2013-02-11T10:54:14-06:00 2012-06-30 420714325 MCGLADREY LLP 80 CITY SQUARE BOSTON MA 02129 990 2011-07-01 042104327 THE INSTITUTE OF CONTEMPORARY ART INC INST 6174783100 100 NORTHERN AVENUE BOSTON MA 02210 MCGLADREY LLP 6174783100 2013-02-11 1 LYNNE JOHNSON P00757336 6179129000 2011 2016-02-25 16:41:14Z ICABOSTON JILL MEDVEDOW 100 NORTHERN AVENUE BOSTON MA 02210 22341534 0 X WWW.ICABOSTON.ORG X 1936 MA SEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 35 34 196 95 -3396 -3396 7532702 17357007 1967498 1591290 498149 304826 180485 147154 10178834 19400277 0 0 0 0 4572446 5001616 0 0 1102654 5599092 6547184 10171538 11548800 7296 7851477 71290438 78311051 8443457 8229920 62846981 70081131 X THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 0 0 3861183 756206 ART EXHIBITIONS:GALLERY PRESENTATIONS: THE ICA PRESENTED THE FOLLOWING 12 CONTEMPORARY ART EXHIBITIONS AND COMMISSIONED PROJECTS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. GENERAL ADMISSION AND PRIVATE TOUR ATTENDANCE FOR THE GALLERY EXHIBITS TOTALED 144,256 VISITORS IN FY12. EVA HESSE STUDIOWORKJULY 20-OCTOBER 10, 2011THROUGHOUT HER CAREER, GERMAN-BORN AMERICAN ARTIST EVA HESSE (1936-1970) PRODUCED A LARGE NUMBER OF SMALL, EXPERIMENTAL WORKS ALONGSIDE HER LARGE-SCALE SCULPTURE. THESE OBJECTS, THE SO-CALLED TEST PIECES, WERE MADE IN A WIDE RANGE OF MATERIALS, INCLUDING LATEX, WIRE-MESH, SCULP-METAL, WAX AND CHEESECLOTH. THIS EXHIBITION PROPOSES THAT RATHER THAN SIMPLY TECHNICAL EXPLORATIONS, THESE SMALL OBJECTS RADICALLY PUT INTO QUESTION CONVENTIONAL NOTIONS OF WHAT SCULPTURE IS. AS WELL AS BEING BEAUTIFUL AND MEANINGFUL OBJECTS IN THEIR OWN RIGHT, THEY FORCE US TO ASK FUNDAMENTAL AND PRESSING QUESTIONS, NOT JUST ABOUT WHAT AN ARTWORK IS, BUT ABOUT THE WORK THAT ART DOES IN OUR CULTURE. RE-NAMING THEM STUDIOWORKS RATHER THAN TEST PIECES, THE EXHIBITION OFFERS A TIMELY NEW INTERPRETATION OF HESSE'S HISTORICAL POSITION, AS WELL AS HIGHLIGHTING HER RELEVANCE FOR CONTEMPORARY ART NOW. THE EXHIBITION BRINGS TOGETHER AROUND FIFTY SCULPTURES DRAWN FROM MAJOR PUBLIC AND PRIVATE COLLECTIONS AROUND THE WORLD, A RARE AND EXCEPTIONAL OPPORTUNITY FOR BOSTON AUDIENCES, SINCE HESSE'S SCULPTURES ARE EXTREMELY FRAGILE AND RARELY TRAVEL. THE EXHIBITION WAS CURATED BY BRIONY FER AND BARRY ROSEN, DIRECTOR OF THE ESTATE OF EVA HESSE, AND ORGANIZED BY THE FRUITMARKET GALLERY, EDINBURGH IN COLLABORATION WITH CAMDEN ARTS CENTRE, LONDON; FUNDACIO ANTONI TAPIES, BARCELONA; ART GALLERY OF ONTARIO, TORONTO AND UNIVERSITY OF CALIFORNIA, BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE.LESLIE HEWITT JULY 20-OCTOBER 10, 2011LESLIE HEWITT IS INTERESTED IN HOW WE RELY ON IMAGES TO PROVIDE MEMORIES OF PERSONAL EXPERIENCE, HOW COLLECTIVE MEMORY OF PAST EVENTS IS SHAPED AND PRESERVED, AND IN HOW THE TWO OVERLAP, COEXIST, AND INFORM EACH OTHER. THE EXHIBITION PRESENTS A FOCUSED LOOK AT AN ARTIST WHOSE WORK MARKS EMERGING CURRENTS IN CONTEMPORARY ARTISTIC PRACTICE. THE EXHIBITION FEATURES RIFFS ON REAL TIME (2006-2009), A GROUP OF 10 PHOTOGRAPHS FROM AN ONGOING SERIES STARTED IN 2002, SHOWN TOGETHER FOR THE FIRST TIME. THIS EXHIBITION IS ACCOMPANIED BY A FREE BROCHURE WITH AN ARTIST INTERVIEW. ORGANIZED BY RANDI HOPKINS, ASSOCIATE CURATOR.ICA COLLECTION 6SEPTEMBER 3, 2011-MARCH 4, 2012THE 2011-2012 COLLECTION GALLERIES SAW A NUMBER OF MINOR ROTATIONS. THESE INCLUDED: A SPECIAL INSTALLATION FOR ICA'S 75TH ANNIVERSARY DISPLAY OF DONATED DRAWINGS AND A HISTORICAL TIMELINE; AND THE INSTALLATION OF WORKS IN THE COLLECTION BY CORNELIA PARKER AND TARA DONOVAN. THE SANDRA AND GERALD FINEBERG ART WALL: SWOON, ANTHROPOCENE EXTINCTIONSEPTEMBER 3, 2011-DECEMBER 30, 2012FOR THE FOURTH INSTALLATION OF THE SANDRA AND GERALD FINEBERG ART WALL, A SPACE DEDICATED TO MONUMENTAL, SITE-SPECIFIC WORKS BY LEADING CONTEMPORARY ARTISTS, BROOKLYN-BASED ARTIST SWOON HAS CREATED A