2018-11-13T13:42:49-06:00 2017-12-31 593040705 RIVERO GORDIMER & COMPANY PA P O BOX 172359 TAMPA FL 33672 990 2017-01-01 591934721 THE TAMPA MUSEUM OF ART INC TAMP 8134218363 120 W GASPARILLA PLAZA TAMPA FL 33602 DEAN HAMRIC TREASURER 8134218363 2018-11-08 1 SAM A LAZZARA P01342929 8138757774 47.206.110.12 2018-11-08 14:58:32 ES P 69A26F9334EBCBBAE563FF7F9523795D603EB3D5 69A26F9334EBCBBAE563FF7F9523795D603EB3D5 2017 2019-02-21 02:37:17Z DEAN HAMRIC 120 W GASPARILLA PLAZA TAMPA FL 33602 2917984 0 X WWW.TAMPAMUSEUM.ORG X 1978 FL TO GATHER, STUDY, DISCUSS AND PRESENT THE FINEST VISUAL ARTS FOR A CURIOUS PUBLIC. 50 49 42 200 0 0 2242075 1852492 0 0 58766 58766 1404333 1006726 3705174 2917984 0 0 0 0 1086207 1477599 0 0 345037 2019484 1895087 3105691 3372686 599483 -454702 13536709 22751750 3185385 2756910 10351324 19994840 X THE MISSION OF THE TAMPA MUSEUM OF ART (MUSEUM) IS TO GATHER, STUDY, DISCUSS AND PRESENT THE FINEST VISUAL ARTS WITH AND FOR A CURIOUS PUBLIC. THE MUSEUM'S VISION IS TO CREATE AN ENVIRONMENT TO EXPLORE NEW IDEAS AND INNOVATIVE EXPERIENCES. THE MUSEUM SETS OUT TO ACCOMPLISH THIS MISSION AND ACHIEVE THIS VISION THROUGH A VAST ARRAY OF PUBLIC PROGRAMS AIMED AT AUDIENCES OF ALL AGES, BACKGROUNDS, ETHNICITIES AND INTERESTS. 0 0 2589809 THE TAMPA MUSEUM OF ART IS A CULTURAL INSTITUTE THAT ADDS MEASURABLE VALUE TO PEOPLE'S LIVES. WE ARE A PLACE TO CELEBRATE ICONIC WORKS OF ART IN EXHIBITIONS FEATURING BREAKTHROUGHS IN ARTISTIC DIRECTIONS AND WE ARE A VENUE FOR COMMUNITY FORUMS AND DIALOGUES WITH INTERNATIONALLY RECOGNIZED ART AND SCHOLARS. THE TMA IS ALSO A REPOSITORY OF ART FOR CURRENT AND FUTURE GENERATIONS, AS WE PROVIDE STUDIO ART PROGRAMS, SCHOOL FIELD TRIPS FOR STUDENTS AND TOURS FOR ADULTS, AND OFFER OVER SIXTEEN DIFFERENT ART EDUCATION PROGRAMS AND WORKSHOPS FOCUSED ON ANCIENT, MODERN, AND CONTEMPORARY ART. CONTINUED AT SCHEDULE O. 2589809 1 1 0 0 0 0 0 1 0 1 1 0 0 1 1 1 0 1 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 1 0 0 0 1 28 0 1 42 1 0 0 0 0 0 0 0 0 X 50 49 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 0 1 1 0 FL X X DEBORAH MCCARTHY 8134218363 120 W GASPARILLA PLAZA TAMPA FL 33602 ALLISON ADAMS BOARD CHAIR 1.00 2.00 X X 0 0 0 PENNY VINIK VICE CHAIR 1.00 2.00 X X 0 0 0 CORNELIA CORBETT VICE CHAIR 1.00 1.00 X X 0 0 0 MARK ANDERSON VICE CHAIR 1.00 2.00 X X 0 0 0 DEAN HAMRIC TREASURER 1.00 2.00 X X 0 0 0 ED WALLER SECRETARY 1.00 2.00 X X 0 0 0 DEBRA WILLIAMS IMMEDIATE PAST CHAIR 1.00 1.00 X X 0 0 0 MICHAEL A TOMOR EXECUTIVE DIRECTOR 22.00 18.00 X X 0 203287 0 FRANK BONSACK TRUSTEE 1.00 X 0 0 0 WALTER AYE TRUSTEE 1.00 X 0 0 0 YVONNE CAPIN TRUSTEE 1.00 X 0 0 0 BILL BLANCHARD TRUSTEE 1.00 X 0 0 0 PAT CARTER TRUSTEE 1.00 1.00 X 0 0 0 DEBBIE COOK TRUSTEE 1.00 X 0 0 0 MAUREEN COHN TRUSTEE 1.00 X 0 0 0 SANTIAGO CORRADA TRUSTEE 1.00 1.00 X 0 0 0 MAUREEN DALY TRUSTEE 1.00 X 0 0 0 ELIZABETH DIMMITT TRUSTEE 1.00 X 0 0 0 STEPHEN DICKEY TRUSTEE 1.00 X 0 0 0 JULIO ESQUIVEL TRUSTEE 1.00 X 0 0 0 MARGO EURE TRUSTEE 1.00 1.00 X 0 0 0 JAMIE FERNANDEZ TRUSTEE 1.00 X 0 0 0 NANCY DE WAART TRUSTEE 1.00 X 0 0 0 HAL FLOWERS TRUSTEE 1.00 X 0 0 0 CATHY GRANT TRUSTEE 1.00 X 0 0 0 KEN GRIDER TRUSTEE 1.00 X 0 0 0 JACK HEISS TRUSTEE 1.00 X 0 0 0 PETER