2015-05-14T16:00:56-05:00 2014-06-30 410746749 CLIFTONLARSONALLEN LLP 20 E THOMAS RD STE 2300 PHOENIX AZ 85012 990 2013-07-01 860072608 PHOENIX ART MUSEUM PHOE 6022571880 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 GARY EGAN DEPUTY DIRECTOR OF FINANCE & ADMIN 6022571880 2015-05-12 1 PHIL MCCOLLUM CPA P00129716 6022662248 2013 2016-02-25 16:41:14Z GARY EGAN 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 11926360 0 X WWW.PHXART.ORG X 1949 AZ PHOENIX ART MUSEUM IS A VIBRANT DESTINATION CONNECTING PEOPLE TO GREAT ART FROM AROUND THE WORLD TO ENRICH THEIR LIVES AND COMMUNITIES. THIS VISION IS SUPPORTED BY FOUR STRATEGIC PILLARS WHICH ARE: 1. EXCEPTIONAL ART - TO CELEBRATE THE HIGHEST QUALITY VISUAL ART THROUGH OUTSTANDING EXHIBITIONS, ACQUISITIONS AND COLLECTION STEWARDSHIP. 2. ENRICHMENT AND LEARNING - TO CREATE A NATIONALLY RECOGNIZED MODEL FOR ENHANCING EXPERIENCE OF THE VISUAL ARTS THROUGH INTERPRETATION, ENGAGED LEARNING, AND ENRICHMENT. 3. BROAD AUDIENCE - TO ATTRACT THE BROADEST POSSIBLE AUDIENCE TO THE MUSEUM AS CONSISTENT AND ENTHUSIASTIC PARTICIPANTS. 4. FISCAL STABILITY AND ORGANIZATIONAL EXCELLENCE - TO ACHIEVE AND MAINTAIN A STRONG FINANCIAL FOUNDATION. 47 47 162 2782 26590 5749 5491850 6348004 2102120 3176952 7982 7505 800655 1004990 8402607 10537451 0 0 0 0 4621397 4557467 10523 0 929479 4420417 6663939 9052337 11221406 -649730 -683955 10575318 9557942 6163272 6317321 4412046 3240621 X SEE SCHEDULE O FOR THE MISSION STATEMENT 0 0 1811042 SEE SCHEDULE O 297373 SEE SCHEDULE O 95964 SEE SCHEDULE O 875792 381320 GIFT SHOP AND MUSEUM STORE - DESIGNED TO GIVE VISITORS A MORE IN DEPTH KNOWLEDGE OF THE VISUAL ARTS AND OF THE SUBJECTS DISCUSSED IN THE MUSEUM'S COLLECTIONS AND EXHIBITIONS. THE EDUCUATIONAL MERCHANDISE, UNIQUE MEMORABILIA AND EXHIBITION SPECIFIC ITEMS ALLOW FOR THE CONTINUATION OF THE MUSEUM EXPERIENCE AT HOME. 95238 THE ART OF VIDEO GAMES, WHICH TRAVELS FROM THE SMITHSONIAN AMERICAN ART MUSEUM, IS ONE OF THE FIRST EXHIBITIONS TO EXPLORE THE FORTY-YEAR EVOLUTION OF VIDEO GAMES AS AN ARTISTIC MEDIUM, WITH A FOCUS ON STRIKING VISUAL EFFECTS AND THE CREATIVE USE OF NEW TECHNOLOGIES. IT FEATURES SOME OF THE MOST INFLUENTIAL ARTISTS AND DESIGNERS DURING FIVE ERAS OF GAME TECHNOLOGY, FROM EARLY PIONEERS TO CONTEMPORARY DESIGNERS. THE EXHIBITION FOCUSES ON THE INTERPLAY OF GRAPHICS, TECHNOLOGY AND STORYTELLING THROUGH SOME OF THE BEST GAMES FOR TWENTY GAMING SYSTEMS RANGING FROM THE ATARI VCS TO THE PLAYSTATION 3. EIGHTY GAMES, SELECTED WITH THE