2016-02-05T08:57:15-06:00 2015-04-30 461497033 EKS&H LLLP 7979 E TUFTS AVENUE SUITE 400 DENVER CO 802372521 990 2014-05-01 742431071 NATIONAL MUSEUM OF WILDLIFE ART OF THE UNITED STATES NATI 3077335771 PO BOX 6825 JACKSON WY 830026825 STEVE SEAMONS DIRECTOR OF OPERATIONS 3077335771 2016-02-02 1 DORI J EGGETT P00645252 3037409400 2014 2016-08-17 19:52:53Z STEVE SEAMONS PO BOX 6825 JACKSON WY 830026825 8169582 0 X WWW.WILDLIFEART.ORG X 1986 WY THE MISSION IS TO COLLECT, DISPLAY, INTERPRET, AND PRESERVE THE NORTH AMERICAN WILDLIFE ART. 35 34 45 80 10650 0 4502290 4033390 794636 790774 321099 523758 267388 251231 5885413 5599153 0 0 0 0 2019988 2150907 0 13863 488136 2586972 3085526 4606960 5250296 1278453 348857 29245423 30025037 212028 329060 29033395 29695977 X SEE SCHEDULE O 0 0 291521 749672 SEE SCHEDULE O 1693545 231600 SEE SCHEDULE O 738648 6019 SEE SCHEDULE O 751661 5700 THE MUSEUM'S COLLECTION EMBODIES THE BEST EFFORTS OF HISTORIC AND CONTEMPORARY ARTISTS TO DEPICT WILDLIFE, INCLUDING OVER 5,000 CATALOGUED ITEMS SPANNING 4,000 YEARS BY OVER 200 ARTISTS. AS A NATIONAL COLLECTION, IT EMPHASIZES PRIME EXAMPLES OF WORK PRODUCED BY ARTISTS FROM THE NATION ITSELF, WITH A REPRESENTATIVE SELECTION OF SUBJECTS, FORMS, STYLES, MATERIALS, AND MEDIA, SPANNING THE DIVERSITY OF THE NATION'S ARTISTS, THEIR ANTECEDENTS, AND THE TIMES AND PLACES IMPORTANT TO THEIR WORK. THE PRIMARY COLLECTING GOAL FOR THE NATIONAL MUSEUM OF WILDLIFE ART IS THE ENHANCEMENT OF THE PERMANENT COLLECTION THROUGH STRATEGIC ACQUISITIONS RANGING FROM MAJOR ARTWORKS TO SUPPLEMENTAL PIECES, WHICH WILL ENHANCE THE OVERALL QUALITY AS WELL AS DIVERSITY OF THE COLLECTION WHILE ADDING THEMATIC DEPTH AND BREADTH. 751661 5700 3475375 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 38 0 1 45 1 1 1 0 0 0 0 0 0 0 0 0 X 35 34 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 X X LISA HOLMES 3077335771 PO BOX 6825 JACKSON WY 830026825 JAMES C MCNUTT PRESIDENT/CEO 50.00 X X 197328 0 12883 WILLIAM MINGST CHAIR 20.00 X X 0 0 0 DICK COLLISTER VICE CHAIR 3.00 X X 0 0 0 DAVID WALSH TREASURER 10.00 X X 0 0 0 REGGIE MCNAMRA SECRETARY 10.00 X X 0 0 0 WILLIAM KERR CHAIR EMERITUS 10.00 X X 0 0 0 STEPHEN ADAMSON TRUSTEE 3.00 X 0 0 0 JAN BENZ TRUSTEE 3.00 X 0 0 0 STEPHANIE BRENNAN TRUSTEE 3.00 X 0 0 0 LISA CARLIN TRUSTEE 3.00 X 0 0 0 BARBARA CARLSBERG TRUSTEE 3.00 X 0 0 0 LYNN