2020-05-15T15:41:29-05:00 2019-06-30 946214841 ARMANINO LLP 12657 ALCOSTA BLVD STE 500 SAN RAMON CA 945834600 990 2018-07-01 941704765 ASIAN ART MUSEUM FOUNDATION OF SAN FRANCISCO ASIA 4155813500 200 LARKIN STREET SAN FRANCISCO CA 941024734 MINFANG GAO CONTROLLER 4155813730 2020-05-13 1 KATY BROWN P00650274 9257902600 2020-05-13 208.127.87.36 2020-05-13 19:16:32 PD P DA39A3EE5E6B4B0D3255BFEF95601890AFD80709 13CE7C3651C6F89FC986245CBC0BFFDDFA97FED8 2018 2021-01-29 14:40:06Z MINFANG GAO 200 LARKIN STREET SAN FRANCISCO CA 941024734 52982782 0 X WWW.ASIANART.ORG X 1969 CA PUBLIC EXHIBITION OF ART OBJECTS 47 47 177 400 10521 9038 41144512 32476911 1203267 1165459 6906223 3816642 648775 833481 49902777 38292493 0 0 0 0 18200007 17770796 0 0 4772351 14875562 14765807 33075569 32536603 16827208 5755890 250515934 258417682 89149081 88547416 161366853 169870266 X THE ASIAN ART MUSEUM OF SAN FRANCISCO IS A PUBLIC INSTITUTION WHOSE MISSION IS TO CONNECT ART TO LIFE. THE MUSEUM INSPIRES NEW WAYS OF THINKING BY CONNECTING DIVERSE COMMUNITIES TO HISTORICAL AND CONTEMPORARY ASIAN ART AND CULTURE THROUGH OUR WORLD-CLASS COLLECTION, EXHIBITIONS AND PROGRAMS. 1 0 18842562 2089845 THE MUSEUM IS ONE OF SAN FRANCISCO'S PREMIER ARTS INSTITUTIONS AND HOME TO A WORLD-RENOWNED COLLECTION OF MORE THAN 18,000 ASIAN ART TREASURES SPANNING 6,000 YEARS OF HISTORY AND REPRESENTING COUNTRIES AND CULTURES THROUGHOUT ASIA. THE COLLECTION'S SCOPE AND BREADTH ENABLE THE MUSEUM TO INTRODUCE ALL THE MAJOR TRADITIONS OF ASIAN ART AND CULTURE. MORE THAN 2,500 ARTWORKS FROM THE COLLECTION ARE GENERALLY ON VIEW IN THE MUSEUM'S THIRTY-THREE COLLECTION GALLERIES, WITH ANOTHER 500 OBJECTS REMOVED AND REFRESHED WITH WORKS FROM STORAGE EACH YEAR. EXIT SURVEYS SUGGEST THAT THE MUSEUM HAS STRONG AND GLOBAL REACH - APPROXIMATELY 51% OF THE VISITORS CAME FROM THE BAY AREA AND 18% ORIGINATED FROM OUTSIDE THE US, 31% OF VISITORS ARE FROM OTHER PARTS OF THE UNITED STATES. ECHOING THE REGIONS ETHNIC MAKE-UP. 1303280 THE MUSEUM PROVIDES A BROAD RANGE OF PROGRAM THAT EXPLORE ALL THE CULTURES PRESENTED IN THE MUSEUM'S COLLECTION AND EXHIBITIONS, AND ARE DESIGNED TO REACH ALL LEVELS OF EDUCATION (K-12, COLLEGE, AND ADULT) AND AWARENESS OF ART (NOVICE THROUGH EXPERT), FREE DOCENT LED TOURS OF THE COLLECTION GALLERIES AND SPECIAL EXHIBITIONS ARE CONDUCTED THROUGHOUT THE DAY. THE MUSEUM'S STORYTELLING CORPS OFFER ENTERTAINING AND EDUCATIONAL PROGRAMS FOR CHILDREN AND ADULTS RELATING TO ARTWORKS ON VIEW. SCHOOL PROGRAMS INCLUDE A VARIETY OF INDUSTRY-BASED ACTIVITIES: ALL CLASS TOURS ARE INTERACTIVE AND EMPHASIZE OBSERVATION SKILLS, CRITICAL THINKING, GROUP WORK, AND PEER PRESENTATIONS. MORE THAN 17,000 OF THE MUSEUM'S 230,000 ANNUAL VISITORS PARTICIPATED IN ONE OF THE HUNDREDS OF PUBLIC PROGRAMS PRESENTED FROM JULY 1, 2018 TO JUNE 30, 2019. 