2020-07-14T11:03:36-05:00 2019-06-30 271728945 PKF O'CONNOR DAVIES LLP 665 FIFTH AVENUE NEW YORK NY 10022 990 2018-07-01 112278998 QUEENS MUSEUM OF ART QUEE 7185929700 NYC BLDGFLUSHING MEADOWS CORONAPARK QUEENS NY 11368 SALLY TALLANT EXECUTIVE DIRECTOR 7185929700 2020-07-13 1 GARRETT M HIGGINS P00543209 2122862600 68.175.34.111 2020-07-13 20:28:56 ED P DA39A3EE5E6B4B0D3255BFEF95601890AFD80709 B29914CEB47F2C50F9800CDE5B5AE22990D509AB 2018 2021-01-29 14:40:06Z QUEENS MUSEUM SALLY TALLANT NYC BLDGFLUSHING MEADOWS CORONAPARK QUEENS NY 11368 4798601 0 X WWW.QUEENSMUSEUM.ORG X 1972 NY THE QUEENS MUSEUM FEATURES EXHIBITIONS THAT RANGE FROM HISTORICAL TO CONTEMPORARY, FOCUS ON MATERIAL CULTURE TO SOCIAL JUSTICE, AND INCLUDE SITE-SPECIFIC TEMPORARY COMMISSIONS RELEVANT TO LOCAL AND GLOBAL ISSUES. OUR VISITOR ENGAGEMENT AGENTS SPEAK MULTIPLE LANGUAGES (SPANISH, MANDARIN, BENGALI, HINDI, URDU, FRENCH AND GERMAN) AND ARE ALSO TRAINED TO ENGAGE VISITORS WITH SPECIAL NEEDS. OVER THE LAST YEAR, THE MUSEUM HAS SEEN CONTINUED GROWTH IN OUR EXHIBITIONS, EDUCATION AND PUBLIC PROGRAMS FOR STUDENTS SENIORS, COMMUNITY MEMBERS, AND ARTISTS. THE MUSEUM HOSTS TWO MAJOR EXHIBITION OPENINGS EACH YEAR, ONE IN THE FALL AND ONE IN THE SPRING. 20 20 148 25 0 0 5283976 3514925 344351 263390 8669 17477 -118523 59541 5518473 3855333 14858 15978 0 0 3593881 3236357 17000 0 315569 2687022 2369568 6312761 5621903 -794288 -1766570 40552218 38778839 281251 293162 40270967 38485677 X THE QUEENS MUSEUM IS DEDICATED TO PRESENTING THE HIGHEST QUALITY VISUAL ARTS AND EDUCATIONAL PROGRAMMING FOR PEOPLE IN THE NEW YORK METROPOLITAN AREA, AND PARTICULARLY FOR THE RESIDENTS OF QUEENS, A UNIQUELY DIVERSE ETHNIC, CULTURAL AND INTERNATIONAL COMMUNITY.THE MUSEUM FULFILLS ITS MISSION BY DESIGNING AND PROVIDING ART EXHIBITIONS AND EDUCATIONAL EXPERIENCES THAT PROMOTE THE APPRECIATION AND ENJOYMENT OF ART, SUPPORT THE CREATIVE EFFORTS OF ARTISTS, AND ENHANCE THE QUALITY OF LIFE THROUGH INTERPRETING, COLLECTING, AND EXHIBITING ART, ARCHITECTURE, AND DESIGN.THE QUEENS MUSEUM PRESENTS ARTISTIC AND EDUCATIONAL PROGRAMS AND EXHIBITIONS THAT DIRECTLY RELATE TO THE CONTEMPORARY URBAN LIFE OF ITS CONSTITUENTS WHILE MAINTAINING THE HIGHEST STANDARDS OF PROFESSIONAL, INTELLECTUAL, AND ETHICAL RESPONSIBILITY. 