2025-11-17T17:04:18-05:00 2024-12-31 SOZO CONSULTING 121 RUGOSA DR FOLSOM CA 95630 990 2024-01-01 831901032 REDTONE RECORDS REDT 6509062464 321 BELL STREET EAST PALO ALTO CA 94303 JUSTIN PHIPPS ED/PRES/BOARD 6509062464 2025-11-17 true false JOSHUA M CANTWELL P01498460 6509067272 2025-11-17 X 2024 2025-03-06 01:10:19Z JUSTIN PHIPPS 321 BELL STREET EAST PALO ALTO CA 94303 592631 false X WWW.REDTONERECORDS.COM X 2018 CA REDTONE RECORDS IS AS A NONPROFIT, COMMUNITY-BASED RECORD LABEL AND RECORDING STUDIO THAT PROVIDES FREE, PROFESSIONAL MUSIC AND VIDEO PRODUCTION TO CULTURAL ARTISTS WITH POSITIVE MESSAGES. WE HAVE A SPECIFIC FOCUS ON PRESERVING AND PROMOTING VARIOUS FORMS OF TRADITIONAL AND ROOTS MUSIC FROM AROUND THE WORLD. ADDITIONALLY WE WILL BE CONDUCTING REGULAR YOUTH SONGWRITING COMPETITIONS, INCENTIVIZING POSITIVE LYRICAL CONTENT FROM YOUNG, ASPIRING, COMMUNITY ARTISTS. OUR ACTIVITIES INCLUDE: IDENTIFYING AND RECRUITING ARTISTS, BOTH LOCALLY AND INTERNATIONALLY; SUBSIDIZING TRAVEL AND LODGING EXPENSES FOR ARTIST RESIDENCIES WHEN APPLICABLE; OPERATING A COMMUNITY-BASED RECORDING STUDIO; PRODUCING MUSIC AND VIDEO; HOSTING AND PROMOTING CONCERTS, FESTIVALS AND SIMILAR ACTIVITIES; PURSUING SONG PLACEMENTS IN TV, FILM, ADVERTISING, ETC.; MARKETING AND PROMOTION OF REDTONE ARTISTS; SUBMITTING REDTONE PRODUCTIONS TO MAJOR ARTISTS FOR POSSIBLE PROGRAM REVENUE TO FUND REDTONE ACTIVITIES. REDTONE'S MISSIO 3 2 1 0 192473 418842 203423 173789 0 0 395896 592631 0 0 37494 0 15223 462812 343746 462812 381240 -66916 211391 52974 144660 141339 21634 -88365 123026 X REDTONE RECORDS IS AS A NONPROFIT, COMMUNITY-BASED RECORD LABEL AND RECORDING STUDIO THAT PROVIDES FREE, PROFESSIONAL MUSIC AND VIDEO PRODUCTION TO CULTURAL ARTISTS WITH POSITIVE MESSAGES. WE HAVE A SPECIFIC FOCUS ON PRESERVING AND PROMOTING VARIOUS FORMS OF TRADITIONAL AND ROOTS MUSIC FROM AROUND THE WORLD. ADDITIONALLY WE WILL BE CONDUCTING REGULAR YOUTH SONGWRITING COMPETITIONS, INCENTIVIZING POSITIVE LYRICAL CONTENT FROM YOUNG, ASPIRING, COMMUNITY ARTISTS. OUR ACTIVITIES INCLUDE: IDENTIFYING AND RECRUITING ARTISTS, BOTH LOCALLY AND INTERNATIONALLY; SUBSIDIZING TRAVEL AND LODGING EXPENSES FOR ARTIST RESIDENCIES WHEN APPLICABLE; OPERATING A COMMUNITY-BASED RECORDING STUDIO; PRODUCING MUSIC AND VIDEO; HOSTING AND PROMOTING CONCERTS, FESTIVALS AND SIMILAR ACTIVITIES; PURSUING SONG PLACEMENTS IN TV, FILM, ADVERTISING, ETC.; MARKETING AND PROMOTION OF REDTONE ARTISTS; SUBMITTING REDTONE