2016-05-12T18:27:22-05:00 2015-06-30 131517563 LOEB & TROPER LLP 655 THIRD AVENUE 12TH FLOOR NEW YORK NY 10017 990 2014-07-01 131624098 MUSEUM OF THE CITY OF NEW YORK MUSE 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 WHITNEY W DONHAUSER RONAY MENSCHEL DIRECTOR 2125341672 2016-05-12 1 AARON SHAPIRO P01333816 2128674000 2014 2016-08-17 19:52:53Z WHITNEY W DONHAUSER 1220 FIFTH AVENUE NEW YORK NY 10029 30496376 0 X WWW.MCNY.ORG X 1923 NY THE MUSEUM OF THE CITY OF NEW YORK CELEBRATES AND INTERPRETS THE CITY, EDUCATING THE PUBLIC ABOUT ITS DISTINCTIVE CHARACTER, ESPECIALLY ITS HERITAGE OF DIVERSITY, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NONPROFIT CORPORATION, THE MUSEUM CONNECTS THE PAST, PRESENT, AND FUTURE OF NEW YORK CITY. IT SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM AROUND THE WORLD THROUGH EXHIBITIONS, SCHOOL AND PUBLIC PROGRAMS, PUBLICATIONS, AND COLLECTIONS. 54 54 234 258 0 0 14124146 20899837 1761520 1796692 1028137 1437012 520239 367879 17434042 24501420 0 0 0 0 7094636 8492059 48000 65000 1733309 5581116 6950851 12723752 15507910 4710290 8993510 51676779 59528122 705140 838739 50971639 58689383 X THE MUSEUM OF THE CITY OF NEW YORK CELEBRATES AND INTERPRETS THE CITY, EDUCATING THE PUBLIC ABOUT ITS DISTINCTIVE CHARACTER, ESPECIALLY ITS HERITAGE OF DIVERSITY, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NONPROFIT CORPORATION, THE MUSEUM CONNECTS THE PAST, PRESENT, AND FUTURE OF NEW YORK CITY. IT SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM AROUND THE WORLD THROUGH EXHIBITIONS, SCHOOL AND PUBLIC PROGRAMS, PUBLICATIONS, AND COLLECTIONS. 0 0 6955766 850326 EXHIBITIONS AND PUBLICATIONS:ONGOING/LONG-TERM EXHIBITIONS OPEN THROUGH FY2015GILDED NEW YORK (NOV 13, 2013 - CURRENT)INAUGURATING THE CITY MUSEUM'S TIFFANY & CO. FOUNDATION GALLERY, GILDED NEW YORK EXPLORES THE CITY'S VISUAL CULTURE AT THE END OF THE 19TH CENTURY, WHEN THE ELITE CLASS FLAUNTED ITS WEALTH MORE CONSPICUOUSLY THAN EVER BEFORE. INDUSTRIAL TITANS, SUCH AS CORNELIUS VANDERBILT AND JAY GOULD, EXPRESSED THEIR STATUS THROUGH EXTRAVAGANT FASHIONS, ARCHITECTURE, AND INTERIOR DESIGN. CONTINUED ON SCHEDULE O:THE EXHIBITION'S LAVISH DISPLAY INCLUDES COSTUMES, JEWELRY, PORTRAITS, SILVER OBJECTS, WOMEN'S AND MEN'S ACCESSORIES, AND DECORATIVE FURNISHINGS, ALL CREATED BETWEEN THE MID-1870S AND EARLY 20TH CENTURY. GILDED NEW YORK DEPICTS AN ERA WHEN THE NEW AMERICAN ARISTOCRACY DISPLAYED ITS WEALTH IN STORIED BALLS IN FIFTH AVENUE MANSIONS AND HOTELS, SHOWN IN DIGITIZED VINTAGE PHOTOGRAPHS PRESENTED ON MONITORS OUTSIDE THE GALLERY. DURING THESE YEARS, THE UNITED STATES-AND ITS CULTURAL CAPITAL, NEW YORK CITY-ACHIEVED A NEW LEVEL OF SOPHISTICATION IN PAINTING, SCULPTURE, ARCHITECTURE, AND THE DECORATIVE ARTS, ENABLING THE NATION TO COMPETE FOR THE FIRST TIME ON A WORLD STAGE.THE TIFFANY & CO. FOUNDATION GALLERY AND THE INSTALLATION OF GILDED NEW YORK WERE DESIGNED BY NEW YORK-BASED WILLIAM T. GEORGIS ARCHITECTS. THE GALLERY'S DESIGN AND CONSTRUCTION WERE MADE POSSIBLE THROUGH A GRANT FROM THE TIFFANY & CO. FOUNDATION. GILDED NEW YORK WAS ORGANIZED BY DONALD ALBRECHT, CURATOR OF ARCHITECTURE AND DESIGN; INDEPENDENT CURATOR JEANNINE FALINO; AND PHYLLIS MAGIDSON, CURATOR OF COSTUMES AND TEXTILES.ACTIVIST NEW YORK (MAY 4, 2012 - ONGOING)ACTIVIST NEW YORK IS THE INAUGURAL EXHIBITION IN THE PUFFIN FOUNDATION GALLERY. THIS ONGOING INSTALLATION EXPLORES THE DRAMA OF SOCIAL ACTIVISM IN NEW YORK CITY FROM THE 17TH CENTURY TO THE PRESENT IN A CONTINUALLY CHANGING SERIES OF CASE STUDIES AND OBJECTS. DURING THE BIENNIAL PERIOD, A NEW MODULE WAS ADDED ON ACTIVIST LITERATURE OF THE 1930S. VISITORS ARE ENCOURAGED TO HELP KEEP THE EXHIBITION UP TO DATE BY SUBMITTING THEIR OWN ACCOUNTS AND IMAGES OF ACTIVISM IN THE CITY TODAY. GENEROUS SUPPORT FROM THE PUFFIN FOUNDATION HAS PROVIDED FOR A DEDICATED PUFFIN CURATOR OF SOCIAL ACTIVISM AT THE CITY MUSEUM. EXHIBTIONS OPENED IN FY2015:MAC CONNER: A NEW YORK LIFE (SEPT 10, 2014 - FEB 1, 2015)MCCAULEY ("MAC") CONNER (BORN 1913) GREW UP ADMIRING THE NORMAN ROCKWELL MAGAZINE COVERS IN HIS FATHER'S GENERAL STORE. HE ARRIVED IN NEW YORK AS A YOUNG MAN TO WORK ON WARTIME NAVY PUBLICATIONS AND STAYED ON TO MAKE A CAREER IN THE CITY'S VIBRANT PUBLISHING INDUSTRY. MAC CONNER: A NEW YORK LIFE