2020-07-08T15:31:22-05:00 2019-08-31 131655065 LUTZ AND CARR CPAS LLP 551 FIFTH AVENUE SUITE 400 NEW YORK NY 10176 990 2018-09-01 131844852 NEW YORK SHAKESPEARE FESTIVAL NEWY 2125398500 425 LAFAYETTE STREET NEW YORK NY 10003 PATRICK WILLINGHAM EXECUTIVE DIRECTOR 2125398500 2020-07-07 1 MICHAEL WALLACE P00881958 2126972299 38.142.140.186 2020-07-07 10:14:26 ED P 59DB2DCED2F0F031B1229EEE1E2D2F031B4345D1 5113AD6B164773D5121634EC23FD61D36CB6A590 2018 2020-09-23 17:36:50Z THE PUBLIC THEATER JOE'S PUB PATRICK WILLINGHAM 425 LAFAYETTE STREET NEW YORK NY 10003 93835973 0 X WWW.PUBLICTHEATER.ORG X 1954 NY THROUGH THE PUBLIC THEATER, SHAKESPEARE IN THE PARK AND JOE'S PUB, NYSF IS DEDICATED TO DEVELOPING AN AMERICAN THEATER THAT IS ACCESSIBLE AND RELEVANT TO ALL PEOPLE. 47 45 1566 95 12591 10891 34253715 45866012 11029374 14820130 1280634 2979404 21564698 25057264 68128421 88722810 861577 769950 0 0 29261143 34919176 518092 628451 5018162 18141217 20612926 48782029 56930503 19346392 31792307 85134061 115535167 11491835 15609820 73642226 99925347 X AS THE NATION'S FOREMOST PRODUCER OF SHAKESPEARE AND NEW WORK, THE PUBLIC THEATER IS DEDICATED TO ACHIEVING ARTISTIC EXCELLENCE WHILE DEVELOPING AN AMERICAN THEATER THAT IS ACCESSIBLE AND RELEVANT TO ALL PEOPLE THROUGH PRODUCTIONS OF CHALLENGING NEW PLAYS, MUSICALS AND INNOVATIVE STAGINGS OF THE CLASSICS. 0 0 22385169 11679571 DOWNTOWN SEASONTHE PUBLIC THEATER'S MAINSTAGE SEASON AT 425 LAFAYETTE STREET FEATURES A DIVERSE LINE-UP OF NEW PLAYS AND MUSICALS, AS WELL AS SHAKESPEARE AND OTHER CLASSICS, IN FIVE THEATERS. THE DOWNTOWN PROGRAMMING AIMS TO PRESENT THE MOST PRESSING ISSUES OF THE TIME, AS TOLD BY THE FIELD'S MOST CUTTING-EDGE VOICES, TO THE BROADEST POSSIBLE AUDIENCE. FOUR PLAYS RECEIVED THEIR WORLD PREMIERE - PATRICIA IONE LLOYD'S EVE'S SONG, SUZAN-LORI PARKS' WHITE NOISE, JORDAN COOPER'S AIN'T NO MO', AND TIM BLAKE NELSON'S SOCRATES. NEW YORK PREMIERES INCLUDED WILD GOOSE DREAMS BY HANSOL JUNG, MOJADA BY LUIS ALFARO, MOTHER OF THE MAID BY JANE ANDERSON, AND SEA WALL/A LIFE SIMON STEPHENS/NICK PAYNE.THE FIFTEENTH UNDER THE RADAR FESTIVAL, A PLATFORM FOR US-BASED AND INTERNATIONAL DEVISED THEATER GROUPS, PRESENTED THE WORK OF 22 CONTEMPORARY THEATER COMPANIES FEATURING OVER 165 ARTISTS FROM ACROSS THE US AND AROUND THE WORLD. THE 12-DAY FESTIVAL IN JANUARY 2019 ATTRACTED AN AUDIENCE OF OVER 7,500 PEOPLE TO 31 SHOWS AT THE PUBLIC THEATER AND ITS THREE PARTNER VENUES. 6626947 SHAKESPEARE IN THE PARKFREE SHAKESPEARE IN THE PARK AT THE DELACORTE THEATER IN CENTRAL PARK EMBODIES THE PUBLIC THEATER'S MISSION TO OFFER THE HIGHEST QUALITY WORK TO EVERYONE, FREE OF CHARGE. SINCE ITS INCEPTION MORE THAN 5 MILLION PEOPLE HAVE ENJOYED PERFORMANCES BY BOTH EMERGING AND WORLD-RENOWNED ARTISTS. CONTINUING A LONG-HELD TRADITION, ALL TICKETS FOR SHAKESPEARE IN THE PARK ARE OFFERED FREE OF CHARGE THROUGH A VARIETY OF DISTRIBUTION METHODS IN ALL FIVE BOROUGHS DESIGNED TO MAXIMIZE ACCESSIBILITY. FOR PATRONS WITH HEARING AND VISION IMPAIRMENTS, THE PUBLIC THEATER OFFERS A SIGN-INTERPRETED, OPEN-CAPTIONED AND AUDIO-DESCRIBED PERFORMANCE FOR EACH PRODUCTION. THE 2019 FREE SHAKESPEARE IN THE PARK SEASON, ITS 57TH SEASON AT THE DELACORTE, PRESENTED TWO PRODUCTIONS OVER NINE WEEKS, REACHING AN AUDIENCE OVER 100,000. THE FIRST PRODUCTION WAS MUCH ADO ABOUT NOTHING, DIRECTED BY KENNY LEON, FEATURING DANIELLE BROOKS, GRANTHAM COLEMAN, AND JEREMIE HARRIS. THE SECOND WAS CORIOLANUS DIRECTED BY DANIEL SULLIVAN FEATURING JONATHAN CAKE, KATE BURTON, AND TEAGLE F. BOUGERE. 