HELP OF THE PUBLIC, DEMONSTRATE THE EVOLUTION OF THE MEDIUM. THE GAMES ARE PRESENTED THROUGH STILL IMAGES AND VIDEO FOOTAGE. IN ADDITION, THE GALLERIES WILL INCLUDE VIDEO INTERVIEWS WITH TWENTY DEVELOPERS AND ARTISTS, LARGE PRINTS OF IN-GAME SCREEN SHOTS, AND HISTORIC GAME CONSOLES. CHRIS MELISSINOS, FOUNDER OF PAST PIXELS AND COLLECTOR OF VIDEO GAMES AND GAMING SYSTEMS, IS THE CURATOR OF THE EXHIBITION. 87229 THE 2013 WEST SELECT: A WESTERN ART INVITATIONAL SALE AND EXHIBITION - EXPLORE THE DIVERSITY AND MAGNIFICENCE OF THE AMERICAN WEST IN THE WEST SELECT, AN EXHIBITION AND SET-PRICE FUNDRAISING SALE FEATURING CONTEMPORARY WESTERN ART. ORGANIZED BY PHOENIX ART MUSEUM AND PRESENTED BY THE MEN'S ARTS COUNCIL, A MUSEUM SUPPORT ORGANIZATION. 78740 XUL SOLAR AND JORGE LUIS BORGES, THE ART OF FRIENDSHIP - THE MYSTIC ARTIST XUL SOLAR (1887-1963) WAS BORN OSCAR AGUST??N ALEJANDRO SCHULZ SOLARI IN BUENOS AIRES. FIRST EDUCATED AS A MUSICIAN AND LATER AS AN ARCHITECT BEFORE WORKING AS A SCHOOLTEACHER, HE TRAVELED THROUGHOUT EUROPE, WHERE HE ADOPTED THE PSEUDONYM XUL SOLAR, A PLAY ON SCHULZ SOLARI, WITH A NOD TO THE BRILLIANT LUMINOSITY OF THE SUN. AS AN ARTIST, BOTH AS A PAINTER AND A SCULPTOR, SOLAR FIRST EXHIBITED HIS WORK IN MILAN IN 1920, AND THUS BEGAN AN EXPANSIVE, IMAGINATIVE CAREER AND BODY OF WORK. OFTEN INCORPORATING ELEMENTS OF ASTROLOGY AND EASTERN RELIGIONS, HIS ART FEATURES AN ETHEREAL, MYSTICAL QUALITY. SOLAR MET JORGE LUIS BORGES (1899-1986) IN 1924, AFTER BOTH RETURNED TO BUENOS AIRES FROM EUROPE. BORGES, A SHORT STORY WRITER, ESSAYIST AND POET, ALSO BORN IN BUENOS AIRES, WAS KNOWN FOR HIS ENGAGEMENT WITH PHILOSOPHICAL LITERATURE AS WELL AS THE ELEMENTS OF MAGICAL REALISM THAT PERVADE HIS WORK. THE TWO MEN MET THROUGH THE THE LITERARY AND ARTISTIC CIRCLES OF THE JOURNAL-MAGAZINE MARTIN FIERRO. IN THE SEARCH OF A NEW ARGENTINE IDENTITY, BORGES AND SOLAR, ALONG WITH OTHER MARTINFIERRISTAS DEVELOPED A NEO-CREOLE IDENTITY THAT FUSED EUROPEAN MODERNISM WITH ARGENTINE NATIONALISM AND GAUCHO CULTURE.INCLUDING WORKS RARELY SEEN OUTSIDE OF ARGENTINA, THIS EXHIBITION TELLS THE STORY OF THE CREATIVE SYMBIOSIS THAT RESULTED FROM A LIFELONG FRIENDSHIP AND INTELLECTUAL EXCHANGE BETWEEN ARGENTINES XUL SOLAR, ARTIST, AND JORGE LUIS BORGES, WRITER. IT INCLUDES PAINTINGS, PUBLICATIONS, LETTERS, AND OTHER OBJECTS, WHICH ILLUSTRATE THE INFLUENCE EACH CREATOR HAD ON THE WORK OF HIS CONFIDANT. BOTH MEN ARE CONSIDERED TWO OF THE MOST IMPORTANT CULTURAL FIGURES OF THE 20TH CENTURY IN BUENOS