PRESENTED NEARLY 100 OF CONNER'S HAND-PAINTED ILLUSTRATIONS FOR ADVERTISING CAMPAIGNS AND WOMEN'S MAGAZINES LIKE REDBOOK AND MCCALL'S, MADE DURING THE YEARS AFTER WORLD WAR II WHEN COMMERCIAL ARTISTS HELPED TO REDEFINE AMERICAN STYLE AND CULTURE. THE EXHIBITION WAS CURATED BY SARAH HENRY, DEPUTY DIRECTOR AND CHIEF CURATOR, WITH DOUGLAS P. DOWD AND TERRY BROWN AND DESIGNED BY STUDIO JOSEPH, AND WAS CO-SPONSORED BY THE MODERN GRAPHIC HISTORY LIBRARY AT WASHINGTON UNIVERSITY IN ST. LOUIS AND THE ROCKWELL CENTER FOR AMERICAN VISUAL STUDIES. FOLLOWING ITS RUN AT THE MUSEUM OF THE CITY OF NEW YORK, THE EXHIBITION TRAVELED TO THE HOUSE OF ILLUSTRATION IN LONDON, ENGLAND, AND IT WILL BE PRESENTED AT THE DELAWARE ART MUSEUM IN 2017.JEFF CHIEN-HSING LIAO'S NEW YORK: ASSEMBLED REALITIES (OCT 15, 2014 - MARCH 15, 2015)ASSEMBLED REALTITES FEATURED MORE THAN 40 WORKS, SOME UP TO 6 FEET IN LENGTH, BY TAIWANESE ARTIST JEFF CHIEN-HSING LIAO, WHO CAME TO NEW YORK CITY AT THE AGE OF 18 TO STUDY PHOTOGRAPHY. PUSHING THE BOUNDARIES OF TRADITIONAL DOCUMENTARY PHOTOGRAPHY, LIAO (B. 1977) CREATES HIS PANORAMAS BY COMBINING MULTIPLE EXPOSURES OF THE SAME LOCATION TAKEN OVER THE COURSE OF SEVERAL HOURS. THE RESULTING COMPOSITE PHOTOGRAPHS ARE OFTEN FANTASTICAL; COMPLEX, HYPER-REAL VIEWS THAT NO SINGLE SHOT-OR THE EYE-COULD CAPTURE. LIAO HAS SPENT THE PAST DECADE HONING HIS DISTINCTIVE STYLE, MAKING IMAGES OF HIS ADOPTED CITY FROM THE GRAND CONCOURSE TO CONEY ISLAND, THE OLD SHEA STADIUM TO THE 72ND STREET SUBWAY. THE EXHIBITION WAS DEVELOPED BY SEAN CORORAN, CURATOR OF PRINTS AND PHOTOGRAPHS, AND DESIGNED BY PURE+APPLIED.THE JEFFERSON LETTERS (OCT 30, 2014 - JAN 6, 2015)IN CONJUNCTION WITH THE 25TH ANNIVERSARY OF NEW YORK CITY HISTORY DAY IN OCTOBER 2014, THE MUSEUM OF THE CITY OF NEW YORK PRESENTED AN INSTALLATION OF EIGHT RARELY SEEN LETTERS WRITTEN BY PRESIDENT THOMAS JEFFERSON TO ROBERT R. LIVINGSTON, A NEW YORK LAWYER AND JEFFERSON'S CHOICE AS "MINISTER PLENIPOTENTIARY" TO FRANCE. IN THIS REMARKABLE CORRESPONDENCE, JEFFERSON AND LIVINGSTON LAID OUT A FOREIGN POLICY THAT DEFINED THE DIRECTION-EVEN THE VERY SHAPE-OF THE EMERGING UNITED STATES. JEFFERSON WROTE ABOUT A NUMBER OF REMARKABLE AND HISTORICALLY IMPORTANT TOPICS, INCLUDING: THE LOUISIANA PURCHASE, THE NAPOLEONIC WARS, EARLY DEBATES OVER THE CONSTITUTION, THE UNEARTHING OF A BURIED MAMMOTH SKELETON IN UPSTATE NEW YORK, THE TECHNICAL DETAILS OF THE FIRST STEAM ENGINE, THE DEVELOPMENT OF NEW CODES FOR DELIVERING SECRET MESSAGES TO AMERICAN DIPLOMATS LIVING OVERSEAS, AND MUCH MORE.CITYSCAPES: HIGHLIGHTS FROM THE PERMANENT COLLECTION (JAN 21 - OCT 6, 2015)CITYSCAPES PRESENTED PAINTINGS DOCUMENTING NEW YORK'S TRANSFORMATION INTO A MODERN METROPOLIS, A PERIOD SPANNING THE 1830S TO THE EVE OF WORLD WAR I. THE EXHIBITION FEATURED RECENTLY CONSERVED WORKS ON CANVAS DONATED BY REAL ESTATE DEVELOPER J. CLARENCE DAVIES AS A FOUNDING GIFT TO THE MUSEUM OF THE CITY OF NEW YORK. EVERYTHING IS DESIGN: THE WORK OF PAUL RAND (FEB 25 -OCT 13, 2015)EVERYTHING IS DESIGN: THE WORK OF PAUL RAND FEATURED MORE THAN 150 ADVERTISEMENTS, POSTERS, CORPORATE BROCHURES, AND BOOKS BY THIS MASTER OF AMERICAN DESIGN. IT WAS RAND WHO MOST CREATIVELY BROUGHT EUROPEAN AVANT-GARDE ART MOVEMENTS SUCH AS CUBISM AND CONSTRUCTIVISM TO GRAPHIC DESIGN IN THE UNITED STATES. HIS PHILOSOPHY, AS EXPRESSED IN HIS WORK AND WRITINGS, INCLUDING THE RECENTLY REPUBLISHED 1947 THOUGHTS ON DESIGN, ARGUED THAT VISUAL LANGUAGE SHOULD INTEGRATE FORM AND FUNCTION. BORN IN BROOKLYN IN HUMBLE CIRCUMSTANCES, RAND (1914-1996) LAUNCHED HIS CAREER IN THE 1930S WITH MAGAZINE COVER DESIGN AND, STARTING IN THE EARLY 1940S, HE WORKED AS AN ART DIRECTOR ON MADISON AVENUE, WHERE HE HELPED REVOLUTIONIZE THE ADVERTISING PROFESSION. HE LATER SERVED AS DESIGN CONSULTANT TO LEADING CORPORATIONS LIKE IBM, ABC, UPS, AND STEVE JOBS'S NEXT, FOR WHOM HE CONCEIVED COMPREHENSIVE VISUAL COMMUNICATIONS SYSTEMS, RANGING FROM PACKAGING TO BUILDING SIGNAGE, ALL GROUNDED IN RECOGNIZABLE LOGOS, MANY OF WHICH ARE STILL IN USE TODAY. RAND'S INFLUENCE WAS EXTENDED BY STUDENTS HE TAUGHT AT YALE UNIVERSITY. HIS VISUALLY STIMULATING, YET PROBLEM-SOLVING, APPROACH TO GRAPHIC DESIGN ATTRACTED DEVOTED ADMIRERS DURING HIS OWN LIFETIME AND HE REMAINS INFLUENTIAL TODAY. THE