2017-05-05T15:22:19-05:00 2016-06-30 131517563 LOEB & TROPER LLP 655 THIRD AVENUE 12TH FLOOR NEW YORK NY 10017 990 2015-07-01 131624098 MUSEUM OF THE CITY OF NEW YORK MUSE 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 OSMAN KURTULUS CFO 2125341672 2017-05-05 1 AARON SHAPIRO P01333816 2128674000 2015 2021-01-29 14:40:06Z OSMAN KURTULUS 1220 FIFTH AVENUE NEW YORK NY 10029 22595461 0 X WWW.MCNY.ORG X 1923 NY THE MUSEUM OF THE CITY OF NEW YORK CELEBRATES AND INTERPRETS THE CITY, EDUCATING THE PUBLIC ABOUT ITS DISTINCTIVE CHARACTER, ESPECIALLY ITS HERITAGE OF DIVERSITY, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NONPROFIT CORPORATION, THE MUSEUM CONNECTS THE PAST, PRESENT, AND FUTURE OF NEW YORK CITY. IT SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM AROUND THE WORLD THROUGH EXHIBITIONS, SCHOOL AND PUBLIC PROGRAMS, PUBLICATIONS, AND COLLECTIONS. 43 43 234 310 0 0 20899837 14466594 1796692 1896177 1437012 827582 367879 210998 24501420 17401351 0 0 0 0 8492059 9494782 65000 65000 1994693 6950851 8451519 15507910 18011301 8993510 -609950 59528122 58044024 838739 1207262 58689383 56836762 X THE MUSEUM OF THE CITY OF NEW YORK CELEBRATES AND INTERPRETS THE CITY, EDUCATING THE PUBLIC ABOUT ITS DISTINCTIVE CHARACTER, ESPECIALLY ITS HERITAGE OF DIVERSITY, OPPORTUNITY, AND PERPETUAL TRANSFORMATION. FOUNDED IN 1923 AS A PRIVATE, NONPROFIT CORPORATION, THE MUSEUM CONNECTS THE PAST, PRESENT, AND FUTURE OF NEW YORK CITY. IT SERVES THE PEOPLE OF NEW YORK AND VISITORS FROM AROUND THE WORLD THROUGH EXHIBITIONS, SCHOOL AND PUBLIC PROGRAMS, PUBLICATIONS, AND COLLECTIONS. 0 0 9090872 1047668 EXHIBITIONS AND PUBLICATIONS:SEE SCHEDULE OONGOING/LONG-TERM EXHIBITIONS OPEN THROUGH FY2016:GILDED NEW YORK (NOV 13, 2013 - CURRENT)INAUGURATING THE CITY MUSEUM'S TIFFANY & CO. FOUNDATION GALLERY, GILDED NEW YORK EXPLORES THE CITY'S VISUAL CULTURE AT THE END OF THE 19TH CENTURY, WHEN THE ELITE CLASS FLAUNTED ITS WEALTH MORE CONSPICUOUSLY THAN EVER BEFORE. INDUSTRIAL TITANS, SUCH AS CORNELIUS VANDERBILT AND JAY GOULD, EXPRESSED THEIR STATUS THROUGH EXTRAVAGANT FASHIONS, ARCHITECTURE, AND INTERIOR DESIGN. THE EXHIBITION'S LAVISH DISPLAY INCLUDES COSTUMES, JEWELRY, PORTRAITS, SILVER OBJECTS, WOMEN'S AND MEN'S ACCESSORIES, AND DECORATIVE FURNISHINGS, ALL CREATED BETWEEN THE MID-1870'S AND EARLY 20TH CENTURY. GILDED NEW YORK DEPICTS AN ERA WHEN THE NEW AMERICAN ARISTOCRACY DISPLAYED ITS WEALTH IN STORIED BALLS IN FIFTH AVENUE MANSIONS AND HOTELS, SHOWN IN DIGITIZED VINTAGE PHOTOGRAPHS PRESENTED ON MONITORS OUTSIDE THE GALLERY. DURING THESE YEARS, THE UNITED STATES-AND ITS CULTURAL CAPITAL, NEW YORK CITY-ACHIEVED A NEW LEVEL OF SOPHISTICATION IN PAINTING, SCULPTURE, ARCHITECTURE, AND THE DECORATIVE ARTS, ENABLING THE NATION TO COMPETE FOR THE FIRST TIME ON A WORLD STAGE.THE TIFFANY & CO. FOUNDATION GALLERY AND THE INSTALLATION OF GILDED NEW YORK WERE DESIGNED BY NEW YORK-BASED WILLIAM T. GEORGIS ARCHITECTS. THE GALLERY'S DESIGN AND CONSTRUCTION WERE MADE POSSIBLE THROUGH A GRANT FROM THE TIFFANY & CO. FOUNDATION. GILDED NEW YORK WAS ORGANIZED BY DONALD ALBRECHT, CURATOR OF ARCHITECTURE AND DESIGN; INDEPENDENT CURATOR JEANNINE FALINO; AND PHYLLIS MAGIDSON, CURATOR OF COSTUMES AND TEXTILES. ACTIVIST NEW YORK (MAY 4, 2012 - ONGOING)ACTIVIST NEW YORK IS THE INAUGURAL EXHIBITION IN THE PUFFIN FOUNDATION GALLERY. THIS ONGOING INSTALLATION EXPLORES THE DRAMA OF SOCIAL ACTIVISM IN NEW YORK CITY FROM THE 17TH CENTURY TO THE PRESENT IN A CONTINUALLY CHANGING SERIES OF CASE STUDIES AND OBJECTS. DURING THE BIENNIAL PERIOD, A NEW MODULE WAS ADDED ON ACTIVIST LITERATURE OF THE 1930'S. VISITORS ARE ENCOURAGED TO HELP KEEP THE EXHIBITION UP TO DATE BY SUBMITTING THEIR OWN ACCOUNTS AND IMAGES OF ACTIVISM IN THE CITY TODAY. GENEROUS SUPPORT FROM THE PUFFIN FOUNDATION HAS PROVIDED FOR A DEDICATED PUFFIN CURATOR OF SOCIAL ACTIVISM AT THE CITY MUSEUM. EXHIBTIONS THAT OPENED IN FY2016: AFFORDABLE NEW YORK: A HOUSING LEGACY (SEPT 18, 2015 - FEB 7, 2016)NEW YORK CITY HAS A LONG HISTORY OF CREATING BELOW-MARKET HOUSING FOR ITS RESIDENTS. TODAY THE CITY OFFERS SUBSIDIZED HOUSING TO FAMILIES ACROSS A WIDE ECONOMIC SPECTRUM; MORE THAN 400,000 IN PUBLIC HOUSING, AND MANY MORE IN PRIVATELY OR COOPERATIVELY OWNED APARTMENTS. WITH AFFORDABLE HOUSING A CORNERSTONE OF MAYOR BILL DE BLASIO'S ADMINISTRATION, NEW YORK'S HOUSING LEGACY-OFTEN