HEPNER TRUSTEE 1.00 X 0 0 0 THOMAS HOCHHAUSLER TRUSTEE 1.00 X 0 0 0 LIBBY HOPKINS TRUSTEE 1.00 X 0 0 0 RAY IFERT TRUSTEE 1.00 1.00 X 0 0 0 ROBERT ISBELL TRUSTEE 1.00 X 0 0 0 DIANNE JACOB TRUSTEE 1.00 X 0 0 0 SANDY JUSTER TRUSTEE 1.00 X 0 0 0 TYLER ILLER TRUSTEE 1.00 X 0 0 0 MARTY LANAHAN TRUSTEE 1.00 X 0 0 0 SONYA LITTLE TRUSTEE 1.00 1.00 X 0 0 0 SANDY MURMAN TRUSTEE 1.00 X 0 0 0 HOWARD MILLS TRUSTEE 1.00 X 0 0 0 KENNY PAGES TRUSTEE 1.00 X 0 0 0 SHARMILA SETH TRUSTEE 1.00 X 0 0 0 ROBIN SHARP TRUSTEE 1.00 X 0 0 0 RICK SIMONETTI TRUSTEE 1.00 X 0 0 0 BARBARA STUBBS TRUSTEE 1.00 X 0 0 0 SUSIE RICE TRUSTEE 1.00 X 0 0 0 LINCOLN TAMAYO TRUSTEE 1.00 X 0 0 0 CYNTHIA SASS TRUSTEE 1.00 X 0 0 0 MARK SENA TRUSTEE 1.00 X 0 0 0 RENEE VAUGHN TRUSTEE 1.00 X 0 0 0 MICAH FOGARTY TRUSTEE 1.00 X 0 0 0 0 203287 0 0 0 1 0 0 344099 941619 566774 1852492 58766 58766 OTHER INCOME 900099 1006726 1006726 1006726 2917984 1006726 0 58766 111808 88328 23480 1181713 628182 299719 253812 21054 10628 10426 80829 42165 19526 19138 82195 53048 9933 19214 125 125 15331 12786 1640 905 1000000 1000000 694459 579179 74307 40973 ART PURCHASES 162064 162064 MEMBER SERVICES 13244 12675 569 OTHER EXPENSES 7431 754 6677 TRAVEL 2433 2433 3372686 2589809 437840 345037 520601 824301 38397 26841 17500 7500 546041 15671 4816912 4816912 52567 57422 885 12983 3553093 2071897 1500960 1481196 6042846 15508924 13536709 22751750 80246 98263 76250 72157 2001816 1922891 1027073 663599 3185385 2756910 X -1443609 8479042 11532851 11253716 262082 262082 10351324 19994840 13536709 22751750 X -454702 10098218 X X 0 1 X 1 0 X 1735260 3515016 1711231 2242075 1852492 11056074 60000 60000 60000 60000 60000 300000 1795260 3575016 1771231 2302075 1912492 11356074 2532640 8823434 58207 84519 67644 58766 58766 327902 11683976 0.75520 0.97120 X X 0 1533474 1533474 1417474 116000 1533474 1417474 50125 50125 1417474 1417474 67555 67555 1417474 1417474 41531 41531 1417474 1.00000 1 0 2741385 1764216 977169 811708 307681 504027 1481196 LEASEHOLD INTEREST 15508924 15508924 INTERCOMPANY 663599 663599 X 2977984 60000 60000 2917984 0 2917984 3432686 60000 60000 3372686 0 3372686 PART X, LINE 2: THE ORGANIZATION ACCOUNTS FOR THE EFFECT OF ANY UNCERTAIN TAX POSITIONS BASED ON A "MORE LIKELY THAN NOT" THRESHOLD TO THE RECOGNITION OF THE TAX POSITIONS BEING SUSTAINED BASED ON THE TECHNICAL MERITS OF THE POSITION UNDER SCRUTINY BY THE APPLICABLE TAXING AUTHORITY. IF A TAX POSITION OR POSITIONS ARE DEEMED TO RESULT IN UNCERTAINTIES OF THOSE POSITIONS, THE UNRECOGNIZED TAX BENEFIT IS ESTIMATED BASED ON A "CUMULATIVE PROBABILITY ASSESSMENT" THAT AGGREGATES THE ESTIMATED TAX LIABILITY FOR ALL UNCERTAIN TAX POSITIONS. THE ORGANIZATION HAS IDENTIFIED ITS TAX STATUS AS A TAX -EXEMPT ENTITY AS ITS ONLY SIGNIFICANT TAX POSITION; HOWEVER, THE ORGANIZATION HAS DETERMINED THAT SUCH TAX POSITION DOES NOT RESULT IN AN UNCERTAINTY REQUIRING RECOGNITION. THE ORGANIZATION IS NOT CURRENTLY UNDER EXAMINATION BY ANY TAXING JURISDICTION. THE ORGANIZATION'S FEDERAL RETURNS ARE GENERALLY OPEN FOR EXAMINATION FOR THREE YEARS FOLLOWING THE DATE FILED. 