2017-05-15T14:07:39-05:00 2016-06-30 410746749 CLIFTONLARSONALLEN LLP 20 E THOMAS RD STE 2300 PHOENIX AZ 85012 990 2015-07-01 860072608 PHOENIX ART MUSEUM PHOE 6022571880 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 DAWN OLSEN DEPUTY DIRECTOR OF FINANCE & OP 6022571880 2017-05-12 1 STEPHEN E LIVINGSTON CPA P00317845 6022662248 2015 2021-01-29 14:40:06Z DAWN OLSEN 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 12727675 0 X WWW.PHXART.ORG X 1949 AZ WORLD CLASS MUSEUM, SEE SCHEDULE O, PART III EXPLANATIONS. 47 47 199 2724 30388 -5802 10735711 8555060 2754195 2616012 3665 6593 -183937 216546 13309634 11394211 0 0 0 0 5628459 5488776 0 4810 960923 5263808 5414631 10892267 10908217 2417367 485994 9468365 10958470 4469296 5724651 4999069 5233819 X SEE SCHEDULE O FOR THE MISSION STATEMENT 0 0 574747 8105 SEE SCHEDULE O FOR DESCRIPTION OF "SACRED AND PROFANE" BY MICHELANGELO. 314506 35072 SEE SCHEDULE O FOR DESCRIPTION OF "THE WHITE SHIRT ACCORDING TO ME" BY GIANFRANCO FERRE. 108312 0 SEE SCHEDULE O FOR DESCRIPTION OF "SUPER INDIAN: FRITZ SCHOLDER, 1967 - 1980". 68437 5664 PHOENIX RISING: THE VALLEY COLLECTS: PHOENIX RISING: THE VALLEY COLLECTS BRINGS TOGETHER WORKS FROM ARIZONA'S MOST SIGNIFICANT PRIVATE COLLECTIONS OF AMERICAN, ASIAN, MODERN, CONTEMPORARY, EUROPEAN, FASHION DESIGN, LATIN AMERICAN ART AND PHOTOGRAPHY. THESE PRIVATELY OWNED AND RARELY SEEN WORKS WILL BE ON VIEW AT PHOENIX ART MUSEUM, MANY FOR THE FIRST TIME, IN CELEBRATION OF THE ACHIEVEMENTS AND PASSIONS OF THE VALLEY'S ART ENTHUSIASTS.THE EXHIBITION WILL INCLUDE WORK FROM MORE THAN 20 PRIVATE COLLECTIONS IN PHOENIX AND THE SURROUNDING AREA. IT PRESENTS A DIVERSE AND ECLECTIC SELECTION OF THE FINEST WORKS PRODUCED, FROM THE 19TH CENTURY TO THE PRESENT, AND FEATURES PAINTINGS, SCULPTURE, VIDEO INSTALLATION, WORKS ON PAPER, PHOTOGRAPHY, AND FASHION DESIGN. WORKS FROM THE ABSTRACT EXPRESSIONIST PERIOD WILL INCLUDE NEVER BEFORE SEEN WORKS BY HELEN FRANKENTHALER, MORRIS LOUIS, PHILIP GUSTON, ALONG WITH MID-CENTURY MASTER ALEXANDER CALDER, AMONG OTHERS.THE EXHIBITION IS ORGANIZED BY PHOENIX ART MUSEUM AND IS MADE POSSIBLE THROUGH THE GENEROSITY OF PETSMART. 52047 0 LILIANE TOMASKO: IN VISIBLE WORLD: THE ARTIST'S PAINTINGS ARE VEILED IN DARKNESS--EVOCATIVE AND EMOTIONALLY CHARGED. OVER THE LAST DECADE THE UNDERLYING DRAWINGS BENEATH THE LAYERS OF THICK PAINT HAVE EVOLVED INTO HER "INSIDE OUT" PAINTINGS. A REVERSAL OF PROCESS, THE COLORFUL TEXTILES ARE STREWN, STACKED AND COMPOSED--UNDULATING AND TRANSFORMING FROM ABSTRACTION TO MOUNTAIN VISTAS. FROM DARKNESS INTO LIGHT, THE VIEWER IS TRANSPORTED TO ANOTHER TIME AND SPACE WITHIN THESE INTIMATE, QUIET AND EDGY INTERIOR SETTINGS.EXHIBITION AND CATALOGUE ORGANIZED BY PHOENIX ART MUSEUM. 41706 36000 DISCOUNT TIRE FAMILY WEEKENDS: JOIN US ON THE SECOND WEEKEND OF EACH MONTH FOR A WHIRLWIND OF GREAT ART AND HANDS-ON ACTIVITIES. THROUGH THE GENEROSITY OF DISCOUNT TIRE COMPANY, THE MUSEUM OFFERS FREE GENERAL ADMISSION ON THE SECOND WEEKEND OF EACH MONTH, WITH EXCITING ACTIVITIES, SCAVENGER HUNTS, LIVE PERFORMANCES, STORY TIME, FREE TOURS, AND MORE. EACH DISCOUNT TIRE FREE FAMILY WEEKEND FEATURES AN OPPORTUNITY TO LEARN ABOUT AND MAKE ART WITH A FEATURED LOCAL VALLEY ARTIST, FROM MURALISTS TO DANCERS AND MORE. OPEN TO THE PUBLIC ON SATURDAY FROM 10 A.M. - 5 P.M. AND SUNDAY FROM NOON - 5 P.M. 39120 2491 FROM NEW YORK TO NEW MEXICO: MASTERWORKS OF AMERICAN MODERNISM FROM THE VILCHEK FOUNDATION COLLECTION: DRAWN FROM THE IMPRESSIVE COLLECTION OF THE