2014-05-14T15:38:47-05:00 2013-06-30 131517563 LOEB & TROPER LLP 655 THIRD AVENUE 12TH FLOOR NEW YORK NY 10017 990 2012-07-01 131624098 MUSEUM OF THE CITY OF NEW YORK MUSE 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 BRIAN HERRIN 2125341672 2014-05-14 1 FREDERICK H ROTHMAN P01275277 2128674000 2012 2015-11-30 17:44:51Z BRIAN HERRIN 1220 FIFTH AVENUE NEW YORK NY 10029 14146980 0 X WWW.MCNY.ORG X 1923 NY THE MUSEUM OF THE CITY OF NEW YORK PRESENTS AND INTERPRETS THE PAST, PRESENT AND FUTURE OF NEW YORK CITY AND CELEBRATES ITS HERITAGE OF DIVERSITY, TOLERANCE, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NON-PROFIT CORPORATION, THE MUSEUM SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM ACROSS THE COUNTRY AND AROUND THE WORLD THROUGH EXHIBITIONS, COLLECTIONS, PUBLICATIONS, AND SCHOOL AND PUBLIC PROGRAMS. 47 47 179 244 0 0 9097458 8991870 1687835 1488958 671804 1167665 77449 350797 11534546 11999290 1427806 1752770 0 0 6705549 6619776 48000 48000 1603765 5239939 5320220 13421294 13740766 -1886748 -1741476 45345733 44860326 675866 766502 44669867 44093824 X THE MUSEUM OF THE CITY OF NEW YORK PRESENTS AND INTERPRETS THE PAST, PRESENT AND FUTURE OF NEW YORK CITY AND CELEBRATES ITS HERITAGE OF DIVERSITY, TOLERANCE, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NON-PROFIT CORPORATION, THE MUSEUM SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM ACROSS THE COUNTRY AND AROUND THE WORLD THROUGH EXHIBITIONS, COLLECTIONS, PUBLICATIONS, AND SCHOOL AND PUBLIC PROGRAMS. 0 0 4864044 639867 EXHIBITIONS AND PUBLICATIONS:CAPITAL OF CAPITAL: NEW YORK'S BANKS AND THE CREATION OF A GLOBAL ECONOMY (MAY 21 - OCTOBER 21, 2012) EXPLORED HOW THE ECONOMIC DYNAMO THAT IS NEW YORK CITY WAS MADE POSSIBLE IN GREAT PART BY ITS INNOVATIVE AND CONTROVERSIAL BANKING SECTOR. RARE HISTORICAL OBJECTS AND IMAGES, INCLUDING BANKING INSTRUMENTS, ARCHITECTURAL RENDERINGS, AND ADVERTISEMENTS, TOLD A FASCINATING SAGA, REVEALING HOW NEW YORK'S GEOGRAPHY, HUMAN CAPITAL, AND POLITICAL ALIGNMENTS HELPED MAKE FINANCE A MAJOR COMPONENT NOT ONLY OF GOTHAM'S ECONOMY BUT ALSO OF ITS IDENTITY. A BOOK BASED ON THE EXHIBITION ENTITLED CAPITAL OF CAPITAL: MONEY, BANKING, AND POWER IN NEW YORK CITY, WAS CO-PUBLISHED WITH COLUMBIA UNIVERSITY PRESS. FROM FARM TO CITY: STATEN ISLAND, 1661-2012 (SEPTEMBER 13, 2012 - FEBRUARY 10, 2013) USED MAPS, PHOTOGRAPHS, AND ARTIFACTS TO EXPLORE STATEN ISLAND'S TRANSFORMATION FROM A FARMING CENTER TO A RURAL RETREAT, A SERIES OF RAPIDLY BUILT RESIDENTIAL COMMUNITIES, A CENTER FOR INDUSTRY AND, INCREASINGLY, A DENSE URBAN ENVIRONMENT. A COMPANION WEB SITE, MAPPING STATEN ISLAND, ALLOWS VISITORS TO TRACE THE ISLAND'S DEVELOPMENT OVER TIME AND TO IMAGINE ALTERNATE VISIONS AND ROADS NOT TAKEN. THE WORLD OF D.D. AND LESLIE TILLETT (OCTOBER 17, 2012 - FEBRUARY 3, 