2014-04-30T12:22:54-05:00 2013-06-30 410746749 CLIFTONLARSONALLEN LLP 20 E THOMAS RD STE 2300 PHOENIX AZ 85012 990 2012-07-01 860072608 PHOENIX ART MUSEUM PHOE 6022571880 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 GARY EGAN 6022571880 2014-04-24 1 PHIL MCCOLLUM CPA P00129716 6022662248 2012 2015-11-30 17:44:51Z GARY EGAN 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 9540336 0 X WWW.PHXART.ORG X 1949 AZ PHOENIX ART MUSEUM IS A VIBRANT DESTINATION CONNECTING PEOPLE TO GREAT ART FROM AROUND THE WORLD TO ENRICH THEIR LIVES AND COMMUNITIES. 47 47 152 2923 28053 12439 4943370 5491850 1924333 2102120 6704 7982 945240 800656 7819647 8402608 0 0 0 0 5166262 4621397 850 10523 857907 3567943 4420417 8735055 9052337 -915408 -649729 11078519 10575318 5456904 6163272 5621615 4412046 X PHOENIX ART MUSEUM IS A VIBRANT DESTINATION CONNECTING PEOPLE TO GREAT ART FROM AROUND THE WORLD TO ENRICH THEIR LIVES AND COMMUNITIES. 0 0 578089 SEE SCHEDULE O FOR DESCRIPTION OF "CURVES FOR E.S.", DAN GRAHAM. 459133 SEE SCHEDULE O FOR DESCRIPTION OF "ORDER,CHAOS AND THE SPACE BETWEEN". 138392 SEE SCHEDULE O FOR DESCRIPTION OF "THE ART OF THE VIDEO GAMES". 531336 244800 GIFT SHOP AND MUSEUM STORE - DESIGNED TO GIVE VISITORS A MORE IN DEPTH KNOWLEDGE OF THE VISUAL ARTS AND OF THE SUBJECTS DISCUSSED IN THE MUSEUM'S COLLECTIONS AND EXHIBITIONS. THE EDUCUATIONAL MERCHANDISE, UNIQUE MEMORABILIA AND EXHIBITION SPECIFIC ITEMS ALLOW FOR THE CONTINUATION OF THE MUSEUM EXPERIENCE AT HOME. 90010 AHMED ALSOUNDANI, REDACTEDIRAQI-AMERICAN PAINTER AHMED ALSOUDANI IS KNOWN FOR HIS VIBRANT, LARGE-SCALE FRAGMENTED COMPOSITIONS THAT COMBINE CHARCOAL DRAWING WITH ACRYLIC PAINT TO ARTICULATE THE ARTIST'S COMPELLING VOCABULARY OF VIOLENCE AND ITS REPERCUSSIONS. PHOENIX ART MUSEUM IS PLEASED TO PRESENT AHMED ALSOUDANI: REDACTED-THE ARTIST'S FIRST MAJOR MUSEUM SHOW THAT FOCUSED ON TWENTY-ONE PAINTINGS CREATED SINCE 2010.ALSOUDANI HAS LED A TUMULTUOUS LIFE. HIS WORK IS ROOTED IN HIS TURBULENT PERSONAL EXPERIENCES BUT SPEAKS TO SOMETHING LARGER. LOOK CLOSELY AND WE FIND NO TRACES OF CULTURE OR SOCIETY. THE ANONYMITY OF HIS IMAGES HIGHLIGHTS THE UNIVERSALITY OF HIS ISSUES. AT TURNS DARK AND FUNNY, HIS PAINTING IS A POWERFUL TESTAMENT TO HIS DESIRE TO CREATE ELOQUENT ARTWORKS THAT ASK VITAL QUESTIONS ABOUT OUR PLACE IN THE WORLD AMID EVER CHANGING INTERNATIONAL CIRCUMSTANCES 57585 MODERN SPIRIT: FASHION OF THE 1920'STHE 1920S HAVE BECOME SYNONYMOUS WITH FLAPPERS AND FREEDOM, BOBBED HAIR AND BLACK FRIDAY, SPEAKEASIES AND SHORTER HEMLINES. MODERN SPIRIT: 1920S FASHION DESIGN, THIS FASHION PRESENTS A UNIQUE LOOK BEYOND THOSE FAMILIAR IMAGES, AS IT CAPTURES