PRODUCTIONS TO MAJOR ARTISTS FOR POSSIBLE PROGRAM REVENUE TO FUND REDTONE ACTIVITIES. REDTONE'S MISSIO false false 332764 2024 WAS MOSTLY A YEAR OF SUSTAINING ONGOING SUPPORT FOR THE ARTISTS WEVE BEEN WORKING WITH THE PAST FEW YEARS. WE PRODUCED TIFFANIS SECOND REDTONE ALBUM WHILE ALSO SPONSORING AND CO-PRODUCING A LIFE-SUSTAINING PRACTICES FELLOWSHIP SHE CREATED. PART OF THIS FELLOWSHIP INCLUDED THE CREATION OF A PODCAST, RECORDED IN OUR STUDIO, FOCUSED ON BLACK HEALTH AND WELLNESS AND FEATURING REDTONE MUSIC. WE RELEASED EFFIE ZILCHS 4TH ALBUM, MULTITUDES, A CELEBRATION OF THE SOUNDS AND SPIRIT OF A RICH BAY AREA MUSICAL LEGACY GOING BACK TO SAN FRANCISCOS GOLDEN AGE OF THE COUNTERCULTURE MOVEMENT. WE RELEASED KIAZI MALONGAS SECOND ALBUM, ZU DIA NGOMA, WITH SOME SINGLES HAVING ALREADY BEEN RELEASED IN LATE 2023. OVER THIS SAME PERIOD OF TIME, KIAZI AND HIS MUSICAL MENTOR TRAVELED EXTENSIVELY THROUGHOUT CONGO- BRAZZAVILLE, FINDING SINGERS AND MUSICIANS OFTEN IN MORE REMOTE COMMUNITIES AND BRINGING THEM INTO THE CITY TO RECORD THEIR TRADITIONAL MUSIC. KIAZI BROUGHT THESE RECORDINGS TO OUR STUDIO WHERE WE BEGAN ORGANIZING AND MIXING THE RECORDINGS TO PRODUCE A FULL ALBUM THAT WILL PRESENT A WIDE RANGE OF TRADITIONAL MUSICAL STYLES FROM VARIOUS CONGOLESE ETHNIC AND LANGUAGE GROUPS. MIKO MARKS SAW CONTINUED SUCCESS AS A TOURING ARTIST AND REDTONE AMBASSADOR. HIGHLIGHTS INCLUDE: A 3-MONTH TOUR WITH THE TRAILBLAZING WOMEN OF COUNTRY REVUE; HER FIRST BOOKING AT STAGECOACH MUSIC FESTIVAL, THE LARGEST TICKETED COUNTRY/AMERICANA FESTIVAL IN THE WORLD; AND HER FIRST BOOKING AT SAN FRANCISCOS OWN HARDLY STRICTLY BLUEGRASS, ONE OF THE LARGEST FREE FESTIVALS IN THE WORLD, DRAWING HUNDREDS OF THOUSANDS OF ATTENDEES. SHE ALSO EXPANDED HER INTERNATIONAL TOURING TO INCLUDE SEVERAL LARGE FESTIVALS IN CANADA. 2024 WAS THE FIRST YEAR THAT REDTONES TOUR SUPPORT YIELDED MORE PROFIT THAN LOSS, A POSITIVE SIGN AS WE CONTINUE TO EXPLORE OUR BEST STRATEGIES FOR SUSTAINABILITY. IT EVEN PROMPTED MIKO TO BECOME THE FIRST REDTONE ARTIST TO DONATE SOME OF HER OWN PROCEEDS BACK INTO THE REDTONE ORGANIZATION WITH A GENEROUS 10K GIFT. WE CLOSED OUT THE YEAR WITH OUR FIRST-EVER FUNDRAISING HOUSE CONCERT. THE CONCERT WAS HOSTED BY A FRIEND AND NEW SUPPORTER OF REDTONE AT HIS HOME IN PALO ALTO. IT WAS AN AMAZING NIGHT WITH PERFORMANCES BY EACH ARTIST AND A STRONG PRESENTATION OF WHAT WE DO AND WHY WE DO IT. WE RAISED 35K AT THE EVENT AND ARE ENCOURAGED TO CREATE