2017-11-10T12:22:38-06:00 2016-12-31 721202445 POSTLETHWAITE & NETTERVILLE ONE GALLERIA BLVD STE 2100 METAIRIE LA 70001 990 2016-01-01 726000331 NEW ORLEANS MUSEUM OF ART NEWO 5046584101 PO BOX 19123 NEW ORLEANS LA 701790123 SUSAN M TAYLOR EXECUTIVE DIRECTOR 5046584101 2017-11-07 1 SHARON CASSIERE P00543368 5048375990 206.124.204.139 2017-11-07 10:06:42 CS P 51DD87AF0E10BBAE46E0F0B27B9FE7C62D7039C1 27E8A48F445BB487FBB89119B13DFD6B4CDD2E1A 2016 2018-03-14 21:41:22Z SUSAN M TAYLOR 1 COLLINS DIBOLL CIR NEW ORLEANS LA 70124 21134187 0 X WWW.NOMA.ORG X 1911 LA TO INSPIRE THE LOVE OF ART; TO COLLECT, PRESERVE, EXHIBIT AND PRESENT EXCELLENCE IN THE VISUAL ARTS; TO EDUCATE, CHALLENGE, AND ENGAGE A DIVERSE PUBLIC. 43 43 115 950 75544 44869 6174925 11753198 1080234 812822 4299619 7152832 -873505 -527457 10681273 19191395 0 0 0 0 4283633 4252971 0 0 1098864 3853536 5275856 8137169 9528827 2544104 9662568 60607744 67854601 460476 488662 60147268 67365939 X THE MISSION OF THE NEW ORLEANS MUSEUM OF ART IS TO INSPIRE THE LOVE OF ART; TO COLLECT, PRESERVE, EXHIBIT AND PRESENT EXCELLENCE IN THE VISUAL ARTS; TO EDUCATE, CHALLENGE AND ENGAGE A DIVERSE PUBLIC. 0 0 4189505 679423 COLLECTION DEPARTMENT SERVICES & ACQUISITIONSTHE HEART OF NOMA IS ITS FINE ART COLLECTION. THE MUSEUM EMPLOYS A PROFESSIONAL CURATORIAL STAFF WHOSE FUNCTION IS TO CARE FOR ITS COLLECTIONS; CARRY OUT RESEARCH ON THE OBJECTS IN THE COLLECTION; ORGANIZE SPECIAL EXHIBITIONS ON PARTICULAR SUBJECTS OR THEMES; WRITE SCHOLARLY INTERPRETATIVE ARTICLES, CATALOGUES AND BOOKS ON ART SUBJECTS; RECOMMEND AND OVERSEE NEEDED RESTORATION AND CONSERVATION TREATMENT ON OBJECTS IN THE COLLECTION; CULTIVATE AND ADVISE PRIVATE ART COLLECTORS AND ENCOURAGE DONATIONS; SEEK OUT AND RECOMMEND OBJECTS FOR ACQUISITION OR DEACCESSION BY THE MUSEUM.THE MUSEUM HAS DEVELOPED AN ACCESSION POLICY FOR ACQUIRING WORKS OF ART EITHER THROUGH PURCHASE OR BY GIFT WITH A GOAL OF CONTINUING TO AUGMENT ITS HOLDINGS IN THE AREAS OF ITS STRENGTHS RATHER THAN INAUGURATING NEW AREAS.THE MUSEUM HAS FOCUSED ITS COLLECTING ACTIVITIES IN SEVERAL SPECIALIZED AREAS BY FOCUSING ON CONTINUING TO UPGRADE IN THESE SELECTED AREAS, THE MUSEUM HAS BEEN ABLE TO ASSEMBLE AN IMPORTANT COLLECTION OF BOTH QUALITY AND DEPTH.WHILE ART PURCHASES ARE ESSENTIALLY LIMITED TO THE DESIGNATED AREAS OF SPECIALIZATION, THE BOARD AND STAFF ARE ALWAYS WILLING TO CONSIDER NEW AREAS OF COLLECTING AS OPPORTUNITIES ARISE, PARTICULARLY THROUGH DONATIONS. THE OVERRIDING CRITERION FOR PURCHASE OR ACCEPTANCE OF GIFTS IS THE QUALITY OF INDIVIDUAL WORKS OF ART.THE EIGHT AREAS OF COLLECTION SPECIALIZATION ARE: EUROPEAN ART FROM THE 16TH THROUGH 21ST CENTURIES (PARTICULARLY THE WORKS OF THE FRENCH SCHOOL); THE ARTS OF THE AMERICAS (PRE-COLUMBIAN, LATIN AMERICAN, AND AMERICAN PAINTING AND SCULPTURE); AFRICAN AND OCEANIC ART; ASIAN ART (PARTICULARLY CHINESE AND JAPANESE OF THE EDO PERIOD 1615-1867); PHOTOGRAPHY; DECORATIVE ARTS; GRAPHICS AND SCULPTURE.THE DIRECTOR OF THE MUSEUM, IN CONSULTATION WITH THE CURATORIAL STAFF, RECOMMENDS ALL PURCHASES AND GIFTS TO THE ACCESSIONS COMMITTEE OF THE BOARD OF TRUSTEES FOR THEIR APPROVAL OR DISAPPROVAL. THE FULL BOARD THEN APPROVES THE RECOMMENDATIONS OF THE ACCESSIONS COMMITTEE. 