VILCEK FOUNDATION IN NEW YORK, THIS EXCITING EXHIBITION PRESENTS RARELY-BEFORE SEEN MASTERWORKS OF AMERICAN MODERNISM. WORKS IN THE EXHIBITION DATE FROM THE EARLY 1900S TO THE POST-WAR ERA. A WIDE RANGE OF MODERN STYLISTIC APPROACHES IN VARIOUS MEDIA (PAINTINGS, SCULPTURE, AND WORKS ON PAPER) ARE PRESENTED, WITH PARTICULAR EMPHASIS GIVEN TO AMERICAN ARTISTIC RESPONSES TO THE GEOMETRIC COMPOSITIONS OF CUBISM, THE NATURE-BASED ABSTRACTIONS BY ARTISTS OF THE STIEGLITZ CIRCLE, AND THE REGIONALLY-INSPIRED MODERNISM PRODUCED IN THE AMERICAN SOUTHWEST AFTER THE FIRST WORLD WAR.TO COMPLEMENT THE VILCEK COLLECTION, PHOENIX ART MUSEUM WILL EXHIBIT 33 EXAMPLES OF MODERNIST AMERICAN ART FROM THE MUSEUM'S OWN SUPERB COLLECTION OF ART FROM THIS ERA. THE COMBINED INSTALLATIONS WILL OFFER A THOROUGH REPRESENTATION OF THE MANY WAYS IN WHICH AMERICAN ARTISTS RESPONDED AND CONTRIBUTED TO MODERNIST TRENDS IN THE EARLY TWENTIETH CENTURY.THE EXHIBITION IS ORGANIZED BY THE PHILBROOK MUSEUM OF ART, TULSA, OKLAHOMA IN COOPERATION WITH THE VILCEK FOUNDATION, NEW YORK. 32994 0 AI WEI WEI: CIRCLE OF ANIMALS/ZODIAC HEADS: RENOWNED CHINESE ARTIST AND ACTIVIST AI WEI WEI (B. 1957) TOOK AS HIS INSPIRATION FOR HIS TWELVE CHINESE ZODIAC BRONZE SCULPTURES FROM THOSE THAT ONCE GRACED THE QING DYNASTY FOUNTAIN, IN AN EIGHTEENTH-CENTURY IMPERIAL RETREAT OUTSIDE BEIJING. LIKE OTHER ORNATE OBJECTS, THE ORIGINAL PIECES WERE LOOTED BY THE BRITISH AND FRENCH TROOPS IN THE SECOND OPIUM WAR IN 1860. VIEWED AS A SYMBOL OF "CULTURAL THEFT", WEI WEI RE-CREATED THE GOLD-PLATED SCULPTURES IN 2010 AS A SUBVERSIVE COMMENTARY ON THE NATURE OF LOOTING AND REPATRIATION.AN ARTIST, ARCHITECTURAL DESIGNER AND SOCIAL ACTIVIST, AI WEI WEI'S WORKS EMPLOY A WIDE RANGE OF MEDIA. HE HAS BEEN OPENLY CRITICAL OF THE CHINESE GOVERNMENT'S STANCE ON DEMOCRACY AND RECORD OF HUMAN RIGHTS VIOLATIONS, INVESTIGATED GOVERNMENT CORRUPTION AND COVER-UPS, AND WAS HELD FOR 81 DAYS AT AN UNDISCLOSED LOCATION IN 2011. FOLLOWING HIS FOUR YEARS OF HOUSE ARREST, CHINESE AUTHORITIES RECENTLY RETURNED HIS PASSPORT TO AI WEI WEI, WHEREUPON HE LEFT CHINA FOR GERMANY, WHERE HE IS CURRENTLY STAYING IN ANTICIPATION OF THE OPENING OF A NEW EXHIBITION. AI'S SON AND WIFE HAVE BEEN LIVING THERE.THE CIRCLE OF ANIMALS/ZODIAC HEADS EXHIBITION WILL ALSO INCLUDE EIGHTEENTH-CENTURY CHINESE BRONZE WORKS FROM PHOENIX ART MUSEUM'S COLLECTION. CURATED BY DR. JANET BAKER. 31814 0 DEFINING MOMENTS: 50 YEARS OF FASHION AT PHOENIX ART MUSEUM: FEATURING MORE THAN 50 WORKS DRAWN FROM ACROSS THE HISTORY OF FASHION, THIS EXHIBITION HIGHLIGHTS MASTERWORKS AND MILESTONES OF THE PERMANENT COLLECTION. PROVIDING INSIGHT INTO HOW THE TREASURES OF THE COLLECTION WERE ACQUIRED AND FORMED AN INTERNATIONALLY RESPECTED FASHION ARCHIVE, THIS EXHIBITION WILL FEATURE A ROSTER OF WORLD-CLASS DESIGNERS INCLUDING ALEXANDER MCQUEEN, YVES SAINT LAURENT, BALENCIAGA AND CHANEL ALONGSIDE STUNNING HISTORICAL WORKS. 30833 50017 THE ULTIMATE COLLECTION: ICONIC BASEBALL CARDS FROM THE DIAMONDBACKS COLLECTION: THIS SPECIALLY-TICKETED LIMITED-ENGAGEMENT EXHIBITION FEATURES SOME OF THE RAREST AND MOST IMPORTANT BASEBALL CARDS IN THE HISTORY OF THE SPORT. DRAWN FROM THE DIAMONDBACKS COLLECTION, CAREFULLY AND PAINSTAKINGLY AMASSED BY KEN KENDRICK, LONGTIME COLLECTOR AND MANAGING GENERAL PARTNER OF THE ARIZONA DIAMONDBACKS, THE ULTIMATE COLLECTION: ICONIC BASEBALL CARDS FROM THE DIAMONDBACKS COLLECTION FEATURES 16 OF THE TOP 20 RANKED SPORTS TRADING CARDS IN THE ENTIRE WORLD, ALONG WITH AN ADDITIONAL 