2016-05-13T19:47:49-05:00 2015-06-30 946214841 ARMANINO LLP 12657 ALCOSTA BLVD STE 500 SAN RAMON CA 945834600 990 2014-07-01 941704765 ASIAN ART MUSEUM FOUNDATION OF SAN FRANCISCO ASIA 4155813500 200 LARKIN STREET SAN FRANCISCO CA 941024734 JOANNE T CHOU CFO 4155813730 2016-05-13 1 JOHN PANETTA P00365375 9257902600 2014 2016-08-17 19:52:53Z JOANE T CHOU 200 LARKIN STREET SAN FRANCISCO CA 941024734 83436278 0 X WWW.ASIANART.ORG X 1969 CA PUBLIC EXHIBITION OF ART OBJECTS 50 50 189 493 20073 19073 31874272 36161642 1418185 1428742 6253031 8537056 2119672 1639883 41665160 47767323 0 0 0 0 14238964 16064528 0 0 2957755 13391090 16671128 27630054 32735656 14035106 15031667 229140312 236713094 97174069 96060656 131966243 140652438 X THE ASIAN ART MUSEUM OF SAN FRANCISCO IS A PUBLIC INSTITUTION WHOSE MISSION IS TO LEAD A DIVERSE GLOBAL AUDIENCE IN DISCOVERING THE UNIQUE MATERIAL, AESTHETIC, AND INTELLECTUAL ACHIEVEMENTS OF ASIAN ART AND CULTURE. 0 0 21895700 0 THE MUSEUM IS ONE OF SAN FRANCISCO'S PREMIER ARTS INSTITUTIONS AND HOME TO A WORLD-RENOWNED COLLECTION OF MORE THAN 18,000 ASIAN ART TREASURES SPANNING 6,000 YEARS OF HISTORY AND REPRESENTING COUNTRIES AND CULTURES THROUGHOUT ASIA. THE COLLECTION'S SCOPE AND BREADTH ENABLE THE MUSEUM TO PROVIDE AN INTRODUCTION TO ALL THE MAJOR TRADITIONS OF ASIAN ART AND CULTURE. MORE THAN 2,500 ARTWORKS FROM THE COLLECTION ARE GENERALLY ON VIEW IN THE MUSEUM'S THIRTY-THREE COLLECTION GALLERIES, WITH ANOTHER 500 OBJECTS REMOVED AND REFRESHED WITH WORKS FROM STORAGE EACH YEAR. EXIT SURVEYS SUGGEST THAT THE MUSEUM HAS STRONG AND GLOBAL REACH - APPROXIMATELY 50% OF THE VISITORS CAME FROM THE BAY AREA AND 12% ORIGINATED FROM OUTSIDE THE US, NEARLY 30% OF LOCAL VISITORS ARE OF ASIAN DESCENT. ECHOING THE REGIONS ETHNIC MAKE-UP. 1380390 0 THE MUSEUM PROVIDES A BROAD RANGE OF PROGRAM THAT EXPLORE ALL THE CULTURES PRESENTED IN THE MUSEUM'S COLLECTION AND EXHIBITIONS, AND ARE DESIGNED TO REACH ALL LEVELS OF EDUCATION (K-12, COLLEGE, AND ADULT) AND AWARENESS OF ART (NOVICE THROUGH EXPERT), FREE DOCENT LED TOURS OF THE COLLECTION GALLERIES AND SPECIAL EXHIBITIONS ARE CONDUCTED THROUGHOUT THE DAY. THE MUSEUM'S STORYTELLING CORPS OFFER ENTERTAINING AND EDUCATIONAL PROGRAMS FOR CHILDREN AND ADULTS RELATING TO ARTWORKS ON VIEW. SCHOOL PROGRAMS INCLUDE A VARIETY OF INDUSTRY-BASED ACTIVITIES: ALL CLASS TOURS ARE INTERACTIVE AND EMPHASIZE OBSERVATION SKILLS, CRITICAL THINKING, GROUP WORK, AND PEER PRESENTATIONS. MORE THAN 90,000 OF THE MUSEUM'S 206,718 ANNUAL VISITORS PARTICIPATED IN ONE OF THE HUNDREDS OF PUBLIC PROGRAM PRESENTED FROM JULY 1 2014 TO JUNE 30, 2015. 