2013) BROKE NEW GROUND AS THE FIRST RETROSPECTIVE OF THE EXTRAORDINARY CAREERS OF THIS HUSBAND AND WIFE DESIGN TEAM, WHO WERE KEY FIGURES IN SHAPING AMERICA'S POST-WAR TEXTILE DESIGN AND FASHION INDUSTRIES. VISITORS EXPERIENCED A VISUAL FEAST, WITH OVER 100 ARTIFACTS, GARMENTS, AND PHOTOGRAPHS TRACING THE TILLETTS' FOUR-DECADE LONG CAREERS. THE EXHIBITION RECEIVED STRONG PRESS COVERAGE, INCLUDING IN THE TIMES, WHICH RAN A LENGTHY APPRECIATION OF THE TILLETTS.STEPHEN BURROWS: WHEN FASHION DANCED (MARCH 22 - JULY 28, 2013) WAS A SURVEY OF THE CAREER OF THE FIRST AFRICAN AMERICAN DESIGNER TO ACHIEVE INTERNATIONAL ACCLAIM. THE SPECTACULARLY DESIGNED SHOW IMMERSED VISITORS IN BURROWS' DYNAMIC STYLE, BRINGING TOGETHER VINTAGE DRESSES AND OUTFITS AS WELL AS ORIGINAL DESIGN DRAWINGS, PHOTOGRAPHS, AND VIDEO FOOTAGE. IT RECEIVED RAVE REVIEWS, INCLUDING FROM THE HUFFINGTON POST, WHICH CALLED IT "A FEAST FOR THE EYES AND A MUST-SEE FOR ANY FASHION LOVER." THE EXHIBITION'S ACCOMPANYING BOOK WAS THE FIRST FREE STANDING MONOGRAPH TO BE PUBLISHED ON THE CAREER OF THIS INFLUENTIAL DESIGNER. MAKING ROOM: NEW MODELS FOR HOUSING NEW YORKERS (JANUARY 23 - SEPTEMBER 15, 2013) SHOWCASED INNOVATIVE DESIGN SOLUTIONS TO BETTER ACCOMMODATE NEW YORK'S CHANGING, AND SOMETIMES SURPRISING, DEMOGRAPHICS. EXAMPLES OF HOUSING THAT COULD MEET THE NEEDS OF THE CITY'S RISING NUMBER OF SINGLE PEOPLE INCLUDED A FULL-SIZED, FLEXIBLY FURNISHED MICRO-STUDIO APARTMENT OF JUST 325 SQUARE FEET, A SIZE CURRENTLY PROHIBITED IN MOST AREAS OF THE CITY. A BEAUTIFUL WAY TO GO: NEW YORK'S GREEN-WOOD CEMETERY (MAY 15 - OCTOBER 13, 2013) COMMEMORATED THE 175TH ANNIVERSARY OF THIS NATIONAL LANDMARK. ORIGINAL ARTIFACTS, MAPS, DRAWINGS, DOCUMENTS, AND PHOTOGRAPHS TOLD GREEN-WOOD'S MULTIFACETED STORY: ITS LANDSCAPE, ART, AND ARCHITECTURE, AND THE LIVES OF ITS MANY ILLUSTRIOUS RESIDENTS. 2215340 218199 COLLECTIONS CARE:THE MUSEUM IS MAKING OUR VAST COLLECTION OF NEW YORK CITY ICONOGRAPHY-ONE OF THE FINEST IN THE WORLD-ACCESSIBLE ONLINE THROUGH A COLLECTIONS PORTAL AT MCNY.ORG. MORE THAN 135,000 HIGH-RESOLUTION IMAGES, MOST OF WHICH HAVE NEVER BEFORE BEEN PUBLICLY AVAILABLE, ARE NOW AVAILABLE FOR VIEWING BY ANYONE IN THE WORLD POSSESSING AN INTERNET CONNECTION. THE PORTAL ADVANCES KEY ORGANIZATIONAL OBJECTIVES BY INCREASING PUBLIC ACCESS TO THE MUSEUM'S COLLECTIONS AND ILLUMINATING THE HISTORY AND LIFE OF NEW YORK. SINCE ITS UNVEILING IN 2010, MORE THAN 436,000 INDIVIDUALS FROM 190 COUNTRIES HAVE VIEWED MORE THAN 6.2 MILLION PORTAL PAGES. DURING FY2013, THE MUSEUM UPLOADED 20,000 ADDITIONAL IMAGES AND RECORDS TO THE PORTAL; NEWLY AVAILABLE ITEMS INCLUDE PORTIONS OF THE FOLLOWING COLLECTIONS: RECENTLY DIGITIZED AND UPLOADED ITEMS FROM THE MUSEUM'S PHOTOGRAPHY COLLECTION INCLUDE 2,838 IMAGES DERIVED FROM 20 SCRAPBOOKS THAT CONTAIN