25 HIGHLY-VALUED AND PRIZED BASEBALL TRADING CARDS. THE EXHIBITION WILL INCLUDE BASEBALL'S RAREST AND MOST FAMOUS COLLECTIBLE: A T206 HONUS WAGNER TRADING CARD, ONCE OWNED BY HOCKEY LEGEND WAYNE GRETZKY.THE ROSTER OF CARDS THAT COMPOSE THE COLLECTION IS TRULY STAGGERING, INCLUDING 16 OF THE 20 RAREST AND HIGHLY PRIZED TRADING CARDS IN THE HISTORY OF SPORTS. THE COLLECTION INCLUDES TOPPS ROOKIE CARDS FOR BASEBALL HALL OF FAME INDUCTEES MICKEY MANTLE, HENRY "HANK" AARON, AND SANDY KOUFAX. IT ALSO INCLUDES A RARE BOWMAN 1954 TED WILLIAMS CARD, ALONG WITH CARDS REPRESENTING SOME OF THE MOST LEGENDARY AND ICONIC NAMES IN THE HISTORY OF THE GAME, INCLUDING BABE RUTH, TY COBB, JACKIE ROBINSON, LOU GEHRIG, SATCHEL PAIGE, JOE DIMAGGIO, AND WILLIE MAYS. IT ALSO INCLUDES A SINGLE BASKETBALL CARD: A 1986 FLEER #57 MICHAEL JORDAN CARD, CONSIDERED BY MANY TO BE THE GREATEST PLAYER IN THE HISTORY OF THE NBA.THE ULTIMATE COLLECTION MARKS THE FIRST TIME KENDRICK'S COLLECTION HAS BEEN EXHIBITED WEST OF THE MISSISSIPPI, AND THE FIRST TIME IT HAS BEEN FORMALLY EXHIBITED IN ITS HOME STATE OF ARIZONA. PREVIOUSLY, THE EXHIBITION WAS ON VIEW AT THE BASEBALL HALL OF FAME IN COOPERSTOWN, NEW YORK FOR THREE YEARS, BEFORE CLOSING IN 2013.THIS EXHIBITION IS ORGANIZED BY PHOENIX ART MUSEUM AND IS MADE POSSIBLE THROUGH THE GENEROSITY OF KEN KENDRICK AND THE ARIZONA DIAMONDBACKS. 25000 0 MASTERWORKS OF SPANISH COLONIAL ART FROM PHOENIX ART MUSEUM'S COLLECTION: THIS LANDMARK EXHIBITION FEATURES A SELECTION OF REMARKABLE PAINTINGS AS WELL AS A GROUPING OF RETABLOS (SMALL-SCALE PAINTINGS ON COPPER OR TIN) AND TWO SILVER AND GOLD PLAQUES RECENTLY ACQUIRED BY PHOENIX ART MUSEUM FROM THE ESTATE OF GERRY S. CULPEPPER AND THE DIANE AND BRUCE HALLE FOUNDATION. WITH THE EXCEPTION OF ONE EXQUISITE 18TH-CENTURY MEXICAN PAINTING OF THE VIRGIN OF GUADALUPE-ON DISPLAY HERE FOR THE FIRST TIME-THESE PAINTINGS WERE ALL CREATED IN THE 18TH CENTURY IN THE VICEROYALTY OF PERU, A TERRITORY THAT ENCOMPASSED PRESENT-DAY PERU, BOLIVIA, AND ECUADOR, AMONG OTHER MODERN SOUTH AMERICAN NATIONS. THE EXHIBITED RETABLOS, ON THE OTHER HAND, WERE PRODUCED IN MEXICO IN THE 19TH CENTURY. THE VIRGIN MARY, JESUS CHRIST, THE LAST JUDGMENT, SAINTS, AND ARCHANGELS CONQUERING SATAN ARE AMONG THE MOST PROMINENT SUBJECTS OF THE WORKS ON DISPLAY. SOME OF THESE PAINTINGS ARE VERY LARGE AND WOULD HAVE ORIGINALLY FUNCTIONED AS COMPONENTS OF CHURCH ALTARPIECES. OTHERS ARE SMALLER IN SCALE, BUT NO LESS COMMANDING, AND WOULD LIKELY HAVE SERVED AS DEVOTIONAL AIDS FOR PRAYER IN CHAPELS, PRIVATE HOME SHRINES, MONASTERIES, OR CONVENTS.THIS EXHIBITION AFFORDS THE COMMUNITY THE OPPORTUNITY TO VIEW MASTERWORKS OF SPANISH COLONIAL ART THAT HAVE NEVER BEFORE BEEN EXHIBITED. THESE WORKS SHOWCASE THE INVENTIVENESS, ORIGINALITY, AND SKILL OF ARTISTS WORKING IN THE SPANISH VICEROYALTIES DURING THE 18TH CENTURY. IN ADDITION, THEY ILLUSTRATE THESE ARTISTS' DIVERSE APPROACHES TO RELIGIOUS IMAGERY AND ITS MULTIFACETED MEANINGS IN THE COLONIAL WORLD.A GENEROUS GIFT OF FUNDS FROM SHAWN AND JOE LAMPE ENABLED THE MUSEUM TO UNDERTAKE THE CLEANING AND RESTORATION OF THESE DONATED PAINTINGS. THANKS TO THE GENEROSITY OF LEADING MEMBERS OF THE PHOENIX COMMUNITY MILENA AND TONY ASTORGA, PARI AND PETER BANKO, LEE AND MIKE COHN, MARY AND HAROLD DORENBECHER, SUSAN AND CARTER EMERSON, DIANE AND BRUCE HALLE, JANIS AND DENNIS LYON, AND GAIL AND STEVE RINEBERG, WE WERE THEN ABLE TO FRAME THESE RESTORED WORKS OF ART.THIS EXHIBITION WILL BE ACCOMPANIED BY A FREE, PUBLIC SYMPOSIUM ON SPANISH COLONIAL ART DEVELOPED IN COLLABORATION WITH SCHOLARS FROM THE HERBERGER SCHOOL FOR ART AND DESIGN AND THE ARIZONA CENTER FOR MEDIEVAL AND RENAISSANCE STUDIES, ARIZONA STATE UNIVERSITY. 