OVERLOOKED AND LITTLE UNDERSTOOD-IS MORE RELEVANT THAN EVER.AFFORDABLE NEW YORK TRACES OVER A CENTURY OF AFFORDABLE HOUSING ACTIVISM, DOCUMENTING THE WAYS IN WHICH REFORMERS, POLICY MAKERS, AND ACTIVISTS HAVE FOUGHT TO TRANSFORM THEIR CITY. A FOCUS ON CURRENT AND FUTURE HOUSING INITIATIVES DEMONSTRATES HOW NEW YORKERS CONTINUE TO PROMOTE SUBSIDIZED HOUSING AS A WAY TO ACHIEVE DIVERSITY, NEIGHBORHOOD STABILITY, AND SOCIAL JUSTICE. CARL VAN VECHTEN: PHOTOGRAPHING THE HARLEM RENAISSANCE AND BEYOND (NOV 4, 2015 - FEB 28, 2016)NOVELIST, ESSAYIST, AND PHOTOGRAPHER CARL VAN VECHTEN (1880-1964) PROMOTED THE WORK OF AFRICAN-AMERICAN ARTISTS AND WRITERS. HE WAS MOST NOTABLY ASSOCIATED WITH THE HARLEM RENAISSANCE, THE ARTISTIC, LITERARY, AND MUSICAL MOVEMENT OF THE 1920'S. THE CITY MUSEUM IS PROUD TO EXHIBIT A SELECTION OF VAN VECHTEN'S PHOTOGRAPHS FROM ITS COLLECTION IN CONJUNCTION WITH THE 26TH ANNIVERSARY OF NEW YORK CITY HISTORY DAY AND TO HIGHLIGHT ITS THEME, "EXPLORATION, ENCOUNTER, EXCHANGE IN HISTORY." AS A RESULT OF THE "GREAT MIGRATION," HARLEM BECAME THE LARGEST AFRICAN-AMERICAN COMMUNITY IN THE UNITED STATES, PROVIDING BLACK ARTISTS A PLACE TO GATHER AND EXPRESS THEMSELVES ON THE WORLD'S STAGE. AMONG THE FIGURES FEATURED IN THE EXHIBITION ARE POET LANGSTON HUGHES, WRITER COUNT E CULLEN, AND PERFORMERS ELLA FITZGERALD AND BILL ROBINSON.THE NEW YORK CITY MARATHON: THE GREAT RACE (OCT 20, 2015- MARCH 13, 2016)IT IS ONE OF THE ULTIMATE CELEBRATIONS OF STRENGTH, OF ENDURANCE, AND OF THE CITY. THE TCS NEW YORK CITY MARATHON IS THE WORLD'S LARGEST FOOTRACE, WITH MORE THAN 50,000 PARTICIPANTS FROM AROUND THE GLOBE AND MORE THAN ONE MILLION SPECTATORS ALONG A ROUTE THAT WINDS THROUGH DIVERSE NEIGHBORHOODS FROM STATEN ISLAND TO THE BRONX. THE EXHIBITION, FEATURING MORE THAN 100 IMAGES MADE BY PROFESSIONAL AND AMATEUR PHOTOGRAPHERS, AND VIDEO FOOTAGE, CAPTURES THE ENERGY, ENTHUSIASM, AND SPIRIT OF COMMUNITY THAT NEW YORK'S "MARATHON SUNDAY" IS ALL ABOUT.JACOB A. RIIS: REVEALING NEW YORK'S OTHER HALF (OCT 14, 2016 - MARCH 20, 2016)JACOB RIIS (1849-1914) WAS A PIONEERING NEWSPAPER REPORTER AND SOCIAL REFORMER IN NEW YORK AT THE TURN OF THE 20TH CENTURY. HIS THEN-NOVEL IDEA OF USING PHOTOGRAPHS OF THE CITY'S SLUMS TO ILLUSTRATE THE PLIGHT OF IMPOVERISHED RESIDENTS ESTABLISHED RIIS AS FORERUNNER OF MODERN PHOTOJOURNALISM. JACOB A. RIIS: REVEALING NEW YORK'S OTHER HALF FEATURES PHOTOGRAPHS BY RIIS AND HIS CONTEMPORARIES, AS WELL AS HIS HANDWRITTEN JOURNALS AND PERSONAL CORRESPONDENCE.THIS IS THE FIRST MAJOR RETROSPECTIVE OF RIIS'S PHOTOGRAPHIC WORK IN THE U.S. SINCE THE CITY MUSEUM'S SEMINAL 1947 EXHIBITION, THE BATTLE WITH THE SLUM, AND FOR THE FIRST TIME UNITES HIS PHOTOGRAPHS AND HIS ARCHIVE, WHICH BELONGS TO THE LIBRARY OF CONGRESS AND THE NEW YORK PUBLIC LIBRARY.THE EXHIBITION IS CURATED BY BONNIE YOCHELSON, FORMER CURATOR OF PRINTS AND PHOTOGRAPHS AT THE CITY MUSEUM, AND IS CO-PRESENTED BY THE LIBRARY OF CONGRESS. IT WILL TRAVELED TO WASHINGTON, D.C., AND DENMARK FOLLOWING ITS PRESENTATION AT THE CITY MUSEUM.FROM SHIP TO SHORE: REGINALD MARSH & THE U.S. CUSTOM HOUSE MURALS (MARCH 25 -MAY 22, 2016)BEST KNOWN FOR HIS DEPICTIONS OF DEPRESSION-ERA NEW YORK CITY, INCLUDING JOBLESS MEN ON THE BOWERY, VAUDEVILLE AND BURLESQUE HOUSES, AND THE AMUSEMENTS OF CONEY ISLAND, NEW YORK DRAFTSMAN AND PAINTER REGINALD MARSH (1898-1954) ALSO HAD A PASSION FOR THE CITY'S WATERFRONT. IN 1937, HE EMBARKED ON THE CREATION OF A SERIES OF SHIPPING MURALS FOR THE ROTUNDA OF THE UNITED STATES CUSTOM HOUSE AT 1 BOWLING GREEN IN LOWER MANHATTAN, A PROJECT COMMISSIONED AS PART OF PRESIDENT FRANKLIN D. ROOSEVELT'S TREASURY RELIEF ART PROGRAM DEDICATED TO EMBELLISHING PUBLIC BUILDINGS. MARSH'S EIGHT MASTERFUL WATERCOLOR AND GRAPHITE PAINTINGS, PART OF THE MUSEUM'S COLLECTION AND ON VIEW FOR THE FIRST TIME IN MORE THAN 20 YEARS, DEPICT THE STAGES OF AN OCEAN LINER FROM ITS ENTRANCE INTO NEW YORK HARBOR TO THE UNLOADING OF ITS CARGO ON THE CITY'S DOCKS. FROM SHIP TO SHORE: REGINALD MARSH & THE U.S. CUSTOM HOUSE MURALS SHOWCASES BOTH THE ICONIC BEAUTY OF THE HARBOR AND THE INTEGRAL ROLE IT HAS PLAYED IN OUR CITY'S HISTORY, AS WELL AS THE ROLE THAT FINE ART CAN PLAY IN THE PUBLIC SPHERE.CHRIS "DAZE" ELLIS: THE CITY IS MY MUSE (APRIL 23 - JUNE 19, 2016)CHRIS "DAZE" ELLIS (B. 1962) ENTERED THE WORLD OF ART VIA GRAFFITI