NEW WORK. SWOON IS A BROOKLYN-BASED STREET ARTIST KNOWN FOR HER INTRICATELY CUT, LIFE-SIZE PAPER PORTRAITS. HER WORKS CAN BE FOUND WHEATPASTED ONTO THE WALLS OF ABANDONED BUILDINGS, RUNDOWN WAREHOUSES, AND MORE RECENTLY, THE INTERIORS OF GALLERIES AND MUSEUMS. INSPIRED BY THE URBAN ENVIRONMENT, HER WORK IS A UNIQUE FUSION OF FIGURATIVE AND ARCHITECTURAL ELEMENTS. THIS NEW WORK EXTENDS FROM THE ART WALL TO THE LOBBY CEILING AND INTO THE ELEVATOR ATRIUM WITH A HUGE HANGING SCULPTURE THAT CAN BE VIEWED FROM BELOW AS WELL AS FROM THE GLASS PASSENGER ELEVATOR-ON THE RIDE UP OR DOWN. ORGANIZED BY PEDRO ALONZO, ADJUNCT CURATOR.DORIS SALCEDOSEPTEMBER 3, 2011-JANUARY 6, 2013BORN AND RAISED IN BOGOTA, COLOMBIA, WHERE SHE CURRENTLY LIVES AND WORKS, DORIS SALCEDO IS AN ARTIST OF INTERNATIONAL RENOWN. SINCE THE MID-1980S HER WORK HAS ADDRESSED LOSS AND MOURNING, BEARING WITNESS TO THE UNIVERSAL EFFECTS OF CRIMINAL AND POLITICAL VIOLENCE. SALCEDO EMPLOYS AN UNCOMFORTABLE COMBINATION OF DOMESTIC FURNITURE AND BUILDING MATERIALS SUCH AS CONCRETE AND STEEL; BY DISTORTING THE FAMILIAR HER WORK TRANSFORMS OUR SENSE OF HOME FROM A SPACE OF COMFORT AND SAFETY TO ONE OF DISORIENTING DISLOCATION. INSTEAD OF ENGAGING THE TRADITIONAL METHODS OF SCULPTURE, SUCH AS CARVING OR MOLDING, SHE MAKES HER WORK THROUGH ACTS OF PHYSICAL AND SYMBOLIC VIOLENCE: FILING, SCRATCHING, BENDING, BEATING, FUSING, MELTING, AND BURYING. THE FOUR SCULPTURES ON VIEW HERE, MADE BETWEEN 1989 AND 2005, EXEMPLIFY THE BREADTH OF SALCEDO'S VISUAL MANIFESTATIONS OF VIOLENCE, SUFFERING, AND LOSS. ORGANIZED BY ANNA STOTHART, CURATORIAL ASSISTANT.DANCE/DRAWOCTOBER 7, 2011-JANUARY 16, 2012FROM PAINTING AND DRAWING TO PERFORMANCE AND INSTALLATION ART, TODAY'S ARTISTS EXPRESS THEIR IDEAS IN A VARIETY OF MEDIUMS, YET THE LINE HAS REMAINED A FUNDAMENTAL BUILDING BLOCK OF THE VISUAL EXPERIENCE. ON THE OCCASION OF ITS 75TH ANNIVERSARY, THE ICA PRESENTS DANCE/DRAW, AN AMBITIOUS THEMATIC SHOW TRACING THE JOURNEY OF THE LINE FROM CHANGES IN DRAWING IN THE 1960S TO ITS EXPLOSION OFF THE PAGE AND INTO THREE-DIMENSIONAL SPACE-ULTIMATELY FINDING ITSELF IN THE REALM OF DANCE. IN PARTICULAR, THIS EXHIBITION INVESTIGATES THE CONNECTIONS BETWEEN VISUAL ART AND DANCE OVER THE PAST FIFTY YEARS, CULMINATING IN THE EXPLORATION OF A NEW GENERATION OF ARTISTS DEEPLY INTERESTED IN DANCE. DANCE/DRAW FEATURES APPROXIMATELY 80 WORKS-INCLUDING VIDEO, PHOTOGRAPHY, DRAWINGS AND SCULPTURAL OBJECTS AS WELL AS A SERIES OF LIVE PERFORMANCES. THIS EXHIBITION IS ACCOMPANIED BY AN EXHIBITION CATALOGUE. ORGANIZED BY HELEN MOLESWORTH, BARBARA LEE CHIEF CURATOR. TRAVELED TO THE TANGTEACHING MUSEUM AND ART GALLERY, SARATOGA SPRINGS, NEW YORK.JESSICA JACKSON HUTCHINSOCTOBER 28, 2011-MARCH 4, 2012JESSICA JACKSON HUTCHINS CREATES SCULPTURES AND COLLAGES FROM EVERYDAY OBJECTS, SUCH AS HER FAMILY'S KITCHEN TABLE AND SOFA, OR FAVORITE PIECES OF CLOTHING AND BOOKS. THE RITUALS OF DAILY USE INFUSE HER WORK WITH A MEASURE OF SENTIMENT, HISTORY, BIRTH AND DEATH-IN SHORT, THE STUFF OF LIFE. THIS EXHIBITION SHOWCASES SEVERAL WORKS ON PAPER AND A NEW, LARGE-SCALE SCULPTURE, SYMPOSION (2011). TAKING AS ITS TITLE THE CLASSICAL-ERA GREEK WORD FOR DRINKING PARTY, SYMPOSION MARRIES EXUBERANT ABSTRACT FORM WITH A SHABBY SOFA. HAND-BUILT CERAMIC POTS NESTLE AMONG THE CREVICES OF A GARGANTUAN BLACK PAPIER-MACHE FORM, WHICH HALOES A PEACOCK-BLUE COUCH. IT IS MONSTROUS AND SUBLIME. SEVERAL WORKS ON PAPER WILL BE INCLUDED ALONGSIDE SYMPOSION. IF SYMPOSIONS WERE PLACES TO DELIVER SPEECHES, THEN THESE DRAWINGS OFFER ANOTHER KIND OF TEXT, A FIELD OF PUNCTUATION MARKS-COMMAS, EXCLAMATION POINTS, AND QUESTION MARKS-RENDERED FROM LUMPY PAPER PULP ALL OF WHICH OFFER THE SUGGESTION OF NARRATIVE WHILE WITHHOLDING THE PLOT. THIS EXHIBITION IS ACCOMPANIED BY A FREE BROCHURE WITH AN ARTIST INTERVIEW. ORGANIZED BY JENELLE PORTER, SENIOR