EXHIBITION WAS ORGANIZED BY DONALD ALBRECHT, CURATOR OF ARCHITECTURE AND DESIGN, AND DESIGNED BY MARTIN PERRIN.SOUNDSCAPE NEW YORK (MARCH 10 - JULY 26, 2015)A COLLABORATION BETWEEN KAREN VAN LENGEN, FAIA, WILLIAM KENAN PROFESSOR OF ARCHITECTURE AT THE UNIVERSITY OF VIRGINIA AND FORMER DEAN OF THE UNIVERSITY'S SCHOOL OF ARCHITECTURE, AND ARTIST JAMES WELTY, THIS IMMERSIVE AUDIOVISUAL INSTALLATION COMBINED THE ACTUAL SOUNDS OF ICONIC NEW YORK INTERIORS, SUCH AS GRAND CENTRAL TERMINAL AND THE SEAGRAM BUILDING LOBBY, WITH VISUAL ANIMATIONS PROJECTED ON A PANORAMIC SCREEN. GRAND CENTRAL TERMINAL'S SOUNDSCAPE, FOR EXAMPLE, FEATURED AN OCEANIC-STYLE ANIMATION WITH CLANGS, ECHOES, AND QUICK CRESCENDOS OF INTENSITY, TRANSPORTING THE LISTENER TO THE MIDST OF THE STATION'S DAILY BUSTLE, AND AMPLIFYING ITS STATUS AS A PRIMARY TRANSPORTATION PORTAL TO AND FROM NEW YORK CITY. VISITORS ALSO EXPERIENCED THE SOUNDSCAPES OF ROCKEFELLER CENTER, THE NEW YORK PUBLIC LIBRARY READING ROOM, AND THE GUGGENHEIM MUSEUM.HIP-HOP REVOLUTION: PHOTOGRAPHS BY JANETTE BECKMAN, JOE CONZO, AND MARTHA COOPER (APRIL 1- SEPT 27, 2015)HIP-HOP REVOLUTION PRESENTED MORE THAN 80 PHOTOGRAPHS TAKEN BETWEEN 1977 AND 1990 BY THREE PREEMINENT NEW YORK-BASED PHOTOGRAPHERS-JANETTE BECKMAN, JOE CONZO, AND MARTHA COOPER-WHO DOCUMENTED HIP HOP FROM ITS PIONEERING DAYS THROUGH ITS EMERGENCE INTO MAINSTREAM POPULAR CULTURE. HIP-HOP CULTURE, INCORPORATING SUCH ELEMENTS AS DJING, RAPPING, AND BREAKING (DANCING), WAS BORN ON THE STREETS OF NEW YORK CITY IN THE 1970S AND GREW TO HAVE A GLOBAL IMPACT ON MUSIC, DANCE, AND FASHION. THE EXHIBITION SHOWCASED THE EXPERIENCES OF EACH PHOTOGRAPHER DURING THESE SEMINAL YEARS, AS DJS, MCS, AND B-BOYS (BREAKDANCERS) WERE CONTINUALLY INNOVATING, DEVELOPING NEW FORMS OF SELF-EXPRESSION. THE WORK OF THESE PHOTOGRAPHERS-FEATURING EARLY FIGURES AFRIKA BAMBAATA, KOOL HERC, AND COLD CRUSH BROTHERS, BREAKERS (OR B-BOYS) LIKE ROCK STEADY CREW, AND BREAKOUT ACTS SUCH AS RUN DMC AND THE BEASTIE BOYS-FORMED A BROAD SURVEY OF A MOVEMENT THAT IS INDELIBLY 3783451 591832 COLLECTIONS CARE:THE MUSEUM HAS AN ONGOING COMMITMENT TO PRESERVE, DOCUMENT AND MAKE ACCESSIBLE ITS VAST COLLECTIONS OF OBJECTS RELATED TO THE HISTORY OF NEW YORK CITY. A MAJOR MULTI-YEAR DIGITIZATION PROJECT IS PROVIDING THE PUBLIC ACCESS TO MANY PREVIOUSLY HIDDEN TREASURES IN THE COLLECTIONS, WITH A LEVEL OF CONNOISSEURSHIP, SCHOLARSHIP AND ANALYSIS THAT HAS ANIMATED THE PUBLIC'S UNDERSTANDING OF THE CITY AND ITS PEOPLE. CONTINUED ON SCHEDULE O:DURING FY2015, THE CITY MUSEUM SAW VIGOROUS ACTIVITY IN COLLECTIONS MANAGEMENT, AND RECEIVED GENEROUS SUPPORT TO ACCOMPLISH PROJECTS WITH LONG-TERM IMPACT FOR OUR AUDIENCES. ONE OF THE MOST SIGNIFICANT ACCOMPLISHMENTS OF THE PAST YEAR INVOLVED THE PREPARATION OF A NEW OFFSITE STORAGE FACILITY TO PROPERLY HOUSE OUR LARGER COLLECTIONS OBJECTS - FURNITURE AND DECORATIVE ARTS, ARCHITECTURAL ELEMENTS, PAINTINGS, SCULPTURE, SHIP MODELS, AND VEHICLES - AND THE RELOCATION OF APPROXIMATELY 30,000 COLLECTIONS OBJECTS TO THAT NEW 25,000 SQUARE FOOT SPACE. PACKING AND PREPARATION FOR THIS PROJECT BEGAN IN SUMMER 2014, THE TRANSPORT TO THE NEW SPACE BEGAN IN THE FALL, AND WAS COMPLETED IN DECEMBER 2014. THE MAJORITY OF THE UNPACKING WAS COMPLETED BY THE SPRING. PREPARING AND TRANSPORTING THESE HISTORICAL OBJECTS TO THE NEW BROOKLYN COLLECTIONS STORAGE WAS A TREMENDOUS EFFORT, AND SUCCESSFULLY COMPLETED. COLLECTION ASSESSMENTS ARE ONGOING IN SEVERAL DEPARTMENTS, INCLUDING COSTUMES AND TEXTILES, MANUSCRIPTS AND EPHEMERA, AND THEATER MATERIALS. WE ARE CONTINUING TO INVENTORY AND CATALOG OBJECTS FROM ALL COLLECTIONS, INCLUDING PAINTINGS AND SCULPTURE, FURNITURE AND DECORATIVE ARTS, PHOTOGRAPHY, AND TOYS, IN ADDITION TO THE DEPARTMENTS PREVIOUSLY MENTIONED WITH ACTIVE ASSESSMENTS UNDERWAY-ENSURING THAT EVERY OBJECT HAD AN ACCURATE RECORD IN THE MUSEUM DATABASE. WITH AN ESTIMATED THREE-QUARTER MILLION COLLECTION OBJECTS IN TOTAL-FROM DANCE CARDS AND MENUS TO A POLICE WAGON AND MODEL OF THE EMPIRE STATE BUILDING-THE MUSEUM NOW HAS RECORDS FOR OVER HALF A MILLION, AND DURING THIS PERIOD, 31,042 OBJECTS WERE CATALOGUED. AS PART OF THIS ONGOING WORK, WE CREATED NEARLY 26,000 DIGITAL IMAGES EXPANDING PUBLIC AND SCHOLARLY ACCESS TO OUR HOLDINGS. THE MUSEUM CONTINUED