HISTORIC IMAGES OF NEW YORK FROM THE MID-19TH THROUGH THE MID-20TH CENTURIES. THESE PHOTOGRAPHS DOCUMENT THE HOMES OF PROMINENT LOCAL CITIZENS (I.E. ANDREW CARNEGIE), THE BUILDING OF THE CITY'S PARKS, TRANSPORTATION SYSTEMS AND INFRASTRUCTURE, AS WELL AS VIEWS OF NEW YORK'S WATERFRONT, CIVIC EVENTS, STREET SCENES AND QUOTIDIAN LIFE. A MULTI-YEAR PROJECT COMPLETED DURING FY2013 WAS THE CONSERVATION, DIGITIZATION, CATALOGING AND UPLOADING OF THE MUSEUM'S WURTS BROTHERS PHOTOGRAPHY COLLECTION, WHICH DOCUMENTS THE EXPLOSIVE GROWTH OF NEW YORK'S BUILT ENVIRONMENT FROM 1895 TO 1965; 7,388 EXAMPLES OF ARCHITECTURAL PHOTOGRAPHY BY THE WURTS BROTHERS STUDIO WERE ADDED TO THE PORTAL DURING THIS PERIOD.ITEMS FROM THE MUSEUM'S PRINTS COLLECTION RECENTLY DIGITIZED AND MADE AVAILABLE ON THE PORTAL INCLUDE 289 WORKS ON PAPER FROM THE J. CLARENCE DAVIES COLLECTION, ONE OF THE LARGEST VISUAL DOCUMENTATION COLLECTIONS OF ANY AMERICAN CITY. WORKS RECENTLY SCANNED AND UPLOADED THAT ORIGINATE FROM THE MUSEUM'S THEATER COLLECTION INCLUDE OVER 2,000 ITEMS FROM OUR EXTENSIVE YIDDISH THEATER HOLDINGS, INCLUDING PRODUCTION STILLS, POSTERS, AND SHOW PROGRAMS. ALSO DIGITIZED DURING THIS PERIOD WERE 53 SCRAPBOOKS-CONTAINING 2,500 INDIVIDUAL PAGES-THAT DOCUMENT ETHEL MERMAN'S WORK ON THE STAGE AND SCREEN. CREATED AND MAINTAINED BY HER FATHER, THE SCRAPBOOKS CHART HER CAREER THROUGH SUCH ICONIC PRODUCTIONS AS ANYTHING GOES, ANNIE GET YOUR GUN, AND GYPSY AND MAKE UP THE ONLY KNOWN COMPREHENSIVE COLLECTION DOCUMENTING THE STAR'S PROFESSIONAL LIFE.DURING FY2013, 202 HIGH DEFINITION DIGITAL IMAGES WERE MADE OF SIGNIFICANT HOLDINGS FROM OUR FURNITURE AND DECORATIVE ARTS COLLECTION. THESE INCLUDE ONE OF THE MUSEUM'S CROWN JEWELS: A SUITE OF EMPIRE FURNITURE BY DUNCAN PHYFE COMMISSIONED IN 1827 BY THE PROMINENT NEW YORK MERCHANT STEPHEN WHITNEY. 938964 343340 EDUCATION:EDUCATION IS AT THE CORE OF THE CITY MUSEUM'S MISSION. DURING THE 2012/13 ACADEMIC YEAR, MORE THAN 43,000 STUDENTS AND TEACHERS WERE SERVED THROUGH THE SCHWARZ CENTER'S FIELD TRIPS, OUT-OF-SCHOOL-TIME PROGRAMS, AND PROFESSIONAL DEVELOPMENT WORKSHOPS. ABOUT 85% OF PARTICIPATING YOUNGSTERS WERE FROM UNDER-RESOURCED PUBLIC SCHOOLS. THE CENTER'S PROGRAMS ENABLED STUDENTS TO EXPLORE THE CITY'S UNFOLDING STORY AND THEIR OWN PLACE IN IT, FULFILLING A CORE ASPECT OF OUR MISSION: TO MAKE THE CITY'S HISTORY COMPELLING AND ACCESSIBLE TO YOUNG PEOPLE. SCHOOL PROGRAMS, THE CENTER'S FLAGSHIP FIELD TRIPS FOR VISITING SCHOOL GROUPS, CONTINUED TO ADDRESS THE PERSISTENT, CITY-WIDE PROBLEM OF STUDENT UNDERACHIEVEMENT IN SOCIAL STUDIES. THE CITY'S MOST AT-RISK CHILDREN WERE PROVIDED WITH CONTENT-RICH ACTIVITIES DURING THE 2012/13 ACADEMIC YEAR, ENHANCING LEARNING IN SOCIAL STUDIES, BUILDING CRITICAL THINKING SKILLS, AND NURTURING INTERESTS IN HISTORY AND CREATIVE