CURATOR.ISAAC JULIAN: TEN THOUSAND WAVES OCTOBER 28, 2011 - MARCH 4, 2012ISAAC JULIEN'S TEN THOUSAND WAVES IS AN IMMERSIVE, 9-SCREEN VIDEO INSTALLATION THAT POETICALLY INTERWEAVES THREE STORIES LINKING CHINA'S ANCIENT PAST AND THE PRESENT. THE FIRST STORY IS INSPIRED BY THE MORECAMBE BAY TRAGEDY OF 2004, IN WHICH 23 CHINESE IMMIGRANT WORKERS WERE DROWNED WHILE GATHERING COCKLES AT THE SEASHORE IN ENGLAND. THE SECOND IS THE CHINESE LEGEND OF THE ANCIENT SEA GODDESS MAZU, PROTECTOR OF FISHERMEN AND SAILORS, WHO IS SAID TO GUIDE SHIPWRECKED SAILORS SAFELY TO SHORE. THE THIRD IS SET IN 1930S SHANGHAI AND EXPLORES THE 1934 SILENT FILM THE GODDESS (1934), ONE OF THE BEST KNOWN FILMS OF CHINA'S CINEMATIC GOLDEN AGE, WHICH PORTRAYS THE TRAGIC LIFE OF A WOMAN WHO BECAME A PROSTITUTE IN ORDER TO SUPPORT HERSELF AND HER SON. SHOT MOSTLY IN CHINA, TEN THOUSAND WAVES FEATURES WELL-KNOWN ACTRESSES MAGGIE CHEUNG AND ZHAO TAO, VIDEO ARTIST YANG FUDONG, POET WANG PING, AND VENERABLE CHINESE CALLIGRAPHER GONG FAGEN. THIS EXHIBITION IS ACCOMPANIED BY A CATALOGUE. 2317360 183866 PUBLIC PROGRAMS:PERFORMING ARTS: THE ICA PRESENTS SOME OF THE MOST TALENTED AND FORWARD LOOKING CHOREOGRAPHERS, MUSICIANS, THEATER COMPANIES AND GENRE BENDING ARTISTS FROM BOSTON AND THE REST OF THE WORLD. IN FY11 WE PRESENTED 55 PERFORMANCES BY THE FOLLOWING PERFORMERS, ARTISTS AND ENSEMBLE COMPANIES. ATTENDANCE AT THESE PERFORMANCES TOTALED 15,051. * HARBORWALK SOUNDS - 10 PERFORMANCES BY VARIOUS ARTISTS* ALEXANDRA BELLER* BA=AABA MAAL* JEROME BEL'S CEDRIC ANDRIEUX* TRISHA BROWN DANCE COMPANY* TRAJAL HARRELL AND SARAH SZE* GOB SQUAD'S KITCHEN* SOUND ICON: GEORG FRIEDRICH HAAS'S IN VAIN* PROMETHEUS DANCE* EITHER/ORCHESTRA* BUTCH MORRIS* MARC BAMUTHI JOSEPH'S RED, BLACK, GREEN: A BLUES* HILARY HAHN AND HAUSCHKA* CRASHARTS: GALLIM DANCE * CRASHARTS: MONICA BILL BARNES* CRASHARTS: TREY MCINTYRE* CRASHARTS: INDIA JAZZ SUITEFILMS:THE ICA FILM, VIDEO AND NEW MEDIA PROGRAM IS DEDICATED TO PROMOTING THE BEST OF LOCAL, NATIONAL, AND INTERNATIONAL CINEMA. THE ICA PRESENTED FEATURE, DOCUMENTARY AND ANIMATED FILMS INCLUDING DIGITAL MEDIA, HARD TO FIND FILMS, FILMS ON ART, INDEPENDENT AND EXPERIMENTAL WORK. 3,057 INDIVIDUALS ATTENDED THE 42 SCREENINGS OF THE FOLLOWING FILMS. * OVER YOUR CITIES* THE FILMS OF KAREN AQUA* PARIAH* DANCING LINES* THE ART AND TECHNIQUE OF AMERICAN COMMERICALS* AWARD WINNING BRITISH COMMERCIALS 2012* ISAAC JULIEN FILM FESTIVAL* 2012 ACADEMY AWARD SHORT FILMS IN ANIMATION* 2012 ACADEMY AWARD SHORT FILMS IN LIVE ACTION* 2012 ACADEMY AWARD SHORT FILMS IN DOCUMENTARY* THE TIE FILM FESTIVAL* HOTEL LUX* ANN ARBOR FILM FESTIVAL* LOOSE CANNONS* QUESTION ONE* UNITED IN ANGER* FUNKY TOWNTALKS: THE SPEAKER SERIES AT THE ICA PRESENT THE MOST CREATIVE THINKERS, ARTISTS, AUTHORS AND PERFORMERS- THE PACESETTERS OF CONTEMPORARY CULTURE. ATTENDANCE AT THESE TALKS TOTALED 2,607 IN FY11. THE TALKS CONSISTED OF:* CHARLES LEDRAY: SHOP TALK WITH MATT REGONINI AND PHILIP SAUL* CHARLES LEDRAY: DRESS PATTERNS WITH KATHLEEN MCDERMOTT* FOSTER PRIZE: THINK GLOBAL, ACT LOCAL WITH RANDI HOPKINS, LILA KANNER AND DINA DEITCH* FOSTER PRIZE: DANIELA RIVERA, FRED H.C. LIANG, STEPHEN TOURLENTES* FOSTER PRIZE: REBECCA MEYERS, EVELYN RYDZ, EIRIK JOHNSON* FOSTER PRIZE: ROBERT DE SAINT PHALLE, AMIE SIEGEL, MATTEW RICH* MARK BRADFORD, HILTON ALS, AND HELEN MOLESWORTH* MARK BRADFORD: KIM MCLARIN* MARK BRADFORD: NUIT BANAI* CATHERINE OPIE, EILEEN MYLES, AND HELEN MOLESWORTH* CATHERINE OPIE: TIMOTHY MCCARTHY* CATHERINE OPIE: STEPHEN AND AMBER DAVIS TOURLENTES* CATHERINE OPIE: JILL LEPORE AND HELEN MOLESWORTH* THE RECORD: DARIO ROBLETO* THE RECORD: ANNIE BALLIRO* ICA/AIGA DESIGN SERIES: VAUGHAN OLIVER* MAKE DANCE SEE: BILL T. JONES, ELIZABETH STREB, KAROLE ARMITAGE* SHIFT BOSTON* TALKING TASTE: KEN ORINGER AND JAMIE BISSONNETTE, BARRY MAIDEN, TONY MAWS, BARBARA LYNCCOURSES: