2020-07-15T11:12:35-05:00 2019-06-30 GRANT THORNTON LLP 101 CALIFORNIA STREET SUITE 2700 SAN FRANSISCO CA 94111 990 2018-07-01 470920831 The Contemporary Jewish Museum % KERRY KING CONT 4156557800 736 Mission Street San Francisco CA 94103 KERRY KING COO 4156557800 2020-07-14 true Qi Wen Liang P01270238 4152759000 2020-07-13 199.247.107.123 77642920201975000000 2020-07-15 P 85285106D67D06EDFF820F5FFC2BA856D01BFB4B 85285106D67D06EDFF820F5FFC2BA856D01BFB4B 2018 2021-01-29 14:40:06Z Lori Starr 736 Mission Street San Francisco CA 94103 47391050 false X www.thecjm.org X 2003 CA THE CJM MAKES THE DIVERSITY OF THE JEWISH EXPERIENCE RELEVANT FOR A 21ST CENTURY AUDIENCE THROUGH INNOVATIVE EXHIBITIONS AND PROGRAMS THAT EDUCATE, CHALLENGE, AND INSPIRE. 33 33 117 49 26292 0 5549257 7016415 340314 245115 3501752 1536664 -161694 38224 9229629 8836418 0 0 0 0 4055327 3687496 127165 128221 1603326 6846675 6315176 11029167 10130893 -1799538 -1294475 97663909 95235839 41652404 40632327 56011505 54603512 X THE COMTEMPORARY JEWISH MUSEUM (THE CJM) MAKES THE DIVERSITY OF THE JEWISH EXPERIENCE RELEVANT FOR A TWENTY-FIRST CENTURY AUDIENCE, ACCOMPLISHED THROUGH INNOVATIVE EXHIBITIONS AND PROGRAMS THAT EDUCATE, CHALLENGE, AND INSPIRE. false false 6539253 0 245458 SEE SCHEDULE O 6539253 true true false false false false false true false true true true false true true true true false false false false false false true true false false false false true true false false false false false false false false false false true false false false false false false false false true 59 0 true 117 true true true false false false false true true false false false false false false X 33 33 true false false false false false false true true false false true true true true true true true true false CA X KERRY KING 4156557813 736 MISSION STREET San Francisco CA 94103 ELLIOTT FELSON CHAIR 5.0 0.0 X X 0 0 0 DOROTHY SAXE SECRETARY 5.0 0.0 X X 0 0 0 MARCI ROSENFELD TREASURER 5.0 0.0 X X 0 0 0 WENDY KESSER IMMEDIATE PAST CHAIR 1.0 0.0 X X 0 0 0 NELLIE LEVCHIN TRUSTEE THRU 06/19 1.0 0.0 X 0 0 0 JAMIE WEINSTEIN TRUSTEE THRU 06/19 1.0 0.0 X 0 0 0 JUDITH APTEKAR TRUSTEE 1.0 0.0 X 0 0 0 MATTHEW BARTON TRUSTEE 1.0 0.0 X 0 0 0 ADRIENNE BAVAR TRUSTEE 1.0 0.0 X 0 0 0 DANA CORVIN TRUSTEE 1.0 0.0 X 0 0 0 Dr JONATHAN KAPLAN TRUSTEE THRU 06/19 1.0 0.0 X 0 0 0 TOM KASTEN TRUSTEE 1.0 0.0 X 0 0 0 DEBORAH A KAY TRUSTEE 1.0 0.0 X 0 0 0 STUART KOGOD TRUSTEE 1.0 0.0 X 0 0 0 STEPHEN LEAVITT MD TRUSTEE THRU 06/19 1.0 0.0 X 0 0 0 ALVIN LEVITT TRUSTEE 1.0 0.0 X 0 0 0 JOYCE LINKER TRUSTEE 1.0 0.0 X 0 0 0 JENNIFER SMORGON TRUSTEE 1.0 0.0 X 0 0 0 PHYLLIS MOLDAW TRUSTEE 1.0 0.0 X 0 0 0 DOUG MANDELL TRUSTEE 1.0 0.0 X 0 0 0 ALEXANDRA MOSES TRUSTEE 1.0 0.0 X 0 0 0 MICHAEL RIGHI TRUSTEE 1.0 0.0 X 0 0 0 ANTONY RITCH TRUSTEE THRU 06/19 1.0 0.0 X 0 0 0 DAVID SAXE TRUSTEE 1.0 0.0 X 0 0 0 ETA SOMEKH TRUSTEE 1.0 0.0 X 0 0 0 RUTH STEIN TRUSTEE 1.0 0.0 X 0 0 0 MICHAEL STEINBERG TRUSTEE 1.0 0.0 X 0 0 0 MARILYN WALDMAN TRUSTEE 1.0 0.0 X 0 0 0 RONALD WORNICK TRUSTEE 1.0 0.0 X 0 0 0 RON KAUFMAN TRUSTEE 1.0 0.0 X 0 0 0 SEAN TAUBE TRUSTEE 1.0 0.0 X 0 0 0 RIVA BERELSON TRUSTEE 1.0 0.0 X 0 0 0 ROSELYNE C Swig Trustee 1.0 0.0 X 0 0 0 Lori Starr Executive Director 40.0 0.0 X 354500 0 45605 Kerry King Chief Operating Officer 40.0 0.0 X 204924 0 36986 Reynold Pritikin Chief Curator 40.0 0.0 X 129526 0 19675 Stacy Rackusin Director of Development 40.0 0.0 X 101567 0 7532 SCOTT ROSS DIRECTOR OF FINANCE 40.0 0.0 X 172500 0 4716 SARAH BAILEY HOGARTY DIR. 