4622102 2975481 JOE'S PUBONE OF NEW YORK CITY'S MOST CELEBRATED VENUES FOR EMERGING AND ESTABLISHED PERFORMANCE ARTISTS, JOE'S PUB IS COMMITTED TO REFLECTING THE DIVERSE COMMUNITY THAT IT REPRESENTS IN ITS AUDIENCE AND ON ITS STAGE BY PROGRAMMING A VARIETY OF HIGH-QUALITY PERFORMANCES, WHILE KEEPING TICKET PRICES AT A MINIMUM. NAMED FOR PUBLIC THEATER FOUNDER JOE PAPP, JOE'S PUB DEBUTED IN 1998 AND PLAYS A VITAL ROLE IN THE PUBLIC THEATER'S MISSION OF SUPPORTING YOUNG ARTISTS WHILE PROVIDING ESTABLISHED ARTISTS WITH AN INTIMATE SPACE TO PERFORM AND DEVELOP NEW WORK. AS PART OF THE PUBLIC THEATER'S 2018-19 PROGRAMMING DOWNTOWN AT 425 LAFAYETTE STREET, JOE'S PUB PRESENTED TALENT FROM ALL OVER THE WORLD, HOSTING APPROXIMATELY 800 SHOWS AND SERVING OVER 100,000 AUDIENCE MEMBERS. THE DIVERSE ROSTER OF PROGRAMMING FEATURED TOP PERFORMERS FROM BROADWAY, CABARET, DANCE, WORLD, SINGER-SONGWRITER, JAZZ, COUNTRY AND INDIE GENRES. 10542456 769950 463459 COMMUNITY PROGRAMS THE MOBILE UNIT, A CONTEMPORARY VERSION OF THE PUBLIC THEATER'S INITIAL TOURING MODEL, NOT ONLY SEEKS OUT DIVERSE AUDIENCES BUT SERVES AUDIENCES WHOSE ACCESS TO ARTS EXPERIENCES ARE SEVERELY INHIBITED BY THEIR ENVIRONMENTS. THE MOBILE UNIT FOCUSES ON TOURING PRODUCTIONS TO CORRECTIONAL FACILITIES, HOMELESS SHELTERS, COMMUNITY CENTERS, SOCIAL SERVICE ORGANIZATIONS AND OTHER PLACES WHERE THE MOST CRITICALLY UNDER-SERVED AND OVERLOOKED PARTS OF THE POPULATION ARE CONGREGATED. THESE PRODUCTIONS ARE THEN PRESENTED FOR FREE AS PART OF THE DOWNTOWN SEASON AT 425 LAFAYETTE STREET. OVER THE YEARS, THE MOBILE UNIT HAS SERVED THOUSANDS OF AUDIENCES WITH CRITICALLY ACCLAIMED PRODUCTIONS. IN THE FALL OF 2018, THE MOBILE UNIT EMBARKED ON A THREE-WEEK, TOUR OF THE FIVE BOROUGHS, FEATURING FREE PERFORMANCES OF WILLIAMS SHAKESPEARE'S A MIDSUMMER NIGHT'S DREAM DIRECTED BY JENNY KOONS.THE FALL OF 2018 ALSO WAS THE LAUNCH OF MOBILE UNIT'S FIRST NATIONAL INITIATIVE WHERE LYNN NOTTAGE'S PULITZER PRIZE WINNING PLAY SWEAT WAS TOURED TO 5 STATES IN THE MIDWEST OVER A 3-WEEK PERIOD. IN THE SPRING 2019, A TOUR WAS MOUNTED OF THE TEMPEST DIRECTED BY LAURIE WOOLERY. BOTH FIVE BOROUGH SHAKESPEARE TOURS WERE FOLLOWED BY DOWNTOWN RUNS AT THE PUBLIC THEATER THAT OFFERED ENTIRELY FREE TICKETS, WITH 20 TICKETS FOR EACH PERFORMANCE RESERVED FOR COMMUNITY ORGANIZATIONS.THE MOBILE UNIT CONTINUED ITS YEARLY PARTNERSHIP WITH JOE'S PUB TO PRESENT A SHORTER TOUR AROUND THE 5 BOROUGHS CALLED IN TRANSIT. LATE FALL OF 2018 SAW THE JOE'S PUB ARTIST AND LOCAL BAND MAKU SOUNDSYSTEM PERFORM IN THE CITY AND AT JOE'S PUB.PUBLIC WORKS, A MAJOR PROGRAM OF THE PUBLIC THEATER, AIMS TO RESTORE AND BUILD COMMUNITY BY CONNECTING PEOPLE THROUGH THEATER-BOTH PERFORMING IT AND EXPERIENCING IT-REMINDING US THAT WE ARE ALL IN THIS TOGETHER. WORKING WITH PARTNER ORGANIZATIONS IN ALL 5 BOROUGHS, PUBLIC WORKS INVITES COMMUNITY MEMBERS TO TAKE CLASSES, ATTEND PERFORMANCES, AND JOIN IN THE CREATION OF AMBITIOUS WORKS OF PARTICIPATORY THEATER. PUBLIC WORKS DELIBERATELY BLURS THE LINE BETWEEN PROFESSIONAL ARTISTS AND COMMUNITY MEMBERS, CREATING THEATER THAT IS NOT ONLY FOR THE PEOPLE, BUT BY AND OF THE PEOPLE AS WELL. IT IS ANIMATED BY THE IDEA THAT THEATER IS A PLACE OF POSSIBILITY, WHERE THE BOUNDARIES THAT SEPARATE US FROM EACH OTHER IN THE REST OF LIFE CAN FALL AWAY. DURING THE 2018-2019 SEASON, PUBLIC WORKS CONTINUED TO WORK WITH PARTNER ORGANIZATIONS BROWNSVILLE RECREATION CENTER (BROOKLYN), CENTER FOR FAMILY LIFE IN SUNSET PARK (BROOKLYN), DREAMYARD (BRONX), THE FORTUNE SOCIETY (QUEENS), AND