THESE ENGAGING, STIMULATING AND CLASSES DRAW FROM THE ICA'S ARCHITECTURE AND EXHIBITIONS AND ARE INTENDED FOR A GENERAL ADULT AUDIENCE. THE ICA ALSO OFFERS SELECT NUMBER OF WORKSHOPS FOR EDUCATORS. IN FY11 82 INDIVIDUALS ATTENDED THE FOLLOWING COURSES:* ART NOW* DJ SCHOOL* EDUCATOR WORKSHOP: CLASSROOM CONNECTIONS* EDUCATOR WORKSHOP: RYMAEC SCRATCH* RYMAEC WEB 2.0FAMILIES PROGRAMMING: ON THE LAST SATURDAY OF THE MONTH FAMILY-FRIENDLY FILMS, PERFORMANCES AND ACTIVITIES SUITABLE FOR CHILDREN AGES 5-12 AND THEIR ACCOMPANYING ADULTS WERE PROVIDED. ADDITIONAL ACTIVITIES WERE OFFERED TO FAMILIES DURING HOLIDAY WEEKS. 7,657 VISITORS PARTICIPATED IN THE FOLLOWING FAMILY PROGRAMMING. PLAY DATES* PLAY DATE JULY: INSIDE THE CREATIVE PROCESS* PLAY DATE AUGUST: POSITIVELY CAPTIVATING PORTRAITS* PLAY DATE SEPTEMBER: FRANCESCA DIMATTIO'S ART WALL* PLAY DATE OCTOBER: CONTEMPORARY MASTERPIECES* PLAY DATE NOVEMBER: URBAN PARABLES* PLAY DATE JANUARY: FIGURE AND GROUND* PLAY DATE FEBRUARY: MATERIALS AND MEANING* PLAY DATE MARCH: INTERNATIONAL CHILDREN'S FILM FESTIVAL* PLAY DATE APRIL: KIDSBUILD! ICA CITY* PLAY DATE MAY: WHAT'S INSIDE? WHAT'S OUTSIDE?* PLAY DATE JUNE: ART + MUSIC: THE RECORDOTHER FAMILY PROGRAMS* FREE FUN FRIDAY* VETERANS DAY ACTIVITIES* FAMILY ART-MAKING WORKSHOP: IMOVIE* HOLIDAY WEEK FAMILY PROGRAMS* COLLAGE PAINTING FOR FAMILIES* APRIL VACATION WEEK FAMILY ACTIVITIESTEENS PROGRAMMING: TEEN NIGHTS ARE ART HAPPENINGS ORGANIZED AND PROMOTED FOR TEENS, BY TEENS. TEENS GATHER FOR ARTIST TALKS, KARAOKE, FASHION SHOWS, GRAFFITI ART, T-SHIRT PAINTING, POETRY READINGS AND MORE. TEEN NEW MEDIA CLASSES, INCLUDING THE FAST FORWARD PROGRAM, MULTI-SESSION AND YEAR-LONG PROGRAMS, ARE HELD IN OUR STATE-OF-THE-ART STUDIO. THEY ARE TAUGHT BY PROFESSIONAL MEDIA ARTISTS. ARTIST ENCOUNTERS ARE OPPORTUNITIES FOR TEENS TO INTERACT WITH ARTISTS AT THE ICA AND CAN INCLUDE VISUAL AND PERFORMANCE ARTISTS. A TOTAL OF 2,112 TEENS PARTICIPATED IN THE FOLLOWING PROGRAMS AND EVENTS. * WALL TALK* TEEN NEW MEDIA WORKSHOPS INCLUDING: * SUMMER VIDEO BOOT CAMP * ANIMATION * PHOTOSHOP * DJ SCHOOL * AFTER EFFECTS * DIGITAL COLLAGE * PHOTOGRAPHY 2 * FASHION PHOTOGRAPHY * VIDEO GAME DESIGN * TECH BOSTON HYBRID CLASS * GRAPHIC DESIGN/SKATEBOARDS* FAST FORWARD* TEEN ARTS COUNCIL* NATIONAL CONVENING FOR TEENS IN THE ARTS: ART & IDENTITY* SUMMER TEEN RESIDENCY WITH ARTIST RAUL GONZALEZ* TEEN NIGHT: AUGUST* TEEN NIGHT: NOVEMBER* TEEN NIGHT: FEBRUARY* TEEN NIGHT: MAY * PERFORMANCES INCLUDING: * YOUNG JEAN LEE, THE SHIPMENT * RUBBERBANDANCE GROUP, LOAN SHARKING * BILL T. JONES/ARNIE ZANE DANCE COMPANY, BODY AGAINST BODY * ANNA MEYER DANCE, STREET TALK, SUITE TALK * THE NATIONAL THEATER OF THE UNITED STATES OF AMERICA, CHAUTAUQUA!EXHIBITION TOURS: THE ICA OFFERS EXHIBITION AND MUSEUM TOURS. * PRIVATE BOOKED TOURS: 8,496 INDIVIDUALS * PUBLIC TOURS: 2,496 INDIVIDUALS 1057933 PROGRAM MARKETING AND COMMUNICATIONS:DEVELOPED AND IMPLEMENTED MARKETING, ADVERTISING, AND PUBLIC RELATIONS STRATEGIES THAT PROMOTED THE ICA'S EXHIBITIONS, PERFORMANCES, AND EDUCATIONAL AND COMMUNITY PROGRAMS TO THE PUBLIC AND ICA MEMBERS. THESE STRATEGIES ALLOWED THE ICA TO ACHIEVE 213,826 IN TOTAL VISITORS TO THE ICA IN FISCAL YEAR 2012. 359788 507777 MEMBERSHIP:MEMBERSHIP CONTRIBUTIONS HELP THE ICA PRESENT EXHIBITIONS, PERFORMANCES, AND PROGRAMS FOR TEENS, FAMILIES AND ADULTS, CREATING A PLACE WHERE PEOPLE OF ALL AGES AND BACKGROUNDS CAN SHARE THE EXCITEMENT OF NEW ART AND IDEAS. IN FISCAL YEAR 2012 THE MEMBERSHIP DEPARTMENT SERVED OVER 6,100 HOUSEHOLDS PROVIDING THE PRIMARY BENEFITS OF FREE MUSEUM ADMISSION, DISCOUNTS IN THE ICA STORE AND WATER CAFE, EXHIBITION PREVIEWS AND OPENING RECEPTIONS AND A SUBSCRIPTION TO THE ICA MAGAZINE "NEW". THE ICA HAD ALMOST 13,000 MEMBER VISITS TO THE GALLERIES AND AT MEMBERS-ONLY EVENTS IN FY2012. 