED MAD'S COLLECTION WHEN HE WAS STILL AN EMERGING ARTIST, TO INSTALLATIONS BY ISRAELI DESIGNER AYALA SERFATY, WHO CREATES CLOUDS OF LIGHT WITH INNOVATIVE PROCESSES. CONTINUED IN 2012PICASSO TO KOONS: THE ARTIST AS JEWELER (SEPTEMBER 20, 2011-JANUARY 8, 2012) WITH OVER 180 MASTERPIECES, PICASSO TO KOONS: THE ARTIST AS JEWELER EXPLORED WORK FROM AN ARRAY OF ARTISTS, NOT TYPICALLY KNOWN AS JEWELERS, WHO CREATED STUNNING WORKS OF JEWELRY BOTH REMINISCENT OF THEIR EXISTING ARTISTIC VOCABULARY AND IN OTHER INSTANCES REPRESENTING A STRIKING DEPARTURE FROM THEIR OEUVRE. CRAFTING MODERNISM: MIDCENTURY AMERICAN ART AND DESIGN (OCTOBER 12, 2011-JANUARY 15, 2012) LOOKED AT THE RICH INTERPLAY OF ART AND DESIGN IN ALL CRAFT MEDIA IN POSTWAR AMERICA. BEGINNING WITH WORK FROM THE 1940S, THE EXHIBITION FOCUSED ON HANDMADE OBJECTS THAT OFFERED A HUMANIZING COUNTERPOINT TO A SOCIETY INCREASINGLY DOMINATED BY MASS PRODUCTION, FEATURING EXAMPLES BY TEXTILE DESIGNER DOROTHY LIEBES, FURNITURE MAKER GEORGE NAKASHIMA, AND SCULPTOR AND DESIGNER ISAMU NOGUCHI, AMONG OTHERS, AND CONTINUING THROUGH THE 1960S, AS ARTISTS SUCH AS PETER VOULKOS AND LENORE TAWNEY BEGAN TO CONSIDER THE SCULPTURAL AND AESTHETIC QUALITIES OF THEIR MATERIALS. KOREAN EYE: ENERGY AND MATTER (NOVEMBER 1, 2011 - FEBRUARY 19, 2012) BROUGHT TOGETHER 21 EMERGING AND ESTABLISHED KOREAN ARTISTS WORKING IN PHOTOGRAPHY, PAINTING, VIDEO, AND MIXED MEDIA. KOREAN EYE: ENERGY AND MATTER REFLECTED A NEW ERA OF DIVERSITY IN KOREAN LIFE, POLITICS, AND CULTURE, AND OFFERED A UNIQUE OPPORTUNITY FOR EDUCATION AND APPRECIATION OF KOREA'S RAPIDLY DEVELOPING ART SCENE, WHICH UNTIL RECENTLY HAS SEEN LITTLE GLOBAL EXPOSURE. BEAUTY IN ALL THINGS: JAPANESE ART AND DESIGN (NOVEMBER 22, 2011-MAY 27, 2012) FEATURED CONTEMPORARY JAPANESE ARTISTS AND DESIGNERS WHOSE ARTWORKS REVEAL IDEALS OF BEAUTY OFTEN DIFFERENT FROM THOSE IN THE WESTERN WORLD. THE OBJECTS IN THIS SHOW, MANY FROM MAD'S OWN COLLECTION, EXEMPLIFIED THE JAPANESE CONCEPTS OF SHIZEN, WABI SABI, AND DATSUZOKU, SUGGESTING INSPIRATION FROM SIMPLE AND EVEN HUMBLE SOURCES NOT ONLY NATURE, FOR INSTANCE, A RECURRING THEME IN JAPANESE ART, BUT THE ACCOMPANYING EFFECTS OF THE PASSAGE OF TIME AS WELL, ON BOTH MANMADE OBJECTS AND NATURAL FORMS. TRAVELING EXHIBITIONS PROGRAMTHE MUSEUM OF ARTS AND DESIGN'S TRAVELING EXHIBITIONS PROGRAM IS A VITAL COMPONENT OF THE MUSEUM'S OUTREACH TO AUDIENCES OUTSIDE OF THE NEW YORK CITY AREA. SPACE-LIGHT-STRUCTURE: THE JEWELRY OF MARGARET DE PATTA TRAVELED TO THE OAKLAND MUSEUM OF ART IN CALIFORNIA FROM FEBRUARY 4-MAY 13, 2012, AND CRAFTING MODERNISM: MIDCENTURY AMERICAN ART AND DESIGN, 1945-1969 WAS MOUNTED AT THE MEMORIAL ART GALLERY OF THE UNIVERSITY