MILITARY RESILIENCE FOUNDATION (ALL BOROUGHS), ALONG WITH ALUMNI PARTNERS CASITA MARIA CENTER FOR ARTS AND EDUCATION (BRONX), CHILDREN'S AID (ALL BOROUGHS), AND DOMESTIC WORKERS UNITED (ALL BOROUGHS). THE PUBLIC FORUM IS A VITAL NEXUS OF CREATIVITY, COMMUNITY, AND IDEAS, DEDICATED TO EMBRACING THE COMPLEXITIES OF CONTEMPORARY SOCIETY. THE PROGRAM OFFERS A SERIES OF CONVERSATIONS AND PERFORMANCES FEATURING LEADING VOICES IN POLITICS, MEDIA, AND THE ARTS, DRAWING THE BROADEST RANGE OF VOICES IN CONVERSATION ABOUT AMERICAN CULTURE. USING THEATER AS A JUMP-OFF POINT TO SHED LIGHT ON CONTEMPORARY ISSUES, PUBLIC FORUM HAS TACKLED A NUMBER OF ISSUES FROM POVERTY AND INEQUALITY, TO MUSIC AND AMERICAN IDENTITY. PUBLIC FORUM CONTINUED A SERIES OF CIVIC SALONS, OFFERING A MONTHLY GATHERING DEDICATED TO CREATING AN ONGOING CONVERSATION FORGED IN THE SPIRIT OF COMMUNITY AND CONVERSATION. EACH MONTH FEATURES A DIFFERENT THEME AND A PLATFORM FOR READINGS, MUSICAL PERFORMANCE, AND KEYNOTE ADDRESS-ALL CHOSEN IN THE HOPES OF INSPIRING CIVIC ENGAGEMENT AND SOCIAL CHANGE.THE PUBLIC SHAKESPEARE INITIATIVE OFFERS A WIDE RANGE OF PROGRAMMING WHICH INCLUDES LARGER PUBLIC SHAKESPEARE PRESENTS EVENINGS, BLENDING INCISIVE COMMENTARY BY SCHOLARS AND OTHER THINKERS WITH COMPELLING LIVE PERFORMANCES BY ARTISTS OF ALL DISCIPLINES; INTIMATE PUBLIC SHAKESPEARE TALKS, GIVING AUDIENCES UNIQUE INSIGHT INTO THE ARTISTIC AND INTELLECTUAL PROCESSES OF LEADING SHAKESPEARE PRACTITIONERS; ARTIST DEVELOPMENT PROGRAMS, WHICH SERVE SOME OF THE MOST VISIONARY ARTISTIC MINDS WORKING ON SHAKESPEARE TODAY; AND EDUCATION PROGRAMS, INCLUDING THE HUNTS POINT CHILDREN'S SHAKESPEARE ENSEMBLE, WHICH WAS FOUNDED AND HAS BEEN RUN IN COLLABORATION WITH OUR COMMUNITY PARTNER, THE HUNTS POINT ALLIANCE FOR CHILDREN, SINCE 2007.NEW WORK DEVELOPMENT & ANCILLARY PROGRAMS LAUNCHED DURING THE 2013-14 SEASON, PUBLIC STUDIO PROVIDES A LOW-COST PRODUCTION MODEL THAT HELPS PLAYWRIGHTS BREAK FREE OF THE WORKSHOP PROCESS AND PRESENT THEIR WORK IN FRONT OF AUDIENCES. WITH A STRIPPED-DOWN AESTHETIC AND STREAMLINED DEVELOPMENT PROCESS, PLAYWRIGHTS ARE GIVEN A CHANCE TO SHARE THEIR EARLY WORK WITH THE GENERAL PUBLIC. PUBLIC STUDIO PRESENTS TWO PERFORMANCES EACH SEASON, AND PARTICIPANT SELECTION IS LIMITED TO WRITERS WHO HAVE NOT PREVIOUSLY RECEIVED A MAJOR PRODUCTION.IN 2019, PUBLIC STUDIO PRESENTED EARLY CAREER WRITERS RECEIVING THEIR FIRST MAJOR THEATRICAL WORKSHOP: THE LOOPHOLE, WRITTEN BY ZENIBA BRITT AND JAY ADANA AND DIRECTED BY AWOYE TIMPO AND CULLUD WATTAH WRITTEN BY ERIKA DICKERSON-DESPENZA AND DIRECTED BY CANDIS C. JONES. THE PUBLIC'S EARLY CAREER WORKING GROUPS PROVIDE COLLABORATIVE, EFFECTIVE MODELS FOR SUPPORTING ARTISTS AT CRITICAL STAGES OF THEIR DEVELOPMENT. THE PRIMARY GOALS OF EACH PROGRAM ARE TO BUILD MEANINGFUL PATHWAYS FOR ARTISTIC AND PROFESSIONAL ADVANCEMENT: EMERGING WRITERS GROUP (EWG). FOCUSED ON IDENTIFYING AND SUPPORTING EARLY CAREER PLAYWRIGHTS, THE EMERGING WRITER'S GROUP PROVIDES KEY RESOURCES FOR WRITERS AT EVERY STAGE OF THEIR CAREERS. THE PRIMARY GOAL OF THE EWG PROGRAM IS TO BUILD MEANINGFUL PATHWAYS FOR WRITERS' ARTISTIC AND PROFESSIONAL DEVELOPMENT. THE STAFF OF THE NEW WORK DEVELOPMENT DEPARTMENT WORK TO CREATE A FERTILE COMMUNITY AND FOSTER A WEB OF SUPPORTIVE ARTISTIC RELATIONSHIPS ACROSS GENERATIONS. WRITERS ARE SELECTED BI-ANNUALLY AND RECEIVE A TWO-YEAR FELLOWSHIP, WHICH INCLUDES A $7,500 STIPEND. ELIGIBILITY CRITERIA ARE TAILORED TO SERVE QUALIFIED WRITERS WHO ARE SHUT OUT OF THE FIELD'S STANDARD PLAY