WRITING, PAINTING ON THE CITY'S STREETS AND SUBWAY SYSTEM IN THE LATE 1970'S. IN THE EARLY '80'S, DAZE TURNED HIS ATTENTION FROM THE STREET TO THE STUDIO, CREATING WORKS ON CANVAS THAT MERGED ELEMENTS OF STREET STYLE WITH FIGURATIVE PAINTING. THE CITY IS MY MUSE PRESENTS RECENT WORKS BY THIS LIFELONG NEW YORKER THAT DEPICT THE VIBRANCY AND VITALITY OF THE CITY HE LOVES, COMBINING ABSTRACT AND REPRESENTATIONAL FORMS TO CAPTURE THE ENERGY OF TIMES SQUARE, THE POPULAR AMUSEMENTS OF CONEY ISLAND, AND THE EVERYDAY PEOPLE AND PLACES THAT INSPIRE HIM.NEW YORK'S YIDDISH THEATER: FROM THE BOWERY TO BROADWAY (MARCH 5 - AUG 14, 2016)FROM THE LATE 19TH TO THE MID- 20TH CENTURY, A THRIVING YIDDISH THEATER CULTURE BLOSSOMED ON MANHATTAN'S LOWER EAST SIDE, ENTERTAINING OVER 1.5 MILLION FIRST AND SECOND GENERATION EASTERN-EUROPEAN JEWISH IMMIGRANTS. SECOND AVENUE BECAME THE "YIDDISH BROADWAY," WHERE AUDIENCES OF NEW NEW YORKERS CELEBRATED THEIR CULTURE AND LEARNED ABOUT URBAN LIFE IN THE CITY VIA CUTTING-EDGE DRAMAS, MUSICAL COMEDIES, AND AVANT-GARDE POLITICAL THEATER. AS STARS OF THE YIDDISH STAGE GAINED MAINSTREAM POPULARITY, NEW YORK'S YIDDISH THEATER BECAME AN AMERICAN PHENOMENON. THIS LEGACY RESONATES TODAY THROUGH ENDURING DRAMATIC THEMES, CLASSIC NEW YORK HUMOR, AND A LARGE CROP OF CROSSOVER ACTORS, DIRECTORS, AND DESIGNERS WHO FOUND WORK ON THE MAINSTREAM NEW YORK STAGE AND IN HOLLYWOOD. CURATED BY EDNA NAHSHON AND ACCOMPANIED BY A BOOK OF THE SAME NAME.NEW YORK'S YIDDISH THEATER: FROM THE BOWERY TO BROADWAY IS A CO-PRESENTATION OF THE MUSEUM OF THE CITY OF NEW YORK, THE YIVO INSTITUTE FOR JEWISH RESEARCH, THE NATIONAL YIDDISH BOOK CENTER, AND THE NATIONAL YIDDISH THEATER-FOLKSBIENE.PICTURING PRESTIGE, NEW YORK PORTRAITS 1700-1860 (FEB 5 - SEPT 18, 2016)BEGINNING IN THE 18TH CENTURY, NEW YORK CITY'S WELL-TO-DO DENIZENS COMMISSIONED PAINTINGS OF THEMSELVES AND THEIR LOVED 3283829 406130 COLLECTIONS CARE:CONTINUED ON SCHEDULE O:THE MUSEUM HAS AN ONGOING COMMITMENT TO PRESERVE, DOCUMENT AND MAKE ACCESSIBLE ITS VAST COLLECTIONS OF OBJECTS RELATED TO THE HISTORY OF NEW YORK CITY. A MAJOR MULTI-YEAR DIGITIZATION PROJECT IS PROVIDING THE PUBLIC ACCESS TO MANY PREVIOUSLY HIDDEN TREASURES IN THE COLLECTIONS, WITH A LEVEL OF CONNOISSEURSHIP, SCHOLARSHIP AND ANALYSIS THAT HAS ANIMATED THE PUBLIC'S UNDERSTANDING OF THE CITY AND ITS PEOPLE. DURING FY2016, THE CITY MUSEUM SAW VIGOROUS ACTIVITY IN COLLECTIONS MANAGEMENT, AND RECEIVED GENEROUS SUPPORT TO ACCOMPLISH PROJECTS WITH LONG-TERM IMPACT FOR OUR AUDIENCES. COLLECTION ASSESSMENTS ARE ONGOING IN SEVERAL DEPARTMENTS, INCLUDING COSTUMES AND TEXTILES, MANUSCRIPTS AND EPHEMERA, PAINTINGS, AND THEATER MATERIALS. WE ARE CONTINUING TO INVENTORY AND CATALOG OBJECTS FROM ALL COLLECTIONS, INCLUDING SCULPTURE, FURNITURE AND DECORATIVE ARTS, PHOTOGRAPHY, AND TOYS, IN ADDITION TO THE DEPARTMENTS PREVIOUSLY MENTIONED WITH ACTIVE ASSESSMENTS UNDERWAY-ENSURING THAT EVERY OBJECT HAD AN ACCURATE RECORD IN THE MUSEUM DATABASE. WITH AN ESTIMATED THREE-QUARTER MILLION COLLECTION OBJECTS IN TOTAL-FROM DANCE CARDS AND MENUS TO A POLICE WAGON AND MODEL OF THE EMPIRE STATE BUILDING-THE MUSEUM NOW HAS RECORDS FOR OVER HALF A MILLION, AND DURING THIS PERIOD, 17,749 OBJECTS WERE CATALOGUED. TO SUPPORT THIS EFFORT, THE MUSEUM EMBARKED UPON THE SECOND YEAR OF A PROJECT TO MIGRATE TO A NEW COLLECTIONS MANAGEMENT SYSTEM (CMS) WITH SUPPORT OF $121,242 FROM THE IMLS, AND THE MUSEUM BEGAN USING THE NEW SYSTEM, MUSEUMPLUS, IN APRIL. AS PART OF THIS ONGOING WORK, WE CREATED NEARLY 14,527 DIGITAL IMAGES EXPANDING PUBLIC AND SCHOLARLY ACCESS TO OUR HOLDINGS. THE MUSEUM COMPLETED A PROJECT FUNDED BY AN $150,000 GRANT FROM THE INSTITUTE OF MUSEUM AND LIBRARY SERVICES (IMLS) TO DIGITIZE OUR THEATER PRODUCTION PHOTOGRAPHS, AND SUPPLEMENTED WITH SUPPORT FROM THE FREDERICK LOEWE FOUNDATION, JEROME ROBBINS FOUNDATION, AND CHARINA ENDOWMENT FUND. A $150,000 GRANT FROM THE LUCE FOUNDATION, A $148,000 GRANT FROM THE IMLS, AND SUPPORT FROM THE LOUISE AND VIRGINIA CLEMENTE FOUNDATION PROVIDED FOR A RANGE OF WORK ON OUR RENOWNED SILVER COLLECTION-INCLUDING DIGITIZATION, CATALOGING, CONSERVATION, AND IMPROVED STORAGE FOR MORE THAN 2,000 PIECES MADE BY NEW YORK SILVERSMITHS OVER THREE CENTURIES. ADDITIONAL GRANT SUPPORT FROM THE GLADYS KRIEBLE DELMAS FOUNDATION PROVIDED FOR A PROCESSING A COLLECTION OF PAMPHLETS