2020-05-12T08:28:19-05:00 2019-06-30 450250958 Eide Bailly LLP 800 Nicollet Mall Ste 1300 Minneapolis MN 554027033 990 2018-07-01 411254553 Children's Theatre Company and School CHIL 6128740500 2400 3rd Avenue South Minneapolis MN 554043506 Kimberly Motes Managing Director 6128740500 2020-05-11 1 Deb Nelson CPA P01264758 6122536500 2020-05-11 216.147.181.49 2020-05-11 16:44:04 CD P D8A1E5117AA53286D53F57459EBB2DE5C7CA50FC F9BEE9501A3B4F00F190E63700B8BF2BC70C7B96 2018 2021-01-29 14:40:06Z Kimberly Motes 2400 3rd Avenue South Minneapolis MN 554043506 13082813 0 X www.childrenstheatre.org X 1975 MN To create extraordinary theatre experiences that educate, challenge, and inspire young people. 49 49 478 211 113569 18117 8337161 5862764 7671636 6448639 330755 394474 -11474 198082 16328078 12903959 0 0 0 0 7874274 7597627 37000 27000 895056 5618821 6148364 13530095 13772991 2797983 -869032 32510439 32660454 4971006 5608588 27539433 27051866 X Children's Theatre Company exists to create extraordinary theater experiences that educate, challenge, and inspire young people. 0 0 8325338 0 5542887 Our 2018-19 season featured eight productions, including four commissioned premieres, three large-scale musicals, and one preschool production. Our season began in July, with The Best Summer Ever!, an original play about the quintessential Minnesota summer by local celebrated storyteller Kevin Kling. Co-commissioned by CTC and the Chicago Children's Theatre, Last Stop on Market Street by Cheryl L. West boasts music co-written by Grammy-winner Lamont Dozier and his son Paris. The world premiere of I Come from Arizona, by Carlos Murillo, explores the challenges facing an immigrant family in Chicago. Returning for the holiday season was our beloved production of Dr. Seuss's How the Grinch Stole Christmas!, starring acting company actor Reed Sigmund in his now signature role of the Grinch. January welcomed the U.S. tour of Mr. Popper's Penguins, the story of a painter who adopts 12 of the Antarctic avians, directed by Emma Earle. The season's fourth world premiere was Greg Banks' inventive, five-actor adaption of The Hobbit. CTC reprised its original preschool production, The Biggest Little House in the Forest, written by Rosanna Staffa and starring Acting Company member Autumn Ness. Winner of five Tony awards, Roald Dahl's Matilda the Musical was directed by Peter C. Brosius in its first production by a Minnesota theatre. 644046 0 287407 CTC's Neighborhood Bridges programs served students and classroom teachers in grades pre-K-5 this year through in-depth school residencies; community residencies and workshops; and professional development opportunities for educators and caregivers. During the 2018-19 school year, Neighborhood Bridges continued a major expansion to incorporate 18 new Somali Muslim stories into its curriculum. To gather these stories Neighborhood Bridges staff and teaching artists are interviewing high school students who identify as Muslim at Minneapolis's Wellstone International High School, as well as participants in Augsburg University's East African Student to Teacher program. Through this new curriculum, we hope to give Muslim students the opportunity to see themselves and their community represented in the classroom. We also hope to provide non-Muslim students with deeper understanding of the Muslim American experience in the U.S., teaching empathy and challenging their assumptions.We also ensure that our work has impact beyond the individual classrooms served by training classroom teachers across the country in the philosophy and practice of Neighborhood Bridges, which emphasizes critical inquiry and cooperative learning. Neighborhood Bridges staff offered educators opportunities to learn more about Neighborhood Bridges pedagogy and strategy, with workshops focusing on Interactive Storytelling, Acting Out Stories from Familiar Books, Animating Critical Literacy, and more. Additionally, Neighborhood Bridges provided embedded professional development for classroom teachers to train them in using theatre arts-based and culturally responsive teaching strategies to support student language and literacy development. In August 2018, CTC's Neighborhood Bridges team presented findings from its first year of implementing the new Somali Muslim curriculum in Twin Cities public school classrooms at American Alliance for Theatre and Education's annual national conference. Conference attendees learned about the Bridges pedagogy, how the new curriculum has played out in classrooms, how Islamophobia is