AIRES, WHOSE IMPACT ON ART, LITERATURE AND ARGENTINE CULTURE IS STILL FELT TODAY.THE EXHIBITION IS ORGANIZED BY THE MUSEO XUL SOLAR, BUENOS AIRES, AND THE AMERICAS SOCIETY, NEW YORK, AND IS CURATED BY GABRIELA RANGEL, DIRECTOR OF VISUAL ARTS AND CHIEF CURATOR AT AMERICAS SOCIETY. ITS PHOENIX PREMIERE IS ORGANIZED AND DIRECTED BY VANESSA DAVIDSON, PHD, CURATOR OF LATIN AMERICAN ART AT PHOENIX ART MUSEUM. 112322 THE MUSEUM HAD A NUMBER OF OTHER SPECIAL EXHIBITS INCLUDING:WILLIAM H. JOHNSON, AN AMERICAN MODERN, $29,505.SEE, HEAR, FEEL: THE PHOTOGRAPHS OF DEBRA BLOOMFIELD AND CHRISTOPHER CHURCHILL, $25,982.THE CAPE, $20,677.RUFINO TAMAYO : MASTER PRINTMAKER , $10,504.QUIET RAGE, GENTLE WAIL: PRINTS AND MASKS OF JAPANESE NOH THEATRE, $10,307.GENE KLOSS, IN LIGHT AND SHADOW, $8,148.THE PROCESS AND THE PAGE: DEVELOPING PHOTOGRAPHIC BOOKS, $7,199. 0 THE MUSEUM ALSO MADE A NUMBER OF NOTEWORTHY ART ACQUISITIONS THAT ARE NOT RECORDED TO PROGRAM EXPENSES:AHMED ALSOUDANIBORN 1975UNTITLED2013ACRYLIC AND CHARCOAL ON CANVAS73 1/4 X 97 1/4 IN. (186.1 X 247 CM)KEHINDE WILEYAMERICAN, BORN 1977MEMLING: AFTER MEMLING'S PORTRAIT OF A MAN WITH A COIN OF THE EMPEROR NERO2013MEMLING: AFTER MEMLING'S PORTRAIT OF MAARTEN VAN NIEUWENHOVE2013MEMLING: AFTER MEMLING'S PORTRAIT OF A MAN IN A RED HAT2013OIL ON WOOD PANEL IN ARTIST DESIGNED HAND-FABRICATED FRAME WITH 22K GOLD LEAF GILDINGNATHAN MABRY, TWO VESSELSTWO VESSELS (UNPACKED) IS A NEW BRONZE SCULPTURE MADE FOR PRODUCTION MABRY'S RECENT EXHIBITION AT THE NASHER SCULPTURE CENTER IN DALLAS (APRIL 13 - JULY 7, 2013).BLUE AND WHITE LARGE VASE AND COVERUNKNOWN, DUTCHDELFT BLUE AND WHITE VASE COVER, C. 1660FAIENCE STONEWAREMUSEUM PURCHASE WITH FUNDS PROVIDED BY COLLECTOR'S STUDY CLUB AND FRIENDS OF EUROPEAN ARTOBJECT NUMBER: 2014.37.A-B 4872758 3176952 REMAINING PROGRAM REVENUES AND EXPENSES OF THE MUSEUM THAT HAVE NOT BEEN ALLOCATED TO A SPECIFIC EXHIBIT. 6122079 3558272 8326458 1 1 0 0 0 0 0 1 0 1 1 0 0 1 1 0 0 1 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 1 1 0 0 0 1 88 0 1 162 1 1 1 0 0 0 0 1 1 0 0 0 0 X 47 47 0 0 0 0 1 1 0 1 1 0 0 1 1 1 1 1 1 1 1 0 AZ X X SCOTT MCDANIEL 6022572103 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 ANGELA C SINGER TRUSTEE 1.00 X 0 0 0 MICHAEL H BILL TRUSTEE 1.00 X 0 0 0 BRUCE COVILL TRUSTEE 1.00 X 0 0 0 DENNIS LYON TRUSTEE 1.00 X 0 0 0 ALVAN ADAMS TRUSTEE 1.00 X 0 0 0 DORIS ONG TRUSTEE 1.00 X 0 0 0 DREW BROWN TRUSTEE 1.00 X 0 0 0 ELLEN KATZ TRUSTEE 1.00 X 0 0 0 JAMES LUNDY TRUSTEE 1.00 X 0 0 0 JOE LAMPE