RELATED TO A BROAD RANGE OF ORGANIZATIONS, EVENTS, AND INDIVIDUALS AFFILIATED WITH NEW YORK CITY. THE MUSEUM COMPLETED THE SECOND PHASE OF A PROJECT TO CATALOGUE, DIGITIZE, AND CREATE A PUBLICLY ACCESSIBLE DATABASE FOR NEW YORK CITY'S ARCHEOLOGICAL COLLECTIONS WITH SUPPORT FROM THE LANDMARKS PRESERVATION COMMISSION (LPC)-ITEMS OF WHICH WILL APPEAR IN OUR FORTHCOMING CORE EXHIBITION -WITH A $275,000 GRANT FROM THE LPC. THE MUSEUM ALSO CONTINUED TO PROCESS, DIGITIZE, CATALOG, AND REHOUSE OUR EPHEMERA COLLECTIONS CONTAINING PAMPHLETS, INVITATIONS, MEDALS, SASHES, AND MORE, SUPPORTED BY A $125,000 GRANT FROM THE NATIONAL ENDOWMENT FOR THE HUMANITIES (NEH), AS WELL AS MAKE PROGRESS ON A PROJECT TO DIGITIZE AND CATALOG A SUPERB COLLECTION OF HAND FANS, WHICH HAVE BEEN LARGELY HIDDEN AND NEVER BEFORE AVAILABLE TO THE PUBLIC. IN LATE 2015, THE MUSEUM WAS AWARDED A GRANT FROM THE IMLS TO DIGITIZE AND CATALOG A COLLECTION OF NEARLY 550 MID-CENTURY WOMEN'S GARMENTS, WHICH BEGAN IN JANUARY 2016. WE CONTINUED OUR ONLINE ACCESS WITH A WEEKLY BLOG FOR COLLECTIONS STAFF TO WRITE ABOUT OBJECTS AND PROJECTS OF PARTICULAR INTEREST, WHICH ATTRACTED 154,606 VISITS DURING THE PERIOD. IN ADDITION, WE CONTINUE TO SHARE NEW COLLECTIONS INFORMATION VIA THE "CATABLOG"-ONLINE FINDING AIDS FOR RESEARCH AND SCHOLARLY ACCESS TO PREVIOUSLY INACCESSIBLE ARCHIVAL COLLECTIONS, WHICH DREW 9,134 VISITS. OVER THE PAST YEAR, THE MUSEUM CONTINUED A MAJOR, MULTI-YEAR INITIATIVE TO CATALOG AND DIGITIZE OUR RICH COLLECTIONS AND MAKE THEM ACCESSIBLE ON A USER-FRIENDLY COLLECTIONS PORTAL AT COLLECTIONS.MCNY.ORG WHERE THEY MAY BE STUDIED AND ENJOYED BY ANYONE, ANYWHERE IN THE WORLD WITH AN INTERNET CONNECTION. SINCE THE PORTAL LAUNCHED IN 2010, MORE THAN 860,000 UNIQUE VISITORS FROM EVERY COUNTRY IN THE WORLD HAVE VISITED THE SITE. THE NUMBER OF OBJECTS ACCESSIBLE ONLINE HAS GROWN SIGNIFICANTLY TO NEARLY 185,000, TRACKING OVER 2.25 MILLION PAGE VIEWS DURING THE PERIOD. CONTINUING ON PREVIOUS YEARS' IMPLEMENTATION OF A COLLECTING PLAN FOR PHOTOGRAPHY AND INTERIM COLLECTING GUIDELINES FOR BOOKS, MANUSCRIPTS, AND EPHEMERA, THE BOARD ALSO APPROVED A COLLECTING PLAN FOR THE THEATER COLLECTION. AS A NATURAL OUTCOME OF OUR COLLECTIONS ASSESSMENT, SUCH PLANS ESTABLISH CRITERIA APPROPRIATE TO OUR MANDATE, AND PROVIDE A FRAMEWORK FOR CONSIDERING NEW ACQUISITIONS IN RELATION TO OBJECTS ALREADY ACCESSIONED. CONSERVATION AND PRESERVATION PROJECTS INCLUDED TREATMENT OF 87 THEATRICAL BROADSIDES AND REHOUSING OF THE ENTIRE COLLECTION OF 350, FUNDED BY THE NEW YORK STATE LIBRARIES PRESERVATION AND CONSERVATION PROGRAM; CONSERVATION OF A TRAVELING MEDICINE CHEST OWNED BY STATESMAN AND DIPLOMAT RUFUS KING (1755-1827), THROUGH A THE CONSERVATION TREATMENT GRANT PROGRAM OF THE GREATER HUDSON HERITAGE NETWORK, WITH PUBLIC FUNDING FROM THE NEW YORK STATE COUNCIL ON THE ARTS; AND CONSERVATION AND CLEANING OF NINE EASEL PORTRAITS AND 25 FRAMES, AND 29 MINIATURE WITH MUSEUM FUNDS AND A BEQUEST FROM THE JOHN P. STRANG TRUST, IN PREPARATION FOR THE EXHIBITION PICTURING PRESTIGE (FEBRUARY - SEPTEMBER 2016); AS WELL AS FOR LOANS TO OTHER INSTITUTIONS, INCLUDING THE NEW YORK PUBLIC LIBRARY FOR PERFORMING ARTS AND THE GRACIE MANSION CONSERVANCY. DURING THIS PERIOD, THE MUSEUM ACQUIRED A NUMBER OF OBJECTS FOR THE COLLECTION, INCLUDING 112 SILVER SOUVENIR SPOONS; 36 PHOTOGRAPHS BY LUCY ASHJIAN OF HARLEM, TIMES SQUARE, AND AROUND THE BOWERY; A SELECTION OF PHOTOGRAPHS OF MOSQUES IN NEW YORK CITY BY ED GRAZDA; 78 PHOTOGRAPHS OF BROOKLYN BY LEO GOLDSTEAN FROM THE 1960S; AND PHOTOGRAPHS FROM JANETTE BECKMAN, JOE CONZO, AND MARTHA COOPER INCLUDED IN HIP-HOP REVOLUTION: PHOTOGRAPHS BY JANETTE BECKMAN, JOE CONZO, AND MARTHA COOPER (APRIL -SEPTEMBER 2015). 