0 0 0 0 0 0 0 0 0 MICHAEL A TOMOR EXECUTIVE DIRECTOR 0 203287 0 0 0 0 0 0 0 0 0 203287 0 0 X 14 72000 FMV 0 0 0 PART I, LINE 33: THE ORGANIZATION HAS SIGNIFICANT HOLDINGS, WHICH ARE NOT VALUED IN THE MUSEUMS FINANCIAL STATEMENTS, IN THREE MAJOR AREAS: GREEK AND ROMAN ANTIQUITIES, PHOTOGRAPHY, AND TWENTIETH CENTURY/CONTEMPORARY ART. THE COLLECTION OF GREEK AND ROMAN ANTIQUITIES IS ESPECIALLY STRONG IN PAINTED GREEK CERAMIC VASES OF THE SIXTH, FIFTH, AND FOURTH CENTURIES B.C. TWENTIETH CENTURY HOLDINGS CONSIST OF PRINTS, DRAWINGS, WATERCOLORS, SCULPTURES AND PAINTINGS, PRIMARILY BY U.S. ARTISTS. THE PHOTOGRAPHY COLLECTION INCLUDES NINETEENTH AND TWENTIETH CENTURY WORKS WITH AN EMPHASIS ON CONTEMPORARY PHOTOGRAPHY. FOR THE YEAR ENDED DECEMBER 31, 2017, THE MUSEUM ASSESSED DONATED ART, HAVING AN ESTIMATED FAIR VALUE OF $72,000 INTO ITS COLLECTION. FORM 990, PART III, LINE 4A: IN 2017, THE TAMPA MUSEUM OF ART RAISED REVENUE AND ALLOCATED ITS RESOURCES TOWARD MANAGEMENT AND PRESENTATION OF COLLECTIONS, COLLECTIONS' CARE AND MANAGEMENT, AND A ROBUST SCHEDULE OF EXHIBITION AND EDUCATION PROGRAMS TO SERVE THE TAMPA BAY COMMUNITY. THE TAMPA MUSEUM OF ART'S 2017 PERMANENT COLLECTION COMPRISED OVER 7,222 OBJECTS. THE MUSEUM PRIMARILY COLLECTS CLASSICAL ANTIQUITIES (665 OBJECTS), 19TH-CENTURY PHOTOGRAPHY AND PRINTS EMPHASIZING WORKS THAT RELATE TO THE CLASSICAL COLLECTION (APPROXIMATELY 1,300 OBJECTS), MODERN AND CONTEMPORARY ART IN A VARIETY OF MEDIA (2,651 OBJECTS), WITH AN EMPHASIS ON PHOTOGRAPHY, ART CREATED AFTER 1970, AND NEW MEDIA. THE MUSEUM COLLECTS WORKS BY NATIONALLY AND INTERNATIONALLY RECOGNIZED ARTISTS IN A RANGE OF TECHNIQUES AND MEDIUMS, MANY OF WHOM HAVE TIES TO FLORIDA AND THE TAMPA BAY REGION. THE MUSEUM RECOGNIZES THAT ITS ACQUISITIONS TODAY ARE SETTING STANDARDS FOR FUTURE COLLECTING ACTIVITY AND BUILDING A FOUNDATION FOR EXHIBITIONS AND EDUCATION PROGRAMMING. IN ADDITION TO SEVERAL SMALLER EXHIBITIONS DRAWN FROM OUR PERMANENT COLLECTION, IN 2017 WE FEATURED SIX IMPORTANT TRAVELING AND IN-HOUSE CURATED EXHIBITIONS TO TAMPA, EACH OUTLINED BRIEFLY BELOW. WHO SHOT SPORTS: A PHOTOGRAPHIC HISTORY 1843 TO TE PRESENT AND LENS ON TAMPA BAY SPORTS FEBRUARY 4 THROUGH APRIL 30. WHO SHOT SPORTS, CURATED BY GAIL BUCKLAND AND ORGANIZED BY THE BROOKLYN MUSEUM, IS ONE TO THE FIRST MUSEUM EXHIBITIONS TO PUT SPORTS PHOTOGRAPHERS IN THE FOREFRONT AND IS THE MOST COMPREHENSIVE PRESENTATION OF SPORTS PHOTOGRAPHY EVER ORGANIZED. IT ENCOMPASSED APPROXIMATELY 217 WORKS, FROM DAGUERREOTYPES AND SALTED PAPER PRINTS TO DIGITAL IMAGES, CAPTURING THE UNIVERSAL APPEAL OF SPORTS, ITS UNFORGETTABLE MOMENTS OF DRAMA AND EXCITEMENT FROM AROUND THE GLOBE. THIS 175-YEAR PHOTOGRAPHIC SURVEY INCLUDED RICHARD AVEDON, HAROLD EDGERTON, JACQUES HENRI LARTIGUE, EADWEARD MUYBRIDGE, ALEXANDER RODCHENKO AND OVER 160 OTHERS OF GREAT HISTORICAL RENOWN. LENS ON TAMPA BAY SPORTS, A PENDANT EXHIBITION OF OUR OWN, CONNECTED THE ROLE OF CELEBRATED PHOTOGRAPHY TO THE NATIONAL IMPORTANCE OF SPORTS TO THE REGION. FORTY-ONE WORKS CREATED BY EIGHT PHOTOGRAPHERS CAPTURING THE LAST 14 YEARS OF SPORTS, THE EXHIBITION INCLUDES REFLECTIONS ON THE RAYS, BUCCANEERS, ROWDIES, AND LIGHTNING. ALEX KATZ: BLACK AND WHITE FEBRUARY 23 THROUGH MAY 29. SPOTLIGHTING AN ARTIST OF INTERNATIONAL RENOWN, THIS EXHIBITION FEATURED SIXTY-ONE OF ALEX KATZ'S