2020-02-18T16:36:36-06:00 2019-06-30 381357951 PLANTE & MORAN PLLC 10 S RIVERSIDE PLAZA 9TH FLOOR CHICAGO IL 60606 990 2018-07-01 366154098 MUSEUM OF CONTEMPORARY ART MUSE 3123973808 220 EAST CHICAGO AVENUE CHICAGO IL 60611 ANNE-MARIE EISCHEN SR DIRECTOR OF FINANCE 3123973808 2020-02-13 1 DAVID LOWENTHAL P00378651 3122071040 2020-02-10 67.59.56.30 2020-02-13 09:55:23 CS P DB55C8805A798A101F23B8E87E32271891E2B89B 23D9C3BAD3C11415BCA5E3AEE50D281DF37E870F 2018 2020-11-19 02:30:22Z MADELEINE GRYNSZTEJN 220 EAST CHICAGO AVENUE CHICAGO IL 60611 54642161 0 X WWW.MCACHICAGO.ORG X 1964 IL ENHANCE APPRECIATION OF CONTEMPORARY ART THROUGH EDUCATION, PROGRAMMING AND EXHIBITIONS. 70 70 349 217 5304 0 14664331 20005581 2194232 1542601 1949158 330945 1876731 476693 20684452 22355820 0 0 0 0 9841459 9946944 9856 0 2116513 15213809 13852805 25065124 23799749 -4380672 -1443929 199499265 207854477 34227764 36394491 165271501 171459986 X THE MCA IS AN INNOVATIVE AND COMPELLING CENTER OF CONTEMPORARY ART WHERE THE PUBLIC CAN DIRECTLY EXPERIENCE THE WORK AND IDEAS OF LIVING ARTISTS, AND UNDERSTAND THE HISTORICAL, SOCIAL AND CULTURAL CONTEXT OF THE ART OF OUR TIME. THE MUSEUM BOLDLY INTERWEAVES EXHIBITIONS, PERFORMANCES, COLLECTIONS, AND EDUCATIONAL PROGRAMS TO EXCITE, CHALLENGE, AND ILLUMINATE OUR VISITORS AND TO PROVIDE INSIGHT INTO THE CREATIVE PROCESS. THE MCA ASPIRES TO ENGAGE A BROAD AND DIVERSE AUDIENCE, CREATE A SENSE OF COMMUNITY AND BE A PLACE FOR CONTEMPLATION, STIMULATION, AND DISCUSSION ABOUT CONTEMPORARY ART AND CULTURE. 0 0 11190220 1368602 EXHIBITIONS:1. I WAS RAISED ON THE INTERNET (JUNE 23 - OCTOBER 14, 2018)AN EXHIBITION THAT LOOKED AT HOW THE INTERNET AND OTHER NEW TECHNOLOGIES HAVE CHANGED THE WAY WE EXPERIENCE THE WORLD, I WAS RAISED ON THE INTERNET FOCUSED ON THE SHIFTS THAT HAVE OCCURRED SINCE THE MILLENNIUM. THE NEARLY 100 WORKS, CREATED BY MORE THAN 65 ARTISTS AND COLLECTIVES, FEATURED IN THE EXHIBITION WERE ORGANIZED INTO FIVE SECTIONS - LOOK AT ME, TOUCH ME, CONTROL ME, PLAY WITH ME, AND SELL ME OUT - EACH OF WHICH DESCRIBED A DIFFERENT MODE OF INTERACTION BETWEEN THE VIEWER AND THE ART OBJECT. SEVERAL OF THESE WORKS WERE INTERACTIVE, INCLUDING JON RAFMAN'S TRANSDIMENSIONAL SERPENT, 2016, A PIECE THAT FEATURED A VIRTUAL REALITY EXPERIENCE. THE EXHIBITION FEATURED EIGHT NEW COMMISSIONED WORKS, AS WELL AS A MICROSITE FOR VIEWERS TO ACCESS ONLINE WORKS AND A READER ON THE STATE OF ART AND THE INTERNET TODAY.2. WEST BY MIDWEST (NOVEMBER 17, 2018 - JANUARY 27, 2019)WEST BY MIDWEST ILLUMINATED THE WAYS THAT CONTEMPORARY ART PRACTICES SPREAD AND DEVELOP BY TRACING THE INTERSECTING LIVES OF ARTISTS WHO HAVE MIGRATED FROM THE AMERICAN MIDWEST TO THE WEST COAST SINCE THE MID-TWENTIETH CENTURY. THOSE ARTISTS WHO MIGRATED ATTENDED ART SCHOOLS TOGETHER, SHARED STUDIOS, EXHIBITED WORK IN THE SAME GALLERIES, COLLABORATED ON PROJECTS, ENGAGED IN ACTIVISIM, AND DATED. FOLLOWING THESE CRISSCROSSING LINES OF KINSHIP, WEST BY MIDWEST REVEALED A NETWORK OF ARTISTS AND THEIR SHARED EXPERIENCES OF MAKING WORK AND MAKING A LIFE. ANCHORED BY WORKS IN THE MCA'S COLLECTION, THE EXHIBITION ESCHEWED A DEFINITIVE SURVEY OF INDIVIDUAL ACHIEVEMENTS TO INSTEAD CONSIDER HOW ARTISTS MOVE AND MAKE WORK WITHIN A LARGER FIELD OF RELATIONS.3. LAURIE SIMMONS: BIG CAMERA/LITTLE CAMERA (FEBRUARY 23 - MAY 5, 2019)THIS EXHIBITION WAS A MAJOR RETROSPECTIVE OF WORKS BY LAURIE SIMMONS (AMERICAN, B. 1949). USING PROPS AND DOLLS AS STAND-INS FOR PEOPLE AND PLACES, SIMMONS CREATES FICTIONAL SCENES THAT MIRROR AND UNSETTLE THE AMERICAN DREAM OF PROSPERITY AND FEMININE DOMESTICITY, TURNING A CRITICAL EYE ON TROPES THAT DOMINATED THE ERA OF HER UPBRINGING, INCLUDING THE 1950S HOUSEWIFE AND THE WILD WEST COWBOY. THIS COMPREHENSIVE EXHIBITION SHOWCASED SIMMONS'S CAREER-LONG EXPLORATION OF ARCHETYPAL GENDER ROLES THROUGH HER ICONIC PHOTOGRAPHS, SCULPTURES, AND FILMS, FROM 1976 TO THE PRESENT. THROUGHOUT THE RUN OF THE EXHIBITION, THE MCA HOSTED SEVERAL SCREENINGS OF SIMMONS'S FILM MY ART IN THE EDLIS NEESON THEATER. DURING THIS TIME, THE MCA ALSO OFFERED REDUCED ADMISSION TO VISITORS WHO FELT THEY HAD BEEN AFFECTED BY THE GENDER PAY GAP.4. PICTURE FICTION: KENNETH JOSEPHSON AND CONTEMPORARY PHOTOGRAPHY (APRIL 28 - DECEMBER 30, 2018)CHICAGO-BASED PHOTOGRAPHER KENNETH JOSEPHSON (AMERICAN, B. 1932) CHANGED THE WAY WE THINK ABOUT PICTURES WITH SO-CALLED CONCEPTUAL PHOTOGRAPHS THAT PUSH THE BOUNDARIES OF THE MEDIUM. BY PLAYING WITH THE UNIQUE QUALITIES OF PHOTOGRAPHY - HOW AN IMAGE IS