DEVELOPMENT CHANNELS - THOSE WITHOUT PROFESSIONAL REPRESENTATION OR GRADUATE SCHOOL TRAINING. THE PLAYWRIGHTS PARTICIPATE IN A BI-WEEKLY WRITERS GROUP LED BY THE PUBLIC'S NEW WORK DEPARTMENT, FEATURING MASTER CLASSES LED BY ESTABLISHED PLAYWRIGHTS, AND THEIR FELLOWSHIP CULMINATES IN AN INDUSTRY-INVITED SHOWCASE OF WORK DEVELOPED DURING THE RESIDENCY.DEVISED THEATER WORKING GROUP (DTWG). FORMED IN 2014, THE DEVISED THEATER WORKING GROUP (DTWG) IS AN ARTIST RESOURCE GROUP DESIGNED FOR MAKERS OF ALL DISCIPLINES, INCLUDING THOSE WHO DON'T SELF-IDENTIFY AS THEATER MAKERS BUT FOR WHOM THEATRE IS A POTENT METAPHOR OR FRAMEWORK. DTWG SERVES AS A THINK TANK TO ENSURE THAT THE PUBLIC IS RESPONSIVE TO THE MOST IMMEDIATE REALITIES OF INDEPENDENT THEATER MAKING. UNDER THE LEADERSHIP OF THE UNDER THE RADAR FESTIVAL, ONE OF THE CORE ARTISTIC PROGRAMS AT THE PUBLIC, DTWG OFFERS NEXT-GENERATION THEATER-MAKERS A SUPPORTIVE FRAMEWORK IN WHICH TO DEVELOP THEIR WORK, ENGAGE IN CONSISTENT DIALOGUE, AND BE CHALLENGED BY EACH OTHER'S AESTHETIC PRACTICE. USING THE MODEL OF THE EMERGING WRITERS GROUP, DTWG CREATES AN INFRASTRUCTURE TO SUPPORT COHORTS OF BETWEEN SIX AND EIGHT ARTISTS OR PERFORMANCE COLLECTIVES TO MEET CONSISTENTLY THROUGHOUT THE YEAR AS THEY CREATE THEATER BY OFFERING THE DRAMATURGICAL, TECHNICAL, ARTISTIC, AND ADMINISTRATIVE RESOURCES OF THE PUBLIC.JOE'S PUB WORKING GROUP (JPWG) & NEW YORK VOICES IN ORDER TO CREATE SUSTAINABLE RESOURCES FOR THE FIELD AND TO SUPPORT EMERGING ARTISTS, SENIOR DIRECTOR OF ARTISTIC PROGRAMING, SHANTA THAKE, AND DIRECTOR OF JOE'S PUB, ALEX KNOWLTON, BLENDED THE PUBLIC'S APPROACH TO SUPPORTING EMERGING PLAYWRIGHTS AND INDEPENDENT ARTISTS TO CREATE TWO PROGRAMS: JOE'S PUB WORKING GROUP, WHICH AIMS TO ENRICH THE SUSTAINABILITY AND GROWTH OF NEW YORK-BASED EMERGING ARTISTS' CAREERS; AND NEW YORK VOICES, A COMMISSIONING INITIATIVE FOR MUSICIANS AND PERFORMANCE ARTISTS TO CREATE CROSS-GENRE THEATER PIECES. JOE'S PUB WORKING GROUP SUPPORTS COHORTS OF FIVE EARLY CAREER MUSICIANS AND PERFORMANCE ARTISTS BY PROVIDING A VARIETY OF SUPPORT. THESE INCLUDE ADMINISTRATIVE RESOURCES, PHYSICAL SPACE, AND CURATORIAL SERVICES - FURTHER CULTIVATING A COMMUNITY ATMOSPHERE WHEREIN THOSE ARTISTS CAN CREATE AND SUSTAIN NEW AND DEVELOPING WORK. THE PROGRAM SELECTS FROM THE FIELD'S MOST EXCITING ARTISTS-IDENTIFYING MUSICIANS AND PERFORMANCE ARTISTS THAT PARTICULARLY EXHIBIT A STRONG NARRATIVE VOICE IN THEIR WORK-AND ASKS THEM TO EXPLORE THEATRICAL STORYTELLING AND SONGWRITING. 10542456 769950 463459 44176674 1 1 0 1 0 0 0 0 0 1 1 0 0 1 1 0 0 1 0 0 0 0 0 1 1 0 0 1 1 1 0 0 0 0 0 0 0 0 1 0 0 0 0 1 1 1 0 0 1 811 0 1 1566 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 47 45 0 0 0 0 0 0 0 1 1 0 0 0 1 0 1 1 1 1 1 1 0 NY CT NJ PA CA GA CO X X DANIEL WILLIAMS SR DIR OF FINANCE AND ADMINISTRATION 2125398500 425 LAFAYETTE STREET NEW YORK NY 10003 ARIELLE TEPPER MADOVER CHAIR 7.00 X X 0 0 0 PAT FILI-KRUSHEL VICE CHAIR 4.00 X X 0 0 0 ANNE CLARKE WOLFF TREASURER 4.00 X X 0 0 0 MATTHEW PINCUS SECRETARY 2.00 X X 0 0 0 KWAME ANTHONY APPIAH BOARD MEMBER 1.00 X 0 0 0 PATTY BAKER BOARD MEMBER 1.00 X 0 0 0 RENEE BEAUMONT BOARD MEMBER 1.00 X 0 0 0 ANDREA E BERNSTEIN BOARD MEMBER 2.00 X 0 0 0 JASON BLUM BOARD MEMBER 1.00 X 0 0 0 ZACH BUCHWALD BOARD MEMBER 2.00 X 0 0 0 GORDON J DAVIS ESQ BOARD MEMBER 3.00 X 0 0 0 DAVID DROGA BOARD MEMBER 1.00 X 0 0 0 SUSAN EDELSTEIN BOARD MEMBER 1.00 X 0 0 0 ERIC ELLENBOGEN BOARD MEMBER 1.00 X 0 0 0 HILARY C FESHBACH BOARD MEMBER 1.00 X 0 0 0 TOM FINKELPEARL BOARD MEMBER 