EXPRESSION. THESE PROGRAMS SERVED A TOTAL OF 18,313 STUDENTS AND 3,510 EDUCATORS. WITH THE SUPPORT OF THE PINKERTON FOUNDATION, THE SCHWARZ CENTER INSTITUTED A PILOT SUMMER INTERNSHIP PROGRAM IN FY2013 THAT SERVED 13 YOUNG ADULTS OF DIVERSE BACKGROUNDS-AGED 18 - 22 - WHO WERE WORKING TOWARD THEIR G.E.D, OR WHO WERE UNABLE TO AFFORD POST-SECONDARY SCHOOL EDUCATION. THE INTERNSHIP INCLUDED FOUR MONTHS OF RIGOROUS TRAINING THAT INTRODUCED THEM TO THE STUDY AND PRACTICE OF MUSEUM EDUCATION AND PREPARED THEM TO LEAD FIELD TRIPS AND FAMILY PROGRAMS AT THE CENTER DURING THE SUMMER MONTHS, WHEN THEY SERVED 5,002 YOUNGSTERS, 826 EDUCATORS, AND 467 FAMILY MEMBERS/CAREGIVERS. DURING FY2013, THE SCHWARZ CENTER OFFERED 26 FAMILY PROGRAMS TO CHILDREN AND THEIR PARENTS AND CAREGIVERS. THESE INCLUDED HANDS-ON ART AND HISTORY WORKSHOPS, PERFORMANCES, STORYTELLING, AND FAMILY-FRIENDLY EXHIBITION TOURS AND SCAVENGER HUNTS, WHICH TOOK PLACE ON WEEKENDS AND SCHOOL VACATION DAYS. THROUGH PARTNERSHIPS WITH NEW YORK CITY'S DEPARTMENT OF HOMELESS SERVICES (DHS) AND THE ADMINISTRATION FOR CHILDREN'S SERVICES (ACS), FAMILIES LIVING IN THE CITY'S SHELTER SYSTEM AND YOUNGSTERS WHO HAVE BEEN REMOVED FROM THEIR HOMES BY CHILD PROTECTIVE SERVICES DUE TO ABUSE AND/OR MALTREATMENT PARTICIPATED IN FAMILY PROGRAMS ALONGSIDE MAINSTREAM MUSEUM AUDIENCES. SATURDAY ACADEMY IS A SIX-WEEK PROGRAM PROVIDING CENTRAL AND EAST HARLEM STUDENTS IN GRADES 8 - 12 WITH FREE SAT PREPARATION AND AMERICAN HISTORY CLASSES. FOR THE 2013/14 ACADEMIC YEAR, THE ACADEMY OPERATED AT FULL CAPACITY SERVING A TOTAL OF 496 STUDENTS. THERE WAS SUBSTANTIVE EVIDENCE DURING FY2013 OF THE SUCCESS OF THE ACADEMY'S SAT PREP COURSES: 63% OF PARTICIPANTS WHO HAD TAKEN THE TEST BEFORE INCREASED THEIR SCORES BY AN AVERAGE OF 140.7 POINTS; 45% OF THESE STUDENTS IMPROVED BY 120 POINTS OR MORE. NEIGHBORHOOD EXPLORERS WAS A FREE AFTER-SCHOOL PROGRAM FOR STUDENTS IN GRADES 6 - 8 WHO LEARNED ABOUT ARCHITECTURE, URBAN PLANNING, AND DESIGN BY EXPLORING EAST HARLEM AND BY CREATING SPECIAL PROJECTS, WHICH WERE PRESENTED TO THEIR PEERS, FAMILIES, AND MEMBERS OF THE COMMUNITY AT CULMINATING EVENTS. NEIGHBORHOOD EXPLORERS ACTIVITIES REACHED 875 YOUTHS AND ADULTS DURING THIS PERIOD. IN FY2013, THE SCHWARZ CENTER'S PROFESSIONAL DEVELOPMENT WORKSHOPS CONTINUED TO BE UTILIZED BY EDUCATORS TO MAINTAIN PROFESSIONAL CERTIFICATION FROM THE NEW YORK CITY DEPARTMENT OF EDUCATION. THE 2,844 WORKSHOP ATTENDEES LEARNED CONTENT ABOUT A VARIETY OF NEW YORK CITY TOPICS AND EXPLORED STRATEGIES FOR EFFECTIVELY USING PRIMARY AND SECONDARY SOURCES IN THE CLASSROOM. 