CROPPED, REPRODUCED, CIRCULATED, OR ARCHIVED - HIS WORK DEMONSTRATES THAT PHOTOGRAPHS CAN CONVEY AN IDEA IN ADDITION TO A PICTURE. JOSEPHSON'S METHODS WERE SHAPED BY HIS YEARS AT THE ILLINOIS INSTITUTE OF DESIGN, WHERE HE STUDIED UNDER HARRY CALLAHAN AND AARON SISKIND BEFORE GOING ON TO TEACH AT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO FOR NEARLY FORTY YEARS. EXAMINING JOSEPHSON'S PRODUCTION FROM ROUGHLY 1960-80, AND DRAWN LARGELY FROM THE MCA'S PERMANENT COLLECTION, THIS EXHIBITION PLACED JOSEPHSON'S WORK IN THE CONTEXT OF CONCEPTUAL ARTISTS EMERGING IN THE 1960S, AND DREW PARALLELS TO OTHER CONTEMPORARY ARTISTS INCLUDING ROE ETHRIDGE, JESSICA LABATTE, MARLO PASCUAL, JIMMY ROBERT, AND XAVIERA SIMMONS.5. PRISONER OF LOVE (JANUARY 26 - OCTOBER 20, 2019)THIS EXHIBITION EXPLORED THE DEPTHS AND HEIGHTS OF HUMAN EXPERIENCE, PRESENTING PRIMARILY WORKS FROM THE MCA'S COLLECTION, WITH A FOCUS ON NEW ACQUISITIONS. THE CENTERPIECE WAS ARTHUR JAFA'S LOVE IS THE MESSAGE, THE MESSAGE IS DEATH (2016), A VIDEO SET TO A SOARING GOSPEL-INFUSED HIP HOP SONG THAT ARCHIVES THE AFRICAN AMERICAN EXPERIENCE IN THE TWENTIETH AND TWENTY-FIRST CENTURIES. THE VIDEO WAS ACCOMPANIED BY THREE ROTATING INSTALLATIONS OF POWERFUL WORKS BASED ON THE OPPOSITIONAL PAIRS FEATURED IN A BRUCE NAUMAN NEON SCULPTURE THAT IS ALSO ON VIEW: LIFE AND DEATH, LOVE AND HATE, AND PLEASURE AND PAIN. THE EXHIBITION AIMED TO FOSTER A SPACE FOR EMOTIONAL VULNERABILITY AND FEELINGS OF INTENSE LOVE, FEAR, AND GRIEF, AS WELL AS OTHER EXTREMES OF HUMAN EMOTION.6. ASCENDANT ARTIST: ENRICO DAVID: GRADATIONS OF SLOW RELEASE (SEPTEMBER 29, 2018 - MARCH 10, 2019)THIS EXHIBITION CELEBRATED THE IMAGINATIVE UNIVERSE OF ENRICO DAVID (ITALIAN, B. 1966), WHOSE WORKS IN A RANGE OF MEDIA DEPICT BODIES AS FRAGILE, VULNERABLE, GROTESQUE, TORTURED, AND ECSTATIC. THE EXHIBITION HIGHLIGHTED THE THEMATIC CONNECTIONS AND EVOLVING IMAGERY THAT RUNS THROUGHOUT THE ARTIST'S WORKS, WHICH, MADE OVER THE PAST 20 YEARS, ACHIEVE AN EXCYCLOPEDIC YET EXTREMELY PERSONAL ACCOUNT OF THE HUMAN FORM. THIS EXHIBITION WAS THE FIRST SURVEY OF DAVID'S WORK IN THE UNITED STATES, AND DREW NEARLY 108,000 VISITORS. FOLLOWING ITS PRESENTATION AT THE MCA, THE EXHIBITION TRAVELED TO THE HIRSHHORN MUSEUM IN WASHINGTON, D.C., WHERE IT WAS EXHIBITED FROM APRIL 16 - SEPTEMBER 2, 2019.7. ASCENDANT ARTIST: JONATHAS DE ANDRADE: ONE TO ONE (APRIL 13 - AUGUST 25, 2019)AT ONCE INTIMATE AND HISTORICAL, THE WORK OF BRAZILIAN ARTIST JONATHAS DE ANDRADE (B. 1982) EVOKES LOVE, MEMORY, AND PLACE. HIS PHOTOGRAPHS, INSTALLATIONS, AND VIDEOS OFTEN RESPOND TO THE GEOGRAPHY AND CULTURE SURROUNDING RECIFE, THE CITY IN THE NORTHEAST REGION OF BRAZIL IN WHICH HE LIVES AND WORKS. HE GRAPPLES IN PARTICULAR WITH THE PROMISES, FAILURES, AND INEQUITIES IN BRAZIL'S NORDESTE AS THE REGION UNDERGOES RAPID AND OFTEN ROCKY URBANIZATION. THIS EXHIBITION DEBUTED THREE NEW WORKS, INCLUDING JOGOS DIRIGIDOS (DIRECTED GAMES), A FILM COMMISSIONED BY THE MCA THAT PRESENTS A PLAYFUL EXCHANGE BETWEEN MEMBERS OF THE DEAF COMMUNITY IN THE NORTHEAST OF BRAZIL.8. CHICAGO WORKS: MIKA HORIBUCHI (JULY 17 - DECEMBER 2, 2018)CHICAGO-BASED ARTIST MIKA HORIBUCHI IS INTERESTED IN TRICKS AND SLIPS IN VISUAL PERCEPTION. THE CURTAINS, WINDOW BLINDS, AND OPTICAL ILLUSIONS SHE USES AS SUBJECTS OFTEN CONCEAL AS MUCH AS THEY REVEAL. DRAWING EQUALLY FROM ART HISTORY AND PSYCHOLOGY, SHE USES TECHNIQUES SUCH AS HYPERREALISM AND TROMPE L'OEIL - IN WHICH AN IMAGE IS RENDERED IN DETAIL SO TRUE TO LIFE THAT IT APPEARS THREE-DIMENSIONAL - TO WALK THE LINE BETWEEN HONESTY AND DECEPTION. IN THE ARTIST'S WORDS, "A SLIGHT BETRAYAL OF EXPECTATIONS IS AT PLAY."9. CHICAGO WORKS: JESSICA CAMPBELL (DECEMBER 18, 2018 - JULY 7, 2019)THE CANDID, OFTEN HILARIOUS WORK OF CHICAGO-BASED ARTIST AND CARTOONIST JESSICA CAMPBELL (CANADIAN, B. 1985) CRITQUES THE TRAUMAS AND ABSURDITIES OF GENDER POLITICS. IN HER FIRST SOLO MUSEUM EXHIBITION, SHE REENVISIONED THE LIFE AND ARTWORK OF TWENTIETH-CENTURY CANADIAN PAINTER EMILY CARR (1871-1945) IN A SUITE OF BRAND-NEW WORK. INSPIRED BY THEIR SHARED ROOTS IN VICTORIA, BRITISH COLUMBIA, CAMPBELL APPROACHES CARR'S WORK FROM MULTIPLE ANGLES AND ACROSS CONVENTIONAL AND UNCONVENTIONAL MEDIA - FROM PAINTINGS AND DRAWINGS TO COMICS AND TEXTILES. LOOKING THROUGH A FEMINIST LENS, CAMPBELL USED CARR'S STORY AS A CONDUIT FOR EXPOSING THE TYPES OF REPRESENTATION THAT SOCIETY VALUES.10. A BODY MEASURED AGAINST THE EARTH (AUGUST 25, 2018 - APRIL 7, 2019)THE ARTISTS IN THIS EXHIBITION STAGED