1483391 512956 EARNED INCOME ACTIVITIES * TRAVELING EXHIBITS: THE ICA-ORGANIZED DR. LAKRA EXHIBITION CONTINUED ITS TOUR AT THE MUSEO DE ARTE CONTEMPORANEO DE MONTERREY (MARCO), MEXICO (MAY 19-OCTOBER 30, 2011; TOTAL ATTENDANCE 97,088) AND THE MUSEO DE LA CIUDAD DE MEXICO, MEXICO CITY (DECEMBER 7, 2011 - MARCH 11, 2012; TOTAL ATTENDANCE TBD). THE ICA-ORGANIZED SURVEY EXHIBITION, CHARLES LEDRAY: WORKWORKWORKWORKWORK, SHOWED AT ITS FINAL TOURING VENUE, THE MUSEUM OF FINE ARTS, HOUSTON (MAY 15-SEPTEMBER 11, 2011; TOTAL ATTENDANCE 66,163).* ART TRIPS: IN FY12 THE ICA SPONSORED FOUR ART TRIPS TO MIAMI, FL; LOS ANGELES, CA AND MARFA, TEXAS. * EVENT SPACE RENTALS: THE ICA HAD 49 EVENT RENTALS IN FY12 THAT WERE ATTENDED BY 7,442 VISITORS WHO GOT THE OPPORTUNITY TO VIEW THE ICAS AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS. 1843179 1020733 9079655 1 1 0 0 0 0 0 1 0 1 1 0 0 0 1 1 0 1 0 0 0 0 0 0 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 1 0 0 0 0 1 149 0 196 1 1 1 0 0 0 0 1 1 0 0 0 0 X 35 34 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MA X MICHAEL TAUBENBERGER 6174783192 100 NORTHERN AVENUE BOSTON MA 02210 LORI FIREMAN BALDWIN 1.00 X 0 0 0 CHARLES BRIZIUS 1.00 X X 0 0 0 DR PAUL BUTTENWIESER 1.00 X X 0 0 0 ANN K COLLIER 1.00 X 0 0 0 KAREN SWETT CONWAY 1.00 X 0 0 0 STEVEN D CORKIN 1.00 X X 0 0 0 ROBERT DAVOLI 1.00 X 0 0 0 FOTENE DEMOULAS 1.00 X 0 0 0 JOHN DESPREZ III 1.00 X X 0 0 0 MARY SCHNEIDER ENRIQUEZ 1.00 X 0 0 0 BRIDGITT EVANS 1.00 X 0 0 0 IAN FERGUSON 1.00 X 0 0 0 GERALD FINEBERG 1.00 X 0 0 0 JEAN-FRANCOIS FORMELA 1.00 X 0 0 0 JAMES C FOSTER 1.00 X 0 0 0 NIKI FRIEDBERG 1.00 X 0 0 0 ANSBERT GADICKE 1.00 X 0 0 0 VIVIEN HASSENFELD 1.00 X 0 0 0 WILLIAM H HESS 1.00 X 0 0 0 WILLIAM E KELLY 1.00 X 0 0 0 CURTIS KEMENY 1.00 X 0 0 0 BARBARA F LEE 1.00 X X 0 0 0 TRISTIN MANNION 1.00 X X 0 0 0 SHERYL MARSHALL 1.00 X 0 0 0 JILL MEDVEDOW 40.00 X X 334635 0 17371 JAMES PALLOTTA 1.00 X 0 0 0 ELLEN M POSS MD 1.00 X 0 0 0 DAVID PUTH 1.00 X 0 0 0 CHARLES RODGERS 1.00 X 0 0 0 KAREN ROTENBERG 1.00 X 0 0 0 MARIO RUSSO 1.00 X 0 0 0 MARK SCHWARTZ 1.00 X 0 0 0 JONATHAN SEELIG 1.00 X 0 0 0 ANTHONY TERRANA DMD 1.00 X 0 0 0 NICK WINTON 1.00 X 0 0 0 NICOLE ZATLYN 1.00 X 0 0 0 MICHAEL TAUBENBERGER 40.00 X 153754 0 10908 PAUL BESSIRE 40.00 X 186352 0 28397 DAVID HENRY 40.00 X 129994 0 26743 HELEN MOLESWORTH 40.00 X 149203 0 14119 953938 0 97538 5 0 1 0 WOLFGANG PUCK CATERING 100 NORTHERN AVENUE BOSTON MA 02210 CATERING 219865 AMERICAN CLEANING COMPANY INC PO BOX 390702 CAMBRIDGE MA 02139 CLEANING SERVICES 215245 SECURITAS SECURITY SERVICES PO BOX 403412 ATLANTA GA 30384 SECURITY SERVICES 166229 ALLIEDBARTON SECURITY PO BOX 828854 PHILADELPHIA PA 19182 SECURITY SERVICES 134706 4 1326569 232981 15797457 377814 17357007 ADMISSIONS AND PROGRAM 900099 940072 940072 MEMBERSHIP DUES 900099 507777 507777 TRIP AND TOURS 900099 89399 89399 EXHIBITIONS 900099 54042 54042 1591290 198251 198251 510084 513480 -3396 -3396 -3396 1778243 1671668 106575 106575 106575 146450 1326569 427158 -280708 -280708 684679 328951 355728 355728 FOOD SERVICES 722210 61743 61743 OTHER REVENUE 900099 13787 13787 75530 19400277 1960805 -3396 85861 731417 516668 214749 3619748 2885405 318618 415725 115229 89411 14206 11612 221377 185251 18267 17859 313845 226262 46554 41029 2207 2207 33600 33600 27923 25552 2371 567844 351568 54330 161946 498752 498752 17677 10686 4956 2035 74271 54422 10264 9585 542558 509516 10147 22895 343437 304277 21857 17303 4134 3676 53 405 160332 130809 26629 2894 2262417 2166547 47935 47935 93016 43501 49515 OUTSIDE SERVICES 521822 493091 28731 0 TELEPHONE AND UTILITIES 422738 376885 37033 8820 SHIPPING & STORAGE 419288 419211 71 6 RENTAL AND EQUIPMENT 373997 237451 11061 125485 181171 92934 88237 11548800 9079655 1366491 1102654 565687 2409549 424479 0 8421050 15600096 129761 159137 225794 257050 180405 146979 59240411 9958880 50726190 49281531 9538354 