1.00 X 0 0 0 CANDIA FISHER BOARD MEMBER 1.00 X 0 0 0 FAITH GAY BOARD MEMBER 1.00 X 0 0 0 DANAI GURIRA BOARD MEMBER 1.00 X 0 0 0 ANNE HATHAWAY BOARD MEMBER 1.00 X 0 0 0 DEBBY LANDESMAN BOARD MEMBER 1.00 X 0 0 0 ASHLEY LEEDS BOARD MEMBER 1.00 X 0 0 0 KENNY LEON BOARD MEMBER 1.00 X 0 0 0 LUIS MIRANDA JR BOARD MEMBER 2.00 X 0 0 0 GAIL MERRIFIELD PAPP BOARD MEMBER 1.00 X 0 0 0 HANS MORRIS BOARD MEMBER 1.00 X 0 0 0 JULIA PERSHAN BOARD MEMBER 1.00 X 0 0 0 JULIO PETERSON BOARD MEMBER 2.00 X 0 0 0 CHARLOTTE RELYEA BOARD MEMBER 1.00 X 0 0 0 JULIE RICE BOARD MEMBER 1.00 X 0 0 0 JANICE COOK ROBERTS BOARD MEMBER 1.00 X 0 0 0 WENDI ROSE BOARD MEMBER 1.00 X 0 0 0 LIZANNE ROSENSTEIN BOARD MEMBER 1.00 X 0 0 0 MARK ROSENTHAL BOARD MEMBER 1.00 X 0 0 0 ALEXANDRA SHIVA BOARD MEMBER 2.00 X 0 0 0 JIM STEINBERG BOARD MEMBER 1.00 X 0 0 0 LAURE SUDREAU BOARD MEMBER 1.00 X 0 0 0 STEVEN TAUB BOARD MEMBER 1.00 X 0 0 0 TERESA TSAI BOARD MEMBER 1.00 X 0 0 0 GRACE LYU-VOLCKHAUSEN BOARD MEMBER 1.00 X 0 0 0 SAM WATERSTON BOARD MEMBER 1.00 X 0 0 0 AUDREY WILF BOARD MEMBER 1.00 X 0 0 0 TIMOTHY WILKINS BOARD MEMBER 2.00 X 0 0 0 FRANCES WILKINSON BOARD MEMBER 1.00 X 0 0 0 ALISA AMAROSA WOOD BOARD MEMBER 1.00 X 0 0 0 PATRICK WILLINGHAM EXECUTIVE DIRECTOR 40.00 X X 442702 0 26947 PAUL J EUSTIS ARTISTIC DIRECTOR 40.00 X X 855594 0 155138 PATRICIA HUIE CHIEF FINANCIAL OFFICER 40.00 X 210038 0 26187 THOMAS MCCANN SENIOR DIRECTOR OF MARKETING 40.00 X 172503 0 16090 SHANNON S THAKE-KRIEGSMANN SENIOR DIRECTOR OF ARTISTIC PROGRAMS 40.00 X 161189 0 38736 LAURENCE JAHNS CHIEF ADVANCEMENT OFFICER 40.00 X 381249 0 26276 JEREMY ADAMS MANAGING DIRECTOR 40.00 X 164383 0 24097 RUTH STERNBERG PRODUCTION EXECUTIVE 40.00 X 199776 0 49377 MANDY HACKETT ASSOCIATE ARTISTIC DIRECTOR 40.00 X 176893 0 38514 ALEX TONETTA ARTISTIC CONTENT CURATOR 40.00 X 163015 0 16029 SANDRA JANE HUESKES DIRECTOR OF DEVELOPMENT 40.00 X 167904 0 14143 LAURA O'CONNELL DIRECTOR OF CAPITAL PROJECTS 40.00 X 152369 0 45499 3247615 0 477033 40 0 1 0 SHAWMUT DESIGN AND CONSTRUCTION 560 HARRISON AVENUE BOSTON MA 02118 DESIGN AND CONSTRUCTION SERVICE 5183217 ZUBATKIN OWNER REPRESENTATION LLC 333 WEST 52ND STREET 6TH FLOOR NEW YORK NY 10019 OWNERS REPRESENTATION SERVICES 737105 CSS SECURITY 2753 NORTH JERUSALEM AVENUE SUITE D EAST MEADOW NY 11554 FACILITY SECURITY SERVICES 679356 MASQUE SOUND & RECORDING CORP 21 EAST UNION AVENUE EAST RUTHERFORD NJ 07073 THEATRICAL EQUIPMENT RENTALS AND PURCHAS 649795 BIG ARCHITECHTURE DPC 45 MAIN STREET SUITE 900 BROOKLYN NY 11201 ARCHITECTURE AND DESIGN SERVICES 627283 42 2523888 1231571 42110553 271627 45866012 BOX OFFICE INCOME 711110 12510987 12510987 CO-PRODUCTION FEES, ENHANCEMENT I 900099 2122950 2122950 WORKSHOPS/EVENTS 900099 186193 186193 14820130 967132 12591 954541 24293161 24293161 465722 0 465722 465722 465722 6770272 4758000 2012272 2012272 2012272 355163 2523888 355163 0 MISCELLANEOUS INCOME 900099 298381 298381 298381 88722810 15118511 12591 27725696 725860 725860 44090 44090 2867194 2229383 394307 243504 26451898 20567641 3637763 2246494 1773960 1379340 243963 150657 2182923 1697330 300203 185390 1643201 1277669 225979 139553 730054 293531 414594 21929 367325 183437 183888 83229 83229 186375 186375 628451 628451 3882703 3827298 33243 22162 1468496 1167674 2538 298284 1238880 800354 337760 100766 476631 239042 211070 26519 718671 718671 3333505 2294962 841819 196724 2677857 2001716 114371 561770 1111472 680990 349445 81037 136491 82374 44988 9129 PRODUCTION COSTS 3766358 3746999 5942 13417 PROFESSIONAL DEVELOPMEN 262940 