ENCOUNTERS BETWEEN THE EARTH AND THE BODY - THE PRIMARY TOOL AT THEIR DISPOSAL - TO UNDERSTAND THE LAND AND THEIR RELATIONSHIP TO IT. RANGING FROM PHYSICAL INTERVENTIONS IN THE GROUND TO CONCEPTUAL DOCUMENTATIONS OF TRAVEL AND LABOR, THEIR DIVERGENT PRACTICES REJECT A TOTALIZING OR OBJECTIVE VIEW OF THE LANDSCAPE, INSTEAD FAVORING EMBODIED INVESTIGATIONS OF SPECIFIC PLACES, HISTORIES, AND IDEALS. IN THE PROCESS, THE ARTISTS RECOGNIZE LAND NOT AS SCENERY, BUT AS THE SPACES AND SYSTEMS WE INHABIT, A SYSTEM OUR OWN LIVES DEPEND UPON. TITLED AFTER A QUOTE FROM ECOFEMINIST AUTHOR AND CRITIC REBECCA SOLNIT, A BODY MEASURED AGAINST THE EARTH WAS DRAWN LARGELY FROM THE MCA'S COLLECTION. IT TOOK INSPIRATION FROM THE EPHEMERAL "EARTH-BODY" WORKS STAGED BY CUBAN-AMERICAN ARTIST ANA MENDIETA IN THE 1970'S AND WOVE LEGACIES OF LAND ART AND "WALKING ART" WITH MORE RECENT WORK IN CONCEPTUAL PHOTOGRAPHY AND THE MOVING IMAGE.11. GROUNDINGS (NOVEMBER 3, 2018 - MAY 12, 2019)GROUNDINGS EXPLORED MOVEMENT - BOTH SEEN AND UNSEEN - THROUGH A SERIES OF RESIDENCIES WITH ARTISTS WHO WORK IN DANCE, MUSIC, AND PERFORMANCE ART. USING DURATIONAL PROCESSES, THE ARTISTS INHABITED AND SHAPED THE GALLERY SPACE ALONGSIDE WORKS FROM THE MCA'S COLLECTION. THE EXHIBITION CONSIDERED THE RECIPROCAL INFLUENCE BETWEEN BODIES IN MOTION AND THE INVISIBLE FORCES THAT GOVERN MOVEMENT, SUCH AS GRAVITY, TIME, AND ELECTRICITY. 1535964 72712 PERFORMANCE:THE MCA STAGE PRESENTS CUTTING-EDGE DANCE, THEATER, AND MUSIC FROM CHICAGO, NATIONALLY, AND ABROAD IN ORDER TO PUSH THE BOUNDARIES OF CONTEMPORARY PERFORMANCE. IN ITS 2018-2019 SEASON, THE MCA STAGE FEATURED 16 ARTISTS/GROUPS IN 45 PERFORMANCES. MCA STAGE PERFORMANCES SAW 4,928 ATTENDEES IN THE FISCAL YEAR 2019.1. TAMAR-KALI AND DAMON LOCKS, DOUBLE-BILL DEMON FRUIT BLUES AND WHERE FUTURE UNFOLDS, AUG 18, 2018AS A PART OF THE MCA'S NEW WORKS INITIATIVE THE FY19 SEASON KICKED OFF WITH TWO WORKS IN DEVELOPMENT THAT EXPANDED THE BOUNDARIES OF BLACK MUSICAL GENRES AND LINEAGES. NEW YORK-BASED VOCALIST AND COMPOSER, TAMAR-KALI PRESENTED AN EARLY VERSION OF HER FULL-LENGTH STAGE WORK, DEMON FRUIT BLUES, WITH DIRECTION BY CHARLOTTE BRATHWAITE, CHOREOGRAPHY BY ADIA WHITAKER, AND VIDEO IMAGERY BY SARAH OLSON AND TIFFANY SMITH. THIS NEW WORK PORTRAYED A COMPLEX NARRATIVE EXPOSING THE CONTRADICTORY ROLES THAT WOMEN PLAY IN SOCIETY AND THE SOCIAL INSCRIPTIONS OF HISTORY ON THE FEMAILE BODY. CHICAGO-BASED DAMON LOCKS AND HIS BLACK MONUMENT ENSEMBLE PERFORMED WHERE FUTURE UNFOLDS WHICH ASKED HOW THE PAST CONTINUES TO MANIFEST IN THE PRESENT. INSPIRED BY ACTIVIST MOVEMENTS OF THE 1960S AND 70S AND THE ROLE OF THE CHURCH IN GALVANIZING BLACK COMMUNITIES, LOCKS USED VOCALS, DIGITAL SAMPLING, AND DRUM MACHINES ALONGSIDE A BRASS AND PERCUSSION BAND TO PRESENT HOW THE WINDS OF CHANGE BLOW BOTH FORWARD AND BACK. BUILDING ON A PARTNERSHIP INITIATED DURING THE FY18 PERFORMANCE SEASON WITH KANEZA SCHAAL'S JACK & INCARCERATED YOUTH IN THE ILLINOIS DEPARTMENT OF JUVENILE JUSTICE WERE INVITED TO ATTEND THE PERFORMANCE AND SPEAK WITH COMPOSER, DAMON LOCKS ABOUT THE THEMES OF SOCIAL JUSTICE IN HIS WORK.2. ISHMAEL HOUSTON-JONES, RALPH LEMON, AND BEBE MILLER RELATIONS, NOV 2-3, 2018BRINGING TOGETHER THREE LEGENDS OF EXPERIMENTAL DANCE TOGETHER TO SHARE THE STAGE, RELATIONS, WAS PART FAMILY REUNION AND PART FIRST-TIME ENCOUNTER FOR CHOREOGRAPHERS ISHMAEL HOUSTON-JONES, RALPH LEMON, AND BEBE MILLER AS THEY PAID HOMAGE TO THEIR PAST SELVES AND GESTURED TO THE FUTURE OF DANCE THAT THEY HAVE INSPIRED. AFTER NEARLY 40 YEARS OF INFLUENCING EACH OTHER FROM AFAR, THE KINSHIP BETWEEN THEM UNFOLDED IN REAL TIME IN TWO EVENINGS OF IMPROVISED PERFORMANCE. ATTENDEES RECEIVED AN ACCOMPANYING PUBLICATION THAT FEATURED POEMS, DRAWINGS, AND PREVIOUSLY UNPUBLISHED WRITING BY THE ARTISTS, IN ADDITION TO PHOTOS FROM THEIR PERSONAL ARCHIVES AND A COMMISSIONED ESSAY BY DANCE WRITER AND POET CLAUDIA LA ROCCO. TO MARK THE OCCASION OF THESE HISTORIC PERFORMANCES, THE CHICAGO DANCE HISTORY PROJECT COLLECTED ORAL HISTORIES FROM HOUSTON-JONES, LEMON AND MILLER. STILL IMAGES OF LEMON AND MILLER APPEARED IN THE GROUNDINGS EXHIBITION, WHICH WAS SIMULTANEOUSLY ON DISPLAY ON THE MUSEUM'S 4TH FLOOR. HOUSTON-JONES PARTICIPATED AS A GUEST LECTURER IN AN UNDERGRADUATE DANCE HISTORY COURSE AT COLUMBIA COLLEGE CHICAGO. A POST-SHOW TALK WITH ALL THREE OF THE ARTISTS WAS MODERATED BY ORGANIZING CURATOR, TARA AISHA WILLIS.3. CLAUDIA RANKINE AND WILL RAWLS WHAT REMAINS, DECEMBER 5-9, 2018WHAT REMAINS UNITED POET AND