2015-05-15T12:50:09-05:00 2014-06-30 131517563 LOEB & TROPER LLP 655 THIRD AVENUE 12TH FLOOR NEW YORK NY 10017 990 2013-07-01 131624098 MUSEUM OF THE CITY OF NEW YORK MUSE 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 SUSAN HENSHAW JONES PRESIDENT & DIRECTOR 2125341672 2015-05-12 1 ISRAEL TANNENBAUM P01589203 2128674000 2013 2016-04-25 22:37:26Z SUSAN HENSHAW JONES 1220 FIFTH AVENUE NEW YORK NY 10029 26193941 0 X WWW.MCNY.ORG X 1923 NY THE MUSEUM OF THE CITY OF NEW YORK PRESENTS AND INTERPRETS THE PAST, PRESENT AND FUTURE OF NEW YORK CITY AND CELEBRATES ITS HERITAGE OF DIVERSITY, TOLERANCE, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NON-PROFIT CORPORATION, THE MUSEUM SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM ACROSS THE COUNTRY AND AROUND THE WORLD THROUGH EXHIBITIONS, COLLECTIONS, PUBLICATIONS, AND SCHOOL AND PUBLIC PROGRAMS. 47 47 106 47 0 0 8991870 14124146 1488958 1761520 1167665 1028137 350797 520239 11999290 17434042 1752770 0 0 0 6619776 7094636 48000 48000 1794187 5320220 5581116 13740766 12723752 -1741476 4710290 44860326 51676779 766502 705140 44093824 50971639 X THE MUSEUM OF THE CITY OF NEW YORK PRESENTS AND INTERPRETS THE PAST, PRESENT AND FUTURE OF NEW YORK CITY AND CELEBRATES ITS HERITAGE OF DIVERSITY, TOLERANCE, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NON-PROFIT CORPORATION, THE MUSEUM SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM ACROSS THE COUNTRY AND AROUND THE WORLD THROUGH EXHIBITIONS, COLLECTIONS, PUBLICATIONS, AND SCHOOL AND PUBLIC PROGRAMS. 0 0 5301533 804874 EXHIBITIONS AND PUBLICATIONS:ACTIVIST NEW YORK (MAY 4, 2012 ONGOING) THIS ONGOING INSTALLATION EXPLORES THE DRAMA OF SOCIAL ACTIVISM IN NEW YORK CITY FROM THE 17TH CENTURY TO THE PRESENT IN A CONTINUALLY CHANGING SERIES OF CASE STUDIES AND OBJECTS. A NEW MODULE WAS ADDED IN FY 2014 ON ACTIVIST LITERATURE OF THE 1930S. VISITORS ARE ENCOURAGED TO HELP KEEP THE EXHIBITION UP TO DATE BY SUBMITTING THEIR OWN ACCOUNTS AND IMAGES OF ACTIVISM IN THE CITY TODAY. GENEROUS SUPPORT FROM THE PUFFIN FOUNDATION HAS PROVIDED FOR A DEDICATED CURATOR OF SOCIAL ACTIVISM.CONTINUED ON SCHEDULE O:MAKING ROOM: NEW MODELS FOR HOUSING NEW YORKERS (JANUARY 23 SEPTEMBER 15, 2013) INNOVATIVE DESIGN SOLUTIONS TO BETTER ACCOMMODATE NEW YORK'S CHANGING, AND SOMETIMES SURPRISING, DEMOGRAPHICS WERE SHOWCASED. EXAMPLES OF HOUSING THAT COULD MEET THE NEEDS OF THE CITY'S RISING NUMBER OF SINGLE PEOPLE INCLUDED A FULL-SIZED, FLEXIBLY FURNISHED MICRO-STUDIO APARTMENT OF JUST 325 SQUARE FEET, A SIZE CURRENTLY PROHIBITED IN MOST AREAS OF THE CITY.A BEAUTIFUL WAY TO GO: NEW YORK'S GREEN-WOOD CEMETERY (MAY 15 OCTOBER 13, 2013) ON THE COMMEMORATION OF THE 175TH ANNIVERSARY OF THIS NATIONAL LANDMARK, ORIGINAL ARTIFACTS, MAPS, DRAWINGS, DOCUMENTS, AND PHOTOGRAPHS TOLD GREEN-WOOD'S MULTIFACETED STORY: ITS LANDSCAPE, ART, ARCHITECTURE, AND THE LIVES OF ITS MANY ILLUSTRIOUS RESIDENTS. PICTURING CENTRAL PARK: PAINTINGS BY JANET RUTTENBERG (SEPTEMBER 13, 2013 JANUARY 5, 2014) FOR YEARS JANET RUTTENBERG HAS SKETCHED THE PARK'S SCENERY ON MASSIVE SHEETS OF PAPER, RETURNING TO HER STUDIO TO TRANSFORM THEM INTO MAJOR WORKS OF ART. SHE USES WATERCOLOR, OILS AND VIDEO TO CAPTURE THE NATURAL AND HUMAN BEAUTY OF THIS ICONIC NEW YORK LANDSCAPE. THE WORKS, EXHIBITED FOR THE FIRST TIME, INCLUDED LARGE PIECES 15 FEET WIDE ALONG WITH SMALLER PIECES AND PHOTOGRAPHS THAT REVEALED THE ARTIST'S IMAGINATIVE APPROACH