3042444 1752770 519443 3042444 1752770 519443 11060792 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 1 0 0 1 1 0 0 1 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 142 0 179 1 0 0 0 0 0 1 1 0 0 0 0 X 47 47 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 0 0 1 1 NY X BRIAN HERRIN 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 JAMES G DINAN 1.00 X X 0 0 0 NEWTON PS MERRILL 1.00 X X 0 0 0 THOMAS M FLEXNER 1.00 X X 0 0 0 RONAY MENSCHEL 1.00 X X 0 0 0 JAMES E QUINN 1.00 X X 0 0 0 BRUNO QUINSON 1.00 X X 0 0 0 LAWRENCE J SIMON 1.00 X X 0 0 0 JANE B O'CONNELL 1.00 X X 0 0 0 MARTIN J MCLAUGHLIN 1.00 X X 0 0 0 ELIZABETH FARRAN TOZER 1.00 X X 0 0 0 DAVID GUIN 1.00 X X 0 0 0 JEREMY H BIGGS 1.00 X 0 0 0 CAROLYN BRODY 1.00 X 0 0 0 MICHAEL BRUNO 1.00 X 0 0 0 JAMES E BRUCKMAN 1.00 X 0 0 0 JAMES CACIOPPO 1.00 X 0 0 0 PAMELA CLOUD 1.00 X 0 0 0 MARVIN H DAVIDSON 1.00 X 0 0 0 TODD DEGARMO 1.00 X 0 0 0 JAMES P DRUCKMAN 1.00 X 0 0 0 VERNON EVENSON 1.00 X 0 0 0 BARBARA J FIFE 1.00 X 0 0 0 LAURA LOFARO FREEMAN 1.00 X 0 0 0 LESLIE GODRIDGE 1.00 X 0 0 0 LORNA GOODMAN 1.00 X 0 0 0 JAMES HANLEY 1.00 X 0 0 0 SYLVIA HEMMINGWAY 1.00 X 0 0 0 JANE HOFFMAN 1.00 X 0 0 0 ROBERT JAIN 1.00 X 0 0 0 ROBERT A JEFFE 1.00 X 0 0 0 STEPHEN A KETCHUM 1.00 X 0 0 0 JOAN KHOURY 1.00 X 0 0 0 STANFORD G LADNER 1.00 X 0 0 0 STEPHEN S LASH 1.00 X 0 0 0 JAMES A LEBENTHAL 1.00 X 0 0 0 NANCY MAHON 1.00 X 0 0 0 GURUDATTA NADKARNI 1.00 X 0 0 0 DANIEL J OSHEYACK 1.00 X 0 0 0 TRACEY PONTARELLI 1.00 X 0 0 0 KATHRYN PROUNIS 1.00 X 0 0 0 VALERIE ROWE 1.00 X 0 0 0 MARY BURWELL SHORR 1.00 X 0 0 0 ANN SPENCE 1.00 X 0 0 0 MITCHELL S STEIR 1.00 X 0 0 0 JEFFERY S TABAK 1.00 X 0 0 0 DARYL BROWN UBER 1.00 X 0 0 0 WILLIAM C VRATTOS 1.00 X 0 0 0 CARL DREYER 40.00 X 144295 0 33833 SUSAN HENSHAW JONES 40.00 X 363316 0 23250 SARAH HENRY 40.00 X 207490 0 37056 SUSAN MADDEN 40.00 X 201003 0 21323 DONALD ALBRECHT 40.00 X 102367 0 14918 PREL GJELAJ 40.00 X 104998 0 26208 PATRICIA ZEDALIS 40.00 X 117255 0 22893 1240724 0 179481 7 0 1 0 ENNEAD ARCHITECTS 320 WEST 13TH ST NEW YORK NY 10014 ARCHITECTS 852413 1 2410622 2909943 3671305 8991870 ADMISSIONS 900099 639867 639867 EDUCATIONAL PROGRAMS 611710 343340 343340 MEMBERSHIP DUES 900099 287552 287552 LICENSING AND OTHER FEES 900099 218199 218199 1488958 312143 312143 316192 89555 226637 226637 226637 1971597 270014 1373705 12384 597892 257630 855522 855522 322700 2410622 430431 -107731 -107731 473506 241615 231891 231891 11999290 1720849 0 1286571 1752770 1752770 1080831 666632 126036 288163 4098230 3075521 378125 644584 391559 298697 35234 57628 636872 475008 56030 105834 412284 305931 37434 68919 10465 10465 32077 32077 48000 48000 92948 92948 742245 675483 46217 20545 1048603 951652 22848 74103 159044 133920 10851 14273 661773 597424 31131 33218 671 671 1134138 901274 117427 115437 EXHIBITION DESIGN AND F 970052 911193 8300 50559 468204 315287 70415 82502 13740766 11060792 1076209 1603765 1508538 1602829 1696903 1000818 3892208 2012067 67026 84526 70926 54718 26958112 6147978 20780785 