SIGNATURE PORTRAITS OF FAMILY AND FRIENDS, RENDERINGS OF MAINE'S COUNTRYSIDE, AND EPHEMERAL STILL-LIFES. THE STARK CONTRASTS IN LIGHT AND SHADOW, AS WELL AS THE EMPHASIS ON LINE AND FORM, ILLUSTRATED THE BEAUTY OF KATZ'S REDUCTIVE BLACK AND WHITE LANDSCAPES AND FIGURATIVE WORK. A SELECT GROUP OF COLOR WORKS ILLUSTRATED THE RELATIONSHIP BETWEEN KATZ'S VIBRANT PALETTE AND THE GRAPHIC QUALITY OF HIS BLACK AND WHITE PRINTS. KATZ, CONSIDERED TO BE ONE OF THE GREAT GIANTS OF POST-WAR MODERNISM, CELEBRATED HIS 90TH BIRTHDAY THAT YEAR AND HAS BEEN LAUDED ACROSS THE NATION AND THE WORLD FOR THE PAST 65 YEARS IN THE FIELD. FLORIDA IMAGES: LANDSCAPE PHOTOGRAPHY FROM THE PERMANENT COLLECTION MAY 12 - JUNE 25. THE TAMPA MUSEUM OF ART'S PHOTOGRAPHY COLLECTION INCLUDES MANY WORKS THAT CAPTURE THE BEAUTY OF FLORIDA'S NATURAL SHORELINES AND TROPICAL VEGETATION. THIS SPOTLIGHT EXHIBITION FOCUSED ON LANDSCAPE PHOTOGRAPHY FROM THE PAST 30 YEARS, HIGHLIGHTING IMPORTANT WORKS BY REGIONAL PHOTOGRAPHERS SUCH AS CLYDE BUTCHER, ABIGAIL PERLMUTTER, AND RODGER KINGSTON. FLORIDA IMAGES ALSO PRESENTED PICTURES BY PHOTOGRAPHERS CAPTIVATED BY FLORIDA'S SWEEPING SKYLINES AND LUSH FLORA, INCLUDING LARRY SILVER AND WOODY WALTERS. BUTCHER'S BLACK AND WHITE PHOTOGRAPH LOXAHATCHEE RIVER 1 (1991), A RECENT ACQUISITION, WILL BE AMONG THE WORKS ON VIEW. PHOTOREALISM: 50 YEARS OF HYPERREALISTC PAINTING JULY 12 - NOVEMBER 10. THE TAMPA MUSEUM OF ART WAS THE ONLY AMERICAN VENUE ON THIS INTERNATIONAL TOUR OF PHOTOREALISM AND WAS ONE OF THE LENDERS TO THE EXHIBITION CURATED BY THE INSTITUT FR KULTURAUSTAUSCH IN TBINGEN, GERMANY. PHOTOREALISM TRACED THE EVOLUTION OF THE IMPACT OF PHOTOGRAPHY AND HYPERREALISM FROM 1960 THROUGH TODAY AND INCLUDED THE WORK OF OVER 30 INTERNATIONALLY RECOGNIZED ARTISTS KNOWN FOR DETAILED, HYPER DEPICTIONS OF ORDINARY OBJECTS AND SCENES OF EVERYDAY LIFE. ART DEALER AND AUTHOR LOUIS K. MEISEL COINED THE TERM "PHOTOREALISM" IN THE LATE 1960S TO DESCRIBE LARGE-SCALE PAINTINGS CREATED TO LOOK PHOTOGRAPHIC. ARTIST RALPH GOINGS (REPRESENTED BY A TAMPA MUSEUM OF ART PERMANENT COLLECTION PAINTING), JOHN BAEDER, AND GUS HEINZ CAPTURED THE MUNDANE BEAUTY OF CHROMED AUTOMOBILES, DINERS, AND CITYSCAPES IN THEIR RENDERINGS OF AMERICAN CONSUMER CULTURE. OTHER FEATURED ARTISTS, SUCH AS CHUCK CLOSE AND ROBERT BECHTLE, PIONEERED NEW APPROACHES TO PORTRAITURE. RAPHAELLA SPENCE AND YIGAL OZERI, ALSO ON VIEW, BELONG TO A NEW GENERATION WHO CREATE PHOTOREALIST WORKS FROM DIGITAL MEDIA. SKYWAY: A CONTEMPORARY COLLABORATION JUNE 22 THROUGH SEPTEMBER 24. THE TAMPA MUSEUM OF ART, THE MUSEUM OF FINE ARTS, ST. PETERSBURG, AND THE JOHN AND MABLE RINGLING MUSEUM OF ART COLLABORATED ON A JOINT EXHIBITION IN THE SUMMER OF 2017. SKYWAY FEATURED THE WORK OF FIFTY-SEVEN SELECTED ARTISTS FROM A FOUR-COUNTY AREA SERVED BY OUR RESPECTIVE MUSEUMS: HILLSBOROUGH, PINELLAS, MANATEE, AND SARASOTA COUNTIES. THE ARTISTS FEATURED ACROSS THE THREE VENUES HIGHLIGHTED THE INNOVATIVE ART CREATED IN OUR REGION. THE WORK WAS NEW, NEVER PREVIOUSLY EXHIBITED, AND PRODUCED WITHIN TWO YEARS OF THE EXHIBITION. A CALL FOR ARTISTS IN 2016 YIELDED NEARLY 300 ENTRIES, THEN JURIED BY A TEAM OF FIVE CURATORS FROM THE PARTICIPATING