884022 70811 EXHIBITION SERVICESTHE MUSEUM'S EXHIBITION PROGRAM IS TWO-FOLD: INSTALLATION OF THE PERMANENT COLLECTION AND PRESENTATION OF SPECIAL TEMPORARY EXHIBITIONS. SELECTIONS FROM THE PERMANENT COLLECTION ARE INSTALLED BY THE CURATORIAL STAFF IN THE GALLERIES IN AN ARRANGEMENT WHICH WILL REFLECT THE CONTINUITY OF THE HISTORY OF ART. A MEANINGFUL PROGRESSION OF PERIODS AND CULTURES WILL AID THE MUSEUM VISITOR IN HIS/HER APPRECIATION AND UNDERSTANDING OF THE ARTWORKS. WHEN AVAILABLE, WORKS ON LOAN FROM OTHER SOURCES CAN EFFECTIVELY AUGMENT THE INSTALLATIONS AND FILL IN GAPS IN THE COLLECTION.TO COMPLEMENT THE PERMANENT COLLECTION INSTALLATIONS, THE CURATORIAL STAFF DESIGNS A PROGRAM OF SPECIAL TEMPORARY EXHIBITIONS OF VARIOUS SIZES PRESENTED THROUGHOUT THE YEAR. THESE EXHIBITIONS ORIGINATED BY THE STAFF OR BROUGHT IN FROM OTHER NATIONAL OR INTERNATIONAL SOURCES TO OFFER A WIDE VARIETY OF SUBJECTS, THEMES, STYLISTIC MODES, CULTURES, AND ARTISTS. 599682 62588 EDUCATION DIVISIONTHE MUSEUM'S EDUCATION DEPARTMENT FOCUSES ON IN-HOUSE AND OUTREACH ACTIVITIES. PROFESSIONAL MUSEUM STAFF TRAIN VOLUNTEER DOCENTS TO GIVE GUIDED TOURS OF THE MUSEUM AND DEVISE AND IMPLEMENT EDUCATIONAL PROGRAMS SUCH AS LECTURES, SYMPOSIUMS, FILMS, CONCERTS, FAMILY FESTIVALS WITH SPECIFIC THEMES, CHILDREN'S ART CLASSES AND DOCENT LEAD SCHOOL TOURS TO COMPLIMENT THE SPECIAL EXHIBITIONS AND PERMANENT COLLECTION. OUTREACH PROGRAMS ARE FOCUSED TEACHER WORKSHOPS AND SCHOOL CURRICULUM BASED PROGRAMS IMBEDDED IN DESIGNATED PUBLIC SCHOOLS WITH THE GREATEST NEEDS.THE EDUCATION DIVISION SERVICED APPROXIMATELY 35,000 PEOPLE IN THE COMMUNITY IN 2016. 146136 177660 MEMBERSHIP PROGRAMTHE NEW ORLEANS MUSEUM OF ART OFFERS NUMEROUS MEMBERSHIP PACKAGES THAT OFFER VARIOUS LEVELS OF UNIQUE CULTURAL PROGRAMS AND SUPPORT OF NOMA. THESE MEMBERSHIP PRIVILEGES INCLUDE SPECIAL PREVIEWS OF ALL EXHIBITIONS, A QUARTERLY PUBLICATION WITH ADVANCE NOTICE OF EDUCATIONAL PROGRAMS AND SPECIAL EVENTS, AS WELL AS ARTICLES ON EXHIBITIONS, COLLECTIONS, ARTISTS, WORKS OF ART AND OTHER RELATED SUBJECTS AS WELL AS OTHER PRIVILEGES APPROPRIATE FOR THE LEVEL OF GIVING. 