TRUSTEE 1.00 X 0 0 0 JOHN BOUMA TRUSTEE 1.00 X 0 0 0 KEN KENDRICK TRUSTEE 1.00 X 0 0 0 PAUL GROVES TRUSTEE 1.00 X 0 0 0 RICHARD GOLDSMITH TRUSTEE 1.00 X 0 0 0 STEVE RINEBERG TRUSTEE 1.00 X 0 0 0 STEVEN L TUFTS TRUSTEE 1.00 X 0 0 0 DIANE HALLE TRUSTEE 1.00 X 0 0 0 AMY CLAGUE TRUSTEE 1.00 X 0 0 0 TONY ASTORGA TRUSTEE-VICE CHAIRMAN 1.00 X 0 0 0 WILLIAM G WAY TRUSTEE 1.00 X 0 0 0 SUSAN DRESCHER-MULZET TRUSTEE 1.00 X 0 0 0 DIANA ELLIS SMITH TRUSTEE 1.00 X 0 0 0 DR MERYL HABER TRUSTEE 1.00 X 0 0 0 MIKE COHN TRUSTEE-VICE CHAIRMAN 1.00 X 0 0 0 SALLY LEHMANN TRUSTEE 1.00 X 0 0 0 JAY SCHLOTT TRUSTEE 1.00 X 0 0 0 PETER BANKO TRUSTEE 1.00 X 0 0 0 JOAN CREMIN TRUSTEE 1.00 X 0 0 0 JUDY LINHART TRUSTEE 1.00 X 0 0 0 JACQUIE DORRANCE TRUSTEE 1.00 X 0 0 0 JIM PATTERSON TRUSTEE-CHAIRMAN 1.00 X 0 0 0 ARMITY SIMON TRUSTEE 1.00 X 0 0 0 GARY TOOKER TRUSTEE 1.00 X 0 0 0 JOHN ZIDICH TRUSTEE 1.00 X 0 0 0 DONALD BRANDT TRUSTEE 1.00 X 0 0 0 RON BUTLER TRUSTEE 1.00 X 0 0 0 JOSEPH D'AMICO TRUSTEE 1.00 X 0 0 0 DENISE DELGADO TRUSTEE-SECRETARY 1.00 X 0 0 0 ERIN GOGOLAK TRUSTEE 1.00 X 0 0 0 ROSELLEN PAPP TRUSTEE-TREASURER 1.00 X 0 0 0 DAVID ROUSSEAU TRUSTEE 1.00 X 0 0 0 SUZANNE L SELIG TRUSTEE 1.00 X 0 0 0 ADAM SINGER TRUSTEE 1.00 X 0 0 0 RAYMOND SLOMSKI TRUSTEE 1.00 X 0 0 0 MICHAEL GREENBAUM TRUSTEE 1.00 X 0 0 0 LILA HARNETT TRUSTEE 1.00 X 0 0 0 PATRICIA NOLAN TRUSTEE 1.00 X 0 0 0 STEVE RIZLEY TRUSTEE 1.00 X 0 0 0 ANN SINER TRUSTEE 1.00 X 0 0 0 SHARRON LEWIS TRUSTEE 1.00 X 0 0 0 K DAVID LINDNER TRUSTEE 1.00 X 0 0 0 GARRETT MCKNIGHT TRUSTEE 1.00 X 0 0 0 DR EDGARDO RIVERA TRUSTEE 1.00 X 0 0 0 MARK TARBELL TRUSTEE 1.00 X 0 0 0 JAMES BALLINGER SYBIL HARRINGTON DIRECTOR 37.50 X 296425 0 29969 GARY EGAN DEPUTY DIR-FINANCE & ADMIN 37.50 X 150120 0 17340 RONALD MILLER DIRECTOR OF DEVELOPMENT 37.50 X 150324 0 17778 596869 0 65087 3 0 1 0 THE GROUNDSKEEPER P O BOX 43820 TUCSON AZ 43820 LANDSCAPING 207518 CONTEMPORARY FORUM ATTN LYNN SPENCER 7695 E ADOBE DR SCOTTSDALE AZ 85255 SUPPORT ORGANIZATION 193375 AHMED ALSOUDANI 123 PRINCE ST 4 NEW YORK NY 10012 OTHER ART 175000 PS STUDIOS INC 3002 N THIRD STREET PHOENIX AZ 85012 MARKETING 151154 ROBERTS & TILTON 5801 WASHINGTON BOULEVARD CULVER CITY CA 90232 OTHER ART 150000 7 941902 485553 1324623 95196 3500730 129974 6348004 PROGRAM SERVICE REVENUE 900099 2038794 2038794 MEMBERSHIP DUES 900099 1138158 1138158 3176952 4777 4777 2728 0 2728 2728 2728 1366484 485553 930664 435820 435820 839565 458245 381320 381320 REIMBURSEMENTS 900099 161260 161260 CATERING 722320 26590 26590 