TO HER SOMETIMES FANTASTICAL WORK. "FROM THE SHEER MAGNITUDE OF THE PAINTINGS TO THE AMBITIOUS SUBJECT MATTER, RUTTENBERG PORTRAYS A CENTRAL PARK THAT IS LARGER THAN LIFE IN SIZE AND ACTIVITY," WROTE THE COLUMBIA DAILY SPECTATOR. THE EXHIBITION WAS CURATED BY ANDREA HENDERSON FAHNESTOCK AND DESIGNED BY COOPER JOSEPH STUDIO.NORMAN BEL GEDDES: I HAVE SEEN THE FUTURE (OCTOBER 16, 2013 FEBRUARY 10, 2014) BEL GEDDES WAS A VISIONARY DESIGNER WHO HELPED SHAPE THE IMAGE OF MODERN AMERICA IN THE 1920S AND '30S. HE IMAGINED THE FUTURE AS STREAMLINED, TECHNOCRATIC AND OPTIMISTIC-FAMOUSLY CAPTURED IN HIS FUTURAMA EXHIBITION AT THE 1939-40 NEW YORK WORLD'S FAIR. INCLUDING DRAWINGS, MODELS, PHOTOGRAPHS, AND FILMS OF THEATER SETS AND COSTUMES, HOUSING PROJECTS AND APPLIANCES, AIRPLANES AND AUTOMOBILES, THE EXHIBITION UNDERSCORED THAT BEL GEDDES SOUGHT NOTHING LESS THAN THE TRANSFORMATION OF AMERICAN SOCIETY THROUGH DESIGN. VANITY FAIR WROTE: "THE MUSEUM OF THE CITY OF NEW YORK HAS DEVELOPED A SIDELINE OF MOUNTING SOME OF THE BEST ARCHITECTURE AND DESIGN EXHIBITIONS IN TOWN AND PRODUCED A SPECTACULAR SHOW THAT, IF NOTHING ELSE, WILL PUT [BEL GEDDES] BACK FRONT AND CENTER IN THE DESIGN CONSCIOUSNESS." A COLLABORATION BETWEEN THE HARRY RANSOM CENTER AT THE UNIVERSITY OF TEXAS AT AUSTIN AND THE CITY MUSEUM, THE EXHIBITION WAS ORGANIZED BY DONALD ALBRECHT, CURATOR OF ARCHITECTURE AND DESIGN, AND DESIGNED BY COOPER JOSEPH STUDIO.RISING WATERS: PHOTOGRAPHS OF SANDY (OCTOBER 29, 2013 APRIL 20, 2014) MARKING THE ONE-YEAR ANNIVERSARY OF SUPERSTORM SANDY THIS CROWD-SOURCED, JURIED EXHIBITION DREW FROM MORE THAN 10,000 IMAGES SUBMITTED BY OVER 900 PROFESSIONAL AND AMATEUR PHOTOGRAPHERS WHO RESPONDED TO AN OPEN CALL FOR PHOTOGRAPHS. STRIKING BEFORE-AND-AFTER IMAGES OF THE STORMS IMPACT ON THE NEW YORK REGION INCLUDED PREPARATIONS, THE STORM'S DESTRUCTIVE EFFECTS, AND THE ONGOING RECOVERY AND REBUILDING EFFORTS. INCORPORATING PRINT AND DIGITAL IMAGES SPANNING A WIDE SPECTRUM OF LOCATIONS, THE VIEWS RANGED FROM ICONIC DEPICTIONS OF LARGE-SCALE DESTRUCTION, TO INTIMATE PORTRAITS OF SANDY'S IMPACT ON PEOPLE'S LIVES, TO IMAGES TAKEN IN PERILOUS CIRCUMSTANCES DURING THE HEIGHT OF THE STORM.GILDED NEW YORK (NOVEMBER 13, 2013 ONGOING) THIS EXHIBITION INAUGURATED THE TIFFANY & CO. FOUNDATION GALLERY AND EXPLORES THE CITY'S VISUAL CULTURE AT THE END OF THE 19TH CENTURY, WHEN THE ELITE CLASS FLAUNTED ITS WEALTH MORE CONSPICUOUSLY THAN EVER BEFORE. INDUSTRIAL TITANS, SUCH AS CORNELIUS VANDERBILT AND JAY GOULD, EXPRESSED THEIR STATUS THROUGH EXTRAVAGANT FASHIONS, ARCHITECTURE, AND INTERIOR DESIGN. THE LAVISH DISPLAY INCLUDES COSTUMES, JEWELRY, PORTRAITS, SILVER OBJECTS, WOMEN'S AND MEN'S ACCESSORIES, AND DECORATIVE FURNISHINGS, ALL CREATED BETWEEN THE MID-1870S AND EARLY 20TH CENTURY. GILDED NEW YORK DEPICTS AN ERA WHEN THE NEW AMERICAN ARISTOCRACY DISPLAYED ITS WEALTH IN STORIED BALLS IN FIFTH AVENUE MANSIONS AND HOTELS, SHOWN IN DIGITIZED VINTAGE PHOTOGRAPHS PRESENTED ON MONITORS. DURING THESE YEARS, THE UNITED STATES, AND IT CULTURAL CAPITAL, NEW YORK CITY, ACHIEVED A NEW LEVEL OF SOPHISTICATION IN PAINTING, SCULPTURE, ARCHITECTURE, AND THE DECORATIVE ARTS, ENABLING THE NATION TO COMPETE FOR THE FIRST TIME ON A WORLD STAGE.CITY AS CANVAS: GRAFFITI ART FROM THE MARTIN WONG COLLECTION (FEBRUARY 4 SEPTEMBER 21, 2014) A TREASURE TROVE OF HUNDREDS OF WORKS ON PAPER AND CANVAS-IN AEROSOL, INK AND OTHER MEDIUMS-WAS AMASSED