2018-02-08T12:10:57-06:00 2017-04-30 461497033 EKS&H LLLP 8181 E TUFTS AVENUE SUITE 600 DENVER CO 802372579 990 2016-05-01 742431071 NATIONAL MUSEUM OF WILDLIFE ART OF THE UNITED STATES NATI 3077335771 PO BOX 6825 JACKSON WY 830026825 STEVE SEAMONS MUSEUM DIRECTOR 3077335771 2018-02-02 1 DORI J EGGETT P00645252 3037409400 208.42.238.132 2018-02-08 12:04:12 MS P 5B0FB72599B530F8224C9AD9E67203701868C1C8 7CA1C250D12464401059E17FC6EA51678A737460 2016 2021-01-29 14:40:06Z STEVE SEAMONS PO BOX 6825 JACKSON WY 830026825 6635491 0 X WWW.WILDLIFEART.ORG X 1986 WY THE MISSION IS TO COLLECT, DISPLAY, INTERPRET, AND PRESERVE THE NORTH AMERICAN WILDLIFE ART. 34 34 42 78 34775 0 3048696 3635912 786126 769660 532626 426840 174617 201644 4542065 5034056 0 0 0 0 2031365 1855806 0 93547 470239 2755636 2589454 4787001 4538807 -244936 495249 27685733 29235230 166778 245451 27518955 28989779 X SEE SCHEDULE O 0 0 274407 726694 MUSEUM MEMBERSHIP - SEE SCHEDULE O 1728886 147404 2015-2016 EXHIBITS - SEE SCHEDULE O 506121 4714 EDUCATION PROGRAMS FOR CHILDREN - SEE SCHEDULE O 390093 26795 THE MUSEUM'S COLLECTION EMBODIES THE BEST EFFORTS OF HISTORIC AND CONTEMPORARY ARTISTS TO DEPICT WILDLIFE, INCLUDING OVER 4,570 CATALOGED ITEMS SPANNING 4,000 YEARS BY APPROXIMATELY 598 ARTISTS. AS A NATIONAL COLLECTION, IT EMPHASIZES PRIME EXAMPLES OF WORK PRODUCED BY ARTISTS FROM THE NATION ITSELF, WITH A REPRESENTATIVE SELECTION OF SUBJECTS, FORMS, STYLES, MATERIALS, AND MEDIA, SPANNING THE DIVERSITY OF THE NATION'S ARTISTS, THEIR ANTECEDENTS, AND THE TIMES AND PLACES IMPORTANT TO THEIR WORK. THE PRIMARY COLLECTING GOAL FOR THE NATIONAL MUSEUM OF WILDLIFE ART IS THE ENHANCEMENT OF THE PERMANENT COLLECTION THROUGH STRATEGIC ACQUISITIONS RANGING FROM MAJOR ARTWORKS TO SUPPLEMENTAL PIECES, WHICH WILL ENHANCE THE OVERALL QUALITY AS WELL AS DIVERSITY OF THE COLLECTION WHILE ADDING THEMATIC DEPTH AND BREADTH. 390093 26795 2899507 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 36 0 1 42 1 1 1 0 0 0 0 0 0 0 0 0 X 34 34 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 X X LISA HOLMES 3077335771 PO BOX 6825 JACKSON WY 830026825 DEBBIE PETERSEN CHAIRMAN 20.00 X X 0 0 0 BETTINA WHYTE VICE CHAIRMAN 10.00 X X 0 0 0 WILLIAM KERR CHAIRMAN EMERITUS 10.00 X X 0 0 0 WILLIAM SCARLETT TREASURER 10.00 X X 0 0 0 HELEN LAUGHERY SECRETARY 10.00 X X 0 0 0 ADRIENNE MARS TRUSTEE 3.00 X 0 0 0 BARBARA CARLSBERG TRUSTEE 3.00 X 0 0 0 CAROL LINTON TRUSTEE 3.00 X 0 0 0 CAROLINE TAYLOR TRUSTEE 3.00 X 0 0 0 CHARLOTTE STIFEL