333202 GIFT SHOP AND MUSEUM STORE - DESIGNED TO GIVE VISITORS A MORE IN DEPTH KNOWLEDGE OF THE VISUAL ARTS AND OF THE SUBJECTS DISCUSSED IN THE MUSEUM'S COLLECTIONS AND EXHIBITIONS. THE EDUCUATIONAL MERCHANDISE, UNIQUE MEMORABILIA AND EXHIBITION SPECIFIC ITEMS ALLOW FOR THE CONTINUATION OF THE MUSEUM EXPERIENCE AT HOME. 5923066 2478663 REMAINING MEMBERSHIP AND OTHER PROGRAM REVENUES AND EXPENSES OF THE MUSEUM THAT HAVE NOT BEEN ALLOCATED TO A SPECIFIC EXHIBIT. 6245017 2906037 7242582 1 1 0 0 0 0 0 1 0 1 1 0 0 0 1 0 0 1 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 1 1 0 0 0 1 77 0 1 199 1 1 1 0 0 0 0 1 1 0 0 0 0 X 47 47 0 0 0 0 1 1 0 1 1 0 0 1 1 1 1 1 1 1 1 0 AZ X SCOTT MCDANIEL 6022572103 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 ANGELA C SINGER TRUSTEE 1.00 X 0 0 0 RYAN BACKLUND TRUSTEE 1.00 X 0 0 0 ALICE BAZLEN TRUSTEE 1.00 X 0 0 0 DENNIS LYON TRUSTEE 1.00 X 0 0 0 ALVAN ADAMS TRUSTEE 1.00 X 0 0 0 DORIS ONG TRUSTEE 1.00 X 0 0 0 DREW BROWN TRUSTEE 1.00 X 0 0 0 ELLEN KATZ TRUSTEE 1.00 X 0 0 0 DEBBIE BERGE TRUSTEE 1.00 X 0 0 0 JOE LAMPE TRUSTEE 1.00 X 0 0 0 JOHN BOUMA TRUSTEE 1.00 X 0 0 0 KEN KENDRICK TRUSTEE 1.00 X 0 0 0 PAUL GROVES TRUSTEE 1.00 X 0 0 0 RICHARD GOLDSMITH TRUSTEE 1.00 X 0 0 0 STEVE RINEBERG TRUSTEE 1.00 X 0 0 0 MICHAEL BILL TRUSTEE 1.00 X 0 0 0 MATTHEW BOLAND TRUSTEE 1.00 X 0 0 0 AMY CLAGUE TRUSTEE 1.00 X 0 0 0 TONY ASTORGA TRUSTEE-TREASURER 1.00 1.00 X 0 0 0 WILLIAM G WAY TRUSTEE 1.00 X 0 0 0 JO BRANDT TRUSTEE 1.00 X 0 0 0 EILEEN ELLIOTT TRUSTEE 1.00 X 0 0 0 DR MERYL HABER TRUSTEE 1.00 X 0 0 0 MIKE COHN TRUSTEE-CHAIRMAN 1.00 1.00 X 0 0 0 MARK FELDMAN TRUSTEE 1.00 X 0 0 0 JAY SCHLOTT TRUSTEE 1.00 X 0 0 0 PETER BANKO TRUSTEE 1.00 X 0 0 0 JOAN CREMIN TRUSTEE 1.00 X 0 0 0 JUDY LINHART TRUSTEE 1.00 X 0 0 0 JACQUIE DORRANCE TRUSTEE 1.00 X 0 0 0 JIM PATTERSON TRUSTEE 1.00 1.00 X 0 0 0 DIANE HALLE TRUSTEE 1.00 X 0 0 0 GARY TOOKER TRUSTEE 1.00 X 0 0 0 NANCY HANLEY TRUSTEE 1.00 X 0 0 0 DONALD BRANDT TRUSTEE 1.00 X 0 0 0 JON HULBURD TRUSTEE 1.00 X 0 0 0 TIM JONES TRUSTEE 1.00 X 0 0 0 DENISE DELGADO TRUSTEE 1.00 X 0 0 0 ERIN GOGOLAK TRUSTEE 1.00 X 0 0 0 ROSELLEN PAPP TRUSTEE-VICE CHAIRMAN 1.00 1.00 X 0 0 0 DAVID ROUSSEAU TRUSTEE 1.00 X 0 0 0 SUE SELIG TRUSTEE 1.00 X 0 0 0 ADAM SINGER TRUSTEE-SECRETARY 1.00 X 0 0 0 RAYMOND SLOMSKI TRUSTEE 1.00 X 0 0 0 MICHAEL GREENBAUM TRUSTEE 1.00 X 0 0 0 LILA HARNETT TRUSTEE 1.00 X 0 0 0 PATRICIA NOLAN TRUSTEE 1.00 X 0 0 0 JANE JOZOFF TRUSTEE 1.00 X 0 0 0 ANN SINER TRUSTEE 1.00 X 0 0 0 SHARRON LEWIS TRUSTEE 1.00 X 0 0 0 K DAVID LINDER TRUSTEE 1.00 X 0 0 0 GARRETT MCKNIGHT TRUSTEE 1.00 X 0 0 0 DEANNA SALAZAR TRUSTEE 1.00 X 0 0 0 MARK TARBELL TRUSTEE 1.00 X 0 0 0 MEREDITH VON ARENTSCHILDT TRUSTEE 1.00 X 0 0 0 JAMES BALLINGER SYBIL HARRINGTON DIRECTOR 2.00 X 320045 0 27853 GARY EGAN DEPUTY DIR-FINANCE & ADMIN 37.50 4.00 X 154158 0 14104 ROBERT CHAMBERLAIN INTERIM DIRECTOR OF DEVELOPMENT 37.50 X 120554 0 0 AMANDA CRUZ THE SYBIL HARRINGTON DIRECTOR 37.50 X 260386 0 11531 855143 0 53488 4 0 1 0 MUSCARELLE MUSEUM OF ART FOUNDATION THE COLLEGE OF WILLIAM MARY PO BO WILLIAMSBURG VA 231878795 EXHIBITION/MUSEUM 262000 CRE8IVE EVENT RENTALS INC 4100 E BROADWAY ROAD SUITE 180 PHOENIX AZ 85040 EQUIPMENT RENTAL 213230 THE GROUNDSKEEPER PO BOX 43820 TUCSON AZ 43820 BUILDING MAINTENANCE 181349 THE ANDY