BY THIS EAST VILLAGE ARTIST AND COLLECTOR OF GRAFFITI ART. ON DISPLAY WERE WORKS BY KEITH HARING, LEE QUINONES, LADY PINK, JEAN-MICHEL BASQUIAT, AND FUTURA 2000-SEMINAL FIGURES IN AN ARTISTIC MOVEMENT THAT SPAWNED A WORLDWIDE PHENOMENON, ALTERING MUSIC, FASHION AND POPULAR VISUAL CULTURE. THE EXHIBITION HIGHLIGHTED THE VARYING TECHNIQUES, VIBRANT COLORS, AND PERSONAL STYLES THAT REFLECT THE CULTURE AND SOCIAL PRESSURES OF THE ERA. AT A MOMENT WHEN STREET ART HAS EMERGED AS AN IMPORTANT PART OF THE DIALOGUE ABOUT ART IN PUBLIC SPACE, IT CONTINUES TO ELICIT PASSIONATE EMOTIONS-BOTH POSITIVE AND NEGATIVE-WHILE FASCINATING NEW YORKERS AND VISITORS FROM AROUND THE WORLD. PALACES FOR THE PEOPLE: GUASTAVINO AND THE ART OF STRUCTURAL TILE (MARCH 26 SEPTEMBER 7, 2014) THE EXHIBITION CELEBRATED AN OVERLOOKED MARVEL OF ENGINEERING AND ARCHITECTURAL BEAUTY-THE INTERLOCKING TILE VAULTS AND DOMES DEVELOPED BY SPANISH IMMIGRANTS RAFAEL GUASTAVINO AND HIS SON, RAFAEL, JR., USED IN MORE THAN 250 STRUCTURES THROUGHOUT THE FIVE BOROUGHS. LIGHTWEIGHT, FIREPROOF, AND ABLE TO SUPPORT SIGNIFICANT LOADS, THIS ELEGANT CONSTRUCTION METHOD WAS EMBRACED BY LEADING ARCHITECTS OF THE LATE 19TH AND EARLY 20TH CENTURY, INCLUDING MCKIM, MEAD & WHITE AND CARRERE & HASTINGS, AND FEATURED IN SUCH ICONIC SETTINGS AS THE ELLIS ISLAND REGISTRY ROOM, CARNEGIE HALL, THE BRONX ZOO'S ELEPHANT HOUSE, AND GRAND CENTRAL TERMINAL.IN A WORLD OF THEIR OWN: CONEY ISLAND PHOTOGRAPHS BY AARON ROSE 1961-1963 (MAY 9 AUGUST 3, 2014) SOME 70 PHOTOGRAPHS CAPTURED NEW YORKERS AT THEIR MOST UNGUARDED. AARON ROSE BYPASSED THE THEME PARKS AND SIDESHOWS OF CONEY ISLAND FOR THE MORE INTIMATE INTERACTIONS OF BEACHGOERS. WIELDING HIS CAMERA SURREPTITIOUSLY, OBSERVING AS IF FROM A NEIGHBORING BLANKET, ROSE DOCUMENTED A "SUN-BAKED MELTING POT" OF ALL AGES, ETHNICITIES, AND WALKS OF LIFE, EACH ONE UTTERLY UNSELFCONSCIOUS, ABSORBED IN A WORLD OF HIS OR HER OWN. THE PHOTOGRAPHS ALSO EXPRESSED THE MANNERS AND MORES OF 1960S NEW YORKERS; AS CRITIC VINCE ALETTI NOTED, "THE WORK'S EASY RAPPORT AND ITS CASUAL EROTIC CHARGE ARE THRILLING AND TOUCHINGLY SWEET." THE EXHIBITION WAS ORGANIZED BY SEAN CORCORAN, CURATOR OF PRINTS & PHOTOGRAPHS, AND DESIGNED BY PAMELA CARTER.CITYSCAPES: HIGHLIGHTS FROM THE PERMANENT COLLECTION (MAY 19 - OCTOBER 9, 2014) RECENTLY CONSERVED WORKS ON CANVAS DONATED BY REAL ESTATE DEVELOPER J. CLARENCE DAVIS AS A FOUNDING GIFT TO THE CITY MUSEUM DOCUMENTED NEW YORK'S TRANSFORMATION INTO A MODERN METROPOLIS, A PERIOD SPANNING THE 1830S TO THE EVE OF WORLD WAR I. AT THE TIME THE WORKS WERE INTENDED TO STIR PUBLIC IMAGINATION ABOUT THE CITY'S FUTURE; TODAY THEY OFFER A GLIMPSE INTO ITS PAST DURING A PERIOD OF RADICAL TRANSFORMATION. 2213694 379859 COLLECTIONS CARE:THE MUSEUM HAS AN ONGOING COMMITMENT TO PRESERVE, DOCUMENT AND MAKE ACCESSIBLE ITS VAST COLLECTIONS OF OBJECTS RELATED TO THE HISTORY OF NEW YORK CITY. A MAJOR MULTI-YEAR DIGITIZATION PROJECT IS PROVIDING THE PUBLIC ACCESS TO MANY PREVIOUSLY HIDDEN TREASURES IN THE COLLECTIONS, WITH A LEVEL OF CONNOISSEURSHIP, SCHOLARSHIP AND ANALYSIS THAT HAS ANIMATED THE PUBLIC'S UNDERSTANDING OF THE CITY AND ITS PEOPLE. CONTINUED ON SCHEDULE O:IN FY2014 THE CITY MUSEUM SAW VIGOROUS ACTIVITY IN COLLECTIONS MANAGEMENT AND RECEIVED GENEROUS SUPPORT TO ACCOMPLISH PROJECTS WITH LONG-TERM IMPACT FOR AUDIENCES. TO ACCOMMODATE PHASE III OF THE MODERNIZATION AND EXPANSION PROJECT, THE THIRD FLOOR "PERIOD ALCOVES" WERE DEINSTALLED. UNCHANGED SINCE THE 1940S, THESE SIX ROOMS CONTAINED FURNISHINGS, LIGHTING FIXTURES, COLUMNS, WINDOW CASINGS, AND OTHER ARCHITECTURAL ELEMENTS. PREPARING AND TRANSPORTING THESE HISTORICAL OBJECTS TO THE BROOKLYN COLLECTIONS STORAGE FACILITY WAS A TREMENDOUS EFFORT, SUCCESSFULLY COMPLETED.OTHER COLLECTIONS, INCLUDING FURNITURE, CERAMICS, NEWSPAPERS, AND THEATER MATERIALS, WERE INVENTORIED TO ENSURE THAT EVERY OBJECT HAD AN ACCURATE RECORD IN THE MUSEUM'S DATABASE. THE COLLECTIONS WERE ASSESSED TO ANALYZE OBJECTS FOR THEIR RELEVANCE TO THE MUSEUM'S MISSION, CONDITION, AND PROSPECTS FOR EXHIBITION. INVENTORY AND ASSESSMENT OF THE SUBSTANTIAL COSTUME COLLECTION, WHICH FEATURES WOMEN'S, MEN'S, AND CHILDREN'S GARMENTS AND ACCESSORIES CONTINUED. WITH AN ESTIMATED 750,000 OBJECTS FROM DANCE CARDS AND MENUS TO A POLICE WAGON AND STREETCAR, THE MUSEUM NOW HAS RECORDS FOR ABOUT HALF A MILLION, AND DURING THIS PERIOD, 38,623 OBJECTS WERE CATALOGED.AS PART OF THIS ONGOING WORK, NEARLY 56,000 DIGITAL IMAGES WERE CREATED EXPANDING PUBLIC AND SCHOLARLY ACCESS TO THE MUSEUM'S HOLDINGS. THE INSTITUTE OF MUSEUM AND LIBRARY SERVICES (IMLS) AWARDED A $150,000 GRANT TO DIGITIZE THEATER PRODUCTION PHOTOGRAPHS; AND THE HENRY LUCE FOUNDATION AWARDED A $150,000 GRANT FOR THE DIGITIZATION AND CATALOGING IN OF THE MUSEUM'S RENOWNED SILVER COLLECTION, ONE OF THE FINEST COLLECTIONS OF AMERICAN SILVER IN THE NATION. A GRANT FROM THE GLADYS KRIEBLE DELMAS FOUNDATION ALSO PROVIDED SUPPORT TO PROCESS EXHIBITION RECORDS DATING BACK TO THE FOUNDING OF THE MUSEUM.IN COLLABORATION WITH THE QUEENS MUSEUM AND THE QUEENS PUBLIC LIBRARY, THE MUSEUM PROCESSED AND CREATED A JOINT FINDING AID FOR THEIR RESPECTIVE COLLECTIONS ON THE NEW YORK WORLD'S FAIRS, A PROJECT SUPPORTED BY A $130,000 GRANT FROM THE COUNCIL ON LIBRARY AND INFORMATION RESOURCES (CLIR); GRANTS TOTALING $280,000 FROM THE LANDMARKS PRESERVATION COMMISSION (LPC) ON THE FIRST PHASE OF A PROJECT TO CATALOG, DIGITIZE, AND CREATE A PUBLICLY ACCESSIBLE DATABASE FOR NEW YORK CITY'S ARCHEOLOGICAL COLLECTIONS WERE RECEIVED. THE MUSEUM WAS ALSO AWARDED A $125,000 GRANT FROM THE NATIONAL ENDOWMENT FOR THE HUMANITIES (NEH) TO PROCESS, DIGITIZE, CATALOG, AND REHOUSE THE EPHEMERA COLLECTIONS CONTAINING PAMPHLETS, INVITATIONS, MEDALS, SASHES, AND MORE.ONLINE RESOURCES WERE EXPANDED WITH THE LAUNCH OF A 'CATABLOG' POSTING FINDING AIDS FOR RESEARCH AND SCHOLARLY ACCESS TO PREVIOUSLY INACCESSIBLE ARCHIVAL COLLECTIONS, WHICH DREW 12,694 VISITS. ADDITIONALLY, A BLOG, WHERE COLLECTIONS STAFF WRITE ABOUT OBJECTS AND PROJECTS OF INTEREST, ATTRACTED 192,924 VISITS, AND THE COLLECTIONS PORTAL TRACKED MORE THAN 3 MILLION PAGE VIEWS DURING THE PERIOD.IN AN IMPORTANT 'FIRST', THE BOARD OF TRUSTEES APPROVED A COLLECTING PLAN FOR PHOTOGRAPHY, WITH MORE PLANS FOR OTHER COLLECTIONS TO FOLLOW. CONSERVATION PROJECTS INCLUDED RESTORING VARIOUS WORKS IN THE EXHIBITIONS GILDED NEW YORK, MARINE PAINTINGS FROM THE PERMANENT COLLECTION AND CITY AS CANVAS, AS WELL AS THE COMPLETION OF A THREE-YEAR CONSERVATION PROJECT FUNDED BY THE NEH.THE MUSEUM RECEIVED A NUMBER OF SIGNIFICANT GIFTS, INCLUDING THE JACK STEWART COLLECTION OF PHOTOGRAPHS DOCUMENTING EARLY GRAFFITI WRITING, A PORTFOLIO OF CONEY ISLAND PHOTOGRAPHS BY AARON ROSE, MATERIALS FROM THE OFFICE OF MAYOR ED KOCH, STUDIO 54 EPHEMERA, AND A DECK CHAIR FROM THE RMS TITANIC. 