TRUSTEE 3.00 X 0 0 0 DICK COLLISTER TRUSTEE 3.00 X 0 0 0 FRED LYONS JR TRUSTEE 3.00 X 0 0 0 GEORGENE TOZZI TRUSTEE 3.00 X 0 0 0 JAN BENZ TRUSTEE 3.00 X 0 0 0 JIM GERSACK TRUSTEE 3.00 X 0 0 0 KAVAR KERR TRUSTEE 3.00 X 0 0 0 LAURENT ROUX TRUSTEE 3.00 X 0 0 0 LISA CARLIN TRUSTEE 3.00 X 0 0 0 LISA JENNINGS TRUSTEE 3.00 X 0 0 0 LYNN FRIESS TRUSTEE 5.00 X 0 0 0 MARCIA TAYLOR TRUSTEE 3.00 X 0 0 0 MARY JANE HUNT TRUSTEE 3.00 X 0 0 0 NADA JAIN TRUSTEE 3.00 X 0 0 0 PAM NINER TRUSTEE 3.00 X 0 0 0 PEGGY MAYS TRUSTEE 3.00 X 0 0 0 PETER SAFIR TRUSTEE 3.00 X 0 0 0 RICHARD BECK TRUSTEE 3.00 X 0 0 0 RICHARD O'LEARY TRUSTEE 3.00 X 0 0 0 ROBERT HUMMEL TRUSTEE 3.00 X 0 0 0 SCOTT KIRKPATRICK TRUSTEE 3.00 X 0 0 0 SUE SIMPSON GALLAGHER TRUSTEE 3.00 X 0 0 0 SUZANNE WHITMORE TRUSTEE 3.00 X 0 0 0 TASSO COIN TRUSTEE 3.00 X 0 0 0 WILLIAM MINGST TRUSTEE 3.00 X 0 0 0 STEVEN SEAMONS MUSEUM DIRECTOR 50.00 X 141066 0 5643 141066 0 5643 1 0 0 0 SPRING CREEK RANCH PO BOX 4780 JACKSON WY 83001 CATERING 247560 TRANE US INC P O BOX 98167 CHIGAGO IL 60693 HVAC & INSTALLATION MAINT CONTRACT 239708 JACKSON HOLE HOSPITALITY GROUP LLC PO BOX 4196 JACKSON WY 83001 CATERING 210492 3 23650 3612262 207630 3635912 ADMISSIONS 611600 392768 392768 MEMBERSHIP DUES 611600 268574 268574 PROGRAM TICKETS 611600 107378 107378 EDUCATIONAL PROGRAMS 611600 940 940 769660 427039 427039 1183 1183 103688 92748 10940 10940 10940 623164 623363 -199 -199 -199 39975 23650 25242 14733 14733 944802 860082 84720 84720 SPONSORSHIP INCOME 900099 36625 36625 ADVERTISING INCOME 541800 34775 34775 MISCELLANEOUS 900099 13418 13418 5250 5250 90068 5034056 910856 34775 452513 146708 36677 73354 36677 1381142 777393 434172 169577 53758 28159 18872 6727 152501 70012 50787 31702 121697 69003 37456 15238 2234 270 1747 217 40289 4029 32231 4029 93547 93547 434355 267198 161492 5665 95553 11751 83641 161 241654 148328 47667 45659 46244 23062 16786 6396 126045 104138 17193 4714 51817 27353 19878 4586 7745 352 5593 1800 1629 1629 777907 661221 116686 62920 54542 8378 ACCESSION OF ART 333525 333525 ENTERTAINMENT 134159 67591 26374 40194 WESTERN VISION EXPENSES 123573 123573 REPAIRS & MAINTENANCE 36305 28647 7626 32 73500 62683 7499 3318 4538807 2899507 1169061 470239 21905 12705 0 9200 4633 4659 2170240 2637119 281445 270000 39843 43907 158655 157129 47333 102096 21382534 9176887 12638271 12205647 11110698 12426112 1234615 1388561 27685733 29235230 166778 245451 166778 245451 X 16306412 16373946 3554986 4297048 7657557 8318785 27518955 