WARHOL MUSEUM 117 SANDUSKY STREET PITTSBURGH PA 15212 EXHIBITION/MUSEUM 180467 LEGATO JAMES 625 STANWIX STREET 2506 PITTSBURGH PA 15222 EXHIBITION/MUSEUM 162990 10 869515 1194358 1174796 70006 5246385 922578 8555060 PROGRAM SERVICE REVENUE 900099 1492891 1492891 MEMBERSHIP DUES 900099 1123121 1123121 2616012 6543 6543 50 0 50 50 50 655277 1194358 948515 -293238 -293238 718151 384949 333202 333202 REIMBURSEMENTS 900099 146194 146194 CATERING 722320 30388 30388 176582 11394211 2949214 30388 -140451 934011 355902 314224 263885 3473079 2287565 1027763 157751 295773 190546 103625 1602 465474 338003 123015 4456 320439 200332 89108 30999 29420 29420 36211 36211 4810 4810 639413 210109 376333 52971 251734 240872 10598 264 1065244 593393 223102 248749 42328 10832 31496 782703 627744 123283 31676 148311 114675 19655 13981 7897 4720 998 2179 18575 18575 559256 520108 16778 22370 136604 109647 26413 544 CONTRACTED LABOR 753414 753414 OPERATING EXPENSES 718056 543342 54498 120216 REPAIRS AND MAINTENANCE 114133 56175 57958 DUES AND SUBSCRIPTIONS 111332 85203 21659 4470 10908217 7242582 2704712 960923 690022 757027 1814581 2250132 647554 2202755 177471 260626 378912 364009 299819 166064 15284696 10759857 4970626 4524839 489380 433018 9468365 10958470 1836247 1139238 405061 524414 1064230 2114230 1163758 1946769 4469296 5724651 X 198370 -594105 4800699 5827924 4999069 5233819 9468365 10958470 X 485994 -251244 X X 0 1 X 1 0 X 4943370 5491850 6348004 10735711 8555060 36073995 5070886 4693127 4892897 4712695 4636914 24006519 10014256 10184977 11240901 15448406 13191974 60080514 60080514 6704 7982 4777 3665 6543 29671 31882 28053 5749 438 0 66122 131082 143872 161260 139746 146194 722154 60898461 21446179 0.98660 0.98590 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: REIMBURSEMENTS RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X 1 25022737 1592609 -511232 1124472 60852 24918790 25422566 5259560 31541 1268464 4400308 22158 25022737 23739569 295894 2777782 1324623 66056 25422566 22949075 193587 2028519 1350242 81370 23739569 23172236 1075930 -186681 1044693 67717 22949075 0.00000 1.00000 0.00000 0 1 1 699253 699253 10772652 7571805 3200847 2702018 2102972 599046 1110773 1085080 25693 4524839 CHARITABLE GIFT ANNUITIES 355793 ACCRUED PENSION 1215976 SUPPLEMENTAL RETIREMENT ACCOUNT 375000 1946769 PART III, LINE 1A: FINANCIAL STATEMENT FOOTNOTE REGARDING THE FINE ARTS COLLECTION: FINE ARTS COLLECTION CONSISTS OF PURCHASED AND DONATED WORKS OF ART. THE COLLECTION IS ON DISPLAY TO THE GENERAL PUBLIC. THE MUSEUM EMPLOYS PROFESSIONAL STAFF TO ENSURE THAT THE COLLECTION ITEMS ARE PRESERVED AND PROTECTED. THE COLLECTION ITEMS ARE NOT CAPITALIZED BY THE MUSEUM. COSTS OF PURCHASING COLLECTION ITEMS, DEACCESSIONS OF COLLECTION ITEMS AND PROCEEDS FROM INSURANCE RECOVERIES ARE INCLUDED AS A CHANGE IN THE APPROPRIATE CATEGORY OF NET ASSETS. PROCEEDS FROM THE DEACCESSION OF COLLECTION ITEMS ARE RESTRICTED FOR PURCHASES OF ADDITIONAL COLLECTION ITEMS. ACQUISITIONS OF FINE ART, INCLUDED AS A DECREASE IN UNRESTRICTED NET ASSETS, TOTALED $251,244 AND $283,919 FOR THE YEARS ENDED JUNE 30, 2016 AND 2015, RESPECTIVELY. THE AMERICAN ALLIANCE OF MUSEUMS (AAM) WHICH IS THE NATIONAL ACCREDITATION ORGANIZATION FOR MUSEUMS HAS A POLICY RELATED TO MUSEUM COLLECTIONS. THEIR POLICY IS THAT MUSEUMS DO NOT HAVE TO LIST THEIR COLLECTION AS AN ASSET ON THEIR FINANCIAL STATEMENTS. IF A MUSEUM DOES ELECT TO LIST ITS COLLECTION ON ITS FINANCIAL STATEMENTS, IT MUST BE BASED ON A RECENT APPRAISAL OF THE