MUSEUMS, PLUS GUEST JUROR DIANA NAWI, ASSOCIATE CURATOR AT THE PEREZ ART MUSEUM MIAMI . THIS WAS A FIRST EVER PARTNERSHIP AMONG THESE THREE MUSEUMS AND SET A PROGRAM IN MOTION FOR THE REGION THAT CELEBRATED LIFE THROUGH THE EYES OF OUR AREA ARTISTS. MADE IN TAMPA: PERMANENT COLLECTION ARTWORKS FROM THE 1970S TO NOW OCTOBER 12, 2017 - MARCH 12, 2018. IN THE SPIRIT OF SKYWAY, THE REGIONAL ARTIST EXHIBITION SHARED WITH MUSEUMS IN NEIGHBORING COUNTIES, MADE IN TAMPA FEATURED TAMPA-THEMED WORKS BY ROBERT RAUSCHENBERG, JAMES ROSENQUIST, RICHARD ANUSZKIEWICZ, AND OTHERS WHO HAVE WORKED IN OUR CITY AT VARIOUS TIMES IN THEIR CAREERS. TAKING ITS NAME FROM AN IMPORTANT SUITE OF WORKS CREATED BY RAUSCHENBERG IN THE EARLY YEARS OF GRAPHICSTUDIO AT THE UNIVERSITY OF SOUTH FLORIDA, MADE IN TAMPA UNDERSCORED THE GREAT DIVERSITY OF ARTWORK INSPIRED BY AND PRODUCED IN TAMPA OVER THE LAST SEVERAL DECADES. ARTISTS SUCH AS DONALD SAFF, THEO WUJCIK, AND OTHERS WHO WORKED CLOSELY WITH MORE FAMOUS LUMINARIES THROUGHOUT THE 1970S, '80S, AND '90S WERE ALSO INCLUDED. ALTOGETHER, MADE IN TAMPA FEATURED SOME 20 WORKS ACROSS MANY MEDIA, INCLUDING SCULPTURE, PAINTING, AND A WIDE RANGE OF PRINTS. THE MUSEUM IS ALSO PROUD TO HAVE PRESENTED A WIDE RANGE OF EDUCATION OPPORTUNITIES TO THE PUBLIC. WITH A STRONG EMPHASIS ON EDUCATING THE PUBLIC ABOUT MODERN, CONTEMPORARY AND ANCIENT ART, 2017 PROGRAMS AT THE MUSEUM INCLUDED TWO EXHIBITIONS DEDICATED TO ANCIENT GREEK AND ROMAN ART AND ELEVEN MODERN AND CONTEMPORARY CURATED EXHIBITIONS INFORMING CONTENT OF A DOZEN MONTHLY EDUCATION PROGRAM OFFERINGS, TOGETHER REPRESENTING CLOSE TO 200 INDIVIDUAL EDUCATION OPPORTUNITIES DURING THE COURSE OF THE YEAR. TO ENHANCE THE VOICE OF THE STAFF, 25% OF THE EXHIBITIONS WERE LEASED FROM AND CURATED BY NATIONALLY RECOGNIZED INSTITUTIONS AND THEIR STAFF, 20 PROFESSIONAL TEACHING ARTISTS WERE EMPLOYED TO INSTRUCT STUDIO ART CLASSES, AND AROUND 20 GUEST SCHOLARS, ARTISTS, AND COLLECTORS WERE ENGAGED TO SHARE SPECIALIZED INSTRUCTION AND INFORMATION IN FORMAL AND INFORMAL PUBLIC PRESENTATIONS. IN CARRYING OUT OUR MISSION, REACHING OUR OBJECTIVES AND PROVIDING ACTIVITIES TO THE COMMUNITY, THE MUSEUM PARTNERS WITH ARTS AGENCIES AND COMMUNITY NON-PROFITS ORGANIZATIONS. IN 2017, THE MUSEUM ENJOYED PARTNERSHIPS WITH THE TAMPA BAY FOUNDATION FOR MENTAL HEALTH AND THE UNIVERSITY OF SOUTH FLORIDA HONORS COLLEGE FOR CONNECTIONS, A FREE MENTAL HEALTHCARE COMMUNITY ART ENGAGEMENT PROGRAM. THAT PROGRAM GREW FROM 84 PARTICIPANTS AND 7 STUDENT FACILITATORS TO 456 PARTICIPANTS REPRESENTING THE COMMUNITY AND 14 NON-PROFIT AND FOR PROFIT COMMUNITY PARTNERS. IN ADDITION, CONNECTIONS BECAME A CREDITED CAPSTONE COURSE IN THE HONORS COLLEGE OF USF AND IN 2017 THE MUSEUM TRAINED 39 STUDENT FACILITATORS TO DELIVER GALLERY PROGRAMS TO COMMUNITY PARTICIPANTS. INTERNSHIPS WERE ONGOING AS A RESULT OF A RELATIONSHIP WITH THE UNIVERSITY OF TAMPA. IN PROVIDING ART SPACE, AN ART EDUCATION OUTREACH PROGRAM FOR THOSE ECONOMICALLY IF NOT ENVIRONMENTALLY DISADVANTAGED, WE WORKED WITH THE SPRING, WHICH PROVIDES SUPPORT FOR VICTIMS OF DOMESTIC VIOLENCE; REDEFINING REFUGE, WHICH PROVIDES SUPPORT FOR VICTIMS OF HUMAN TRAFFICKING; AND PORTICO, A BRANCH OF THE HYDE