2020-05-15T10:11:10-05:00 2019-06-30 420714325 RSM US LLP 80 CITY SQUARE BOSTON MA 02129 990 2018-07-01 042104327 THE INSTITUTE OF CONTEMPORARY ART INC INST 6174783100 25 HARBOR SHORE DRIVE BOSTON MA 02210 JILL MEDVEDOW DIRECTOR 6174783100 2020-05-15 1 LYNNE JOHNSON P00757336 6179129000 68.199.170.159 2020-05-15 09:51:52 ED P DA39A3EE5E6B4B0D3255BFEF95601890AFD80709 5986EA02A50E5C1C2A76B2DCE64E771EF2BE8307 2018 2020-09-22 18:59:49Z ICABOSTON JILL MEDVEDOW 25 HARBOR SHORE DRIVE BOSTON MA 02210 16227055 0 X WWW.ICABOSTON.ORG X 1936 MA SEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 32 31 294 196 -111070 -111070 30290807 12150076 1710066 2384150 393741 -638 -63456 22324 32331158 14555912 0 0 0 0 7534332 8109388 23267 20105 1392473 9401855 11924566 16959454 20054059 15371704 -5498147 114520974 110336752 8976024 8554297 105544950 101782455 X THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 0 0 10249931 1245230 ART EXHIBITIONS: GALLERY PRESENTATIONS: THE ICA PRESENTED THE FOLLOWING 13 CONTEMPORARY ART EXHIBITIONS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. ATTENDANCE FOR THE GALLERY EXHIBITS TOTALED 206,273 VISITORS, AND TOTAL PROGRAMMING ATTENDANCE WAS 271,880 IN FY19.WANGECHI MUTU: A PROMISE TO COMMUNICATEJAN 20 - DEC 31, 2018SANDRA AND GERALD FINEBERG ART WALL ARTIST WANGECHI MUTU (B. 1972, NAIROBI, KENYA) IS KNOWN FOR HER SELF-PROCLAIMED "MAXIMALIST AESTHETIC," HYBRID COMPOSITIONS, AND WALL-BASED WORKS THAT ADD TEXTURE AND DIMENSION TO ARCHITECTURAL SPACES. FEMINISM, AFROFUTURISM, AND MARGINAL SPACES FIGURE IN HER CATEGORY-DEFYING COLLAGE AND SCULPTURE WORK. IN A NEW COMMISSION FOR THE ICA, MUTU USED THE ROUGH, GRAY RESCUE BLANKETS OF HUMANITARIAN AID EFFORTS AND EMERGENCIES TO CREATE A LESS RATIONAL INTERPRETATION OF THE WORLD MAP. TITLED A PROMISE TO COMMUNICATE, THE WORK CREATES A SPACE FOR VISITORS TO EXPLORE IDEAS OF PUBLIC SPACE, COMMUNICATION, AND FREE SPEECH, ADDRESSING THE IDEA OF A WORLD THAT DESPITE ITS INCREASING POTENTIAL FOR COLLECTIVITY STRUGGLES TO COMMUNICATE IN A COMPREHENSIVE WAY. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, WITH JESSICA HONG, ASSISTANT CURATOR.ICA COLLECTION: ENTANGLED IN THE EVERYDAYMAR 17, 2018 - AUG 25, 2019KIM AND JIM PALLOTTA GALLERYTHE THIRTEENTH INSTALLMENT OF THE ICA'S ANNUAL COLLECTION EXHIBITION PRESENTS MAJOR WORKS THAT SHOWCASE ARTISTS' ENGAGEMENT AND ENTANGLEMENT WITH THE EVERYDAY. INTEREST IN COMMON MATERIALS AND QUOTIDIAN SUBJECTS HAS BEEN A DEFINING THEME OF ARTISTIC PRACTICE IN THE 20TH CENTURY, INSPIRING CUBIST COLLAGE, FOUND SCULPTURE, AND THE WIDESPREAD EMBRACE OF PHOTOGRAPHY. BY OBSERVING AND BEING IN THE WORLD, ARTISTS ELEVATE AND MAKE SIGNIFICANT ORDINARY TEXTURES AND EXPERIENCES.ROOMS DEDICATED TO MATERIALS AND PROCESS CELEBRATE ARTISTS' CAPACITY TO ELICIT THE WONDROUS FROM THE MUNDANE. WORKS FROM TARA DONOVAN'S TAPE INSTALLATION NEBULOUS TO DAMIAN ORTEGA'S EXPLOSION OF A 35MM CAMERA HIGHLIGHT THE TRANSFORMATIVE USE OF COMMON AND FOUND MATERIALS. OTHERS INCORPORATE EVERYDAY ACTIONS SUCH AS KNOTTING, WRAPPING, OR TYING INTO THEIR ARTISTIC PRACTICE, AS IN LYNDA BENGLIS'S KNOT SCULPTURE SIERRA AND SHEILA HICKS'S STACKED BUNDLES OF THREAD IN BANISTERIOPSIS II. FINALLY, PORTRAITURE-A NOTED STRENGTH IN THE ICA'S COLLECTION-FORMS A THIRD MEANS OF EXPLORING THE EVERYDAY WITHIN THE EXHIBITION, IN RECENTLY ACQUIRED WORKS BY ANTHONY HERNANDEZ, SANYA KANTAROVSKY, ROBERT PRUITT, AND LYNETTE YIADOM-BOAKYE. ALL OF THESE ARTISTS HAVE CREATIVELY ENGAGED WITH THEIR DAILY WORLDS, INVITING OTHERS TO PARTAKE IN THE BEAUTY, DIGNITY, AND REALITY OF THE EVERYDAY.ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, WITH JESSICA HONG, ASSISTANT CURATOR.CAITLIN KEOGH: BLANK MELODYMAY 9 - AUG 26, 2018PAUL AND CATHERINE BUTTENWIESER GALLERYTHIS EXHIBITION WAS THE FIRST SOLO MUSEUM PRESENTATION OF THE PAINTINGS OF NEW YORK-BASED ARTIST CAITLIN KEOGH (B. 1982, ANCHORAGE, ALASKA). KEOGH'S WORK EXPLORES QUESTIONS OF GENDER AND REPRESENTATION, ARTICULATIONS OF PERSONAL STYLE, AND THE CONSTRUCTION OF ARTISTIC IDENTITY. HER VIVID, SEDUCTIVE PAINTINGS COMBINE THE GRAPHIC LINES OF HAND-DRAWN COMMERCIAL ILLUSTRATION WITH THE BOLD MATTE COLORS OF THE APPLIED ARTS TO REIMAGINE FRAGMENTS OF FEMALE BODIES, NATURAL MOTIFS, PATTERN, AND ORNAMENTATION. DRAWING FROM CLOTHING DESIGN, ILLUSTRATION, AND INTERIOR DECORATION AS MUCH AS ART HISTORY, KEOGH'S LARGESCALE CANVASES DISSECT ELEMENTS OF REPRESENTATIONS OF FEMININITY WITH CONSIDERABLE WIT, POINTING TO THE UNDERLYING CONDITIONS OF THE PRODUCTION OF IMAGES OF WOMEN. NATURAL FORMS RECUR THROUGHOUT HER WORK AS A MEANS OF DEPICTING ARTISTIC STYLE, AND FOR THE WAY THAT THESE DIFFERENT DEPICTIONS SPEAK TO SPECIFIC POLITICAL AND CULTURAL CONTEXTS, SUCH AS HER EXAMINATION OF THE NATURALISTIC DESIGNS OF THE 19TH-CENTURY BRITISH TEXTILE DESIGNER WILLIAM MORRIS AND HOW THEY RELATE TO HIS UTOPIAN POLITICS.THE EXHIBITION TOOK ITS TITLE FROM AN INTERPRETIVE POEM WRITTEN BY CHARITY COLEMAN FOR KEOGH'S RECENT ARTIST BOOK HEADLESS WOMAN WITH PARROT (2017). KEOGH CREATED A NEW BODY OF WORK IN RESPONSE TO COLEMAN'S IMAGISTIC POEM FOR THE EXHIBITION.ORGANIZED BY JEFFREY DE BLOIS, ASSISTANT CURATOR.KEVIN BEASLEYMAY 9 - AUG 26, 2018FOTENE DEMOULAS GALLERYONE OF THE MOST EXCITING ARTISTS TO EMERGE IN RECENT YEARS, NEW YORK BASED KEVIN BEASLEY (B. 1985, LYNCHBURG, VA) UNIQUELY COMBINES SOUND AND CLOTHING-HIS CORE ARTISTIC MATERIALS-IN STUNNING, DENSELY PACKED SCULPTURES AND IMMERSIVE ACOUSTIC EXPERIENCES. THIS EXHIBITION, HIS FIRST IN BOSTON, PRESENTED A SELECTION OF THE ARTIST'S SCULPTURES MADE OVER THE PAST FIVE YEARS.BEASLEY'S EARLY WORKS HARNESSED THE PHYSICAL QUALITIES OF SOUND, DEPLOYING VIBRATIONS AND ECHOES THAT PENETRATE THE BODIES OF BOTH PERFORMERS AND AUDIENCE. HE HAS EMBEDDED MICROPHONES AND OTHER ELECTRONIC MUSICAL