0 0 2179688 139395 EXHIBITIONS:QUEENS MUSEUM PRESENTED A NUMBER OF SUCCESSFUL EXHIBITIONS AND ACCOMPANYING PUBLIC PROGRAMS THAT ENGAGED DIVERSE AUDIENCES BOTH ON-SITE AT THE MUSEUM AND THROUGHOUT NEW YORK CITY THROUGH SATELLITE EXHIBITIONS AND PROGRAMS.MEL CHIN: ALL OVER THE PLACE(APRIL 8, 2018 AUG 12, 2018)MEL CHIN: ALL OVER THE PLACE, PRESENTED A COMPREHENSIVE CAREER SURVEY OF THE LEADING SOCIALLY ENGAGED ARTIST CO-PRODUCED WITH NON-PROFIT ARTS ORGANIZATION NO LONGER EMPTY. THE FIRST SUBSTANTIAL NEW YORK CITY SHOW OF MEL CHIN'S WORK IN OVER 20 YEARS, ALL OVER THE PLACE FEATURED OVER 70 DRAWINGS, PAINTINGS, SCULPTURES, INSTALLATIONS, VIDEOS, AND PUBLIC WORKS. IN ADDITION, ALL OVER THE PLACE EXTENDED ACROSS THE CITY WITH PROJECTS IN TIMES SQUARE AND THE BROADWAY-LAFAYETTE SUBWAY STATION, BROADENING THE REACH OF THE SHOW. OVER THE COURSE OF FOUR SATURDAYS DURING THE EXHIBITION'S RUN, A SERIES OF FREE, ALL-DAY EVENTS DECONSTRUCTED THE THEMES OF THE EXHIBITION AND OFFERED MULTIPLE MODES OF INTERPRETATION AND INTERACTION WITH THE MATERIAL. THE SERIES EXAMINED RELEVANT THEMES FROM THE SHOW AND PROMOTED ENGAGEMENT WITH EXHIBITIONS THROUGH PRESENTATIONS, PANELS, DISCUSSIONS, WORKSHOPS, READINGS, TOURS, COLLABORATIVE PERFORMANCES, AND OTHER PARTICIPATORY ACTIVITIES. THIS PUBLIC PROGRAMMING SERIES BROUGHT INDIVIDUALS FROM ACROSS FIELDS TO THE MUSEUM TO CRITICALLY EXAMINE BOTH THE ART AND WIDER CONNECTING THEMES FROM LITERATURE, SCIENCE, URBAN STUDIES, POLITICS, AND ACTIVISM. QUEENS INTERNATIONAL, QI 2018(OCTOBER 7, 2018 - FEBRUARY 24, 2019)QM'S EIGHTH ITERATION OF THE QUEENS INTERNATIONAL, QI 2018 WAS ON VIEW AT THE MUSEUM AS WELL AS AT SELECT QUEENS PUBLIC LIBRARY BRANCHES ACROSS THE BOROUGH DURING THE FALL 2018 EXHIBITION SEASON. THIS SHOW FEATURED ARTWORKS BY NEARLY 50 DIVERSE CONTEMPORARY ARTISTS LIVING AND WORKING ACROSS OUR BOROUGH. THIS YEAR MARKED THE FIRST TIME THE SHOW SPREAD ACROSS QUEENS THROUGH SATELLITE EXHIBITIONS AT THE CENTRAL BRANCH IN JAMAICA, THE LEFRAK CITY BRANCH IN CORONA, AND THE FLUSHING BRANCH. IN ADDITION TO ARTWORK INSTALLED AT THESE THREE BRANCHES, PUBLIC PROGRAMMING ACROSS ALL LIBRARY BRANCHES INCORPORATE THEMES OF THE INTERNATIONAL. QI 2018 FOCUSED ON THEMES SUCH AS: THE DEMOCRATIZATION OF KNOWLEDGE; THE NOTION OF SELF-EDUCATION; THE ROLE OF ARTISTS AS "PROFESSIONAL-NONSPECIALISTS" WHO CROSS CULTURAL AND INTELLECTUAL BOUNDARIES TO ILLUMINATE AND CREATE OPPORTUNITIES FOR NEW MEANING; AND MANY OTHERS.QM PRESENTED A RICH SLATE OF PUBLIC PROGRAMS INCLUDING OUR ALL-DAY EVENTS AT THE MUSEUM. THROUGHOUT THE RUN OF THE EXHIBITION PROGRAMMING EVENTS INCLUDED PERFORMANCES, TALKS, PANELS, SCREENINGS, AND OTHER EVENTS AIMED AT HIGHLIGHTING DIVERSE ENTRY POINTS TO THE SPAN OF WORK ON VIEW. FOR EACH LIBRARY BRANCH INSTALLATION, MULTILINGUAL INFORMATION