412679 202736 28 CHINESE JUNE 5 - AUGUST 16, 2015 TOTAL ATTENDANCE: 48,861 28 CHINESE OFFERED GLIMPSES OF CONTEMPORARY CHINESE ART THROUGH A GROUP OF 28 ARTISTS, RANGING FROM THOSE GRABBING THE SPOTLIGHT TODAY, INCLUDING LIU WEI, HE XIANGYU AND XU ZHEN TO THE INTERNATIONALLY ACCLAIMED ZHANG HUAN AND AL WEIWEI. THESE ARTISTS HAVE MADE A SIGNIFICANT IMPACT ON THE CONTEMPORARY ART WORLD AND EXPANDED DEFINITIONS OF CONTEMPORARY ART IN CHINA. FEATURING VARIOUS FORMS -PAINTING, INSTALLATION, PHOTOGRAPHY AND NEW MEDIA - THE EXHIBITION REVEALED POWERFUL RESPONSES TO CHINA TODAY AS WELL AS PERSPECTIVES AND ATTITUDES TOWARDS TRADITION. THE EXHIBITION WAS ORGANIZED FROM THE RUBELL FAMILY COLLECTION IN MIAMI, ONE OF THE MOST IMPORTANT PRIVATE COLLECTIONS OF CONTEMPORARY ART IN THE WORLD. AT THE ASIAN ART MUSEUM, ARTWORKS WERE INSTALLED IN THE TEMPORARY EXHIBITION GALLERIES ON THE FIRST FLOOR, IN THE NORTH AND SOUTH COURTS, AND IN THE CHINESE GALLERIES ON THE 2ND AND 3RD FLOORS. EXHIBITION HIGHLIGHTS INCLUDED ZHU JINSHI'S BOAT, 2012 - A STUNNING INSTALLATION MADE OF PAPER, BAMBOO, AND THREAD, 15 METERS IN LENGTH - AI WEIWEI'S TON OF TEA, 2005, XU ZHEN'S EMBROIDED CANVAS. HE XIANGYU'S INSTALLATION COLA PROJECT, 2010 AND SCREENING ROOM FEATURING A WIDE RANGE OF NEW VIDEO WORKS. 776979 1949627 SEDUCTION: JAPAN'S FLOATING WORLD, THE JOHN C. WEBBER COLLECTION, FEBRUARY 20 - MAY 10, 2015 TOTAL ATTENDANCE (COMBINED WITH THE PRINTER'S EYE): 61,822THE "FLOATING WORLD" IS A PHRASE THAT REFERRED TO BOTH THE PLEASURE QUARTERS IN MAJOR CITIES DURING JAPAN'S EDO PERIOD (1615-1868) AS WELL AS A PLEASURE-SEEKING WAY OF LIFE. SEDUCTION FOCUSED ON THE PLEASURE QUARTERS OF THE FLOATING WORLD, SPECIFICALLY THE YOSHIWARA, VIA 61 WOODBLOCK PRINTS, PAINTINGS, ROBES, SCROLLS, CERAMICS AND OTHER MEDIA. IT WASN'T JUST ABOUT THE ELEMENTS OF THE FLOATING WORLD - THE COLORFUL PLAYERS, THE CODED ETIQUETTE, THE SENSORY PLEASURES. IN AN ALMOST META FASHION, SEDUCTION WAS ALSO ABOUT THE POWER OF THE CONSTRUCTED IMAGE TO LURE VIEWERS INTO THIS FANTASTICAL, INTRIGUING PLACE, EITHER IN REALITY (AS PATRONS) OR IN FANTASY. HOW DID ARTISTS DRAW PEOPLE INTO THIS WORLD? HOW DID THEY COMPEL PEOPLE TO PARTICIPATE?THE PRINTER'S EYE: UKIYO-E FROM THE GRABHORN COLLECTION FEBRUARY 20 - MAY 10, 2015 TOTAL ATTENDANCE (COMBINED WITH SEDUCTION): 61,822THE PRINTER'S EYE PRESENTED UKIYO-E, JAPANESE WOODBLOCK PRINTS FROM THE MUSEUM COLLECTION THAT CELEBRATED AND DEPICTED THE FLOATING WORLD. 