MACARTHUR FELLOW CLAUDIA RANKINE AND BESSIE AWARD-WINNING CHOREOGRAPHER WILL RAWLS FOR A COLLABORATIVE LIVE PERFORMANCE TO ADDRESS THE ERASURE AND EXPOSURE THAT DRIVE THE HISTORIC LEGACY OF MURDER AND DISTURBANCE OF BLACK CITIZENS. WHAT REMAINS WAS PERFORMED IN THE MCA WAREHOUSE, REFLECTING THE INFLUENCE OF CHICAGO'S SPRAWLING GEOGRAPHY ON THE PSYCHIC LANDSCAPE OF THE PERFORMANCE. RAWLS WORKED DIRECTLY WITH CHICAGO-BASED AMERICAN SIGN LANGUAGE INTERPRETERS TO PROVIDE A VERSION OF THE PERFORMANCE ACCESSIBLE TO DEAF AUDIENCES. MANILOW SENIOR CURATOR NAOMI BECKWITH MODERATED A POST-SHOW TALK WITH RAWLS AND THE CAST. IN ADVANCE OF OPENING NIGHT, CLAUDIA RANKINE AND WILL RAWLS PARTICIPATED IN A TALK MODERATED BY PERFORMER AND CURATOR TARA AISHA WILLIS. RAWLS PARTICIPATED AS A GUEST LECTURER IN A GRADUATE-LEVEL COURSE ON DEVISED THEATER AT COLUMBIA COLLEGE CHICAGO. THE PERFORMANCE WAS PRESENTED IN PARTNERSHIP WITH THREEWALLS GALLERY, WHICH HAD FOCUSED ITS 2019 IN-SESSION PROGRAM ON RANKINE'S BOOK-LENGTH POEM CITIZEN. RAWLS MET WITH THE 2019 COHORT OF THREEWALLS IN-SESSION ARTISTS DURING A SITE-VISIT IN NOVEMBER AND AT A POST-SHOW RECEPTION DURING THE WEEK OF THE SHOW'S RUN.4. INGRI FIKSDAL STATE AND DIORAMA, FEBRUARY 7-13, 2019TWO WORKS BY NORWEGIAN CHOREOGRAPHER INGRI FIKSDAL WERE PRESENTED IN TANDEM TO PRESENT HER REIMAGINED IDEA OF CHOREOGRAPHY AS SOCIAL EXPERIENCE. IN STATE, A SMALL SOCIETY MANIFESTED ON STAGE THROUGH AN EXPLORATION OF DANCE AS RITUAL AND ITS ROLL IN THE CREATION AND REIFICATION OF NATIONAL IDENTITIES. THE ATMOSPHERICALLY DENSE STAGING INCLUDED MUSIC BY NOISE/EXTREME METAL ARTIST LASSE MARHAUG AND COSTUMES BY DANISH AVANT-FASHION DESIGNER HENRIK VIBSKOV. FIKSDAL'S DIORAMA WAS PRESENTED THE FOLLOWING WEEK OUTDOORS AT MILLENIUM PARK NEXT TO ANISH KAPOOR'S CLOUD GATE. IN THIS WORK, THE RITUAL OF DANCE WAS TAKEN OUT OF THE THEATER AND INTO PUBLIC SPACE. TIME TO FOLLOW THE SUNSET AS IT PASSED BY THE CITY'S SHIMMERING SKYSCAPE, THE ARTISTS SOUGHT TO REFRAME THE URBAN PANORAMA IN SEQUINED COSTUMES BY FREDRIK FLOEN. THE CHICAGO PRESENTATION OF DIORAMA INCORPORATED STUDENTS IN THE MFA PROGRAM IN FASHION DESIGN AT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO AS PERFORMERS. IN COLLABORATION WITH THE DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS (DCASE), THE IN>TIME FESTIVAL, AND SAIC'S FASHION RESOURCE CENTER, THE ENGAGEMENT WAS ACCOMPANIED BY EXHIBITIONS BY BOTH COSTUME DESIGNERS AT SAIC'S SULLIVAN GALLERY, PUBLIC LECTURES BY THE ARTISTS, AND WORK CRITQUES OF STUDENT WORK.5. ANNIE DORSEN THE GREAT OUTDOORS, MARCH 21-24, 2019IN THE GREAT OUTDOORS AUDIENCES WERE INVITED TO LIE ON THE FLOOR BENEATH AN INFLATABLE PLANETARIUM AND IMAGINE THE INFINITE POSSIBILITIES OF THE INTERNET AS A NEW FORM OF CELESTIAL AUTHORITY FOR THE DIGITAL AGE. AS AN EXAMPLE OF ONE OF DORSEN'S WORKS OF "ALGORITHMIC THEATER" THE TEXT FOR EACH NIGHT'S PERFORMANCE WAS CULLED FROM BITS OF CHATTER ON SITES LIKE 4CHAN AND REDDIT FROM THE PREVIOUS 24 HOURS USING AN ALGORITHM OF DORSEN'S OWN DESIGN. GIVING VOICE AND BODY TO THE THOUGHTS OF THIS AGGREGATE OF INDIVIDUALS, A FEMALE SOLO PERFORMER READ ALOUD THESE COMMENTS THAT EMERGE AS THE INTERNET'S ID. THE INFLATABLE STRUCTURE POSTED UNIQUE CHALLENGES TO BOTH MCA STAFF AND THE ARTISTS AS THEY WORKED TOGETHER TO FIND CREATIVE SOLUTIONS FOR MAKING THE PERFORMANCE ACCESSIBLE TO WHEEL CHAIR USERS.6. YAN DUYVENDAK STILL IN PARADISE AND PLEASE, CONTINUE (HAMLET), APRIL 18-28, 2019PRESENTED IN PARTNERSHIP WITH THE CHICAGO HUMANITIES FESTIVAL, TWO WORKS BY YAN DUYVENDAK WERE PRESENTED OVER THE COURSE OF TWO WEEKS. BOTH WORKS EXPLORED THE WAYS OUR REALITY CAN BE STRANGER THAN FICTION. IN STILL IN PARADISE DUTCH ARTISTS DUYVENDAK AND EGYPTIAN ARTIST OMAR GHAYATT USED A SERIES OF SKITS TO STAGE THEIR REAL-LIFE ENCOUNTERS, MISCOMMUNICATIONS, AND MISHAPS ON THEIR PATH TO FINDING COMMON GROUND. THE FOLLOWING WEEK, DUYVENDAK'S COLLABORATION WITH ROGER BERNAT PLEASE, CONTINUE (HAMLET), A CONTEMPORARY REFRAMING OF THE FAMED SHAKESPEARE PLAY TOOK THE SHAPE OF A HOMICIDE TRIAL WHERE THE ROLES OF GERTRUDE, OPHELIA, AND HAMLET WERE PLAYED BY LOCAL ACTORS. REAL LIFE COURT OFFICIALS INCLUDING PROSECUTORS, TRIAL JUDGES, AND PUBLIC DEFENDERS WERE TASKED WITH TRYING THE CASE ACCORDING TO CHICAGO LEGAL CODE AND THE AUDIENCE MEMBERS SERVED AS THE JURY. FOR THIS CHICAGO ITERATION, THE LEGAL TEAM WAS COMPRISED OF KIM FOXX AS PROSECUTOR, JUDGE JOAN LEFKOW, AND ANNIE KASTANEK AS DEFENSE, AMONG SEVERAL OTHERS WHO ROTATED IN THESE ROLES. THIS UNSCRIPTED PERFORMANCE DREW ATTENTION TO THE THEATRICAL NATURE OF OUR JUSTICE SYSTEM AND RAISED THE SPECTER OF SUBJECTIVITY IN OUR OSTENSIBLY MOST OBJECTIVE INSTITUTION. 