AN ONGOING SERIES THROUGHOUT THE BAY AREA. 332764 true true false false false false false false false false true false false false false false false false false false false false false false false false false false false false false false false false false false false false true false false false false false false false false true 25 0 1 false false false false false false false false false false false false false false false X 3 2 false false false false false false false true true false false false false true true true true false CA X JUSTIN PHIPPS 6509062464 321 BELL STREET EAST PALO ALTO CA 94303 JUSTIN PHIPPS ED/PRES/BOAR 40.00 X X 33950 0 0 CARLOS CABRERA BOARD/TREAS/ 1.00 X X 0 0 0 OLATUNDE SOBOMEHIN BOARD 1.00 X 0 0 0 33950 false false false 418842 108077 418842 PROGRAM REVENUE 711130 119854 119854 PROGRAM REVENUE - ROYALTIES 711130 27751 27751 PROGRAM REV. - PRODUCT SALES 711130 26184 26184 173789 592631 173789 X 33950 27160 3395 3395 3544 2836 354 354 18285 18285 125477 116951 4263 4263 15610 12488 1561 1561 3150 2520 315 315 37841 30273 3784 3784 61771 61017 377 377 150 120 15 15 4162 3330 416 416 4331 3465 433 433 ARTIST SUPPORT - OTHER 66813 66813 PROGRAM SUPPLIES 5353 5353 BANK & OTHER SERVICE CHRG 548 438 55 55 FUNDRAISING SUPPLIES 255 255 381240 332764 33253 15223 30330 81362 5185 50000 20810 7512 17459 13298 52974 144660 122214 21634 19125 141339 21634 X -88365 123026 -88365 123026 52974 144660 X 211391 X false false X 48854 269286 235751 192473 418842 1165206 5138 32289 106541 203423 173789 521180 53992 301575 342292 395896 592631 1686386 4460 276200 180934 145049 237102 843745 4460 276200 180934 145049 237102 843745 842641 53992 301575 342292 395896 592631 1686386 0.49970 0.38120 0.00000 0.00000 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 20810 7512 13298 13298 X 1 108077 false false false FORM 990 - ORGANIZATION'S MISSION REDTONE RECORDS IS AS A NONPROFIT, COMMUNITY-BASED RECORD LABEL AND RECORDING STUDIO THAT PROVIDES FREE, PROFESSIONAL MUSIC AND VIDEO PRODUCTION TO CULTURAL ARTISTS WITH POSITIVE MESSAGES. WE HAVE A SPECIFIC FOCUS ON PRESERVING AND PROMOTING VARIOUS FORMS OF TRADITIONAL AND ROOTS MUSIC FROM AROUND THE WORLD. ADDITIONALLY WE WILL BE CONDUCTING REGULAR YOUTH SONGWRITING COMPETITIONS, INCENTIVIZING POSITIVE LYRICAL CONTENT FROM YOUNG, ASPIRING, COMMUNITY ARTISTS. OUR ACTIVITIES INCLUDE: IDENTIFYING AND RECRUITING ARTISTS, BOTH LOCALLY AND INTERNATIONALLY; SUBSIDIZING TRAVEL AND LODGING