FRIESS TRUSTEE 3.00 X 0 0 0 SUE SIMPSON GALLAGHER TRUSTEE 3.00 X 0 0 0 JIM GERSACK TRUSTEE 3.00 X 0 0 0 RICHARD HEISE TRUSTEE 3.00 X 0 0 0 ROBERT HUMMEL TRUSTEE 3.00 X 0 0 0 LISA JENNINGS TRUSTEE 3.00 X 0 0 0 KAVAR KERR TRUSTEE 3.00 X 0 0 0 SCOTT KIRKPATRICK TRUSTEE 3.00 X 0 0 0 HELEN LAUGHERY TRUSTEE 3.00 X 0 0 0 FRED LYONS JR TRUSTEE 3.00 X 0 0 0 ADRIENNE MARS TRUSTEE 3.00 X 0 0 0 PEGY MAYS TRUSTEE 3.00 X 0 0 0 SALLY MOGAN TRUSTEE 3.00 X 0 0 0 DEBBIE PETERSEN TRUSTEE 3.00 X 0 0 0 PETER SAFIR TRUSTEE 3.00 X 0 0 0 LINDY BEAZLEY SAYERS TRUSTEE 3.00 X 0 0 0 WILLIAM SCARLETT TRUSTEE 3.00 X 0 0 0 CHARLOTTE STIFEL TRUSTEE 3.00 X 0 0 0 MARCIA TAYLOR TRUSTEE 3.00 X 0 0 0 BETTINA WHYTE TRUSTEE 3.00 X 0 0 0 TOM BOWSER TRUSTEE 3.00 X 0 0 0 CAROLINE TAYLOR TRUSTEE 3.00 X 0 0 0 GEORGENE TOZZI TRUSTEE 3.00 X 0 0 0 SUZANNE WHITMORE TRUSTEE 3.00 X 0 0 0 STEVEN SEAMONS DIR. OF OPERATIONS 45.00 X 114479 0 19717 311807 0 32600 2 0 1 0 SPRING CREEK RANCH PO BOX 4780 JACKSON WY 83001 CATERING 429997 US ART CO INC 66 PACELLA PARK DRIVE RANDOLPH MA 02184 FINE ART TRANSPORTATION 149416 2 10000 4023390 136321 4033390 ADMISSIONS 611600 373129 373129 MEMBERSHIP DUES 611600 289080 289080 PROGAM TICKETS 611600 110195 110195 EXHIBIT FEES 611600 16100 16100 EDUCATIONAL PROGRAMS 611600 2270 2270 790774 509155 509155 138 138 116754 89935 26819 26819 26819 1240360 1225757 14603 14603 14603 60950 10000 49575 11375 11375 1368670 1205162 163508 163508 SPONSORSHIP INCOME 900099 22975 22975 MISCELLANEOUS 900099 15766 15734 32 ADVERTISING INCOME 541800 10650 10650 49391 5599153 992991 10650 562122 X 444987 153132 239302 52553 1374850 703840 430333 240677 50317 25541 16056 8720 143327 60027 51557 31743 137426 69960 45594 21872 2111 50 2061 39208 6442 28808 3958 13863 13863 576456 420234 126755 29467 117460 31859 84972 629 304978 236518 41575 26885 42302 17987 17652 6663 129835 106872 17649 5314 75170 27453 36796 10921 2267 20 155 2092 791619 672876 118743 67613 59290 8323 ACCESSION OF ART 543323 543323 WESTERN VISION EXPENSES 168129 168129 ENTERTAINMENT 148728 101013 14936 32779 LICENSES & FEES 41411 41411 34916 29398 5518 5250296 3475375 1286785 488136 23858 17802 0 6056 4614 4613 1847717 2348274 1838136 1617921 24608 14166 182099 167651 79285 92587 21312595 7924936 14030253 13387659 10080497 11107463 1158214 1284703 29245423 30025037 212028 329060 212028 329060 