ABOUT THE WORK AND THE ARTIST WERE PROVIDED. PROGRAMMING SURROUNDING THE EXHIBITIONS HELPED TO DRAW PARTICIPANTS FROM DIVERSE NEIGHBORHOODS IN QUEENS AND OFFERED ADDITIONAL WAYS TO CONNECT WITH THE WORK, OFTEN INCLUDING CULTURALLY RELEVANT ENTRY POINTS. THROUGH THIS COLLABORATION AND OTHER PROGRAMS, QM CONTINUES TO BUILD UPON AND STRENGTHEN OUR EXISTING RELATIONSHIP WITH THE LIBRARY, HELPING TO ENGAGE MORE INDIVIDUALS AND CONNECT TO THE LOCAL COMMUNITY. MUNDOS ALTERNOS: ART AND SCIENCE FICTION IN THE AMERICAS (APRIL 7 - AUGUST 18, 2019)MUNDOS ALTERNOS, OFFERED A GROUNDBREAKING ACCOUNT OF THE INTERSECTIONS AMONG SCIENCE FICTION, TECHNO-CULTURE, AND THE VISUAL ARTS AND BROUGHT TOGETHER CONTEMPORARY ARTISTS FROM ACROSS THE AMERICAS WHO HAVE TAPPED INTO SCIENCE FICTION'S CAPACITY TO IMAGINE NEW REALITIES. THIS EXPANSIVE SHOW DISPLAYED WORKS BY ABOUT 30 IMMIGRANT AND NATIVE CHICANO/A, LATINO/A, AND LATIN AMERICAN ARTISTS AND COLLECTIVES HAILING FROM ARGENTINA, BRAZIL, CHILE, CUBA, EL SALVADOR, MEXICO, CALIFORNIA, FLORIDA, NEW MEXICO, NEW YORK, TEXAS, AND PUERTO RICO. ORIGINALLY PRESENTED AS PART OF PACIFIC STANDARD TIME: LA/LA IN RIVERSIDE, CALIFORNIA, MUNDOS ALTERNOS WAS ADAPTED FOR QM WITH ATTENTION PAID TO QM'S ROLE AS A CULTURAL INSTITUTION WITHIN THE MOST ETHNICALLY DIVERSE BOROUGH IN THE US. MANY WORKS WERE SITE-SPECIFICALLY READAPTED FOR QM, INCLUDING CHICO MACMURTRIE/AMORPHIC ROBOT WORKS' INFLATABLE BODIES: ORGANIC ARCHES (2014/2018) AND RIGO23'S AUTONOMOUS INTERGALACTIC SPACE PROGRAM (2009-ONGOING).PORTUGUESE ARTIST, RIGO23'S WORK, AN EXTENSIVE SCULPTURAL INSTALLATION CREATED TOGETHER WITH ZAPATISTA ARTISTS AND ARTISANS IN CHIAPAS, MEXICO IMAGINED A FUTURE OF INDIGENOUS AUTONOMY.ALEXANDRIA SMITH: MONUMENTS TO AN EFFIGY (APRIL 7 - AUGUST 18, 2019)ALEXANDRIA SMITH'S MONUMENTS TO AN EFFIGY TAKES THE HISTORIES OF THE OLDE TOWNE OF FLUSHING BURIAL GROUND AND THE MACEDONIA A.M.E. CHURCH IN FLUSHING, QUEENS AS POINTS OF DEPARTURE FOR AN EXHIBITION THAT EVOKES AN ALTAR OR COMMEMORATIVE SPACE. IN HER WORK, SMITH EXPLORES NARRATIVE, MEMORY, AND MYTH THROUGH THE LENS OF THE BLACK FEMALE FORM AND PSYCHE. FOR THIS EXHIBITION, THE ARTIST RESPONDS TO THE LIVES OF THOSE WHO WERE BURIED AT THE SITE. OF THE FOUR MARKED GRAVESTONES DISCOVERED FROM THE BURIAL GROUND, ONLY MALE MEMBERS OF THE BUNN AND CURRY FAMILIES ARE LISTED. SMITH'S WORK HONORS THE UNNAMED WOMEN LAID TO REST AT THE OLDE TOWNE OF FLUSHING BURIAL GROUND AND THOSE WHO PARTICIPATED IN THE UNDERGROUND RAILROAD NETWORK IN FLUSHING, WHICH INCLUDED THE MACEDONIA A.M.E. CHURCH. 