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THE MUSEUM'S PERMANENT COLLECTIONS CONSIST OF ART DONATED IN ITS EARLIER HISTORY AS THE JEWISH COMMUNITY MUSEUM. THESE WORKS OF ART WERE ACQUIRED THROUGH PURCHASES OR CONTRIBUTIONS AND ARE NOT RECOGNIZED AS ASSETS IN THE ACCOMPANYING STATEMENTS OF FINANCIAL POSITION. EACH WORK OF ART IS INVENTORIED AND CARED FOR, AND ACTIVITIES VERIFYING THE COLLECTIONS' INTEGRITY ARE PERFORMED. PURCHASES OF ART (ACCESSIONS) ARE RECORDED AS DECREASES IN THE APPROPRIATE NET ASSET CLASS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REQUIRED TO BE USED TO ACQUIRE OTHER WORKS OF ART. SUCH PROCEEDS ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASS. THERE WERE NO ACCESSIONS OR DEACCESSIONS OF WORKS OF ART DURING THE FISCAL YEARS THAT ENDED JUNE 30, 2019 AND 2018. Description of the Organization's Collections SCHEDULE D, PART III, LINE 4: THE MUSEUM IS A NON-COLLECTING INSTITUTION. THE EXISTING COLLECTION CONSISTS OF DIFFERENT FORMS OF JUDAICA. THESE PIECES ARE OCCASIONALLY DISPLAYED IN EXHIBITIONS WHICH OFFER EDUCATION IN JEWISH ART AND CULTURE. INTENDED USES OF ENDOWMENT FUNDS SCHEDULE D, PART V, LINE 4: THE ORGANIZATION MAINTAINS ENDOWMENTS AS A MEANS TO PROVIDE A PREDICTABLE STREAM OF FUNDING TO SUPPORT ITS PROGRAMS. FIN 48 (ASC 740) Footnote SCHEDULE D, PART X, LINE 2: THE MUSEUM FOLLOWS GUIDANCE THAT CLARIFIES THE ACCOUNTING FOR UNCERTAINTY IN TAX POSITIONS TAKEN OR EXPECTED TO BE TAKEN IN A TAX RETURN, INCLUDING ISSUES RELATING TO FINANCIAL STATEMENT RECOGNITION AND MEASUREMENT. THIS GUIDANCE PROVIDES THAT THE TAX EFFECTS FROM AN UNCERTAIN TAX POSITION CAN ONLY BE RECOGNIZED IN THE FINANCIAL STATEMENTS IF THE POSITION IS "MORE-LIKELY-THAN-NOT" TO BE SUSTAINED IF THE POSITION WERE TO BE CHALLENGED BY A TAXING AUTHORITY. THE ASSESSMENT OF THE TAX POSITION IS BASED SOLELY ON THE TECHNICAL MERITS OF THE POSITION, WITHOUT REGARD TO THE LIKELIHOOD THAT THE TAX POSITION MAY BE CHALLENGED. THE MUSEUM IS EXEMPT FROM FEDERAL INCOME TAX UNDER IRC SECTION 501(C)(3), THOUGH IT IS SUBJECT TO TAX ON INCOME UNRELATED TO ITS EXEMPT PURPOSE, UNLESS THAT INCOME IS OTHERWISE EXCLUDED BY THE CODE. THE MUSEUM HAS ALSO BEEN RECOGNIZED BY THE FRANCHISE TAX BOARD AS AN ORGANIZATION THAT IS EXEMPT FROM INCOME TAX PURSUANT TO CALIFORNIA REVENUE AND TAX CODE SECTION 23701(D) ON ITS INCOME OTHER THAN UNRELATED BUSINESS INCOME. THE MUSEUM HAS PROCESSES PRESENTLY IN PLACE TO ENSURE THE MAINTENANCE OF ITS TAX-EXEMPT STATUS; TO IDENTIFY AND REPORT UNRELATED INCOME; TO DETERMINE ITS FILING AND TAX OBLIGATIONS IN JURISDICTIONS FOR WHICH IT WAS NEXUS; AND TO IDENTIFY AND EVALUATE OTHER MATTERS THAT MAY BE CONSIDERED TAX POSITIONS. THE MUSEUM HAS DETERMINED THAT THERE ARE NO MATERIAL UNCERTAIN TAX POSITIONS THAT REQUIRE RECOGNITION OR DISCLOSURE IN THE FINANCIAL STATEMENTS. RECONCILIATION OF REVENUES PER AUDITED FINANCIAL STATEMENTS WITH RETURN SCHEDULE D, PART XI, LINE 2D: CHANGE IN VALUE OF BENEFICIAL INT. IN REMAINDER TRUST $ 152,503 UNREALIZED LOSS ON SWAP $(532,705) SCHEDULE D, PART XI, LINE 4B: RENTAL EXPENSES $(703,092) FUNDRAISING EVENT EXPENSES $(134,385) COST OF GOODS SOLD $ (48,534) RECONCILIATION OF EXPENSES PER AUDITED FINANCIAL STATEMENTS WITH RETURN SCHEDULE D, PART XII, LINE 2D: RENTAL EXPENSES $ 703,092 FUNDRAISING EVENT EXPENSES $ 134,385 COST OF GOODS SOLD $ 48,534 X X X X X X true THE LUKENS COMPANY 2800 SHIRLINGTON ROAD ARLINGTON VA 22206 CONSULTANT false 430030 128221 301809 430030 128221 301809 CA Annual Gala 191006 143406 47600 7025 38025 62629 26706 0 191006 143406 47600 7025 38025 62629 26706 134385 -86785 Amounts Paid to Professional Fundraisers Schedule G, Part I, Line 2b: The Lukens Company performs additional services beyond