X 17117676 16663015 4348914 5325317 7566805 7707645 29033395 29695977 29245423 30025037 X 348857 187236 126489 X 0 1 X 1 0 X 9191394 5126565 3208262 4502290 4033390 26061901 9191394 5126565 3208262 4502290 4033390 26061901 3978128 22083773 359483 222396 340486 391521 626047 1939933 22921 11375 34296 51668 65192 67359 37160 32 221411 28257541 9052540 0.78150 0.76630 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: MISCELLANEOUS INCOME - 2010 AMOUNT: $ 51,668. 2011 AMOUNT: $ 65,192. 2012 AMOUNT: $ 67,359. 2013 AMOUNT: $ 37,160. 2014 AMOUNT: $ 32. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 11438622 291851 799757 399849 12130381 8536677 2246214 983731 328000 11438622 7842087 27878 878712 212000 8536677 7828206 25000 238881 250000 7842087 7323796 34348 722744 252682 7828206 0.21320 0.63540 0.15140 0 0 509930 509930 9904498 4120218 5784280 9629476 2816972 6812504 1225462 944517 280945 43229 43229 0 13387659 X 7292340 187236 34790 1471161 1693187 5599153 0 5599153 6629758 34790 1344672 1379462 5250296 0 5250296 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, THE MUSEUM'S ART COLLECTION, WHICH HAS BEEN ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE INCEPTION, IS NOT RECOGNIZED AS AN ASSET ON THE STATEMENT OF FINANCIAL POSITION. PROCEEDS FROM THE SALES OF COLLECTION ITEMS ARE USED TO ACQUIRE OTHER ITEMS FOR THE COLLECTION. STEWARDSHIP POLICIES INCLUDE WRITTEN PROCEDURES FOR ACCESSION OF ART, DEACCESSION OF ART, ART ON LOAN TO THE MUSEUM, AND ART ON LOAN FROM THE MUSEUM.THE POLICIES ALSO INCLUDE PROCEDURES FOR THE CARE OF THE COLLECTION, SUCH AS PRESERVATION, SAFETY AND SECURITY, INSTALLATION, AND PACKAGING AND SHIPPING. THE POLICIES DETAIL THE PROCEDURES FOR INVENTORYING THE COLLECTION, INCLUDING LABELING, MONITORYING, RECORDKEEPING AND RECORD RECONCILIATION, ACCESS REPRODUCTION, AND INSURANCE. THE MUSEUM TRACKS THE COLLECTION AT ORIGINAL PURCHASED OR DONATED VALUE AND USES A MUTUALLY AGREED-UPON VALUE FOR LOANED ITEMS AS A WHOLE FOR PURPOSES OF ADEQUATE INSURANCE COVERAGE. IN ADDITION, THE MUSEUM'S FACILITY IS SPECIFICALLY DESIGNED TO PROTECT THE COLLECTION FROM DAMAGE. THE MUSEUM PURCHASED A NEW TMS COLLECTIONS SOFTWARE THAT WILL MUCH IMPROVE ITS ABILITY TO TRACK AND MAINTAIN DETAILED RECORDS ON THE ART COLLECTION AND EBHANCE ITS CAPACITY TO SHARE ITS WORKS OF ART ONLINE. PART III, LINE 4: THE MUSEUM'S