EXPENSES FOR ARTIST RESIDENCIES WHEN APPLICABLE; OPERATING A COMMUNITY-BASED RECORDING STUDIO; PRODUCING MUSIC AND VIDEO; HOSTING AND PROMOTING CONCERTS, FESTIVALS AND SIMILAR ACTIVITIES; PURSUING SONG PLACEMENTS IN TV, FILM, ADVERTISING, ETC.; MARKETING AND PROMOTION OF REDTONE ARTISTS; SUBMITTING REDTONE PRODUCTIONS TO MAJOR ARTISTS FOR POSSIBLE PROGRAM REVENUE TO FUND REDTONE ACTIVITIES. REDTONE'S MISSION/FOCUS EMPHASIZES: 1) CULTURAL PRESERVATION: MUSIC IS A POWERFUL TOOL IN KEEPING CULTURAL TRADITIONS ALIVE. WE ARE INVESTING IN "CULTURE KEEPERS," ARTISTS WHO ARE CARRYING ON THEIR CULTURAL TRADITIONS THROUGH MUSICAL EXPRESSION, PERFORMANCE, RECORDING, VIDEO, ETC. IT IS NOT UNLIKE THE WORK OF JOHN AND ALAN LOMAX, RECORDING ARTISTS ALL OVER THE AMERICAN SOUTH FOR THE LIBRARY OF CONGRESS, CAPTURING CULTURALLY SIGNIFICANT FORMS OF MUSIC AND DISTRIBUTING THEM IN AN EFFORT TO INCREASE PUBLIC INTEREST AND ENSURE THAT THESE FORMS CONTINUE TO EXIST. 2) POSITIVE MESSAGING: 90% OF BILLBOARD'S ANNUAL "HOT 100" HITS CONSISTENTLY ADDRESS THREE THEMES ONLY: SEX, DRUGS AND MONEY. WE DO NOT WANT TO COMPROMISE OUR MISSION AND MESSAGE IN ORDER TO COMPETE WITH MARKET TRENDS. THE NONPROFIT MODEL ALLOWS OUR MESSAGE AND MISSION TO BE THE ONLY CONSIDERATIONS IN THE CREATION OF OUR WORKS, ENSURING THAT WE ONLY PRODUCE AND PROMOTE POSITIVITY, REGARDLESS OF WHETHER OR NOT THE MARKET IS POINTING THAT WAY. 3) COMMUNITY IMPACT: MUSIC IS A CRITICAL PART OF COMMUNITY MOVEMENTS, CONSCIOUSNESS AND HEALTH. PART OF REDTONE'S SERVICES WILL INCLUDE THE CREATION OF MUSIC AND MESSAGES THAT EDUCATE THE PUBLIC AROUND COMMUNITY ISSUES: EDUCATION, HEALTHCARE, THE ENVIRONMENT, CIVIC ENGAGEMENT, ETC. ADDITIONALLY, WE WILL PROVIDE LIVE MUSIC FOR COMMUNITY EVENTS, FREE OF CHARGE TO EVENT ORGANIZERS, AS A WAY TO INCREASE PUBLIC PARTICIPATION AND LIFT SPIRITS. THE COSTS OF LIVE MUSIC WILL BE COVERED ENTIRELY BY THE RECORD LABEL. 4) YOUTH IMPACT: THESE MESSAGES OF THE MODERN MUSIC INDUSTRY, BECAUSE OF THEIR REACH, SHAPE COLLECTIVE CONSCIENCE AND INFLUENCE YOUNGER GENERATIONS. THEY ENCOURAGE SUBSTANCE ABUSE, GREED, PROMISCUITY, THE OBJECTIFICATION AND DEGRADATION OF WOMEN, LACK OF CRITICAL THINKING, ETC. MEANWHILE, THERE ARE INCREDIBLE VOICES OF COMMUNITY EMPOWERMENT AND POSITIVITY, BOTH LOCALLY AND AROUND THE WORLD, WHOSE IMPACT IS HINDERED BECAUSE THEY DON'T HAVE THE RESOURCES TO PROFESSIONALLY PRODUCE AND DISTRIBUTE MUSIC AND VIDEO. IT'S HARD TO FIND A YOUNG PERSON IN