EQUIPMENT IN SCULPTURES MADE OF SNEAKERS AND FOAM, MANIPULATING THEIR SONIC POSSIBILITIES IN HIS LIVE PERFORMANCES. FOUND OBJECTS AND CLOTHING, OFTEN THE ARTIST'S OWN, ARE CENTRAL IN BEASLEY'S DIVERSE SCULPTURAL WORK, RANGING FROM COMPOSITIONS OF SHREDDED T-SHIRTS AND HOODIES TO FITTED HATS, DO-RAGS, AND BASKETBALL JERSEYS. MORE RECENT WORKS ARE CONSTRUCTED FROM COLORFULLY PATTERNED HOUSEDRESSES STIFFENED WITH RESIN THAT STAND ON THE FLOOR AND PROTRUDE FROM THE WALLS, AT TIMES HARDENED OVER SOUND-BAFFLING FOAM PANELS OR CONCAVE FORMS THAT BEASLEY REFERS TO AS "ACOUSTIC MIRRORS." APPEARING LIKE SATELLITE DISHES OR CLUSTERS OF GHOSTLY FIGURES, THESE WORKS BECOME CONDUITS FOR ABSENT BODIES AND HISTORIES THAT THE ARTIST EVOKES THROUGH COLOR, PATTERN, AND TEXTURE.IN THE SPIRIT OF ARTISTS NOAH PURIFOY AND DAVID HAMMONS, BEASLEY HIGHLIGHTS THE IMPORTANCE OF PERSONAL MEMORY AND TO EXPLORE HOW LIVED EXPERIENCE INTERSECTS WITH BROADER EXAMINATIONS OF POWER AND RACE IN AMERICA.ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATOR.ARTHUR JAFA: LOVE IS THE MESSAGE, THE MESSAGE IS DEATHJUN 27 - SEP 30, 2018BRIDGITT AND BRUCE EVANS FAMILY GALLERYARTIST, CINEMATOGRAPHER, AND FILMMAKER ARTHUR JAFA (B. 1960, TUPELO, MISSISSIPPI) FREQUENTLY STATES THAT HE HOPES TO CREATE CINEMA THAT "REPLICATES THE POWER, BEAUTY, AND ALIENATION OF BLACK MUSIC." LOVE IS THE MESSAGE, THE MESSAGE IS DEATH IS A SINGLE-CHANNEL VIDEO INSTALLATION SET TO KANYE WEST'S STIRRING, GOSPEL-INSPIRED SONG "ULTRALIGHT BEAM." IT COMPRISES ORIGINAL AND FOUND FOOTAGE FROM CONCERTS, MARCHES, MUSIC VIDEOS, NEWS REPORTS, POLICE CAMERAS, YOUTUBE VIDEOS, AS WELL AS SCENES FROM JAFA'S WELL-KNOWN 2014 DOCUMENTARY DREAMS ARE COLDER THAN DEATH, WHICH LYRICALLY REFLECTS ON MARTIN LUTHER KING JR.'S LEGACY WITHIN CONTEMPORARY BLACK EXPERIENCES. CRITICALLY AWARE OF BLACK REPRESENTATION IN MAINSTREAM MEDIA, JAFA INCORPORATES A WIDE RANGE OF IMAGERY, COLLAGING AND INTERSPERSING CLIPS OF FIGURES SUCH AS MARTIN LUTHER KING JR., BARACK OBAMA, JAMES BROWN, BEYONCE, AND FREDDIE GRAY, AS WELL AS HIP-HOP PERFORMANCES, SPORTS GAMES WITH PREDOMINANTLY BLACK ATHLETES, AND VIOLENT POLICE ARRESTS OF BLACK MEN AND WOMEN. AMPLIFIED BY THE MUSICAL TRACK, LOVE IS THE MESSAGE, THE MESSAGE IS DEATH PRESENTS GLIMPSES OF THE JOYS, TRAUMAS, AND TRIUMPHS OF BLACK LIFE IN THIS COUNTRY.ORGANIZED BY JESSICA HONG, ASSISTANT CURATOR.WE WANTED A REVOLUTION: BLACK RADICAL WOMEN, 1965-85JUN 27 - SEP 30, 2018KAREN AND BRIAN CONWAY GALLERIESFOCUSING ON THE WORK OF BLACK WOMEN ARTISTS, WE WANTED A REVOLUTION: BLACK RADICAL WOMEN, 1965-85 EXAMINES THE POLITICAL, SOCIAL, CULTURAL, AND AESTHETIC PRIORITIES OF WOMEN OF COLOR DURING THE EMERGENCE OF SECOND-WAVE FEMINISM. IT IS THE FIRST EXHIBITION TO HIGHLIGHT THE VOICES AND EXPERIENCES OF WOMEN OF COLOR-DISTINCT FROM THE PRIMARILY WHITE, MIDDLE-CLASS MAINSTREAM FEMINIST MOVEMENT-IN ORDER TO REORIENT CONVERSATIONS AROUND RACE, FEMINISM, POLITICAL ACTION, ART PRODUCTION, AND ART HISTORY IN THIS SIGNIFICANT HISTORICAL PERIOD. THE EXHIBITION FEATURES A WIDE ARRAY OF WORK, INCLUDING PERFORMANCE, FILM, AND VIDEO ART, AS WELL AS PHOTOGRAPHY, PAINTING, SCULPTURE, AND PRINTMAKING BY A DIVERSE GROUP OF ARTISTS AND ACTIVISTS WHO LIVED AND WORKED AT THE INTERSECTIONS OF AVANT-GARDE ART WORLDS AND RADICAL POLITICAL MOVEMENTS.ARTISTS INCLUDED CAMILLE BILLOPS, ELIZABETH CATLETT, JULIE DASH, MAREN HASSINGER, JAE JARRELL, LORRAINE O'GRADY, HOWARDENA PINDELL, FAITH RINGGOLD, BETYE SAAR, LORNA SIMPSON, AND CARRIE MAE WEEMS, AMONG MANY OTHERS.ORGANIZED BY THE BROOKLYN MUSEUM. THE BOSTON PRESENTATION WAS COORDINATED BY JESSICA HONG, ASSISTANT CURATOR, THE INSTITUTE OF CONTEMPORARY ART/BOSTON.JASON MORANSEP 19, 2018 - JAN 21, 2019PAUL AND CATHERINE BUTTENWIESER AND FOTENE DEMOULAS GALLERIES 1237998 PROGRAM MARKETING AND COMMUNICATIONS: DEVELOPED AND IMPLEMENTED MARKETING, ADVERTISING, SOCIAL MEDIA, AND PUBLIC RELATIONS STRATEGIES THAT PROMOTED THE EXPERIENCE OF THE ICA INCLUDING THE MUSEUM'S NEW SEASONS SPACE, THE WATERSHED, EXHIBITIONS, PERFORMANCES, EDUCATIONAL COMMUNITY AND SOCIAL PROGRAMS, AND FREE HOLIDAY MONDAYS TO THE PUBLIC AND ICA MEMBERS. THESE STRATEGIES ALLOWED THE ICA TO ACHIEVE 271,880 IN TOTAL VISITORS TO THE ICA IN FISCAL YEAR 2019. 1619672 287510 PERFORMING AND MEDIA ARTSTHE ICA PRESENTS SOME OF THE MOST INNOVATIVE AND FORWARD-LOOKING CHOREOGRAPHERS, MUSICIANS, FILMMAKERS, THEATER COMPANIES AND MULTI-DISCIPLINARY ARTISTS FROM BOSTON AND THE REST OF THE WORLD. IN FY19 WE OFFERED 94 PRESENTATIONS OF 46 INDIVIDUAL PROGRAMS (PERFORMING ARTS AND FILM). ATTENDANCE TOTALED 27,382.WE ORGANIZED 60 PERFORMANCES BY THE FOLLOWING PERFORMERS, ARTISTS AND ENSEMBLE COMPANIES. ATTENDANCE AT THESE PERFORMANCES TOTALED 20,597. DANCE/THEATER-MICHELLE BOULE: THE FIELD (WORK-IN-PROCESS SHOWING)-WILL RAWLS WHAT REMAINS OPEN REHEARSAL-TRAJAL HARRELL: CAEN AMOUR-ABBY Z AND THE NEW UTILITY: ABANDONED PLAYGROUND-TWYLA THARP: MINIMALISM AND ME-BILL T. JONES/ARNIE ZANE COMPANY: ANALOGY TRILOGY-ALESSANDRO SCIARRONI: UNTITLED_I WILL BE THERE WHEN YOU DIE-ALESSANDRO SCIARRONI: DON'T BE FRIGHTENED OF TURNING THE PAGE-WILL RAWLS AND CLAUDIA RANKINE: WHAT REMAINS-WORLD MUSIC/CRASHARTS PRESENTS -LARRY KEIGWIN + NICOLE WOLCOTT: PLACES PLEASE! -BOSTON DANCE THEATER -DANCE UP FEATURING DANZA ORGANICA, PROMETHEUS DANCE, AND THE WONDERTWINS -ATE9 DANCE COMPANY WITH LIVE MUSIC BY GLENN KOTCHE OF WILCO -BALLETX MUSIC-HARBORWALK SOUNDS: -SPENCER NICHOLSON -MIRELLA COSTA -7TH DEGREE -NIU RAZA WITH DANCE PERFORMANCE BY AVERY GERHADT -ANJAA + TRIPLE TEA -NICOLE ZIGNAGO AND NANI WITH DANCE PERFORMANCE BY CHRISTINE MORRISON -COMMON CENTS -ONE DROP: A BOB MARLEY TRIBUTE -MARTIN TAMISIER WITH DANCE PERFORMANCE BY JOHN CHIN-DJ NIGHTS: -DJ JAZZY JEFF -CULTURE CLUB (PART 3) -HELADO NEGRO -TIM HOEY OF CUT COPY -CULTURE CLUB (PART 4) -CAROLINE POLACHEK-JASON MORAN AND THE BANDWAGON-JASON MORAN GALLERY PERFORMANCES -TERRI LYNE CARRINGTON -RAN BLAKE -GEORGE GARZONE AND BOB GULLOTTI -NEC SLUGS ENSEMBLES-AN EVENING WITH KIMBRA-THE MUSIC OF KLAUS LANG FEATURING YARN/WIRE AND SOUND ICONIN FY19 WE PRESENTED 34 SCREENINGS OF THE FOLLOWING FILMS. ATTENDANCE AT THESE SCREENINGS TOTALED 6,785. FILM-ARTHUR JAFA'S DREAMS ARE COLDER THAN DEATH-BLACK RADICAL IMAGINATION-WHERE THE PAVEMENT ENDS-AT ETERNITY'S GATE-BOSTON JEWISH FILM FESTIVAL -SHALOM BOLLYWOOD -UNSETTLING-ANIMATED FILMS OF KAREN AQUA-OTTAWA INTERNATIONAL ANIMATION FESTIVAL-2018 SUNDANCE FILM FESTIVAL SHORT FILM PROGRAM-2019 OSCAR NOMINATED SHORT FILMS-MONTH OF SUNDAYS: BEAUTIFUL TROUBLE -JOAN JETT: BAD REPUTATION -STUDIO 54 -MCQUEEN -MATANGI / MAYA / M.I.A. 390732 0 725778 MEMBERSHIPS:MEMBERSHIP CONTRIBUTIONS HELP THE ICA PRESENT EXHIBITIONS, PERFORMANCES, AND PROGRAMS FOR TEENS, FAMILIES AND ADULTS, CREATING A PLACE WHERE PEOPLE OF ALL AGES AND BACKGROUNDS CAN SHARE THE EXCITEMENT OF NEW ART AND IDEAS. IN FISCAL YEAR 2019 THE MEMBERSHIP DEPARTMENT SERVED NEARLY 6,720 HOUSEHOLDS PROVIDING THE PRIMARY BENEFITS OF FREE MUSEUM ADMISSION, PERFORMANCE TICKET DISCOUNTS, DISCOUNTS IN THE ICA STORE, WATERSHED PREVIEW DAYS, FIRST FRIDAYS, OPENING EXHIBITION RECEPTIONS, PRIVATE MEMBER EVENTS AND A SUBSCRIPTION TO THE ICA MAGAZINE 'NEW'. THE ICA HAD OVER 3,195 MEMBER VISITS TO THE GALLERIES, PERFORMANCES AND EVENTS IN FY19. 1359443 0 556360 EARNED INCOME ACTIVITIES: - ART TRIPS: IN FY19 THE ICA SPONSORED TWO ART TRIPS TO MEXICO CITY AND LOS ANGELES- EVENT SPACE RENTALS: THE ICA HAD 42 EVENT RENTALS IN FY19 THAT WERE ATTENDED BY 7,118 VISITORS WHO GOT THE OPPORTUNITY TO VIEW THE ICA'S AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS. 1732374 0 63038 EDUCATION, TEENS, ADULTS:ADULT & INTERPRETIVE PROGRAMS:ADULT PROGRAMS SERVED A TOTAL OF 3,859 PEOPLE, INCLUDING GALLERY TALKS, CURATOR TOURS, POP UP TALKS, DEEP DIVES, LECTURES (THE ARTIST'S VOICE) AND OTHER PROGRAMS. THIS TOTAL INCLUDES PROGRAMS AT THE ICA IN THE SEAPORT AND THE WATERSHED IN EAST BOSTON. SELECT LECTURES IN FY19 WERE DOCUMENTED AND MADE AVAILABLE THROUGH ICA'S WEBSITE AMONG OTHER RESOURCES. VIEWERS AND LISTENERS ACCESSED THESE RESOURCES ONLINE VIA ICA'S WEBSITE, MOBILE GUIDE, AND/OR ONSITE COMPUTERS (PARTICIPATION NOT QUANTIFIABLE). FOR TOUR NUMBERS, SEE TOUR PROGRAMS.ADULT PROGRAMSEXHIBITION RELATED PROGRAMSKEVIN BEASLEYMAY 9 - AUG 26, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - CURATOR TOUR: RUTH ERICKSON ON KEVIN BEASLEYCAITLIN KEOGH: BLANK MELODYMAY 9 - AUG 26, 2018 - POP-UP TALKS AND PUBLIC TOURS - GALLERY TALK: CHARITY COLEMAN AND JEFF DE BLOIS ON CAITLIN KEOGH: BLANK MELODYWE WANTED A REVOLUTION: BLACK RADICAL WOMEN, 1965-85JUN 27 - SEP 30, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - CURATOR TOUR: JESSICA HONG ON WE WANTED A REVOLUTION: BLACK RADICAL WOMEN, 1965-1985 - GALLERY TALK: TANISHA FORD ON JAE JARRELL'S URBAN WALL SUIT - GALLERY TALK: LIZZY COOPER DAVIS ON SENGA NENGUDI - SELF-CARE WITH CULTURAL FABRIC AND HIVE SOUL YOGA (PART OF CLOSING RECEPTION: WE WANTED A REVOLUTION) - THE ARTIST'S VOICE: DINDGA MCCANNON AND COMBAHEE RIVER COLLECTIVE'S BEVERLY SMITH AND BARBARA SMITHARTHUR JAFA: LOVE IS THE MESSAGE, THE MESSAGE IS DEATHJUN 27 - SEP 30, 2018 - PUBLIC TOURSICA COLLECTION: ENTANGLED IN THE EVERYDAYMAR 17, 2018 - AUG 25, 2019 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: K-12 TEACHER RESOURCE SHEET - GALLERY TALK: LIZZY COOPER DAVIS ON SENGA NENGUDI - THE ARTIST'S VOICE: LYNDA BENGLISWANGECHI MUTU: A PROMISE TO COMMUNICATEJAN 20 - DEC 31, 2018 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENTICA WATERSHED: DIANA THATERJUL 4 - OCT 8, 2018 - ICA WATERSHED EN ESPANOL!JASON MORANSEP 19, 2018 - JAN 21, 2019 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - CURATOR TOUR: JEFFREY DE BLOIS ON JASON MORAN - GALLERY TALK: WILLIAM BANFIELD ON JASON MORAN - THE ARTIST'S VOICE: JASON MORAN AND GLENN LIGONWILLIAM FORSYTHE: CHOREOGRAPHIC OBJECTSOCT 31, 2018 - FEB 21, 2019 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - DIGITAL RESOURCES: ICA-PRODUCED ARTIST INTERVIEW VIDEO - CURATOR TOUR: EVA RESPINI ON WILLIAM FORSYTHE: CHOREOGRAPHIC OBJECTS - GALLERY TALK: JILL JOHNSON ON WILLIAM FORSYTHE - GALLERY TALK: SHAHRAM KHOSHBIN ON TOWARDS A DIAGNOSTIC GAZE - THE ARTIST'S VOICE: WILLIAM FORSYTHE WITH EVA RESPINININA CHANEL ABNEYJAN 17, 2019 - MAR 15, 2020 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - DIGITAL RESOURCES: ICA-PRODUCED ARTIST INTERVIEW VIDEO - GALLERY TALK: ELLEN TANI ON NINA CHANEL ABNEYRAGNAR KJARTANSSON: THE VISITORSFEB 13 - JUL 28, 2019 - PUBLIC TOURSHUMA BHABHA: THEY LIVEMAR 23 - MAY 27, 2019 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - DIGITAL RESOURCES: ICA-PRODUCED ARTIST INTERVIEW VIDEO - CURATOR TOUR: EVA RESPINI ON HUMA BHABHA: THEY LIVE - GALLERY TALK: VAZIRA ZAMINDAR ON HUMA BHABHA - GALLERY TALK: EVANDER PRICE ON HUMA BHABHA - THE ARTIST'S VOICE: HUMA BHABHAICA WATERSHED: JOHN AKOMFRAH: PURPLEMAY 26 - SEP 2, 2019 - ICA WATERSHED EN ESPANOL! - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED ARTIST INTERVIEW VIDEOLESS IS A BORE: MAXIMALIST ART & DESIGNJUN 26 - SEP 22, 2019 - PUBLIC TOURS - GALLERY TALK: JAMI POWELL ON JEFFREY GIBSON - GALLERY TALK: VIVIAN BEER ON MARCEL WANDERS - ICA DEEP DIVE: VIRGINIA B. JOHNSON ON LESS IS A BOREADULT PROGRAMSOTHER / MISCELLANEOUSWATERSHED 2019 - AQUI Y ALLA: TRANSPLANT TALES - AQUI Y ALLA: SOLSTICE STORIES - COMIDA CASERA - GALLERY TALK: MARON OROZCO AND BETSY GIBBONS ON A COMMUNITY IN FOCUSOTHER ADULT PROGRAMS - HARVARD GRADUATE SCHOOL OF EDUCATION - INFORMAL LEARNING FOR CHILDREN (HT-123) - ICA DEEP DIVE: WIKIPEDIA EDIT-A-THON - AIGA + ICA PRESENT: BOBBY C. MARTIN, JR. - ICA + A.R.T. PRESENT DIANA OH - CITY BOSTON GREENOVATE AWARDS - SLOW ART DAYFAMILY PROGRAMSFAMILY PROGRAMS SERVED 12,205 VISITORS THROUGH PLAY DATES (INCLUDES PARTICIPANTS IN FAMILY POP UP TALKS) AND BOOKS AND LOOKS. AN ADDITIONAL 10,539 INDIVIDUALS PARTICIPATED IN ARTIST CREATED ACTIVITIES IN THE BANK OF AMERICA ART LAB (INCLUDES VACATION WEEKS). AN UNQUANTIFIABLE NUMBER OF INDIVIDUALS UTILIZED GALLERY GAMES.FAMILY PROGRAMS - BOOKS + LOOKS - GALLERY GAMES - FAMILY POP UP TALKSPLAY DATES - CREATING HOPE TOGETHER - SEAPORT ADVENTURES - MOVING TO THE MUSIC + MORE - SPOOKY (BUT NOT SCARY!) CONTEMPORARY ESCAPADES - EVERYDAY MOVEMENTS AND BEYOND - DELVING INTO MOVEMENT - FAMILY FILM FESTIVAL - GOING FAR TOGETHER - BOSTON YOUTH DANCE SHOWCASE - ART IN ACTION - CONTEMPORARY EXPLORATIONSVACATION WEEKS - DECEMBER HOLIDAY WEEK - FEBRUARY VACATION WEEK - APRIL VACATION WEEKART LAB INSTALLATIONS - HYBRID-DIGITAL HOME (APR - SEP 2018): SAYA WOOLFALK AND AYA WOOLFALK MITCHELL - CHARACTER STUDY (OCT 2018 - APR 2019): DENNIS NANCE - SHAPES + PATTERNS (MAY - DEC 2019) WATERSHED 2018 - SECOND SATURDAY STORYTELLING (3)COMMUNITY PROGRAMS AND PARTNERSHIPS (SELECT)THE ICA COLLABORATED WITH NUMEROUS ORGANIZATIONS THROUGHOUT FY19. BELOW IS A LIST OF SELECT PARTNER ORGANIZATIONS. PROGRAMS INCLUDE, FOR EXAMPLE, FREE FUN FRIDAY (2,312 PARTICIPANTS); AND MAKE/MADE, A PROGRAM IN COLLABORATION WITH ARTISTS SAYA WOOLFALK AND AYA WOOLFALK MITCHELL, AND DENNIS NANCE (10,539* PARTICIPANTS). *INCLUDES VACATION WEEKS.COMMUNITY PROGRAMS AND PARTNERSHIPS (SELECT) - A.R.T. - ART + FEMINISM - ARTSEMERSON - ATLANTIC WORKS GALLERY - BALLETROX - BOSTON CHILDREN'S CHORUS - BOSTON CITY HALL - BOSTON CITY SINGERS - BOSTON PHILHARMONIC - BOSTON PUBLIC SCHOOLS - BRAVE NEW VOICES: MASS LEAP INTERNATIONAL YOUTH POETRY SLAM TEAM - CAMBRIDGE YOUTH CHOIR - CFA SOCIETY BOSTON - CITY OF BOSTON, GREENOVATE - CULTURAL FABRIC - DONALD MCKAY K-8 SCHOOL - SOCIEDAD LATINA - EASTIE FARM - EDVESTORS - HARVARD GRADUATE SCHOOL OF EDUCATION, MONROE C. GUTMAN LIBRARY - HARVARD UNIVERSITY GRADUATE SCHOOL OF EDUCATION - HIGHLAND STREET FOUNDATION - HIPHOP ARCHIVE AND RESEARCH INSTITUTE AT HARVARD UNIVERSITY - HIVE SOUL YOGA - ISABELLA STEWART GARDNER MUSEUM 3482549 0 1345176 16590150 1 1 0 0 0 0 0 1 0 1 1 0 0 0 1 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 245 0 1 294 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 32 31 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MA X NATASA VUCETIC 6174783179 25 HARBOR SHORE DRIVE BOSTON MA 02210 CAMILO ALVAREZ EX-OFFICIO TRUSTEE 1.00 X 0 0 0 CHARLES BRIZIUS CHAIR 1.00 X X 0 0 0 DR PAUL BUTTENWIESER TRUSTEE 1.00 X 0 0 0 KAREN SWETT CONWAY TRUSTEE 1.00 X 0 0 0 STEVEN D CORKIN PRESIDENT 1.00 X X 0 0 0 ROBERT DAVOLI TRUSTEE 1.00 X 0 0 0 FOTENE DEMOULAS VICE CHAIR 1.00 X X 0 0 0 MARY SCHNEIDER ENRIQUEZ TRUSTEE 1.00 X 0 0 0 BRIDGITT EVANS VICE PRESIDENT 1.00 X X 0 0 0 OLIVER EWALD TRUSTEE 1.00 X 0 0 0 GERALD FINEBERG TRUSTEE 1.00 X 0 0 0 JAMES C FOSTER TRUSTEE 1.00 X 0 0 0 ERICA GERVAIS PAPPENDICK TRUSTEE 1.00 X 0 0 0 MARK GOODMAN TRUSTEE (FROM SEPT. 2018) 1.00 X 0 0 0 VIVIEN HASSENFELD TRUSTEE 1.00 X 0 0 0 HAL HESS TRUSTEE 1.00 X 0 0 0 ALLISON JOHNSON TRUSTEE 1.00 X 0 0 0 CHARLA JONES TRUSTEE 1.00 X 0 0 0 BARBARA F LEE VICE CHAIR 1.00 X X 0 0 0 KENT LUCKEN TRUSTEE 1.00 X 0 0 0 TRISTIN MANNION TRUSTEE 1.00 X 0 0 0 TRAVIS MCCREADY TRUSTEE (FROM SEPT. 2018) 1.00 X 0 0 0 DAN O'CONNELL TRUSTEE 1.00 X 0 0 0 ELLEN M POSS MD TRUSTEE 1.00 X 0 0 0 DAVID PUTH TRUSTEE 1.00 X 0 0 0 CHARLES RODGERS TREASURER/SECRETARY/CLERK 1.00 X X 0 0 0 MARIO RUSSO TRUSTEE 1.00 X 0 0 0 MARK SCHWARTZ TRUSTEE 1.00 X 0 0 0 JONATHAN SEELIG TRUSTEE (UNTIL JUNE 2019) 1.00 X 0 0 0 CHARLOTTE WAGNER VICE PRESIDENT 1.00 X X 0 0 0 MICHAEL WILENS TRUSTEE (UNTIL AUG. 2018) 1.00 X 0 0 0 NICK WINTON TRUSTEE (ON LEAVE) 1.00 X 0 0 0 NICOLE ZATLYN EX-OFFICIO TRUSTEE 1.00 X 0 0 0 JILL MEDVEDOW DIRECTOR/EX-OFFICIO 37.50 X X 587709 0 29137 MICHAEL TAUBENBERGER COO (UNTIL JAN. 2019) 37.50 X 209798 0 22785 NATASA VUCETIC CHIEF FINANCIAL OFFICER 37.50 X 160870 0 19059 EVA RESPINI CHIEF CURATOR 37.50 X 205115 0 30825 KELLY GIFFORD DIRECTOR OF EXTERNAL RELATIONS 37.50 X 168796 0 28773 KATHRYN GREENBERG MAYSHAK DIRECTOR OF DEVELOPMENT 37.50 X 160890 0 11163 MONICA GARZA DIRECTOR OF EDUCATION 37.50 X 130317 0 26710 DAVID HENRY UNTIL SEPT 2018 DIR. OF PERFORMING ARTS & MEDIA ARTS 37.50 X 115763 0 17748 1739258 0 186200 8 0 1 0 ALLIED UNIVERSAL PO BOX 828854 PHILADELPHIA PA 191828854 SECURITY SERVICES 418125 STACK DESIGN BUILD 555 EAST 2ND STREET SUITE 1 BOSTON MA 02127 CONSTRUCTION SERVICES 401707 THE CATERED AFFAIR PO BOX 432 HINGHAM MA 02043 CATERING SERVICES 307418 AMERICAN CLEANING CO PO BOX 390702 CAMBRIDGE MA 02139 CLEANING SERVICES 302894 BOSTON HARBOR CRUISES 1 LONG WHARF BOSTON MA 02110 TRANSPORTATION SERVICES 277684 15 1371217 218750 10560109 560725 12150076 ADMISSIONS AND PROGRAM 900099 1417578 1417578 MEMBERSHIP DUES 900099 725778 725778 EXHIBITIONS 900099 178200 178200 TRIP AND TOURS 900099 62594 62594 2384150 495395 606465 -111070 -111070 -111070 638 -638 -638 -638 128390 1371217 600277 -471887 -471887 914697 463763 450934 450934 FOOD SERVICES 722210 111515 111515 OTHER REVENUE 900099 42832 42832 154347 14555912 2877916 -111070 -361010 1213304 343079 778977 91248 5881608 4340004 625024 916580 87471 65803 3030 18638 436961 334692 46564 55705 490044 352602 73092 64350 20179 20179 82822 10763 71852 207 20105 20105 115412 107499 7913 478838 425747 53091 541321 540390 832 99 79636 47329 25967 6340 134760 101218 20305 13237 422504 406850 7827 7827 533042 462679 20534 49829 18074 13123 3804 1147 222591 211732 6786 4073 2403831 2314771 44530 44530 106988 47500 59488 ART ACQUISITIONS 2365900 2365900 RENTAL AND EQUIPMENT 1048023 1035589 12434 MISC. FACILITY COSTS 852311 837710 14601 0 SHIPPING AND STORAGE 661684 659386 1149 1149 1836650 1673283 73871 89496 20054059 16590150 2071436 1392473 8879096 8690695 22035896 16971326 108029 155800 377928 371056 218299 303236 67547712 22750238 46583170 44797474 35782237 38513166 536319 533999 114520974 110336752 2507996 2022248 3065714 2438502 3402314 3693547 0 400000 8976024 8554297 X 40490453 39615232 20595468 16004536 44459029 46162687 105544950 101782455 114520974 110336752 X -5498147 1730929 4723 X 0 1 X 1 0 X 11499610 10522512 20951011 30290807 12150076 85414016 11499610 10522512 20951011 30290807 12150076 85414016 12889761 72524255 321791 402230 452501 249366 1425888 9208 9208 197407 227565 211479 246686 239905 1123042 87972154 13479623 0.82440 0.75540 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: FUNDRAISING INCOME - 2014 AMOUNT: $ 116,150. 