impacting our communities, and how to implement our strategies in their communities. The Early Childhood Initiative served early learners and their caregivers in 2018-19 through our in-depth Early Bridges preschool program; Early Bridges residencies; and accessible performances of The Biggest Little House in the Forest, a developmentally appropriate theatre production geared towards early learners. We also continued work we began in 2015-16 on our Creative Play pilot program, a new residency model aimed at supporting the healthy development of young children who have experienced trauma and/or toxic stress through workshops led by CTC teaching artists. CTC delivered Creative Play workshops at People Serving People's newly launched Center of Excellence in Minneapolis, People Serving People's family-focused shelter in Downtown Minneapolis, and the Greater Minneapolis Crisis Nursery. CTC's approach to refining the Creative Play curriculum and training teaching artists in Culturally Responsive Trauma-Informed Care is informed by our work with Kamyala Howard, an expert in program development related to young children and trauma. 629797 0 584452 CTC's Theatre Arts Training program (TAT) provides instruction in storytelling, acting, dance, voice, directing, and playwriting for young people ages 2-18. In addition to sequenced classes during the school year, Theatre Arts Training also offers summer and other school vacation camps for students at all skill levels and programming for homeschool groups designed to meet their educational goals. TAT also includes the Pre-Professional Institute, which provides high school students with an intensive, four-year, conservatory-style learning experience. In fall 2018, the Institute's Senior Company produced a Riot Grrrl-inspired version of Sophocles' Antigone. The Senior Company program provides students with demanding material that seeks to challenge them as artists, educate them in a professional setting, and inspire them to be active voices in their community. TAT has also expanded its reach in the community, ensuring more needs-based scholarships are available for all classes. 9599181 1 1 0 1 0 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 1 145 0 1 478 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 49 49 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MN X Jill Jensen 6128725126 2400 3rd Avenue South Minneapolis MN 55404 Sam Hsu Chair 1.00 X X 0 0 0 Morgan Burns Vice Chair 1.00 X X 0 0 0 Joe Keeley Vice Chair 1.00 X X 0 0 0 Meredith Tutterow Vice Chair 1.00 X X 0 0 0 Doug Parish Treasurer 1.00 X X 0 0 0 Michael Blum Secretary 1.00 X X 0 0 0 Lynn Abbott Board Member 1.00 X 0 0 0 Kelly Baker Board Member 1.00 X 0 0 0 Eric Anderson Board Member 1.00 X 0 0 0 Todd Balan Board Member 1.00 X 0 0 0 Matthew Banks Board Member 1.00 X 0 0 0 Ellen Bendel-Stenzel Board Member 1.00 X 0 0 0 Rob Birdsong Board Member 1.00 X 0 0 0 Amanda Brinkman Board Member 1.00 X 0 0 0 Linnea Burman Board Member 1.00 X 0 0 0 Jodi Chu Board Member 1.00 X 0 0 0 Jeff Davidman Board Member 1.00 X 0 0 0 Amol Dixit Board Member 1.00 X 0 0 0 Ryan Engle Board Member 1.00 X 0 0 0 Kerry Fauver Board Member 1.00 X 0 0 0 Susan Engeleiter Board Member 1.00 X 0 0 0 Bob Frenzel Board Member 1.00 X 0 0 0 Liz Furman Board Member 1.00 X 0 0 0 Kathy Ganley Board Member 1.00 X 0 0 0 John Geelan Board Member 1.00 X 0 0 0 Michelle Gibson Board Member 1.00 X 0 0 0 Lili Hall Board Member 1.00 X 0 0 0 Maria Hemsley Board Member 1.00 X 0 0 0 Lee Knudson Board Member 1.00 X 0 0 0 Jocelyn Knoll Board Member 1.00 X 0 0 0 Chad Larsen Board Member 1.00 X 0 0 0 Alex Liu Board Member 1.00 X 0 0 0 Anne Lockner Board Member 1.00 X 0 0 0 Mike Macrie Board Member 1.00 X 0 0 0 Amanda Norman Board Member 1.00 X 0 0 0 Todd Noteboom Board Member 1.00 X 0 0 0 Silvia Perez Board Member 1.00 X 0 0 0 Allison Peterson Board Member 1.00 X 0 0 0 Ivan Pollard Board Member 1.00 X 0 0 0 Dan Schumacher Board Member 1.00 X 0 0 0 Noreen Sedgeman Board Member 1.00 X 0 0 0 Tom Ressemann Board Member 1.00 X 0 0 0 Jeff von Gillern Board Member 1.00 X 0 0 0 Wendy Skjerven Board Member 1.00 X 0 0 0 William White Board Member 1.00 X 0 0 0 Sunil Swami Board Member 1.00 X 0 0 0 Steve Thompson Board Member 1.00 X 0 0 0 David Van Benschoten Board Member 1.00 X 0 0 0 Kashi Yoshikawa Board Member 1.00 X 0 0 0 Kimberly Motes Managing Director 40.00 X 261129 0 0 Peter Brosius Artistic Director 40.00 X 248673 0 6144 Katie Nelsen Director of Development 40.00 X 145506 0 3014 Adam Thurman Director of Marketing 40.00 X 121555 0 0 776863 0 9158 