COLLECTION CONTAINS OVER 5,000 CATALOGUES ITEMS INCLUDING PAINTINGS, SCULPTURES, PRINTS, SKETCHES, AND ARCHIVAL MATERIAL RELATED TO WILDLIFE AND HUMANITY'S RELATIONSHIP WITH NATURE. THE COLLECTION IS USED TO EDUCATE EVERYONE FROM GENERAL MUSEUM VISITORS TO RESEARCHERS INTERESTED IN SPECIFIC TOPICS RELATED TO WILDLIFE AND NATURE. PART III, LINE 5: THE MUSEUM DID SOLICIT GIFTS FOR ARTWORK TO BE SOLD. THE SOLICITATIONS WERE MADE ONLY TO ARTISTS FOR DONATIONS OF THEIR OWN ARTWORK. PART V, LINE 4: THE MUSEUM HAS AN ENDOWMENT PORTFOLIO WHOSE PRIMARY OBJECTIVE IS TO PROVIDE A LONG-TERM SOURCE OF INCOME (DEFINED AS APPRECIATION AND/OR INCOME) TO BE DISTRIBUTED ANNUALLY IN SUPPORT OF THE MUSEUM'S MISSION AND GOALS. AS A SECONDARY OBJECTIVE, THE MUSEUM'S ENDOWMENT ASSETS AND/OR RESERVE FUNDS. AS REQUIRED BY ACCOUNTING PRINCIPLES GENERALLY ACCEPTED IN THE UNITED STATES OF AMERICA, NET ASSETS ASSOCIATED WITH ENDOWMENT FUNDS, INCLUDING FUNDS DESIGNATED BY THE BOARD OF TRUSTEES (THE "BOARD") TO FUNCTION AS ENDOWMENTS, ARE CLASSIFIED AND REPORTED BASED ON THE EXISTENCE OR ABSENCE OF DONORIMPOSED RESTRICTIONS. PART X, LINE 2: THE MUSEUM APPLIES A MORE-LIKELY-THAN-NOT MEASUREMENT METHODOLOGY TO REFLECT THE FINANCIAL STATEMENT IMPACT OF UNCERTAIN TAX POSITIONS TAKEN OR EXPECTED TO BE TAKEN IN A TAX RETURN. AFTER EVALUATIVE THE TAX POSITIONS TAKEN, NONE ARE CONSIDERED TO BE UNCERTAIN; THEREFORE, NO AMOUNTS HAVE BEEN RECOGNIZED AS OF APRIL 30, 2015. IF INCURRED, INTEREST AND PENALTIES ASSOCIATED WITH TAX POSITIONS ARE RECORDED IN THE PERIOD ASSESSED AS GENERAL AND ADMINISTRATIVE EXPENSE. NO INTEREST OR PENALTIES HAVE BEEN ASSES AS OF APRIL 30, 2015. TAX YEARS THAT REMAIN SUBJECT TO EXAMINATION INCLUDE 2012 THROUGH THE CURRENT YEAR. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 89,935. SPECIAL EVENT EXPENSES 49,575. COST OF GOODS SOLD 1,205,162. CHANGE IN NPV OF SPLIT-INTEREST INVESTMENT 126,489. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD 1,205,162. RENTAL EXPENSES 89,935. SPECIAL EVENT EXPENSES 49,575. PLEIN AIR FESTIVAL 70950 10000 60950 29350 692 1800 17733 70950 10000 60950 29350 692 1800 17733 49575 11375 X X X 0 0 0 0 0 0 0 0 0 JAMES C MCNUTT PRESIDENT/CEO 197328 0 0 0 0 0 8041 0 4842 0 210211 0 0 0 X 89 DONOR ESTIMATE X 7 94351 AVG HI/LOW FOR DATE X 6 8160 DONOR ESTIMATE X GLASS ART 2 19000 DONOR ESTIMATE X LINDBLAD