107622 75967 79351 MISCELLANEOUS 167301 110691 43585 13025 BAD DEBT 4638 4638 56930503 44176674 7735667 5018162 2957388 4161293 29296778 32498379 11782418 25041168 1450569 1757082 1886200 1970541 23620014 8156478 14560955 15463536 13835231 17964061 6653996 1871640 2710526 14807467 85134061 115535167 3441222 4725683 3412983 2784723 4637630 8099414 11491835 15609820 X 31153730 53736528 27066851 30767174 15421645 15421645 73642226 99925347 85134061 115535167 X 31792307 -2127499 -3381687 X 0 1 X 1 0 X 27916624 19140017 26656819 33560688 45866012 153140160 27916624 19140017 26656819 33560688 45866012 153140160 3447424 149692736 1322675 3608284 13454275 21358077 25700833 65444144 3140 3909 11025 10806 11591 40471 380275 213358 310123 612504 298381 1814641 220439416 59594931 0.67910 0.73410 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 0 0 0 0 0 0 1 186375 0 0 186375 0 PART II-B, LINE 1: THE PUBLIC HAS ENGAGED VENDORS FOR LOBBYING TO SEEK FUNDING AND VARIOUS APPROVALS FOR OUR CAPITAL CAMPAIGN FROM THE CITY. 20436220 231474 -885000 19782694 19870203 1451017 -885000 20436220 18574944 2180259 -885000 19870203 18676036 783908 -885000 18574944 20007038 -446002 -885000 18676036 0.77950 0.22050 0 0 20930569 6013821 14916748 1000927 731621 269306 1688518 1411036 277482 15463536 CONSTRUCTION COST REIMBURSEMENT DUE FROM THE CITY OF NEW YORK 473953 BONDS, DEPOSITS AND OTHER ASSETS 411357 CONSTRUCTION IN PROGRESS 13922157 14807467 ACCRUED PENSION LIABILITY 8099414 8099414 PART V, LINE 4: INCOME FROM THE ENDOWMENTS IS USED TO SUPPORT THE ARTISTIC AND OPERATIONAL ACTIVITIES OF THE ORGANIZATION. X X X X X X X 1 GURA ASSOCIATES LTD 505 WEST END AVENUE NEW YORK NY 10024 MAJOR GIFT CONSULTING 0 0 250000 0 COMMUNITY COUNSELLING SERVICE CO LLC 527 MADISON AVE 5TH FL NEW YORK NY 10022 CAPITAL CAMPAIGN ADVISING 0 0 378451 0 628451 NY CT NJ PA CA CO GA ANNUAL GALA 2771545 2461640 309905 86295 200550 23060 BENEFIT EVENTS 107506 62248 45258 26734 18524 2879051 2523888 355163 86295 227284 41584 355163 0 1 THE SHAKESPEARE SOCIETY OF AMERICA INC 425 LAFAYETTE STREET NEW YORK NY 10003 133974836 501 (C)(3) 725860 GENERAL OPERATING SUPPORT FOR THE PERFORMANCE, COMMENTARY, AND EDUCATIONAL ACTIVITIES 1 VAN LIER FELLOWSHIP 3 44090 PART I, LINE 2: GRANTEE IS REQUIRED TO SUBMIT A BUDGET FOR APPROVAL. ONCE APPROVED, NYSF MAINTAINS THE BUDGET AND MONITORS GRANT EXPENSES AGAINST IT. PAYMENT TO THE GRANTEE IS USUALLY IN THE FORM OF REIMBURSEMENT. GRANTEE IS REQUIRED TO SUBMIT RECEIPTS AND SUPPORTING DOCUMENTATION IN ORDER TO BE REIMBURSED. DEPENDING ON THE PROJECT, INTERIM PROGRESS REPORTS MAY BE REQUIRED. A FINAL REPORT AND ACCOUNTING STATEMENT IS REQUIRED AT THE END OF THE PROJECT. A THREE-YEAR BUDGET HAS BEEN INCORPORATED INTO THE AFFILIATION AGREEMENT BETWEEN NYSF AND THE SHAKESPEARE SOCIETY OF AMERICA, INC. NYSF REVIEWS THE BUDGET AND EXPENSES DURING THE YEAR. INTERIM FINANCIAL REPORTS ARE REVIEWED REGULARLY. A FINAL REPORT AND ACCOUNTING STATEMENT IS REQUIRED AT THE END OF THE YEAR. X X 0 0 X X X X X 0 1 0 0 0 0 0 0 0 PATRICK WILLINGHAM EXECUTIVE DIRECTOR 423512 0 0 0 19190 0 12896 0 14051 0 469649 0 0 0 PAUL J EUSTIS ARTISTIC DIRECTOR 835114 0 0 0 20480 0 127702 0 27436 0 1010732 0 0 0 PATRICIA HUIE CHIEF FINANCIAL OFFICER 208748 0 0 0 1290 0 10623 0 15564 0 236225 0 0 0 THOMAS MCCANN SENIOR DIRECTOR OF MARKETING 172503 0 0 0 0 0 6709 0 9381 0 188593 0 0 0 SHANNON S THAKE-KRIEGSMANN SENIOR DIRECTOR OF ARTISTIC PROGRAMS 161189 0 0 0 0 0 6513 0 32223 0 199925 0 0 0 LAURENCE JAHNS CHIEF ADVANCEMENT OFFICER 379269 0 