28989779 27685733 29235230 X 495249 821629 153946 X 0 1 X 1 0 X 3208262 4502290 4033390 3048696 3641162 18433800 3208262 4502290 4033390 3048696 3641162 18433800 3481789 14952011 340486 391521 626047 648334 531910 2538298 22921 11375 8598 15710 58604 67359 37160 32 104551 21135253 9919219 0.70740 0.71870 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: MISCELLANEOUS INCOME - 2012 AMOUNT: $ 67,359. 2013 AMOUNT: $ 37,160. 2014 AMOUNT: $ 32. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 12025636 507282 1345520 431246 13447192 12130381 541500 -286246 359999 12025636 11438622 291851 799757 399849 12130381 8536677 2246214 983731 328000 11438622 7842087 27878 878712 212000 8536677 0.23750 0.61860 0.14390 0 0 509930 509930 9904498 4516854 5387644 9705207 3779969 5925238 1219670 836835 382835 43229 43229 0 12205647 X 7000703 821629 13000 1132018 1966647 5034056 0 5034056 5529879 13000 978072 991072 4538807 0 4538807 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, THE MUSEUM'S ART COLLECTION, WHICH HAS BEEN ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE INCEPTION, IS NOT RECOGNIZED AS AN ASSET ON THE STATEMENT OF FINANCIAL POSITION. PROCEEDS FROM THE SALES OF COLLECTION ITEMS ARE USED TO ACQUIRE OTHER ITEMS FOR THE COLLECTION. STEWARDSHIP POLICIES INCLUDE WRITTEN PROCEDURES FOR ACCESSION OF ART, DEACCESSION OF ART, ART ON LOAN TO THE MUSEUM, AND ART ON LOAN FROM THE MUSEUM. THE POLICIES ALSO INCLUDE PROCEDURES FOR THE CARE OF THE COLLECTION, SUCH AS PRESERVATION, SAFETY AND SECURITY, INSTALLATION, AND PACKAGING AND SHIPPING. THE POLICIES DETAIL THE PROCEDURES FOR INVENTORYING THE COLLECTION, INCLUDING LABELING, MONITORYING, RECORDKEEPING AND RECORD RECONCILIATION, ACCESS REPRODUCTION, AND INSURANCE. THE MUSEUM TRACKS THE COLLECTION AT ORIGINAL PURCHASED OR DONATED VALUE AND USES A MUTUALLY AGREED-UPON VALUE FOR LOANED ITEMS AS A WHOLE FOR PURPOSES OF ADEQUATE INSURANCE COVERAGE. IN ADDITION, THE MUSEUM'S FACILITY IS SPECIFICALLY DESIGNED TO PROTECT THE COLLECTION FROM DAMAGE. PART III, LINE 4: THE MUSEUM'S COLLECTION CONTAINS OVER 4,570 CATALOGUES ITEMS INCLUDING PAINTINGS, SCULPTURES, PRINTS, SKETCHES, AND ARCHIVAL MATERIAL RELATED TO WILDLIFE AND HUMANITY'S RELATIONSHIP WITH NATURE. THE COLLECTION IS USED TO EDUCATE EVERYONE FROM GENERAL MUSEUM VISITORS TO RESEARCHERS INTERESTED IN SPECIFIC TOPICS RELATED TO WILDLIFE AND NATURE. PART III, LINE 5: THE MUSEUM DID SOLICIT GIFTS FOR ARTWORK TO BE SOLD. THE SOLICITATIONS WERE MADE ONLY TO ARTISTS