OF ROCHESTER FROM FEBRUARY 26-MAY 20, 2012. THE MEMORIAL ART GALLERY IN ROCHESTER, NY HOSTED CHANGING HANDS: ART WITHOUT RESERVATION 3 FROM NOVEMBER 18, 2012-FEBRUARY 10, 2013, AND THE MUBA-TOURCOING IN LILLE, FRANCE HELD OTHERWORLDLY: OPTICAL DELUSIONS AND SMALL REALITIES FROM OCTOBER 6, 2012 TO JANUARY 13, 2013. AGAINST THE GRAIN: WOOD IN CONTEMPORARY CRAFT AND DESIGN, AN EXHIBITION ORGANIZED BY MAD THAT OPENED IN NEW YORK ON MARCH 19, 2013, DEBUTED AT THE MINT MUSEUM IN NORTH CAROLINA FROM SEPTEMBER 1, 2012-JANUARY 27, 2013. FURTHERMORE, READ MY PINS: THE MADELEINE ALBRIGHT COLLECTION TOURED TO A SERIES OF VENUES: THE CARNEGIE MUSEUM IN PITTSBURGH, PA FROM DECEMBER 15, 2011 TO MARCH 8, 2012; THE DENVER MUSEUM OF ART FROM APRIL 15, 2012 TO JUNE 17, 2012; THE MINT MUSEUM IN CHARLOTTE, NC FROM JUNE 30, 2012 TO SEPTEMBER 23, 2012; AND THE BOWERS MUSEUM IN ORANGE COUNTY, CA FROM OCTOBER 20, 2012 TO JANUARY 13, 2013. 3255846 1586130 EDUCATION AND OTHER PROGRAMS: EDUCATION AND OUTREACH PROGRAMMINGTHE MUSEUM'S EDUCATION AND PUBLIC OUTREACH PROGRAMS ARE A HALLMARK OF ITS VISITOR EXPERIENCE. IN 2012, THE MUSEUM CONTINUED TO DEVELOP AND EXPAND SIGNATURE OFFERINGS FOR CHILDREN, TEACHERS, YOUTH, FAMILIES, AND ADULTS TO ENGAGE THOUSANDS OF PATRONS WITH THE TRANSFORMATIVE POWER OF ART AND TO MAINTAIN THE MUSEUM'S PROFILE AS A PREMIERE EDUCATIONAL INSTITUTION IN NEW YORK CITY. EDUCATIONAL PROGRAMS FOR CHILDREN, YOUTH, AND TEACHERSMADLAB K-12MADLAB K-12 IS THE MUSEUM'S FLAGSHIP ARTS-IN-EDUCATION PROGRAM, DESIGNED TO ENGAGE K-12 STUDENTS ACROSS NEW YORK CITY IN THE ART OF MAKING; ENCOURAGE SOCIAL AND SKILL DEVELOPMENT VIA LEARNING WITH THE HANDS; AND HELP STUDENTS AND TEACHERS ACHIEVE THE REQUIREMENTS OF NYC'S BLUEPRINT FOR TEACHING AND LEARNING IN THE ARTS. THE PROGRAM'S CORE IS A 90-MINUTE TOUR/WORKSHOP TIED INTO CLASSROOM SUBJECTS AND STRUCTURED AROUND CURRENT EXHIBITIONS. 2012 PROVED TO BE A PIVOTAL YEAR FOR THIS PROGRAM, WHICH REACHED SOME 5,000 YOUTH FROM MORE THAN 100 ELEMENTARY AND HIGH SCHOOLS.ARTS ACCESSAS PART OF MAD'S COMMITMENT TO BRINGING ARTS EDUCATION TO UNDERSERVED AND AT-RISK YOUTH, THE MUSEUM OFFERS MADLAB K-12 FREE OF CHARGE TO NYC'S TITLE I SCHOOLS THROUGH ARTS ACCESS. SINCE ITS LAUNCH IN MID-2010, THE PROGRAM HAS COME TO ACCOUNT FOR MORE THAN 70% OF ALL PUBLIC SCHOOLS SERVED AT MAD AND AVAILABLE SLOTS HAVE CONSISTENTLY BEEN FILLED TO CAPACITY. THIS PAST YEAR, ARTS ACCESS SERVED AN ESTIMATED 2,000 YOUTH FROM 65 SCHOOLS THAT HAVE LITTLE OR NO ACCESS TO AN ARTS OR DESIGN EDUCATION.ARTS REACHARTS REACH PROVIDES ON-SITE STUDIO ART CLASSES TO STUDENTS SERVING SCHOOL SUSPENSIONS IN THE NEW YORK CITY DEPARTMENT OF EDUCATION'S ALTERNATE LEARNING CENTERS. THROUGH THIS PROGRAM, TEACHING ARTISTS LEAD STUDENTS IN ONE-HOUR SESSIONS TWICE A WEEK WHERE-THROUGH HANDS-ON ART MAKING ACTIVITIES-YOUTH ARE INTRODUCED TO THE MATERIALS AND PROCESSES WITHIN THE MUSEUM'S EXHIBITIONS TO FOSTER VISUAL LITERACY, CRITICAL THINKING SKILLS, SELF-EXPRESSION, AND SELF-ESTEEM. 