THE MODERN SPIRIT OF THE DECADE'S LIVABLE FASHION, THE EVOLUTION OF CLOTHING AND ACCESSORIES AS AN EXPRESSION OF FREEDOM, INTELLECTUALISM, SEXUALITY AND ATHLETICISM IN THIS DECADE THAT MARKED THE BEGINNING OF THE MODERN AGE. MODERN SPIRIT: 1920S FASHION AND DESIGN PRESENTS MORE THAN 40 ENSEMBLES BY DESIGNERS SUCH AS GABRIELLE "COCO" CHANEL AND MADELIENE VIONNET, AND A FLOOD OF ACCESSORIES CAPTURING THE FREEDOM, CREATIVITY AND EXPRESSION OF THIS COLORFUL AND VIBRANT DECADE. 26522 KEHINDE WILEY, MEMLINGKEHINDE WILEY: MEMLING REPRESENTS A NEW SERIES OF WORK BY THE YOUNG AMERICAN PAINTER. THESE EIGHT PORTRAITS TAKE THEIR POSES AND CONTEXTS FROM THE WORKS BY THE LEGENDARY 15TH CENTURY FLEMISH MASTER HANS MEMLING BUT WILEY HAS SUBSTITUTED CONTEMPORARY SITTERS FOR THE HISTORICAL FIGURES.AT A TIME WHEN PORTRAITS WERE STILL RARE, MEMLING WAS AMONG THE FIRST TO PAINT INDIVIDUALS WHO WERE NOT ROYALTY OR MEMBERS OF THE CLERGY. MEMLING'S PORTRAITS OF INCREASINGLY INFLUENTIAL POWERFUL MERCHANT CLASS OF HIS DAY REPRESENT A QUIET REVOLUTION WITHIN FLEMISH SOCIETY. WILEY REFERENCES MEMLING'S PAINTING AS PART OF HIS LARGER PROJECT TO EXPLORE THE PLACE OF THE INDIVIDUAL WITHIN SOCIETY BY REEVALUATING QUESTIONS OF HOW YOUNG MEN OF COLOUR ARE SEEN AND DEFINED. PRESENTED IN ELABORATE FRAMES, KEHINDE'S PORTRAITS PLACE HIS MODERN SITTERS AT THE HEART OF CULTURE AND HISTORY. DESPITE THEIR INTIMATE SIZE, WILEY'S PORTRAITS LOSE NONE OF THEIR IMPACT AND POWER. THE SMALLER SCALE DEMANDS CLOSE INSPECTION AND PERSONAL ENGAGEMENT. THE ACTIVE GAZE OF HIS SITTERS-A DEPARTURE FROM MEMLING'S WORK-LEADS THE VIEWER TO THINK MORE CAREFULLY ABOUT THE INDIVIDUAL LIVES AND EXPERIENCE BEHIND THE INDIVIDUALS DEPICTED IN THE IMAGES. HIS LARGER-THAN-LIFE FIGURES COMMAND A RESPECT THAT IS OFTEN IN STARK CONTRAST WITH HIS SITTER'S DISENFRANCHISED AND ANONYMOUS BACKGROUNDS. 25340 DIGITAL PRINT FASHIONADVANCES IN DIGITAL TEXTILE PRINTING HAVE BROUGHT ABOUT THE WIDESPREAD USE IN FASHION DESIGN OF A NEW RANGE OF PRINTS IN BOLD, EYE-CATCHING PATTERNS AND COLORS. OVER THE PAST TWO DECADES, TECHNOLOGICAL ADVANCES IN GRAPHICS SOFTWARE, PHOTOGRAPHY AND INK-JET PRINTING HAVE EXPANDED THE RANGE OF POSSIBLE IMAGE SOURCES, THE POTENTIAL FOR IMAGE MANIPULATION, AND THE RAPID PRODUCTION OF INTRICATE PATTERNS IN LIMITLESS COLORS.THIS EXHIBITION FEATURING OVER 40 WORKS BY CONTEMPORARY DESIGNERS INCLUDING MARY KATRANTZOU, ALEXANDER MCQUEEN, RALPH RUCCI AND ISSEY MIYAKE AMONG OTHERS INCORPORATE DIGITALLY PRINTED TEXTILES IN THEIR DESIGNS. 