1513221 442379 EDUCATIONAL PROGRAMS:CONTINUED ON SCHEDULE O:ATTENDANCE FOR FIELDTRIPS, OUT-OF-SCHOOL TIME PROGRAMS, PROFESSIONAL DEVELOPMENT, AND FAMILY PROGRAMS WAS 46,024 CHILDREN AND ADULTS. APPROXIMATELY 80% OF PARTICIPANTS WERE FROM UNDER-RESOURCED SCHOOLS. ADULT GROUP TOURS SERVED AN ADDITIONAL 4,436 PEOPLE.FIELDTRIPS MAKE UP THE BULK OF OUR CENTER'S ATTENDANCE. WE OFFERED PROGRAMS IN THE MUSEUM'S GALLERIES INCLUDING THE LONG-TERM EXHIBITION ACTIVIST NEW YORK AND THE TEMPORARY EXHIBITIONS JACOB A. RIIS: REVEALING NEW YORK'S OTHER HALF, FOLK CITY: NEW YORK AND THE FOLK MUSIC REVIVAL, AFFORDABLE NEW YORK: A HOUSING LEGACY, AND SAVING PLACE: FIFTY YEARS OF NEW YORK CITY LANDMARKS. ADDITIONALLY, WE OFFERED HISTORY LAB PROGRAMS THAT TOOK PLACE IN OUR CLASSROOMS, SUCH AS THE GRID: URBAN PLANNING IN NEW YORK CITY, NEW YORK CITY BRIDGES, LIFE IN NEW AMSTERDAM, MANNAHATTA: THE LENAPE AND THE LAND, BRONX TALES, WHO IS NEW YORK?, AND GETTING AROUND: HOW TRANSPORTATION SHAPED THE CITY. DURING THE SCHOOL YEAR, FULL-TIME AND PER DIEM MUSEUM EDUCATORS LED THE FIELDTRIPS. IN THE SUMMER MONTHS, INTERNS LED THE PROGRAMS. THESE YOUNG ADULTS (18-24 YEARS OLD) WERE CONSIDERED DISCONNECTED YOUTH-THEY'D FALLEN OFF TRACK IN CONTINUING THEIR EDUCATION (IN MANY CASES FINISHING HIGH SCHOOL) OR IN FINDING EMPLOYMENT. 8 INTERNS COMPLETED THE SPRING TRAINING PROGRAM. OVER THE COURSE OF THE SUMMER, THE INTERNS ASSISTED, CO-LED, OR TAUGHT 64 EDUCATION PROGRAMS, REACHING 1,563 YOUNGSTERS AND 479 ADULT CAREGIVERS.FAMILY PROGRAMS SERVED 6,329 CHILDREN AND ADULTS. 1106 PARTICIPANTS OF OUR TOTAL SERVED CAME TO US FROM SHELTERS LOCATED THROUGHOUT THE CITY. 126 PROGRAMS WERE OFFERED INCLUDING REVEALING RIIS: FAMILY PHOTO DAY, HALLOWEEN SPOOKY CITY, NATIVE AMERICAN HERITAGE MONTH CELEBRATION, TEDDY BEARS FOR TEDDY ROOSEVELT, CARDS FOR THE HOLIDAZE, LUNAR NEW YEAR FAMILY PROJECT, HARLEM SWING: BLACK HISTORY MONTH FAMILY DAY, FASHIONED IN TIME: COSTUME DESIGN, OFF THE WALL: FAMILY THEATER WORKSHOP, 46TH ANNUAL EARTH DAY CELEBRATION, LGBTQ FAMILY DAY, AND CARIBBEAN AMERICAN HERITAGE CELEBRATION. ADDITIONALLY, WE BEGAN OFFERING PROGRAMS FOR TODDLERS.SATURDAY ACADEMY, IN PARTNERSHIP WITH THE GILDER LEHRMAN INSTITUTE OF AMERICAN HISTORY, HAPPENED DURING FALL 2015. THIS 6 SESSION, FREE ELECTIVE PROGRAM IN AMERICAN HISTORY AND SAT PREPARATION SERVED ALMOST 200 MIDDLE AND HIGH SCHOOL STUDENTS. STUDENTS CAME MAINLY FROM EAST AND CENTRAL HARLEM AND THE SOUTH BRONX AND PARTICIPATED IN PROGRAMS LIKE PHOTOGRAPHY IN AMERICA: HISTORY THROUGH THE LENS, FOLK MUSIC DURING TIMES OF CRISIS IN 20TH CENTURY AMERICA, AFFORDABLE HOUSING IN NEW YORK CITY FROM 1930 TO TODAY, IN THEIR OWN WORDS: THE HISTORY OF SOCIAL ACTIVISM IN NEW YORK CITY, AND MIGRATIONS TO NEW YORK: THE MAKING OF A MULTICULTURAL CITY. THE SAT SKILLS PREPARATION COURSE WAS ADMINISTERED BY BELL CURVES. 63% OF PARTICIPANTS WHO HAD TAKEN THE TEST BEFORE INCREASED THEIR SCORES BY AN AVERAGE OF 140.7 POINTS; 45% OF THESE STUDENTS IMPROVED BY 120 POINTS OR MORE. IN SPRING 2016, ONLY AN SAT CLASS WAS OFFERED. 57% OF PARTICIPANTS WHO HAD TAKEN THE TEST BEFORE INCREASED THEIR SCORES. ONE STUDENT IMPROVED THEIR SCORE BY 190 POINTS. IN ADDITION TO THEIR SAT PREP CLASSES, STUDENTS WERE ENCOURAGED TO TAKE HALF AN HOUR TOURS HIGHLIGHTING DIFFERENT EXHIBITIONS EACH WEEK SO THAT STUDENTS COULD INTERACT WITH THE MUSEUM ON A MORE PERSONAL LEVEL OUTSIDE OF SAT CLASSES. ON AVERAGE 30 STUDENTS STAYED TO TAKE THE TOURS AND ENJOYED GETTING TO KNOW THE MUSEUM. NEW YORK CITY HISTORY DAY, A MULTI-MONTH HISTORICAL RESEARCH PROGRAM FOR MIDDLE AND HIGH SCHOOL STUDENTS CITYWIDE CULMINATED IN A CONTEST TO EVALUATE STUDENT PROJECTS BASED ON THE THEME "EXPLORATION, ENCOUNTER, EXCHANGE IN HISTORY" IN FY16. THE FREDERICK A.O. SCHWARZ EDUCATION CENTER PARTNERED FOR ITS SECOND YEAR WITH THE NEW YORK CITY DEPARTMENT OF EDUCATION AND THE EXECUTIVE DIRECTOR OF SOCIAL STUDIES AND THE CURRICULUM, INSTRUCTION AND PROFESSIONAL DEVELOPMENT OFFICE. WITH THEIR SUPPORT (VIA OUTREACH AND FUNDING), EDUCATORS NEW TO THE NATIONAL HISTORY DAY PROGRAM WERE RECRUITED TO PARTICIPATE IN A WORKSHOP SERIES THAT INTRODUCED THE METHODOLOGY AND BEST PRACTICES OF HISTORICAL RESEARCH THROUGH THE LENS OF THE NHD JUDGE. THANKS TO THEIR TRAINING, THESE EDUCATORS WERE BETTER PREPARED TO PARTICIPATE WITH THEIR STUDENTS. 413 STUDENTS ATTENDED THE CONTEST DAY HELD ON SUNDAY, MARCH 6, 2016, WITH AN ADDITIONAL 800 PARENTS, TEACHERS AND VOLUNTEER JUDGES SUPPORTED THEM FOR A TOTAL OF ALMOST 1,200 PARTICIPANTS CELEBRATING THE DAY. 39 PUBLIC, PRIVATE, PAROCHIAL AND HOMESCHOOLS PARTICIPATED. 