4 0 1 0 Poppers Productions LTD 62 Shaftesbury Ave 3rd Floor London UK Production Expense 184686 Supreme Building Maintenance 4735 37th Street SW Delano MN 55328 Custodial Services 171683 Capacity Interactive 1239 Broadway Ste 1103 New York NY 10001 Electronic Advertising 125350 3 549391 560017 4753356 108905 5862764 Ticket Revenue 711110 4167010 4167010 Education & Outreach Revenue 711110 871859 871859 Ticket Service Charges 711110 559960 559960 Plays For Young Audience 711110 390364 390364 459446 425553 33893 6448639 394474 394474 24765 24765 272495 549391 178854 93641 93641 Kiosk Revenue 453220 79676 79676 79676 12903959 6414746 113569 512880 499866 252857 247009 5811590 4527001 819398 465191 143795 124118 16395 3282 477344 384834 61295 31215 665032 537395 84943 42694 818615 818615 25400 25400 60000 60000 27000 27000 186805 140238 34977 11590 584139 31303 456703 96133 446351 242304 173863 30184 1144704 1093550 34103 17051 146124 138978 6373 773 100270 100270 749926 685915 52844 11167 Guest Artists 1170973 1170973 Production Supplies 220991 220991 Dues & Subscriptions 147820 16929 124797 6094 UBI Tax Paid 10510 10510 335736 31795 151259 152682 13772991 9599181 3278754 895056 197087 681651 4613036 4353546 57899 119941 5574 5806 437159 325511 25556160 12027090 14024610 13529070 12836839 13322892 338235 322037 32510439 32660454 1092657 1698007 1298723 1534434 900000 900000 1679626 1476147 4971006 5608588 X 8812428 7402153 5801615 6154272 12925390 13495441 27539433 27051866 32510439 32660454 X -869032 397663 -16198 X 0 1 X 1 0 X 4913041 5066292 5001499 8337161 5862764 29180757 6860239 7700164 6746723 7706059 6687240 35700425 11773280 12766456 11748222 16043220 12550004 64881182 491158 1047389 715246 496497 303267 3053557 0 491158 1047389 715246 496497 303267 3053557 61827625 218579 346814 339304 344548 419239 1668484 218579 346814 339304 344548 419239 1668484 43598 13784 19117 76499 11991859 13113270 12131124 16401552 12988360 66626165 0.92800 0.91950 0.02500 0.02210 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 0 60000 60000 13712991 13772991 838650 209663 0 0 826505 838650 1665155 2497733 40000 60000 100000 206626 209663 416289 624434 14252767 570052 792136 1200000 14414955 12742430 1256268 854069 600000 14252767 11645608 783175 1063647 750000 12742430 11041454 1200998 233156 830000 11645608 10483240 820661 187553 450000 11041454 0.00400 0.93600 0.06000 0 0 22273829 9318055 12955774 3181107 2709035 472072 101224 101224 13529070 X 13333984 397663 48560 -16198 430025 12903959 0 12903959 13821551 48560 48560 13772991 0 13772991 Part V, Line 4: The endowment funds are used to support the programs and facilities of the organization. Part X, Line 2: The Theatre is organized as Minnesota nonprofit corporation and has been recognized by the Internal Revenue Service (IRS) as exempt from federal income taxes under Section 501(a) of the Internal Revenue Code as an organization described in Section 501(c)(3), qualifies for the charitable contribution deduction under Section 170(b)(1)(A)(viii), and has been determined not to be a private foundation under Section 509(a)(2). The Theatre is annually required to file a Return of Organization Exempt from Income Tax (Form 990) with the IRS. In addition, the Theatre is subject to income tax on net income that is derived from business activities that are unrelated to the exempt purposes. The Theatre files an Exempt Organization Business Income Tax Return (Form 990-T) with the IRS to report its unrelated business taxable income. The Theatre believes that it has appropriate support for any tax positions taken affecting its annual filing requirements, and as such, does not have any uncertain tax positions that are material to the financial statements. The Theatre would recognize future accrued interest and penalties related to unrecognized tax benefits and liabilities in income tax expense if such interest and penalties are incurred. Part XI, Line 2d - Other Adjustments: Change in value of split-interest agreements -16,198. X X X X X X X 1 Bennett Direct 231 E Buffalo St Ste 200 Milwaukee WI 53202 Telefundraising 0 75369 27000 48369 75369 27000 48369 MN Curtain Call Ball 757316 495391 261925 57625 108909 Business Arts Lunch 64570 54000 10570 7931 4389 821886 549391 272495 65556 113298 178854 93641 X 1 1 X X X X 0 0 0 0 0 0 0 0 0 Kimberly Motes Managing Director 261129 0 0 0 0 0 0 0 763 0 261892 0 0 0 Peter Brosius Artistic Director 248673 0 0 0 0 0 0 0 6786 0 255459 0 0 0 Part I, Line 1a Peter Brosius, Artistic Director, has a discretionary $15,000 to be used for business purposes. An accounting of these expenditures, including the business purpose, is reviewed by the board of directors. A City of Minneapolis 416005375 603786EL4 2003-12-19 10000000 Acquisition, construction, and installation of an addition to the theatre. 