fundraising related to contributions. All fees and direct revenues associated with these services are represented. Indirect revenues resulting from services are not represented. X X X X false false false false false false false false false Lori Starr Executive Director 343900 0 0 0 10600 0 19732 0 25873 0 400105 0 0 0 Kerry King Chief Operating Officer 204924 0 0 0 0 0 20931 0 16055 0 241910 0 0 0 SCOTT ROSS DIRECTOR OF FINANCE 172500 0 0 0 0 0 0 0 4716 0 177216 0 0 0 A CALIFORNIA INFRASTRUCTURE AND ECONOMIC DEV BANK 630304653 2013-06-26 43810000 Refund 2006 Bonds & Capital Exp. false false false A 0 0 43810000 0 0 0 454688 0 0 208741 43146571 0 2014 true false true true A true true true false false 0.00980 0.00980 false false false true A false false false true true true BANK OF AMERICA 20. false false false 0 false true A true Refund of Previous Issuance Schedule K, Part I, Column F: The 2013 bond was used to refund a 2006 bond originally issued on June 29, 2006. Date of Rebate Computation Schedule K, Part IV, Line 2c: The rebate computation for the 2013 bond is in process and will be completed in 2020. X 5000 Cost/Selling Price X 16 983080 FMV X WINE/SPIRITS 1 10418 COST/SELLING PRICE X SUPPLIES 4 400 COST/SELLING PRICE false true false Schedule M, Part I, Column (b): The organization is reporting the number of contributions received in Schedule M, Part I, Column (B). PROGRAM SERVICE ACTIVITY FORM 990, PART III, LINE 4A: ACTIVITY 1: CJM AUDIENCES IN FISCAL YEAR 2019, THE CJM ACCOMPLISHED ITS MISSION TO MAKE THE DIVERSITY OF JEWISH EXPERIENCE RELEVANT TO TWENTY FIRST CENTURY AUDIENCES THROUGH ITS EXHIBITIONS, EDUCATION PROGRAMS, AND THE STRATEGIC DISTRIBUTION OF DIGITAL MEDIA. KEY FISCAL YEAR 2019 METRICS INCLUDE: - 500,000 VISITORS TO THECJM.ORG - 62,000 ON-SITE VISITORS (50% ARE JEWISH) - 8,000+ PRE-K THROUGH UNIVERSITY STUDENTS, TEACHERS, AND FAMILY MEMBERS ATTENDED EDUCATION PROGRAMS - EDUCATION PROGRAMS SERVED 111 SCHOOLS, INCLUDING 34 JEWISH DAY SCHOOLS AND SYNAGOGUE SCHOOLS - 586 TEENS AGED 1318 ENGAGED IN TEEN PROGRAMS - 1,000+ INTERACTIVE TOURS OF THE CJM'S EXHIBITIONS AND BUILDING WERE CONDUCTED BY DOCENTS AND MUSEUM EDUCATORS - 7,500 VISITORS ATTENDED FREE DAYS AT THE CJM INCLUDING THE ANNUAL COMMUNITY FREE DAY ON DECEMBER 25, FOUR FAMILY ARTBASH SUNDAYS, CULTURE FOR COMMUNITY DAY ON MARCH 21, AND MONTHLY FREE FIRST TUESDAYS EXHIBITIONS THE CJM PRESENTED SEVEN EXHIBITIONS SPANNING FISCAL YEAR 2019. THESE EXHIBITIONS HAD PROFOUND, POSITIVE IMPACT ON THE CJMS STRATEGIC OBJECTIVES TO ELEVATE ITS PROFILE REGIONALLY AND NATIONALLY, BOLSTER CRITICAL AND POPULAR ACCLAIM IN THE SPHERE OF JEWISH CULTURAL INSTITUTIONS AND THE MUSEUM WORLD, AND INCREASE PARTICIPATION AMONG DIVERSE AND ENGAGED AUDIENCES. THE EXHIBITIONS SERVED TO AMPLIFY THE CJMS CORE VALUES BY SHOWCASING THE RICHNESS OF THE JEWISH EXPERIENCE FROM A VARIETY OF PERSPECTIVES AND ACTIVELY ENGAGING VISITORS THROUGH INNOVATIVE PUBLIC PROGRAMS, WHICH STIMULATED THE EXPRESSION OF DIVERSE VIEWPOINTS. CONTRAPTION: REDISCOVERING CALIFORNIA JEWISH ARTISTS FEBRUARY 22-JULY 29, 2018 THIS ORIGINAL CJM EXHIBITION FEATURED WORK BY SIXTEEN CALIFORNIA-BASED ARTISTS OF JEWISH DESCENT. THE ARTISTS-BOTH HISTORICAL AND CONTEMPORARY- WERE REPRESENTED BY WORK REFERRING TO THE MACHINE EITHER LITERALLY OR METAPHORICALLY. AMONG WORKS BY LIVING ARTISTS WERE LARGE-SCALE MECHANICAL INSTALLATIONS BY BERNIE LUBELL AND SHERI SIMONS, AS WELL AS CERAMICS, DRAWINGS, SCULPTURE, AND PAINTINGS BY NED KAHN, BELLA FELDMAN, HOWARD FRIED, AND ANNABETH ROSEN. OTHER LIVING ARTISTS REPRESENTED IN THE EXHIBITION INCLUDED JUDITH