146136 177660 5819345 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 69 0 1 115 1 1 1 0 0 0 0 1 1 0 0 0 0 X 43 43 0 0 0 0 0 0 0 1 1 0 0 1 1 0 1 1 1 1 1 0 X GAIL ASPRODITES 5046584101 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 ERIC BLUE BOARD MEMBER 1.00 X 0 0 0 CAMMIE MAYER BOARD MEMBER 1.00 X 0 0 0 JULI MILLER HART BOARD MEMBER 1.00 X 0 0 0 ELIZABETH MONAGHAN BOARD MEMBER 1.00 X 0 0 0 LYNES SLOSS BOARD MEMBER 1.00 X 0 0 0 THOMAS REESE BOARD MEMBER 1.00 X 0 0 0 JUSTIN AUGUSTINE III BOARD MEMBER 1.00 X 0 0 0 MELANEE USDIN BOARD MEMBER 1.00 X 0 0 0 GAIL BERTUZZI BOARD MEMBER 1.00 X 0 0 0 ELIZABETH BOONE BOARD MEMBER 1.00 X 0 0 0 SCOTT COWEN BOARD MEMBER 1.00 X 0 0 0 ADREA HEEBE BOARD MEMBER 1.00 X 0 0 0 SUSU STALL BOARD MEMBER 1.00 X 0 0 0 ROB STEEG BOARD MEMBER 1.00 X 0 0 0 MARGO DUBOS BOARD MEMBER 1.00 X 0 0 0 KITTY SHERRILL BOARD MEMBER 1.00 X 0 0 0 BRENDA MOFFITT BOARD MEMBER 1.00 X 0 0 0 JOLIE SHELTON BOARD MEMBER 1.00 X 0 0 0 STEPHANIE FEOLI BOARD MEMBER 1.00 X 0 0 0 DENNIS LAUSCHA BOARD MEMBER 1.00 X 0 0 0 RUSS HERMAN BOARD MEMBER 1.00 X 0 0 0 FRANK STEWART BOARD MEMBER 1.00 X 0 0 0 BRITTON SANDERFORD BOARD MEMBER 1.00 X 0 0 0 MITCH LANDRIEU BOARD MEMBER 1.00 X 0 0 0 STEPHEN PERRY BOARD MEMBER 1.00 X 0 0 0 MICHAEL SMITH BOARD MEMBER 1.00 X 0 0 0 LOUIS LUPIN BOARD MEMBER 1.00 X 0 0 0 ROBERT HINCKLEY BOARD MEMBER 1.00 X 0 0 0 DARYL BYRD BOARD MEMBER 1.00 X 0 0 0 SUSAN GUIDRY BOARD MEMBER 1.00 X 0 0 0 ROBIN BURGESS BOARD MEMBER 1.00 X 0 0 0 PENNY FRANCIS BOARD MEMBER 1.00 X 0 0 0 DANA HANSEL BOARD MEMBER 1.00 X 0 0 0 SIDDHARTH BHANSALI BOARD MEMBER 1.00 X 0 0 0 DONNA PERRET ROSEN BOARD MEMBER - EXECUTIVE COMMITTEE 2.00 X 0 0 0 TOMMY COLEMAN BOARD MEMBER - EXECUTIVE COMMITTEE 2.00 X 0 0 0 DAVID F EDWARDS BOARD MEMBER - EXECUTIVE COMMITTEE 2.00 X 0 0 0 JANICE PARMELEE BOARD MEMBER - TREASURER 2.00 X X 0 0 0 SYDNEY BESTHOFF III BOARD MEMBER - VICE-PRESIDENT 2.00 X X 0 0 0 SUZANNE THOMAS BOARD MEMBER - VICE-PRESIDENT 2.00 X X 0 0 0 MIKE SIEGEL BOARD MEMBER - VICE-PRESIDENT 2.00 X X 0 0 0 HERSCHEL ABBOTT JR BOARD MEMBER - SECRETARY 2.00 X X 0 0 0 JULIE GEORGE BOARD MEMBER - PRESIDENT 3.00 X X 0 0 0 GAIL ASPRODITES ASST. DIRECTOR FOR ADMINISTRATION 35.00 X 123189 0 22849 SUSAN M TAYLOR EXECUTIVE DIRECTOR 35.00 X 362127 0 38144 LISA ROTONDO MCCORD ASST. DIRECTOR FOR CURATORIAL 35.00 X 110331 0 19866 BROOKE MINTO ASST. DIRECTOR FOR DEVELOPMENT 35.00 X 102243 0 5048 ALLISON REID ASST. DIRECTOR FOR EDUCATION 35.00 X 102324 0 14323 800214 0 100230 5 0 1 0 0 849545 1902287 188422 8812944 202321 11753198 ADMISSION CHARGES 712110 545295 545295 DEACCESSIONS 712110 90738 90738 EXHIBITION PROGRAMS 712110 70811 70811 EDUCATION PROGRAMS 712110 62588 62588 MEMBERS' EVENTS 712110 43390 43390 812822 382095 382095 349290 437922 -88632 -88632 75544 -164176 6770737 0 6770737 6770737 6770737 193458 1902287 1331404 -1137946 -1137946 351126 173466 177660 177660 DEEPWATER HORIZON ECONOMIC SETTLE 900099 521461 521461 521461 19191395 990482 75544 6372171 546310 327786 109262 109262 2922946 1159990 1353046 409910 164264 87178 71049 6037 347152 136060 175152 35940 272299 104074 124826 43399 15 15 21200 21200 90384 90384 636083 492012 