TO CARRY OUT WORK FUNDED A $150,000 GRANT FROM THE INSTITUTE OF MUSEUM AND LIBRARY SERVICES (IMLS) TO DIGITIZE OUR THEATER PRODUCTION PHOTOGRAPHS, AND SUPPLEMENTED WITH SUPPORT FROM THE FREDERICK LOEWE FOUNDATION, JEROME ROBBINS FOUNDATION, AND CHARINA ENDOWMENT FUND. A $150,000 GRANT FROM THE LUCE FOUNDATION, A $148,000 GRANT FROM THE IMLS, AND SUPPORT FROM THE LOUISE AND VIRGINIA CLEMENTE FOUNDATION PROVIDED FOR A RANGE OF WORK ON OUR RENOWNED SILVER COLLECTION-INCLUDING DIGITIZATION, CATALOGING, CONSERVATION, AND IMPROVED STORAGE FOR MORE THAN 2,000 PIECES MADE BY NEW YORK SILVERSMITHS OVER THREE CENTURIES. ADDITIONAL GRANT SUPPORT FROM THE GLADYS KRIEBLE DELMAS FOUNDATION PROVIDED FOR A COLLECTION OF PAPERS RELATED TO AMERICAN PRINT SCHOLAR HARRY T. PETERS. THE MUSEUM COMPLETED THE FIRST PHASE OF A PROJECT TO CATALOGUE, DIGITIZE, AND CREATE A PUBLICLY ACCESSIBLE DATABASE FOR NEW YORK CITY'S ARCHEOLOGICAL COLLECTIONS WITH SUPPORT FROM THE LANDMARKS PRESERVATION COMMISSION (LPC)-ITEMS OF WHICH WILL APPEAR IN OUR FORTHCOMING CORE EXHIBITION - AND EMBARKED ON THE SECOND PHASE, AGAIN WITH A $288,000 GRANT FROM THE LPC. THE CITY MUSEUM ALSO CONTINUED TO PROCESS, DIGITIZE, CATALOG, AND REHOUSE OUR EPHEMERA COLLECTIONS CONTAINING PAMPHLETS, INVITATIONS, MEDALS, SASHES, AND MORE, SUPPORTED BY A $125,000 GRANT FROM THE NATIONAL ENDOWMENT FOR THE HUMANITIES (NEH). WE CONTINUED OUR ONLINE ACCESS WITH A WEEKLY BLOG FOR COLLECTIONS STAFF TO WRITE ABOUT OBJECTS AND PROJECTS OF PARTICULAR INTEREST, WHICH ATTRACTED 143,095 VISITS DURING THE PERIOD. IN ADDITION, WE LAUNCHED THE "CATABLOG"-ONLINE FINDING AIDS FOR RESEARCH AND SCHOLARLY ACCESS TO PREVIOUSLY INACCESSIBLE ARCHIVAL COLLECTIONS, WHICH DREW 10,980 VISITS. THE CITY MUSEUM'S COLLECTIONS PORTAL TRACKED NEARLY 3 MILLION PAGE VIEWS DURING THE PERIOD. CONTINUING ON THE PREVIOUS YEAR'S IMPLEMENTATION OF A COLLECTING PLAN FOR PHOTOGRAPHY, APPROVED BY THE BOARD OF TRUSTEES, THE BOARD ALSO APPROVED INTERIM COLLECTING GUIDELINES FOR BOOKS, MANUSCRIPTS, AND EPHEMERA, FOR USE WHILE THE FORMAL PLAN IS SOLIDIFIED. AS A NATURAL OUTCOME OF OUR COLLECTIONS ASSESSMENT, SUCH PLANS ESTABLISH CRITERIA APPROPRIATE TO OUR MANDATE, AND PROVIDE A FRAMEWORK FOR CONSIDERING NEW ACQUISITIONS IN RELATION TO OBJECTS ALREADY ACCESSIONED. CONSERVATION PROJECTS INCLUDED RESTORING A NUMBER OF SILVER OBJECTS IN CONJUNCTION WITH THE IMLS AND LUCE FOUNDATION GRANTS; AS WELL AS FOR LOANS TO OTHER INSTITUTIONS, INCLUDING THE FLORENCE GRISWALD MUSEUM AND THE METROPOLITAN MUSEUM OF ART. DURING THIS PERIOD, THE MUSEUM RECEIVED A NUMBER OF SIGNIFICANT GIFTS FOR THE COLLECTION, INCLUDING A BOOK OF 33 CHROMOGENIC DEVELOPMENT PRINTS BY PHOTOGRAPHER JAN STALLER DEPICTING THE LOWER WEST SIDE OF MANHATTAN; A SELECTION OF STREET PHOTOGRAPHS OF SOUTH WILLIAMSBURG, BROOKLYN, BY WILLIAM CASTELLANA; EPHEMERA AND PERSONAL PHOTOGRAPHS RELATED TO THE FAMILY OF JACOB RIIS, AND INCLUDED IN JACOB A. RIIS: REVEALING NEW YORK'S OTHER HALF (OCTOBER 2015-MARCH 2016); AND A NUMBER OF PHOTOGRAPHS FROM THE MUSEUM'S EXHIBITION RISING WATERS (OCTOBER 2013-APRIL 2014), TO MARK THE ONE-YEAR ANNIVERSARY OF SUPERSTORM SANDY. 1074921 354534 EDUCATION:ATTENDANCE FOR FIELDTRIPS, OUT-OF-SCHOOL TIME PROGRAMS, PROFESSIONAL DEVELOPMENT, AND FAMILY PROGRAMS WAS 46,705 CHILDREN AND ADULTS. APPROXIMATELY 80% OF PARTICIPANTS WERE FROM UNDER-RESOURCED SCHOOLS. ADULT GROUP TOURS SERVED AN ADDITIONAL 3,847 PEOPLE. CONTINUED ON SCHEDULE O:FIELDTRIPS MAKE UP THE BULK OF OUR CENTER'S ATTENDANCE. WE OFFERED PROGRAMS IN THE MUSEUM'S GALLERIES INCLUDING THE LONG-TERM EXHIBITION ACTIVIST NEW YORK AND THE TEMPORARY EXHIBITIONS JEFF CHIEN-HSING LIAO'S NEW YORK, MAC CONNER: A NEW YORK LIFE, LETTERS TO AFAR, EVERYTHING IS DESIGN, CITYSCAPES, HIP-HOP REVOLUTION, AND SAVING PLACE. ADDITIONALLY, WE OFFERED HISTORY LAB PROGRAMS THAT TOOK PLACE IN OUR CLASSROOMS, SUCH AS THE GRID: URBAN PLANNING IN NEW YORK CITY, NEW YORK CITY BRIDGES, LIFE IN NEW AMSTERDAM, MANNAHATTA: THE LENAPE AND THE LAND, BRONX TALES, WHO IS NEW YORK?, AND GETTING AROUND: HOW TRANSPORTATION SHAPED THE CITY. DURING THE SCHOOL YEAR, FULL-TIME AND PER DIEM MUSEUM EDUCATORS LED THE FIELDTRIPS. IN THE SUMMER MONTHS, INTERNS LED THE PROGRAMS. THE INTERNSHIP PROGRAM WAS FUNDED BY THE PINKERTON FOUNDATION. THESE YOUNG ADULTS (18-23 YEARS OLD) WERE CONSIDERED DISCONNECTED YOUTH-THEY'D FALLEN OFF TRACK IN CONTINUING THEIR EDUCATION (IN MANY CASES FINISHING HIGH SCHOOL) OR IN FINDING EMPLOYMENT. 