2875962 101287 LEARNING AND PUBLIC PROGRAMS:THE MCA IS CHICAGO'S ONLY MUSEUM DEDICATED TO THE ART OF OUR TIMES. AS AN INTEGRAL COMPONENT OF THE MUSEUM'S MISSION, THE MCA OFFERED A FULL RANGE OF EDUCATIONAL PROGRAMS DURING THE 2018-2019 PROGRAM YEAR FOR ITS VARIOUS AUDIENCES INCLUDING STUDENTS, FAMILIES, ADULTS, TEACHERS, AND TEENS. LEARNING PROGRAMS CONTINUE TO SERVE A DIVERSE POOL OF CHICAGO PUBLIC SCHOOLS STUDENTS AND TEACHERS, AND ARE PROVIDED TO ALL ILLINOIS SCHOOL AUDIENCES ON A COMPLIMENTARY BASIS TO FACILITATE ACCESS AND ENCOURAGE BROAD PARTICIPATION. A) THE MCA CONTINUED ITS SUCCESSFUL SCHOOL TOUR PROGRAMS FOR STUDENTS IN GRADES 1-12. THESE TOURS, ALL LED BY PRACTICING ARTISTS, CONTINUE TO BE THE CORNERSTONE OF OUR EDUCATIONAL PROGRAMS AND PROVIDE THE BROADEST EXPOSURE TO CONTEMPORARY ART FOR STUDENTS IN GRADES 1-12. THIS YEAR, WE REACHED 13,000 STUDENTS FROM ROUGHLY 200 SCHOOLS. 91% OF THESE SCHOOLS SERVE STUDENT BODIES THAT ARE AT LEAST 80 PERCENT LOW INCOME. B) THE MCA'S PROGRAM FOR 15-19 YEAR OLDS, TEEN CREATIVE AGENCY (TCA), COMPLETED ITS EIGTH YEAR DURING THE SUMMER OF 2019, AND THE FIRST SIX GROUPS OF TEENS HAVE NOW SEGUED INTO PROGRAM ALUMNI. GUIDED BY TWO LOCAL ARTISTS WHO FACILITATED THE WEEKLY SESSIONS, TCA MEMBERS LED IN-GALLERY ACTIVITIES, TOOK TRIPS TO CULTURAL ORGANIZATIONS, CHICAGO NEIGHBORHOODS AND ARTIST STUDIOS, AND WORKED ALONGSIDE MCA STAFF AND ARTISTS ON PROJECTS. C) FROM ITS ORIGINS AS A WEEK-LONG SUMMER EXPERIENCE, THE MCA TEACHER INSTITUTE HAS EVOLVED INTO A YEAR-LONG IMMERSIVE AND INTENSIVE PROFESSIONAL DEVELOPMENT PROGRAM FOR TEACHERS. DURING THIS YEAR'S INSTITUTE, TEACHERS USED CONTEMPORARY ART AND MCA RESOURCES TO EXPLORE THEIR TEACHING PRACTICE, EXPERIMENT WITH CURRICULUM, AND COLLABORATE WITH OTHER TEACHERS. D) OUR POPULAR FAMILY DAY PROGRAMMING CONTINUED WITH 5,443 PEOPLE PARTICIPATING IN THE PROGRAM. FAMILIES WITH CHILDREN UNDER THE AGE OF 12 RECEIVED COMPLIMENTARY ADMISSION ON THE SECOND SATURDAY OF EACH MONTH, NOVEMBER - MAY. E) AS PART OF OUR WIDE-RANGING EDUCATION PROGRAMS, THE MCA PRESENTED A DIVERSE RANGE OF PUBLIC PROGRAMS INCLUDING CONVERSATIONS, LECTURES, AND PANELS THAT EXPLORE THE VISUAL AND INTELLECTUAL COMPLEXITIES OF CONTEMPORARY ART AND DESIGN AND THEIR CONNECTION TO CULTURE AND HISTORY. 15602146 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 0 1 0 0 0 1 0 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 158 0 1 349 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 70 70 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 IL X ANNE-MARIE EISCHEN 3123973808 220 EAST CHICAGO AVENUE CHICAGO IL 60611 MICHAEL O'GRADY BOARD CHAIR AND TRUSTEE 10.00 0.00 X X 0 0 0 LESLIE BLUHM VICE CHAIR AND TRUSTEE 5.00 0.00 X X 0 0 0 KING HARRIS VICE CHAIR AND TRUSTEE 10.00 0.00 X X 0 0 0 ANNE L KAPLAN VICE CHAIR AND TRUSTEE 10.00 0.00 X X 0 0 0 CARI B SACKS VICE CHAIR AND TRUSTEE 5.00 0.00 X X 0 0 0 NICKOL HACKETT SECRETARY AND TRUSTEE 5.00 0.00 X X 0 0 0 MARQUIS D MILLER TREASURER AND TRUSTEE 5.00 0.00 X X 0 0 0 SARA ALBRECHT TRUSTEE 2.00 0.00 X 0 0 0 MICHAEL ALPER TRUSTEE 2.00 0.00 X 0 0 0 SULTAN AL QASSEMI TRUSTEE 2.00 0.00 X 0 0 0 ROB BELLICK TRUSTEE 2.00 0.00 X 0 0 0 JULIE BERNSTEIN TRUSTEE 2.00 0.00 X 0 0 0 GERHARD BETTE TRUSTEE 2.00 0.00 X 0 0 0 MARLENE BRESLOW-BLITSTEIN TRUSTEE 2.00 0.00 X 0 0 0 MARC BROOKS TRUSTEE 2.00 0.00 X 0 0 0 MICHAEL CANMANN TRUSTEE 5.00 0.00 X 0 0 0 ELLEN-BLAIR CHUBE TRUSTEE 2.00 0.00 X 0 0 0 CAROL COHEN TRUSTEE 2.00 0.00 X 0 0 0 NANCY CROWN TRUSTEE 2.00 0.00 X 0 0 0 DIMITRIS DASKALOPOULOS TRUSTEE 2.00 0.00 X 0 0 0 ROBERT H DEFARES TRUSTEE 2.00 0.00 X 0 0 0 CHERYL S DURST TRUSTEE 2.00 0.00 X 0 0 0 STEFAN EDLIS TRUSTEE 2.00 0.00 X 0 0 0 DONALD J EDWARDS TRUSTEE 2.00 0.00 X 0 0 0 LOIS EISEN TRUSTEE 5.00 0.00 X 0 0 0 DR JULIUS FEW TRUSTEE 2.00 0.00 X 0 0 0 LARRY FIELDS TRUSTEE 2.00 0.00 X 0 0 0 NICHOLAS GIAMPIETRO TRUSTEE 2.00 0.00 X 0 0 0 KENNETH C GRIFFIN TRUSTEE 2.00 0.00 X 0 0 0 JOHN B HARRIS TRUSTEE 2.00 0.00 X 0 0 0 JAMES A GORDON TRUSTEE 2.00 0.00 X 0 0 0 JACK GUTHMAN TRUSTEE 5.00 0.00 X 0 0 0 CYNTHIA HUNT TRUSTEE 5.00 0.00 X 0 0 0 LIZ LEFKOFSKY TRUSTEE 2.00 0.00 X 0 0 0 RON LEVIN TRUSTEE 5.00 0.00 X 0 0 0 JAMES H LITINSKY TRUSTEE 2.00 0.00 X 0 0 0 LAURA KEIDAN MARTIN TRUSTEE 2.00 0.00 X 0 0 0 SYLVIA NEIL TRUSTEE 5.00 0.00 X 0 0 0 KATE NEISSER TRUSTEE 2.00 0.00 X 0 0 0 MARTIN