BELZER, CAROL BERNARD, AND MIRIAM DYM. HISTORICAL ARTISTS REPRESENTED IN THE EXHIBITION INCLUDED EDWARD BIBERMAN, BORIS DEUTSCH, RUBE GOLDBERG, JOHN GUTMAN, BRUCE HANDELSMAN, RICHARD KAMLER, AND IRVING NORMAN. A COMPREHENSIVE CATALOG OF THE EXHIBITION WAS PUBLISHED BY HIRMER VERLAG, A PROMINENT FINE ARTS PRESS. THE ART OF RUBE GOLDBERG MARCH 15JULY 8, 2018 THIS EXHIBITION EXPLORED THE CAREER OF RUBE GOLDBERG (18831970), ONE OF THE MOST CELEBRATED AND INFLUENTIAL CARTOONISTS OF ALL TIME. MARKING THE FIRST COMPREHENSIVE RETROSPECTIVE EXHIBITION OF GOLDBERGS WORK SINCE 1970, THE PRESENTATION BROUGHT TOGETHER NEVER-BEFORE-SEEN ORIGINAL DRAWINGS AND PREPARATORY SKETCHES ALONGSIDE RARE PHOTOGRAPHS, FILMS, LETTERS, AND MEMORABILIA FROM THE GOLDBERG FAMILY ARCHIVES. LEW THE JEW AND HIS CIRCLE: ORIGINS OF AMERICAN TATTOO JULY 26, 2018JUNE 9, 2019 "LEW THE JEW" ALBERTS (18801954) WAS ONE OF THE MOST INFLUENTIAL ARTISTS TATTOOING IN NYCS BOWERY AT THE BEGINNING OF THE TWENTIETH CENTURY. THIS EXHIBITION INCLUDED PREVIOUSLY UNPUBLISHED AND RARE ORIGINAL TATTOO ARTWORK, PHOTOS, AND CORRESPON-DENCE BETWEEN LEW AND SAN FRANCISCO TATTOO ARTISTS "BROOKLYN JOE" LIEBER AND C. J. "POP" EDDY. IN THAT CASE: HAVRUTA IN CONTEMPORARY ART-OXOSSI AYOFEMI AND RISA WECHSLER JULY 26, 2018JANUARY 14, 2020 OAKLAND-BASED VISUAL ARTIST OXOSSI AYOFEMI PARTNERED WITH RENOWNED STANFORD UNIVERSITY PHYSICIST RISA WECHSLER TO PRESENT BLACK MATTER, AN EXHIBITION EXPLORING THE NATURE OF THE ELUSIVE DARK MATTER THAT FILLS THE UNIVERSE, IMAGERY OF PRESENCE AND ABSENCE, AND LATENT ABUNDANCE IN AFRICAN AMERICAN CULTURE. VEILED MEANINGS: FASHIONING JEWISH DRESS, FROM THE COLLECTION OF THE ISRAEL MUSEUM, JERUSALEM AUGUST 30, 2018JANUARY 6, 2019 THE FIRST COMPREHENSIVE EXHIBITION DRAWN FROM THE ISRAEL MUSEUMS WORLD-RENOWNED COLLECTION OF JEWISH WARDROBE TO BE PRESENTED IN THE UNITED STATES FEATURED MORE THAN 100 ARTICLES OF CLOTHING SPANNING THE EIGHTEENTH TO TWENTIETH CENTURIES FROM OVER TWENTY COUNTRIES ACROSS FOUR CONTINENTS. THE EXHIBITION INVOLVED CLOSE COLLABORATION BETWEEN THE CJM AND THE CURATORIAL TEAM AT THE ISRAEL MUSEUM, INCLUDING EXHIBITION CURATOR EFRAT ASSAF-SHAPIRA, WHO VISITED THE CJM FOR TWELVE DAYS TO ASSIST WITH THE INSTALLATION, MEET WITH STAFF, LEAD TOURS, AND PRESENT PUBLIC PROGRAMS. SHOW ME AS I WANT TO BE SEEN FEBRUARY 7JULY 7, 2019 TAKING THE WORK OF FRENCH JEWISH ARTIST AND WRITER CLAUDE CAHUN (18941954) AND HER LIFELONG LOVER AND COLLABORATOR MARCEL MOORE (18921972) AS ITS STARTING POINT, THIS EXHIBITION EXAMINED THE EMPOWERED REPRESENTATION OF FLUID AND COMPLEX GENDER, ETHNIC, AND RACIAL IDENTITY. CAHUN (BORN LUCY SCHWOB) AND MOORE (BORN SUZANNE MALHERBE) WERE PIONEERS IN THEIR BOLD REPRESENTATIONS OF AN UNFIXED SELF. THIS EXHIBITION POSITIONED THEIR WORK IN DIALOGUE WITH TEN CONTEMPORARY ARTISTS-NICOLE EISENMAN, RHONDA HOLBERTON, HIWA K, YOUNG JOON KWAK, ZANELE MUHOLI, TOYIN OJIH ODUTOLA, GABBY ROSENBERG, TSCHABALALA SELF, DAVINA SEMO, AND ISABEL YELLIN. DARIA MARTIN: TONIGHT THE WORLD JUNE 27, 2019FEBRUARY 23, 2020 DARIA MARTINS NEW INSTALLATION, CO-COMMISSIONED WITH BARBICAN, LONDON, COMBINES COMPUTER GAMING TECHNOLOGY AND FILM TO EXPLORE THE SUBCONSCIOUS MEMORIES OF HER GRANDMOTHER, ARTIST SUSI STIASSNI. AS A TEENAGER, STIASSNI AND HER FAMILY FLED THEN CZECHOSLOVAKIA FROM THE IMMINENT NAZI OCCUPATION, EVENTUALLY SETTLING IN MARIN COUNTY, WHERE MARTIN WAS BORN AND RAISED. AN IMMERSIVE AND ATMOSPHERIC ENVIRONMENT, TONIGHT THE WORLD STAGES A SERIES OF INTIMATE ENCOUNTERS WITH AN EXTENSIVE ARCHIVE OF STIASSNIS DREAM DIARIES. THE MULTIMEDIA EXHIBITION INCLUDES REFUGE, A COMPUTER GAME