187850 10537451 3558272 26590 604585 664987 330445 164578 169964 3405102 2333590 712519 358993 -284080 -192035 -53071 -38974 457464 315282 108677 33505 313994 202972 73986 37036 34218 34218 33990 33990 527584 302755 221947 2882 663815 655056 8568 191 1601237 1173153 250014 178070 68954 50992 17962 765475 613833 111127 40515 188320 122880 40273 25167 13930 10444 2597 889 35845 35845 622445 578874 18673 24898 123286 99067 23768 451 OPERATING EXPENSES 1040952 875792 79533 85627 CONTRACTED LABOR 711408 711408 DUES AND SUBSCRIPTIONS 118152 78897 28990 10265 REPAIRS AND MAINTENANCE 114328 63053 51275 11221406 8326458 1965469 929479 703571 799440 618570 1104015 1604454 1106006 70211 111661 371242 425843 205467 103579 15026362 9641705 5680733 5384657 62018 1259052 522741 10575318 9557942 1257655 1568114 376520 377300 2100010 3465010 2429087 906897 6163272 6317321 X -820615 -1768230 5232661 5008851 4412046 3240621 10575318 9557942 X -683955 994 -488464 X X 0 1 X 1 0 X 5169910 4982269 4943370 5491850 6348004 26935403 3514135 5190328 5070886 4693127 4892897 23361373 8684045 10172597 10014256 10184977 11240901 50296776 132164 50164612 12883 8985 6704 7982 4777 41331 24119 30190 31882 28053 5749 119993 108495 112981 131082 143872 161260 657690 51115790 21712837 0.98140 0.97120 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: REIMBURSEMENTS RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X 1 23739569 295894 2777782 1324623 66056 25422566 22949075 193587 2028519 1350242 81370 23739569 23172236 1075930 -186681 1044693 67717 22949075 20470831 507399 2932883 680198 58679 23172236 18620839 61113 1893540 55658 49003 20470831 0.01000 0.38000 0.61000 0 1 1 699253 699253 10727230 6847018 3880212 2501166 1731876 769290 1098713 1062811 35902 5384657 CHARITABLE GIFT ANNUITIES 522741 522741 CHARITABLE GIFT ANNUITIES 377664 ACCRUED PENSION 529233 906897 PART III, LINE 1A: FINANCIAL STATEMENT FOOTNOTE REGARDING THE FINE ARTS COLLECTION: FINE ARTS COLLECTION CONSISTS OF PURCHASED AND DONATED WORKS OF ART. THE COLLECTION IS ON DISPLAY TO THE GENERAL PUBLIC. THE MUSEUM EMPLOYS PROFESSIONAL STAFF TO ENSURE THAT THE COLLECTION ITEMS ARE PRESERVED AND PROTECTED. THE COLLECTION ITEMS ARE NOT CAPITALIZED BY THE MUSEUM. COSTS OF PURCHASING COLLECTION ITEMS, DEACCESSIONS OF COLLECTION ITEMS AND PROCEEDS FROM INSURANCE RECOVERIES ARE INCLUDED AS A CHANGE IN THE APPROPRIATE CATEGORY OF NET ASSETS. PROCEEDS FROM THE DEACCESSION OF COLLECTION ITEMS ARE RESTRICTED FOR PURCHASES OF ADDITIONAL COLLECTION