TRIP 1 12000 DONOR ESTIMATE X ORNMNTS/KNIFE 2 1500 DONOR ESTIMATE X SCULPTURE 1 720 DONOR ESTIMATE X JEWLERY 1 520 DONOR ESTIMATE 20 0 1 0 PART I, LINE 33: DONATED ART IS FOR THE PUBLIC EXHIBIT, RESEARCH AND PRESERVATION AND NOT REPORTED AS REVENUE UNDER SFAS 116. FORM 990, PART III, LINE 1 THE MISSION OF THE NATIONAL MUSEUM OF WILDLIFE ART IS TO COLLECT, DISPLAY, INTERPRET AND PRESERVE THE HIGHEST QUALITY NORTH AMERICAN WILDLIFE ART, SUPPLEMENTED BY WILDLIFE ART FOUND THROUGHOUT THE WORLD. THE MUSEUM ENRICHES AND INSPIRES APPRECIATION AND KNOWLEDGE OF HUMANITY'S RELATIONSHIP WITH NATURE. FORM 990, PART III, LINE 4A MUSEUM MEMBERSHIP APPROX. 1,737: VISITATION WAS APPROX. 64,460 - THE MUSEUM'S ART COLLECTION CONSISTS OF ALMOST 6,091 CATALOGUED WORKS BY MORE THAN 879 ARTISTS. THE WORK OF THESE ARTISTS REPRESENTS HISTORIC IMAGES AND STYLES WHICH HAVE SHAPED PUBLIC PERCEPTION OF WILDERNESS, WILDLIFE AND THE AMERICAN WEST. ARTISTS REPRESENTED INCLUDE CARL RUNGIUS, GEORGE CATLIN, ARTHUR FITZWILLIAM TAIT, C.M. RUSSELL, ALBERT BIERSTADT, CONRAD SCHWIERING, JOHN CLYMER, BOB KUHN, JOHN JAMES AUDUBON AND GEORGIA O'KEEFE. CAPITALIZING ON THE MUSEUM'S SETTING NEAR THE BIG GAME HABITATS OF GRAND TETON AND YELLOWSTONE NATIONAL PARKS, THE NMWA COLLECTION IS UTILIZED IN A VARIETY OF EDUCATIONAL PROGRAMS. OVER 80 VOLUNTEERS, RANGING IN AGE FROM TEENS TO SENIOR CITIZENS, ASSIST THE MUSEUM STAFF IN ALL FACETS OF THE MUSEUM'S OPERATION. THE "FIRST SUNDAYS" PROGRAM OFFERS FREE ADMISSION TO LOCALS ON THE FIRST SUNDAY OF EVERY MONTH. DURING THE WINTER MONTHS, A FREE COMMUNITY PERFORMANCE SERIES IS OFFERED ON THESE DAYS, AS WELL AS HANDS-ON ART PROJECTS FOR CHILDREN IN THE MUSEUM CLASSROOMS. FORM 990, PART III, LINE 4B 2014-2015 EXHIBIT AND PROGRAM DESCRIPTIONS SCHOOL ARTS SPECTACULAR WAPITI GALLERY WEDNESDAY, MAY 1 - SUNDAY, JUNE 1, 2014 OPEN WITH CELEBRATION OF YOUNG ARTISTS & BULL BRANSOM AWARD PRESENTATION ON WEDNESDAY, MAY 1 HARMLESS HUNTER: THE WILDLIFE WORK OF CHARLES M. RUSSELL GILCREASE AND CHANGING VISIONS GALLERIES SATURDAY, MAY 17 - SUNDAY, AUGUST 17, 2014 ORGANIZED BY THE NATIONAL MUSEUM OF WILDLIFE ART IN COLLABORATION WITH THE CHARLES M. RUSSELL CENTER FOR THE STUDY OF ART OF THE AMERICAN WEST, UNIVERSITY OF OKLAHOMA. CURATED AND WITH A CATALOGUE BY B. BYRON PRICE, DIRECTOR, CHARLES M. RUSSELL CENTER AND UNIVERSITY OF OKLAHOMA PRESS