FOR DONATIONS OF THEIR OWN ARTWORK. PART V, LINE 4: THE MUSEUM HAS AN ENDOWMENT PORTFOLIO WHOSE PRIMARY OBJECTIVE IS TO PROVIDE A LONG-TERM SOURCE OF INCOME (DEFINED AS APPRECIATION AND/OR INCOME) TO BE DISTRIBUTED ANNUALLY IN SUPPORT OF THE MUSEUM'S MISSION AND GOALS. AS A SECONDARY OBJECTIVE, THE MUSEUM'S ENDOWMENT ASSETS AND/OR RESERVE FUNDS. AS REQUIRED BY ACCOUNTING PRINCIPLES GENERALLY ACCEPTED IN THE UNITED STATES OF AMERICA, NET ASSETS ASSOCIATED WITH ENDOWMENT FUNDS, INCLUDING FUNDS DESIGNATED BY THE BOARD OF TRUSTEES (THE "BOARD") TO FUNCTION AS ENDOWMENTS, ARE CLASSIFIED AND REPORTED BASED ON THE EXISTENCE OR ABSENCE OF DONORIMPOSED RESTRICTIONS. PART X, LINE 2: THE MUSEUM APPLIES A MORE-LIKELY-THAN-NOT MEASUREMENT METHODOLOGY TO REFLECT THE FINANCIAL STATEMENT IMPACT OF UNCERTAIN TAX POSITIONS TAKEN OR EXPECTED TO BE TAKEN IN A TAX RETURN. AFTER EVALUATIVE THE TAX POSITIONS TAKEN, NONE ARE CONSIDERED TO BE UNCERTAIN; THEREFORE, NO AMOUNTS HAVE BEEN RECOGNIZED AS OF APRIL 30, 2017. IF INCURRED, INTEREST AND PENALTIES ASSOCIATED WITH TAX POSITIONS ARE RECORDED IN THE PERIOD ASSESSED AS GENERAL AND ADMINISTRATIVE EXPENSE. NO INTEREST OR PENALTIES HAVE BEEN ASSES AS OF APRIL 30, 2017. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 92,748. SPECIAL EVENT EXPENSES 25,242. COST OF GOODS SOLD 860,082. CHANGE IN NPV OF SPLIT-INTEREST INVESTMENT 153,946. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD 860,082. RENTAL EXPENSES 92,748. SPECIAL EVENT EXPENSES 25,242. X X X X X X X 1 J WILLIAM KINGSTON 601 NE 36TH STREET 2703 MIAMI FL 33137 MAILING CAMPAIGN & DONOR RELATIONSHIPS 0 205333 83197 122136 SHAWN MEISL PO BOX 4697 JACKSON WY 83001 GRANT APPLICATIONS & FINAL REPORTING 0 62524 10350 52174 267857 93547 174310 WY PLEIN AIR FESTIVAL 63625 23650 39975 19138 1395 1200 3509 63625 23650 39975 19138 1395 1200 3509 25242 14733 X 114 35000 DONOR ESTIMATE X 11 157275 AVG HI/LOW FOR DATE X 4 8500 DONOR ESTIMATE X ART FOR SALE 12 5250 APPRAISAL X JEWELRY 1 1605 DONOR ESTIMATE 2 0 1 0 PART I, LINE 32B: THIRD PARTY - MERRILL LYNCH RECEIVES OUR STOCK DONATIONS INTO OUR ACCOUNT AND SELLS THEM UPON NOTIFICATION FROM AUTHORIZED STAFF. THE ORGANIZATION USED ASTORIA FINE ART TO SELL THE PIECE LISTED ABOVE UNDER "OTHER: ART FOR RESALE" PART I, LINE 33: DONATED ART IS FOR THE PUBLIC EXHIBIT, RESEARCH AND PRESERVATION AND NOT REPORTED AS REVENUE UNDER SFAS 116. FORM 990, PART III, LINE 1 THE MISSION OF THE NATIONAL MUSEUM OF WILDLIFE ART IS TO COLLECT, DISPLAY, INTERPRET AND PRESERVE THE HIGHEST QUALITY NORTH AMERICAN WILDLIFE ART, SUPPLEMENTED BY WILDLIFE ART FOUND THROUGHOUT THE WORLD. THE MUSEUM ENRICHES AND INSPIRES APPRECIATION AND KNOWLEDGE OF HUMANITY'S RELATIONSHIP WITH NATURE. FORM 990, PART III, LINE 4A MUSEUM MEMBERSHIP APPROX. 