72 STUDENTS FROM NEW YORK CITY HISTORY DAY ADVANCED TO THE STATE AND 5 ENTRIES ADVANCED TO THE NATIONAL HISTORY DAY COMPETITION. PARTICIPATING STUDENTS, EDUCATORS, AND JUDGES RECEIVED TICKETS TO THE GAME AND WINNERS PARTICIPATED IN AN ON-FIELD PREGAME CEREMONY.IN FALL 2015 AND SPRING 2016, THE MUSEUM OF THE CITY OF NEW YORK'S FREDERICK A.O. SCHWARZ EDUCATION CENTER OFFERED STUDENTS OF ALL AGES AN OPPORTUNITY TO LEARN ABOUT THE HISTORY OF NEW YORK CITY THROUGH THE ART OF PHOTOGRAPHY AND THE CRAFT OF FASHION DESIGN. ELEMENTARY SCHOOL STUDENTS JOINED US FROM SCHOOLS THROUGHOUT MANHATTAN INCLUDING THE NIGHTINGALE-BAMFORD SCHOOL, THE TRINITY SCHOOL, AND P.S. 6, THE LILLIE DEVEREAUX BLAKE SCHOOL FOR AFTERSCHOOL AND PHOTO CAMPS. IN ADDITION, THE MUSEUM WELCOMED STUDENTS IN GRADES 3 THROUGH 5 FROM PUBLIC SCHOOLS ACROSS THE CITY FOR A STEM MATTERS, THE SCIENCE OF PHOTOGRAPHY CAMP. SEVENTH AND EIGHTH GRADERS PARTICIPATED IN PHOTOGRAPHY AND FASHION HISTORY AFTERSCHOOL THROUGH THE PROGRAM, TEEN THURSDAYS, A NEW YORK CITY DEPARTMENT OF EDUCATION AFTERSCHOOL INITIATIVE TO PAIR CULTURAL INSTITUTIONS WITH MIDDLE SCHOOLS ACROSS THE FIVE BOROUGHS. HIGH SCHOOL STUDENTS JOINED US THROUGH A PARTNERSHIP WITH THE JACOB A. RIIS NEIGHBORHOOD SETTLEMENT HOUSE IN LONG ISLAND CITY, QUEENS. ALL PHOTOGRAPHY PARTICIPANTS LEARNED ABOUT A VARIETY OF PHOTOGRAPHIC TECHNIQUES AND PROCESSES, INCLUDING POINT-OF-VIEW, CYANOTYPE PRINTS, PORTRAITURE, AND STREET PHOTOGRAPHY. THROUGHOUT THE COURSES, STUDENTS VIEWED AND DISCUSSED PHOTOGRAPHS BOTH FROM THE MUSEUM'S COLLECTION AND THOSE TAKEN BY EACH OTHER. AT THE END OF THE ELEMENTARY AND MIDDLE SCHOOL AFTERSCHOOL COURSES, THESE BUDDING PHOTOGRAPHERS CURATED THEIR BEST PHOTOGRAPHS FOR A STUDENT INSTALLATION HERE AT THE MUSEUM. STUDENTS PARTICIPATING IN THE AFTERSCHOOL FASHION HISTORY CLASS LEARNED ABOUT THE DEVELOPMENT OF AMERICAN SPORTSWEAR FROM THE 1930S THROUGH 1950S. THEY WENT BEHIND-THE-SCENES TO SEE COSTUME COLLECTION PIECES NOT ON VIEW TO THE PUBLIC, TOOK A TRIP TO THE GARMENT DISTRICT TO BUY THEIR OWN FABRICS, AND MET WITH A WORKING DESIGNER TO LEARN ABOUT THE FIELD TODAY. AS A CULMINATING PROJECT, THEY DESIGNED AND CREATED AN ORIGINAL SHIRT THAT PAID HOMAGE TO AMERICAN DESIGNS OF THE 1930S, 40S, AND 50S, AS WELL AS RESPONDED TO THE NEEDS OF THEIR DAILY LIVES. STUDENTS DISPLAYED THEIR CREATIONS DURING A FASHION SHOW AND PRESENTATION. 2,384 TEACHERS PARTICIPATED IN PROFESSIONAL DEVELOPMENT AT THE MUSEUM IN FY16. EDUCATORS HAD THE OPPORTUNITY TO JOIN US FOR 3 FREE HISTORIAN-LED LECTURES, 3 FREE CURATOR-LED EXHIBITION OPEN HOUSES, 13 WORKSHOPS AND 8 P-CREDIT COURSES TEACHING CONTENT AND PRIMARY SOURCE ANALYSIS FOR TEACHERS TO TURNKEY IN THEIR CLASSROOMS. ADDITIONALLY, THE CENTER HELD THE 4TH ANNUAL TEACHING SOCIAL ACTIVISM CONFERENCE WHICH WELCOMED OVER 150 EDUCATORS AND ACTIVISTS FROM ACROSS THE COUNTRY TO LEARN ABOUT CONTENT AND PEDAGOGY BEING USED IN THE SOCIAL STUDIES CLASSROOM THAT FOCUSSES ON SOCIAL ACTIVISM. AN ADDITIONAL 2,783 VISITORS USED OUR SPACES TO HOST EDUCATIONAL EVENTS, SUCH AS DANCING DREAMS. 636148 325750 636148 325750 14524070 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 1 0 0 1 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 208 0 234 1 0 1 CJ 0 0 0 1 1 0 0 0 0 X 43 43 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 0 0 0 NY X OSMAN KURTULUS CFO 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 JAMES DINAN CHAIR 1.00 X X 0 0 0 MARTY MCLAUGHLIN SECRETARY (LEFT 6/14/16) 1.00 X X 0 0 0 JANE O'CONNELL TREASURER 1.00 X X 0 0 0 THOMAS FLEXNER VICE CHAIR 1.00 X X 0 0 0 RONAY MENSCHEL VICE CHAIR 1.00 X X 0 0 0 JAMES QUINN VICE CHAIR 1.00 X X 0 0 0 BRUNO QUINSON VICE CHAIR 1.00 X X 0 0 0 LARRY SIMON VICE CHAIR 1.00 X X 0 0 0 NEWTON PS MERRILL VICE CHAIR & CHAIRMAN EMERITUS 1.00 X X 0 0 0 MICHAEL BRUNO BOARD MEMBER 1.00 X 0 0 0 JAMES BUCKMAN BOARD MEMBER (LEFT 10/2/15) 1.00 X 0 0 0 JILL CHALSTY BOARD MEMBER 1.00 X 0 0 0 CYNTHIA FOSTER CURRY BOARD MEMBER 1.00 X 0 0 0 TODD DEGARMO BOARD MEMBER 1.00 X 0 0 0 JAMES DRUCKMAN BOARD MEMBER (LEFT 11/13/15) 1.00 X 0 0 0 VERNON EVENSON BOARD MEMBER (LEFT 9/18/15) 1.00 X 0 0 0 BARBARA FIFE BOARD MEMBER 1.00 X 0 0 0 LAURA LOFARO FREEMAN BOARD MEMBER 1.00 X 0 0 0 MARK GILBERTSON BOARD MEMBER 1.00 X 0 0 0 LESLIE GODRIDGE BOARD MEMBER 1.00 X 0 0 0 ROBERT GOLDSTEIN BOARD MEMBER 1.00 X 0 0 0 LORNA GOODMAN BOARD MEMBER 1.00 X 0 0 0 ELIZABETH GRAZIOLO BOARD MEMBER 1.00 X 0 0 0 DAVID GUIN BOARD MEMBER 1.00 X 0 0 0 JIM HANLEY BOARD MEMBER 1.00 X 0 0 0 SYLVIA HEMINGWAY BOARD MEMBER 1.00 X 0 0 0 STEPHANIE HESSLER BOARD MEMBER 1.00 X 0 0 0 JANE HOFFMAN BOARD MEMBER (LEFT 11/30/15) 1.00 X 0 0 0 ROBERT JAIN BOARD MEMBER 1.00 X 0 0 0 ROBERT A JEFFE BOARD MEMBER 1.00 X 0 0 0 WILLIAM