PARK METHODIST CHURCH FORM 990, PART III, LINE 4A, CONTINUED: PROVIDING SERVICES TO THE HOMELESS IN DOWNTOWN TAMPA. THE MUSEUM ALSO CONTINUED THEIR PARTNERSHIP WITH THE LIGHTNING FOUNDATION AND THE VINIK FAMILY FOUNDATION IN OUR YOUTH COUNCIL AND THE COMMUNITY HEROES PROGRAM, WHICH PROVIDED TEENAGERS WORK EXPERIENCE IN TEACHING OTHER TEENS HOW TO DEVELOP, MANAGE, AND MARKET MUSEUM PROGRAMS FOR TEENAGERS. MONDAY MEDITATION TOOK PLACE AT THE MUSEUM IS A PARTNERSHIP WITH THE PARBAWATIYA KADAMPA BUDDHIST CENTER IN 2016. THE STUDIO ART PROGRAM AT THE MUSEUM IN 2017 CONTINUED ITS PARTNERSHIP WITH THE CITY OF TAMPA AND HILLSBOROUGH COUNTY AND THE JEWISH COMMUNITY CENTER TO OFFER OFFSITE CLASSES AT THE JCC FOR YOUTH AND ADULTS. IN THAT YEAR, THE OFFSITE STUDIO ART PROGRAMS EXPANDED TO WINTHROP ARTS FACTORY IN RIVERVIEW AND FIREHOUSE CULTURAL CENTER IN RUSKIN. THESE WERE BUT A FEW OF THE 2017 PARTNERSHIPS IN PLACE IN 2017. THE MUSEUM OFFERED FREE, DOCENT-LED TOURS OF MUSEUM EXHIBITIONS TO ALL HILLSBOROUGH COUNTY SCHOOLS, ADULTS AND SENIORS. TEACHER PREVIEWS WERE HELD TWICE IN 2017 AND TEACHERS FROM ALL OVER THE COUNTY WERE INVITED INTO THE MUSEUM, FOR FREE, TO SEE HOW THE ART CAN BE INCORPORATED INTO THEIR CLASSROOM EXPERIENCE; THESE PROGRAMS WERE DESIGNED TO BE CROSS-CURRICULAR LINKED TO FLORIDA STANDARDS. A NEW MUSEUM FUNDED RESOURCE, ART LINE OFFERED FREE BUS TRIPS TO AND FROM THE TAMPA MUSEUM OF ART FOR K-12 SCHOOL GROUPS PARTICIPATING IN OUR FREE SCHOOL TOURS PROGRAM, EACH SUBSIDIZED AND SPONSORED BY INDIVIDUALS AND CORPORATIONS. THE MUSEUM OFFERED EVENING LECTURES AND PANEL DISCUSSIONS RELATED TO EXHIBITIONS ON DISPLAY AND THE MUSEUM HOSTED INFORMAL "THIRTY ON THURSDAY" PROGRAMS, WHICH HIGHLIGHT CURRENT EXHIBITIONS AND ARTISTS. YOUTH COUNCIL AND EVENTS LAUNCHED IN THE SUMMER OF 2017; THIS IS AN UNIQUE PROGRAM ESTABLISHED IN 2016 FOR TEENS IN HILLSBOROUGH COUNTY FOCUSING ON LEADERSHIP, CREATIVITY AND THE ARTS AND CULTURE INDUSTRY. YOUTH EVENTS WERE DIVERSE IN OFFERING, DESIGNED AND COORDINATED IN CONSULTATION WITH THE YOUTH COUNCIL, A GROUP OF 12 HIGH SCHOOL STUDENTS SELECTED THROUGH AN APPLICATION PROCESS. IN THE SPRING OF 2017, THE YOUTH COUNCIL JURIED AND HOSTED ITS SECOND ANNUAL TEEN JURIED FILM FESTIVAL, FEATURING 20 SELECTED FILMS BY OVER 200 OF OUR REGION'S TEEN SUBMISSIONS, A TEEN JURIED ART EXHIBITION, A POETRY SLAM AND INFORMAL TEEN NIGHTS AT THE MUSEUM. ART ON THE HOUSE CONTINUED TO BE HELD EVERY FRIDAY, WHEN THE MUSEUM OFFERED PAY-AS-YOU-WILL ADMISSION TO ALL VISITORS FROM 4 TO 10 P.M. ON THE LAST FRIDAY OF EACH MONTH, THE MUSEUM ALSO PARTICIPATED IN DOWNTOWN TAMPA'S "FOURTH FRIDAY" PROGRAM, IN WHICH VISITORS ATTENDED DOWNTOWN ARTS AND CULTURAL VENUES THAT EXTENDED THEIR HOURS AND OFFER FREE OR SPECIAL ADMISSIONS. ART SPOT, A SATURDAY MORNING FREE DROP-IN PROGRAM OFFERED CHILDREN AND THEIR FAMILIES THE OPPORTUNITY TO EXPLORE THEIR OWN CREATIVITY BY VISITING THE GALLERIES AND CREATING ART RELATED TO THE EXHIBITION. ART SPOT WAS ALWAYS TIED DIRECTLY TO THE EXHIBITIONS ON VIEW. FOUR FAMILY FREE DAYS SCHEDULED SATURDAYS DURING THE YEAR OFFERED FAMILY ACTIVITIES AND DOCENT-LED TOURS, LIVE ENTERTAINMENT, AND PAY-AS-YOU-WILL ADMISSION (BY INDIVIDUAL DONATION OR