2012 SAW THE PROGRAM EXPAND TO ALL ALCS IN MANHATTAN AND TO THREE IN THE BRONX, SERVING A TOTAL OF ALMOST 2,000 STUDENTS.ARTSLIFE INTERNSHIPSIN SUMMER 2012, MAD CONTINUED ITS FOURTH YEAR OF ARTSLIFE, WHICH ENABLED TEN HIGH SCHOOL JUNIORS TO PURSUE SEVEN-WEEK PAID INTERNSHIPS WITH THE MUSEUM, INTEGRATING THEM INTO A VARIETY OF MUSEUM OPERATIONS AND GIVING THEM IMPORTANT PERSPECTIVE ON THE WORKING WORLD. PROGRAM PARTICIPANTS WERE SELECTED THROUGH AN OPEN APPLICATION PROCESS-WITH PARTICULAR EMPHASIS PLACED ON THE PARTICIPATION OF YOUTH FROM UNDERSERVED COMMUNITIES-THAT EXPRESSED AN INTEREST IN A CAREER IN DESIGN AND ARTS-RELATED FIELDS. TEENS@MADTHE MUSEUM CONTINUED TO GROW AND DEVELOP ITS PROGRAMMING FOR TEENS, STRENGTHENING ITS COMMITMENT TO ENGAGE STUDENTS WITH NO PREVIOUS INTEREST IN THE ARTS, PARTICULARLY THOSE WHO ARE UNDERSERVED AND/OR HAVE LIMITED ACCESS TO FINANCIAL OR CREATIVE RESOURCES. THE MUSEUM CONTINUED TO OFFER FREE ADMISSION FOR HIGH SCHOOL STUDENTS WITH VALID IDENTIFICATION, MAKING MAD EXHIBITIONS AND SELECT PROGRAMMING AVAILABLE TO TEENS YEAR-ROUND. UNDERGRADUATE- AND GRADUATE-LEVEL INTERNSHIPSTO SUPPLEMENT MAD'S HANDS-ON LEARNING PROGRAMS, MAD OFFERS ROBUST PROGRAMMING TO CULTIVATE INTEREST AND CAPACITY TO DEVELOP PROFESSIONAL SKILLS AND PURSUE CAREERS IN THE ARTS AND BEYOND. AS SUCH, LAST YEAR THE MUSEUM OFFERED APPROXIMATELY 50 UNPAID INTERNSHIPS TO UNDERGRADUATE- AND GRADUATE-LEVEL STUDENTS ACROSS THE COUNTRY. PROFESSIONAL DEVELOPMENTMAD CONTINUED TO OFFER IN-DEPTH TRAINING PROGRAMS FOR NEW YORK CITY TEACHERS, SCHEDULED ON THE DEPARTMENT OF EDUCATION'S DESIGNATED PROFESSIONAL DEVELOPMENT DAYS. THE THREE SESSIONS FOR NEW YORK CITY PUBLIC SCHOOL K-12 TEACHERS INCLUDED PARTICIPATORY LECTURES AND WORKSHOPS THAT SUPPLEMENT THE TEACHERS KNOWLEDGE OF CONTEMPORARY ART, CRAFT, AND DESIGN PRACTICES.TEACHER RESOURCE PACKETSTHE MUSEUM'S EDUCATION DEPARTMENT PRODUCED TEACHER RESOURCE PACKETS FOR EACH MAJOR EXHIBITION PRESENTED AT MAD, INCLUDING K-12 LESSON PLANS; ART MATERIALS SOURCES; BIBLIOGRAPHIES; GLOSSARIES; ARTIST INTERVIEWS; LINKS TO ADDITIONAL ONLINE RESOURCES, AND MORE. TEACHER RESOURCE PACKETS WERE AVAILABLE ONLINE (HTTP://WWW.MADMUSEUM.ORG/LEARN/RESOURCE-MATERIALS), AT NO CHARGE.PUBLIC OUTREACH PROGRAMS FOR ALL MUSEUM VISITORSOPEN STUDIOSMAD CONTINUED ITS OPEN STUDIOS PROGRAM, WHICH PROVIDES VISITORS WITH THE OPPORTUNITY TO OBSERVE AND INTERACT