1,335: VISITATION WAS APPROX. 58,146 ANNUALLY - THE MUSEUM'S ART COLLECTION CONSISTS OF OVER 4,570 CATALOGUED WORKS BY MORE THAN 598 ARTISTS. THE WORK OF THESE ARTISTS REPRESENTS HISTORIC IMAGES AND STYLES WHICH HAVE SHAPED PUBLIC PERCEPTION OF WILDERNESS, WILDLIFE AND THE AMERICAN WEST. ARTISTS REPRESENTED INCLUDE CARL RUNGIUS, GEORGE CATLIN, ARTHUR FITZWILLIAM TAIT, C.M. RUSSELL, ALBERT BIERSTADT, CONRAD SCHWIERING, JOHN CLYMER, BOB KUHN, JOHN JAMES AUDUBON AND GEORGIA O'KEEFE. CAPITALIZING ON THE MUSEUM'S SETTING NEAR THE BIG GAME HABITATS OF GRAND TETON AND YELLOWSTONE NATIONAL PARKS, THE NMWA COLLECTION IS UTILIZED IN A VARIETY OF EDUCATIONAL PROGRAMS. OVER 93 VOLUNTEERS, RANGING IN AGE FROM TEENS TO SENIOR CITIZENS, ASSIST THE MUSEUM STAFF IN ALL FACETS OF THE MUSEUM'S OPERATION. THE "FIRST SUNDAYS" PROGRAM OFFERS FREE ADMISSION TO LOCALS ON THE FIRST SUNDAY OF EVERY MONTH. DURING THE WINTER MONTHS, A FREE COMMUNITY PERFORMANCE SERIES IS OFFERED ON THESE DAYS, AS WELL AS HANDS-ON ART PROJECTS FOR CHILDREN IN THE MUSEUM CLASSROOMS. FORM 990, PART III, LINE 4B 2016-2017 EXHIBITS PAINTING THE PARK: THE TETONS IN ART FRIDAY, MAY 13 SEPTEMBER 5, 2016 GILCREASE AND CHANGING VISIONS GALLERIES VINTAGE PARK POSTERS SATURDAY, JUNE 18 - AUGUST 18, 2016 OPEN STUDIO - SATURDAY, JUNE 18 - AUGUST 18, 2016 WAPITI GALLERY YELLOWSTONE NATIONAL PARK: THROUGH THE LENS OF TIME PHOTOGRAPHY BY BRADLY BONER SATURDAY, MAY 21 - AUGUST 28, 2016 KING GALLERY YOSEMITE 1938: ON THE TRAIL WITH ANSEL ADAMS AND GEORGIA O'KEEFFE FRIDAY, JUNE 10 - AUG 28, 2016 BISON GALLERY OPENS WITH A MIX'D MEDIA EVENT, THURSDAY, JUNE 9 WESTERN VISIONS FRIDAY, SEPTEMBER 9 SUNDAY, OCTOBER 9, 2016 KING, BISON, CHANGING VISIONS, AND GILCREASE GALLERIES 25 FABLES: AESOP'S ANIMALS ILLUSTRATED FRIDAY, OCTOBER 14, 2016 - APRIL 23, 2017 KING GALLERY OPENS WITH A MIX'D MEDIA EVENT, THURSDAY, OCTOBER 13 SANDY SCOTT: A RETROSPECTIVE SATURDAY, OCTOBER 22, 2016 - APRIL 16, 2017 BISON, CHANGING VISIONS, AND GILCREASE GALLERIES FORM 990, PART III, LINE 4C EDUCATIONAL PROGRAMS FOR CHILDREN - NMWA SERVES APPROXIMATELY 4,854 CHILDREN THROUGHOUT THE REGION ANNUALLY, RANGING IN AGE FROM PRE-K TO GRADE 12. WE USE OUR COLLECTION OF FINE ART TO TEACH