1021706 264044 EDUCATION:ATTENDANCE FOR FIELDTRIPS, OUT-OF-SCHOOL TIME PROGRAMS, PROFESSIONAL DEVELOPMENT, AND FAMILY PROGRAMS WAS 39,598 CHILDREN AND ADULTS. APPROXIMATELY 75% OF PARTICIPANTS WERE FROM UNDER-RESOURCED SCHOOLS. FIELDTRIPS MAKE UP THE BULK OF ATTENDANCE. PROGRAMS IN THE MUSEUM'S GALLERIES INCLUDED THE LONG-TERM EXHIBITION ACTIVIST NEW YORK AND THE TEMPORARY EXHIBITION MAKING ROOM. CLASSROOM PROGRAMS INCLUDED THE GRID: URBAN PLANNING IN NEW YORK CITY, NEW YORK CITY BRIDGES, LIFE IN NEW AMSTERDAM, AND GETTING AROUND: HOW TRANSPORTATION SHAPED THE CITY. CONTINUED ON SCHEDULE O:WHILE SCHOOL WAS IN SESSION, 22,456 CHILDREN AND TEACHERS VISITED (JANUARY-JUNE 2013 AND SEPTEMBER-DECEMBER 2013) AND WERE LED BY FULL-TIME AND PER DIEM MUSEUM EDUCATORS. IN THE SUMMER MONTHS AND WITH FUNDING FROM THE PINKERTON FOUNDATION, THE SCHWARZ CENTER PILOTED AN INTERNSHIP PROGRAM FOR YOUNG ADULTS (17-23 YEARS) WHO HAD FALLEN OFF TRACK IN CONTINUING THEIR EDUCATION (IN MANY CASES NOT FINISHING HIGH SCHOOL) OR IN FINDING EMPLOYMENT. TEN INTERNS COMPLETED THE SPRING TRAINING PROGRAM AND WENT ON TO SERVE ABOUT 3,500 CHILDREN AND ADULTS THROUGH FIELDTRIPS AND FAMILY PROGRAMS IN JULY AND AUGUST, 2013. FAMILY PROGRAMS DURING CALENDAR YEAR 2013 SERVED 3,623 CHILDREN AND ADULTS WITH 109 PROGRAMS OFFERED INCLUDING PLAYING WITH THE PAST, BASED ON THE HISTORIC STETTHEIMER DOLLHOUSE; NOW YOU SEE IT, NOW YOU DON'T, BASED ON THE MULTI-PURPOSE FURNITURE IN THE MAKING ROOM EXHIBITION; AND MANNAHATTA: THE LENAPE AND THE LAND. PROGRAMS INCLUDED SCAVENGER HUNTS, GALLERY EXPLORATION AND ART ACTIVITIES THAT HELPED ADULTS AND CHILDREN LEARN HISTORY CONTENT AS A TEAM. PROGRAMS WERE HELD ON WEEKENDS, HOLIDAYS AND DURING THE WEEK IN JULY AND AUGUST. PROGRAMS TAKING PLACE WHILE SCHOOL WAS IN SESSION WERE LED BY THE MUSEUM EDUCATION FELLOW, FUNDED BY THE CENTER'S CO-CHAIR COMMITTEE "FIRESIDE CHATS" FUNDRAISING CAMPAIGN. DURING THE SUMMER MONTHS THE PINKERTON INTERNS CO-LED THE ACTIVITIES. IN ADDITIONAL TO TRADITIONAL FAMILIES, GROUPS FROM THE DEPARTMENT OF HOMELESS SERVICES ALSO TOOK PART IN THE ACTIVITIES-A LONG-STANDING RELATIONSHIP THE MUSEUM HAS HAD SINCE 2004. SHELTERS LOCATED THROUGHOUT THE CITY SENT 867 PARTICIPANTS TO THE MUSEUM.SATURDAY ACADEMY, IN PARTNERSHIP WITH THE GILDER LEHRMAN INSTITUTE OF AMERICAN HISTORY, TOOK PLACE DURING THE SPRING AND FALL SEMESTERS OF 2013. THIS SIX SESSION, FREE ELECTIVE PROGRAM IN AMERICAN HISTORY AND SAT PREPARATION SERVED ALMOST 500 MIDDLE AND HIGH SCHOOL STUDENTS. STUDENTS CAME MAINLY FROM EAST AND CENTRAL HARLEM AND THE SOUTH BRONX AND PARTICIPATED IN PROGRAMS LIKE PHOTOGRAPHY IN AMERICA: MODERN HISTORY THROUGH THE LENS, AND EQUALITY NOW: THE HISTORY OF SOCIAL ACTIVISM IN NEW YORK CITY. THE SAT SKILLS PREPARATION COURSE WAS ADMINISTERED BY BELL CURVES. OF PARTICIPANTS WHO HAD TAKEN THE TEST BEFORE, 63% INCREASED THEIR SCORES BY AN AVERAGE OF 140.7 POINTS; 45% OF THESE STUDENTS IMPROVED BY 120 POINTS OR MORE. NEW YORK CITY HISTORY DAY, A MULTI-MONTH HISTORICAL RESEARCH PROGRAM FOR MIDDLE AND HIGH SCHOOL STUDENTS CITYWIDE, CULMINATED IN A CONTEST TO EVALUATE STUDENT PROJECTS BASED ON THE THEME "RIGHTS AND RESPONSIBILITIES IN HISTORY." THE CONTEST DAY WAS HELD ON SUNDAY MARCH 23, 2014, WITH 351 STUDENTS ATTENDING AND AN ADDITIONAL 500 PARENTS, TEACHERS AND VOLUNTEER JUDGES SUPPORTING THEM FOR A TOTAL OF ALMOST 900 PARTICIPANTS CELEBRATING THE DAY. 35 SCHOOLS - 15 PUBLIC, 4 PRIVATE, 7 PAROCHIAL, 6 JEWISH