WITH ARTISTS AT WORK, AND ARTISTS WITH ACCESS TO NEW AUDIENCES. THE STUDIOS ACCOMMODATED SOME 20 ARTISTS WORKING IN MATERIALS INCLUDING CERAMICS, FIBER, MIXED MEDIA, GLASS, AND METALS, AND WERE AVAILABLE TO THE PUBLIC EACH DAY MAD WAS OPEN. ARTISTS RECEIVED VALUABLE STUDIO SPACE AT NO CHARGE AS WELL AS HONORARIA OF $125 PER ARTIST PER DAY IN RETURN FOR THEIR PARTICIPATION IN THE PROGRAM; MANY WORKED CLOSELY WITH THE MUSEUM'S TEACHING ARTISTS TO ENRICH THE MADLAB ARTS-IN-EDUCATION PROGRAMS. RISK + REWARDSTRUCTURED AS A PLATFORM FOR THE PRESENTATION OF NEW PERFORMANCE PIECES, RISK + REWARD-THE MUSEUM'S ANNUAL PERFORMANCE SERIES-ALSO RECONSIDERS THE MUSEUM AS A CENTER TO SUPPORT THE VITAL PROCESS OF DEVELOPING BOLD AND RISK-TAKING WORKS THROUGH RESIDENCIES, REHEARSALS, AND CRITICAL DIALOGS. DURING THE SERIES' SECOND SEASON IN FALL 2012, A TOTAL OF 17 PERFORMANCES WERE GIVEN BY 6 WORLD-RENOWNED PERFORMANCE ARTISTS INCLUDING MPA, REBECCA PATEK, LEGACY RUSSELL, LIZ SANTORO, ARTURO VIDICH, AND GWEN WELLIVER. CINEMA AT MADCONSTITUTING FOUR MAJOR SERIES EACH YEAR ORGANIZED AROUND A CENTRAL THEME, CINEMA AT MAD PRESENTS EMERGING, UNDER-RECOGNIZED, AND DIVERSE CINEMATIC ARTISTS; PROMOTES CONTINUED CULTURAL DIALOGUE; AND EXPLORES INNOVATIVE APPROACHES TO CINEMATIC FORM AND CONTENT. SERIES FROM 2012 INCLUDED ARGENTO: CINEMA NEL SANGUE (ARGENTO: CINEMA IN THE BLOOD) IN THE SPRING AND AVANT GARDE ANIMATION IN THE FALL.STUDIO SUNDAYS / WEDNESDAY WORKSHOPSTHROUGHOUT 2012, MAD HELD STUDIO SUNDAYS AT LEAST ONCE PER MONTH. THESE INTERGENERATIONAL WORKSHOPS WERE LED BY MAD'S PROFESSIONAL ARTIST-EDUCATORS AS WELL AS FEATURED GUEST ARTISTS AND WERE DESIGNED TO MAKE EVERYONE COMFORTABLE EXPLORING OUR GALLERIES AND DEVELOPING THEIR OWN ART MAKING PROCESSES. THE MUSEUM ALSO PERIODICALLY OFFERED WEDNESDAY WORKSHOPS, GEARED TOWARD SENIORS. CULTURAL COLLECTIVETHROUGH ITS CULTURAL COLLECTIVE INITIATIVE, MAD COLLABORATED WITH A NUMBER OF ALLIED ORGANIZATIONS IN 2012, INCLUDING THE KOREA SOCIETY, THE NATIONAL ART ASSOCIATION, THE JOAN MITCHELL FOUNDATION, AND THE SCULPTURE CENTER, AMONG MANY OTHERS. PARTNERING ORGANIZATIONS WERE ABLE TO USE THE MUSEUM'S FACILITIES AT SHARPLY DISCOUNTED FEES, AND IN RETURN, THE MUSEUM BENEFITED FROM EXPOSURE TO VAST, NEW AUDIENCES FROM A NUMBER OF PROFESSIONAL ARENAS.DANCE: UNDER THE INFLUENCEREVEALING THE INTERPLAY BETWEEN DANCE AND OTHER ARTISTIC DISCIPLINES, DANCE UNDER THE INFLUENCE SHOWCASES TODAY'S TOP INTERDISCIPLINARY TALENT-FROM BALLET TO HIP HOP, INDIAN TO POST-MODERN, TAP TO PUPPETRY. FOR TWO NIGHTS PER PERFORMANCE IN THE THEATER AT MAD, SEVERAL CHOREOGRAPHERS PRESENTED WORKS FULL OF EXCITEMENT, HUMOR, AND BEAUTY, AND AFTER THE PERFORMANCES, THE