88 RARE AND EXCELLENT WORKS NEVER BEFORE SHOWN IN THE US WILL REVEAL JAPANESE PRINT MAKING'S TECHNICAL REFINEMENT, BEAUTY, AND INNOVATION. IT EXAMINED THE SOCIO, POLITICAL, HISTORICAL DRIVING FACTORS, BUT THERE WAS ALSO THE STORY OF COMMUNICATION AND HOW POPULAR CULTURE CIRCULATED THROUGH THE MEDIUM OF PRINTS IN EDO PERIOD JAPAN.ROADS OF ARABIA: ARCHAEOLOGY AND HISTORY OF THE KINGDOM OF SAUDI ARABIA, OCTOBER 24, 2014 - JANUARY 18, 2015 TOTAL ATTENDANCE: 55,901 OVER THE PAST 40 YEARS, ARCHAEOLOGISTS WORKING IN SAUDI ARABIA HAVE UNEARTHED AN ASTONISHING LEVEL OF ARTIFACTS FROM THE PENINSULA'S ANCIENT PAST, RADICALLY TRANSFORMING OUR UNDERSTANDING OF THE REGION. ROADS OF ARABIA FEATURED MORE THAN 200 OBJECTS, RANGINF FROM EXCAVATED STONE TOOLS-SOME DATING BACK MORE THAN A MILLION YEARS - TO A 17TH-CENTURY SET OF GILDED DOORS THAT ONCE GRACED THE ENTRANCE TO THE KA'BA, ISLAM'S HOLIEST SANCTUARY. BEGINNING WITH SOME OF THE EARLIEST EVIDENCE OF HUMANKIND, ROADS OF ARABIA WENT ON TO EXPLORE THE HISTORICAL AND CULTURAL DEVELOPMENT OF ARABIA. TRACING ANCIENT INCENSE TRADE ROUTES AND EARLY-ISLAMIC PILGRIMAGE ROADS THAT ONCE SPANNED THE PENINSULA-CONNECTING ARABIA TO IRAQ, SYRIA, EGYPT, THE MEDITERRANEAN, AND BEYOND - THE EXHIBITION OFFERED FIRSTHAND INSIGHT INTO THE REMARKABLE CULTURAL INTERACTIONS THAT OCCURRED BETWEEN ARABIA AND ITS DIVERSE NEIGHBORS. ROADS OF ARABIA FEATURES EYE-OPENING DISCOVERIES LIKE THE AL-HAMRA CUBE - AN OBJECT THAT CONFIRMS THE INTEGRATION OF EGYPTIAN AND MESOPOTAMIAN MOTIFS INTO EARLY LOCAL RELIGIOUS PRACTICE - AS WELL AS EVERYDAY OBJECTS THAT PRESENTED AN ASTONISHING MIX OF LANGUAGES AND ARTISTIC STYLES. AS ARCHAEOLOGISTS CONTINUE TO UNEARTH IMPORTANT ANCIENT FINDS BENEATH THE SHIFTING SANDS OF THE DESERT, ROADS OF ARABIA OFFERED A RARE FIRST GLIMPSE INTO THE ARABIAN PENINSULA'S FASCINATING PAST.GORGEOUS, JUNE 20 - SEPTEMBER 14, 2014 TOTAL ATTENDANCE: 54,312 GORGEOUS PRESENTED 72 UNIQUELY STUNNING ARTWORKS DRAWN FROM THE COLLECTIONS OF THE ASIAN ART MUSEUM AND THE SAN FRANCISCO MUSEUM OF MODERN ART. SPANNING OVER 2,200 YEARS AND DOZENS OF CULTURES, THESE ARTWORKS WERE ORGANIZED IN AN ATTEMPT TO SHIFT THE FOCUS FROM HISTORICAL AND CULTURAL CONTEXTS, EMPHASIZING INSTEAD THE UNIQUE WAYS EACH WORK ANNOUNCES ITSELF OR SOLICITS A VIEWER'S ATTENTION. WE BLENDED PAINTINGS, SCULPTURES, OBJECTS OF HIGH DESIGN OR DECORATION AND PHOTOGRAPHS. ARTISTS LIKE MARCEL DUCHAMP AND MARILYN MINTER MINGLE WITH WORKS THAT SPAN THE EXTENT OF ASIA, INCLUDING A 1,000 YEAR-OLD INDIAN SCULPTURE OF THE HINDU DEITY DURGA OVER A BUFFALO DEMON. ACROSS FROM A PICASSO, YOU MIGHT SPOT A DECORATED QUR'AN FROM 16TH-CENTURY PERSIA OR AN ARRESTING