2015 AMOUNT: $ 137,800. 2016 AMOUNT: $ 117,600. 2017 AMOUNT: $ 128,300. 2018 AMOUNT: $ 128,390. FOOD SERVICES - 2014 AMOUNT: $ 81,257. 2015 AMOUNT: $ 89,765. 2016 AMOUNT: $ 93,879. 2017 AMOUNT: $ 118,386. 2018 AMOUNT: $ 111,515. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X 0 37567699 2867591 1623430 1600000 40458720 29617573 7347090 2018036 1415000 37567699 23668861 3951001 3122711 1125000 29617573 21210871 3692065 -299075 935000 23668861 16495334 4914708 528829 728000 21210871 0.93160 0.06840 0 0 61281589 17499411 43782178 6266123 5250827 1015296 44797474 LINE OF CREDIT 400000 400000 X 17971003 1730929 116432 -102776 1744585 16226418 -1670506 -1670506 14555912 21733498 116432 1670506 1786938 19946560 107499 107499 20054059 PART III, LINE 1A: COLLECTIONS CONSIST OF WORKS OF ART, HISTORICAL TREASURES AND SIMILAR ASSETS HELD AS PART OF A COLLECTION FOR THE PURPOSES OF EDUCATION, RESEARCH OR PUBLIC EXHIBITION, RATHER THAN FOR SALE OR FINANCIAL GAIN. COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ICA'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS A DECREASE IN NET ASSETS WITH DONOR RESTRICTIONS IF THE ASSETS ARE USED TO PURCHASE THE ITEMS ARE RESTRICTED BY DONORS. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASSES. THE COLLECTIONS ARE SUBJECT TO A POLICY THAT REQUIRES PROCEEDS FROM THEIR SALES TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. THE ICA PURCHASED 14 PIECES OF ART FOR THE PERMANENT COLLECTIONS IN THE AMOUNT OF $2,365,900 DURING THE YEAR ENDED JUNE 30, 2019. THE ICA PURCHASED 4 PIECES OF ART FOR THE PERMANENT COLLECTIONS IN THE AMOUNT OF $559,664 DURING THE YEAR ENDED JUNE 30, 2018. PART III, LINE 4: IN ACCOMPLISHING THE ORGANIZATION'S MISSION IN ART EDUCATION, CONTEMPORARY ARTWORKS FROM VARIOUS ARTISTS ARE EXHIBITED TO THE GENERAL PUBLIC. PART V, LINE 4: THE ORGANIZATION'S ENDOWMENT FUNDS ARE FOR THE ORGANIZATION'S OPERATING EXPENSES AS DESIGNATED BY DONOR. PART X, LINE 2: THE ICA IS GENERALLY EXEMPT FROM FEDERAL AND STATE INCOME TAXES UNDER THE PROVISIONS OF SECTION 501(A) OF THE INTERNAL REVENUE CODE AS ORGANIZATIONS DESCRIBED IN SECTION 501(C)(3) AND 501(C)(2), RESPECTIVELY. ACCORDINGLY, NO PROVISION FOR INCOME TAXES HAS BEEN RECORDED IN THE ACCOMPANYING FINANCIAL STATEMENTS. THE ICA RECOGNIZES A TAX BENEFIT FROM AN UNCERTAIN TAX POSTION ONLY IF IT IS MORE LIKELY THAN NOT THAT THE TAX POSITION WILL BE SUSTAINED ON EXAMINATION BY TAXING AUTHORITIES. MANAGEMENT EVALUATED THE ICA'S TAX POSITIONS AND CONCLUDED THAT THE ICA HAD NO MATERIAL UNCERTAINTIES IN INCOME TAXES AS OF JUNE 30, 2019 AND 2018. WITH FEW EXCEPTIONS, THE ICA IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE U.S., FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR FISCAL YEARS BEFORE 2016. THE ICA WILL ACCOUNT FOR INTEREST AND PENALTIES RELATED TO UNCERTAIN TAX POSITIONS, IF ANY, AS PART OF TAX EXPENSE. PART XI, LINE 2D - OTHER ADJUSTMENTS: INVESTMENT EXPENSES NETTED WITH INVESTMENT REVENUE ON AUDITED FS -107,499. GAIN ON SPLIT INTEREST AGREEMENTS -2,320. RECOVERIES FROM PLEDGE RECEIVABLE 7,043. PART XI, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B -463,763. SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B -600,277. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B -606,466. PART XII, LINE 2D - OTHER ADJUSTMENTS: SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B 600,277. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B 606,466. COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B 463,763. PART XII, LINE 4B - OTHER ADJUSTMENTS: INVESTMENT EXP. NETTED WITH INVESTMENT REV. ON AUDITED FS 107,499. X X X X X X X 1 SUSAN COURTENMANCHE 40 POWDER HORN HILL ROAD WILTON CT 06897 FUNDRAISING STRATEGY 0 0 20105 -20105 20105 -20105 MA GALA 1084007 998507 85500 287488 15450 150708 WOMEN'S LUNCHEON 75940 64250 11690 14760 1000 8628 1 339660 308460 31200 64150 1600 56493 1499607 1371217 128390 366398 18050 215829 600277 -471887 X X X X 0 0 0 0 0 0 0 1 0 JILL MEDVEDOW DIRECTOR/EX-OFFICIO 494068 0 91541 0 2100 0 13750 0 15387 0 616846 0 0 0 MICHAEL TAUBENBERGER COO (UNTIL JAN. 2019) 199798 0 10000 0 0 0 10716 0 12069 0 232583 0 0 0 NATASA VUCETIC CHIEF FINANCIAL OFFICER 160870 0 0 0 0 0 0 0 19059 0 179929 0 0 0 EVA RESPINI CHIEF CURATOR 205115 0 0 0 0 0 10638 0 20187 0 235940 0 0 0 KELLY GIFFORD DIRECTOR OF EXTERNAL RELATIONS 158796 0 10000 0 0 0 8702 0 20071 0 197569 0 0 0 KATHRYN GREENBERG MAYSHAK DIRECTOR OF DEVELOPMENT 160890 0 0 0 0 0 8207 0 2956 0 172053 0 0 0 MONICA GARZA DIRECTOR OF EDUCATION 120317 0 10000 0 0 0 6819 0 19891 0 157027 0 0 0 PART I, LINE 7 ALL BONUSES ARE DISCRETIONAL (NONE ARE GUARANTEED BY A CONTRACT). THE DIRECTOR'S BONUS IS APPROVED BY THE COMPENSATION COMMITTEE OF THE BOARD OF TRUSTEES. A MASSACHUSETTS DEVELOPMENT FINANCE AGENCY 043431814 2012-05-03 6408949 REFUNDING ISSUE 0 0 0 A 3937500 6408949 96449 6312500 2006 1 0 1 1 A 0 0 1 1 0 0.01120 0.00500 0.01620 0 0 1 A 0 0 0 0 1 0 0 0 1 A 1 X 7 X 8 500560 FAIR