22014 HIDDEN MEANINGS OF LOVE AND DEATHLOVE AND DEATH - TWO OF LIFE'S MOST ESSENTIAL EXPERIENCES - HAVE LONG BEEN THEMES EXPLORED IN ART. WHILE PORTRAYALS OF LOVE AND DEATH IN WESTERN ART HAS RECEIVED MUCH ATTENTION, THESE THEMES AND THEIR APPEARANCE IN CHINESE ART, PARTICULARLY IN CHINESE LITERATI PAINTING, HAS GONE LARGELY UNEXPLORED IN MUSEUMS AND LITERATURE TODAY. HIDDEN MEANINGS OF LOVE AND DEATH WILL DRAW FROM THE MARILYN AND ROY PAPP COLLECTION, AN IMPRESSIVE AND WORLD-RENOWNED COLLECTION OF CHINESE PAINTINGS FROM THE 14TH THROUGH 19TH CENTURIES, MANY OF WHICH CAPTURE THE SADNESS, LONGING, NOSTALGIA, FEAR AND SEXUAL YEARNING CONCEALED WITHIN A VISUAL LANGUAGE OF METAPHOR AND DETAILED, DELICATE IMAGERY. THE EXHIBITION WILL INCLUDE MORE THAN THIRTY PIECES, INCLUDING HANGING SCROLLS, HAND SCROLLS, ALBUMS, AND FANS. TO ACCOMPANY THIS EXHIBITION, THE 96-PAGE CATALOGUE "HIDDEN MEANINGS OF LOVE AND DEATH IN CHINESE PAINTING: SELECTIONS FROM THE MARILYN AND ROY PAPP COLLECTION" IS AVAILABLE ONLINE AND IN THE MUSEUM STORE. 4612006 2102120 MUSEUM COLLECTIONS AND EXHIBITS 5364813 2346920 6540427 1 1 0 0 0 0 0 1 0 1 1 0 0 1 1 0 0 1 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 1 1 0 0 0 1 79 0 1 152 1 1 1 0 0 0 0 1 1 0 0 0 0 X 47 47 0 0 0 0 1 1 0 1 1 0 0 1 1 1 1 1 1 1 1 0 AZ X X SCOTT MCDANIEL 6022572103 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 ANGELA C SINGER 1.00 X 0 0 0 BRAD WILDE 1.00 X 0 0 0 BRUCE COVILL 1.00 X 0 0 0 DENNIS LYON 1.00 X 0 0 0 ALVAN ADAMS 1.00 X 0 0 0 DORIS ONG 1.00 X X 0 0 0 DREW BROWN 1.00 X 0 0 0 ELLEN KATZ 1.00 X 0 0 0 JAMES LUNDY 1.00 X 0 0 0 JOE LAMPE 1.00 X 0 0 0 JOHN BOUMA 1.00 X 0 0 0 KEN KENDRICK 1.00 X 0 0 0 PAUL GROVES 1.00 X X 0 0 0 RICHARD GOLDSMITH 1.00 X 0 0 0 STEVE RINEBERG 1.00 X 0 0 0 STEVEN L TUFTS 1.00 X 0 0 0 STEVE WHEELER 1.00 X 0 0 0 AMY CLAGUE 1.00 X 0 0 0 TONY ASTORGA 1.00 X 0 0 0 WILLIAM G WAY 1.00 X X 0 0 0 SUSAN DRESCHER-MULZET 1.00 X 0 0 0 DIANA ELLIS SMITH 1.00 X 0 0 0 DR MERYL HABER 1.00 X 0 0 0 MIKE COHN 1.00 X 0 0 0 SALLY LEHMANN 1.00 X 0 0 0 JAY SCHLOTT 1.00 X 0 0 0 PETER BANKO 1.00 X 0 0 0 JOAN CREMIN 1.00 X 0 0 0 JUDY LINHART 1.00 X 0 0 0 JACQUIE DORRANCE 1.00 X 0 0 0 JIM PATTERSON 1.00 X X 0 0 0 ARMITY SIMON 1.00 X 0 0 0 GARY TOOKER 1.00 X 0 0 0 JOHN ZIDICH 1.00 X 0 0 0 DONALD BRANDT 1.00 X 0 0 0 RON BUTLER 1.00 X 0 0 0 JOSEPH D'AMICO 1.00 X 0 0 0 DENISE DELGADO 1.00 X 0 0 0 ERIN GOGOLAK 1.00 X 0 0 0 ROSELLEN PAPP 1.00 X X 0 0 0 DAVID ROUSSEAU 1.00 X 0 0 0 SUE SELIG 1.00 X 0 0 0 ADAM SINGER 1.00 X 0 0 0 RAYMOND SLOMSKI 1.00 X 0 0 0 MICHAEL GREENBAUM 1.00 X 0 0 0 LILA HARNETT 1.00 X 0 0 0 PATRICIA NOLAN 1.00 X 0 0 0 STEVE RIZLEY 1.00 X 0 0 0 ANN SINER 1.00 X 0 0 0 GARY EGAN 37.50 X 148623 0 22438 JAMES BALLINGER 37.50 X 286570 0 40966 RONALD MILLER 37.50 X 148886 0 22449 584079 0 85853 