A WIDE RANGE OF SUBJECT AREAS COMPATIBLE WITH SCHOOL CURRICULA. PROGRAMS FOR PRE-K THROUGH HIGH SCHOOL AGE CHILDREN ARE FREE, OCCUR THROUGHOUT THE YEAR, AND ARE OUTLINED ON OUR WEBSITE: HTTPS://WWW.WILDLIFEART.ORG/LEARN/SCHOOL-PROGRAMS/ FOR A SECOND YEAR, LOCAL HIGH SCHOOL STUDENTS PARTICIPATED IN THE STUDIO PROJECT, A COLLABORATION BETWEEN THE NATIONAL MUSEUM OF WILDLIFE ART AND THE ART ASSOCIATION OF JACKSON HOLE. STUDENTS MET EVERY MONDAY NIGHT FROM FEBRUARY - MAY TO LEARN THE FUNDAMENTALS OF OIL PAINTING AND WORKED ON BUILDING PROFESSIONAL ARTIST PORTFOLIOS. PARTICIPANTS CREATED THEIR OWN OIL PAINTINGS, INSPIRED BY ARTWORK IN THE NMWA COLLECTION, AND EXHIBITED IN A SHOW AT THE ART ASSOCIATION. THE VOICES AND ARTWORK OF THESE YOUNG ARTISTS ARE CURRENTLY FEATURED AS A MUSEUM MOBILE PHONE TOUR. IN JANUARY AND FEBRUARY, WE ORGANIZED IN-GALLERY ACTIVITIES AND ART MAKING PROJECTS FOR LOCAL NON-PROFITS CREST AND PARTNERS SERVING ELEMENTARY AND MIDDLE SCHOOL STUDENTS DURING TEACHER IN-SERVICE DAYS. A PRE-K STORYTELLING AND ART MAKING PROGRAM, "FABLES, FEATHERS, AND FUR (FFF)," TAKES PLACE EVERY WEDNESDAY, SERVING YOUNG CHILDREN AND THEIR FAMILIES THROUGHOUT THE YEAR. IN APRIL, WE PARTNERED WITH THE TETON LITERACY CENTER TO HOST A FAMILY LITERACY NIGHT THAT INCLUDED IN-GALLERY ACTIVITIES AND A FAMILY ART MAKING PROJECT INSPIRED BY THE EXHIBIT NATIONAL GEOGRAPHIC'S PHOTO ARK. WE ENGAGED IN COLLABORATIONS WITH TETON SCIENCE SCHOOL (TSS) DURING THE SCHOOL YEAR TO PROVIDE "ART AND LITERATURE" THEMATIC TOURS, AND "MUSEUM TOOL BOX TRAINING" FOR TSS'S AMERICORPS AND GRADUATE-LEVEL FIELD STAFF. PERFORMANCES AND ART MAKING ACTIVITIES FOR CHILDREN TAKE PLACE ON THE FIRST SUNDAY OF EACH MONTH FROM NOVEMBER THROUGH MARCH. OUTREACH PROGRAMS ARE AVAILABLE IN LOCAL SCHOOL CLASSROOMS; AND VIA OUR ON-LINE CURRICULUM LESSONS AND EDUCATIONAL GAMES. OUR ON-SITE CHILDREN'S GALLERY PROVIDES HANDS-ON INTERACTIVE EXHIBITS FOR CHILDREN. A RANGE OF IN-GALLERY TECHNOLOGY-DRIVEN INTERACTIVES WERE OFFERED INCLUDING A PLEIN AIR PAINTING SIMULATION, AN INTERACTIVE TOUCH-SCREEN INFORMING VISITORS ABOUT STEVE KESTREL'S BRONZE SCULPTURE SILENT MESSENGER, AND A ROBERT KUHN ACRYLIC PAINTING VIDEO DEMONSTRATION. EDUCATIONAL PROGRAMS FOR ADULTS - WE SERVE APPROXIMATELY 3,850 ADULTS ANNUALLY WITH OUR "SNEAK PEEK" BEHIND THE SCENES GALLERY TALKS, OUR FILMS, AND ARTIST TALKS. WE ALSO HAVE A RICH ROSTER OF COMMUNITY PROGRAMS ON THE OUTDOOR SCULPTURE TRAIL SUCH AS "YOGA ON THE TRAIL AND FOUR FREE MOBILE