13 INTERNS COMPLETED THE SPRING TRAINING PROGRAM AND WENT ON TO SERVE ABOUT 4,000 CHILDREN AND ADULTS THROUGH FIELDTRIPS, SPECIAL PROGRAMS, AND FAMILY PROGRAMS IN JULY AND AUGUST 2014.FAMILY PROGRAMS SERVED 5,594 CHILDREN AND ADULTS. 124 PROGRAMS WERE OFFERED INCLUDING COLOR ME HARING, CDS FOR ME, AND CHALK THE WALK IN CONJUNCTION WITH THE CITY AS CANVAS EXHIBITION, GILDED ORNAMENT MAKING IN CONJUNCTION WITH OUR GILDED NEW YORK EXHIBITION, WINTER WONDERLAND COLLAGE MAKING, AND SPECIAL CELEBRATIONS SUCH AS A NEW YORK TREAT FOR HALLOWEEN AND CARIBBEAN HERITAGE CELEBRATION. PROGRAMS INCLUDED SCAVENGER HUNTS, GALLERY EXPLORATION, AND ART ACTIVITIES THAT HELPED ADULTS AND CHILDREN LEARN HISTORY CONTENT AS A TEAM. PROGRAMS WERE HELD ON WEEKENDS, HOLIDAYS AND DURING THE WEEK IN JULY AND AUGUST. PROGRAMS TAKING PLACE WHILE SCHOOL WAS IN SESSION WERE LED BY THE MUSEUM EDUCATION FELLOW, FUNDED BY THE CENTER'S CO-CHAIR COMMITTEE FIRESIDE CHATS FUNDRAISING CAMPAIGN. DURING THE SUMMER MONTHS, THE INTERNS CO-LED THE ACTIVITIES. IN ADDITION TO TRADITIONAL FAMILIES VISITING FOR THESE PROGRAMS, GROUPS FROM THE DEPARTMENT OF HOMELESS SERVICES ALSO TOOK PART IN THE ACTIVITIES-A LONG-STANDING RELATIONSHIP THE MUSEUM'S HAD SINCE 2004. 847 PARTICIPANTS OF OUR TOTAL SERVED CAME TO US FROM SHELTERS LOCATED THROUGHOUT THE CITY. WE ALSO PILOTED A FAMILY BOOK CLUB THAT SERVED 30 CHILDREN AND ADULTS EACH SEMESTER. THE FALL BOOK CLUB FOCUSED ON THESE EXHIBITED IN THE ACTIVIST NEW YORK EXHIBITION, SUCH AS CIVIL RIGHTS AND WOMAN SUFFRAGE. THE SPRING SESSIONS REVOLVED AROUND BOOKS WITH MUSLIM PROTAGONISTS TO PROMOTE CULTURE SENSITIVITY AND LEARN ABOUT MUSLIM CULTURES AND TRADITIONS.SATURDAY ACADEMY, IN PARTNERSHIP WITH THE GILDER LEHRMAN INSTITUTE OF AMERICAN HISTORY, HAPPENED DURING FALL 2014 AND SPRING 2015. THIS 6 SESSION, FREE ELECTIVE PROGRAM IN AMERICAN HISTORY AND SAT PREPARATION SERVED ALMOST 500 MIDDLE AND HIGH SCHOOL STUDENTS IN TOTAL. STUDENTS CAME MAINLY FROM EAST AND CENTRAL HARLEM AND THE SOUTH BRONX AND PARTICIPATED IN PROGRAMS LIKE PHOTOGRAPHY IN AMERICA: HISTORY THROUGH THE LENS, FOLK MUSIC DURING TIMES OF CRISIS IN 20TH CENTURY AMERICA, AFFORDABLE HOUSING IN NEW YORK CITY FROM 1930 TO TODAY, IN THEIR OWN WORDS: THE HISTORY OF SOCIAL ACTIVISM IN NEW YORK CITY, AND MIGRATIONS TO NEW YORK: THE MAKING OF A MULTICULTURAL CITY. THE SAT SKILLS PREPARATION COURSE WAS ADMINISTERED BY BELL CURVES. 63% OF PARTICIPANTS WHO HAD TAKEN THE TEST BEFORE INCREASED THEIR SCORES BY AN AVERAGE OF 140.7 POINTS; 45% OF THESE STUDENTS IMPROVED BY 120 POINTS OR MORE.NEW YORK CITY HISTORY DAY, A MULTI-MONTH HISTORICAL RESEARCH PROGRAM FOR MIDDLE AND HIGH SCHOOL STUDENTS CITYWIDE CULMINATED IN A CONTEST TO EVALUATE STUDENT PROJECTS BASED ON THE THEME "LEADERSHIP AND LEGACY IN HISTORY" IN FY15. 390 STUDENTS ATTENDED THE CONTEST DAY HELD ON SUNDAY, MARCH 8, 2015, WITH AN ADDITIONAL 800 PARENTS, TEACHERS AND VOLUNTEER JUDGES SUPPORTED THEM FOR A TOTAL OF ALMOST 1,200 PARTICIPANTS CELEBRATING THE DAY. 37 PUBLIC, PRIVATE, PAROCHIAL AND HOMESCHOOLS PARTICIPATED. 66 STUDENTS FROM NEW YORK CITY HISTORY DAY ADVANCED TO THE STATE AND 5 ENTRIES ADVANCED TO THE NATIONAL HISTORY DAY COMPETITION. IN 2015, THE MUSEUM CELEBRATED THE 25TH ANNIVERSARY OF NEW YORK CITY HISTORY DAY BY INTRODUCING NEW PARTNERSHIPS AND AWARDS RECOGNIZING EDUCATOR AND STUDENT PARTICIPANTS. THE FREDERICK A.O. SCHWARZ CHILDREN'S CENTER PARTNERED WITH THE NEW YORK CITY DEPARTMENT OF EDUCATION AND THE EXECUTIVE DIRECTOR OF SOCIAL STUDIES AND THE CURRICULUM, INSTRUCTION AND PROFESSIONAL DEVELOPMENT OFFICE. WITH THEIR SUPPORT (VIA OUTREACH AND FUNDING), EDUCATORS NEW TO THE NATIONAL HISTORY DAY PROGRAM WERE RECRUITED TO PARTICIPATE IN A WORKSHOP SERIES THAT INTRODUCED THE METHODOLOGY AND BEST PRACTICES OF HISTORICAL RESEARCH THROUGH THE LENS OF THE NHD JUDGE. THANKS TO THEIR TRAINING, THESE EDUCATORS WERE BETTER PREPARED TO PARTICIPATE WITH THEIR STUDENTS. ADDITIONALLY, TO CELEBRATE THIS LANDMARK YEAR, THE SCHWARZ CHILDREN'S CENTER AWARDED TWO EDUCATORS WITH THE FREDERICK A.O. SCHWARZ CHILDREN'S CENTER EDUCATORS