COLLECTION. THE MUSEUM HAS ELECTED TO EXPENSE CONTRIBUTIONS WHEN OBTAINED, AND HAS NOT CAPITALIZED THE COLLECTION. PART V, LINE 4: THE MUSEUM HAS VARIOUS FUNDS THAT ARE DESIGNATED FOR RESTRICTED PURPOSES SUCH AS EXHIBITION COSTS, EDUCATION PROGRAMS, ART CONSERVATION, AND EDUCATOR AND CURATOR SALARIES AND BENEFITS. OTHER FUNDS ARE USED EACH YEAR AS PER THE WISHES OF THE MUSEUM DIRECTOR. WE ALSO HAVE FUNDS THAT ARE CONTROLLED BY OUR SUPPORT ORGANIZATIONS, USUALLY FOR THE ACQUISITION OF NEW ART FOR THE MUSEUM. THE PARTY 501044 483194 17850 96996 2477 7206 INDEPENDENT WOMENS LUNCHEON 427145 334059 93086 75146 60461 12247 7 921446 377105 544341 477791 141919 50 74222 1849635 1194358 655277 552937 299376 2527 93675 948515 -293238 X 1 1 X X X 0 1 0 0 0 0 0 0 0 JAMES BALLINGER SYBIL HARRINGTON DIRECTOR 318119 0 0 0 1926 0 12799 0 15054 0 347898 0 0 0 GARY EGAN DEPUTY DIR-FINANCE & ADMIN 154158 0 0 0 0 0 6181 0 7923 0 168262 0 0 0 AMANDA CRUZ THE SYBIL HARRINGTON DIRECTOR 260386 0 0 0 0 0 0 0 11531 0 271917 0 0 0 PART I, LINE 1A MEMBERSHIP IN THE UNIVERSITY CLUB OF PHOENIX FOR ANNUAL DUES OF $1,200 WAS PROVIDED TO KEY EMPLOYEES FOR THE PURPOSE OF PROVIDING DINING FACILITIES THAT WERE USED BY THEM FOR BUSINESS ENTERTAINMENT USE ON BEHALF OF THE MUSEUM. PART I, LINE 4B A KEY EMPLOYEE, PURSUANT TO THEIR EMPLOYMENT AGREEMENT, PARTICIPATES IN A SUPPLEMENTAL RETIREMENT PLAN. THE AMOUNT ACCRUED BY THE MUSEUM UNDER THIS EMPLOYMENT AGREEMENT WAS $375,000 AS OF 6/30/2016. PART II, LINE 1: THERE WAS AN OVERLAP WITH JAMES BALLINGER AS THE OUTGOING SYBIL HARRINGTON DIRECTOR AND AMANDA CRUZ AS THE INCOMING SYBIL HARRINGTON DIRECTOR. JIM WAS REQUIRED UNDER HIS EMPLOYMENT AGREEMENT TO BE AVAILABLE AS MUCH AS NECESSARY DURING THIS TRANSITION PERIOD THAT OCCURRED DURING HIS FINAL YEAR OF EMPLOYMENT WITH THE MUSEUM. HE WAS PAID HIS FULL SALARY AND BENEFITS DURING THIS FINAL YEAR THAT REPRESENTED HIS VALUE TO THE ORGANIZATION FOR HIS PRIOR YEARS OF WORK EXPERIENCE AND HIS AVAILABILITY DURING THE TRANSITION PERIOD. THE ORGANIZATION HAS ESTIMATED THAT HE WAS ONLY NEEDED APPROXIMATELY 2 HOURS PER WEEK DURING THIS FINAL YEAR AS REPORTED IN THIS FORM 990. X 494 N/A X N/A X 18 369641 FMV X FR AUCTION ITEMS 307 552937 FMV 0 1 0 PART I, COLUMN (B): THE NUMBER OF CONTRIBUTIONS ARE LISTED IN COLUMN (B) PART I, LINE 33: - THE MUSEUM HAS A LARGE COLLECTION OF FINE ART BUT DOES NOT CAPITALIZE OR VALUE ITS COLLECTION, SO GIFTS OF ART ARE NOT INCLUDED IN REVENUE. FORM 990, PART III, LINE 1 PHOENIX ART MUSEUM IS A VIBRANT DESTINATION CONNECTING PEOPLE TO GREAT ART FROM AROUND THE WORLD TO ENRICH THEIR LIVES AND COMMUNITIES. THIS VISION IS SUPPORTED BY FOUR STRATEGIC PILLARS WHICH ARE: 1. EXCEPTIONAL ART - TO CELEBRATE THE HIGHEST QUALITY VISUAL ART THROUGH OUTSTANDING EXHIBITIONS, ACQUISITIONS AND COLLECTION STEWARDSHIP. 2. ENRICHMENT AND LEARNING - TO CREATE A NATIONALLY RECOGNIZED MODEL FOR ENHANCING EXPERIENCE OF THE VISUAL ARTS THROUGH INTERPRETATION, ENGAGED LEARNING, AND ENRICHMENT. 3. BROAD AUDIENCE - TO ATTRACT THE BROADEST POSSIBLE AUDIENCE TO THE MUSEUM AS CONSISTENT AND ENTHUSIASTIC PARTICIPANTS. 