1112410 TATTOOS IN JAPANESE PRINTSMAY 31 - AUG 18, 2019TATTOOS IN JAPANESE PRINTS UNCOVERS THE INTERPLAY BETWEEN INK ON PAPER AND INK ON SKIN IN MID-19TH CENTURY JAPAN, SHOWING HOW PRINTMAKERS TRANSFORMED EYE-CATCHING TATTOOS FROM A PASSING FAD INTO A LASTING ART FORM. WRITHING DRAGONS, COILING SNAKES, SWIRLING THUNDERCLOUDS, SNARLING LIONS. SUPERB PRINTS BY UTAGAWA KUNIYOSHI AND HIS CONTEMPORARIES FEATURING TATTOOED HEROES, WARRIORS AND STARS OF THE KABUKI STAGE REVEAL STYLES AND MOTIFS THAT HAVE INSPIRED TATTOO ARTISTS FOR MORE THAN 200 YEARS.THE BOLD BRUSH OF AU HO-NIENMAY 31 - AUG 18, 2019THE BOLD BRUSH OF AU HO-NIEN PRESENTS 22 VERTICAL SCROLL PAINTINGS THAT DISPLAY THE ARTIST'S MODERN SENSIBILITY. IN HIS PAINTINGS OF FIGURES, LANDSCAPES AND WILDLIFE, AU'S BOLD AND VARIED BRUSHWORK EMPHASIZES EXPRESSION OVER PRECISE PHYSICAL DESCRIPTION TO CONVEY THE POETRY OF HIS SUBJECTS. NOW IN HIS EIGHTIES, AU IS A LEADING FIGURE OF THE LINGNAN SCHOOL OF PAINTING, WHICH SEEKS TO INVIGORATE INK-WASH PAINTING BY FUSING CHINESE AND WESTERN TRADITIONS. TANABE CHIKUUNSAI IV: CONNECTIONMAY 31 - AUG 25, 2019CONNECTION IS THE FIRST WEST COAST INSTALLATION BY FOURTH-GENERATION BAMBOO ARTIST TANABE CHIKUUUNSAI IV, WHO WEAVES TOGETHER PAST AND PRESENT INTO ASTONISHING ROOM-SIZE SCULPTURES THAT HAVE CAPTIVATED AUDIENCES ACROSS THE GLOBE. CHIKUUNSAI IV BENDS AND PLAITS RARE TIGER BAMBOO, HARVESTED IN THE REMOTE MOUNTAINS OF KOCHI PREFECTURE, INTO SOARING, TWISTING FORMS THAT PUSH THE LIMITS OF BAMBOO ART. CONNECTION, COMMISSIONED BY THE ASIAN ART MUSEUM, PAYS HOMAGE TO CHIKUUNSAI IV'S FAMILY LINEAGE OF RENOWNED BAMBOO ARTISTS.KIMONO REFASHIONEDFEB 8 - MAY 5, 2019IN THE EARLY 1980S, JAPANESE AVANT-GARDE DESIGNERS TOOK PARIS BY STORM, DISRUPTING THE WORLD OF HAUTE COUTURE WITH THEIR MINIMALIST, DECONSTRUCTED CLOTHING. KIMONO REFASHIONED REVEALS THAT THIS WAS NOT THE FIRST TIME JAPANESE DESIGN PRINCIPLES HAD TRANSFORMED INTERNATIONAL FASHION. MORE THAN 35 GARMENTS FROM THE KYOTO COSTUME INSTITUTE CONVEY HOW THE MATERIALS, FORMS, TECHNIQUES AND DECORATIVE MOTIFS OF KIMONO HAVE IMPACTED GLOBAL STYLE FROM THE VICTORIAN ERA TO THE DIGITAL AGE.PAINTING IS MY EVERYTHING: ART FROM INDIA'S MITHILA REGIONSEP 7 - DEC 30, 2018DISCOVER THE BOLD