FROM STONE TO GLASS: WILDLIFE SCULPTURE IN MULTIPLE MEDIA KUHN GALLERY FRIDAY, JUNE 13, 2014 - SUNDAY, APRIL 19, 2015 OPEN WITH MIX'D MEDIA ON THURSDAY, JUNE 12 THIS EXHIBITION PULLED FROM THE NATIONAL MUSEUM OF WILDLIFE ART'S EXTENSIVE COLLECTION LOOKS ACROSS APPROXIMATELY 4500 YEARS OF ARTISTIC PRODUCTION TO DISCUSS THE DIFFERENT MATERIALS ARTISTS HAVE USED OVER TIME IN THE CREATION OF ANIMAL SCULPTURES. RISE OF THE FENIX - AMY RINGHOLZ JOHNSTON HALL SATURDAY, JULY 12 - SUNDAY, JULY 27, 2014 OPENING PARTY TAKES PLACE OF JULY MIX'D MEDIA OPEN STUDIO WAPITI GALLERY SATURDAY, JUNE 21 - SUNDAY, AUGUST 17, 2014 ARTMAKING FOR ALL AGES TIED TO EXHIBIT THEMES. WESTERN VISIONS GILCREASE, CHANGING VISIONS, BISON AND KING GALLERIES SATURDAY, AUGUST 30 - SUNDAY, SEPTEMBER 21, 2014 WESTERN VISIONS - STILL AVAILABLE KING GALLERY WEDNESDAY, SEPTEMBER 24 - SUNDAY, OCTOBER 26, 2014 TUSK + HORN: GRAPHIC DESIGN BY ASHER JAY WAPITI GALLERY SATURDAY, SEPTEMBER 20, 2014 - SUNDAY, APRIL, 26, 2015 ASHER JAY IS A YOUNG, DYNAMIC ARTIST AND GRAPHIC DESIGNER WHOSE AWARENESS-RAISING DESIGNS HAVE BEEN DISTRIBUTED INTERNATIONALLY. HER MAIN FOCUS FOR THE PAST FEW YEARS HAS BEEN TO EDUCATE AUDIENCES ABOUT THE ILLEGAL IVORY TRADE AND ITS DAMAGING EFFECTS ON THE WORLD'S DWINDLING POPULATIONS OF AFRICAN RHINOS AND ELEPHANTS. AUDUBON AND THE ART OF BIRDS ORGANIZED AND CIRCULATED BY THE BELL MUSEUM OF NATURAL HISTORY, UNIVERSITY OF MINNESOTA GILCREASE, CHANGING VISIONS, AND BISON GALLERIES SATURDAY, OCTOBER 4, 2014 - SUNDAY, JANUARY 4, 2015 THIS EXHIBITION FOCUSES ON JOHN JAMES AUDUBON'S MASTERWORK, THE BIRDS OF AMERICA, CONTEXTUALIZING AUDUBON'S WORK WITH EXAMPLES OF THE FINEST ORNITHOLOGICAL ART FROM THE RENAISSANCE TO THE PRESENT DAY. A PARADE OF PLUMAGE: ENGRAVINGS BY FRANCOIS NICOLAS MARTINET KING GALLERY SATURDAY, NOVEMBER 8, 2014 - SUNDAY, APRIL 26, 2015 WORKING IN THE MIDDLE TO LATE 1700S, FRANCOIS NICOLAS MARTINET WAS ONE OF THE MOST PROLIFIC ENGRAVERS OF HIS ERA. HIS MOST ACCOMPLISHED WORK WAS A SERIES OF 1,008 PRINTS CREATED TO ACCOMPANY THE MASSIVE HISTOIRE NATURELLE DES OISEAUX, WRITTEN BY THE FAMED FRENCH NATURAL HISTORIAN, GEORGES LOUIS LECLERC, LE COMTE DE BUFFON. A RECENT DONATION OF 102 PRINTS BY MARTINET, CREATED FOR THE HISTOIRE NATURELLE DES OISEAUX FORMS THE CORPUS OF THIS EXHIBITION. CONSERVATION GALLERY BISON GALLERY SATURDAY, JANUARY 