0 0 1980 0 0 0 26276 0 407525 0 0 0 JEREMY ADAMS MANAGING DIRECTOR 164383 0 0 0 0 0 11545 0 12552 0 188480 0 0 0 RUTH STERNBERG PRODUCTION EXECUTIVE 199776 0 0 0 0 0 25430 0 23947 0 249153 0 0 0 MANDY HACKETT ASSOCIATE ARTISTIC DIRECTOR 176893 0 0 0 0 0 10092 0 28422 0 215407 0 0 0 ALEX TONETTA ARTISTIC CONTENT CURATOR 163015 0 0 0 0 0 4265 0 11764 0 179044 0 0 0 SANDRA JANE HUESKES DIRECTOR OF DEVELOPMENT 167904 0 0 0 0 0 5093 0 9050 0 182047 0 0 0 LAURA O'CONNELL DIRECTOR OF CAPITAL PROJECTS 152369 0 0 0 0 0 0 0 45499 0 197868 0 0 0 PART I, LINE 1A THE ARTISTIC DIRECTOR AND EXECUTIVE DIRECTOR ARE PERMITTED TO BOOK UPGRADED SEATING ON OVERNIGHT FLIGHTS THAT ARE SIX HOURS OR LONGER. PAUL EUSTIS RECEIVED GROSS-UP PAYMENTS TO COVER IMPUTED INCOME ON CASH ALLOWANCES PROVIDED FOR HIS CONTRACTUAL LIFE INSURANCE PREMIUM PAYMENTS. PAUL EUSTIS, PATRICK WILLINGHAM, AND LAURENCE JAHNS RECEIVED GROSS-UP PAYMENTS TO COVER IMPUTED INCOME ON CASH ALLOWANCES FOR THEIR 403B ACCOUNTS. PART I, LINE 4B PURSUANT TO HIS EMPLOYMENT AGREEMENT, PAUL J. EUSTIS PARTICIPATES IN AN NONQUALIFIED DEFERRED COMPENSATION ARRANGEMENT UNDER SECTION 457(F) OF THE INTERNAL REVENUE CODE, WHICH IS DESIGNED TO PROVIDE A NONQUALIFIED RETIREMENT BENEFIT UPON COMPLETION OF THE CONTRACT TERM, AND IS SUBJECT TO A SUBSTANTIAL RISK OF FORFEITURE. THE RETIREMENT BENEFIT IS BEING ACCRUED RATABLY OVER THE CONTRACT TERM. NO AMOUNTS WERE VESTED OR PAID DURING THE 2018 CALENDAR YEAR AND THE ACCRUAL IS BEING REPORTED AS DEFERRED COMPENSATION. X 35 271627 FAIR MARKET VALUE 0 1 1 PART I, LINE 32B: SIGNATURE SECURITIES HOLDS NYSF'S BROKERAGE ACCOUNT TO RECEIVE STOCK GIFTS. STOCK GIFTS ARE SOLD UPON RECEIPT. FORM 990, PART III, LINE 4D, OTHER PROGRAM SERVICES NEW YORK VOICES STARTED FROM A DESIRE TO DIRECTLY ADDRESS THE CRUMBLING MUSIC INDUSTRY AND THE LACK OF ALBUM SALES, AS WELL AS TO FIND A NEW WAY TO SUPPORT ARTISTS IN A MANNER UNIQUE TO JOE'S PUB. SINCE ALBUM SALES ARE A RELIC, WE HAVE COMMITTED TO COMMISSIONING AT LEAST THREE MUSICIANS PER YEAR AND HELPING THEM TO DEVELOP NEW TOOLS FOR THEIR LIVE SHOW. THE HOPE FOR THESE SHOWS IS THAT THEY WILL LEAD TO LONGER RUNS IN VARIOUS MARKETS AROUND THE COUNTRY AND ALLOW THESE MUSICIANS TO ACCESS A NEW REALM OF GRANTS AND FUNDING. NEW YORK VOICES ANNUALLY COMMISSIONS A SMALL GROUP OF ARTISTS OVER THE COURSE OF THE YEAR, PRODUCED AS A CULMINATING PERFORMANCE SERIES. IN ADDITION, THE PROGRAM PROVIDES FINISHING FUNDS AS NECESSARY TO ASSIST THE ARTIST IN FULLY REALIZING EACH PROJECT AND INCREASE THEIR VIABILITY FOR A TOURING LIFE. WITH THESE DYNAMIC INITIATIVES, JOE'S PUB HAS BEEN ABLE TO GROW FROM BEING STRICTLY A PRESENTING VENUE INTO A ROBUST PRODUCING EFFORT, WORKING WITH A DIVERSE SLATE OF MULTIDISCIPLINARY ARTISTS. FORM 990, PART VI, SECTION A, LINE 1 THE ORGANIZATION HAS AN EXECUTIVE COMMITTEE CONSISTING OF THE CHAIR, OTHER OFFICERS OF THE BOARD, THE CHAIRS OF THE AUDIT, FINANCE AND NOMINATING COMMITTEES AND SUCH ADDITIONAL TRUSTEES AS MAY BE ELECTED BY THE BOARD. THE EXECUTIVE COMMITTEE SHALL HAVE AND MAY EXERCISE ALL THE POWERS OF THE BOARD PERMITTED BY LAW WHEN THE BOARD IS NOT IN SESSION, EXCEPT FOR CERTAIN SPECIFIC MATTERS PURSUANT TO THE ORGANIZATION'S BY-LAWS. FORM 990, PART VI, SECTION B, LINE 11B MANAGEMENT (INCLUDING BUT NOT LIMITED TO THE EXECUTIVE DIRECTOR AND CHIEF FINANCIAL OFFICER) REVIEWS THE FORM 990 WITH THE AUDIT COMMITTEE. AFTER THAT EVALUATION, THE DRAFT 990 IS CIRCULATED TO THE EXECUTIVE COMMITTEE FOR REVIEW AND APPROVAL. THE PUBLIC VERSION OF THE 990 IS THEN CIRCULATED