ARTISTIC VISION OF 17 CONTEMPORARY ARTISTS, MANY OF THEM WOMEN, FROM THE PROVINCIAL MITHILA REGION OF INDIA. THEIR VISUALLY DELIGHTFUL WORK HAS RECEIVED COMMERCIAL SUCCESS, BRINGING MUCH-NEEDED INCOME TO THEIR FAMILIES AND CATALYZING SOCIAL CHANGE IN THE REGION. WORKING WITHIN A TRADITIONAL PAINTING STYLE, THESE ARTISTS ADDRESS TOPICS THAT ARE AT ONCE LOCAL AND GLOBAL, PERSONAL AND UNIVERSAL, FROM REFLECTIONS ON PIETY TO CURRENT EVENTS. HAROON MIRZA: THE NIGHT JOURNEYSEP 7 - DEC 9, 2018ELECTRICITY COMES ALIVE IN THE NIGHT JOURNEY, A MESMERIZING LIGHT AND SOUND INSTALLATION BY LONDON-BASED ARTIST HAROON MIRZA. MIRZA TRANSLATED AN INDIAN ISLAMIC MINIATURE PAINTING FROM THE MUSEUM COLLECTION INTO A SCORE, OR SOURCE CODE, THAT CONTROLS ELECTRICAL IMPULSES IN THE FORM OF SOUND, LIGHT AND COLOR. THIS IMMERSIVE ARTWORK, ARISING FROM THE ARTIST'S INTERESTS IN SUFI MYSTICISM, TRANCE MUSIC, MEDITATION AND OTHER CONSCIOUSNESS-ALTERING PRACTICES, ALLOWS US TO SEE, HEAR AND EVEN FEEL ART IN NEW WAYS. 21258252 1 1 0 0 0 0 0 1 0 1 1 1 0 0 0 1 0 1 0 0 1 0 0 0 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 1 0 0 0 1 59 0 1 177 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 47 47 1 0 0 0 0 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 CA X X MINFANG GAO 4155813500 200 LARKIN STREET SAN FRANCISCO CA 941024734 AKIKO YAMAZAKI CHAIR 1.00 X X 0 0 0 TIMOTHY F KAHN PRESIDENT 1.00 X X 0 0 0 FRED M LEVIN VICE PRESIDENT 1.00 X X 0 0 0 LUCY SUN VICE PRESIDENT 1.00 X X 0 0 0 ROBERT L DUFFY VICE PRESIDENT (LEFT 9/18) 1.00 X X 0 0 0 KUMAR MALAVALLI VICE PRESIDENT 1.00 X X 0 0 0 GORRETTI LO LUI SECRETARY 1.00 X X 0 0 0 KENNETH P WILCOX TREASURER 1.00 X X 0 0 0 ALLISON ROSE TRUSTEE 1.00 X 0 0 0 ANN TANENBAUM TRUSTEE 1.00 X 0 0 0 ANNE ADAMS KAHN EX OFFICIO TRUSTEE (LEFT 9/18) 1.00 X 0 0 0 ANTHONY SUN TRUSTEE 1.00 X 0 0 0 BETTY N ALBERTS TRUSTEE 1.00 X 0 0 0 CHONG-MOON LEE TRUSTEE 1.00 X 0 0 0 CHOONGJA MARIA KAHNG TRUSTEE 1.00 X 0 0 0 CONSTANCE C MILLER TRUSTEE 1.00 X 0 0 0 CORI BATES TRUSTEE 1.00 X 0 0 0 DIXON R DOLL TRUSTEE 1.00 X 0 0 0 ELIZA CASH TRUSTEE 1.00 X 0 0 0 ELLEN BURSTEIN BAUCH TRUSTEE 1.00 X 0 0 0 EMILY WANG TRUSTEE 1.00 X 0 0 0 FRED EYCHANER TRUSTEE 1.00 X 0 0 0 HELINA AU TRUSTEE (LEFT 6/19) 1.00 X 0 0 0 HUIFEN CHAN TRUSTEE (START 6/19) 1.00 X 0 0 0 INA GOODWIN TATEUCHI TRUSTEE 1.00 X 0 0 0 JAMIE CHEN TRUSTEE 1.00 X 0 0 0 JENNIFER KAO TRUSTEE (START 1/19) 1.00 X 0 0 0 JOHN MAA TRUSTEE 1.00 X 0 0 0 JUDITH F WILBUR TRUSTEE 1.00 X 0 0 0 KAPIL CHHIBBER TRUSTEE 1.00 X 0 0 0 KEVIN J MARTIN TRUSTEE (LEFT 