FREE) TO FAMILIES IN ORDER FOR THEM TO ENJOY A MEANINGFUL ART EXPERIENCE TOGETHER. STUDIO ART AND SUMMER ART CAMPS TRANSFORMED OUR CLASSROOMS INTO A LAB FOR STUDENTS TO LEARN ABOUT AND EXPERIMENT WITH DIFFERENT ART TECHNIQUES IN 17 HALF-DAY PROGRAMS. SOME OF THE SUMMER ART CAMPS WERE SPECIFICALLY TIED DIRECTLY TO EXHIBITIONS ON VIEW TO INSPIRE TECHNIQUE, CONTENT, OR THEME. ART SPACE, FOR OVER TEN YEARS IS A PARTNERSHIP PROGRAM WITH COMMUNITY ORGANIZATIONS TO PROVIDE QUALITY ENGAGEMENT WITH THE VISUAL ARTS TO ECONOMICALLY AND ENVIRONMENTALLY DISADVANTAGED POPULATIONS. IN 2017, ART SPACE SERVED 201 STUDENTS. FINALLY, WITH CONNECTIONS, THE MUSEUM WELCOMED THOSE STRUGGLING WITH MENTAL HEALTH ISSUES SUCH AS ANXIETY, DEPRESSION, ALZHEIMER'S AND DEMENTIA TO VISIT THE MUSEUM WITH THEIR FAMILY FOR FREE DURING DESIGNATED DATES AND TIMES THROUGHOUT THE YEAR. GUESTS PARTOOK IN SPECIALIZED GALLERY TOURS AND ENGAGED IN CONVERSATIONS ABOUT ART FACILITATED BY MUSEUM STAFF TRAINED STUDENT-DOCENTS FROM UNIVERSITY OF SOUTH FLORIDA'S HONORS COLLEGE. ALL DISCUSSIONS IN THE GALLERY WERE DEVELOPED FROM EXHIBITION CONTENT. FORM 990, PART VI, SECTION B, LINE 11B THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES APPROVES THE FORM 990 BEFORE IT IS FILED. FORM 990, PART VI, SECTION B, LINE 12C ANNUALLY, THE MUSEUM SENDS THE CONFLICT OF INTEREST POLICY TO EACH BOARD MEMBER, WITH THE REQUIREMENT THAT IT MUST BE SIGNED AND RETURNED TO THE ORGANIZATION WITHIN 30 DAYS OF THE BOARD MEMBER'S RECEIPT OF POLICY. SERVICE ON THE BOARD IS CONTINGENT UPON THE COMPLETION OF THE FORM. FORM 990, PART VI, SECTION B, LINE 15 AT THE END OF THE 4TH QUARTER, THE BOARD OF TRUSTEES ANNUALLY COMPLETES A WRITTEN EVALUATION OF THE EXECUTIVE DIRECTOR. THE EXECUTIVE COMMITTEE OF THE BOARD REVIEWS THE EXECUTIVE DIRECTOR IN PERSON AND PROVIDES THE FEEDBACK FROM THE ENTIRE BOARD. GOALS AND PRIORITIES ARE SET FOR THE EXECUTIVE DIRECTOR DURING THE 1ST QUARTER OF THE NEW YEAR. ANNUALLY, THE EXECUTIVE COMMITTEE REVIEWS THE ASSOCIATION OF ART MUSEUM DIRECTORS SALARY SURVEY TO ENSURE THAT THE COMPENSATION FOR THE EXECUTIVE DIRECTOR IS IN LINE WITH THE MEDIAN SALARY FOR THE SIZE OF THE ORGANIZATION, THE LOCATION AND THE REGION IN WHICH THE MUSEUM OPERATES. THE EXECUTIVE COMMITTEE THEN MAKES A DECISION AS TO WHETHER A SALARY INCREASE IS WARRANTED AND GUARANTEES THAT THE NEW SALARY IS WITHIN THE RANGE SET. (THE RANGE IS 15% ON EITHER SIDE OF THE MEDIAN SALARY BASED ON AAMD SALARY SURVEY.) FORM 990, PART VI, SECTION C, LINE 18 THE MUSEUM MAKES ITS FORM 990 AVAILABLE TO THE PUBLIC UPON REQUEST AND ON THEIR WEBSITE. FORM 990, PART VI, SECTION C, LINE 19 THE MUSEUM ALLOWS THE PUBLIC TO VIEW ITS FORM 990 AND FINANCIAL STATEMENTS ON THEIR WEBSITE. FORM 990, PART XI, LINE 9: NET ASSET TRANSFER FROM TAMPA MUSEUM OF ARTS FOUNDATION, INC. 10,098,218. FORM 990, PART XII, 2C, FINANCIAL STATEMENTS AND REPORTING: THE PROCESS FOR OVERSIGHT OF THE AUDIT AND SELECTION OF AN INDEPENDENT ACCOUNTANT HAS NOT CHANGED FROM THE PRIOR YEAR. TAMPA MUSEUM OF ART FOUNDATION INC 120 WEST GASPARILLA PLAZA TAMPA FL 33602 311650423 MUSEUM FOUNDATION FL 501(C)(3) PF TAMPA MUSEUM OF ART INC 0 TAMPA MUSEUM OF ART OPERATIONS AND SPECIAL EVENTS INC 120 WEST