EAST PALO ALTO WHO DOESN'T HAVE SOME ASPIRATION OF BECOMING A FAMOUS SINGER OR RAPPER. THESE ASPIRING ARTISTS NOT ONLY NEED TO BE FLOODED WITH POSITIVE MUSIC TO COMBAT WHAT'S ON THEIR RADIOS AND PHONES, BUT THEY NEED COMMUNITY-BASED, SUCCESSFUL ARTISTS THEY CAN LOOK UP TO, INSTEAD OF IDOLIZING ONLY WHOM THEY SEE IN THE DAMAGING IMAGERY OF MODERN MUSIC VIDEOS. THE LABEL WILL ALSO HAVE YOUTH APPRENTICESHIPS AS WELL AS YOUTH SONGWRITING COMPETITIONS, INCENTIVIZING AND MONETIZING POSITIVITY IN YOUTH CULTURE. FORM 990, PAGE 1, PART I, LINE 6 VOLUNTEER BOARD OF DIRECTORS FORM 990, PAGE 2, PART III, LINE 4A 2024 WAS MOSTLY A YEAR OF SUSTAINING ONGOING SUPPORT FOR THE ARTISTS WEVE BEEN WORKING WITH THE PAST FEW YEARS. WE PRODUCED TIFFANIS SECOND REDTONE ALBUM WHILE ALSO SPONSORING AND CO-PRODUCING A LIFE-SUSTAINING PRACTICES FELLOWSHIP SHE CREATED. PART OF THIS FELLOWSHIP INCLUDED THE CREATION OF A PODCAST, RECORDED IN OUR STUDIO, FOCUSED ON BLACK HEALTH AND WELLNESS AND FEATURING REDTONE MUSIC. WE RELEASED EFFIE ZILCHS 4TH ALBUM, MULTITUDES, A CELEBRATION OF THE SOUNDS AND SPIRIT OF A RICH BAY AREA MUSICAL LEGACY GOING BACK TO SAN FRANCISCOS GOLDEN AGE OF THE COUNTERCULTURE MOVEMENT. WE RELEASED KIAZI MALONGAS SECOND ALBUM, ZU DIA NGOMA, WITH SOME SINGLES HAVING ALREADY BEEN RELEASED IN LATE 2023. OVER THIS SAME PERIOD OF TIME, KIAZI AND HIS MUSICAL MENTOR TRAVELED EXTENSIVELY THROUGHOUT CONGO- BRAZZAVILLE, FINDING SINGERS AND MUSICIANS OFTEN IN MORE REMOTE COMMUNITIES AND BRINGING THEM INTO THE CITY TO RECORD THEIR TRADITIONAL MUSIC. KIAZI BROUGHT THESE RECORDINGS TO OUR STUDIO WHERE WE BEGAN ORGANIZING AND MIXING THE RECORDINGS TO PRODUCE A FULL ALBUM THAT WILL PRESENT A WIDE RANGE OF TRADITIONAL MUSICAL STYLES FROM VARIOUS CONGOLESE ETHNIC AND LANGUAGE GROUPS. MIKO MARKS SAW CONTINUED SUCCESS AS A TOURING ARTIST AND REDTONE AMBASSADOR. HIGHLIGHTS INCLUDE: A 3-MONTH TOUR WITH THE TRAILBLAZING WOMEN OF COUNTRY REVUE; HER FIRST BOOKING AT STAGECOACH MUSIC FESTIVAL, THE LARGEST TICKETED COUNTRY/AMERICANA FESTIVAL IN THE WORLD; AND HER FIRST BOOKING AT SAN FRANCISCOS OWN HARDLY STRICTLY BLUEGRASS, ONE OF THE LARGEST FREE FESTIVALS IN THE WORLD, DRAWING HUNDREDS OF THOUSANDS OF ATTENDEES. SHE ALSO EXPANDED HER INTERNATIONAL TOURING TO INCLUDE SEVERAL LARGE FESTIVALS IN CANADA. 