MARKET VALUE X 14 29705 FAIR MARKET VALUE X FURNITURE 2 29000 FAIR MARKET VALUE X PAINT 1 880 FAIR MARKET VALUE X CATALOG SUBSCRIPTIONS 1 580 FAIR MARKET VALUE 0 0 1 0 PART I, COLUMN (B): THE NUMBER OF STOCK CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS RECEIVED. THE NUMBER OF ART CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS OF ARTWORK. THE NUMBER OF FOOD INVENTORY AND OTHER CONTRIBUTIONS IS BASED ON THE NUMBER OF CONTRIBUTORS. PART I, LINE 33: CONTRIBUTED ART COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS AS PERMITTED UNDER SFAS 116 (ASC 958). FORM 990, PART III, LINE 4A INTERDISCIPLINARY ARTIST JASON MORAN (B. 1975, HOUSTON) GROUNDS HIS PRACTICE IN MUSICAL COMPOSITION AND BRIDGES THE VISUAL AND PERFORMING ARTS THROUGH STAGECRAFT. MORAN DRAWS FROM HIS PERSONAL EXPERIENCE TO CREATE DYNAMIC COMPOSITIONS THAT CHALLENGE CONVENTIONAL FORMS. HIS EXPERIMENTAL WORKS EMBRACE THE INTERSECTION OF OBJECTS AND SOUND, PUSHING BEYOND THE TRADITIONAL STAGED CONCERT OR SCULPTURE TO AMPLIFY WAYS THAT BOTH ARE INHERENTLY THEATRICAL. THIS EXHIBITION, THE ARTIST'S FIRST MUSEUM SHOW, FEATURES THE FULL RANGE OF MORAN'S WORK, FROM PERFORMANCE AND COLLABORATIONS WITH VISUAL ARTISTS TO HIS OWN SCULPTURAL WORKS. IN ALL ASPECTS OF HIS WORK, MORAN'S CREATIVE PROCESS IS INFORMED BY ONE OF THE ESSENTIAL TENETS OF JAZZ: THE "SET," IN WHICH MUSICIANS COME TOGETHER TO ENGAGE IN A COLLABORATIVE PROCESS OF IMPROVISATION, RIFFING OFF OF ONE ANOTHER TO CREATE THE MUSICAL EXPERIENCE. THE EXHIBITION WILL HIGHLIGHT HIS MIXED-MEDIA SET INSTALLATIONS BASED ON STORIED JAZZ VENUES FROM PAST ERAS, INCLUDING STAGED: SAVOY BALLROOM 1 AND STAGED: THREE DEUCES (BOTH 2015), SCULPTURAL VIGNETTES THAT WERE HIS ACCLAIMED CONTRIBUTIONS TO THE 2015 VENICE BIENNALE. THE PRESENTATION INCLUDES THE PREMIERE OF A NEW SCULPTURAL COMMISSION FROM THIS SERIES THAT TAKES INSPIRATION FROM THE CELEBRATED NEW YORK JAZZ VENUE SLUGS' SALOON, WHICH WAS OPEN FROM 1964 TO THE EARLY 1970S. ALSO FEATURED WILL BE A SELECTION OF MORAN'S MOST RECENT CHARCOAL DRAWINGS AND SEVERAL PROJECTED MEDIA WORKS FROM HIS LONG-STANDING COLLABORATIONS, OR SETS, WITH ARTISTS INCLUDING STAN DOUGLAS, JOAN JONAS, AND GLENN LIGON. IN-GALLERY PERFORMANCES WILL ALSO BE ORCHESTRATED DURING THE RUN OF THE SHOW. ORGANIZED BY THE WALKER ART CENTER, MINNEAPOLIS. THE BOSTON PRESENTATION WAS COORDINATED BY JEFFREY DE BLOIS, ASSISTANT CURATOR, THE INSTITUTE OF CONTEMPORARY ART/BOSTON. WILLIAM FORSYTHE: CHOREOGRAPHIC OBJECTS OCT 31, 2018 - FEB 21, 2019 BRIDGITT AND BRUCE EVANS FAMILY AND KAREN AND BRIAN CONWAY GALLERIES THE ICA PRESENTS THE FIRST COMPREHENSIVE AMERICAN EXHIBITION OF PERFORMATIVE OBJECTS, VIDEO INSTALLATIONS, AND INTERACTIVE SCULPTURES OF THE INTERNATIONALLY CELEBRATED CHOREOGRAPHER WILLIAM FORSYTHE. WORLD RENOWNED, FORSYTHE IS COUNTED AMONG THE FOREMOST CHOREOGRAPHERS OF OUR TIME. FOR OVER FOUR DECADES HE HAS CREATED PRODUCTIONS THAT REDEFINE CLASSICAL BALLET'S VOCABULARY, AND HIS GROUNDBREAKING APPROACH TO CHOREOGRAPHY, STAGING, LIGHTING, AND DANCE ANALYSIS HAS INFLUENCED COUNTLESS CHOREOGRAPHERS AND ARTISTS. SINCE THE 1990S, PARALLEL TO HIS STAGE PRODUCTIONS, FORSYTHE HAS DEVELOPED INSTALLATIONS, SCULPTURES, AND FILMS THAT HE CALLS CHOREOGRAPHIC OBJECTS. BLURRING THE LINES BETWEEN PERFORMANCE, SCULPTURE, AND INSTALLATION, HIS CHOREOGRAPHIC OBJECTS INVITE THE VIEWER TO ENGAGE WITH THE FUNDAMENTAL IDEAS OF CHOREOGRAPHY. THESE SITE-RESPONSIVE, INTERACTIVE WORKS ARE DESIGNED TO STIMULATE MOVEMENT FROM VISITORS THROUGH INTERACTIONS WITH KINETIC SCULPTURES, VIDEO PROJECTIONS, AND ARCHITECTURAL ENVIRONMENTS. THE EXHIBITION FEATURES LARGE-SCALE INSTALLATIONS, INCLUDING SEVERAL WORKS DEVELOPED FOR THE ICA. VIA THE ARTIST'S INSTRUCTIONS FOR ACTION POSTED ON THE WALL NEXT TO THE WORKS, VISITORS ARE INVITED TO MOVE FREELY THROUGH THE PERFORMATIVE EXHIBITION AND GENERATE AN INFINITE RANGE OF INDIVIDUAL CHOREOGRAPHIES. ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATOR. NINA CHANEL ABNEY JAN 17, 2019 - MAR 15, 2020 SANDRA AND GERALD FINEBERG ART WALL DEEPLY INVESTED IN CREATING IMAGERY THAT IS LEGIBLE AND ACCESSIBLE, NINA CHANEL ABNEY (B. 1982, CHICAGO) IS KNOWN FOR WEAVING COLORFUL GEOMETRIC SHAPES, CARTOONS, LANGUAGE, AND SYMBOLS INTO CHAOTIC AND ENERGETIC COMPOSITIONS. AT THE ICA, SHE HAS CREATED A MURAL THAT SPEAKS TO SOCIAL TENSIONS IN THE DIGITAL AGE, INCLUDING THE CONSTANT STREAM OF TRUE AND FALSE INFORMATION, THE DILEMMA OF LIBERAL RACISM, AND ABUSES OF POWER THAT LEAD TO STRUCTURAL INEQUALITY. ORGANIZED BY ELLEN TANI, ASSISTANT CURATOR. RAGNAR KJARTANSSON: THE VISITORS FEB 13 - JUL 28, 2019 PAUL AND CATHERINE BUTTENWIESER AND FOTENE DEMOULAS GALLERIES A SENTIMENTAL PORTRAYAL OF FRIENDSHIP, LOVE, AND LOSS AND ONE OF THE BEST-LOVED WORKS IN THE ICA'S PERMANENT COLLECTION, RAGNAR KJARTANSSON'S (B. 1976, REYKJAVIK, ICELAND) MASTERWORK THE VISITORS (2012) IS A MONUMENTAL NINE-CHANNEL SOUND AND MOVING-IMAGE INSTALLATION OF A PERFORMANCE STAGED AT ROKEBY FARM, A HISTORIC 43-ROOM ESTATE IN UPSTATE NEW YORK. EACH OF THE INDIVIDUAL AUDIO/VIDEO CHANNELS FEATURES MUSICIANS-INCLUDING KRISTN ANNA AND GYOA VALTYSDOTTIR, FOUNDING SISTERS OF THE ICELANDIC BAND MUM; KJARTAN SVEINSSON, FORMER MEMBER OF SIGUR ROS; AND DAVIO POR JONSSON, KJARTANSSON'S LONGTIME COLLABORATOR AND CO-COMPOSER OF THE MUSICAL ARRANGEMENT-PLAYING INSTRUMENTS EITHER ALONE OR IN GROUPS, SEPARATELY BUT SIMULTANEOUSLY, OCCUPYING DIFFERENT ROOMS OF THE ROMANTICALLY DILAPIDATED ESTATE. THE LYRICS ARE TAKEN FROM THE POEM "FEMININE WAYS," WRITTEN BY KJARTANSSON'S FORMER WIFE AND FELLOW ARTIST ASDIS SIF GUNNARSDOTTIR. THE TITLE ALLUDES TO THE 1981 ALBUM OF THE SAME NAME FROM SWEDISH POP BAND ABBA, THE GROUP'S LAST RECORD TO DATE, AS DIVORCE AND INTERNAL STRIFE ENDED THEIR PROFESSIONAL AND PERSONAL RELATIONSHIPS. THE