PHOTOGRAPH BY SALLY MANN. 776979 1949627 24465748 1 1 0 0 0 0 0 1 0 1 1 1 0 0 0 1 0 1 0 0 1 0 0 0 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 0 1 118 0 1 189 1 1 1 0 0 0 0 1 1 0 0 0 0 X 50 50 0 0 0 0 0 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 CA X X JOANNE T CHOU 4155813500 200 LARKIN STREET SAN FRANCISCO CA 941024734 AKIKO YAMAZAKI CHAIR (FROM 09/23/14) 1.00 X X 0 0 0 ANTHONY SUN TREASURER (FROM 09/23/14) 1.00 X X 0 0 0 FRED M LEVIN VICE PRESIDENT (FROM 09/23/14) 1.00 X X 0 0 0 GORRETTI LO LUI SECRETARY (FROM 09/23/14) 1.00 X X 0 0 0 LUCY SUN VICE PRESIDENT (FROM 9/23/14) 1.00 X X 0 0 0 ROBERT L DUFFY VICE PRESIDENT 1.00 X X 0 0 0 STEPHEN KAHNG SECRETARY (TO 9/23/14) 1.00 X X 0 0 0 ALEXANDRA LENEHAN TRUSTEE 1.00 X 0 0 0 ALICE TRINKL EX OFFICIO TRUSTEE 1.00 X 0 0 0 ANN TANENBAUM TRUSTEE 1.00 X 0 0 0 BARRY LAM TRUSTEE 1.00 X 0 0 0 BETTY N ALBERTS TRUSTEE 1.00 X 0 0 0 BILL WILLARD C CLARK TRUSTEE (FROM 09/24/14 TO 01/21/15) 1.00 X 0 0 0 BOB TSAO TRUSTEE 1.00 X 0 0 0 C N KEATING TRUSTEE 1.00 X 0 0 0 CARL F PASCARELLA TRUSTEE 1.00 X 0 0 0 CHONG-MOON LEE TRUSTEE 1.00 X 0 0 0 CONSTANCE C MILLER TRUSTEE 1.00 X 0 0 0 DAVID CHUN-YEE PONG TRUSTEE 1.00 X 0 0 0 DIXON R DOLL TRUSTEE 1.00 X 0 0 0 ELIZA CASH TRUSTEE 1.00 X 0 0 0 ELLEN BURSTEIN BAUCH TRUSTEE 1.00 X 0 0 0 FRED EYCHANER TRUSTEE 1.00 X 0 0 0 HIROMITSU OGAWA TRUSTEE 1.00 X 0 0 0 INA GOODWIN TATEUCHI TRUSTEE 1.00 X 0 0 0 JAMIE CHEN TRUSTEE 1.00 X 0 0 0 JUDITH F WILBUR TRUSTEE 1.00 X 0 0 0 KEN WILCOX TRUSTEE 1.00 X 0 0 0 KEVIN J MARTIN TRUSTEE 1.00 X 0 0 0 KOMAL SHAH TRUSTEE (TO 01/21/15) 1.00 X 0 0 0 KUMAR MALAVALLI TRUSTEE 1.00 X 0 0 0 LESLIE TANG SCHILLING TRUSTEE 1.00 X 0 0 0 LINDA LEI EX OFFICIO TRUSTEE 1.00 X 0 0 0 LLOYD E COTSEN TRUSTEE 1.00 X 0 0 0 MAGGIE Y MUI TRUSTEE (TO 01/21/15) 1.00 X 0 0 0 MASASHI OKA TRUSTEE 1.00 X 0 0 0 MERRILL RANDOL SHERWIN TRUSTEE 1.00 X 0 0 0 MIMI GARDNER GATES TRUSTEE 1.00 X 0 0 0 MING LEE TRUSTEE 1.00 X 0 0 0 NICHOLAS UNKOVIC TRUSTEE 1.00 X 0 0 0 PEHONG CHEN TRUSTEE (FROM 01/21/15) 1.00 X 0 0 0 RICHARD BELESON TRUSTEE 1.00 X 0 0 0 RICHARD C BLUM TRUSTEE 1.00 X 0 0 0 ROBERT Y C HO TRUSTEE 1.00 X 0 0 0 RONALD HOGE TRUSTEE 1.00 X 0 0 0 S TIMOTHY KOCHIS TRUSTEE 1.00 X 0 0 0 SARAH P HAMBRECHT TRUSTEE 1.00 X 0 0 0 SUNG-JIN INGRISELLI TRUSTEE 1.00 X 0 0 0 SUNO KAY OSTERWEIS TRUSTEE 1.00 X 0 0 0 TIMOTHY F KAHN PRESIDENT (FROM 9/23/14) 1.00 X 0 0 0 WILLIAM K BOWES JR TRUSTEE 1.00 X 0 0 0 NAN TUCKER MCEVOY HONORARY TRUSTEE 1.00 X 0 0 0 CORI BATES TRUSTEE (FROM 01/21/15) 1.00 X 0 0 0 JOANNE T CHOU CHIEF FINANCIAL OFFICER 40.00 X 122503 0 4550 JAY XU DIRECTOR