17 - SUNDAY, APRIL 26, 2015 THIS EXHIBIT EXPLORES A VARIETY OF CONSERVATION STORIES, BOTH HISTORIC AND CONTEMPORARY, AS TOLD THROUGH ARTWORK IN THE COLLECTION. SOME ANIMALS-THE ELEPHANT, TIGER, AND POLAR BEAR-TYPIFY ANIMALS WHOSE VERY EXISTENCE IS CURRENTLY UNDER THREAT. OTHERS-THE PRONGHORN, WOLF, AND BISON-WERE ONCE ON THE VERGE OF EXTINCTION, BUT HAVE SINCE REBOUNDED TO SUSTAINABLE LEVELS. FIGHT OR FLIGHT: ART, ACTION, ANIMALS GILCREASE AND CHANGING VISIONS GALLERIES JANUARY 24 - AUGUST 29, 2015 FROM IMAGINED BATTLES BETWEEN TIGERS AND ANTELOPE BY ANTOINE-LOUIS BARYE TO RUNNING PRONGHORN BY BOB KUHN, THIS EXHIBITION EXPLORES ANIMAL INSTINCTS VIA PAINTINGS, PRINTS, AND SCULPTURES FROM THE NATIONAL MUSEUM OF WILDLIFE ART'S PERMANENT COLLECTION - AND PRESENTS AN OPPORTUNITY TO LOOK AT THEORIES OF ANIMAL INSTINCT AND THE TECHNIQUES USED BY ARTISTS TO CONVEY MOTION. FORM 990, PART III, LINE 4C EDUCATIONAL PROGRAMS FOR CHILDREN - NMWA SERVES APPROXIMATELY 4,205 CHILDREN THROUGHOUT THE REGION ANNUALLY, RANGING IN AGE FROM PRE-K TO GRADE 12. WE USE OUR COLLECTION OF FINE ART TO TEACH A WIDE RANGE OF SUBJECT AREAS COMPATIBLE WITH SCHOOL CURRICULA. PROGRAMS FOR PRE-K THROUGH HIGH SCHOOL AGE CHILDREN ARE FREE AND ARE OUTLINED ON OUR WEB SITE: HTTP://WWW.WILDLIFEART.ORG - OUTREACH PROGRAMS ARE AVAILABLE IN LOCAL SCHOOL CLASSROOMS; AND VIA OUR ON-LINE CURRICULUM LESSONS AND EDUCATIONAL GAMES. OUR ON-SITE CHILDREN'S GALLERY HAS HANDS-ON INTERACTIVE EXHIBITS FOR CHILDREN. ACTIVITY PACKETS FOR FAMILIES CALLED CRITTER CASES ARE AVAILABLE FOR LOAN, FREE OF CHARGE. PERFORMANCES AND ART MAKING ACTIVITIES FOR CHILDREN TAKE PLACE ON THE FIRST SUNDAY OF EACH MONTH FROM NOVEMBER THROUGH MARCH. CHILDREN'S ART EXHIBITIONS WHICH WE SUPPORT ANNUALLY INCLUDE: SCHOOL ART SPECTACULAR AND YOUNG ILLUSTRATORS. EDUCATIONAL PROGRAMS FOR ADULTS - WE SERVE APPROXIMATELY 4,500 ADULTS ANNUALLY WITH, "ART IN ACTION" PARTICIPATORY PROGRAMS WITH ARTISTS INCLUDING OUR "SNEAK PEEK" BEHIND THE SCENES GALLERY TALKS, OUR FILMS, AND ARTIST TALKS. WE ALSO HAVE A RICH ROSTER OF COMMUNITY PROGRAMS ON THE OUTDOOR SCULPTURE TRAIL. A PROGRAM FOR YOUNG ADULTS CALLED "MIX'D MEDIA" PROVIDES EVENING ACCESS TO THE MUSEUM'S ART, AND OFFERS MUSIC, ART MAKING, ARTIST INTERACTIONS, ALONG WITH EXHIBIT THEMED FOOD & DRINK TO THE PUBLIC. FORM 990, PART VI, SECTION A, LINE 1 THE EXECUTIVE