NESBITT TRUSTEE 2.00 0.00 X 0 0 0 ASHLEY HEMPHILL NETZKY TRUSTEE 2.00 0.00 X 0 0 0 JAY OWEN JR TRUSTEE 2.00 0.00 X 0 0 0 CAROL PRINS TRUSTEE 2.00 0.00 X 0 0 0 EVE ROGERS TRUSTEE 2.00 0.00 X 0 0 0 JOSHUA ROGERS TRUSTEE 2.00 0.00 X 0 0 0 ILAN SHALIT TRUSTEE 2.00 0.00 X 0 0 0 WILLIAM SILVERSTEIN TRUSTEE 2.00 0.00 X 0 0 0 SARA SZOLD TRUSTEE 2.00 0.00 X 0 0 0 NIGEL F TELMAN TRUSTEE 2.00 0.00 X 0 0 0 ELLEN B WALLACE TRUSTEE 2.00 0.00 X 0 0 0 DIA S WEIL TRUSTEE 5.00 0.00 X 0 0 0 PEDRO WEISS TRUSTEE 2.00 0.00 X 0 0 0 BEN WEPRIN TRUSTEE 2.00 0.00 X 0 0 0 HELEN ZELL TRUSTEE 2.00 0.00 X 0 0 0 MARILYNN B ALSDORF LIFE TRUSTEE 2.00 0.00 X 0 0 0 JOHN D CARTLAND LIFE TRUSTEE 2.00 0.00 X 0 0 0 MARSHALL FRONT LIFE TRUSTEE 2.00 0.00 X 0 0 0 HELYN D GOLDENBERG LIFE TRUSTEE 2.00 0.00 X 0 0 0 WILLIAM HOOD LIFE TRUSTEE 2.00 0.00 X 0 0 0 MARY ITTELSON LIFE TRUSTEE 2.00 0.00 X 0 0 0 DON KAUL LIFE TRUSTEE 2.00 0.00 X 0 0 0 SALLY MEYERS KOVLER LIFE TRUSTEE 2.00 0.00 X 0 0 0 PENNY PRITZKER LIFE TRUSTEE 2.00 0.00 X 0 0 0 DORIE STERNBERG LIFE TRUSTEE 2.00 0.00 X 0 0 0 DARYL GERBER STOKOLS LIFE TRUSTEE 2.00 0.00 X 0 0 0 DONNA A STONE LIFE TRUSTEE 2.00 0.00 X 0 0 0 MARJORIE SUSMAN LIFE TRUSTEE 2.00 0.00 X 0 0 0 ALLEN M TURNER LIFE TRUSTEE 2.00 0.00 X 0 0 0 LORNA SIMPSON ARTIST TRUSTEE 2.00 0.00 X 0 0 0 JENNIFER AUBREY EMERITUS TRUSTEE 2.00 0.00 X 0 0 0 ELISSA EFROYMSON EMERITUS TRUSTEE 2.00 0.00 X 0 0 0 MADELEINE GRYNSZTEJN PRITZKER DIRECTOR & CHIEF EXECUTIVE OFFICER 40.00 0.00 X X 625908 0 64468 LISA KEY CHIEF DEVELOPMENT OFFICER 40.00 0.00 X 211864 0 21822 PEGGY PAPAIOANNOU CHIEF FINANCIAL OFFICER 40.00 0.00 X 111133 0 18356 TERESA S DE GUZMAN CHIEF OPERATING OFFICER 40.00 0.00 X 174432 0 17967 GWENDOLYN PERRY DAVIS DEPUTY DEVELOPMENT OFFICER 40.00 0.00 X 176125 0 18141 MICHAEL DARLING CHIEF CURATOR 40.00 0.00 X 227844 0 23468 SUSAN CHUN CHIEF CONTENT OFFICER 40.00 0.00 X 162890 0 16778 KAMILA FARSCHI DIRECTOR OF INFORMATION TECHNOLOGY 40.00 0.00 X 111353 0 11470 LAUREN SMALLWOOD DIRECTOR OF COMMUNICATIONS 40.00 0.00 X 113490 0 11689 1915039 0 204159 12 0 1 0 SECURITAS SECURITY USA INC 12672 COLLECTIONS CENTER DRIVE CHICAGO IL 606930126 SECURITY SERVICES 1386094 NORCON INCORPORATED 661 W OHIO STREET CHICAGO IL 60654 GENERAL CONTRACTOR 1000265 CROWN ENERGY SERVICES INC DBA ABLE ENGI DEPT 34637 SAN FRANCISCO CA 94139 ENGINEERING SERVICES 581719 BUILDING MAINTENANCE SERVICE LLC DBA BM PO BOX 26032 NEW YORK NY 100876032 JANITORIAL 560595 EUROPEAN PAINTING AND DECORATING INC 21 S WILDWOOD PROSPECT HEIGHTS IL 60070 PAINTING AND DECORATING SERVICES 481854 24 29707 1747921 1693472 16534481 7163154 20005581 ADMISSIONS 712110 1231977 1231977 EXHIBITIONS 712110 136625 136625 EDUCATION 712110 101287 101287 PERFORMANCE 712110 72712 72712 1542601 45652 45652 391984 831033 -439049 -439049 -439049 27422597 27137304 285293 285293 285293 158934 1747921 755176 -596242 -596242 4223745 3562828 660917 655613 5304 PARKING GARAGE 712110 472221 472221 FOOD SERVICE 712110 248637 248637 MISCELLANEOUS 999999 130209 130209 851067 22355820 2198214 5304 146721 X 1151295 954377 196918 7422416 4482665 2080826 858925 189582 164917 14027 10638 617979 521862 -2471 98588 565672 319753 176837 69082 52690 6654 45607 429 54431 54431 50125 50125 2546095 2397069 76975 72051 943166 773646 138747 30773 1737127 1007193 545217 184717 627750 113066 501881 12803 3900 3900 1414421 1173811 152213 88397 641818 474300 95389 72129 534545 171969 124371 238205 981951 709725 226446 45780 2662053 1924053 613890 124110 266518 88865 177653 SHIPPING AND POSTAGE 663280 596263 54549 12468 STORAGE AND CONSERVATIO 640232 640232 0 0 MISCELLANEOUS 32703 32203 0 500 23799749 15602146 6081090 2116513 8444614 16324256 2102318 7055599 10641805 9618692 657521 165687 406140 1452467 1014858 2708827 83803442 39040369 47054700 44763073 19290430 27697031 109886879 98068845 199499265 207854477 3917108 3737443 41857 785653 29840171 29860149 428628 2011246 34227764 36394491 X 118883559 113841926 28835393 40065511 17552549 17552549 165271501 171459986 199499265 207854477 X -1443929 4055435 3576979 X 0 1 X 1 0 X 31240809 22822264 21881418 14664331 20005581 110614403 31240809 22822264 21881418 14664331 20005581 110614403 22634282 87980121 245652 172344 177139 439440 437636 1472211 5577 -3787 1378 3134 0 6302 2578614 2001892 1193450 1501842 851067 8126865 120219781 38919348 0.73180 0.71520 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 21633985 625222 900977 21358230 20847421 1657466 870902 21633985 18826371 3097455 1076405 20847421 19981796 