1181385 15978 91072 EDUCATIONQM OFFERED A ROBUST RANGE OF EDUCATION PROGRAMS FOR INDIVIDUALS, INCLUDING K-12 SCHOOL STUDENTS, FAMILIES, RECENT ADULT IMMIGRANTS AND OLDER ADULTS WITH MEMORY LOSS OR AFFECTED BY ALZHEIMER'S, SUMMER CAMP FOR MIDDLE SCHOOL YOUTH AND TEEN PROGRAMS FOR HIGH SCHOOL STUDENTS IN OUR BOROUGH. THROUGH THESE ON- AND OFF-SITE OFFERINGS AND OUR NUMEROUS PARTNERSHIPS, WE PROVIDE ACCESSIBLE PROGRAMS THAT ENSURE ALL THOSE INTERESTED CAN ENGAGE WITH QM AND OUR RESOURCES. FOR EACH OF THESE PROGRAMS, QM INCORPORATED OUR PERMANENT EXHIBITIONS AS WELL AS THE CURRENT CONTEMPORARY ART EXHIBITIONS ON VIEW. INTERPRETATION AT QMWHILE TAKING INTO ACCOUNT OUR UNIQUELY DIVERSE AND MULTICULTURAL CONSTITUENTS, WE HAVE FOUND IT INCREASINGLY IMPORTANT TO FOCUS ON COMPREHENSIVE INTERPRETATION OF MUSEUM RESOURCES RATHER THAN SIMPLY TRANSLATION. THIS INTERPRETATION INITIATIVE INFORMED THE CREATION OF INTERPRETATION SCHEMES FOR THE PANORAMA, THE NEUSTADT COLLECTION OF TIFFANY GLASS, AND QI 2018. PANORAMA KIDS GUIDES WERE TRANSLATED INTO SPANISH AND MANDARIN, AS THESE ARE THE LANGUAGES MOST SPOKEN BY OUR VISITORS.ADDITIONALLY, AS A PART OF OUR ARTACCESS INITIATIVE, QM HAS ROBUST PROGRAMS THAT PROVIDE ART MAKING ACTIVITIES FOR FAMILIES WITH CHILDREN OF DIVERSE ABILITIES, WHICH EXTENDS INTO OUR GALLERY SPACES. TO PROMOTE ACCESSIBILITY, WALL TEXT WAS MADE DARKER AND FONT SIZES INCREASED TO MEET SMITHSONIAN STANDARDS AND GUIDELINES ON ACCESSIBILITY REQUIREMENTS. EXHIBITION KITS WERE CREATED THAT FEATURE TEXTS IN BRAILLE AND LARGE PRINT AND FEATURE REPLICAS OF SELECT OBJECTS IN THE EXHIBITION TO SERVE VISITORS WHO ARE BLIND OR HAVE LOW VISION. FAMILY PROGRAMSQM PLACES VALUE ON PROGRAMS THAT ENCOURAGE FAMILIES TO ENGAGE IN SHARED LEARNING EXPERIENCES THROUGH ART-MAKING AND ART-LOOKING ACTIVITIES. AN AVERAGE OF 30 FAMILIES PARTICIPATE IN THESE PROGRAMS OFFERED EACH SUNDAY, IN BOTH ENGLISH AND SPANISH. THIS PAST YEAR, WORKSHOPS INCORPORATED A VARIETY OF ART-MAKING TECHNIQUES, AS WELL AS OTHER OUTLETS FOR CREATIVE EXPRESSION, SUCH AS DANCE. ADDITIONALLY, ART ACCESS FAMILY WORKSHOPS ARE HELD ON THE THIRD SUNDAY OF EACH MONTH, AND ARE GEARED TOWARDS ENGAGING FAMILIES WITH CHILDREN OF ALL ABILITIES. QUEENS TEENSQUEENS TEENS PROVIDE YOUTH WHO ATTEND HIGH SCHOOL IN QUEENS WITH OPPORTUNITIES TO LEARN ABOUT CONTEMPORARY ART AND GAIN A DEEP UNDERSTANDING OF THE INNER WORKINGS OF A CULTURAL INSTITUTION. IN 2019, ABOUT 30 STUDENTS HAILING FROM HIGH SCHOOLS ACROSS THE BOROUGH PARTICIPATED IN QUEENS