BASED ON A 3-D RENDERING OF THE VILLA STIASSNI, AND CUL- MINATES IN AN ORIGINAL FILM BRINGING STIASSNIS DREAMS TO LIFE SHOT ONSITE AT THE PRESENT-DAY VILLA STIASSNI. PROGRAM AND EDUCATION HIGHLIGHTS DURING 20182019, THE CJM PRESENTED A FULL ARRAY OF PROGRAMMING FOR YOUNG ADULTS, TEENS, FAMILIES, AND K12 STUDENTS AND TEACHERS. THESE EXPERIENCES OFFERED NEW PERSPECTIVES ON IDENTITY AND PROMOTED COMMUNITY CONNECTIONS ANCHORED IN JEWISH CULTURE AND VALUES. TEXTILE LAB IN CONNECTION WITH THE EXHIBITION VEILED MEANINGS: FASHIONING JEWISH DRESS FROM THE COLLECTION OF THE ISRAEL MUSEUM, JERUSALEM, THE CJM CREATED A UNIQUE, INTERACTIVE TEXTILE LAB IN THE STEPHEN AND MARIBELLE LEAVITT YUD GALLERY ADJACENT TO THE EXHIBITION. THE TEXTILE LAB COMPRISED A HANDS-ON, EDUCATIONAL INSTALLATION THAT ENABLED VISITORS TO EXPLORE WEAVING ON A GIANT LOOM, DRAPING ON DRESS FORMS, AND EMBROIDERING PATTERNS INSPIRED BY THE EXHIBITION. A VIDEO NOOK FEATURED INTERVIEWS WITH BAY AREA COMMUNITY MEMBERS WITH FAMILIES FROM REGIONS REPRESENTED IN THE EXHIBITION. ADDITIONAL EDUCATIONAL PRESENTATIONS ALSO MADE USE OF THE TEXTILE LAB, INCLUDING A SERIES OF HANDS-ON WORKSHOPS PRESENTED IN PARTNERSHIP WITH THE SAN FRANCISCO SCHOOL OF NEEDLEWORK AND DESIGN. MANY OF THE 2,000+ K-12 STUDENTS AND TEACHERS WHO TOURED THE EXHIBITION ALSO PARTICIPATED IN ARTIST-LED WORKSHOPS IN THE TEXTILE LAB. ACCESS PROGRAMS THE CJM OFFERS A WIDE ARRAY OF ACCESS PROGRAMS OFFERED FREE OF CHARGE TO FULFILL A COMMUNITY NEED FOR HIGH-QUALITY, INDIVIDUALIZED OPPORTUNITIES FOR SENIORS AND PEOPLE WITH DISABILITIES. IN FISCAL YEAR 2019, THE CJM CONTINUED THIS LONGSTANDING DEDICATION TO ACCESSIBILITY, EXPANDING AN ALREADY EXTENSIVE RANGE OF PROGRAMMING FOR VISITORS WITH INTELLECTUAL, PHYSICAL, OR SOCIAL BARRIERS TO PARTICIPATION. THESE INCLUDED VERBAL DESCRIPTION TOURS OF EXHIBITIONS FOR VISITORS WITH IMPAIRED VISION, AMERICAN SIGN LANGUAGE TOURS FOR THE HEARING IMPAIRED, AND MULTISENSORY TOURS FOR INDIVIDUALS WITH EARLY-STAGE ALZHEIMERS AND THEIR CARE PARTNERS. THE ANNUAL SUPERFEST: INTERNATIONAL DISABILITY FILM FESTIVAL, PRESENTED ON OCTOBER 21, 2018 IN PARTNERSHIP WITH THE LONGMORE INSTITUTE ON DISABILITY AT SAN FRANCISCO STATE UNIVERSITY AND LIGHTHOUSE FOR THE BLIND AND VISUALLY IMPAIRED, ENGAGED A SOLD-OUT AUDIENCE OF 220 IN THE CJMS RICHARD AND RHODA GOLDMAN HALL. PROGRAMS DESIGNED TO SERVE SENIORS IN THE BAY AREA WERE OFFERED MONTHLY ON FREE FIRST TUESDAYS. IN ADDITION TO WELCOMING SENIORS TO EXHIBITION TOURS, THE CJM PRESENTED ART-MAKING WORKSHOPS AND CREATIVE AGING: DANCE FOR LIFE PROGRAMS FEATURING GUIDED MOVEMENT EXERCISES WITH LIVE MUSIC. PROGRAM SERVICE ACTIVITY CONTINUED... THE CJM CONTINUED TO PARTNER WITH BAY AREA SOCIAL SERVICE AGENCIES TO PROVIDE ACCESS TO THE MUSEUM FOR UNDER-SERVED, LOW-INCOME INDIVIDUALS. RECENT PARTNERS INCLUDE: ALZHEIMERS ASSOCIATION, NORTHERN CALIFORNIA AND NEVADA CHAPTER; ELDER CARE ALLIANCE; JEWISH LEARNING WORKS INCLUDE; PAUL K. LONGMORE INSTITUTE ON DISABILITY AT SAN FRANCISCO STATE UNIVERSITY; LIGHTHOUSE FOR THE BLIND AND VISUALLY IMPAIRED; SAN FRANCISCO DEPARTMENT OF AGING AND ADULT SERVICES; SAN FRANCISCO DEPARTMENT OF VETERAN'S AFFAIRS; SAN FRANCISCO MAYOR'S OFFICE ON DISABILITY; THE STONEWALL PROJECT, SAN FRANCISCO AIDS FOUNDATION; SUPPORT FOR FAMILIES OF CHILDREN WITH DISABILITIES. YOUNG ADULT PROGRAMS DESIGNED TO APPEAL TO YOUNG ADULTS, THREE NIGHT AT THE JEWSEUM PROGRAMS WERE PRESENTED IN 20182019, EACH TAILORED TO A SPECIFIC THEME RELATED TO JEWISH HOLIDAYS AND MUSEUM EXHIBITIONS; ADORNMENT (SEPTEMBER 13, 2018); SHIMMER (DECEMBER 6, 2018); AND PURIM CABARET (MARCH 21, 