20810134 11580798 12851023 5748549 6444211 45345733 44860326 424374 631305 251492 135197 675866 766502 X 22963759 23180680 13749313 11850060 7956795 9063084 44669867 44093824 45345733 44860326 -1741476 1165433 0 X X 0 1 X 1 1 1 X 16509012 10439230 11869257 9097458 8991870 56906827 16509012 10439230 11869257 9097458 8991870 56906827 7122349 49784478 455732 418438 546995 554977 628335 2604477 476986 476986 59988290 9694036 0.82990 0.82160 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: EXPENSE RECOVERIES RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 7956795 500403 831931 226045 9063084 8548442 158723 750370 7956795 8102697 746409 50000 250664 8548442 5873733 1915853 313111 8102697 3987326 1886407 5873733 1.00000 0 0 21777339 4004089 17773250 64506 26444 38062 522752 365180 157572 4593515 1752265 2841250 20810134 KING STREET LIMITED PARTNERSHIP 2601460 F OFFSHORE FUNDS 3842751 F 6444211 CAPITAL LEASE OBLIGATIONS 3960 DEFERED RENT EXPENSE 131237 135197 X 13984984 1165433 823654 89555 2078642 11906342 92948 92948 11999290 14561027 823654 89555 913209 13647818 92948 92948 13740766 PART III, LINE 1A: THE MUSEUM'S COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ITS INCEPTION, IS NOT RECOGNIZED AS AN ASSET ON THE ACCOMPANYING BALANCE SHEET. COLLECTION ITEMS ARE EXPENSED WHEN ACQUIRED. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED IN THE ACCOMPANYING FINANCIAL STATEMENTS. DETAILED INVENTORY RECORDS, HOWEVER, ARE MAINTAINED FOR COLLECTIONS. THE VALUE OF THE COLLECTION IS NOT READILY DETERMINABLE AND THE MUSEUM DOES NOT INSURE THE COLLECTION FOR THE COST OF ITS REPLACEMENT. PART III, LINE 4: THE MUSEUM HAS VARIOUS COLLECTIONS WHICH IT USES FOR ITS DIFFERENT EXHIBITIONS AND PROGRAMS THROUGHOUT THE YEAR. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: THE MUSEUM HAS DONOR-RESTRICTED ENDOWMENT FUNDS ESTABLISHED TO HELP FUND VARIOUS PROJECTS AT THE MUSEUM DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X, LINE 2: UNCERTAINTY IN INCOME TAXES - THE MUSEUM HAS DETERMINED THAT THERE ARE NO MATERIAL UNCERTAIN TAX POSITIONS THAT REQUIRE RECOGNITION OR DISCLOSURE IN THE FINANCIAL STATEMENTS. PERIODS ENDING JUNE 30, 2010 AND SUBSEQUENT REMAIN SUBJECT TO EXAMINATION BY APPLICABLE TAXING AUTHORITIES. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES INCLUDED ON FORM 990, PART VII, LINE 6B 89,555. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES INCLUDED ON FORM 990, PART VII, LINE 6B 89,555. CENTRAL AMERICA AND THE CARIBBEAN - INVESTMENTS 6444211 0 0 0 0 0 0 6444211 0 6444211 0 0 0 1 0 0 X X X X X X X 1 MARK GILBERTSON 22 EAST 81ST ST NEW YORK NY 10028 DIRECTOR'S COUNCIL EVENTS 0 877300 48000 829300 877300 48000 829300 NY CHAIRMAN'S LEADERSHIP AWARD DINNER 1231650 1129250 102400 49860 77612 48720 1570 WINTER BALL 555150 446350 108800 104131 