7/18) 1.00 X 0 0 0 LATA KRISHNAN TRUSTEE (START 6/19) 1.00 X 0 0 0 LESLIE TANG SCHILLING TRUSTEE 1.00 X 0 0 0 MARSHA VARGAS HANDLEY TRUSTEE (START 6/19) 1.00 X 0 0 0 MARTHA SAM HERTELENDY TRUSTEE 1.00 X 0 0 0 MARY POWELL GROSSMAN EX OFFICIO TRUSTEE (LEFT 1/19) 1.00 X 0 0 0 MERRILL RANDOL SHERWIN TRUSTEE 1.00 X 0 0 0 MICHELE ALIOTO TRUSTEE 1.00 X 0 0 0 MIMI GARDNER GATES TRUSTEE 1.00 X 0 0 0 NANCI NISHIMURA TRUSTEE 1.00 X 0 0 0 NEAERA BAER TRUSTEE (START 1/19) 1.00 X 0 0 0 NICHOLAS UNKOVIC TRUSTEE 1.00 X 0 0 0 PEHONG CHEN TRUSTEE 1.00 X 0 0 0 RICHARD C BLUM TRUSTEE 1.00 X 0 0 0 RICHARD YEN TRUSTEE (START 9/18) 1.00 X 0 0 0 SALLE YOO TRUSTEE (START 9/18) 1.00 X 0 0 0 SANDRA CHEUNG TRUSTEE 1.00 X 0 0 0 SONGYEE YOON TRUSTEE (START 1/19) 1.00 X 0 0 0 SUNO KAY OSTERWEIS TRUSTEE (LEFT 9/18) 1.00 X 0 0 0 TIFFANY CHANG TRUSTEE (START 6/19) 1.00 X 0 0 0 TRISTA BERKOVITZ TRUSTEE (START 9/18) 1.00 X 0 0 0 VIJAY SHRIRAM TRUSTEE 1.00 X 0 0 0 YOGEN DALAL TRUSTEE 1.00 X 0 0 0 JAY XU DIRECTOR OF MUSEUM 40.00 X 554305 0 60014 JOANNE CHOU CHIEF FINANCIAL OFFICER 40.00 X 234952 0 28049 NANCY SACKSON CHIEF PHILANTHROPY OFFICE 40.00 X 229215 0 23989 ROB MINTZ DEPUTY DIR. OF ART & PROGRAM 40.00 X 171999 0 49343 CATHERINE FINN CHIEF HR OFFICER 40.00 X 161846 0 13311 KIMBERLEY BUSH DIRECTOR OF MUSEUM SERVICE 40.00 X 142507 0 29893 FORREST MCGILL SENIOR CURATOR 40.00 X 139896 0 34838 BANAFSHEH PERRONE DEP. CHIEF PHILANTHROPY 40.00 X 138227 0 19761 MARY ANN NAKADATE KOTAS SENIOR LEADER GIFTER OFFICER 40.00 X 136039 0 4577 CAROL SHERPA CONSTRUCTION PROJECT MANAGER 40.00 X 134424 0 18211 2043410 0 281986 26 0 1 0 SWINERTON BUILDERS 260 TOWNSEND ST SAN FRANCISCO CA 94107 CONSTRUCTION COST 12896068 CB2 BUILDERS 505 BEACH ST SUITE 210 SAN FRANCISCO CA 94133 CONSTRUCTION COST 668882 WHY ARCHITECTURE 9520 JEFFERSON BLVD SUITE C CULVER CITY CA 90232 ARCHITECTURAL SERVICES 495864 GOPPION MUSEUM WORKSHOPS INC 205 MT AUBURN ST WATERTOWN MA 02472 CONSTRUCTION COST 420606 LENAT & PARTNERS INC 1633 BAYSHORE HIGHWAY SUITE 220 BURLINGAME CA 94010 ADVERTISING SERVICES 413816 20 1520016 1401729 11095488 18459678 1151461 32476911 ADMISSION REVENUE 713990 1092562 1092562 PUBLICATION REVENUE 713990 40524 40524 TOUR REVENUE 713990 21623 21623 OTHER REVENUE 722210 10750 10750 1165459 2270090 10521 2259569 6432 6432 369957 0 369957 369957 369957 15181000 13634448 1546552 1546552 1546552 49355 1401729 516649 -467294 -467294 1195577 539192 656385 656385 MISCELLANEOUS INCOME 722210 187938 187938 COMMISSION FROM CAFE 722210 80063 80063 268001 