3 0 1 0 MARIAN GOODMAN GALLERY 24 WEST 57TH STREET NEW YORK NY 10019 ART CALLERY 468373 UPRIGHT COMMERCIAL JANITORIAL 3332 W THOMAS ROAD PHOENIX AZ 85017 JANITORIAL SERVICES 152601 THE GROUNDSKEEPER P O BOX 43820 TUCSON AZ 43820 LANDSCAPING 109398 SANTA BARBARA CATERING 1090 W 5TH STREET TEMPE AZ 85281 OTHER 107453 PS STUDIOS INC 3002 N THIRD STREET PHOENIX AZ 85012 MARKETING 101476 5 1074362 399447 1350242 103358 2564441 508546 5491850 MEMBERSHIP DUES 900099 1067853 1067853 PROGRAM SERVICE REVENUE 900099 1034267 1034267 2102120 7982 7982 1228881 399447 844951 383930 383930 537577 292777 244800 244800 REIMBURSEMENTS 900099 143873 143873 CATERING 722320 28053 28053 171926 8402608 2346920 28053 535785 635790 309820 162876 163094 3067362 2146716 632352 288294 158526 105341 32585 20600 475310 349663 84406 41241 284409 184928 67973 31508 357 357 29350 29350 10523 10523 160737 124680 33722 2335 443480 402002 40732 746 848078 516283 198508 133287 30556 17217 11901 1438 736091 601399 102639 32053 194189 139163 30488 24538 5782 3247 495 2040 21282 21282 575824 535517 17274 23033 104924 82795 21707 422 OPERATING EXPENSES 693357 573793 40543 79021 CONTRACTED LABOR 323963 321713 2250 REPAIRS AND MAINTENANCE 152064 59475 92589 DUES AND SUBSCRIPTIONS 100383 66675 32224 1484 9052337 6540427 1654003 857907 1037218 703571 910836 618570 1131471 1604454 117051 70211 397248 371242 108799 205467 14715789 9035056 6073947 5680733 59406 62018 1242543 1259052 11078519 10575318 773504 1257655 581621 376520 1700010 2100010 2401769 2429087 5456904 6163272 X 1068572 -820615 4553043 5232661 5621615 4412046 11078519 10575318 X -649729 2612 -562452 X X 0 1 X 1 0 X 5564823 5169910 4982269 4943370 5491850 26152222 3723447 3514135 5190328 5070886 4693127 22191923 9288270 8684045 10172597 10014256 10184977 48344145 564846 47779299 46243 12883 8985 6704 7982 82797 28892 24119 30190 31882 28053 143136 130346 108495 112981 131082 143872 626776 49196854 19597918 0.97120 0.97980 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X 1 22949075 193587 2028519 1350242 81370 23739569 23172236 1075930 -186681 1044693 67717 22949075 20470831 507399 2932883 680198 58679 23172236 18620839 61113 1893540 55658 49003 20470831 22182620 121346 -3201608 399791 81728 18620839 0.01000 0.38000 0.61000 0 1 1 699253 699253 10710473 6491545 4218928 2222175 1588328 633847 1083888 955183 128705 5680733 CHARITABLE GIFT ANNUITIES 1259052 1259052 CHARITABLE GIFT ANNUITIES 993346 ACCRUED PENSION 1435741 2429087 14161858 2612 5360301 396337 5759250 8402608 0 8402608 15371427 5360301 986842 6347143 9024284 28053 28053 9052337 PART III, LINE 1A: FINANCIAL STATEMENT FOOTNOTE REGARDING