OF THE YEAR AWARD AND CASH PRIZE. THIS AWARD RECOGNIZED THEIR PASSION FOR HISTORY AND COMMITMENT TO PROJECT-BASED LEARNING THROUGH THE HISTORY DAY MODEL. CITY-WIDE STUDENT WINNERS WERE RECOGNIZED AT YANKEE STADIUM ON AUGUST 18, 2015. STUDENTS RECEIVED TICKETS TO THE GAME AND PARTICIPATED IN AN ON-FIELD PREGAME CEREMONY. IN FALL 2014 AND SPRING 2015, THE MUSEUM OF THE CITY OF NEW YORK'S FREDERICK A.O. SCHWARZ CHILDREN'S CENTER OFFERED STUDENTS AN OPPORTUNITY TO LEARN THE ART AND CRAFT OF PHOTOGRAPHY. STUDENTS IN GRADES 2 AND 3 JOINED US FROM SCHOOLS THROUGHOUT MANHATTAN INCLUDING THE NIGHTINGALE-BAMFORD SCHOOL, THE BUCKLEY SCHOOL, AND LITTLE RED SCHOOL HOUSE. THE 7TH AND 8TH GRADERS JOINED US THROUGH THE INAUGURAL PROGRAM, TEEN THURSDAYS, A NEW YORK CITY DEPARTMENT OF EDUCATION AFTERSCHOOL INITIATIVE TO PAIR CULTURAL INSTITUTIONS WITH MIDDLE SCHOOLS ACROSS THE FIVE BOROUGHS. THE CITY MUSEUM PARTNERED WITH MS 343 ACADEMY OF APPLIED MATHEMATICS AND TECHNOLOGY IN THE SOUTH BRONX TO OFFER STUDENTS LESSONS IN PHOTOGRAPHY WHILE DEEPENING THEIR UNDERSTANDING OF AMERICAN HISTORY. PARTICIPANTS LEARNED ABOUT A VARIETY OF TECHNIQUES AND PROCESSES, INCLUDING POINT-OF-VIEW, CYANOTYPE PRINTS, PORTRAITURE, AND STREET PHOTOGRAPHY. THROUGHOUT THE COURSE, STUDENTS VIEWED AND DISCUSSED PHOTOGRAPHS BOTH FROM THE MUSEUM'S COLLECTION AND THOSE TAKEN BY EACH OTHER. STUDENTS HONED THEIR SKILLS THROUGH OBSERVATION AND DISCUSSION, ENRICHING AND IMPROVING THEIR OWN WORK EACH WEEK. AT THE END OF THE COURSE, THESE BUDDING PHOTOGRAPHERS CURATED THEIR BEST PHOTOGRAPHS, WHICH ARE ON DISPLAY IN THIS EXHIBITION. THE ELEMENTARY STUDENTS' WORK IS ON VIEW ON THE OPPOSITE WALL AND THE MIDDLE SCHOOL STUDENTS' WORK IS DISPLAYED IN THE HALLWAY AROUND THE CORNER. ALMOST 2,000 TEACHERS PARTICIPATED IN PROFESSIONAL DEVELOPMENT AT THE MUSEUM IN FY16. EDUCATORS HAD THE OPPORTUNITY TO JOIN US FOR 3 FREE HISTORIAN-LED LECTURES, 4 FREE CURATOR-LED EXHIBITION OPEN HOUSES, 7 WORKSHOPS AND 8 P-CREDIT COURSES TEACHING CONTENT AND PRIMARY SOURCE ANALYSIS FOR TEACHERS TO TURNKEY IN THEIR CLASSROOMS. ADDITIONALLY, THE CENTER HELD THE 4TH ANNUAL TEACHING SOCIAL ACTIVISM CONFERENCE WHICH WELCOMED OVER 200 EDUCATORS AND ACTIVISTS FROM ALL OVER THE GLOBE TO LEARN ABOUT CONTENT AND PEDAGOGY BEING USED IN THE SOCIAL STUDIES CLASSROOM THAT FOCUSES ON SOCIAL ACTIVISM. AN ADDITIONAL 2,300 VISITORS USED OUR SPACES TO HOST EDUCATIONAL EVENTS, SUCH AS DANCING DREAMS. 472590 340412 MUSEUM SHOPRENOVATION AND EXPANSION 472590 340412 12286728 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 1 0 0 1 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 266 0 234 1 0 0 0 0 0 1 1 0 0 0 0 X 54 54 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 0 0 0 NY X OSMAN KURTULUS CFO 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 JAMES G DINAN CHAIR 1.00 X X 0 0 0 NEWTON PS MERRILL VICE CHAIR & CHAIRMAN EMERITUS 1.00 X X 0 0 0 MARTIN J MCLAUGHLIN SECRETARY 1.00 X X 0 0 0 JANE B OCONNELL TREASURER 1.00 X X 0 0 0 THOMAS M FLEXNER VICE CHAIR 1.00 X X 0 0 0 RONAY MENSCHEL VICE CHAIR 1.00 X X 0 0 0 JAMES E QUINN VICE CHAIR 1.00 X X 0 0 0 BRUNO A QUINSON VICE CHAIR 1.00 X X 0 0 0 LAWRENCE J SIMON VICE CHAIR 1.00 X X 0 0 0 HILARY BALLON BOARD MEMBER 1.00 X 0 0 0 JEREMY BIGGS BOARD MEMBER 1.00 X 0 0 0 CAROLYN BRODY BOARD MEMBER 1.00 X 0 0 0 MICHAEL BRUNO BOARD MEMBER 1.00 X 0 0 0 JAMES E BUCKMAN BOARD MEMBER 1.00 X 0 0 0 JAMES CACIOPPO BOARD MEMBER 1.00 X 0 0 0 CYNTHIA FOSTER CURRY BOARD MEMBER 1.00 X 0 0 0 PAMELA CLOUD BOARD MEMBER 1.00 X 0 0 0 TODD DEGARMO BOARD MEMBER 1.00 X 0 0 0 JAMES P DRUCKMAN BOARD MEMBER 1.00 X 0 0 0 VERNON EVENSON BOARD MEMBER 1.00 X 0 0 0 BARBARA J FIFE BOARD MEMBER 1.00 X 0 0 0 LAURA LOFARO FREEMAN BOARD MEMBER 1.00 X 0 0 0 MARK F GILBERTSON BOARD MEMBER 1.00 X 0 0 0 LESLIE V GODRIDGE BOARD MEMBER 1.00 X 0 0 0 LORNA B GOODMAN BOARD MEMBER 1.00 X 0 0 0 ELIZABETH GRAZIOLO BOARD MEMBER 1.00 X 0 0 0 DAVID GUIN BOARD MEMBER 1.00 X 0 0 0 JAMES E HANLEY BOARD MEMBER 1.00 X 0 0 0 SYLVIA HEMINGWAY BOARD MEMBER 1.00 X 0 0 0 STEPHANIE HESSLER BOARD MEMBER 1.00 X 0 0 0 JANE HOFFMAN BOARD MEMBER 1.00 X 0 0 0 ROBERT JAIN BOARD MEMBER 1.00 X 0 0 0 ROBERT A JEFFE BOARD MEMBER 1.00 X 0 0 0 WILLIAM KAHANE BOARD MEMBER 1.00 X 0 0 0 STEPHEN J KETCHUM BOARD MEMBER 1.00 X 0 0 