1500 2030 4 946522 835022 111500 864 15218 100131 18385 10410 2733322 2410622 322700 864 169209 177743 68605 14010 430431 -107731 1 SEAPORT MUSEUM NEW YORK 12 FULTON STREET NEW YORK NY 10038 132596500 501(C)(3) 1402553 350217 FMV OF CONTRIBUTED EXPENSES SALARIES AND RELATED BENEFITS, LEGAL AND OTHER EXPENSES TO SUPPORT THE OPERATIONS OF SEAPORT MUSEUM OF NEW YORK 1 0 PROCEDURE FOR MONITORING GRANTS IN THE U.S.: PART I, LINE 2: SCHEDULE I, PART I, LINE 2: ALL EXPENSES PAID ON BEHALF OF THE SEAPORT MUSEUM WERE PROCESSED THROUGH MCNY, AND WERE ONLY PROCESSED AFTER PROPER SUPPORT WAS PRESENTED X 0 0 0 0 0 0 0 0 0 CARL DREYER 144295 0 0 0 0 0 11368 0 22465 0 178128 0 0 0 SUSAN HENSHAW JONES 363316 0 0 0 0 0 18250 0 5000 0 386566 0 0 0 SARAH HENRY 207490 0 0 0 0 0 15832 0 21224 0 244546 0 0 0 SUSAN MADDEN 201003 0 0 0 0 0 14963 0 6360 0 222326 0 0 0 FORM 990, PART VI, SECTION A, LINE 2 MR. QUINSON AND MS. GOODMAN HAVE A FAMILY RELATIONSHIP. MR. DINAN, MR. JAIN AND MR. VRATTOS HAVE A BUSINESS RELATIONSHIP FORM 990, PART VI, SECTION B, LINE 11 THE 990 IS PRESENTED TO THE BOARD FOR REVIEW PRIOR TO BEING FILED. FORM 990, PART VI, SECTION B, LINE 12C EACH MEMBER, TRUSTEE, PRINCIPAL OFFICER AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD-DELEGATED POWERS SHALL ANNUALLY SIGN A CONFLICT OF INTEREST FORM. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, AN INTERESTED PERSON MUST DISCLOSE THE EXISTENCE OF THE FINANCIAL INTEREST AND BE GIVEN THE OPPORTUNITY TO DISCLOSE ALL MATERIAL FACTS TO THE TRUSTEES AND MEMBERS OF COMMITTEES WITH GOVERNING BOARD DELEGATED POWERS CONSIDERING THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE INTERESTED PERSON, HE/SHE SHALL LEAVE THE GOVERNING BOARD OR COMMITTEE MEETING WHILE THE DETERMINATION OF A CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. THE REMAINING BOARD OR COMMITTEE MEMBERS SHALL DECIDE IF A CONFLICT OF INTEREST EXISTS. AN INTERESTED PERSON MAY MAKE A PRESENTATION AT THE GOVERNING BOARD OR COMMITTEE MEETING, BUT AFTER THE PRESENTATION, HE/SHE SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION OR ARRANGEMENT INVOLVING THE POSSIBLE CONFLICT OF INTEREST. THE CHAIRMAN OR THE GOVERNING BOARD OR COMMITTEE SHALL, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE WHETHER MCNY CAN OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED TRUSTEES WHETHER THE TRANSACTION OR ARRANGEMENT IS IN MCNY'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE. IN CONFORMITY WITH THE ABOVE DETERMINATION IT SHALL MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. ANY DECISION BY A COMMITTEE SHALL BE SUBJECT TO REVIEW AND DETERMINATION BY THE GOVERNING BOARD SHOULD IT ELECT TO DO SO. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE GENERAL PUBLIC UPON REQUEST FORM 990, PART XII LINE 2C THE PROCESS HAS NOT CHANGED