THE FINE ARTS COLLECTION: FINE ARTS COLLECTION CONSISTS OF PURCHASED AND DONATED WORKS OF ART. THE COLLECTION IS ON DISPLAY TO THE GENERAL PUBLIC. THE MUSEUM EMPLOYS PROFESSIONAL STAFF TO ENSURE THAT THE COLLECTION ITEMS ARE PRESERVED AND PROTECTED. THE COLLECTION ITEMS ARE NOT CAPITALIZED BY THE MUSEUM. COSTS OF PURCHASING COLLECTION ITEMS, DEACCESSIONS OF COLLECTION ITEMS AND PROCEEDS FROM INSURANCE RECOVERIES ARE INCLUDED AS A CHANGE IN THE APPROPRIATE CATEGORY OF NET ASSETS. PROCEEDS FROM THE DEACCESSION OF COLLECTION ITEMS ARE RESTRICTED FOR PURCHASES OF ADDITIONAL COLLECTION ITEMS. ACQUISITIONS OF FINE ART, INCLUDED AS A DECREASE IN UNRESTRICTED NET ASSETS, TOTALED $533,960 AND $245,150 FOR THE YEARS ENDED JUNE 30, 2013 AND 2012, RESPECTIVELY. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: THE MUSEUM HAS VARIOUS FUNDS THAT ARE DESIGNATED FOR RESTRICTED PURPOSES SUCH AS EXHIBITION COSTS, EDUCATION PROGRAMS, ART CONSERVATION, AND EDUCATOR AND CURATOR SALARIES AND BENEFITS. OTHER FUNDS ARE USED AS DIRECTED BY THE MUSEUM DIRECTOR. WE ALSO HAVE SUPPORT ORGANIZATION FUNDING FOR THE ACQUISITION OF NEW ART, EXHIBITION SUPPORT AND CURATORIAL SUPPORT. PART XI, LINE 2D - OTHER ADJUSTMENTS: COST OF SALES 292,777. CHANGE IN CHARITABLE GIFT ANNUITIES -28,492. SPECIAL EVENTS EXP. OFFSET AGAINST REVENUE ON FINANCIAL STATEMENTS 132,052. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF SALES 292,777. SPECIAL EVENTS EXP. OFFSET AGAINST REVENUE ON FINANCIAL STATEMENTS 160,105. ACQUISITION OF FINE ART 533,960. PART XII, LINE 4B - OTHER ADJUSTMENTS: CATERING INCOME INCLUDED IN EXPENSE ON FINANCIAL STATEMENTS 28,053. THE PARTY 751571 254960 496611 62377 52532 240894 CF ART AUCTION 290653 90527 200126 27266 56502 8 586104 53960 532144 125111 280269 1628328 399447 1228881 214754 52532 577665 844951 383930 X 1 1 X X X 0 0 0 0 0 0 0 0 0 GARY EGAN 148623 0 0 0 0 0 9632 0 12806 0 171061 0 0 0 JAMES BALLINGER 284661 0 0 0 1909 0 19944 0 21022 0 327536 0 0 0 RONALD MILLER 148886 0 0 0 0 0 9632 0 12817 0 171335 0 0 0 X 620 N/A X N/A X 9029 508546 MARKET VALUE 12 0 1 0 NON REPORTING OF REVENUE: PART I, LINE 33: - THE MUSEUM HAS A LARGE COLLECTION OF FINE ART BUT DOES NOT CAPITALIZE OR VALUE ITS COLLECTION, SO GIFTS OF ART ARE NOT INCLUDED IN REVENUE. PROGRAM SERVICE ACCOMPLISHMENT # 4A FORM 990, PAGE 2, PART III "CURVES FOR E.S.", DAN GRAHAM PHOENIX ART MUSEUM ACQUIRED A NEW AND IMPORTANT CONTEMPORARY ART PIECE, CURVES FOR E.S., AN INTERACTIVE SCULPTURAL STRUCTURE BY ARTIST DAN GRAHAM. THE SCULPTURE WAS PART OF A SERIES GRAHAM BEGAN IN THE 1970S AND HAS BEEN COLLECTED WORLDWIDE. DISORIENTING THE VIEWERS FROM THEIR SURROUNDINGS