9896115 529574 464949 549144 95645 71290438 78311051 678152 707114 162500 226667 7100000 6408949 502805 887190 8443457 8229920 X 45969725 43333501 5692723 6783614 11184533 19964016 62846981 70081131 71290438 78311051 X 7851477 -617327 X 0 1 1 X 0 X 9310475 5402855 8324952 7665925 17357007 48061214 9310475 5402855 8324952 7665925 17357007 48061214 1607055 46454159 829709 825284 606667 721704 708335 3691699 306067 406364 443798 278517 208193 1642939 53395852 14676903 0.87000 0.79000 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X 0 11177409 9200000 -392756 550000 19434653 9286769 676000 1764640 550000 11177409 7678806 910105 1037858 340000 9286769 9350844 250000 -1783958 138080 7678806 1.00000 1 0 55997592 7682170 48315422 3242819 2276710 966109 49281531 LINE OF CREDIT 850000 CAPITAL LEASE OBLIGATIONS 37190 887190 19400277 11548800 7851477 -349263 -268064 -617327 7234150 20180418 -349263 153431 -293616 -489448 20669866 -1269589 -1269589 19400277 12946268 153431 1269589 1423020 11523248 25552 25552 11548800 PART III, LINE 1A: CONTRIBUTIONS OF WORKS OF ART, HISTORICAL TREASURES AND SIMILAR ASSETS HELD AS PART OF A COLLECTION - FOR EDUCATION, RESEARCH OR PUBLIC EXHIBITION PURPOSES - RATHER THAN FOR SALE OR FINANCIAL GAIN ARE NOT RECOGNIZED OR CAPITALIZED ON THE AUDITED FINANCIAL STATEMENTS. PART III, LINE 4: IN ACCOMPLISHING THE ORGANIZATION'S MISSION IN ART EDUCATION, CONTEMPORARY ARTWORKS FROM VARIOUS ARTISTS ARE EXHIBITED TO THE GENERAL PUBLIC. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: THE ORGANIZATION'S ENDOWMENT FUNDS ARE FOR THE ORGANIZATION'S OPERATING EXPENSES. DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X: THE INSTITUTE FOLLOWS THE FASB GUIDANCE, ACCOUNTING FOR UNCERTAINTY IN INCOME TAXES, WHICH CLARIFIES THE ACCOUNTING FOR UNCERTAINTY IN INCOME TAXES BY PRESCRIBING THE RECOGNITION THRESHOLD A TAX POSITION IS REQUIRED TO MEET BEFORE BEING RECOGNIZED IN THE FINANCIAL STATEMENTS. IT ALSO PROVIDES GUIDANCE ON DERECOGNITION, CLASSIFICATION, INTEREST AND PENALTIES, ACCOUNTING IN INTERIM PERIODS, DISCLOSURE, AND TRANSITION. MANAGEMENT BELIEVES THAT THE INSTITUTE HAS NO MATERIAL UNCERTAINTIES IN INCOME TAXES. WITH FEW EXCEPTIONS, THE INSTITUTE IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE U.S., FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR FISCAL YEARS BEFORE 2009. PART XI, LINE 8 - OTHER ADJUSTMENTS: DISCOUNT ON UNCONDITIONAL PROMISES TO GIVE -78,916. LOSS ON SPLIT INTEREST AGREEMENT -64,625. LOSS ON UNCOLLECTIBLE PROMISES TO GIVE -124,523. TOTAL TO SCHEDULE D, PART XI, LINE 8: -268,064. PART XII, LINE 2D - OTHER ADJUSTMENTS: DISCOUNT ON UNCONDITIONAL PROMISES TO GIVE -78,916. INVESTMENT EXPENSES NETTED WITH INVESTMENT REVENUE ON AUDITED FS -25,552. LOSS ON SPLIT INTEREST AGREEMENT -64,625. LOSS ON UNCOLLECTIBLE PROMISES TO GIVE -124,523. PART XII, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B -328,951. SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B -427,158. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B -513,480. PART XIII, LINE 2D - OTHER ADJUSTMENTS: SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B 427,158. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B 513,480. COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B 328,951. PART XIII, LINE 4B - OTHER ADJUSTMENTS: INVESTMENT EXPENSES NETTED WITH INVESTMENT REVENUE ON AUDITED FS 25,552. GALA 1418394 1280794 137600 426770 COLLECTION VISITS 54625 45775 8850 388 1473019 1326569 146450 427158 427158 -280708 X X X 0 0 0 0 0 0 0 0 0 JILL MEDVEDOW 284635 0 50000 0 0 0 14851 0 2520 0 352006 0 0 0 MICHAEL TAUBENBERGER 153754 0 0 0 0 0 7047 0 3861 0 164662 0 0 0 PAUL BESSIRE 186352 0 0 0 0 0 8653 0 19744 0 214749 0 0 0 DAVID HENRY 129994 0 0 0 0 0 6172 0 20571 0 156737 0 0 0 HELEN MOLESWORTH 149203 0 0 0 0 0 6797 0 7322 0 163322 0 0 0 MASSACHUSETTS DEVELOPMENT FINANCE