M KAHANE BOARD MEMBER 1.00 X 0 0 0 STEPHEN KETCHUM BOARD MEMBER 1.00 X 0 0 0 JOAN KHOURY BOARD MEMBER (LEFT 8/19/15) 1.00 X 0 0 0 STANFORD LADNER BOARD MEMBER 1.00 X 0 0 0 KENNETH LEE BOARD MEMBER 1.00 X 0 0 0 GURUDATTA NADKARNI BOARD MEMBER 1.00 X 0 0 0 DAVID PATERSON GOVERNOR BOARD MEMBER 1.00 X 0 0 0 TRACEY PONTARELLI BOARD MEMBER 1.00 X 0 0 0 KATHY PROUNIS BOARD MEMBER 1.00 X 0 0 0 NATHAN ROMANO BOARD MEMBER 1.00 X 0 0 0 ARTHUR ROSNER BOARD MEMBER 1.00 X 0 0 0 VALERIE ROWE BOARD MEMBER 1.00 X 0 0 0 ALAN SIEGEL BOARD MEMBER 1.00 X 0 0 0 ANNE SPENCE BOARD MEMBER (LEFT 10/1/16) 1.00 X 0 0 0 MITCH STEIR BOARD MEMBER 1.00 X 0 0 0 JEFF TABAK BOARD MEMBER 1.00 X 0 0 0 ELIZABETH TOZER BOARD MEMBER 1.00 X 0 0 0 REMY TRAFELET BOARD MEMBER 1.00 X 0 0 0 DARYL BROWN UBER BOARD MEMBER 1.00 X 0 0 0 WILLIAM C VRATTOS BOARD MEMBER 1.00 X 0 0 0 SUSAN HENSHAW JONES PRESIDENT AND DIRECTOR 40.00 X 429531 0 62408 OSMAN KURTULUS CHIEF FINANCIAL OFFICER 40.00 X 108308 0 27473 JERRY GALLAGHER CHIEF OPERATING OFFICER 40.00 X 139108 0 32345 SARAH HENRY DEPUTY DIRECTOR AND CHIEF CURATOR 40.00 X 234957 0 54398 SUSAN MADDEN SENIOR VICE PRESIDENT EXTERNAL AFFAIRS 40.00 X 239218 0 50479 PATRICIA ZEDALIS PROJECT MANAGER 40.00 X 144963 0 40584 DONALD ALBRECHT CURATOR OF ARCHITECTURE AND DESIGN 40.00 X 134882 0 30631 LACY SCHUTZ DIRECTOR COLLECTIONS AND EXHIBITIONS 40.00 X 120306 0 35247 ALEXIS MARION DEVELOPMENT DIRECTOR 40.00 X 132018 0 31437 1683291 0 365002 9 0 1 0 SOUTHSIDE DESIGN AND BUILDING 1205 MANHATTAN AVENUE BROOKLYN NY 11222 EXHIBITION DESIGN AND SET UP 1069451 BBI ENGINEERING 241 QUINT ST SAN FRANCISCO CA 94124 AUDIOVISUAL SYSTEM INSTALLATIONS 893337 LAPLACA COHEN ADVERTISING INC 43 WEST 24TH STREET NEW YORK NY 10010 MARKETING/COMMUNICATION SERVICES 693533 ENNEAD ARCHITECTS 320 WEST 13TH STREET NEW YORK NY 10014 ARCHITECTURAL SERVICES 316100 GREAT PERFORMANCES 304 HUDSON STREET NEW YORK NY 10013 CATERING FOR EVENTS 312120 13 147129 2858684 1656889 9803892 577289 14466594 ADMISSIONS 900099 907535 907535 EDUCATIONAL PROGRAMS 611710 442379 442379 LICENSING AND OTHER FEES 900099 406130 406130 MEMBERSHIP DUES 900099 140133 140133 1896177 223780 223780 505866 261103 244763 244763 244763 4618258 94575 4109031 0 509227 94575 603802 603802 191306 2858684 550821 -359515 -359515 598905 273155 325750 325750 17401351 2221927 0 712830 1487067 494922 692552 299593 6142458 4919513 220720 1002225 583496 486214 97282 691666 592314 64897 34455 590095 460424 77440 52231 6700 6700 35752 35752 65000 65000 92563 92563 1305084 1140479 72039 92566 139392 130922 5211 3259 812873 678382 29711 104780 245049 221377 11246 12426 970380 895975 35342 39063 906590 743658 80026 82906 178523 154837 11251 12435 EXHIBITION DESIGN 3372372 3310045 12777 49550 386241 295008 44311 46922 18011301 14524070 1492538 1994693 8678667 6987595 3682577 122521 3410801 3517853 87478 149439 445948 825212 31784119 8785978 23050956 22998141 14423384 15539451 5748311 7903812 59528122 58044024 789494 1098919 49245 108343 838739 1207262 X 31528630 31485453 16922040 16216338 10238713 9134971 58689383 56836762 59528122 58044024 -609950 -1242671 0 X X 0 1 X 1 0 X 9097458 8991870 14124146 20899837 14466594 67579905 9097458 8991870 14124146 20899837 14466594 67579905 9428854 58151051 554977 628335 636219 699058 729646 3248235 70828140 10698149 0.82100 0.79770 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 10238713 4664076 -397162 699302 13806325 10521976 -23583 259680 10238713 9063084 479899 1279274 300281 10521976 7956795 500403 831931 226045 9063084 8548442 158723 750370 7956795 0.31470 0.02350 0.66180 0 0 26969746 5372930 21596816 64506 45795 18711 680499 576929 103570 4069368 2790324 1279044 22998141 ALTERNATIVE INVESTMENTS 7903812 F 7903812 DEFERED RENT EXPENSE 108343 108343 X 16473703 -1242671 146483 261103 -835085 17308788 92563 92563 17401351 18326324 146483 261103 407586 17918738 92563 92563 18011301 PART III, LINE 1A: THE MUSEUM'S COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ITS INCEPTION, IS NOT RECOGNIZED AS AN ASSET ON THE ACCOMPANYING BALANCE SHEET. COLLECTION ITEMS ARE EXPENSED WHEN ACQUIRED. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED IN THE ACCOMPANYING FINANCIAL STATEMENTS. DETAILED INVENTORY RECORDS, HOWEVER, ARE MAINTAINED FOR COLLECTIONS. THE VALUE OF THE COLLECTION IS NOT READILY DETERMINABLE AND THE MUSEUM DOES NOT INSURE THE COLLECTION FOR THE COST OF ITS REPLACEMENT. PART III, LINE 4: THE MUSEUM HAS VARIOUS COLLECTIONS WHICH IT USES FOR ITS DIFFERENT EXHIBITIONS AND PROGRAMS THROUGHOUT THE YEAR. PART V, LINE 4: THE MUSEUM HAS DONOR-RESTRICTED ENDOWMENT FUNDS ESTABLISHED TO HELP FUND VARIOUS PROJECTS AT THE MUSEUM PART X, LINE 2: THE MUSEUM HAS DETERMINED THAT THERE ARE NO MATERIAL UNCERTAIN TAX POSITIONS THAT REQUIRE RECOGNITION OR DISCLOSURE IN THE FINANCIAL STATEMENTS. PERIODS ENDING JUNE 30, 2013 AND SUBSEQUENT REMAIN SUBJECT TO EXAMINATION BY APPLICABLE TAXING AUTHORITIES. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES INCLUDED ON FORM 990, PART VII, LINE 6B 261,103. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES INCLUDED ON FORM 990, PART VII, LINE 6B 261,103. CENTRAL AMERICA AND THE CARIBBEAN - INVESTMENTS 7903812 0 0 0 0 0 0 7903812 0 7903812 0 0 0 1 0 0 X X X X X X X 1 MARK GILBERTSON 22 EAST 81ST ST NEW YORK NY 10028 DIRECTOR'S COUNCIL EVENTS 0 994805 65000 929805 994805 65000 929805 NY CHAIRMAN'S LEADERSHIP AWARD DINNER 1374700 1356825 17875 30000 79628 11410 5296 WINTER BALL 591175 514975 76200 30000 69920 2480 6354 4 1084115 986884 97231 47081 219412 33940 15300 3049990 2858684 191306 107081 368960 47830 26950 550821 -359515 X 0 0 0 0 0 0 0 0 0 SUSAN HENSHAW JONES PRESIDENT AND DIRECTOR 422673 0 0 0 6858 0 38658 0 23750 0 491939 0 0 0 JERRY GALLAGHER CHIEF OPERATING OFFICER 138928 0 0 0 180 0 12520 0 19825 0 171453 0 0 0 SARAH HENRY DEPUTY DIRECTOR AND CHIEF CURATOR 233715 0 0 0 1242 0 21146 0 33252 0 289355 0 0 0 SUSAN MADDEN SENIOR VICE PRESIDENT EXTERNAL AFFAI 238666 0 0 0 552 0 21530 0 28949 0 289697 0 0 0 PATRICIA ZEDALIS PROJECT MANAGER 143370 0 0 0 1593 0 13047 0 27537 0 185547 0 0 0 DONALD ALBRECHT CURATOR OF ARCHITECTURE AND DESIGN 133115 0 0 0 1767 0 12139 0 18492 0 165513 0 0 0 LACY SCHUTZ DIRECTOR COLLECTIONS AND EXHIBITIONS 120210 0 0 0 96 0 10828 0 24419 0 155553 0 0 0 ALEXIS MARION DEVELOPMENT DIRECTOR 131932 0 0 0 86 0 11882 0 19555 0 163455 0 0 0 X 9 521664 FMV X ITEMS FOR SPECIAL EVENTS 17 55625 COST OF THE ITEMS 0 0 0 PART I, COLUMN (B): THE ORGANIZATION IS REPORTING THE NUMBER OF ITEMS RECEIVED FORM 990, PART VI, SECTION A, LINE 2 MR. QUINSON AND MS. GOODMAN HAVE A FAMILY RELATIONSHIP. MR. DINAN, MR. JAIN AND MR. VRATTOS HAVE A BUSINESS RELATIONSHIP FORM 990, PART VI, SECTION B, LINE 11 THE FORM 990 WAS EMAILED TO THE AUDIT AND FINANCE COMMITTEES FOR REVIEW AND APPROVAL. ONCE APPROVED BY THE AUDIT AND FINANCE COMMITTEES, THE 990 WAS EMAILED TO THE REMAINED OF THE BOARD FOR REVIEW PRIOR TO BEING FILED. FORM 990, PART VI, SECTION B, LINE 12C EACH MEMBER, TRUSTEE, PRINCIPAL OFFICER AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD-DELEGATED POWERS SHALL ANNUALLY SIGN A CONFLICT OF INTEREST FORM. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, AN INTERESTED PERSON MUST DISCLOSE THE EXISTENCE OF THE FINANCIAL INTEREST AND BE GIVEN THE OPPORTUNITY TO DISCLOSE ALL MATERIAL FACTS TO THE TRUSTEES AND MEMBERS OF COMMITTEES WITH GOVERNING BOARD DELEGATED POWERS CONSIDERING THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE INTERESTED PERSON, HE/SHE SHALL LEAVE THE GOVERNING BOARD OR COMMITTEE MEETING WHILE THE DETERMINATION OF A CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. THE REMAINING BOARD OR COMMITTEE MEMBERS SHALL DECIDE IF A CONFLICT OF INTEREST EXISTS. AN INTERESTED PERSON MAY MAKE A PRESENTATION AT THE GOVERNING BOARD OR COMMITTEE MEETING, BUT AFTER THE PRESENTATION, HE/SHE SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION OR ARRANGEMENT INVOLVING THE POSSIBLE CONFLICT OF INTEREST. THE CHAIRMAN OR THE GOVERNING BOARD OR COMMITTEE SHALL, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE WHETHER MCNY CAN OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED TRUSTEES WHETHER THE TRANSACTION OR ARRANGEMENT IS IN MCNY'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE. IN CONFORMITY WITH THE ABOVE DETERMINATION IT SHALL MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. ANY DECISION BY A COMMITTEE SHALL BE SUBJECT TO REVIEW AND DETERMINATION BY THE GOVERNING BOARD SHOULD IT ELECT TO DO SO. FORM 990, PART VI, SECTION C, LINE 19 THE MUSEUM OF THE CITY OF NEW YORK MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE GENERAL PUBLIC UPON REQUEST FORM 990, PART XII LINE 2C THE PROCESS HAS NOT CHANGED