DANCERS ENGAGED WITH THE AUDIENCE IN A POST-PERFORMANCE QUESTION-AND-ANSWER SESSION. ONLINE VISITOR EXPERIENCESWEB PRESENCETHE ONLINE COLLECTIONS DATABASE A SEARCHABLE DATABASE OF THE ENTIRE MUSEUM COLLECTION, THE MATERIALS AND TECHNIQUES DATABASE, AND THE MADBLOG-WITH SECTIONS DEDICATED TO CURATORIAL AND VISITOR COMMENTS, CONTINUED TO FORM THE NEXUS OF THE MUSEUM'S ONLINE PRESENCE. MAD'S NEW AND ENHANCED WEBSITE (WWW.MADMUSEUM.ORG) HOUSED THOSE OFFERINGS, SERVING OVER 600,000 UNIQUE VISITORS ANNUALLY AND EXPANDING ITS FACEBOOK (24,000+ "LIKE"S), TWITTER (9,000+ FOLLOWERS), YOUTUBE (500+ SUBSCRIBERS GENERATING 175,000+ VIDEO VIEWS), AND FLICKR COVERAGE. AS WELL, THE MUSEUM'S EDUCATION DEPARTMENT CONTINUED TO CREATE WEB-ONLY CONTENT TO ENGAGE WIDER AUDIENCES WITH THE MUSEUM'S EXHIBITIONS, INCLUDING INTERACTIVE BLOGS, PODCASTS OF PUBLIC PROGRAMS, AND VIDEO INTERVIEWS WITH FEATURED ARTISTS.MOBILE SITE & AUDIO TOURSMAD'S EDUCATION DEPARTMENT INCREASED ITS MULTIMEDIA OFFERINGS THROUGH THE LAUNCH OF A MOBILE SITE, EXPANDED AUDIO AND CELL PHONE TOURS, AND EXPANDED VIDEO OFFERINGS. CELL PHONE AND AUDIO TOURS WERE DEVELOPED FOR EACH EXHIBITION, AND AS IN YEARS PRIOR, IN 2012 THE MUSEUM PRODUCED A NUMBER OF VIDEOS CORRESPONDING TO FEATURED EXHIBITIONS, PRESENTING CURATORS, ARTISTS, AND OUTSIDE EXPERTS SPEAKING ABOUT WORKS ON VIEW. THESE VIDEOS WERE INTEGRATED INTO THE GALLERIES THEMSELVES, PROVIDING VISITORS WITH DEEPER INSIGHT INTO ARTIST CREATION PROCESSES AND SERVING AS A UNIQUE EDUCATIONAL TOOL, AND CAN ALSO BE FOUND ON MAD'S WEBSITE: HTTP://WWW.MADMUSEUM.ORG/MEDIA/VIDEO. 11235640 1 1 0 1 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 0 0 0 0 0 0 0 1 1 1 0 0 0 0 0 0 0 1 130 0 1 127 1 0 0 0 0 0 1 1 0 0 0 0 X 31 29 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 0 0 NY NJ X ROBERT J SALEMO 2122997777 2 COLUMBUS CIRCLE NEW YORK NY 10019 LEWIS KRUGER 1.00 X X 0 0 0 JEROME A CHAZEN 1.00 X X 0 0 0 BARBARA TOBER 1.00 X X 0 0 0 FRED KLEISNER 1.00 X X 0 0 0 LINDA E JOHNSON 1.00 X X 0 0 0 STANLEY S ARKIN 1.00 X 0 0 0 DIEGO ARRIA 1.00 X 0 0 0 GEORGE BOURI 1.00 X 0 0 0 CECILY CARSON 1.00 X 0 0 0 SIMONA CHAZEN 1.00 X 0 0 0 CHARLES S COHEN 1.00 X 0 0 0 MICHELE COHEN 1.00 X 0 0 0 ERIC DOBKIN 1.00 X 0 0 0 MARCIA DOCTER 1.00 X 0 0 0 RENAUD DUTREIL 1.00 X 0 0 0 C VIRGINIA FIELDS 1.00 X 0 0 0 CAROLEE FRIEDLANDER 1.00 X 0 0 0 KRIS FUCHS 1.00 X 0 0 0 SETH GLICKENHAUS 1.00 X 0 0 0 SANDRA B GROTTA 1.00 X 0 0 0 TED HATHAWAY 1.00 X 0 0 0 LISA HERBERT 1.00 X 0 0 0 MICHAEL JESSELSON 1.00 X 0 0 0 J JEFFERY KAUFFMAN 1.00 X 0 0 0 ANN KAPLAN 1.00 X 0 0 0 NANETTE LAITMAN 1.00 X 0 0 0 ERIC J LEE 1.00 X 0 0 0 JEFFREY MANOCHERIAN 1.00 X 0 0 0 ROBERT LEE MORRIS 1.00 X 0 0 0 