2019). NIGHT AT THE JEWSEUM PROVIDED OCCASIONS FOR ATTENDEES TO SOCIALIZE AND LEARN IN THE CONTEXT OF RE-IMAGINED, INFORMAL JEWISH EDUCATIONAL EXPERIENCES. ON SUNDAY, JUNE 9, A FREE, ALL-DAY ZINE FEST, SHOW ME YOUR STORIES, WAS PRESENTED, FEATURING AN ARRAY OF HANDS-ON ACTIVITIES PROMOTING CREATIVE AND INCLUSIVE SELF-EXPRESSION. IN ADDITION, THE FOLLOWING PROGRAMS WITH SPECIAL APPEAL TO YOUNG ADULT AUDIENCES WERE PRESENTED: YARN: STORYTELLING WITH HEATHER GOLD AND FRIENDS, A COMEDY STORYTELLING PERFORMANCE (JULY 12, 2018); PORCHLIGHT: TATTOO TALES, STORYTELLING ABOUT TATTOOS PRESENTED IN CONJUNCTION WITH THE CJM EXHIBITION LEW THE JEW AND HIS CIRCLE: ORIGINS OF AMERICAN TATTOO (AUGUST 16, 2018); SEPHARDIC LEGACY PRESENTED BY THE LADINO PROJECT-A NIGHT OF MUSIC AND DANCE (OCTOBER 4, 2018). THE SIMPSONS AND OTHER JEWISH FAMILIES-MIKE REISS (OCTOBER 18, 2018); AND SHALOM BOLLYWOOD: THE UNTOLD STORY OF INDIAN CINEMA (JANUARY 3, 2019). TEEN PROGRAMS THE CENTERPIECE OF THE CJM TEEN PROGRAMS IS THE TEEN ART CONNECT (TAC) INTERNSHIP, A YEARLONG, PAID INTERNSHIP AT THE CJM THAT PROVIDES HANDS-ON WORK EXPERIENCE, APPRENTICESHIPS, PROFESSIONAL DEVELOPMENT WORKSHOPS, AND SKILL-BUILDING ARTS ACTIVITIES. TAC INTERNS PLANNED AND PRODUCED A SERIES OF EVENTS FOR THEIR PEERS ENGAGING 586 TEEN PARTICIPANTS OVER THE COURSE OF THE YEAR. ACTIVITIES INCLUDED TEEN-LED ARCHITECTURE TOURS, ARTIST WORKSHOPS, PANEL DISCUSSIONS, ART-MAKING ACTIVITIES, AND THE TEEN-CURATED EXHIBITION WHAT WE HOLD: A YOUTH AUDIO PROJECT DESCRIBED BELOW. EACH OF THESE PROGRAMS PROVIDED OPPORTUNITIES FOR TEENS TO EXPLORE CREATIVE EXPRESSIONS OF JEWISH IDENTITY. TEENS ALSO TOURED THE CJM'S EXHIBITION VEILED MEANINGS: FASHIONING JEWISH DRESS, FROM THE COLLECTION OF THE ISRAEL MUSEUM, JERUSALEM ACQUIRING KNOWLEDGE OF A SPECTRUM OF CULTURES IN THE JEWISH DIASPORA, AND EXPLORING CONNECTIONS WITH THEIR OWN PERSONAL ORIGINS AND FAMILY HISTORIES. WHAT WE HOLD: A YOUTH AUDIO PROJECT IS THE SIXTH INSTALLMENT IN THE CJM'S SERIES HIGHLIGHTING YOUTH VOICES. FOR THIS PROJECT, TEENS INTERVIEWED A FAMILY MEMBER OR LOVED ONE TO INVESTIGATE AND REFLECT ON WHAT ASPECTS OF THEIR IDENTITIES ARE INFLUENCED BY CULTURAL INHERITANCE AND FAMILY LIFE. OVER THE COURSE OF THREE MONTHS, TEENS MET WITH A THEATER ARTIST, A PODCAST DEVELOPER, AND YOUTH EDUCATORS TO LEARN THE CRAFTS OF STORYTELLING, INTERVIEWING, STORYBOARDING, AND PODCAST EDITING. THIS ENGAGEMENT RESULTED IN THE CREATION OF MORE THAN FIFTY NEW RECORDINGS THAT OFFER A COMPELLING WINDOW INTO IDENTITY AND INTERGENERATIONAL VALUES. THE AUDIO DOCUMENTARIES ARE AVAILABLE TO THE PUBLIC IN A NEWLY-DESIGNED, NEWLY-DESIGNED, DIGITAL LISTENING ROOM AT THE MUSEUM AS WELL AS AN INTERACTIVE WEBSITE THAT CAN BE SEARCHED BY THEME, WHATWEHOLD-THECJM.ORG. FAMILY PROGRAMS FAMILY ARTBASH SUNDAYS ARE THE CJM'S SPECIAL PROGRAM FOR PRESCHOOL-AGED CHILDREN AND THEIR FAMILIES. FOUR SPECIALLY-DESIGNED DAYS OF INTERACTIVE WORKSHOPS AND PERFORMANCES WERE PRESENTED FREE-OF-CHARGE ON SEPTEMBER 23 AND DECEMBER 9, 2018, AND JANUARY 13 AND MARCH 17, 2019. THE ZIM ZOOM FAMILY ROOM IS A DEDICATED SPACE FOR INTERGENERATIONAL ARTS ACTIVITIES ESPECIALLY DESIGNED FOR THE CJM'S YOUNGEST VISITORS AND IS OPEN TO FAMILIES DURING ALL MUSEUM HOURS. DROP-IN ART STUDIOS OFFERED HANDS-ON ART MAKING ACTIVITIES RELATED TO EXHIBITIONS AND SEASONAL JEWISH THEMES TWO SUNDAYS EACH MONTH AND ON SELECT HOLIDAYS. ART PUSHCART OFFERED SIMILAR OPPORTUNITIES IN THE GALLERIES ON ALTERNATE SUNDAYS. K-12 SCHOOL AND TEACHER PROGRAMS THE CJM IS AMONG THE BAY AREA'S MOST IMPORTANT ARTS EDUCATION RESOURCES FOR K12 STUDENTS AND TEACHERS DURING