76433 67638 148359 24200 419 123740 851290 519655 157206 174429 131996 69364 62632 150522 85177 38416 26929 68377 11099 6659 50619 727784 629678 78601 19505 115720 4996 109734 990 FEDERAL UBIT 3200 3200 LOUISIANA UBIT 2400 2400 ACQUISITIONS OF ART 2095382 2095382 REPAIRS & MAINTENANCE 135296 25309 109987 97848 47385 19997 30466 9528827 5819345 2610618 1098864 654241 997592 1495920 1727685 457345 4668069 101553 180044 170810 255108 24241983 11945884 12891007 12296099 44598901 47493362 237967 236642 60607744 67854601 460476 488662 460476 488662 X 23902826 24580614 10507109 16747992 25737333 26037333 60147268 67365939 60607744 67854601 9662568 -2443897 0 X X 0 1 X 1 0 X 5233915 9527098 6064253 6193645 11753198 38772109 3330000 2975000 2975000 2975000 2975000 15230000 8563915 12502098 9039253 9168645 14728198 54002109 5992228 48009881 774901 517702 496964 676824 731385 3197776 946 521461 522407 57722292 6196856 0.83170 0.82470 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 43239026 248100 4796800 2194146 211687 45878093 45182985 150500 167617 2137111 124965 43239026 43052875 29957 3670933 1455585 115195 45182985 35901912 366693 8111105 1206599 120236 43052875 31975192 231304 4977120 1198949 82755 35901912 0.26440 0.56750 0.16810 1 0 436260 436260 17828028 10100228 7727800 1110643 511991 598652 4867052 1333665 3533387 12296099 X 17358886 -2443897 611388 -1832509 19191395 0 19191395 10140214 611388 611388 9528826 0 9528826 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART PURCHASED AND DONATED IS NOT CAPITALIZED. DURING 2016 AND 2015, THE COST OF COLLECTION ITEMS PURCHASED BY THE MUSEUM AS A DECREASE IN THE APPROPRIATE CLASS OF NET ASSETS WAS $2,441,803 AND $751,101, RESPECTIVELY. WHEN NOT ON DISPLAY IN THE PERMANENT COLLECTION GALLERIES, THE OBJECTS ARE MAINTAINED IN CLIMATE CONTROLLED STORAGE. THE MUSEUM MAINTAINS POLICIES AND PROCEDURES ADDRESSING THE MAINTENANCE AND CONSERVATION OF THE COLLECTION, AS WELL AS OTHER ASPECTS OF ITS MANAGEMENT, INCLUDING ACCESSION/DEACCESSION POLICIES. PART III, LINE 4: THE MUSEUM EMPLOYS A PROFESSIONAL CURATORIAL STAFF WHOSE FUNCTION IS TO CARE FOR ITS COLLECTIONS; CARRY OUT RESEARCH ON THE OBJECTS IN THE COLLECTION; ORGANIZE SPECIAL EXHIBITIONS ON PARTICULAR SUBJECTS OR THEMES; WRITE SCHOLARLY INTERPRETATIVE ARTICLES, CATALOGUES, AND BOOKS ON ART SUBJECTS; RECOMMEND AND OVERSEE NEEDED RESTORATION AND CONSERVATION TREATMENT ON OBJECTS IN THE COLLECTION; CULTIVATE AND ADVISE PRIVATE ART COLLECTORS AND ENCOURAGE DONATIONS; SEEK OUT AND RECOMMEND OBJECTS FOR ACQUISITION OR DEACCESSION BY THE MUSEUM; TRAIN VOLUNTEER DOCENTS TO GIVE GUIDED TOURS OF THE MUSEUM; DEVISE AND IMPLEMENT EDUCATIONAL PROGRAMS SUCH AS LECTURES, SYMPOSIUMS, FILMS, CONCERTS, FAMILY FESTIVALS ON SPECIFIC THEMES, STUDIO ART CLASSES, AND OTHER OUTREACH METHODS; FAMILY AND TEACHER WORKSHOPS FOR