DAY SCHOOLS, AND 3 CHARTER SCHOOLS PARTICIPATED. SIXTY-THREE STUDENTS FROM NEW YORK CITY HISTORY DAY ADVANCED TO THE STATE COMPETITION. TEN ENTRIES WON TOP PRIZES AND 9 OF THESE PROJECTS ADVANCED TO THE NATIONAL HISTORY DAY COMPETITION. ALMOST 3,000 TEACHERS PARTICIPATED IN PROFESSIONAL DEVELOPMENT AT THE MUSEUM IN 2013. EDUCATORS HAD THE OPPORTUNITY TO JOIN US FOR FIVE FREE HISTORIAN-LED LECTURES, 6 FREE CURATOR-LED EXHIBITION OPEN HOUSES AND SEVEN WORKSHOP AND P-CREDIT COURSES TEACHING CONTENT AND PRIMARY SOURCE ANALYSIS FOR TEACHERS TO TURNKEY IN THEIR CLASSROOMS. ADDITIONALLY, THE CENTER HELD THE FIRST ANNUAL "TEACHING SOCIAL ACTIVISM" CONFERENCE WHICH WELCOMED OVER 200 EDUCATORS AND ACTIVISTS FROM ALL OVER THE GLOBE TO LEARN ABOUT CONTENT AND PEDAGOGY BEING USED IN THE SOCIAL STUDIES CLASSROOM THAT FOCUSES ON SOCIAL ACTIVISM. 1287237 639396 1287237 639396 9824170 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 1 0 0 1 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 249 0 106 1 0 0 0 0 0 1 1 0 0 0 0 X 47 47 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 0 0 0 NY X OSMAN KURTULUS 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 JAMES G DINAN CHAIR 1.00 X X 0 0 0 NEWTON PS MERRILL VICE CHAIR & CHAIRMAN EMERITUS 1.00 X X 0 0 0 THOMAS M FLEXNER VICE CHAIR 1.00 X X 0 0 0 RONAY MENSCHEL VICE CHAIR 1.00 X X 0 0 0 JAMES E QUINN VICE CHAIR 1.00 X X 0 0 0 BRUNO QUINSON VICE CHAIR 1.00 X X 0 0 0 LAWRENCE J SIMON VICE CHAIR 1.00 X X 0 0 0 JANE B O'CONNELL TREASURER 1.00 X X 0 0 0 MARTIN J MCLAUGHLIN SECRETARY 1.00 X X 0 0 0 ELIZABETH FARRAN TOZER ASSISTANT SECRETARY 1.00 X X 0 0 0 DAVID GUIN COUNSEL 1.00 X X 0 0 0 JEREMY H BIGGS BOARD MEMBER 1.00 X 0 0 0 CAROLYN BRODY BOARD MEMBER 1.00 X 0 0 0 MICHAEL BRUNO BOARD MEMBER 1.00 X 0 0 0 JAMES E BRUCKMAN BOARD MEMBER 1.00 X 0 0 0 JAMES CACIOPPO BOARD MEMBER 1.00 X 0 0 0 PAMELA CLOUD BOARD MEMBER 1.00 X 0 0 0 MARVIN H DAVIDSON BOARD MEMBER 1.00 X 0 0 0 TODD DEGARMO BOARD MEMBER 1.00 X 0 0 0 JAMES P DRUCKMAN BOARD MEMBER 1.00 X 0 0 0 VERNON EVENSON BOARD MEMBER 1.00 X 0 0 0 BARBARA J FIFE BOARD MEMBER 1.00 X 0 0 0 LAURA LOFARO FREEMAN BOARD MEMBER 1.00 X 0 0 0 LESLIE GODRIDGE BOARD MEMBER 1.00 X 0 0 0 LORNA GOODMAN BOARD MEMBER 1.00 X 0 0 0 JAMES HANLEY BOARD MEMBER 1.00 X 0 0 0 SYLVIA HEMMINGWAY BOARD MEMBER 1.00 X 0 0 0 JANE HOFFMAN BOARD MEMBER 1.00 X 0 0 0 ROBERT JAIN BOARD MEMBER 1.00 X 0 0 0 ROBERT A JEFFE BOARD MEMBER 1.00 X 0 0 0 STEPHEN A KETCHUM BOARD MEMBER 1.00 X 0 0 0 JOAN KHOURY BOARD MEMBER 1.00 X 0 0 0 STANFORD G LADNER BOARD MEMBER 1.00 X 0 0 0 STEPHEN S LASH BOARD MEMBER 1.00 X 0 0 0 JAMES A LEBENTHAL BOARD MEMBER 1.00 X 0 0 0 NANCY MAHON BOARD MEMBER 1.00 X 0 0 0 GURUDATTA NADKARNI BOARD MEMBER 1.00 X 0 0 0 DANIEL J OSHEYACK BOARD MEMBER 1.00 X 0 0 0 TRACEY PONTARELLI BOARD MEMBER 1.00 X 0 0 0 KATHRYN PROUNIS BOARD MEMBER 1.00 X 0 0 0 VALERIE ROWE BOARD MEMBER 1.00 X 0 0 0 MARY BURWELL SHORR BOARD MEMBER 1.00 X 0 0 0 ANN SPENCE BOARD MEMBER 1.00 X 0 0 0 MITCHELL S STEIR BOARD MEMBER 1.00 X 0 0 0 JEFFERY S TABAK BOARD MEMBER 1.00 X 0 0 0 DARYL BROWN UBER BOARD MEMBER 1.00 X 0 0 0 WILLIAM C VRATTOS BOARD MEMBER 1.00 X 0 0 0 SUSAN HENSHAW JONES PRESIDENT & DIRECTOR 40.00 X 395947 0 18250 CARL DREYER CFO AND VP ADMINISTRATION 40.00 X 109375 0 26370 BRIAN HERRIN CFO 40.00 X 15549 0 0 SARAH HENRY DEPUTY DIRECTOR AND CHIEF 40.00 X 228311 0 37674 SUSAN MADDEN SVP OF EXTERNAL AFFAIRS 40.00 X 220003 0 22482 