TOURS INCLUDING RUNGIUS LETTERS, SAVING A SPECIES, SCULPTURE TRAIL, AND THE STUDIO PROJECT. A PROGRAM FOR YOUNG ADULTS CALLED "MIX'D MEDIA" PROVIDES EVENING ACCESS TO THE MUSEUM'S ART, AND OFFERS MUSIC, ART MAKING, ARTIST INTERACTIONS, ALONG WITH EXHIBIT THEMED FOOD & DRINK TO THE PUBLIC. THIS YEAR, WE INITIATED A "SALON STUDY GROUP", TO ENGAGE ADULT AUDIENCES IN DISCUSSIONS ABOUT ART AND CULTURE. FORM 990, PART VI, SECTION A, LINE 1 THE EXECUTIVE COMMITTEE CONSISTS OF THE CHAIRMAN, CHAIRMAN EMERITUS, VICE-CHAIRMAN, TREASURER & FINANCE COMMITTEE CHAIRMAN, DEVELOPMENT CHAIRMAN, COLLECTIONS COMMITTEE CHAIRMAN, FACILITY & GROUNDS COMMITTEE CHAIR, COMMUNITY FOCUS COMMITTEE CHAIRMAN, NOMINATING COMMITTEE CHAIRMAN, AND STRATEGIC PLANNING CHAIRMAN. ALL ARE MEMBERS OF THE BOARD. THE EXECUTIVE COMMITTEE IS EMPOWERED TO ACT WHEN THE FULL BOARD HAS NOT CONVENED. IF EITHER THE BOARD DELEGATES AN ITEM TO THE EXECUTIVE COMMITTEE, OR THE MUSEUM DIRECTOR BRINGS AN ITEM TO THE EXECUTIVE COMMITTEE WHICH NEEDS ACTION, THEY CAN ACT. IF THEY DO ACT, THE FULL BOARD STILL HEARS THE ISSUE AND COULD OVERTURN THE EXECUTIVE COMMITTEE, THOUGH THAT IS NOT ANTICIPATED. FORM 990, PART VI, SECTION A, LINE 2 FAMILY RELATIONSHIP: WILLIAM G KERR AND KAVAR KERR FAMILY RELATIONSHIP: SCOTT KIRKPATRICK AND LYNN FRIESS FORM 990, PART VI, SECTION B, LINE 11B ALL TRUSTEES ARE PROVIDED WITH A COPY OF THE FORM 990 PRIOR TO FILING. THE DETAIL REVIEW HAS BEEN DELEGATED BY THE GOVERNING BODY TO THE FINANCE COMMITTEE. FORM 990, PART VI, SECTION B, LINE 12C AN ANNUAL QUESTIONNAIRE IS SENT TO EACH TRUSTEE. THE CHIEF FINANCIAL OFFICER REVIEWS THE RESPONSES TO DETERMINE IF ANY CONFLICTS EXIST. NO CONFLICTS HAVE BEEN NOTED. FORM 990, PART VI, SECTION B, LINE 15 PRIOR TO THE CLOSE OF EACH FISCAL YEAR THE CHAIRMAN AND VICE CHAIRMAN ASSESS IN WRITING THE PERFORMANCE OF THE MUSEUM DIRECTOR IN LIGHT OF STATED GOALS AND OBJECTIVES. IN KEEPING WITH THE TERMS AND CONDITIONS OF ANY RELEVANT EMPLOYMENT CONTRACT A RECOMMENDATION IS THEN MADE TO THE EXECUTIVE COMMITTEE REGARDING COMPENSATION FOR THE UPCOMING YEAR, WHICH REVIEWS AND APPROVES THE MUSEUM DIRECTOR'S COMPENSATION. AN INDEPENDENT SALARY REVIEW IS PERFORMED EVERY THREE YEARS. THE ORGANIZATION MAINTAINS THE APPROPRIATE DOCUMENTATION OF THE COMPENSATION AGREEMENT. FORM 990, PART VI, SECTION C, LINE 19 THE GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS ARE AVAILABLE UPON REQUEST. FORM 990, PART XI, LINE 9: CHANGE IN NPV OF SPLIT-INTEREST INVESTMENT 153,946.