AGENCY 043431814 2012-05-03 6408949 REFUNDING ISSUE 0 0 0 6350000 6408949 96449 6312500 2006 1 0 1 1 0 0 1 1 0 0.01120 0.00500 0.01620 0 0 0 0 0 0 0 X 6 0 X 9 361335 FAIR MARKET VALUE X 1 2972 FAIR MARKET VALUE X FLOWERS 2 4917 FAIR MARKET VALUE X RAFFLE PRIZE 1 8590 FAIR MARKET VALUE 0 1 0 METHOD FOR DETERMINING NUMBER OF CONTRIBUTORS: PART I, COLUMN (B): THE ORGANIZATION IS REPORTING THE NUMBER OF STOCK CONTRIBUTIONS BASED ON THE NUMBER OF GIFTS RECEIVED. THE NUMBER OF ALL OTHER CONTRIBUTIONS IS BASED ON THE NUMBER OF CONTRIBUTORS. NON REPORTING OF REVENUE: PART I, LINE 33: CONTRIBUTED ART COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS AS PERMITTED UNDER SFAS 116 (ASC958). CONTINUATION OF PROGRAM DESCRIPTIONS FORM 990, PART III, 4A: FIGURING COLOR FEBRUARY 17-MAY 20, 2012 FIGURING COLOR: KATHY BUTTERLY, FELIX GONZALEZ-TORRES, ROY MCMAKIN, SUE WILLIAMS PRESENTS APPROXIMATELY 65 WORKS, ALL OF WHICH EMPLOY COLOR AND FORM TO REPRESENT A METAPHORICAL BODY. WHEN WE STAND IN FRONT OF THE PAINTINGS AND SCULPTURES IN FIGURING COLOR, WE ARE COMPELLED TO CONSIDER THE BODY IN SPACE, AS A SHAPE AND AN EMOTION. THE BODY IS RENDERED AS VESSEL, AS PURE COLOR, AS ABSTRACTION, AS LINE, AS FIELD, AS ALLEGORY, AS EXCEEDINGLY TACTILE, AND AS SURFACE. FOR INSTANCE, ROY MCMAKIN'S SCULPTURE OF A CHAIR IS AT ONCE A BODY AND AN IMPLICATION OF AN ABSENT BODY, WHERE TWO TABLES INTERTWINED SUGGEST BODIES NESTLED TOGETHER. KATHY BUTTERLY'S CERAMIC SCULPTURES, WITH THEIR EVOCATIVE USE OF GLAZE, ARE MINIATURE BODIES, OR PORTRAITS, WHOSE SENSUALITY AMPLIFIES CLAY'S POTENTIAL FOR DELIGHTFUL FORM. IN FELIX GONZALEZ-TORRES'S SCULPTURES, PILES OF WRAPPED CANDY AND PLASTIC-BEAD CURTAINS ARE EXPERIENCED THROUGH TOUCH, PRIVILEGING THE SENSORY EXPERIENCE OF A PHYSICAL BODY WHILE STILL EVOKING A METAPHORICAL BODY. SUE WILLIAMS'S RIOTOUSLY COLORFUL PAINTINGS EXPLORE THE BODY ABSTRACTED, ONE COMPOSED OF MANY SURFACES-BOTH INTERIOR AND EXTERIOR-REPRESENTED ENTIRELY THROUGH COLOR. THIS EXHIBITION IS ACCOMPANIED BY A CATALOGUE WITH 22 COMMISSIONED POEMS. ORGANIZED BY JENELLE PORTER, SENIOR CURATOR. ICA COLLECTION 7: THE PORTRAIT MARCH 21, 2012-MARCH 2013 THE ICA COLLECTION REFLECTS A HISTORY OF EXHIBITIONS BY SUCH TRAILBLAZING PHOTOGRAPHERS AS PHILIP-LORCA DICORCIA, RINEKE DIJKSTRA, ROE ETHRIDGE, NAN GOLDIN, AND CATHERINE OPIE, ALL OF WHOM ARE KNOWN PRIMARILY FOR PORTRAIT-RELATED IMAGERY. TRADITIONALLY, PORTRAITS DOCUMENT PEOPLE, OFTEN PAYING TRIBUTE TO OR MEMORIALIZING THEM. PORTRAITS MIGHT CONVEY INFORMATION ABOUT THE SUBJECTS' PERSONALITIES OR SOCIAL STANDING THROUGH POSE, JEWELRY, CLOTHING, AND SURROUNDINGS. PORTRAITS ALSO IMAGE MOOD, WITH THE FIGURE OFTEN LOOKING DIRECTLY AT THE ARTIST, AND BY EXTENSION, THE VIEWER. THE ARTWORKS INCLUDED IN THIS COLLECTION EXHIBITION MOVE THIS MOST TRADITIONAL OF GENRES IN UNEXPECTED DIRECTIONS: THE ELEVATION OF THE EVERYDAY, THE DOCUMENTING OF SUBCULTURES, AND THE DEPICTION OF PLACES AND EVENTS. THEY EXPAND THE TRADITION OF PORTRAITURE NOT ONLY THROUGH CONCEPTUAL MODES, BUT ALSO THROUGH MEDIUM. A PORTRAIT MIGHT BE A PAINTING OR A PHOTOGRAPH, BUT IT MIGHT ALSO BE A CARICATURE, A VIDEO, A SET OF MAILED IMAGES, A BRONZE SCULPTURE, A MASKED MANNEQUIN, AN OPEN BOOK, FAVORITE RECORDS, OR EVEN A VERDANT LANDSCAPE. ORGANIZED BY JENELLE PORTER, SENIOR CURATOR. CHARLINE VON HEYL MARCH 21-JULY 15, 2012 CHARLINE VON HEYL'S VIBRANT, INSISTENT, ENIGMATIC WORKS DEMONSTRATE THAT PAINTING REMAINS ESSENTIAL TO CONTEMPORARY ART. HER IMAGERY IS NOT AN ABSTRACTION OF OBJECTS OR FIGURES, BUT GENERATED FROM THE CONJURING OF HER MIND AND THE MATERIAL PROPERTIES OF PAINT ON CANVAS. WITH THEIR INTENTIONAL CONFUSION OF FOREGROUND AND BACKGROUND, THEIR DYNAMIC ENERGY, AND THEIR CONTRADICTIONS AND REVERSALS, THESE PAINTINGS REFUSE TO YIELD TO THE IMPULSE TO NAME, IDENTIFY, AND DEFINE. THEY ARE ABOUT, AND REQUIRE, SUSTAINED