OF MUSEUM 40.00 X 398839 0 70956 PEDRO DINIX DE MOURA CARVALIHO DEPUTY DIRECTOR OF ART & PROGRAMS 40.00 X 210157 0 16378 NANCY M BRENNAN CHIEF PHILANTHROPY OFFICER 40.00 X 201430 0 19149 DORI S BAILEY CHIEF ENGAGEMENT OFFICER 40.00 X 168686 0 18503 VALERIE PECHENIK DIRECTOR OF HUMAN RESOURCES 40.00 X 152014 0 9612 FORREST MCGILL SENIOR CURATOR 40.00 X 110616 0 46838 WILLIAM J TOFT DIRECTOR OF IT 40.00 X 131796 0 14616 KIMBERLEY BUSH TOMIO DIRECTOR OF MUSEUM SERVICES 40.00 X 124901 0 19125 TIMOTHY HALLMAN DIRECTOR OF PR & MARKETING 40.00 X 124900 0 7124 DEBORAH CLEARWATERS DIRECTOR OF EDUCATION 40.00 X 121262 0 14375 1867104 0 241226 18 0 1 0 EVENTS MANAGEMENT INC 350 FLORIDA STREET SAN FRANCISCO CA 94110 CATERING SERVICES 454873 CMSC 3254 19TH STREET SAN FRANCISCO CA 94110 CUSTODIAL SERVICES 334268 BURKE CONSTRUCTION 1455 E FRANCISCO BLVD SUITE F SAN RAFAEL CA 94901 CONSTRUCTION SERVICES 187260 DELOITTE & TOUCHE PO BOX 7247-6446 PHILADELPHIA PA 19170 AUDITING SERVICES 170225 FONG BROTHERS PRINTING INC 320 VALLEY DRIVE BRISBANE CA 94005 PRINTING SERVICES 125323 8 1208630 8359335 26593677 6176358 36161642 ADMISSION REVENUE 713990 1138629 1138629 OTHER REVENUE 722210 244546 244546 PUBLICATION REVENUE 713990 45567 45567 1428742 3131920 21098 3110822 632809 114580 518229 518229 518229 39917000 34511864 5405136 5405136 5405136 868505 469447 399058 399058 1183493 573064 610429 611454 -1025 COMMISSION FROM CAFE 722210 112167 112167 112167 47767323 2152363 20073 9433245 1426386 747708 619387 59291 10846516 8037464 1738169 1070883 1080097 800238 167699 112160 1774146 1318687 278615 176844 937383 696076 149314 91993 212594 212594 251800 203958 27698 20144 1822527 1128349 290200 403978 794463 770260 12303 11900 438170 241965 171667 24538 271544 75683 193823 2038 2068993 1675883 284637 108473 381011 282569 64278 34164 206929 29042 7342 170545 4338422 3514127 477224 347071 3654414 2904480 460487 289447 654106 521272 132834 ACQUISITION 561328 561328 PRINTING / PUBLICATION 428758 398488 6019 24251 PARTICIPATION FEE 324019 324019 SUPPLIES 262050 234152 17863 10035 32735656 24465748 5312153 2957755 12415 14955 8615628 16810999 11304800 16471526 988943 1046047 406336 372079 447533 440183 144053410 51556795 95746423 92496615 111618234 109060690 229140312 236713094 2517957 3123611 841112 927045 93815000 92010000 97174069 96060656 X 85980172 77108175 17305949 30179845 28680122 33364418 131966243 140652438 229140312 236713094 15031667 -6345472 0 X X 0 1 X 1 0 X 15314575 14703881 18419653 31874272 36161642 116474023 15314575 14703881 18419653 31874272 36161642 