38292493 2089845 10521 3715216 1534772 749508 409962 375302 11879968 7741997 2652084 1485887 1149998 778373 173821 197804 2216575 1539869 365575 311131 989483 646966 146146 196371 46775 10106 28732 7937 137404 35038 99618 2748 287803 222222 63715 1866 1211154 860485 152525 198144 593003 440362 152641 843810 416093 414472 13245 468287 267113 193264 7910 561707 191556 370151 283727 213909 13557 56261 231374 26317 5458 199599 3945457 2708943 656220 580294 3518867 2408636 595176 515055 432503 371911 58855 1737 PRINTING/PUBLICATION 661822 322468 3899 335455 ACQUISITION 486912 486912 SHIPPING/FREIGHT 386264 284334 17939 83991 SUPPLIES 227300 178851 39762 8687 441638 356283 45069 40286 32536603 21258252 6506000 4772351 12617 12282 14767684 3089233 20139884 14089659 1205480 135010 400113 542934 140371 278932 169099855 65392998 89844011 103706857 84182204 96628919 39823570 39933856 250515934 258417682 2335067 3993424 1046200 952340 85767814 83601652 89149081 88547416 X 57755853 56718960 66175000 75070306 37436000 38081000 161366853 169870266 250515934 258417682 5755890 2747523 0 X X 0 1 X 1 0 X 36161642 33868901 26251922 41144512 32476911 169903888 36161642 33868901 26251922 41144512 32476911 169903888 14132339 155771549 3743631 2095437 2326712 2414466 2635958 13216204 20073 25937 17049 17405 10521 90985 868505 676314 532873 68310 49355 2195357 185406434 13602738 0.84020 0.74610 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 60985984 4595000 3536000 1188000 67928984 53522984 5323000 3269000 1129000 60985984 54673938 636000 4395376 5065000 1117330 53522984 52638145 3178929 527112 1670248 54673938 46163555 4684000 1860000 69410 52638145 0.11740 0.61880 0.26380 0 0 154076715 52200000 101876715 14287573 12646000 1641573 735567 546998 188569 103706857 INVESTMENTS - LIMITED PARTNERSHIP 7279533 F INVESTMENTS - HELD IN TRUST 1082856 F INVESTMENTS - HEDGE FUND INVESTMENTS 16618174 F INVESTMENTS - OTHER INVESTMENTS 14953293 F 39933856 X 41605717 2747523 49052 2796575 38809142 -516649 -516649 38292493 33102304 49052 49052 33053252 -516649 -516649 32536603 PART III, LINE 1A: COLLECTIONS - THE MUSEUM'S PERMANENT COLLECTIONS REPRESENT MORE THAN 40 ASIAN COUNTRIES AND SPAN 6,000 YEARS OF ASIAN HISTORY. OBJECTS ARE HELD FOR EDUCATIONAL, RESEARCH, AND CURATORIAL PURPOSES. UNDER THE MUSEUM'S COLLECTIONS MANAGEMENT POLICY, ALL OBJECTS ARE CATALOGUED, PRESERVED, AND PROVIDED WITH ONGOING CARE. ACTIVITIES VERIFYING THEIR EXISTENCE AND ASSESSING THEIR CONDITION ARE PERFORMED REGULARLY. TITLE TO THE PERMANENT COLLECTION OF