0 JOAN KHOURY BOARD MEMBER 1.00 X 0 0 0 STANFORD G LADNER BOARD MEMBER 1.00 X 0 0 0 STEPHEN S LASH BOARD MEMBER 1.00 X 0 0 0 JAMES LEBENTHAL BOARD MEMBER 1.00 X 0 0 0 KENNETH E LEE BOARD MEMBER 1.00 X 0 0 0 GURUDATTA NADKARNI BOARD MEMBER 1.00 X 0 0 0 GOV DAVID A PATERSON BOARD MEMBER 1.00 X 0 0 0 TRACEY PONTARELLI BOARD MEMBER 1.00 X 0 0 0 KATHRYN PROUNIS BOARD MEMBER 1.00 X 0 0 0 ARTHUR J ROSNER BOARD MEMBER 1.00 X 0 0 0 VALERIE ROWE BOARD MEMBER 1.00 X 0 0 0 MARY BURWELL SCHORR BOARD MEMBER 1.00 X 0 0 0 ANN SPENCE BOARD MEMBER 1.00 X 0 0 0 MITCHELL S STEIR BOARD MEMBER 1.00 X 0 0 0 JEFFREY S TABAK BOARD MEMBER 1.00 X 0 0 0 ELIZABETH FARRAN TOZER BOARD MEMBER 1.00 X 0 0 0 REMY W TRAFELET BOARD MEMBER 1.00 X 0 0 0 DARYL BROWN UBER BOARD MEMBER 1.00 X 0 0 0 WILLIAM C VRATTOS BOARD MEMBER 1.00 X 0 0 0 SUSAN HENSHAW JONES PRESIDENT & DIRECTOR 40.00 X 391988 0 35279 BRIAN HERRIN RESIGNED 215 CHIEF FINANCIAL OFFICER 40.00 X 158246 0 23398 OSMAN KURTULUS BEGAN 315 CHIEF FINANCIAL OFFICER 40.00 X 0 0 0 JERRY GALLAGHER CHIEF OPERATING OFFICER 40.00 X 125434 0 15470 SARAH HENRY DEPUTY DIRECTOR AND CHIEF 40.00 X 207204 0 21437 SUSAN MADDEN SVP OF EXTERNAL AFFAIRS 40.00 X 216580 0 32846 LACY SCHUTZ CAO OF COLLECTIONS AND EXHIBITIONS 40.00 X 107058 0 9635 DONALD ALBRECHT CURATOR OF ARCHITECTURE AND DESIGN 40.00 X 110598 0 16038 PATRICIA ZEDALIS PROJECT MANAGER 40.00 X 134536 0 24702 PREL GJELAJ BUILDING ENGINEER 40.00 X 104416 0 13484 STEPHEN DIEFENDERFER DIRECTOR SPECIAL EVENTS 40.00 X 100278 0 15255 1656338 0 207544 10 0 1 0 ENNEAD ARCHITECTS 320 WEST 13TH STREET NEW YORK NY 10014 ARCHITECTURAL SERVICES 621124 PHIL & CO 833 BROADWAY NEW YORK NY 10013 MARKETING SERVICES 291060 COOPER JOSEPH STUDIO 500 PARK AVE NEW YORK NY 10022 EXHIBITION SET UP 287297 GREAT PERFORMANCES 304 HUDSON STREET NEW YORK NY 10013 CATERING FOR EVENTS 281746 RTI SHELVING SYSTEM 40-19 80TH STREET ELMHURST NY 11373 CONSTRUCTION ON EXHIBITS 204180 8 278185 2722482 1676456 16222714 2647976 20899837 ADMISSIONS 900099 826502 826502 LICENSING AND OTHER FEES 900099 591832 591832 EDUCATIONAL PROGRAMS 611710 354534 354534 MEMBERSHIP DUES 900099 23824 23824 1796692 222555 222555 476503 212397 264106 264106 264106 6017191 59417 4862151 0 1155040 59417 1214457 1214457 391200 2722482 627839 -236639 -236639 632981 292569 340412 340412 24501420 2137104 0 1464479 1311364 532058 315628 463678 5580047 4499846 372457 707744 339093 305868 33225 685305 502236 157686 25383 576250 435800 82201 58249 13831 2000 11831 33521 33521 65000 65000 123079 123079 1271786 1086668 128247 56871 310402 295719 12077 2606 970747 833669 49163 87915 245926 224667 10893 10366 910870 825812 40728 44330 18 18 840083 701237 67771 71075 81929 71259 5068 5602 EXHIBITION DESIGN 1690669 1633746 8285 48638 457990 336143 69220 52627 15507910 12286728 1487873 1733309 3449295 8678667 2831379 3682577 2961363 3410801 82302 87478 90009 445948 30930344 7879388 21856209 23050956 13320716 14423384 7085506 5748311 51676779 59528122 591083 789494 114057 49245 705140 838739 X 24957676 31528630 15491987 16922040 10521976 10238713 50971639 58689383 51676779 59528122 8993510 -1275766 0 X X 0 1 X 1 0 X 11869257 9097458 8991870 14124146 20899837 64982568 11869257 9097458 8991870 14124146 20899837 64982568 10655097 54327471 546995 554977 628335 636219 699058 3065584 59417 59417 68107569 9824321 0.79770 0.89820 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 10521976 -23583 259680 10238713 9063084 479899 1279274 300281 10521976 7956795 500403 831931 226045 9063084 8548442 158723 750370 7956795 8102697 746409 50000 250664 8548442 1.00000 0 0 21920275 4848160 17072115 64506 39345 25161 571226 532627 38599 8374337 2459256 5915081 23050956 KING STREET LIMITED PARTNERSHIP 2820632 F ALTERNATIVE INVESTMENTS 2927679 F 5748311 DEFERED RENT EXPENSE 49245 49245 X 23432580 -1275766 177025 212397 -886344 24318924 123079 59417 182496 24501420 15774253 177025 212397 389422 15384831 123079 123079 15507910 PART III, LINE 1A: THE MUSEUM'S COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ITS INCEPTION, IS NOT RECOGNIZED AS AN ASSET ON THE ACCOMPANYING BALANCE SHEET. COLLECTION ITEMS ARE EXPENSED WHEN ACQUIRED. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED IN THE ACCOMPANYING FINANCIAL STATEMENTS. DETAILED INVENTORY RECORDS, HOWEVER, ARE MAINTAINED FOR COLLECTIONS. THE VALUE OF THE COLLECTION IS NOT READILY DETERMINABLE AND THE MUSEUM DOES NOT INSURE THE COLLECTION FOR THE COST OF ITS REPLACEMENT. PART III, LINE 4: THE MUSEUM HAS VARIOUS COLLECTIONS WHICH IT USES FOR ITS DIFFERENT EXHIBITIONS AND PROGRAMS THROUGHOUT THE YEAR. PART V, LINE 4: THE MUSEUM HAS DONOR-RESTRICTED ENDOWMENT FUNDS ESTABLISHED TO HELP FUND VARIOUS PROJECTS AT THE MUSEUM PART X, LINE 2: UNCERTAINTY IN INCOME TAXES - THE MUSEUM HAS DETERMINED THAT THERE ARE NO MATERIAL UNCERTAIN TAX POSITIONS THAT REQUIRE RECOGNITION OR DISCLOSURE IN THE FINANCIAL STATEMENTS. PERIODS ENDING JUNE 30, 2012 AND SUBSEQUENT REMAIN SUBJECT TO EXAMINATION BY APPLICABLE TAXING AUTHORITIES. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES INCLUDED ON FORM 990, PART VII, LINE 6B 212,397. PART XI, LINE 4B - OTHER ADJUSTMENTS: SALE OF COLLECTION MATERIAL 59,417. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES INCLUDED ON FORM 990, PART VII, LINE 6B 212,397. CENTRAL AMERICA AND THE CARIBBEAN - 0 0 INVESTMENTS 5748311 0 0 0 0 0 0 5748311 0 5748311 1 0 1 1 0 0 X X X X X X X 1 MARK GILBERTSON 22 EAST 81ST ST NEW YORK NY 10028 DIRECTOR'S COUNCIL EVENTS 0 1102484 65000 1037484 1102484 65000 1037484 NY CHAIRMAN'S LEADERSHIP AWARD DINNER 1324930 1174680 150250 84821 63289 17350 8455 WINTER BALL 618645 526845 91800 14340 94726 51143 6995 4 1170107 1020957 149150 87700 106139 81712 11169 3113682 2722482 391200 186861 264154 150205 26619 627839 -236639 X 0 0 0 0 0 0 0 0 0 SUSAN HENSHAW JONES PRESIDENT & DIRECTOR 391988 0 0 0 0 0 35279 0 0 0 427267 0 0 0 BRIAN HERRIN RESIGNED 215 CHIEF FINANCIAL OFFICER 158246 0 0 0 0 0 14242 0 9156 0 181644 0 0 0 SARAH HENRY DEPUTY DIRECTOR AND CHIEF 207204 0 0 0 0 0 18648 0 2789 0 228641 0 0 0 SUSAN MADDEN SVP OF EXTERNAL AFFAIRS 216580 0 0 0 0 0 19492 0 13354 0 249426 0 0 0 PATRICIA ZEDALIS PROJECT MANAGER 134536 0 0 0 0 0 12108 0 12594 0 159238 0 0 0 X 11 2566396 FMV X ITEMS FOR SPECIAL EVENTS 17 81580 COST OF THE ITEMS 0 0 0 PART I, COLUMN (B): THE MUSEUM IS REPORTING THE NUMBER OF CONTRIBUTORS FORM 990, PART VI, SECTION A, LINE 2 MR. QUINSON AND MS. GOODMAN HAVE A FAMILY RELATIONSHIP. MR. DINAN, MR. JAIN AND MR. VRATTOS HAVE A BUSINESS RELATIONSHIP FORM 990, PART VI, SECTION B, LINE 11 THE FORM 990 WAS EMAILED TO THE AUDIT AND FINANCE COMMITTEES FOR REVIEW AND APPROVAL. ONCE APPROVED BY THE AUDIT AND FINANCE COMMITTEES, THE 990 WAS EMAILED TO THE REAMINED OF THE BOARD FOR REVIEW PRIOR TO BEING FILED. FORM 990, PART VI, SECTION B, LINE 12C EACH MEMBER, TRUSTEE, PRINCIPAL OFFICER AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD-DELEGATED POWERS SHALL ANNUALLY SIGN A CONFLICT OF INTEREST FORM. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, AN INTERESTED PERSON MUST DISCLOSE THE EXISTENCE OF THE FINANCIAL INTEREST AND BE GIVEN THE OPPORTUNITY TO DISCLOSE ALL MATERIAL FACTS TO THE TRUSTEES AND MEMBERS OF COMMITTEES WITH GOVERNING BOARD DELEGATED POWERS CONSIDERING THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE INTERESTED PERSON, HE/SHE SHALL LEAVE THE GOVERNING BOARD OR COMMITTEE MEETING WHILE THE DETERMINATION OF A CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. THE REMAINING BOARD OR COMMITTEE MEMBERS SHALL DECIDE IF A CONFLICT OF INTEREST EXISTS. AN INTERESTED PERSON MAY MAKE A PRESENTATION AT THE GOVERNING BOARD OR COMMITTEE MEETING, BUT AFTER THE PRESENTATION, HE/SHE SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION OR ARRANGEMENT INVOLVING THE POSSIBLE CONFLICT OF INTEREST. THE CHAIRMAN OR THE GOVERNING BOARD OR COMMITTEE SHALL, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE WHETHER MCNY CAN OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED TRUSTEES WHETHER THE TRANSACTION OR ARRANGEMENT IS IN MCNY'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE. IN CONFORMITY WITH THE ABOVE DETERMINATION IT SHALL MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. ANY DECISION BY A COMMITTEE SHALL BE SUBJECT TO REVIEW AND DETERMINATION BY THE GOVERNING BOARD SHOULD IT ELECT TO DO SO. FORM 990, PART VI, SECTION C, LINE 19 THE MUSEUM OF THE CITY OF NEW YORK MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE GENERAL PUBLIC UPON REQUEST FORM 990, PART XII LINE 2C THE PROCESS HAS NOT CHANGED