MUSICAL COMPOSITION COHERES IN THE WORK'S INSTALLATION, PRESENTING A DYNAMIC AND MOVING ENSEMBLE PERFORMANCE KJARTANSSON REFERS TO AS A "FEMININE NIHILISTIC GOSPEL SONG." THROUGH ITS UNIQUE ARRANGEMENT OF MUSIC IN SPACE, THE VISITORS CREATES A LAYERED PORTRAIT OF THE HOUSE AND ITS MUSICAL INHABITANTS. ORGANIZED BY JEFFREY DE BLOIS, ASSISTANT CURATOR. HUMA BHABHA: THEY LIVE MAR 23 - MAY 27, 2019 BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIES SINCE THE EARLY 1990S, HUMA BHABHA (BORN 1962 IN KARACHI) HAS DEVELOPED A DISTINCT VISUAL VOCABULARY THAT DRAWS UPON A WIDE VARIETY OF INFLUENCES, INCLUDING HORROR MOVIES, SCIENCE FICTION, ANCIENT ARTIFACTS, RELIGIOUS RELIQUARY, AND MODERNIST SCULPTURE. THE LARGEST SURVEY OF THE ARTIST'S WORK TO DATE, HUMA BHABHA: THEY LIVE ENCOMPASSES SCULPTURE, DRAWING, AND PHOTOGRAPHY, WITH A SPECIAL FOCUS ON BHABHA'S ENGAGEMENT WITH THE HUMAN FIGURE. BEST KNOWN FOR HER SCULPTURES, BHABHA USES A DIVERSE ARRAY OF NATURAL, INDUSTRIAL, AND FOUND MATERIALS TO MAKE COMPELLING WORKS THAT ENGAGE THE ARTS AND HISTORIES OF DIVERSE CULTURES. HER WORK TRANSCENDS A SINGULAR TIME AND PLACE, INSTEAD CREATING AN EXPLORATION OF WHAT SHE DESCRIBES AS THE "ETERNAL CONCERNS" FOUND ACROSS ALL CULTURES: WAR, COLONIALISM, DISPLACEMENT, AND MEMORIES OF HOME. ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR. JOHN AKOMFRAH: PURPLE MAY 26 - SEP 2, 2019 ICA WATERSHED CO-COMMISSIONED BY THE ICA AND MAKING ITS U.S. PREMIERE AT THE ICA WATERSHED, PURPLE IS AN IMMERSIVE SIX-CHANNEL VIDEO INSTALLATION BY THE ACCLAIMED ARTIST AND FILMMAKER JOHN AKOMFRAH (B. 1957, ACCRA, GHANA). AKOMFRAH DRAWS FROM HUNDREDS OF HOURS OF ARCHIVAL FOOTAGE, COMBINING IT WITH NEWLY SHOT FILM AND A HYPNOTIC SOUND SCORE TO ADDRESS THEMES RELATED TO THE IMPLICATIONS OF CLIMATE CHANGE ACROSS THE PLANET AND ITS EFFECTS ON HUMAN COMMUNITIES, BIODIVERSITY, AND THE WILDERNESS. SITED IN THE WATERSHED'S INDUSTRIAL BUILDING, PURPLE RESONATES DEEPLY WITH THE WATERSHED'S HARBOR LOCATION AND ITS PROXIMITY TO THE CURRENT AND HISTORICAL MARITIME INDUSTRIES OF THE BOSTON HARBOR SHIPYARD AND MARINA. SYMPHONIC IN SCALE AND DIVIDED INTO FIVE INTERWOVEN MOVEMENTS, THE FILM FEATURES VARIOUS DISAPPEARING ECOLOGICAL LANDSCAPES, FROM THE HINTERLANDS OF ALASKA AND THE DESOLATE ENVIRONMENTS OF GREENLAND TO THE TAHITIAN PENINSULA AND THE VOLCANIC MARQUESAS ISLANDS IN THE SOUTH PACIFIC. PURPLE CONVEYS THE COMPLEX AND FRAGILE INTERRELATION OF HUMAN AND NON-HUMAN LIFE WITH A SENSE OF POETIC GRAVITY THAT REGISTERS THE VULNERABILITY OF LIVING IN PRECARIOUS ENVIRONMENTS. ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH CARA KUBALL, CURATORIAL PROJECT MANAGER. LESS IS A BORE: MAXIMALIST ART & DESIGN JUN 26 - SEP 22, 2019 BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIES LESS IS A BORE: MAXIMALIST ART & DESIGN BRINGS TOGETHER WORKS IN PAINTING, SCULPTURE, CERAMIC, DANCE, FURNITURE DESIGN, AND MORE THAT PRIVILEGE DECORATION, PATTERN, AND MAXIMALISM. BORROWING ITS ATTITUDE FROM ARCHITECT ROBERT VENTURI'S WITTY RETORT TO MIES VAN DER ROHE'S MODERNIST EDICT "LESS IS MORE," LESS IS A BORE SHOWS HOW ARTISTS, INCLUDING THOSE AFFILIATED WITH THE PATTERN & DECORATION MOVEMENT OF THE 1970S, HAVE SOUGHT TO RATTLE THE DOMINANCE OF MODERNISM AND MINIMALISM. ENCOURAGED BY THE PLURALISM PERMEATING MANY CULTURAL SPHERES AT THE TIME, THESE ARTISTS ACCOMMODATED NEW IDEAS, MODES, AND MATERIALS, CHALLENGING ENTRENCHED CATEGORIES THAT MARGINALIZED NON-WESTERN ART, FASHION, INTERIOR DESIGN, AND APPLIED ART. FORM 990, PART III, LINE 4A THE EXHIBITION CONSIDERS HOW ARTISTS HAVE USED ORNAMENTATION, PATTERN PAINTING, AND OTHER DECORATIVE MODES TO CRITIQUE, SUBVERT, AND TRANSFORM ACCEPTED HISTORIES RELATED TO CRAFT AND DESIGN, FEMINISM, QUEERNESS AND GENDER, BEAUTY AND TASTE, CAMOUFLAGE AND MASQUERADE, AND MULTICULTURALISM AND GLOBALISM. MORE RECENT ARTWORKS IN THE EXHIBITION CHART BOTH THE LEGACY AND TRANSFORMATION OF THESE TRAJECTORIES. SPANNING GENERATIONS, GEOGRAPHIES, AND TRADITIONS, LESS IS A BORE INCLUDES WORKS RANGING FROM EXPERIMENTS IN PATTERNING BY SANFORD BIGGERS, JASPER JOHNS, AND MIRIAM SCHAPIRO TO THE TRANSGRESSIVE SCULPTURE AND FURNITURE OF LUCAS SAMARAS AND ETTORE SOTTSASS, TO THE INSTALLATIONS OF POLLY APFELBAUM, NATHALIE DU PASQUIER, AND VIRGIL MARTI. ORGANIZED BY JENELLE PORTER, GUEST CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATOR. FORM 990, PART VI, SECTION B, LINE 11B FORM 990 IS REVIEWED BY THE ICA'S CFO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS RESPONSIBLE FOR APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE. FORM 990, PART VI, SECTION B, LINE 12C EACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A)ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B)APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C)DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D)TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY. FORM 990, PART VI, SECTION B, LINE 15 THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (CHIEF OPERATING AND CHIEF FINANCIAL OFFICERS, CHIEF CURATOR, DIRECTOR OF EXTERNAL RELATIONS, DIRECTOR OF DEVELOPMENT, DIRECTOR OF EDUCATION AND DIRECTOR OF PERFORMING AND MEDIA ARTS) BUT FINAL COMPENSATION FOR THE SENIOR MANAGEMENT TEAM IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990, AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D). IN ADDITION, THE ORGANIZATION'S FORM 990 IS AVAILABLE VIA GUIDESTAR AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE. FORM 990, PART XI, LINE 9: GAIN / (LOSS) ON SPLIT INTEREST AGREEMENTS -2,320. RECOVERIES FROM PLEDGE RECEIVABLE 7,043. FORM 990, PART III, LINE 4D, OTHER PROGRAM SERVICES CONT'D: EDUCATION, TEENS, ADULTS: COMMUNITY PROGRAMS AND PARTNERSHIPS CONT'D - LA GRINGA LOCA PRODUCTIONS - MUSEUM OF FINE ARTS, BOSTON - NEW YORK INTERNATIONAL