WORKS OF ART RESTS WITH THE CITY. IF ACCEPTED INTO THE PERMANENT COLLECTION, DONATED ART OBJECTS BECOME THE PROPERTY OF THE CITY AND ARE NOT RECORDED IN THE MUSEUM'S COMBINED FINANCIAL STATEMENTS. PURCHASES OF ART ARE RECORDED AS AN EXPENSE IN THE MUSEUM'S COMBINED STATEMENTS OF ACTIVITIES AND CHANGES IN NET ASSETS. THE MUSEUM DEACCESSIONS OBJECTS DEEMED NO LONGER RELEVANT TO THE PERMANENT COLLECTION IN ACCORDANCE WITH THE MUSEUM'S COLLECTIONS MANAGEMENT POLICY. PROCEEDS FROM DEACCESSIONS ARE USED TO ACQUIRE OTHER OBJECTS FOR THE COLLECTION. THERE WERE NO DEACCESSIONS DURING THE YEAR END JUNE 30, 2019. PART III, LINE 4: THE MUSEUM'S PERMANENT COLLECTIONS REPRESENT MORE THAN 40 ASIAN COUNTRIES AND SPAN 6,000 YEARS OF ASIAN HISTORY. OBJECTS ARE FOR EDUCATIONAL, RESEARCH, AND CURATORIAL PURPOSES. UNDER THE MUSEUM'S COLLECTIONS MANAGEMENT POLICY, ALL OBJECTS ARE CATALOGUED, PRESERVED, AND PROVIDED WITH ONGOING CARE. PART V, LINE 4: THE MUSEUM'S ENDOWMENT FUND CONSISTS OF INDIVIDUAL DONOR-RESTRICTED ENDOWMENT FUNDS AND FUNDS DESIGNATED BY THE MUSEUM'S TRUSTEES TO FUNCTION AS ENDOWMENTS. THE NET ASSETS ASSOCIATED WITH ENDOWMENT FUNDS, INCLUDING THOSE FUNDS DESIGNATED BY THE TRUSTEES TO FUNCTION AS ENDOWMENTS, ARE CLASSIFIED AND REPORTED BASED ON THE EXISTENCE OR ABSENCE OF DONOR-IMPOSED RESTRICTIONS. AMOUNTS WITHDRAWN FROM THE ENDOWMENT UNDER THE ENDOWMENT SPENDING POLICY ARE FOR THE MUSEUM'S PROGRAMS AND OPERATING EXPENSES, ALLOCATED IN ACCORDANCE WITH THE RESTRICTIONS PERTAINING TO THOSE FUNDS. THE TIMING AND AMOUNTS OF WITHDRAWALS ARE DETERMINED BY THE MUSEUM'S MANAGEMENT IN CONSULTATION WITH THE BUDGET AND FINANCE COMMITTEE AND THE EXECUTIVE COMMITTEE. INVESTMENT-RELATED EXPENSES ARE CHARGED SEPARATELY AGAINST THE ENDOWMENT. PART X, LINE 2: THE MUSEUM HAS BEEN CLASSIFIED AS A PUBLICLY SUPPORTED TAX-EXEMPT ORGANIZATION THAT IS EXEMPT FROM FEDERAL TAXES UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE AND FROM CALIFORNIA FRANCHISE AND/OR INCOME TAXES UNDER REVENUE AND TAXATION CODE SECTION 23701(D). THE MUSEUM BELIEVES THAT NO LIABILITIES ARE REQUIRED TO ACCRUE FOR UNCERTAIN TAX POSITIONS AS OF JUNE 30, 2019. PART XI, LINE 4B - OTHER ADJUSTMENTS: DIRECT FUNDRAISING EXPENSES -516,649. PART XII, LINE 4B - OTHER ADJUSTMENTS: DIRECT FUNDRAISING EXPENSES -516,649. EAST ASIA AND THE PACIFIC - AUSTRALIA, BRUNEI, BURMA, CAMBODIA, 0 0 INVESTMENTS 2676038 EUROPE (INCLUDING ICELAND & GREENLAND) - ALBANIA, ANDORRA, AUSTRIA, BELGIUM 0 0 INVESTMENTS 1779333 NORTH AMERICA - CANADA AND MEXICO, BUT NOT THE