LOOKING. AS VON HEYL SAYS, "IT IS ABOUT THE FEELING THAT A PAINTING, OR ANY WORK OF ART, CAN GIVE-WHEN YOU CAN'T STOP LOOKING BECAUSE THERE IS SOMETHING THAT YOU WANT TO FIND OUT, THAT YOU WANT TO UNDERSTAND. . . . GOOD PAINTINGS HAVE THIS TANTALIZING QUALITY. AND ONCE YOU TURN AROUND, YOU ABSOLUTELY CANNOT RECAPTURE THEM. THEY LEAVE A HOLE IN THE MIND, A LONGING." THIS EXHIBITION SURVEYS THE LAST TEN YEARS OF VON HEYL'S PAINTINGS AND WORKS ON PAPER, AND IS ACCOMPANIED BY A CATALOGUE. ORGANIZED BY THE INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PENSYLVANIA AND GUEST CURATED BY JENELLE PORTER, SENIOR CURATOR. JOSIAH MCELHENY: SOME PICTURES OF THE INFINITE JUNE 22-OCTOBER 14, 2012 THE EXHIBITION FEATURES EXAMPLES OF MCELHENY'S FROM THE PAST 15 YEARS, ALL OF WHICH EXPLORE THE REPRESENTATION OF TIME AND SPACE. OF PARTICULAR INTEREST HAS BEEN MCELHENY'S INVESTIGATIONS OF THE CONCEPT OF INFINITY. INFINITY IS A SPATIAL CONUNDRUM THAT QUICKLY TURNS INTO A PHILOSOPHICAL PROBLEM: HOW DOES ONE REPRESENT THE UNREPRESENTABLE? WHAT IMAGES HAVE HUMANS USED OVER TIME TO CONNOTE THE MATHEMATICAL REALITIES OF THE BOUNDLESSNESS OF SPACE AND TIME? AND HOW MIGHT THOSE IMAGES AND IDEAS REFLECT PSYCHOLOGICAL STATES OR PERCEPTIONS OF HISTORY? IN MCELHENY'S WORK, THINKING ABOUT INFINITY IS ALSO A WAY OF THINKING ABOUT OF UTOPIA. BOTH ARE ABSTRACT CONCEPTS WITHOUT WHICH WE CANNOT IMAGINE THE POSSIBILITY OF CHANGE. FOR INSTANCE, INFINITY IS USED AS A CONSTANT IN MATHEMATICAL EQUATIONS THAT ALLOW SCIENTISTS TO SPECULATE ABOUT THINGS AND PHENOMENA UNSEEN, JUST AS UTOPIA IS A HISTORICAL CONSTRUCT THAT PERMITS UNREALIZED YET ASPIRATIONAL ACTIVITIES, FREQUENTLY IN THE NAME OF SOCIAL JUSTICE. MCELHENY EXPLORES THIS INTELLECTUAL MATRIX BY PAIRING THE FUTURISTIC ASPIRATIONS OF BUCKMINSTER FULLER WITH THE MID-CENTURY SENSUALITY OF ISAMU NOGUCHI, OR BY WORKING WITH SCIENTISTS TO MAKE REPRESENTATIONS OF THE BIG BANG. HE DOES SO THROUGH THE MEDIUM OF GLASS, ONE OF THE OLDEST FORMS OF MAKING IN HUMAN HISTORY. THE ICA'S EXHIBITION WILL EXPLORE AND CONTEXTUALIZE MCELHENY'S QUESTIONS REGARDING SPACE AND TIME, HUMAN HISTORY, AND THE ONGOING DIALOGUE BETWEEN DESIGN, EVERYDAY OBJECTS, AND ART. THIS EXHIBITION IS ACCOMPANIED BY A CATALOGUE. ORGANIZED BY HELEN MOLESWORTH, BARBARA LEE CHIEF CURATOR. FORM 990, PART VI, SECTION B, LINE 11 FORM 990 IS REVIEWED BY THE ICA'S CFO/COO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS CHARGED WITH APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO/COO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE. FORM 990, PART VI, SECTION B, LINE 12C EACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A)ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B)APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C)DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D)TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY. FORM 990, PART VI, SECTION B, LINE 15 THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (DEPUTY DIRECTOR FOR EXTERNAL RELATIONS, CFO/COO, CHIEF CURATOR AND DIRECTOR OF PROGRAMS) BUT FINAL COMPENSATION FOR SENIOR MANAGER IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONLFICT OF INTEREST POLICY, FORM 990 AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST. IN ADDITION, THE ORGANIZATION'S FORM 990 IS AVAILABLE VIA GUIDESTAR AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE. CHANGES IN NET ASSETS OR FUND BALANCES: FORM 990, PART XI, LINE 5: NET UNREALIZED LOSSES ON INVESTMENTS: -349,263. DISCOUNT ON UNCONDITIONAL PROMISES TO GIVE -78,916. LOSS ON SPLIT INTEREST AGREEMENT -64,625. LOSS ON UNCOLLECTIBLE PROMISES TO GIVE -124,523. TOTAL TO FORM 990, PART XI, LINE 5: -617,327. 955 BOYLSTON STREET CORPORATION 100 NORTHERN AVENUE BOSTON MA 02210 043170164 REAL ESTATE HOLDING FOR ICA MA 501(C)(2) N/A 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0