AND UNDERSTANDING OF SPACE, HIS GLASS AND METAL PAVILIONS ARE CONCEIVED TO INTERACT WITH THE ARCHITECTURE AROUND THEM AND OFFER VISITORS A RICH AND MATCHLESS MOMENT FOR RELATION AND REFLECTION. GRAHAM'S PAVILIONS ARE RIGOROUSLY CONCEPTUAL, BEAUTIFUL AND PUBLIC. IT WAS UNVEILED TO THE PUBLIC IN EARLY 2013. PROGRAM SERVICE ACCOMPLISHMENT # 4B FORM 990, PAGE 2, PART III ORDER,CHAOS AND THE SPACE BETWEEN DRAWN FROM THE INTERNATIONALLY RENOWNED DIANE AND BRUCE HALLE COLLECTION, ORDER, CHAOS, AND THE SPACE BETWEEN PRESENTS CONTEMPORARY, CUTTING EDGE WORKS BY LATIN AMERICAN ARTISTS WHO QUESTION THE NATURE OF THE CREATIVE PROCESS. WHETHER WORKING ON CANVAS, IN SCULPTURE, PHOTOGRAPHY, VIDEO, OR INSTALLATION THESE RADICAL INNOVATORS HAVE TRANSFORMED TRADITIONAL ARTISTIC LANGUAGES INTO NEW WAYS OF CREATING AND CONCEIVING WORKS OF ART. THE WORKS PRESENTED IN THIS EXHIBITION SHOWCASE THE MEANS BY WHICH ARTISTS WORKING IN LATIN AMERICA HAVE OVERCOME THEIR GEOGRAPHIC MARGINALITY TO INITIATE ARTISTIC CURRENTS THAT RESONATE ON AN INTERNATIONAL SCALE. THIS EXHIBITION IS NOT A SURVEY OF LATIN AMERICAN ART, BUT RATHER A SNAPSHOT OF THE DYNAMIC HALLE COLLECTION AT A PARTICULAR MOMENT IN ITS CONTINUING HISTORY. IT PROVIDES A WINDOW INTO MANY OF THE MOST SIGNIFICANT TRENDS IN LATIN AMERICAN ART FROM THE MID-20TH CENTURY TO THE PRESENT DAY. THIS EXHIBITION OF THE COLLECTION WILL HELP TO FOSTER GREATER AWARENESS OF MANY GROUNDBREAKING 20TH AND 21ST CENTURY LATIN AMERICAN ARTISTS AND THE TREMENDOUS SCOPE OF THEIR CREATIVE ENDEAVORS. ORDER, CHAOS, AND THE SPACE BETWEEN IS CO-CURATED BY DR. BEVERLY ADAMS, CURATOR OF THE DIANE AND BRUCE HALLE COLLECTION, AND DR. VANESSA DAVIDSON, SHAWN AND JOE LAMPE ASSOCIATE CURATOR OF LATIN AMERICAN ART AT PHOENIX ART MUSEUM. PROGRAM SERVICE ACCOMPLISHMENT # 4C FORM 990, PAGE 2, PART III THE ART OF THE VIDEO GAMES THE ART OF VIDEO GAMES, WHICH TRAVELS FROM THE SMITHSONIAN AMERICAN ART MUSEUM, IS ONE OF THE FIRST EXHIBITIONS TO EXPLORE THE FORTY-YEAR EVOLUTION OF VIDEO GAMES AS AN ARTISTIC MEDIUM, WITH A FOCUS ON STRIKING VISUAL EFFECTS AND THE CREATIVE USE OF NEW TECHNOLOGIES. IT FEATURES SOME OF THE MOST INFLUENTIAL ARTISTS AND DESIGNERS DURING FIVE ERAS OF GAME TECHNOLOGY, FROM EARLY PIONEERS TO CONTEMPORARY DESIGNERS. THE EXHIBITION FOCUSES ON THE INTERPLAY OF GRAPHICS, TECHNOLOGY AND STORYTELLING THROUGH SOME OF THE BEST GAMES FOR TWENTY GAMING SYSTEMS RANGING FROM THE ATARI VCS TO THE PLAYSTATION 3. EIGHTY GAMES, SELECTED WITH THE HELP OF THE PUBLIC, DEMONSTRATE THE EVOLUTION OF THE MEDIUM. THE GAMES ARE PRESENTED THROUGH STILL IMAGES AND VIDEO FOOTAGE. IN ADDITION, THE GALLERIES WILL INCLUDE VIDEO