UNITED STATES 0 0 INVESTMENTS 8804549 SOUTH ASIA - AFGHANISTAN, BANGLADESH, BHUTAN, INDIA, MALDIVES, NEPAL, 0 0 INVESTMENTS 116529 MIDDLE EAST AND NORTH AFRICA - ALGERIA, BAHRAIN, DJIBOUTI, EGYPT, 0 0 INVESTMENTS 44403 SOUTH AMERICA - ARGENTINA, BOLIVIA, BRAZIL, CHILE, COLUMBIA, ECUADOR, 0 0 INVESTMENTS 226316 0 0 0 0 0 0 13647168 0 13647168 0 0 1 1 1 0 ANNUAL GALA 1451084 1401729 49355 94792 254229 167628 1451084 1401729 49355 94792 254229 167628 516649 -467294 X X X X X 0 0 0 0 0 0 0 1 0 JAY XU DIRECTOR OF MUSEUM 442305 0 112000 0 0 0 40089 0 19925 0 614319 0 0 0 JOANNE CHOU CHIEF FINANCIAL OFFICER 234952 0 0 0 0 0 17075 0 10974 0 263001 0 0 0 NANCY SACKSON CHIEF PHILANTHROPY OFFICE 229215 0 0 0 0 0 10066 0 13923 0 253204 0 0 0 ROB MINTZ DEPUTY DIR. OF ART & PROGRAM 171999 0 0 0 0 0 32163 0 17180 0 221342 0 0 0 CATHERINE FINN CHIEF HR OFFICER 161846 0 0 0 0 0 11409 0 1902 0 175157 0 0 0 KIMBERLEY BUSH DIRECTOR OF MUSEUM SERVICE 142507 0 0 0 0 0 7404 0 22489 0 172400 0 0 0 FORREST MCGILL SENIOR CURATOR 139896 0 0 0 0 0 26160 0 8678 0 174734 0 0 0 BANAFSHEH PERRONE DEP. CHIEF PHILANTHROPY 138227 0 0 0 0 0 7182 0 12579 0 157988 0 0 0 CAROL SHERPA CONSTRUCTION PROJECT MANAGER 134424 0 0 0 0 0 9317 0 8894 0 152635 0 0 0 PART I, LINE 7 DURING THE 2018 CALENDAR YEAR, THE DIRECTOR OF THE MUSEUM RECEIVED A BONUS PAYMENT OF $112,000, AND THE PAYMENT WAS INCLUDED IN 2018 FORM W-2 AND REPORTED ON SCH J, PART II, COLUMN B(II). THE DIRECTOR OF THE MUSEUM IS ELIGIBLE ANNUALLY FOR A BONUS WHICH IS APPROVED BY THE BOARD'S COMPENSATION COMMITTEE BASED ON HIS PERFORMANCE. THE BONUS IS UP TO 15% OF HIS FOUNDATION SALARY AND A PORTION OF HIS 2017 BONUS THAT WAS PREVIOUSLY FORGOED. A CALIFORNIA ENTERPRISE DEVELOPMENT AUTHORITY 352273601 2011-02-11 96985000 REFUND BONDS ISSUED 2/3/2005 0 0 0 A 13095000 96985000 6418927 1439 96983561 2016 1 0 1 1 A 0 0 1 0 0 0 1 JP MORGAN CHASE 18.800000000000 1 0 1 A 1 SCHEDULE K, PART IV, LINE 2C: (A) ISSUER NAME: CALIFORNIA ENTERPRISE DEVELOPMENT AUTHOR, DATE THE INTERIM ARBITRAGE REBATE COMPUTATION WAS PERFORMED: 3/8/16 X 11 555180 FMV X 17 576281 FMV X OTHER ITEMS 1 20000 FMV 1 0 1 0 PART I, COLUMN (B): THIS NUMBER REPRESENTS THE NUMBER OF CONTRIBUTIONS MADE, NOT THE NUMBER OF ITEMS CONTRIBUTED. FORM 990, PART III, LINE 2 REFERENCE FORM 990, PART III, LINE 4B FOR NEW PROGRAMS OFFERED BY THE MUSEUM. FORM 990, PART VI, SECTION A, LINE 2 EX OFFICIO ANNE ADAMS KAHN IS THE SPOUSE OF THE PRESIDENT TIMOTHY F. KAHN. FORM 990, PART VI, SECTION B, LINE 11B THE FINANCE OFFICE MAKES AVAILABLE