4. FISCAL STABILITY AND ORGANIZATIONAL EXCELLENCE - TO ACHIEVE AND MAINTAIN A STRONG FINANCIAL FOUNDATION. FORM 990, PART III, LINE 4A MICHELANGELO: SACRED AND PROFANE: TWENTY-SIX RARE DRAWINGS FROM THE RENOWNED COLLECTION OF THE CASA BUONARROTI IN FLORENCE, ITALY, COMPRISE ONE OF THE MOST IMPORTANT MICHELANGELO EXHIBITIONS IN AMERICA IN NEARLY THREE DECADES. THE CASA BUONARROTI, ONCE OWNED BY THE ARTIST, IS THE WORLD'S LARGEST REPOSITORY FOR MICHELANGELO'S DRAWINGS, ARCHITECTURAL STUDIES, AND MEMOIRS. THE IMAGES IN SACRED AND PROFANE ARE MEMORABLE FIGURATIVE STUDIES AND ARCHITECTURAL DRAWINGS BY THE HAND OF MICHELANGELO. INCLUDED IS ONE OF MICHELANGELO'S MOST ADMIRED AND COMPLETE DRAWINGS, THE LARGE MADONNA AND CHILD. ADDITIONAL IMAGES INCLUDE PREPARATORY DRAWINGS FOR LATER PAINTINGS. THE HEAD OF THE MADONNA IS A STUDY FOR HIS PAINTING DONI TONDO, AND THE SUBLIME SKETCH OF THE HEAD OF LEDA WAS MADE FOR LEDA AND THE SWAN, A PAINTING NOW LOST AND KNOWN TODAY ONLY THROUGH COPIES. A RENOWNED SCULPTOR AND PAINTER IN HIS OWN TIME, MICHELANGELO'S LEGACY AS AN ARCHITECT WAS NO LESS MONUMENTAL. HIGHLIGHTED IN THE EXHIBITION ARE SEVERAL OF HIS INNOVATIVE ARCHITECTURAL PLANS. AMONG THEM ARE DRAWINGS FOR THE FA ADE OF SAN LORENZO IN FLORENCE, AND HIS INNOVATIVE PLAN FOR THE CHURCH OF SAN GIOVANNI DEI FIORENTINI IN ROME. THESE WORKS HELP DEMONSTRATE MICHELANGELO'S LASTING INFLUENCE ON ARCHITECTURE, AND SCHOLAR ADRIANO MARINAZZO CONSIDERS THESE DESIGNS TO BE "AMONG THE MOST FASCINATING ARCHITECTURAL PROJECTS OF THE ENTIRE RENAISSANCE." THIS EXHIBITION IS AN EXCEPTIONAL OPPORTUNITY FOR THE PHOENIX COMMUNITY AND THE STATE OF ARIZONA, AS MICHELANGELO'S WORKS RARELY TRAVEL OUTSIDE OF ITALY. SACRED AND PROFANE EXHIBITED IN 2013 AT THE MUSCARELLE MUSEUM OF ART AND THE MUSEUM OF FINE ARTS BOSTON. FORM 990, PART III, LINE 4B THE WHITE SHIRT ACCORDING TO ME, GIANFRANCO FERRE: KNOWN AS THE "ARCHITECT OF FASHION AND THE PURVEYOR OF "POWER DRESSING," ITALIAN FASHION DESIGNER GIANFRANCO FERRE NEVER CEASED TO VIEW THE WHITE SHIRT AS THE ARCHETYPAL EXPRESSION OF HIS APPROACH TO DESIGN AND STYLE. REPEATEDLY RECONSTRUCTED AND REDEFINED IN A CEASELESS QUEST FOR NEW CULTURAL AND FORMAL INTERPRETATIONS, FERRE'S WHITE SHIRT WAS SIMULTANEOUSLY A MAGNIFICENT OBSESSION, A CREATIVE DIVERSION, A SYMBOL OF IDEAL BEAUTY AND A PERSONAL MEANS OF COMMUNICATING THE INFINITE POSSIBILITIES OF FASHION AND DESIGN. A CONSTANT PRESENCE AND MAJOR THEME THROUGHOUT FERRE'S 30-YEAR CAREER, THE WHITE SHIRT BECAME THE DESIGNER'S "HALLMARK OF STYLE AND A "LEXICON OF CONTEMPORARY ELEGANCE." A GRADUATE OF MILAN POLYTECHNIC INSTITUTE IN ARCHITECTURE, FERRE BEGAN HIS OWN LABEL IN 1978 BY LAUNCHING A WOMAN'S PR T- -PORTER COLLECTION AND LATER A MEN'S CLOTHING, A WIDE RANGE OF ACCESSORIES AND HIS OWN ALTA MODA LINE IN ROME. FROM 1989-1997, GIANFRANCO FERRE WAS APPOINTED ARTISTIC DIRECTOR OF CHRISTIAN DIOR. KNOWN FOR HIS CLASSIC BUT POWERFUL CLOTHES CONSTRUCTED IN THE HIGHEST QUALITY MATERIALS, FERRE'S DESIGNS REPRESENT THE ELEGANCE AND CACHE OF "MADE IN ITALY." THE WHITE SHIRT ACCORDING TO ME. GIANFRANCO FERRE INCLUDES A SELECTION OF 27 OF FERR 'S MOST SIGNIFICANT WHITE SHIRTS CREATED OVER THE COURSE OF HIS CAREER (1982-2006). SKETCHES, TECHNICAL DESIGNS, PHOTOGRAPHS AND VIDEOS FROM THE ARCHIVES OF THE GIANFRANCO FERRE FOUNDATION WILL OFFER VISITORS THE CHANCE TO GO BEYOND THE CONFINES OF FASHION AND EXAMINE THE METHODS, TECHNIQUES AND PRECISION FERRE APPLIED TO EACH OF HIS DESIGNS. THIS EXHIBITION IS DESIGNED, PRODUCED AND CURATED BY THE GIANFRANCO FERRE FOUNDATION AND BY THE PRATO TEXTILE MUSEUM FOUNDATION. FORM 990, PART III, LINE 4C SUPER INDIAN: FRITZ SCHOLDER, 1967 - 1980: FRITZ SCHOLDER (AMERICAN, 1937-2005) WAS A COMPLEX ARTIST AND ONE OF THE FIRST NATIVE AMERICANS TO BE RECOGNIZED FOR HIS SIGNIFICANT CONTRIBUTIONS AS A CONTEMPORARY ARTIST. A SECOND-GENERATION POP ARTIST, SCHOLDER FIRST CHALLENGED