2024 WAS THE FIRST YEAR THAT REDTONES TOUR SUPPORT YIELDED MORE PROFIT THAN LOSS, A POSITIVE SIGN AS WE CONTINUE TO EXPLORE OUR BEST STRATEGIES FOR SUSTAINABILITY. IT EVEN PROMPTED MIKO TO BECOME THE FIRST REDTONE ARTIST TO DONATE SOME OF HER OWN PROCEEDS BACK INTO THE REDTONE ORGANIZATION WITH A GENEROUS 10K GIFT. WE CLOSED OUT THE YEAR WITH OUR FIRST-EVER FUNDRAISING HOUSE CONCERT. THE CONCERT WAS HOSTED BY A FRIEND AND NEW SUPPORTER OF REDTONE AT HIS HOME IN PALO ALTO. IT WAS AN AMAZING NIGHT WITH PERFORMANCES BY EACH ARTIST AND A STRONG PRESENTATION OF WHAT WE DO AND WHY WE DO IT. WE RAISED 35K AT THE EVENT AND ARE ENCOURAGED TO CREATE AN ONGOING SERIES THROUGHOUT THE BAY AREA. FORM 990, PAGE 6, PART VI, LINE 11B THE BOARD HAS THE RESPONSIBILITY FOR REVIEWING THE ORGANIATION'S FORM 990 (INCLUDING ALL PERTINENT SCHEDULES) BEFORE IT IS FILED WITH THE INTERNAL REVENUE SERVICE. A DRAFT OF THE FORM 990 IS READY FOR REVIEW BY THE BOARD NO LATER THAN A WEEK PRIOR TO THE FILING DEADLINE. AFTER THE DRAFT OF THE FORM 990 HAS BEEN OBTAINED BY THE BOARD, THEY WILL HAVE NO MORE THAN A WEEK TO COMPLETE THEIR REVIEW. IN CONDUCTING THEIR REVIEW OF THE DRAFT OF THE FORM 990, THE BOARD CONDUCTS A TOP-LEVEL OR BIG-PICTURE TYPE OF REVIEW. HOWEVER, IF THE BOARD DEEMS IT NECESSARY TO CONDUCT A MORE DETAILED REVIEW OF THE FORM 990, THEN THEY CONTACT THE PREPARER OF THE FORM 990 TO REQUESET COPIES OF THE RELEVANT DETAILED TAX RETURN WORKPAPERS WHICH THEY WOULD LIKE TO SEE. ONCE THE BOARD HAS COMPLETED ITS INITIAL REVIEW OF THE FORM 990, A MEETING OR CONFERENCE CALL IS SCHEDULED WITH THE PREPARER OF THE FORM 990 TO DISCUSS ANY QUESTIONS, COMMENTS, AND SUGGESTED REVISIONS IDENTIFIED BY THE BOARD. THE PREPARER OF THE FORM 990 MAKES ANY REVISIONS TO THE FORM 990 AS SOON AS FEASIBLY POSSIBLE TO ENSURE THAT THE FORM 990 IS FILED WITH THE INTERNAL REVENUE SERVICE ON A TIMELY BASIS. ALL QUESTIONS, COMMENTS, AND SUGGESTED REVISIONS SET FORTH BY THE BOARD ARE DOCUMENDED, ALONG WITH ANY RESPONSES FROM THE PREPARER OF THE FORM 990, IF APPLICABLE. FORM 990, PAGE 6, PART VI, LINE 12C NOT APPLICABLE FORM 990, PAGE 6, PART VI, LINE 15A THE BOARD RELIES ON COMPARABILITY DATA TO DETERMINE AND APPROVE THE COMPENSATION OF THE EXECUTIVE DIRECTOR. THE BOARD UTILIZES RESOURCES SUCH AS SIMILARY SITUATED EXEMPT ORGANIZATIONS IN THEIR AREAS TO BENCHMARK PAY ALONG WITH MARKET INFORMATION FROM OTHER EXEMPT ORGANIZATIONS AND FOR- PROFIT ORGANIZATIONS TO ASSESS THE COMPETITIVENESS AND REASONABLIESS OF THE COMPENSATION. ONCE A DECISION HAS BEEN MADE, A VOTE IS TAKEN FOR APPROVAL BY THE BOARD. RECUSAL OF THE INDIVIDUALS WHOSE COMPENSATION IS