COMMITTEE CONSISTS OF THE CHAIRMAN, CHAIRMAN EMERITUS, VICE-CHAIRMAN, TREASURER & FINANCE COMMITTEE CHAIRMAN, DEVELOPMENT CHAIRMAN, COLLECTIONS COMMITTEE CHAIRMAN, FACILITY & GROUNDS COMMITTEE CHAIR, COMMUNITY FOCUS COMMITTEE CHAIRMAN, NOMINATING COMMITTEE CHAIRMAN, AND STRATEGIC PLANNING CHAIRMAN. ALL ARE MEMBERS OF THE BOARD. THE EXECUTIVE COMMITTEE IS EMPOWERED TO ACT WHEN THE FULL BOARD HAS NOT CONVENED. IF EITHER THE BOARD DELEGATES AN ITEM TO THE EXECUTIVE COMMITTEE, OR THE PRESIDENT/CEO BRINGS AN ITEM TO THE EXECUTIVE COMMITTEE WHICH NEEDS ACTION, THEY CAN ACT. IF THEY DO ACT, THE FULL BOARD STILL HEARS THE ISSUE AND COULD OVERTURN THE EXECUTIVE COMMITTEE, THOUGH THAT IS NOT ANTICIPATED. FORM 990, PART VI, SECTION A, LINE 2 FAMILY RELATIONSHIP: WILLIAM G KERR AND KAVAR KERR FAMILY RELATIONSHIP: SCOTT KIRKPATRICK AND LYNN FRIESS FORM 990, PART VI, SECTION B, LINE 11 ALL TRUSTEES ARE PROVIDED WITH A COPY OF THE FORM 990 PRIOR TO FILING. THE DETAIL REVIEW HAS BEEN DELEGATED BY THE GOVERNING BODY TO THE FINANCE COMMITTEE. FORM 990, PART VI, SECTION B, LINE 12C AN ANNUAL QUESTIONNAIRE IS SENT TO EACH TRUSTEE. THE CHIEF FINANCIAL OFFICER REVIEWS THE RESPONSES TO DETERMINE IF ANY CONFLICTS EXIST. NO CONFLICTS HAVE BEEN NOTED. FORM 990, PART VI, SECTION B, LINE 15 PRIOR TO THE CLOSE OF EACH FISCAL YEAR THE CHAIRMAN AND VICE CHAIRMAN ASSESS IN WRITING THE PERFORMANCE OF THE CEO IN LIGHT OF STATED GOALS AND OBJECTIVES. IN KEEPING WITH THE TERMS AND CONDITIONS OF ANY RELEVANT EMPLOYMENT CONTRACT A RECOMMENDATION IS THEN MADE TO THE EXECUTIVE COMMITTEE REGARDING COMPENSATION FOR THE UPCOMING YEAR, WHICH REVIEWS AND APPROVES THE CEO'S COMPENSATION. AN INDEPENDENT SALARY REVIEW IS PERFORMED EVERY THREE YEARS. THE ORGANIZATION MAINTAINS THE APPROPRIATE DOCUMENTATION OF THE COMPENSATION AGREEMENT. FORM 990, PART VI, SECTION C, LINE 19 THE GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS ARE AVAILABLE UPON REQUEST. FORM 990, PART IX, LINE 11G PROFESSIONAL FEES: PROGRAM SERVICE EXPENSES 339,197. MANAGEMENT AND GENERAL EXPENSES 106,496. FUNDRAISING EXPENSES 29,467. TOTAL EXPENSES 475,160. ARCHITECT AND DESIGN SERVICES: PROGRAM SERVICE EXPENSES 81,037. MANAGEMENT AND GENERAL EXPENSES 20,259. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 101,296. FORM 990, PART XI, LINE 9: CHANGE IN NPV OF SPLIT-INTEREST INVESTMENT 126,489.