116474023 21339219 95134804 2095453 2265370 3070244 2471647 3131920 13034634 21067 20073 41140 21123539 1293744 1606450 1219811 868505 26112049 155661846 0.61120 0.61210 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 46163555 4684000 1860000 69000 52638555 33307456 10203220 2737450 84571 46163555 29545504 3840233 78281 33307456 30291503 1000 -654576 92423 29545504 25632754 500 4748000 89751 30291503 0.13060 0.63380 0.23560 0 0 130500000 39150000 91350000 12691778 11840400 851378 861632 566395 295237 92496615 INVESTMENTS - UNORGANIZED 101975882 F INVESTMENTS - HELD IN TRUST 1729705 F INVESTMENTS - LIMITED PARTNERSHIP 5355103 F 109060690 X PART III, LINE 1A: COLLECTIONS - THE MUSEUM'S PERMANENT COLLECTIONS REPRESENT MORE THAN 40 ASIAN COUNTRIES AND SPAN 6,000 YEARS OF ASIAN HISTORY. OBJECTS ARE HELD FOR EDUCATIONAL, RESEARCH, AND CURATORIAL PURPOSES. UNDER THE MUSEUM'S COLLECTIONS MANAGEMENT POLICY, ALL OBJECTS ARE CATALOGUED, PRESERVED, AND CARED FOR, ACTIVITIES VERIFYING THEIR EXISTENCE AND ASSESSING THEIR CONDITION ARE PERFORMED REGULARLY. TITLE TO THE PERMANENT COLLECTION OF WORKS OF ART RESTS WITH THE CITY. IF ACCEPTED INTO THE PERMANENT COLLECTION, DONATED ART OBJECTS BECOME THE PROPERTY OF THE CITY AND ARE NOT RECORDED IN THE MUSEUM'S COMBINED FINANCIAL STATEMENTS. PURCHASES OF ART ARE RECORDED AS AN EXPENSE IN THE MUSEUM'S COMBINED STATEMENTS OF ACTIVITIES AND CHANGES IN NET ASSETS. THE MUSEUM DEACCESSIONS OBJECTS DEEMED NO LONGER RELEVANT TO THE PERMANENT COLLECTION IN ACCORDANCE WITH THE MUSEUM'S COLLECTIONS MANAGEMENT POLICY. PROCEEDS FROM DEACCESSIONS ARE USED TO ACQUIRE OTHER OBJECTS FOR THE COLLECTION. THERE WERE NO DEACCESSIONS IN FISCAL YEARS 2015 AND 2014. PART X, LINE 2: THE FOUNDATION HAS BEEN CLASSIFIED AS A PUBLICLY SUPPORTED TAX-EXEMPT ORGANIZATION THAT IS EXEMPT FROM FEDERAL TAXES UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE AND FROM CALIFORNIA FRANCHISE AND/OR INCOME TAXES UNDER RVENUE AND TAXATION CODE SECTION 23701(D). THE FOUNDATION MANAGEMENT BELIEVES THAT NO LIABILITIES ARE REQUIRED TO ACCRUE FOR UNCERTAIN TAX POSITIONS AS OF JUNE 30, 2015. CENTRAL AMERICA & THE CARIBBEAN 0 0 INVESTMENTS 27651195 0 0 0 0 0 0 27651195 0 27651195 1 0 1 1 1 0 ANNUAL GALA 597413 0 597413 113076 6217 175653 ROAD OF ARABIA GALA 92170 0 92170 41575 12231 3 178922 0 178922 88441 11405 20849 868505 868505 243092 17622 208733 469447 399058 X X X X X 0 0 0 0 0 0 0 0 0 JAY XU DIRECTOR OF MUSEUM 347089 0 51750 0 0 0 40064 0 30892 0 469795 0 0 0 PEDRO DINIX DE MOURA CARVALIHO DEPUTY DIRECTOR OF ART & PROGRAMS 210157 0 0 0 0 0 5324 0 