INTERVIEWS WITH TWENTY DEVELOPERS AND ARTISTS, LARGE PRINTS OF IN-GAME SCREEN SHOTS, AND HISTORIC GAME CONSOLES. CHRIS MELISSINOS, FOUNDER OF PAST PIXELS AND COLLECTOR OF VIDEO GAMES AND GAMING SYSTEMS, IS THE CURATOR OF THE EXHIBITION. FORM 990, PART VI, SECTION A, LINE 6 THE MUSEUM HAS A MEMBERSHIP PROGRAM THAT CURRENTLY HAS 10,640 MEMBERS. REGULAR MEMBERS AND CIRCLES MEMBERS, EACH GET ONE VOTE FORM 990, PART VI, SECTION A, LINE 7A MEMBERS OF THE GOVERNING BODY (BOARD OF TRUSTEES) ARE NOMINATED BY THE MUSEUM'S NOMINATING COMMITTEE AND THEN ARE VOTED UPON BY THE THE MUSEUM MEMBERSHIP. FORM 990, PART VI, SECTION B, LINE 11 THE RETURN WILL BE PROVIDED TO EACH BOARD MEMBER TO READ AND EACH WILL BE GIVEN THE OPPORTUNITY TO ASK QUESTIONS. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM'S GUIDELINES FOR PROFESSIONAL PRACTICES QUESTIONNAIRE AND COMPLIANCE AGREEMENT IS REQUIRED TO BE COMPLETED AND SIGNED BY TRUSTEES, PRESIDENTS OF SUPPORT ORGANIZATIONS, MUSEUM DIRECTOR, DIVISION HEADS, DEPARTMENT HEADS, AND ALL ACCOUNTING STAFF ANNUALLY. THIS PROCESS IS DONE EVERY YEAR IN SEPTEMBER. THE COMPLETED AND SIGNED AGREEMENTS ARE REVIEWED BY HUMAN RESOURCES MANAGER FOR COMPLETENESS. ANY QUESTION THAT ARISES IS DISCUSSED WITH THE INDIVIDUAL SIGNING THE AGREEMENT. FORM 990, PART VI, SECTION B, LINE 15 DATA FROM OTHER MUSEUMS IS USED TO EVALUATE COMPENSATION FOR THE CEO, INCLUDING FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS. THE EXECUTIVE COMMITTEE MAKES THE DECISION. FOR DETERMINING THE COMPENSATION OF OTHER OFFICERS OR KEY EMPLOYEES, COMPARISONS ARE MADE WITH OTHER MUSEUMS. DECISIONS MADE DURING BUDGET PROCESS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION FINANCIAL STATEMENTS ARE AVAILABLE ON THE WEBSITE AND THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, AND CONFLICT OF INTEREST POLICY, AVAILABLE UPON REQUEST. CHANGES IN NET ASSETS OR FUND BALANCES: FORM 990, PART XI, LINE 9: ACQUISITION OF FINE ART -533,960. CHANGE IN CHARITABLE GIFT ANNUITIES -28,492. FORM 990, PART XII, LINE 2C THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS FOR THE AUDIT OR ITS SELECTION PROCESS FOR INDEPENDENT AUDITORS DURING THE YEAR. PHOENIX ART MUSEUM ENDOWMENT FUND INC 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 860765761 FINANCIAL SUPPORT OF PHOENIX ART MUSEUM AZ 501(C)(3) LINE 11A, I PHOENIX ART MUSEUM 1 0 0 1 0 1 0 0 0 0 0 1 1 0 1 1 0 1 1 1 PHOENIX ART MUSEUM ENDOWMENT FUND C 1350242 FAIR MARKET VALUE PHOENIX ART MUSEUM ENDOWMENT FUND E 2100010 FAIR MARKET VALUE PHOENIX ART MUSEUM ENDOWMENT FUND N 0 PHOENIX ART MUSEUM ENDOWMENT FUND Q 0 PHOENIX ART MUSEUM ENDOWMENT FUND S 192399 FAIR MARKET VALUE