ITEMS. ACQUISITIONS OF FINE ART, INCLUDED AS A DECREASE IN UNRESTRICTED NET ASSETS, TOTALED $492,702 AND $533,960 FOR THE YEARS ENDED JUNE 30, 2014 AND 2013, RESPECTIVELY. PART V, LINE 4: THE MUSEUM HAS VARIOUS FUNDS THAT ARE DESIGNATED FOR RESTRICTED PURPOSES SUCH AS EXHIBITION COSTS, EDUCATION PROGRAMS, ART CONSERVATION, AND EDUCATOR AND CURATOR SALARIES AND BENEFITS. OTHER FUNDS ARE USED EACH YEAR AS PER THE WISHES OF THE MUSEUM DIRECTOR. WE ALSO HAVE FUNDS THAT ARE CONTROLLED BY OUR SUPPORT ORGANIZATIONS, USUALLY FOR THE ACQUISITION OF NEW ART FOR THE MUSEUM. THE PARTY 899350 280100 619250 85904 25536 330676 INDEPENDENT WOMENS LUNCHEON 315694 95478 220216 25450 7313 21967 8 636993 109975 527018 126214 307604 1852037 485553 1366484 237568 32849 660247 930664 435820 X 1 1 X X X 0 0 0 0 0 0 0 0 0 JAMES BALLINGER SYBIL HARRINGTON DIRECTOR 289494 0 0 0 6931 0 4752 0 25217 0 326394 0 0 0 GARY EGAN DEPUTY DIR-FINANCE & ADMIN 150120 0 0 0 0 0 2295 0 15045 0 167460 0 0 0 RONALD MILLER DIRECTOR OF DEVELOPMENT 150324 0 0 0 0 0 2295 0 15483 0 168102 0 0 0 X 241 N/A X N/A X 14 129974 MARKET VALUE 4 0 1 0 PART I, COLUMN (B): THE NUMBER OF CONTRIBUTIONS ARE LISTED. PART I, LINE 33: THE MUSEUM HAS A LARGE COLLECTION OF FINE ART BUT DOES NOT CAPITALIZE OR VALUE ITS COLLECTION, SO GIFTS OF ART ARE NOT INCLUDED IN REVENUE. FORM 990, PAGE 2, PART III, LINE 4A: HOLLYWOOD COSTUMES - HOLLYWOOD COSTUME, A GROUND BREAKING EXHIBITION THAT CELEBRATES AND EXPLORES COSTUME DESIGN AS A KEY COMPONENT OF CINEMA STORYTELLING. IT'S A COMPLETE MULTI-MEDIA EXPERIENCE. FROM RESEARCH BIBLES AND PROPS TO FILM CLIPS AND RECORDED INTERVIEWS, YOU WILL BE INTRIGUED TO LEARN WHAT IT TAKES TO DESIGN A COSTUME, AND FROM THE ACTOR'S PERSPECTIVE WHAT IT MEANS TO BECOME THE CHARACTER. MAKING ITS WEST COAST PREMIERE AT PHOENIX ART MUSEUM, HOLLYWOOD COSTUME ON TOUR FROM THE VICTORIA AND ALBERT MUSEUM IN LONDON. FROM MARILYN MONROE'S DRESS IN THE SEVEN YEAR ITCH TO MORTICIA'S DRESS IN THE ADAM'S FAMILY YOU WILL HAVE THE CHANCE TO SEE YOUR FAVORITES FIRST HAND BEFORE THEY ARE RETURNED TO STUDIO VAULTS OVER 100 COSTUMES ON DISPLAY. THIS IS A RARE OPPORTUNITY TO SEE THE COSTUMES WORN BY UNFORGETTABLE CHARACTERS FROM FILMS SUCH AS THE WIZARD OF OZ, SUPERMAN, TITANIC, HARRY POTTER AND THE HALF BLOOD PRINCE, DARK KNIGHT RISES, AND SO MANY MORE. FORM 990, PAGE 2, PART III, LINE 4B: LIFELIKE - LIFELIKE EXPLORES A WIDE VARIETY OF ARTWORKS THROUGH A PLAYFUL LENS, FOCUSING ON EVERYDAY OBJECTS AND SITUATIONS. THIS EXHIBITION TIES THE