450000 -794565 810860 18826371 20316017 387176 721397 19981796 0.00000 0.82180 0.17820 0 0 3523258 3523258 69927229 31473252 38453977 10352955 7567117 2785838 44763073 OFFSHORE COMMON STOCK FUNDS MUTUAL FUNDS 46712699 F INTERNATIONAL EQUITIES MUTUAL FUNDS 30808682 F LARGE CAP EQUITIES MUTUAL FUNDS 10323005 F MID CAP EQUITIES MUTUAL FUNDS 8816459 F MULTIFAMILY PORTFOLIO LTD PARTNERSHIP 1408000 C 98068845 DERIVATIVES MARK TO MARKET 1827461 RENTAL DEPOSITS 183785 2011246 31561829 92093 5051000 5143093 26418736 -4062916 -4062916 22355820 28235578 92093 4393861 4485954 23749624 50125 50125 23799749 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE COMMONLY FOLLOWED BY MOST AMERICAN ART MUSEUMS, THE VALUE OF THE MUSEUM'S COLLECTION IS NOT INCLUDED IN THE FINANCIAL STATEMENTS. CONTRIBUTIONS FOR THE PURCHASES OF ART OBJECTS, THE PROCEEDS FROM DEACCESSIONS OF ART AND THE COST OF ART OBJECTS PURCHASED ARE REPORTED AS OTHER CHANGES IN NET ASSETS IN THE STATEMENT OF ACTIVITIES. THE MUSEUM'S POLICY IS TO MAINTAIN AND CONTINUE TO ACQUIRE SIGNIFICANT WORKS OF CONTEMPORARY ART (PRINCIPALLY 1945 TO PRESENT). FROM TIME TO TIME, OBJECTS MAY BE SOLD IN ACCORDANCE WITH THE MUSEUM'S COLLECTION MANAGEMENT POLICY. ALL PROCEEDS REALIZED FROM DEACCESSIONS ARE ALLOCATED TO PURCHASE OTHER WORKS OF ART. DEACCESSION OF ART IN THE AMOUNT OF $5,727,250 WAS REALIZED FOR THE YEAR ENDED JUNE 30, 2019. NO DEACCESSION OF ART TOOK PLACE IN THE YEAR ENDED JUNE 30, 2018. PART III, LINE 4: THE COLLECTION IS COMPRISED OF OVER 5,500 OBJECTS IN ALL MEDIA CREATED DURING THE TWENTIETH AND TWENTY-FIRST CENTURIES. THROUGH EXHIBITIONS, PRESERVATION AND RESEARCH, THE COLLECTION SUPPORTS THE MUSEUM'S MISSION TO BE INNOVATIVE AND A COMPELLING CENTER OF CONTEMPORARY ART WHERE THE PUBLIC CAN DIRECTLY EXPERIENCE THE WORK AND IDEAS OF LIVING ARTISTS, AND UNDERSTAND THE HISTORICAL, SOCIAL AND CULTURAL CONTEXT OF THE ART OF OUR TIME. PART V, LINE 4: THE ENDOWMENT FUNDS ARE USED TO SUPPORT THE MUSEUM'S OPERATIONS, SUBJECT TO A SPENDING POLICY. UP TO 5% OF THE AVERAGE MARKET VALUE OF ASSETS OVER A 12 QUARTER PERIOD ENDING WITH THE PRIOR 12/31 IS MADE AVAILABLE FOR ANNUAL DRAWS. PART XI, LINE 2D - OTHER ADJUSTMENTS: INVESTMENT SPENDING POLICY DRAW 5,051,000. PART XI, LINE 4B - OTHER ADJUSTMENTS: DIVIDENDS AND INTEREST 45,652. REALIZED GAINS 285,293. COST OF GOODS SOLD -3,562,828. RENTAL EXPENSE -831,033. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD 3,562,828. RENTAL EXPENSE 831,033. EUROPE (INCLUDING ICELAND & GREENLAND) 0 0 PROGRAM SERVICES ARTIST FEES 144172 EAST ASIA AND THE PACIFIC 0 0 PROGRAM SERVICES ARTIST FEES 21526 SOUTH AMERICA 0 0 PROGRAM SERVICES ARTIST FEES 144671 NORTH AMERICA 0 0 PROGRAM SERVICES ARTIST FEES 3200 CENTRAL AMERICA AND THE CARIBBEAN 0 0 INVESTMENTS 42144296 EUROPE (INCLUDING ICELAND & GREENLAND) 0 0 INVESTMENTS 3110530 0 0 0 0 0 0 45568395 0 45568395 1 0 0 1 1 0 X X X X X X 1 MARTS & LUNDY INC 160 CHUBB AVENUE SUITE 303 LYNDHURST NJ 07071 FUNDRAISING CONSULTING 0 0 25689 0 25689 IL ARTEDGE 1598205 1480037 118168 148146 514604 VERNISSAGE 308650 267884 40766 54650 37776 1906855 1747921 158934 202796 552380 755176 -596242 X 1 1 X X X X 1 1 0 0 0 0 0 0 0 MADELEINE GRYNSZTEJN PRITZKER DIRECTOR & CHIEF EXECUTIVE 625908 0 0 0 0 0 13750 0 50718 0 690376 0 64468 0 LISA KEY CHIEF DEVELOPMENT OFFICER 211864 0 0 0 0 0 10686 0 11136 0 233686 0 21822 0 TERESA S DE GUZMAN CHIEF OPERATING OFFICER 174432 0 0 0 0 0 13750 0 4217 0 192399 0 17967 0 GWENDOLYN PERRY DAVIS DEPUTY DEVELOPMENT OFFICER 176125 0 0 0 0 0 8543 0 9598 0 194266 0 18141 0 MICHAEL DARLING CHIEF CURATOR 227844 0 0 0 0 0 11393 0 12075 0 251312 0 23468 0 SUSAN CHUN CHIEF CONTENT OFFICER 162890 0 0 0 0 0 8164 0 8614 0 179668 0 16778 0 PART I, LINE 1A PER THE PRITZKER DIRECTOR'S EMPLOYMENT AGREEMENT, BUSINESS CLASS IS BOOKED FOR ANY FLIGHTS LONGER THAN 4 HOURS. DURING FY19, 3 FIRST CLASS TICKETS FOR THE PRITZKER DIRECTOR, TOTALING $4,012 WERE BOOKED BECAUSE THE FLIGHT WAS OVER 4 HOURS AND BUSINESS CLASS TICKETS WERE NOT AVAILABLE. PART I, LINE 3 THE COMPENSATION COMMITTEE ANNUALLY REVIEWS PERFORMANCE, GOAL ACHIEVEMENTS, PEER DATA, SURVEYS, ETC WHEN SETTING THE ANNUAL SALARY FOR THE PRITZKER DIRECTOR/CHIEF EXECUTIVE OFFICER. THE COMMITTEE REVIEWS SALARIES OF SENIOR MANAGEMENT AND ALSO APPROVES THE ANNUAL ALLOCATION TO THE STAFF SALARY INCREASE POOL. THE COMMITTEE DOCUMENTS ITS FINDINGS IN WRITING AND EMPLOYEES ARE NOT PRESENT WHEN THEIR COMPENSATION IS SET. PART I, LINES 4A-B PEGGY PAPAIOANNOU RECEIVED