AND SENDS A COMPLETE COPY OF THE FORM 990 TO THE AUDIT COMMITTEE OF THE FOUNDATION BOARD FOR REVIEW AND APPROVAL BEFORE FILING. WE ALSO SEND THE PUBLIC DISCLOSURE COPY OF THE FORM 990 TO THE FULL FOUDNATION BOARD FOR REVIEW PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C THE POLICY COVERS BOARD MEMBERS AND STAFF. TRUSTEES ARE ASKED TO INFORM THE BOARD IN ADVANCE AND AS FULLY AS PRACTICABLE OF ANY TRANSACTIONS WITH THE MUSEUM OR THROUGH A BUSINESS RELATIONSHIP WITH AN ASIAN ART COMMISSIONER OR A FOUNDATION TRUSTEE IN WHICH THEY HAVE AN ECONOMIC INTEREST IN ORDER FOR THE TRUSTEES TO REVIEW AND APPROVE OR DISAPPROVE THE TRANSACTION. IF A CONFLICT IS DETERMINED TO EXIST, THE CHAIRPERSON OF THE GOVERNING BOARD OR COMMITTEE SHALL, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE WHETHER THE ORGANIZATION CAN OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED DIRECTORS WHETHER THE TRANSACTION OR ARRANGEMENT IS IN THE ORGANIZATION'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE. IN CONFORMITY WITH THE ABOVE DETERMINATION IT SHALL MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. IF THE GOVERNING BOARD OR COMMITTEE HAS REASONABLE CAUSE TO BELIEVE A MEMBER HAS FAILED TO DISCLOSE ACTUAL OR POSSIBLE CONFLICTS OF INTEREST, IT SHALL INFORM THE MEMBER OF THE BASIS FOR SUCH BELIEF AND AFFORD THE MEMBER AN OPPORTUNITY TO EXPLAIN THE ALLEGED FAILURE TO DISCLOSE. IF, AFTER HEARING THE MEMBER'S RESPONSE AND AFTER MAKING FURTHER INVESTIGATION AS WARRANTED BY THE CIRCUMSTANCES, THE GOVERNING BOARD OR COMMITTEE DETERMINES THE MEMBER HAS FAILED TO DISCLOSE AN ACTUAL OR POSSIBLE CONFLICT OF INTEREST, IT SHALL TAKE APPROPRIATE DISCIPLINARY AND CORRECTIVE ACTION. FORM 990, PART VI, SECTION B, LINE 15 THE EXECUTIVE DIRECTOR'S COMPENSATION IS STIPULATED BY AN EMPLOYMENT CONTRACT WITH THE ORGANIZATION. THE CHAIR OF THE BOARD AND THE COMPENSATION COMMITTEE NEGOTIATE THIS EMPLOYMENT CONTRACT WITH THE DIRECTOR PRIOR TO ITS APPROVAL BY THE FULL BOARD. THE BOARD'S COMPENSATION COMMITTEE RELIES UPON SURVEY DATA FROM OTHER LIKE ARTS ORGANIZATIONS TO DETERMINE THE MARKET VALUE OF THE DIRECTOR'S POSITION. FORM 990, PART VI, SECTION C, LINE 19 THE AUDITED FINANCIAL STATEMENTS AND THE PUBLIC DISCLOSURE COPY OF FORM 990S ARE POSTED TO THE ASIAN ART MUSEUM WEBSITE. ALL OTHER INFORMATION IS PROVIDED TO THE PUBLIC UPON REQUEST. FORM 990, PART XII, LINE 2C: THIS PROCESS HAS NOT CHANGED FROM THE PRIOR YEAR. CHARITABLE REMAINDER TRUSTS (3) INVESTMENT CA N/A 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0