TO THE FULL BOARD FOR COMMENTS AND QUESTIONS PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C THROUGHOUT THE FISCAL YEAR, BOARD MEMBERS ARE REMINDED TO DISCLOSE ANY CONFLICTS THEY MAY HAVE TO MANAGEMENT OR THE AUDIT COMMITTEE. AT THE END OF EACH FISCAL YEAR, CONFLICT OF INTEREST FORMS ARE FILLED OUT BY TRUSTEES, AND THE AUDIT COMMITTEE OR ITS CHAIR EVALUATES THE DISCLOSURES TO DETERMINE WHETHER THEY INVOLVE MATERIAL CONFLICTS AND MAKES A RECOMMENDATION. INTERESTED BOARD MEMBERS RECUSE THEMSELVES FROM DISCUSSION AND VOTING RELATING TO ANY CONFLICTED MATTER. HOWEVER, AS A MEMBER OF THE BOARD OR COMMITTEE, THE INTERESTED BOARD MEMBER MAY BE COUNTED IN DETERMINING THE ESTABLISHMENT OF THE QUORUM AT SUCH A MEETING. AT THIS TIME, ONLY TRUSTEES ARE REQUIRED TO DISCLOSE. A POLICY IS BEING DRAFTED TO REQUIRE THE SAME OF OFFICERS AND KEY EMPLOYEES. FORM 990, PART VI, SECTION B, LINE 15 THE ARTISTIC DIRECTOR'S CONTRACT WAS RENEWED EFFECTIVE JUNE 2018 AND RUNS THROUGH JULY 2028. THE EXECUTIVE DIRECTOR'S CONTRACT WAS RENEWED IN JANUARY 2018 AND RUNS THROUGH DECEMBER 2021. THE EXECUTIVE COMMITTEE RECEIVED A REPORT FROM AN INDEPENDENT CONSULTANT WITH COMPARATIVE DATA FROM PEER CULTURAL INSTITUTIONS IN BUDGET AND PROGRAM SIZE IN NEW YORK CITY AND ACROSS THE COUNTRY. USING THIS DATA, THE COMMITTEE DETERMINED A COMPARABLE COMPENSATION LEVEL. FOR THE KEY POSITIONS OF PRODUCTION EXECUTIVE, CHIEF ADVANCEMENT OFFICER, CHIEF FINANCIAL OFFICER, MANAGING DIRECTOR AND SENIOR DIRECTOR OF MARKETING, THE SENIOR DIRECTOR OF HUMAN RESOURCES AND/OR INDEPENDENT CONSULTANT GARNERS INFORMATION USING COMPARATIVE DATA FROM SIMILARLY-SIZED, NONPROFIT ARTS INSTITUTIONS. THE INFORMATION IS CULLED FROM FORM 990S AND FROM INDUSTRY SURVEYS. USING THIS DATA, THE EXECUTIVE DIRECTOR AND HR DETERMINE COMPENSATION. FORM 990, PART VI, SECTION C, LINE 19 GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICIES AND FINANCIAL STATEMENTS ARE NOT MADE AVAILABLE TO THE PUBLIC. FORM 990, PART XI, LINE 9: PENSION-RELATED CHANGES OTHER THAN PERIODIC PENSION COST -3,381,687. FORM 990, PART VI, LINE 16A-JOINT VENTURE THE ORGANIZATION'S WHOLLY-OWNED SUBSIDIARY, PUBLIC THEATER PRODUCTIONS, INC., PARTICIPATED IN CO-PRODUCTIONS AS A MANAGING MEMBER OF AN ENTITY TAXABLE AS A PARTNERSHIP (SEE SCHEDULE R, PART III) FORMED TO UNDERTAKE A COMMERICAL THEATRICAL PRODUCTION OF A SHOW ORIGINALLY PRODUCED BY THE NEW YORK SHAKESPEARE FESTIVAL. THE SHAKESPEARE SOCIETY OF AMERICA INC 425 LAFAYETTE STREET NEW YORK NY 10003 133974836 INCREASING ENJOYMENT, UNDERSTANDING, AND APPRECIATION OF SHAKESPEARE'S WORKS NY 501(C)(3) 509(A)(2) YES 1 PUBLIC THEATER PRODUCTIONS 425 LAFAYETTE STREET NEW YORK NY 10003 263803813 COMMERCIAL THEATER CO-PRODUCTIONS NY N/A C 6906 71995 1.00000 1 1 1 0 1 0 0 0 0 0 0 0 1 0 1 1 0 1 1 0 PUBLIC THEATER PRODUCTIONS INC - SEE SCHEDULE O A 12591 ACCRUED INTEREST THE SHAKESPEARE SOCIETY OF AMERICA INC B 725860 AMOUNT OF GRANT TO THE SOCIETY THE SHAKESPEARE SOCIETY OF AMERICA INC Q 737047 REIMBURSEMENT FROM THE SOCIETY SCHEDULE R PARTS II AND V THE SHAKESPEARE SOCIETY HAS AN AFFILIATION AGREEMENT WITH NEW YORK SHAKESPEARE FESTIVAL SUCH THAT THE TWO ORGANIZATIONS SHARE STAFF AND SPACE. NEW YORK SHAKESPEARE FESTIVAL PROCESSES ALL PAYMENTS AND PAYROLL AND SHAKESPEARE SOCIETY REIMBURSES NEW YORK SHAKESPEARE FESTIVAL FOR ALL EXPENSES RELATED TO THE SOCIETY'S OPERATIONS. AS SOLE MEMBER OF THE SHAKESPEARE SOCIETY, NEW YORK SHAKESPEARE FESTIVAL MAKES AN ANNUAL GRANT TO THE SHAKESPEARE SOCIETY TO SUPPORT THEIR CONTINUING OPERATIONS.