BEING DETERMINED IS MANDATORY. A SIMILAR PROCESS IS IN PLACE FOR DETERMINING COMPENSATION OF THE OTHER KEY EMPLOYEES, IF ANY. FORM 990, PAGE 6, PART VI, LINE 15B THE BOARD RELIES ON COMPARABILITY DATA TO DETERMINE AND APPROVE THE COMPENSATION OF THE EXECUTIVE DIRECTOR. THE BOARD UTILIZES RESOURCES SUCH AS SIMILARY SITUATED EXEMPT ORGANIZATIONS IN THEIR AREAS TO BENCHMARK PAY ALONG WITH MARKET INFORMATION FROM OTHER EXEMPT ORGANIZATIONS AND FOR- PROFIT ORGANIZATIONS TO ASSESS THE COMPETITIVENESS AND REASONABLIESS OF THE COMPENSATION. ONCE A DECISION HAS BEEN MADE, A VOTE IS TAKEN FOR APPROVAL BY THE BOARD. RECUSAL OF THE INDIVIDUALS WHOSE COMPENSATION IS BEING DETERMINED IS MANDATORY. A SIMILAR PROCESS IS IN PLACE FOR DETERMINING COMPENSATION OF THE OTHER KEY EMPLOYEES, IF ANY. FORM 990, PAGE 6, PART VI, LINE 19 THE FOLLOWING ORGANIZATIONAL DOCUMENTS ARE AVAILABLE (FOR INSPECTION OR COPYING) AT THE ORGANIZATION'S MAIN OFFICE DURING NORMAL BUSINESS HOURS AT NO CHARGE: -TAX EXEMPTION APPLICATION (FORM 1023) -INTERNAL REVENUE SERVICE DETERMINATION LETTER -ARTICLES OF INCORPORATION -BY-LAWS THE PUBLIC INSPECTION COPY OF THE ORGANIZATION'S FORM 990 AND FORM 990-T, FROM THE PREVIOUS THREE YEARS (AT A MINIMUM), WILL BE AVAILABLE (FOR INSPECTION OR COPYING) AT THE ORGANIZATION'S MAIN OFFICE DURING NORMAL BUSINESS HOURS AT NO CHARGE, IF APPLICABLE. THE PUBLIC INSPECTION COPY OF THE FORM 990 WILL NOT INCLUDE THE SCHEDULE OF SCHEDULE A EXCESS CONTRIBUTORS OR THE SCHEDULE B NAMES AND ADDRESSES OF CONTRIBUTORS. THE ORGANIZATION WILL MAKE BEST EFFORTS TO ENSURE THAT THE FORMS 990 AND 990-T HELD AT THEIR MAIN OFFICE ARE THE MOST UPDATED VERSIONS OF SUCH. FOR EXAMPLE, IN THE INSTANCE WHERE A FORM 990 HAS BEEN AMENDED, THE AMENDED VERSION OF THE FORM 990 OR FORM 990-T WILL BE THE ONE AVAILABLE FOR PUBLIC INSPECTION. WHEN RESPONDING TO A PUBLIC INSPECTION REQUEST FOR ANY ORGANIZATIONAL DOCUMENT OR FORM 990 (INCLUDING FORM 990-T) BY ANYONE, THE ORGANIZATION FULFILLS SUCH REQUEST IN A TIMELY FASHION WITHOUT INQUIRING AS TO THE REASON FOR THE PUBLIC INSPECTION REQUEST. THE FOLLOWING OTHER DOCUMENT (MOST UPDATED VERSIONS) IS MADE AVAILABLE FOR INSPECTION OR COPYING) AT THE ORGANIZATION'S MAIN OFFICE DURING NORMAL BUSINESS HOURS AT NO CHARGE: -CONFLICT OF INTEREST POLICY FORM 990, PART IX, LINE 11G CONTRACT LABOR - MUSICIANS 82,844 0 0 CONTRACT LABOR - OTHER 34,107 4,263 4,263 TOTAL 116,951 4,263 4,263 FORM 990, PART XI, LINE 9 PRIOR YEAR ADJUSTMENT 0