SCHOOL HOURS. INTERACTIVE TOURS OF EXHIBITIONS AND THE ARCHITECTURE OF THE CJM BUILDING LED BY PROFESSIONAL EDUCATORS ARE THE CENTERPIECE OF THE PROGRAMS. ONLINE CURRICULUM RESOURCE MATERIALS ENHANCE TEACHERS' ABILITY TO INCORPORATE TOUR CONTENT IN THE CLASSROOM. ART-MAKING WORKSHOPS DEEPEN STUDENTS' LEARNING AND FOSTER CREATIVITY. ALL TOURS AND ACCOMPANYING ART-MAKING WORKSHOPS ARE FREE OF CHARGE TO ALL SCHOOLS. THE FOLLOWING K12 PROGRAMS WERE OFFERED DURING FISCAL YEAR 2019: PAST TO PRESENT: A SAN FRANCISCO NEIGHBORHOOD FROM THE GOLD RUSH TO TODAY PROVIDES AN INTEGRATED SET OF ARTS EXPERIENCES FOCUSED ON THE CJM'S HISTORIC BUILDING. STUDENTS LEARN ABOUT SAN FRANCISCO HISTORY EMBEDDED IN THE BUILDING AND NEIGHBORHOOD, AS WELL AS IN DOCUMENTS FROM THE GOLD RUSH AND TURN-OF-THE-CENTURY SAN FRANCISCO. STUDENTS EXPLORE HISTORICAL AND MODERN DESIGN CONCEPTS THROUGH ART-MAKING ACTIVITIES. RESILIENCE, HOLOCAUST, AND THE ARCHITECTURE OF LIFE FEATURES HOLOCAUST SURVIVORS PRESENTING FIRST-HAND ACCOUNTS OF THEIR LIVES. TOURS AND ART MAKING CONNECT THESE PRESENTATIONS WITH SYMBOLISM EMBEDDED IN THE ARCHITECTURE OF THE CJM'S BUILDING, DESIGNED BY POLISH-AMERICAN ARCHITECT DANIEL LIBESKIND, HIMSELF A CHILD OF HOLOCAUST SURVIVORS. CLOTHING, CULTURE, HERITAGE, AND MIGRATION FOCUSED ON THREE THEMES RELATED TO VEILED MEANINGS: FASHIONING JEWISH DRESS, FROM THE COLLECTION OF THE ISRAEL MUSEUM, JERUSALEM-STORIES AND TRADITIONS OF DIVERSE CULTURES, GEOGRAPHY AND MAPS, AND CLOTHING AND LIFESTYLE, THEN AND NOW. PROGRAMS TAUGHT AGAINST STEREOTYPES AND BROUGHT TO LIGHT THE IDEA THAT, LIKE MANY CULTURES, JEWISH PEOPLE LIVE ALL OVER THE WORLD, AND REPRESENT GLOBAL DIVERSITY. IN THIS CONTEXT, THE TEXTILE LAB FUNCTIONED AS A MAKER SPACE WHERE STUDENTS AND TEACHERS WERE GUIDED IN HANDS-ON CREATIVE EXPLORATION OF FABRICS, CLOTHING DESIGN, WEAVING, DRAPING, AND EMBROIDERY. JEWS AND TATTOOS FEATURED EXHIBITION TOURS AND ART MAKING WORKSHOPS RELATED TO THE EXHIBITION LEW THE JEW AND HIS CIRCLE: ORIGINS OF AMERICAN TATTOO. THE EXHIBITION FEATURED PREVIOUSLY UNPUBLISHED ORIGINAL TATTOO ART BY "LEW THE JEW" ALBERTS, A PIONEERING ARTIST IN THE EMERGING TATTOO INDUSTRY OF THE EARLY TWENTIETH CENTURY. BLACK MATTER-OXOSSI AYOFEMI AND RISA WECHSLER EXPLORES IMAGES BY ARTIST OXOSSI AYOFEMI THAT PORTRAY BLACK POWER, DESERTS, CITIES, WATERFALLS, AND BREAK DANCING AS SOURCES AND MODELS OF CONTINUOUS ENERGY. IMAGES DEVELOPED BY STANFORD UNIVERSITY COSMOLOGIST AND PHYSICIST DR. RISA WESCHLER, WHO PARTNERED WITH AYOFEMI ON THE EXHIBITION, PROVIDE A CONTRASTING PERSPECTIVE. TEENS HAVE OPPORTUNITIES TO EXPLORE THESE THEMES AND RESPOND WITH ORIGINAL ART. PORTRAITURE, IDENTITY, AND REPRESENTATION EXPLORED PERSONAL AND CULTURAL IDENTITY THROUGH THE EXHIBITION SHOW ME AS I WANT TO BE SEEN. STUDENTS VIEWED AND RESPONDED TO PHOTOGRAPHS BY JEWISH SURREALIST ARTIST CLAUDE CAHUN AND PORTRAITURE BY CONTEMPORARY ARTISTS IN THE EXHIBITION. THEY WERE GUIDED IN ARTMAKING ACTIVITIES TO PORTRAY THEIR OWN PERSONAL AND CULTURAL IDENTITIES. FORM 990, PART VI, SECTION A, LINE 2 DOROTHY SAXE AND DAVID SAXE HAVE A FAMILY RELATIONSHIP. FORM 990 REVIEW PROCESS FORM 990, PART VI, SECTION B, LINE 11B: THE BOARD OF TRUSTEES DELEGATED REVIEW AND APPROVAL OF THE FORM 990 TO THE AUDIT COMMITTEE. GRANT THORNTON LLP AND THE ORGANIZATION'S FINANCE STAFF WORK TOGETHER TO GATHER THE REQUIRED INFORMATION NECESSARY TO COMPLETE THE FORM. THE INITIAL DRAFT FORM 990 IS REVIEWED BY GRANT THORNTON LLP AND THE ORGANIZATION'S MANAGEMENT. AFTER THE FORM IS DISCUSSED AND REVIEWED, RECOMMENDED CHANGES ARE REFLECTED ON THE FORM AND AN UPDATED FORM 990 IS