FAMILIAR TO THE PHENOMENAL THROUGH THE METICULOUS DETAIL, GRAND SCALE, AND UNUSUAL MATERIALS USED IN THE WORK OF AN INTERNATIONAL GROUP OF 55 ARTISTS FROM THE LATE 1960S TO NOW, ARTISTS LIKE: VIJA CELMINS, KEITH EDMIER, FISCHLI AND WEISS, ROBERT GOBER, ALEX HAY, KAZ OSHIRO, CHARLES RAY, ANDY WARHOL, AND AI WEIWEI. THE WORK ESCAPES THE BIND OF BRANDS THAT INFILTRATED THE 1960S POP AND SLICK URBAN MOVEMENTS FOR A SLEEKER, MORE EVERY DAY FEEL WITH ITEMS OFTEN TAKEN FOR GRANTED: A KITCHEN, AN ELEVATOR, AN AFTERNOON NAP, A PAPER BAG, AN ERASER. THROUGH CAREFULLY CONSTRUCTED SCULPTURES, PHOTOGRAPHY, DRAWINGS AND VIDEO, LIFELIKE PRESENTS A MANUFACTURED "AUTHENTICITY", TRANSFORMING THE ORDINARY INTO SOMETHING INTRIGUING, LOADED WITH NARRATIVE AND METAPHOR, AND IMBUED WITH AN ARRESTING SENSE OF HUMANITY. FORM 990, PAGE 2, PART III, LINE 4C: MADELINE ALBRIGHT, "READ MY PINS" - WHEN FORMER SECRETARY OF STATE MADELEINE ALBRIGHT VOCALLY OPPOSED SADAAM HUSSEIN'S UNWILLINGNESS TO COMPLY WITH UN INSPECTIONS, GOVERNMENT-OWNED IRAQI NEWSPAPERS CALLED HER AN "UNPARALLELED SERPENT." WHEN SECRETARY ALBRIGHT WAS NEXT SCHEDULED TO MEET WITH IRAQI OFFICIALS, SHE REACHED INTO HER JEWELRY BOX AND SELECTED A GOLD PIN FEATURING A SERPENT COILED AROUND A BRANCH, AND THE LEGEND BEGAN. THROUGHOUT HER CAREER AS UN AMBASSADOR AND SECRETARY OF STATE UNDER THE CLINTON ADMINISTRATION, SECRETARY ALBRIGHT USED THE COLORFUL, ATTENTION-GRABBING PINS SHE HAD AMASSED TO QUIETLY COMMUNICATE VOLUMES. NOW, THAT INCREDIBLE COLLECTION OF PINS, INCLUDING ANTIQUES AND FINE JEWELRY PIECES ALONGSIDE COSTUME JEWELRY BY UNKNOWN DESIGNERS, WILL MAKE ITS WAY TO PHOENIX ART MUSEUM. THE EXHIBITION, WHICH FIRST PREMIERED AT NEW YORK CITY'S MUSEUM OF ARTS AND DESIGN, FEATURES MORE THAN 200 PINS, EACH SELECTED BY SECRETARY ALBRIGHT TO COMMUNICATE A MESSAGE OR A MOOD DURING AND AFTER HER DIPLOMATIC TENURE. FROM FISH TO FLAGS, JEWEL-ENCRUSTED HEARTS TO PINS HONORING SUFFRAGETTES, THIS COLLECTION REFLECTS THE UNIQUE STYLE AND BRILLIANT PERSONALITY OF A WOMAN WHO LEARNED TO LEVERAGE EVERY AVENUE OF COMMUNICATION IN THE FINE ART OF DIPLOMACY. FORM 990, PAGE 2, PART III MISSION STATEMENT PHOENIX ART MUSEUM IS A VIBRANT DESTINATION CONNECTING PEOPLE TO GREAT ART FROM AROUND THE WORLD TO ENRICH THEIR LIVES AND COMMUNITIES. THIS VISION IS SUPPORTED BY FOUR STRATEGIC PILLARS WHICH ARE: 1. EXCEPTIONAL ART - TO CELEBRATE THE HIGHEST QUALITY VISUAL ART THROUGH OUTSTANDING EXHIBITIONS, ACQUISITIONS AND COLLECTION STEWARDSHIP. 