GASPARILLA PLAZA TAMPA FL 33602 465497748 ORGANIZATION TO ACCEPT FUNDS FROM NEW MARKET TAX CREDIT FL 501(C)(3) PF TAMPA MUSEUM OF ART INC 0 0 1 1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 1 1 TAMPA MUSEUM OF ART FOUNDATION INC C 344099 FMV TAMPA MUSEUM OF ART FOUNDATION INC I 10098218 FMV TAMPA MUSEUM OF ART FOUNDATION INC S 726723 FMV TAMPA MUSEUM OF ART OPERATIONS AND SPECIAL EVENTS INC B 1000000 FMV TAMPA MUSEUM OF ART OPERATIONS AND SPECIAL EVENTS INC (REVENUE) O 1006726 FMV TAMPA MUSEUM OF ART OPERATIONS AND SPECIAL EVENTS INC (EXPENSE) O 151055 FMV TAMPA MUSEUM OF ART OPERATIONS AND SPECIAL EVENTS INC R 63124 FMV FORM 990, SCHEDULE R, PART V, TRANSACTIONS WITH RELATED ORGANIZATIONS: THE MUSEUM ENTERED INTO SEVERAL TRANSACTIONS DURING 2014, IN ORDER TO MAKE ADDITIONAL FUNDS AVAILABLE TO IT THROUGH THE NEW MARKETS TAX CREDIT (NMTC) PROGRAM. TMAOS WAS FORMED ON APRIL 25, 2014 TO ACCEPT THE FUNDS FROM THE NMTC ON MAY 15, 2014. PROCEEDS FROM THE NMTC WERE USED BY THE MUSEUM TO PAY OFF SHORT-TERM DEBT, EXPAND OPERATING CAPITAL, HIRE PERSONNEL, AND SECURE FUTURE EXHIBITIONS. THE MUSEUM ENTERED INTO A LEASE AGREEMENT WITH THE CITY OF TAMPA IN FEBRUARY 2010. THE MUSEUM THEN ENTERED INTO A TRANSFER OF LEASEHOLD INTEREST IN RELATION TO THE NMTC WHICH TRANSFERRED THE OPERATIONS, MANAGEMENT AND ADMINISTRATION OF THE LEASED PREMISES (THE MUSEUM) TO TMAOS AS OF MAY 2014. THE PURCHASE PRICE OF THIS LEASEHOLD INTEREST WAS $5,425,000, OF WHICH $5,118,401 WAS PAID IN CASH AND FINANCED THROUGH THE QCLI LOANS AND $306,599 WAS DEEMED A CONTRIBUTION FROM THE MUSEUM. THE MUSEUM ENTERED INTO AN OPERATING AGREEMENT WITH THE CITY OF TAMPA IN DECEMBER 2007 AND A FIRST AMENDMENT TO THE CITY OPERATING AGREEMENT IN NOVEMBER 2008. THE CITY, THE MUSEUM, AND TMAOS ENTERED INTO A SECOND AMENDMENT TO THE CITY OPERATING AGREEMENT ON MAY 15, 2014, AMENDING THE AGREEMENT SO AS TO ALLOW DELINEATION OF OPERATIONAL, ADMINISTRATION AND MANAGEMENT RESPONSIBILITIES UNDER THE CITY OPERATION AGREEMENT BETWEEN THE MUSEUM AND TMAOS. THE SUB-OPERATING AGREEMENT ALLOWS THE MUSEUM TO FOCUS ON MAINTENANCE OF ITS ART COLLECTION AND ONGOING DEVELOPMENT OF THE ART COLLECTION WHILE TRANSFERRING THE OPERATING, ADMINISTRATION, AND MANAGEMENT FUNCTIONS TO TMAOS. THE MUSEUM WILL PAY TMAOS AN ANNUAL OPERATING EXPENSE CONTRIBUTION NOT TO EXCEED $1,000,000, PAYABLE QUARTERLY IN EQUAL INSTALLMENTS OF $250,000. THE MUSEUM CONTRIBUTED $764,019 TO TMAOS FOR THE YEAR ENDED DECEMBER 31, 2017. THE MUSEUM ENTERED INTO A BILATERAL EMPLOYEE LEASING AGREEMENT WITH TMAOS EFFECTIVE MAY 15, 2014 TO BENEFIT THE WORK OF EACH ENTITY. CERTAIN EMPLOYEES OF THE MUSEUM ARE SHARED WITH TMAOS AND CERTAIN EMPLOYEES OF TMAOS ARE SHARED WITH THE MUSEUM. THESE AMOUNTS ARE ELIMINATED IN THE CONSOLIDATED FINANCIAL STATEMENTS. TMAOS RECEIVED REVENUE FROM THE MUSEUM OF $151,055 FOR EMPLOYEES LEASED TO THE MUSEUM. THE MUSEUM RECEIVED REVENUE FROM TMAOS OF $1,006,726 FOR EMPLOYEES LEASED TO TMAOS. THE MUSEUM ENTERED INTO A LEASE AGREEMENT WITH TMF WHOSE PURPOSE IS TO HOLD INVESTMENTS FOR THE MUSEUM. CONSEQUENTLY, THERE WAS A TRANSFER OF LEASEHOLD INTEREST AND FIXED ASSSETS TO THE MUSEUM OF $10,098,218 FOR THE YEAR ENDED DECEMBER 31, 2017.