11054 0 226535 0 0 0 NANCY M BRENNAN CHIEF PHILANTHROPY OFFICER 201430 0 0 0 0 0 12052 0 7097 0 220579 0 0 0 DORI S BAILEY CHIEF ENGAGEMENT OFFICER 168686 0 0 0 0 0 11379 0 7124 0 187189 0 0 0 VALERIE PECHENIK DIRECTOR OF HUMAN RESOURCES 152014 0 0 0 0 0 9351 0 261 0 161626 0 0 0 FORREST MCGILL SENIOR CURATOR 110616 0 0 0 0 0 23554 0 23284 0 157454 0 0 0 A CALIFORNIA ENTERPRISE DEVELOPMENT AUTHORITY 352273601 2011-02-11 96985000 REFUND BONDS ISSUED 2/3/2005 0 0 0 A 4975000 96985000 6238819 1439 96983561 1 0 1 1 A 0 0 0 1 0 0 1 JP MORGAN CHASE 18.800000000000 1 0 1 A 1 SCHEDULE K, PART IV, ARBITRAGE, LINE 2C: ISSUE NAME: CALIFORNIA ENTERPRISE DEVELOPMENT AUTHOR DATE THE INTERIM ARBITRAGE REBATE COMPUTATION WAS PERFORMED: 3/8/2016 PART III, COLUMN A THIS HAS BEEN LEFT BLANK, AS THE ORIGINAL PROJECT FINANCED WAS ISSUED PRIOR TO 1/1/2003 PART IV, LINE 2C AN INTERIM ARBITRAGE REBATE COMPUTATION WAS PERFORMED ON 3/8/2016. DIXON R DOLL TRUSTEE 359817 0 SCH L, PART IV, BUSINESS TRANSACTIONS INVOLVING INTERESTED PERSONS: DIXON R. DOLL, A TRUSTEE MEMBER OF THE ORGANIZATION, HAS LIMITED PARTNERSHIP INVESTMENTS IN DCM IV AND DCM V VALUED AT $97,400 AND $262,417, RESPECTIVELY. X 1 6138708 FMV X AIR FARE 1 37650 FMV 0 1 0 FORM 990, PART VI, SECTION B, LINE 11 THE FINANCE OFFICE SENDS THE COPY OF THE FORM 990 TO THE AUDIT COMMITTEE FOR REVIEW BEFORE FILING. FORM 990, PART VI, SECTION B, LINE 12C THE POLICY COVERS BOARD MEMBERS AND STAFF. TRUSTEES ARE ASKED TO INFORM THE BOARD IN ADVANCE AND AS FULLY AS PRACTICABLE OF ANY TRANSACTIONS WITH THE MUSEUM OR THROUGH A BUSINESS RELATIONSHIP WITH AN ASIAN ART COMMISSIONER OR A FOUNDATION TRUSTEE IN WHICH THEY HAVE AN ECONOMIC INTEREST IN ORDER FOR THE TRUSTEES TO REVIEW AND APPROVE OR DISAPPROVE THE TRANSACTION. IF A CONFLICT WERE TO EXIST THE ISSUE WOULD BE REVIEWED BY THE MUSEUM'S ETHICS COMMITTEE OR THE AUDIT COMMITTEE. FORM 990, PART VI, SECTION B, LINE 15 THE EXECUTIVE DIRECTOR'S COMPENSATION IS STIPULATED BY AN EMPLOYMENT CONTRACT WITH THE ORGANIZATION. THE CHAIR OF THE BOARD AND THE COMPENSATION COMMITTEE NEGOTIATE THIS EMPLOYMENT CONTRACT WITH THE DIRECTOR PRIOR TO ITS APPROVAL BY THE FULL BOARD. THE BOARD'S COMPENSATION COMMITTEE RELIES UPON SURVEY DATA FROM OTHER LIKE ARTS ORGANIZATIONS TO DETERMINE THE MARKET VALUE OF THE DIRECTOR'S POSITION. FORM 990, PART VI, SECTION C, LINE 19 THE AUDITED FINANCIAL STATEMENTS AND THE FORM 990S ARE POSTED TO THE ASIAN ART MUSEUM WEBSITE. ALL OTHER INFORMATION IS PROVIDED TO THE PUBLIC UPON REQUEST. FORM 990, PART XII, LINE 2C THE PROCESS HAS NOT CHANGED SINCE THE PRIOR YEAR.