0 0 0 A 4100000 5000000 5000000 2005 0 0 1 1 A 0 0 0 0 0.00000 0.00000 0.00000 0 0 0 A 0 0 0 1 1 0 0 0 0 A 0 Date Rebate Computation Performed Issuer Name: City of Minneapolis Date the Rebate Computation was Performed: 12/01/2018 Supplemental Information: The Organization's bond documents indicate $10,000,000 was authorized; however, it was determined that the maximum amount to be issued was $5,100,000. This was based on completion status of the project and the timing of gifts and pledges secured by the organization. X 9 108905 FMV 0 0 0 0 Part I, Column (b): Number of contributions. Form 990, Part VI, Section A, line 1 The Executive Committee is empowered and authorized to act upon such matters as require action prior to the next regularly scheduled Board of Directors meeting and any such actions of the Executive Committee shall have the same force and effect as an action of the Board of Directors, with the exception that the Executive Committee shall not have the power to make or amend the Bylaws of the corporation, elect members to the Board of Directors, or to fill vacancies on the Executive Committee. If the Executive Committee exercises any of the general powers or duties of the Board of Directors, such action shall be presented to the Board of Directors at the next meeting for ratification by the full Board of Directors. The executive committee consists of all officers of the corporation who are also directors, the chairs of each committee, and any at-large directors the Board of Directors shall appoint from time to time. Form 990, Part VI, Section B, line 11b The Form 990 is reviewed by the Board Chair and Treasurer. It is presented at a Finance Committee meeting and approved. It is also electronically sent to the entire Board of Directors before it being filed. Form 990, Part VI, Section B, line 12c New employees receive the conflict of interest policy in their employee handbook. They are required to complete a form that acknowledges that they have read the policies and understand them. The size of the organization also lends itself to quick recognition of situations where a conflict of interest may arise. Each board member completes an annual related party questionnaire as part of the audit process and discloses any conflicts of interest they may have. In the exercise of any voting rights, whether as a member of the Board of Directors, an officer, or in any other capacity relating to this corporation, no individual shall vote on any issue, motion, resolution or any other item whatsoever which directly or indirectly inures to the benefit of such individual ("Interested Party"); provided, however, that except as otherwise determined from time to time by a majority of the members of the Board of Directors, not including the Interested Party, the Interested Party may participate in a discussion of such issue, motion, resolution, or item at any meeting of the members of the Board of Directors or any committee thereof, if the Interested Party first makes a full and adequate disclosure of all material facts concerning the nature of the Interested Party's interest to the meeting at which the discussion is occurring and to the Chair of the Board of Directors, the Artistic Director and the Managing Director. Form 990, Part VI, Section B, line 15 The Board of Directors issues the contracts for the Artistic Director and the Managing Director. The compensation packages are approved by the Executive Committee of the Board. The salary survey issued by Theatre Communication Group is used for determining compensation levels. The committee also looks at the compensation reported on the Form 990's of similarly sized Organizations. The Managing Director's contract was reviewed 1/16/16 and the Artistic Director's contract was reviewed 11/29/16. Form 990, Part VI, Section C, line 19 The organization makes its governing documents, conflict of interest policy, and financial statements available to the public upon request. In addition, the annual report is available on the organization's website. Form 990, Part XI, line 9: Change in value of split-interest agreements -16,198. Charitable Remainder Trust 601 Carlson Parkway Ste 500 Minnetonka MN 55305 Beneficial interest in CRT MN N/A T 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0