CULTURAL STEREOTYPES OF AMERICAN INDIANS IN THE LATE 1960S. HE DEVELOPED A PERSONAL, COLORFULLY ABSTRACT STYLE THAT COMBINES POP ART WITH IDEAS FOUND IN EXPRESSIONISM, AND HIS DEPICTIONS OF MODERN-DAY INDIANS REVOLUTIONIZED ARTISTIC REPRESENTATIONS OF NATIVE PEOPLES. THE ARTIST THEODORE WADDELL OBSERVED, SCHOLDER NOT ONLY CHALLENGED ASSUMPTIONS BUT MOVED THE NEEDLE OF UNDERSTANDING." SCHOLDER REGULARLY WORKED ON A LARGE SCALE, AND HIS PAINTINGS, AS WELL AS WORKS ON PAPER ARE BOLD, STRIKINGLY COLORFUL COMPOSITIONS. SUPER INDIAN: FRITZ SCHOLDER, 1967-1980 IS A GROUNDBREAKING EXHIBITION FEATURING MORE THAN 40 WORKS AND IS THE FIRST TO EXAMINE THE WAYS SCHOLDER ATTACKED STEREOTYPES ABOUT NATIVE AMERICANS. INCLUDED IN THE EXHIBITION ARE ITEMS FROM HIS INITIAL AND CONTROVERSIAL INDIAN SERIES, BEGUN IN 1967, WHEN BONANZA WAS STILL THE MOST POPULAR PROGRAM ON TELEVISION. THE EXHIBITION CONCLUDES WITH HIS INDIAN LAND PAINTINGS OF 1980. SUPER INDIAN DEMONSTRATES HOW, IN LITTLE MORE THAN A DECADE, SCHOLDER WORKED AGAINST TRADITION AND EXPECTATIONS TO CREATE CONTEMPORARY COMPOSITIONS THAT RESHAPED THE ART OF THE AMERICAN WEST. ORGANIZED BY THE DENVER ART MUSEUM, SUPER INDIAN: FRITZ SCHOLDER, 1967-1980 BRINGS TOGETHER WORKS FROM MULTIPLE PRIVATE AND PUBLIC COLLECTIONS, INCLUDING THE PHOENIX ART MUSEUM. THE EXHIBITION IS ACCOMPANIED BY A FULLY-ILLUSTRATED CATALOGUE WITH ESSAYS BY SCHOLARS, ARTISTS AND COLLECTORS. FORM 990, PART VI, SECTION A, LINE 6 THE MUSEUM HAS A MEMBERSHIP PROGRAM THAT CURRENTLY HAS 11,295 MEMBERS. REGULAR MEMBERS AND CIRCLES MEMBERS, EACH GET ONE VOTE FORM 990, PART VI, SECTION A, LINE 7A MEMBERS OF THE GOVERNING BODY (BOARD OF TRUSTEES) ARE NOMINATED BY THE MUSEUM'S NOMINATING COMMITTEE AND THEN ARE VOTED UPON BY THE THE MUSEUM MEMBERSHIP. FORM 990, PART VI, SECTION B, LINE 11 THE RETURN WILL BE PROVIDED TO EACH BOARD MEMBER TO READ AND EACH WILL BE GIVEN THE OPPORTUNITY TO ASK QUESTIONS. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM'S GUIDELINES FOR PROFESSIONAL PRACTICES QUESTIONNAIRE AND COMPLIANCE AGREEMENT IS REQUIRED TO BE COMPLETED AND SIGNED BY TRUSTEES, PRESIDENTS OF SUPPORT ORGANIZATIONS, MUSEUM DIRECTOR, DIVISION HEADS, DEPARTMENT HEADS, AND ALL ACCOUNTING STAFF ANNUALLY. THIS PROCESS IS DONE EVERY YEAR IN SEPTEMBER. THE COMPLETED AND SIGNED AGREEMENTS ARE REVIEWED BY HUMAN RESOURCES MANAGER FOR COMPLETENESS. ANY QUESTION THAT ARISES IS DISCUSSED WITH THE INDIVIDUAL SIGNING THE AGREEMENT. FORM 990, PART VI, SECTION B, LINE 15 DATA FROM OTHER MUSEUMS IS USED TO EVALUATE COMPENSATION FOR THE CEO, INCLUDING FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS. THE EXECUTIVE COMMITTEE MAKES THE DECISION. FOR DETERMINING THE COMPENSATION OF OTHER OFFICERS OR KEY EMPLOYEES, COMPARISONS ARE MADE WITH OTHER MUSEUMS. DECISIONS MADE DURING BUDGET PROCESS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION FINANCIAL STATEMENTS ARE AVAILABLE ON THE WEBSITE AND THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY AVAILABLE UPON REQUEST. FORM 990, PART XI, LINE 9: ACQUISITION OF FINE ART -251,244. FORM 990, PART XII, LINE 2C THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS FOR THE AUDIT OR ITS SELECTION PROCESS FOR INDEPENDENT AUDITORS DURING THE YEAR. PHOENIX ART MUSEUM ENDOWMENT FUND INC 1625 N CENTRAL AVENUE PHOENIX AZ 850041685 860765761 FINANCIAL SUPPORT OF PHOENIX ART MUSEUM AZ 501(C)(3) LINE 11A, I PHOENIX ART MUSEUM 1 0 0 1 0 1 0 0 0 0 0 0 1 0 1 1 0 1 1 1 PHOENIX ART MUSEUM ENDOWMENT FUND C 1174796 FAIR MARKET VALUE