PREPARED. THE AUDIT COMMITTEE REVIEWS THE UPDATED FORM 990 AND, ONCE SATISFIED WITH THE RETURN, THE AUDIT COMMITTEE APPROVES THE RETURN FOR FILING WITH THE IRS. THE AUDIT COMMITTEE FURTHER REVIEWS THE FORM 990 WITH THE FINANCE COMMITTEE AND THEN PROVIDES A COMPLETE COPY OF THE FORM TO THE BOARD OF TRUSTEES PRIOR TO IT BEING FILED WITH THE IRS. MONITORING AND ENFORCEMENT OF CONFLICT OF INTEREST POLICY FORM 990, PART VI, SECTION B, LINE 12: THE MUSEUM HAS A CONFLICT OF INTEREST POLICY THAT COVERS TRUSTEES AND THE PRINCIPAL OFFICERS OF THE MUSEUM AND EACH MEMBER OF A COMMITTEE WITH BOARD-DELEGATED POWERS. THE POLICY PROVIDES FOR A SYSTEMATIC AND ONGOING PROCESS REQUIRING INDIVIDUALS WHO HAVE DECISION-MAKING RESPONSIBILITIES TO DISCLOSE AND ADDRESS POTENTIAL AND ACTUAL CONFLICTS OF INTEREST. COVERED INDIVIDUALS ARE REQUIRED TO COMPLETE AN ANNUAL STATEMENT DISCLOSING ANY CONFLICTS OF INTEREST AND HAVE A DUTY TO UPDATE THE DISCLOSURE FOR ANY POTENTIAL CONFLICTS OF INTEREST THAT ARISE DURING THE YEAR. EACH TRUSTEE AND PRINCIPAL OFFICER OF THE MUSEUM AND EACH MEMBER OF A COMMITTEE WITH BOARD-DELEGATED POWERS ANNUALLY COMPLETES AND SIGNS THE CONFLICT OF INTEREST STATEMENT AND DISCLOSURE FORM. TO ENSURE THE MUSEUM OPERATES IN A MANNER CONSISTENT WITH ITS CHARITABLE PURPOSES AND DOES NOT ENGAGE IN ACTIVITIES THAT COULD JEOPARDIZE ITS TAX-EXEMPT STATUS, PERIODIC REVIEWS ARE CONDUCTED. THE PERIODIC REVIEWS, AT A MINIMUM, INCLUDE THE FOLLOWING: (A) REVIEW OF COMPENSATION ARRANGEMENTS AND BENEFITS, OR ACQUISITION OR DE-ACQUISITION OF MUSEUM PROPERTY WITH DISQUALIFIED PERSONS AND INTERESTED DIRECTORS, IF ANY, TO ENSURE THAT THE TRANSACTIONS ARE REASONABLE, BASED ON COMPETENT SURVEY INFORMATION, AND THE RESULT OF ARM'S LENGTH BARGAINING. (B) REVIEW OF PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS, IF ANY, TO ENSURE THAT THE ARRANGEMENTS CONFORM TO THE MUSEUM'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENT OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INUREMENT, IMPERMISSIBLE PRIVATE BENEFIT, IN AN EXCESS BENEFIT TRANSACTION, OR IN A SELF-DEALING TRANSACTION. WHEN CONDUCTING THE PERIODIC REVIEWS AS ABOVE PROVIDED, THE MUSEUM MAY, AS NECESSARY, USE OUTSIDE EXPERTS. IF OUTSIDE EXPERTS ARE USED, THEIR USE DOES NOT RELIEVE THE BOARD OF ITS RESPONSIBILITY FOR ENSURING THAT PERIODIC REVIEWS ARE CONDUCTED. PROCESS OF DETERMINING COMPENSATION OF EXEC. DIR. & KEY EMPLOYEES FORM 990, PART VI, SECTION B, LINES 15A AND 15B: FOR CHANGES IN COMPENSATION FOR THE EXECUTIVE DIRECTOR AND CHIEF OPERATING OFFICER, THE BOARD DELEGATED REVIEW AND APPROVAL TO THE EXECUTIVE COMMITTEE. THIS COMMITTEE COMPARED THE PROPOSED SALARY AND BENEFITS TO SALARIES AND BENEFITS PAID BY SIMILARLY-SITUATED ORGANIZATIONS FOR FUNCTIONALLY-COMPARABLE POSITIONS IN THE SAN FRANCISCO BAY AREA. FOR OTHER KEY EMPLOYEES, THE EXECUTIVE DIRECTOR AND CHIEF OPERATING OFFICER CONDUCT REVIEWS OF COMPARABLE POSITIONS AND APPROVE SALARIES AND BENEFITS. Documents Made Available to the Public FORM 990, PART VI, SECTION C, LINE 19: THE GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY ARE NOT MADE AVAILABLE TO THE PUBLIC. THE FINANCIAL STATEMENTS ARE AVAILABLE UPON REQUEST. Other Changes in Net Assets Form 990, Part XI, Line 9: THE OTHER CHANGES IN NET ASSETS CONSISTS OF A CHANGE IN THE VALUE OF THE BENEFICIAL INTEREST IN REMAINDER TRUST OF $ 152,503 AND UNREALIZED LOSS ON SWAP OF $(532,705). FORM 990 PART IX LINE 11G DESCRIPTION:CONTRACTORS & CONSULTANTS TOTAL FEES:535155 FORM 990 PART IX LINE 11G DESCRIPTION:SECURITY TOTAL FEES:689714 FORM 990 PART IX LINE 11G DESCRIPTION:JANITORIAL TOTAL FEES:185909