KARIM RASHID 1.00 X 0 0 0 KAMBIZ SHAHBAZI 1.00 X 0 0 0 BARBARA SHUSTER 1.00 X 0 0 0 KLARA SILVERSTEIN 1.00 X 0 0 0 R ADAM SMITH 1.00 X 0 0 0 ANGELA SUN 1.00 X 0 0 0 WILLIAM S TAUBMAN 1.00 X 0 0 0 SUZANNE TICK 1.00 X 0 0 0 MILES YOUNG 1.00 X 0 0 0 HOLLY HOTCHNER 40.00 X 307127 0 5785 ROBERT SALEMO 40.00 X 184972 0 5853 DAVID MCFADDEN 40.00 X 144780 0 7741 JOHN BRIAN MACFARLAND 40.00 X 107813 0 195 ALAN YAMAHATA 40.00 X 123410 0 5407 JOHN D'AMBROSIO 40.00 X 112840 0 263 LOWERY SIMS 40.00 X 105974 0 7741 SHARON SABATER 40.00 X 105660 0 5590 1192576 0 38575 8 0 1 0 CARNEY SECURITY SERVICES 45 EAST 28TH STREET NEW YORK NY 10016 GUARD SERVICE 403193 LAKESIDE COLLABORATIVE 115 WOOSTER STREET NEW YORK NY 10012 STORE RETAIL BRAND SERVICES 256155 ROCK IT CARGO 1800 BYBERRY ROAD HUNGTINGTON VALLEY PA 19006 SHIPPING/CUSTOMS 253228 FLORIO DESIGN 144 WEST 27TH ST NEW YORK NY 10001 DESIGN, GRAPHICS, CATALOG DESIGN 172140 RANDOM EXHIBIT SERVICES 56 BOGART ST BROOKLYN NY 11206 EXHIBIT PREPARATOR 114268 5 542095 1461075 294084 5727157 693166 8024411 MUSEUM ADMISSION FEES 713990 826065 826065 TRAVEL EXHIBITION FEES 713990 569351 569351 LECTURES AND WORKSHOPS 900099 26177 26177 MEMBER TRIPS 561520 24952 24952 1446545 384505 -6025 390530 805366 0 805366 805366 805366 6468812 6788336 -319524 -319524 -319524 317037 1461075 317037 0 2970763 1435762 1535001 1535001 OTHER REVENUE 900099 22727 22727 22727 11899031 2981546 -6025 899099 926328 733561 55310 137457 2913714 2463943 114741 335030 258733 216983 11078 30672 306306 255167 13536 37603 61161 61161 25000 25000 135896 135896 78732 78732 880815 676738 94084 109993 376206 8437 1480 366289 418735 233036 68655 117044 126479 51169 39269 36041 2243054 2006335 220023 16696 145899 78761 28262 38876 11643 2899 8744 2945207 2650687 294520 155618 25869 129749 SHIPPING AND CRATING 744530 739939 506 4085 INSTALLATION AND DESIGN 673453 673453 PRINTING 401805 181584 4569 215652 ART COLLECTION PURCHASE 102116 102116 174896 134963 4815 35118 14106326 11235640 1229234 1641452 479815 735484 2795551 631194 1232249 1198054 95271 129968 652230 519884 170955 229127 92974210 12157117 83621819 80817093 10531283 11787571 146005 82914 327693 290455 100052871 96421744 812121 740382 54500 2000 9903898 7826323 10770519 8568705 X 78575753 75692918 1664288 1867810 9042311 10292311 89282352 87853039 100052871 96421744 -2207295 777982 0 X 0 1 X 1 0 X 18735023 16240885 14123551 9908635 8024411 67032505 18735023 16240885 14123551 9908635 8024411 67032505 15982484 51050021 483547 555856 1062085 1198025 1189871 4489384 49868 30042 9515 11411 22727 123563 71645452 15939971 0.71250 0.67560 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 25000 25000 14081326 