DESIGNATED PUBLIC SCHOOLS. PART V, LINE 4: OPERATIONS, PROGRAMS, AND ACQUISITIONS OF FINE ART PART X, LINE 2: THE MUSEUM IS EXEMPT FROM FEDERAL INCOME TAXES UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE AND FROM STATE INCOME TAXES UNDER SECTION 121(5) OF TITLE 47 OF THE LOUISIANA REVISED STATUTES OF 1950. THE MUSEUM APPLIES A "MORE-LIKELY-THAN-NOT" RECOGNITION THRESHOLD FOR ALL TAX UNCERTAINTIES. THIS APPROACH ONLY ALLOWS THE RECOGNITION OF THOSE TAX BENEFITS THAT HAVE A GREATER THAN 50% LIKELIHOOD OF BEING SUSTAINED UPON EXAMINATION BY THE TAXING AUTHORITIES. AS A RESULT OF IMPLEMENTING THIS APPROACH, THE MUSEUM HAS REVIEWED ITS TAX POSITIONS AND DETERMINED THERE WERE NO OUTSTANDING OR RETROACTIVE TAX POSITIONS WITH LESS THAN A 50% LIKELIHOOD OF BEING SUSTAINED UPON EXAMINATION BY THE TAXING AUTHORITIES. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 437,922. COST OF GOODS SOLD 173,466. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 437,922. COST OF GOODS SOLD 173,466. ODYSSEY BALL 1237972 1145372 92600 92681 10000 635597 ART IN BLOOM 410935 374945 35990 60886 257567 2 443898 381970 61928 38053 8641 226709 2092805 1902287 190518 191620 18641 1119873 1330134 -1139616 X X X X X 0 0 0 0 0 0 0 0 0 SUSAN M TAYLOR EXECUTIVE DIRECTOR 362127 0 0 0 0 0 21200 0 16944 0 400271 0 0 0 X 321 0 X 15 127321 MARKET VALUE X FOOD & PAPER GOODS 90 75000 11 0 1 0 PART I, COLUMN (B): THE ORGANIZATION IS REPORTING THE NUMBER OF WORKS OF ART DONATED, AND THE NUMBER OF CONTRIBUTORS OF SECURITIES AND FOOD/PAPER GOODS. PART I, LINE 33: IN CONFORMITY WITH SFAS 116. FORM 990, PART VI, SECTION B, LINE 11B THE 990 IS REVIEWED BY THE EXECUTIVE COMMITTEE THEN EMAILED TO ALL BOARD MEMBERS FOR THEIR REVIEW AND COMPLIANCE PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C ANNUAL CONFLICT OF INTEREST STATEMENTS ARE FILED BY EACH TRUSTEE AND PROVIDED TO THE LEGAL COMMITTEE FOR REVIEW AND COMPLIANCE. IF THE DIRECTOR OF NOMA DETERMINES THAT THERE MAY BE A CONFLICT OF INTEREST, IN THE CASE OF A TRUSTEE THE MATTER WILL BE REFERRED TO THE APPROPRIATE BOARD COMMITTEE. IF A TRUSTEE HAS AN ACTUAL OR POTENTIAL CONFLICT OF INTEREST, SUCH TRUSTEE SHALL ABSTAIN FROM VOTING ON ANY MATTER THAT INVOLVES SUCH ACTUAL OR POTENTIAL CONFLICT. FORM 990, PART VI, SECTION B, LINE 15 EXECUTIVE DIRECTOR COMPENSATION IS DETERMINED BY THE EXECUTIVE COMMITTEE. ALL OTHER COMPENSATION IS SET BY THE EXECUTIVE DIRECTOR USING A COMBINATION OF THE NEW ORLEANS CIVIL SERVICE PAY PLAN, THE ASSOCIATION OF ART MUSEUM DIRECTORS ANNUAL SALARY SURVEY, AND LOCAL PREVAILING WAGES AS GUIDELINES. FORM 990, PART VI, SECTION C, LINE 19 ALL INFORMATION IS AVAILABLE UPON REQUEST, BY PAPER COPY. FORM 990, PART XII, LINE 2C: THERE HAVE BEEN NO CHANGES FROM THE PRIOR YEAR IN THE OVERSIGHT OR SELECTION PROCESSES FOR THE AUDIT THAT THE ORGANIZATION'S COMMITTEE USES.