2. ENRICHMENT AND LEARNING - TO CREATE A NATIONALLY RECOGNIZED MODEL FOR ENHANCING EXPERIENCE OF THE VISUAL ARTS THROUGH INTERPRETATION, ENGAGED LEARNING, AND ENRICHMENT. 3. BROAD AUDIENCE - TO ATTRACT THE BROADEST POSSIBLE AUDIENCE TO THE MUSEUM AS CONSISTENT AND ENTHUSIASTIC PARTICIPANTS. 4. FISCAL STABILITY AND ORGANIZATIONAL EXCELLENCE - TO ACHIEVE AND MAINTAIN A STRONG FINANCIAL FOUNDATION. FORM 990, PART VI, SECTION A, LINE 6 THE MUSEUM HAS A MEMBERSHIP PROGRAM THAT CURRENTLY HAS 12,214 MEMBERS. REGULAR MEMBERS AND CIRCLES MEMBERS, EACH GET ONE VOTE FORM 990, PART VI, SECTION A, LINE 7A MEMBERS OF THE GOVERNING BODY (BOARD OF TRUSTEES) ARE NOMINATED BY THE MUSEUM'S NOMINATING COMMITTEE AND THEN ARE VOTED UPON BY THE THE MUSEUM MEMBERSHIP. FORM 990, PART VI, SECTION B, LINE 11 THE RETURN WILL BE PROVIDED TO EACH BOARD MEMBER TO READ AND EACH WILL BE GIVEN THE OPPORTUNITY TO ASK QUESTIONS. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM'S GUIDELINES FOR PROFESSIONAL PRACTICES QUESTIONNAIRE AND COMPLIANCE AGREEMENT IS REQUIRED TO BE COMPLETED AND SIGNED BY TRUSTEES, PRESIDENTS OF SUPPORT ORGANIZATIONS, MUSEUM DIRECTOR, DIVISION HEADS, DEPARTMENT HEADS, AND ALL ACCOUNTING STAFF ANNUALLY. THIS PROCESS IS DONE EVERY YEAR IN SEPTEMBER. THE COMPLETED AND SIGNED AGREEMENTS ARE REVIEWED BY HUMAN RESOURCES MANAGER FOR COMPLETENESS. ANY QUESTION THAT ARISES IS DISCUSSED WITH THE INDIVIDUAL SIGNING THE AGREEMENT. FORM 990, PART VI, SECTION B, LINE 15 DATA FROM OTHER MUSEUMS IS USED TO EVALUATE COMPENSATION FOR THE CEO, INCLUDING FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS. THE EXECUTIVE COMMITTEE MAKES THE DECISION. FOR DETERMINING THE COMPENSATION OF OTHER OFFICERS OR KEY EMPLOYEES, COMPARISONS ARE MADE WITH OTHER MUSEUMS. DECISIONS MADE DURING THE BUDGET PROCESS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION FINANCIAL STATEMENTS ARE AVAILABLE ON THE WEBSITE. THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY AVAILABLE UPON REQUEST. FORM 990, PART XI, LINE 9: ACQUISITION OF FINE ART -492,702. CHANGE IN CHARITABLE GIFT ANNUITIES 4,238. FORM 990, PART XII, LINE 2C THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS FOR THE AUDIT OR ITS SELECTION PROCESS FOR INDEPENDENT AUDITORS DURING THE YEAR. PHOENIX ART MUSEUM ENDOWMENT FUND INC 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 860765761 FINANCIAL SUPPORT OF PHOENIX ART MUSEUM AZ 501(C)(3) LINE 11A, I PHOENIX ART MUSEUM 1 0 0 1 0 1 0 0 0 0 0 0 1 0 1 1 0 1 1 1 PHOENIX ART MUSEUM ENDOWMENT FUND C 1324623 CASH