SEVERANCE PAYMENTS TOTALING $67,075 DURING THE CALENDAR YEAR 2018. THE PRITZKER DIRECTOR PARTICIPATES IN A NON-QUALIFIED DEFERRED COMPENSATION PLAN EFFECTIVE AS OF NOVEMBER 1, 2017. THE PURPOSE OF THE PLAN IS TO PERMIT SELECTED EMPLOYEES OF THE MUSEUM TO RECEIVE SUPPLEMENTAL RETIREMENT INCOME THAT CANNOT BE PAID UNDER ITS QUALIFIED PLANS DUE TO THE REDUCTIONS AND LIMITATIONS IMPOSED BY SECTIONS 401(A)(17), 401(K)(3), 401(M) AND 415 OF THE INTERNAL REVENUE CODE OF 1986. DURING 2018, THE PRITZKER DIRECTOR RECEIVED A 457(F) CONTRIBUTION OF $25,000. A ILLINOIS FINANCE AUTHORITY 861091967 000000000 2016-10-27 30000000 REFINANCE ILLINOIS DEVELOPMENT AUTHORITY REVENUE BONDS SERIES 1994 0 0 0 A 30000000 30000000 2016 1 0 1 1 A 0 0 0 0 0.00000 0.00000 0.00000 0 0 1 A 1 1 0 0 0 0 A 0 X 27 7130451 TRANSFERRED VALUE X FOOD - VARIOUS EVENTS 6 18858 COST X EXHIBITION INSTALL MATERIALS 5 9045 COST X LIBRARY MATERIALS AND BOOKS 1 4800 COST 0 1 0 PART I, COLUMN (B): THE NUMBER IN PART I, COLUMN (B) REPRESENTS THE NUMBER OF CONTRIBUTIONS RECEIVED. FORM 990, PART VI, SECTION A, LINE 2 THE FOLLOWING TRUSTEES HAVE A FAMILY RELATIONSHIP 1) MICHAEL ALPER AND HELYN GOLDENBERG, 2) KING HARRIS AND JOHN HARRIS, 3) DON KAUL AND LESLIE BLUHM THE FOLLOWING TRUSTEES HAVE A BUSINESS RELATIONSHIP 1) ANNE KAPLAN HAS BUSINESS RELATIONSHIPS WITH LOISE EISEN, SALLY KOVLER, ELIZABETH LEFKOFSKY AND DIA WEIL, 2) ROBERT BELLICK AND JAMES GORDON, AND 3) MICHAEL CANMANN AND NANCY CROWN. FORM 990, PART VI, SECTION B, LINE 11B REVIEW OF THE IRS FORM 990 WAS DELEGATED TO THE AUDIT COMMITTEE. AFTER REVIEW, A DRAFT COPY OF FORM 990 WAS EMAILED TO ALL BOARD MEMBERS. AFTER A 30 DAY REVIEW PERIOD, THE FORM 990 IS THEN FILED ELECTRONICALLY WITH THE IRS. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM MAINTAINS A CONFLICT OF INTEREST POLICY WHICH APPLIES TO ALL TRUSTEES, MEMBERS OF STANDING COMMITTEES, AS WELL AS SENIOR MANAGEMENT AND OTHER DESIGNATED MEMBERS OF STAFF. THE POLICY REQUIRES THAT EACH PERSON TO WHOM THE POLICY APPLIES COMPLETE THE ANNUAL DISCLOSURE STATEMENT TO IDENTIFY ANY BUSINESS, FINANCIAL OR PERSONAL INTEREST IN MATTERS RELATING TO THE MUSEUM. THE POLICY FORBIDS SUCH INDIVIDUALS FROM VOTING ON OR USING THEIR PERSONAL INFLUENCE IN CONNECTION WITH SUCH MATTERS. IN THE EVENT THE MUSEUM DOES CONDUCT BUSINESS WITH SUCH RELATED PARTY, THE FINANCIAL TERMS OF THOSE RELATIONSHIPS ARE REPORTED ANNUALLY TO THE AUDIT COMMITTEE, WHOSE MEMBERS MUST BE INDEPENDENT PER THE TERMS OF THE CHARTER. FORM 990, PART VI, SECTION B, LINE 15 THE COMPENSATION COMMITTEE ANNUALLY REVIEWS PERFORMANCE, GOAL ACHIEVEMENT, PEER DATA, SURVEYS, ETC., WHEN SETTING THE ANNUAL SALARY FOR THE PRITZKER DIRECTOR/CHIEF EXECUTIVE OFFICER. THE COMMITTEE REVIEWS SALARIES OF SENIOR MANAGEMENT AND ALSO APPROVES THE ANNUAL ALLOCATION TO THE STAFF SALARY INCREASE POOL. THE COMMITTEE DOCUMENTS ITS FINDINGS IN WRITING, AND EMPLOYEES ARE NOT PRESENT WHEN THEIR COMPENSATION IS SET. FORM 990, PART VI, SECTION C, LINE 19 UPON REQUEST, THE MUSEUM PROVIDES THE INFORMATION. FORM 990, PART IX, LINE 11G CONTRACT LABOR: PROGRAM SERVICE EXPENSES 1,163,068. MANAGEMENT AND GENERAL EXPENSES 48,627. FUNDRAISING EXPENSES 41,241. TOTAL EXPENSES 1,252,936. CONTRACT LABOR - SECURITY: PROGRAM SERVICE EXPENSES 1,234,001. MANAGEMENT AND GENERAL EXPENSES 28,348. FUNDRAISING EXPENSES 30,810. TOTAL EXPENSES 1,293,159. FORM 990, PART XI, LINE 9: CHANGE IN VALUE OF SWAP -1,544,908. COLLECTION DEACCESSIONS 5,727,250. COLLECTION ACQUISITIONS -605,363. FORM 990, PART III, LINE 4A CONTINUED: 11. GROUNDINGS CONTINUED FEATURED COLLECTION WORKS CONSIDERED MOVEMENT AND ITS RELATIONSHIP TO IDENTITY, PLACE AND ACTION. OVER THE RUN OF GROUNDINGS, THE PERFORMERS HELD OPEN REHEARSALS IN WHICH THEY CREATED PERFORMANCES AND PHYSICAL OBJECTS THAT SPOKE TO THE THEMES OF THE EXHIBITION. 12. HEAVEN AND EARTH; ALEXANDER CALDER AND JEFF KOONS (OCTOBER 21, 2017 - APRIL 14, 2019) IN HONOR OF THE MCA'S 50TH ANNIVERSARY, HEAVEN AND EARTH: ALEXANDER CALDER AND JEFF KOONS BROUGHT TOGETHER TWO OF THE MOST IMPORTANT ARTISTS IN THE MUSEUM'S HISTORY AND FOUND COMMON GROUND BETWEEN THESE SEEMINGLY DISPARATE ARTISTS. THIS PLAYFUL AND UNEXPECTED PAIRING, WHICH NOMINALLY PINNED ALEXANDER CALDER'S WEIGHTLESS SCULPTURES AS "HEAVEN AND JEFF KOONS'S CELEBRATIONS OF THE MUNDANE AND CONCRETE AS "EARTH," HIGHLIGHTED BOTH ARTISTS' INTEREST IN PLAY WITH BALANCE AND GRAVITY TO MAKE COMPELLING SCULPTURAL STATEMENTS. THE EXHIBITION WAS UPDATED PERIODICALLY WITH SUBSTITUTIONS BY BOTH ARTISTS.