DONALD ALBRECHT ADJUNCT CURATOR 40.00 X 106540 0 14548 PREL GJELAJ DIRECTOR OF FACILITIES 40.00 X 111399 0 26135 PATRICIA ZEDALIS PROJECT MANAGER 40.00 X 142006 0 24924 1329130 0 170383 7 0 1 0 ENNEAD ARCHITECTS 320 WEST 13TH STREET NEW YORK NY 10014 ARCHITECTUAL SERVICES 274502 GREAT PERFORMANCES 304 HUDSON STREET NEW YORK NY 10013 CATERING FOR EVENTS 159465 SOUTHSIDE DESIGN 1205 MANHATTAN AVENUE BROOKLYN NY 11222 EXHIBITION DEMOLITION 159445 COOPER JOSEPH STUDIO 500 PARK AVENUE NEW YORK NY 10022 EXHIBITION SET UP 134743 GLASBAUGH HAHN AMERICA LLC 15 LITTLE BROOK LANE NEWBURGH NY 12550 DISPLAY CASES 134033 5 2599785 2014863 9509498 3879002 14124146 ADMISSIONS 900099 804874 804874 LICENSING AND OTHER FEES 900099 379859 379859 MEMBERSHIP DUES 900099 312743 312743 EDUCATIONAL PROGRAMS 611710 264044 264044 1761520 289389 289389 346830 118250 228580 228580 228580 8456484 161439 7879086 89 577398 161350 738748 738748 391200 2599785 426194 -34994 -34994 662933 336280 326653 326653 17434042 2088173 0 1221723 1061168 614273 142765 304130 4521146 3526942 326358 667846 377249 294088 27224 55937 618234 465028 49984 103222 516839 386948 42304 87587 13973 13973 36325 36325 48000 48000 122053 122053 1064731 893068 91715 79948 610142 514751 27956 67435 156923 130481 16032 10410 1169753 1039366 59707 70680 630 630 972403 803200 83872 85331 55554 48159 3513 3882 EXHIBITION DESIGN 942287 870357 8073 63857 436342 237509 52911 145922 12723752 9824170 1105395 1794187 1602829 3449295 1000818 2831379 2012067 2961363 84526 82302 54718 90009 28895514 7039305 20810134 21856209 12851023 13320716 6444211 7085506 44860326 51676779 631305 591083 135197 114057 766502 705140 X 23180680 24957676 11850060 15491987 9063084 10521976 44093824 50971639 44860326 51676779 X 4710290 2182433 -14908 X X 0 1 X 1 0 X 10439230 11869257 9097458 8991870 14124146 54521961 10439230 11869257 9097458 8991870 14124146 54521961 3046730 51475231 418438 546995 554977 628335 636219 2784964 57306925 9630157 0.89820 0.82990 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 9063084 479899 1279274 300281 10521976 7956795 500403 831931 226045 9063084 8548442 158723 750370 7956795 8102697 746409 50000 250664 8548442 5873733 1915853 313111 8102697 1.00000 0 0 21813991 4424379 17389612 64506 32894 31612 547409 508514 38895 6469608 2073518 4396090 21856209 KING STREET LIMITED PARTNERSHIP 2881957 F ALTERNATIVE INVESTMENTS 4203549 F 7085506 DEFERED RENT EXPENSE 114057 114057 X 19808242 2182433 195570 118250 2496253 17311989 122053 122053 17434042 12930427 195570 133158 328728 12601699 122053 122053 12723752 PART III, LINE 1A: THE MUSEUM'S COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ITS INCEPTION, IS NOT RECOGNIZED AS AN ASSET ON THE ACCOMPANYING BALANCE SHEET. COLLECTION ITEMS ARE EXPENSED WHEN ACQUIRED. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED IN THE ACCOMPANYING FINANCIAL STATEMENTS. DETAILED INVENTORY RECORDS, HOWEVER, ARE MAINTAINED FOR COLLECTIONS. THE VALUE OF THE COLLECTION IS NOT READILY DETERMINABLE AND THE MUSEUM DOES NOT INSURE THE COLLECTION FOR THE COST OF ITS REPLACEMENT. PART III, LINE 4: THE MUSEUM HAS VARIOUS COLLECTIONS WHICH IT USES FOR ITS DIFFERENT EXHIBITIONS AND PROGRAMS THROUGHOUT THE YEAR. PART V, LINE 4: THE MUSEUM HAS DONOR-RESTRICTED ENDOWMENT FUNDS ESTABLISHED TO HELP FUND VARIOUS PROJECTS AT THE MUSEUM PART X, LINE 2: UNCERTAINTY IN INCOME TAXES - THE MUSEUM HAS DETERMINED THAT THERE ARE NO MATERIAL UNCERTAIN TAX POSITIONS THAT REQUIRE RECOGNITION OR DISCLOSURE IN THE FINANCIAL STATEMENTS. PERIODS ENDING JUNE 30, 2011 AND SUBSEQUENT REMAIN SUBJECT TO EXAMINATION BY APPLICABLE TAXING AUTHORITIES. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES INCLUDED ON FORM 990, PART VII, LINE 6B 118,250. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES INCLUDED ON FORM 990, PART VII, LINE 6B 118,250. PROVISION FOR BAD DEBT LOSS 14,908. CENTRAL AMERICA AND THE CARIBBEAN - INVESTMENTS 7085506 0 0 0 0 0 0 7085506 0 7085506 1 0 1 1 0 0 X X X X X X X 1 MARK GILBERTSON 22 EAST 81ST ST NEW YORK NY 10028 DIRECTOR'S COUNCIL EVENTS 0 953045 48000 905045 953045 48000 905045 NY CHAIRMAN'S LEADERSHIP AWARD DINNER 1314250 1164000 150250 56609 86055 15000 1730 WINTER BALL 572870 481070 91800 87570 4950 1930 4 1103865 954715 149150 20985 124950 14175 12240 2990985 2599785 391200 165164 211005 34125 15900 426194 -34994 X 0 0 0 0 0 0 0 0 0 SUSAN HENSHAW JONES PRESIDENT & DIRECTOR 395947 0 0 0 0 0 18250 0 0 0 414197 0 0 0 SARAH HENRY DEPUTY DIRECTOR AND CHIEF 228311 0 0 0 0 0 15936 0 21738 0 265985 0 0 0 SUSAN MADDEN SVP OF EXTERNAL AFFAIRS 220003 0 0 0 0 0 15359 0 7123 0 242485 0 0 0 PATRICIA ZEDALIS PROJECT MANAGER 142006 0 0 0 0 0 9862 0 15062 0 166930 0 0 0 X 73 437780 DONOR PROVIDED VALUE X 6 3441222 SELLING PRICE 0 0 0 PART I, COLUMN (B): THE ORGANIZATION IS REPORTING THE NUMBER OF CONTRIBUTIONS FORM 990, PART VI, SECTION A, LINE 2 MR. QUINSON AND MS. GOODMAN HAVE A FAMILY RELATIONSHIP. MR. DINAN, MR. JAIN AND MR. VRATTOS HAVE A BUSINESS RELATIONSHIP FORM 990, PART VI, SECTION B, LINE 11 THE 990 WAS PRESENTED TO THE BOARD FOR REVIEW PRIOR TO BEING FILED. FORM 990, PART VI, SECTION B, LINE 12C EACH MEMBER, TRUSTEE, PRINCIPAL OFFICER AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD-DELEGATED POWERS SHALL ANNUALLY SIGN A CONFLICT OF INTEREST FORM. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, AN INTERESTED PERSON MUST DISCLOSE THE EXISTENCE OF THE FINANCIAL INTEREST AND BE GIVEN THE OPPORTUNITY TO DISCLOSE ALL MATERIAL FACTS TO THE TRUSTEES AND MEMBERS OF COMMITTEES WITH GOVERNING BOARD DELEGATED POWERS CONSIDERING THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE INTERESTED PERSON, HE/SHE SHALL LEAVE THE GOVERNING BOARD OR COMMITTEE MEETING WHILE THE DETERMINATION OF A CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. THE REMAINING BOARD OR COMMITTEE MEMBERS SHALL DECIDE IF A CONFLICT OF INTEREST EXISTS. AN INTERESTED PERSON MAY MAKE A PRESENTATION AT THE GOVERNING BOARD OR COMMITTEE MEETING, BUT AFTER THE PRESENTATION, HE/SHE SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION OR ARRANGEMENT INVOLVING THE POSSIBLE CONFLICT OF INTEREST. THE CHAIRMAN OR THE GOVERNING BOARD OR COMMITTEE SHALL, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE WHETHER MCNY CAN OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED TRUSTEES WHETHER THE TRANSACTION OR ARRANGEMENT IS IN MCNY'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE. IN CONFORMITY WITH THE ABOVE DETERMINATION IT SHALL MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. ANY DECISION BY A COMMITTEE SHALL BE SUBJECT TO REVIEW AND DETERMINATION BY THE GOVERNING BOARD SHOULD IT ELECT TO DO SO. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE GENERAL PUBLIC UPON REQUEST FORM 990, PART XI, LINE 9: PROVISION FOR BAD DEBT -14,908. FORM 990, PART XII LINE 2C THE PROCESS HAS NOT CHANGED