14106326 855316 213829 0 0 752579 784028 822210 855316 3214133 4821200 86795 71609 70200 25000 253604 188145 196007 205553 213829 803534 1205301 X X X X 0 10677288 1250000 750697 807500 11870485 10477975 876000 -284583 392104 10677288 9718833 1000 1043142 285000 10477975 3014164 5948950 1105719 350000 9718833 4591787 60000 -1439147 198476 3014164 0.04570 0.86700 0.08730 0 0 8510400 8510400 9229600 1038330 8191270 70328927 8109932 62218995 4905283 3008855 1896428 80817093 X 12883747 777982 285466 1063448 11820299 78732 78732 11899031 14313060 285466 285466 14027594 78732 78732 14106326 PART III, LINE 4: THE MUSEUM MAINTAINS A COLLECTION OF WORKS OF CONTEMPORARY ART OBJECTS. A DESCRIPTION OF THE CONTENTS OF THE PERMANENT COLLECTION IS MAINTAINED BY THE REGISTRAR. THE COLLECTION IS INSURED FOR $10 MILLION PLUS $2.5 MILLION FOR ITEMS IN TRANSIT OR ON LOAN AT OTHER LOCATIONS. THE VALUE OF THE COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ORGANIZATION'S INCEPTION, IS NOT REFLECTED AS AN ASSET ON THE STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE EXPENSED IN THE YEAR OF ACQUISITION. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENT OF ACTIVITIES. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED ON THE STATEMENT OF ACTIVITIES BASED ON THE ABSENCE OR EXISTENCE AND NATURE OF DONOR-IMPOSED RESTRICTIONS. THE COLLECTION IS HELD FOR PUBLIC SERVICE RATHER THAN FINANCIAL GAIN, PROTECTED AND PRESERVED, AND SUBJECT TO AN ORGANIZATIONAL POLICY THAT REQUIRES THE PROCEEDS FROM SALES OF SUCH ITEMS TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: THE ENDOWMENT IS INTENDED TO SUPPORT THE MUSEUM'S EDUCATION PROGRAMS AND GENERAL OPERATIONS. DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X, LINE 2: MANAGEMENT HAS EVALUATED ALL INCOME TAX POSITIONS, INCLUDING THE POSITION THAT THE MUSEUM IS EXEMPT FROM INCOME TAXES OR NOT SUBJECT TO INCOME TAXES ON UNRELATED BUSINESS INCOME, AND CONCLUDED THAT NO DISCLOSURES RELATING TO UNCERTAIN TAX POSITIONS ARE REQUIRED IN THE FINANCIAL STATEMENTS. X X X X X 1 SHELLEY JANE GROSSBERG 301 WEST 108TH ST NEW YORK NY 10025 TEMPORARY DEVELOPMENT CONSULTANT 0 0 103408 0 HEATHER BARRETT 155 WEST 68TH ST APT 1531 NEW YORK NY 10023 SECURE PRO-BONO SERVICES FOR THE MUSEUM 0 0 32488 0 135896 NY VISIONARIES! GALA 1066061 970756 95305 95305 LOOT! EVENT 507017 329716 177301 16128 161173 2 204689 160258 44431 44431 1777767 1460730 317037 155864 161173 317037 0 X X X X X 0 0 0 0 0 0 0 0 0 HOLLY HOTCHNER 302127 0 5000 0 0 0 0 0 5785 0 312912 0 0 0 ROBERT SALEMO 184972 0 0 0 0 0 0 0 5853 0 190825 0 0 0 DAVID MCFADDEN 144780 0 0 0 0 0 0 0 7741 0 152521 0 0 0 GLICKENHAUS & CO COMPANY OF BOARD MEMBER SETH GLICKENHAUS 37136 DURING 2012, THE MUSEUM HELD A PORTION OF ITS INVESTMENT PORTFOLIO WITH GLICKENHAUS & CO. 0 TAUBMAN COMPANY COMPANY OF BOARD MEMBER WILLIAM TAUBMAN 20000 DURING 2012, THE MUSEUM RENTED A RETAIL LOCATION SPACE FROM TAUBMAN COMPANY. 