CHILDREN'S FILM FESTIVAL - ORIGINATION DANCE COMPANY - NEW ENGLAND AQUARIUM - BOSTON PUBLIC LIBRARY - PAN LOCO STEEL DRUMMERS - PEABODY ESSEX MUSEUM - PROJECT MOVES - PUBLIC DISPLAYS OF MOTION DANCE COMPANY - RADICAL BLACK GIRL - RISD MUSEUM - SAMUEL ADAMS ELEMENTARY SCHOOL - THE THEATER OFFENSIVE - TRUE COLORS: OUT YOUTH THEATER - UMASS BOSTON URBAN SCHOLARS PROGRAM - URBANITY DANCE - VSA MASSACHUSETTS - WEE THE PEOPLE - MIYU DISTRIBUTION - WINDY FILMS - WORLD PERCUSSION ENSEMBLE - YOUNG AUDIENCES OF MA - ZUMIX SELECT ARTIST AND INDIVIDUALS PARTNERSHIPS: - ALASTAIR MOOCK AND HIS DAUGHTER CLEO - ARIC CROWE-PINA - CATHY MCLAURIN - CHANELLE JOHN - MARCYLIENA MORGAN - CHRISTINA TWICKEN - CLAIRE FOLGER - CLIFF NOTEZ - CLUB OF ATOMS - DAN BORNSTEIN - DANIEL CALLAHAN - DENNIS NANCE - DHY EDWARDSBERRY - DUBEM OKAFOR - EMILY DOCHEFF - EVELYN RYDZ - GABI - GERALD LEAVELL - GIBSON ALCOTT - GLADYS TERESA HIDALGO - HANNAH MCGRATH - HUMA BHABHA - ISABEL BEAVERS - JASON MORAN - KANNAN THIRUVENGADAM - LAINE RETTMER - MARLON OROZCO - MELISSA ALEXIS - MITHSUCA BERRY - NAKEDLY - NAVID MOOD - NINA CHANEL ABNEY - OLIVIA FEAL - ORIGINAL 3 - PALOMA VALENZUELA - PAUL FRANCOIS - RASHIN FAHANDEJ - RENE DONGO - SANDRINE SCHAEFER - SARAH MASSE - SARAPHYM - SILVINA MIZRAHI - STEVE OSEMWENKHAE - SYDNEY BOBB - TOM ACTON FITZGERALD - TRASH RABBIT - TRIPP CLEMENS - URSULA AUGUST - WES SAM-BRUCE - WILL RAWLS - ZAHIRAH NUR TRUTH TOUR PROGRAMS OUR PUBLIC AND PRIVATE TOUR PROGRAMS SERVED THE FOLLOWING NUMBER OF PARTICIPANTS IN FY19: 13,576 TEEN PROGRAMS - TEEN PROGRAMS SERVED A TOTAL OF 3,072 YOUNG PEOPLE THROUGH THE PROGRAMS LISTED BELOW. TEEN NIGHTS, ART HAPPENINGS ORGANIZED AND PROMOTED FOR TEENS BY TEENS, SERVED 1,565 YOUNG PEOPLE. SPRING SHOWCASE, AN EVENING OF PERFORMANCES AND EXHIBITIONS OF WORK BY ICA TEENS WELCOMED ANOTHER 95 TEENS. EDUCATIONAL RESOURCES AND STUDENT FILMS CREATED THROUGH ICA TEEN PROGRAMS WERE ALSO ACCESSIBLE VIA THE ICATEENS.ORG WEBSITE. ARTIST ENCOUNTERS - PORTRAITS OF AGENCY WITH GERALD LEAVELL - SUMMER 2018 - PROFESSIONAL PRACTICES FOR CREATIVES WITH SANDRINE SCHAEFER - SPRING 2019 - SCREENWRITING FOR SOCIAL MEDIA WITH PALOMA VALENZUELA - SPRING 2019 - VIDEO PORTRAITS WITH LAINE RETTMER AND ISABEL BEAVERS - SPRING 2019 - WHERE THE QUESTION LIVE WITH WES SAM-BRUCE - SPRING 2019 EXTENDED TEEN PROGRAMS - ADVANCED PHOTOGRAPHY - AMP MUSIC PRODUCTION GROUP - DJ COLLECTIVE - FAST FORWARD THURSDAY - FAST FORWARD FRIDAY - GROWING EDGE - WRITING AND PERFORMANCE GROUP - TEEN PROGRAMS ALUMNI NETWORK - WALL TALK - BOSTON COLLEGIATE CHARTER SCHOOL - BOSTON COMMUNITY LEADERSHIP ACADEMY - BOSTON INTERNATIONAL NEWCOMERS ACADEMY - BOSTON LATIN ACADEMY - BRIGHTON HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - EXCEL HIGH SCHOOL - GREATER EGLESTON HIGH SCHOOL - MCKINLEY SOUTH END ACADEMY - RAFAEL HERNANDEZ SCHOOL - URBAN SCIENCE ACADEMY - TEEN ARTS COUNCIL 15 STUDENTS, FROM: - ARLINGTON HIGH SCHOOL - BOSTON DAY AND EVENING ACADEMY - BOSTON LATIN ACADEMY - BOSTON LATIN SCHOOL - BOSTON TRINITY ACADEMY - BROOKLINE HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - HOMESCHOOL - LYNN CLASSICAL HIGH SCHOOL - REVERE HIGH SCHOOL - ROXBURY PREP HIGH SCHOOL - SAUGUS HIGH SCHOOL - SOMERVILLE HIGH SCHOOL - URBAN SCIENCE ACADEMY TEEN NIGHTS - WE, THE REVOLUTION - SUMMER 2018 - EXPERIMENTALITY - FALL 2018 - UFO HOEDOWN: COMING IN PEACE AND QUESTIONING NARRATIVES - SPRING 2019 THE CURRENT - EXPLORING HOW WE LIVE & CREATE RESPONSIBLY - SPRING 2019 TEEN NEW MEDIA WORKSHOPS - BEYOND THE SHOT - SPRING 2019 - DIGITAL PHOTOGRAPHY: INTRO (CAMERA BASICS) - FALL 2018 (X2) - DIGITAL PHOTOGRAPHY: INTRO (CAMERA BASICS) - SPRING 2019 - DIGITAL PHOTOGRAPHY: SPECIAL FOCUS - FALL 2018 - DIGITAL PHOTOGRAPHY: SPECIAL FOCUS - SPRING 2019 - FILM SCHOOL - SUMMER 2018 - FILM SCHOOL - SPRING 2019 - HARBOR COLLECTIVE - SUMMER 2018 - MUSIC PRODUCTION: BEAT MAKING 101 - FALL 2018 (X2) - MUSIC PRODUCTION: DJ 101 - FALL 2018 - MUSIC PRODUCTION: DJ 101 - SPRING 2019 - OPEN LAB - FALL 2018 (X2) - OPEN LAB - SPRING 2019 (X3) - WORKSHOPS WITH UMASS BOSTON URBAN SCHOLARS PROGRAM - SUMMER 2018 BOSTON PUBLIC SCHOOLS ARTS CREDIT PROGRAM PARTNERS - BOSTON COMMUNITY LEADERSHIP ACADEMY - BOSTON DAY AND EVENING ACADEMY - BOSTON INTERNATIONAL NEWCOMERS ACADEMY - CHARLESTOWN HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - ENGLISH HIGH SCHOOL - EXCEL HIGH SCHOOL - FENWAY HIGH SCHOOL - NEW MISSION HIGH SCHOOL - O'BRYANT HIGH SCHOOL - SNOWDEN INTERNATIONAL SCHOOL AT COPLEY - URBAN SCIENCE ACADEMY TEEN EXHIBITIONS - MOMENTS IN MOTION HARVARD GRADUATE SCHOOL OF EDUCATION, MONROE C. GUTMAN LIBRARY - SPRING 2019 - THE THIRD EYE OF THE TWENTY FIRST CENTURY - MAYOR'S NEIGHBORHOOD GALLERY, BOSTON CITY HALL - SPRING 2019 - A COMMUNITY IN FOCUS: EAST BOSTON - ICA WATERSHED - SPRING 2019 ALUMNI PROGRAMS - ALUMNI EVENT - SPRING 2019 - ALUMNI FINANCIAL LITERACY WORKSHOP WITH CFA SOCIETY BOSTON - SPRING 2019 (X2) - FAST FORWARD ALUMNI SCREENING - SPRING 2019 - TEEN ARTS COUNCIL ALUMNI REUNION - SPRING 2019 FIELDWIDE WORK - BUILDING BRAVE SPACES: MOBILIZING TEEN ARTS EDUCATION NATIONAL CONFERENCE - FALL 2018 ADDITIONAL: - ARTIST INTERVIEW WITH JASON MORAN - FALL 2018* - ARTIST INTERVIEW WITH NINA CHANEL ABNEY - SPRING 2019* - ARTIST INTERVIEW WITH HUMA BHABHA - SPRING 2019* - ARTIST INTERVIEW WITH WILL RAWLS - SPRING 2019 - ARTIST INTERVIEW WITH RASHIN FAHANDEJ - SPRING 2019* - END OF SUMMER CELEBRATION WITH CONVERSE - SUMMER 2018 - FAST FORWARD WINTER SHOWCASE - FALL 2018 - FOOD AND FILMS - SPRING 2019 - GET ART THE VOTE - FALL 2018 - THE MOVEMENT - SUMMER 2018 - PIZZA AND ART FLOWER POWER: THE POWER OF UPCYCLING - SPRING 2019 (X2) - SPRING SHOWCASE - SPRING 2019 - ULTRAFUSION: ICA TEEN HOLIDAY PARTY - FALL 2018 - WALLTALK READING JAM - SPRING 2019 * DIGITAL RESOURCE PRODUCED