0 X 69 0 X 10 692446 FAIR MARKET VALUE X SIGNAGE 1 720 FAIR MARKET VALUE 6 0 0 0 FORM 990, PART VI, SECTION A, LINE 2 JEROME A. CHAZEN, CHAIRMAN EMERITUS, AND SIMONA CHAZEN, BOARD MEMBER - FAMILY RELATIONSHIP. FORM 990, PART VI, SECTION B, LINE 11 MANAGEMENT WORKS WITH THE MUSEUM'S AUDIT FIRM TO PREPARE THE 990 TAX RETURN. ONCE THE AUDIT FIRM COMPLETES THE 990 IT IS GIVEN TO MANAGEMENT FOR REVIEW. BOTH THE CHIEF FINANCIAL OFFICER AND THE CONTROLLER REVIEW THE DOCUMENTS PREPARED BY THE AUDIT FIRM TO ENSURE IT IS ACCURATE AND CONSISTENT WITH THE MATERIAL PROVIDED DURING AUDIT. THE CFO THEN REVIEWS THIS DOCUMENT WITH THE DIRECTOR OF THE MUSEUM AND POINTS OUT ALL OF THE DISCLOSURE ISSUES THE DIRECTOR SHOULD FOCUS ON. THE FINANCE COMMITTEE THEN REVIEWS THE DOCUMENT. A COPY OF THE 990 FILING WILL BE MADE AVAILABLE TO THE ENTIRE BOARD AT ITS NOVEMBER MEETING. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM'S CONFLICT OF INTEREST POLICY IS CONTAINED WITHIN ITS CODE OF ETHICS POLICY. THIS POLICY APPLIES TO ALL EMPLOYEES AND TO BOARD MEMBERS. AT THE BOARD LEVEL THE POLICY IS PRESENTED AND DISTRIBUTED ANNUALLY. A SELF AUDIT TAKES PLACE AND ANY POTENTIAL CONFLICTS ARE DISCLOSED TO THE EXECUTIVE COMMITTEE OF THE BOARD. ALL EMPLOYEES ARE GIVEN AN EMPLOYEE MANUAL ON THEIR FIRST DAY OF EMPLOYMENT WHICH CONTAINS CERTAIN PROVISIONS OF THE CODE OF ETHICS. THE FULL CODE IS AVAILABLE ON THE MUSEUM INTRANET. ALL POTENTIAL CONFLICTS ARE REPORTED TO THE SENIOR MANAGEMENT OF THE MUSEUM AND DISCUSSED BY BOTH THE DIRECTOR AND CFO. WHILE MOST POTENTIAL CONFLICTS ARE STRAIGHTFORWARD, LEGAL COUNSEL IS SOUGHT WHEN NECESSARY. FORM 990, PART VI, SECTION B, LINE 15A THE FINANCE COMMITTEE AND THE EXECUTIVE COMMITTEE OF THE BOARD REVIEWS OVERALL PAYROLL INFORMATION FOR THE MUSEUM AND PLANNED INCREASES. THE SALARY OF THE DIRECTOR IS SET BY CONTRACT BY THE EXECUTIVE COMMITTEE. WHEN SETTING THE CONTRACT SALARY, THE COMMITTEE RELIES ON DATA AVAILABLE FROM COMPARABLE INSTITUTIONS AND PUBLISHED IN THE 990S OF OTHER INSTITUTIONS. THE COMMITTEE ALSO CONSIDERS LONGEVITY AND ACCOMPLISHMENTS IN SETTING ALL OF THE TERMS OF THE AGREEMENT. THE DEPUTY DIRECTOR AND THE CFO ARE ALSO REVIEWED BY THE EXECUTIVE COMMITTEE OF THE BOARD. THOSE SALARIES ARE SET BASED ON MARKET CONDITIONS, COMPARABLE SALARIES, AND STAFF SALARIES WITHIN THE MUSEUM. THE REMAINING STAFF SALARIES ARE SET BASED ON THE EVALUATION BY THE DIRECTOR AND THE CFO. FORM 990, PART VI, SECTION C, LINE 19 UPON REQUEST