TEENS. THE GOAL OF THE PROGRAM IS TO ENSURE TEENS HAVE THE OPPORTUNITY, KNOWLEDGE, AND ROBUST SOCIAL NETWORKS TO ACHIEVE SUCCESS IN HIGH SCHOOL, COLLEGE, AND AS THEY CONTINUE ON TO SEEK FULFILLING CAREERS. THE PROGRAM ALIGNS WITH THE ACADEMIC CALENDAR YEAR AND RUNS ON SATURDAYS FROM FALL TO EARLY SUMMER. EACH WEEK, TEENS MET IN THE AFTERNOON TO EXPLORE SOCIAL JUSTICE ISSUES THROUGH ART MAKING, RECEIVE COLLEGE READINESS SUPPORT, PARTICIPATE IN FIELD TRIPS, ATTEND VARIOUS QM EVENTS, AND SUPPORT MUSEUM PROGRAMS AS PAID APPRENTICES. NEW NEW YORKERSFOR THE PAST 10 YEARS, NEW NEW YORKERS HAS PROVIDED RECENT ADULT IMMIGRANTS WITH PATHWAYS TO CIVIC PARTICIPATION THROUGH THE ACQUISITION OF IMPORTANT SKILLS, AS WELL AS OPPORTUNITIES TO EXPRESS THEMSELVES AND THEIR CULTURAL TRADITIONS IN A SAFE, NON-JUDGMENTAL SETTING. THIS YEAR, QM OFFERED 21 UNIQUE COURSES, INCLUDING BOTH ONE-TIME AND FOUR TO EIGHT WEEK MULTI-WORKSHOP COURSES. FIELD TRIPS, SUCH AS A VISIT TO THE MUSEUM OF THE MOVING IMAGE, AND A NUMBER OF PUBLIC EVENTS WERE ALSO ORGANIZED, WHICH ALLOWED PARTICIPANTS TO INTERACT WITH ART AND OTHER CULTURAL INSTITUTIONS, SUPPLEMENTING THE ARTS LITERACY AND ENGAGEMENT OPPORTUNITIES OFFERED WITHIN COURSES. SOME ENGAGING COURSES OFFERED DURING THE LAST YEAR INCLUDE: MINI PAINTING I AND II OFFERED IN MANDARIN, PAINTING PORTRAITS USING WATERCOLOR TECHNIQUES OFFERED IN SPANISH, WORLD CINEMA & CULTURE OFFERED IN MANDARIN, AND ESOL & POETRY. PROVIDING BOTH ONE-DAY AND LONGER-FORM COURSES AGAIN HELPED TO ENGAGE BOTH NEW AND RETURNING PARTICIPANTS AND ACCOMMODATE VARIOUS SCHEDULES. 695094 32923 PUBLIC PROGRAMS AND COMMUNITY ENGAGEMENTQM IS AN ARTS, EDUCATIONAL, AND CULTURAL INSTITUTION LOCATED NEXT TO ONE OF THE MOST DIVERSE, VIBRANT, DENSE, FAST GROWING, AND PREDOMINANTLY IMMIGRANT NEIGHBORHOODS IN NEW YORK CITY. AS SUCH, WE SEE IT AS NATURAL AND NECESSARY THAT WE LEVERAGE OUR RESOURCES TO HAVE A POSITIVE EFFECT ON THE COMMUNITY WE OCCUPY. CENTRO CORONA (FORMERLY IMMIGRANT MOVEMENT INTERNATIONAL CORONA (IMI CORONA))CENTRO CORONA COLLABORATED WITH NUMEROUS ORGANIZATIONS TO DEVELOP PROJECTS AND DELIVER A BROAD RANGE OF PROGRAMS TO MEET THE NEEDS OF INDIVIDUALS IN THE COMMUNITY. ONGOING CENTRO CORONA PROGRAMS INCLUDE: HOMEWORK HELP, SEX ED CAMP, COLLAGE WORKSHOPS, DIA DE LOS MUERTOS CELEBRATION, PARTNERSHIPS WITH DEPARTMENT OF HEALTH AND MENTAL HYGIENE FLOURISHING MEASURES COMMUNITY BASED PARTICIPATION RESEARCH PROJECT, MENTAL HEALTH TRAININGS WITH THRIVE NYC, QUEREMOS TEATRO WORKSHOPS AND PERFORMANCES, MOBILE PRINT POWER WORKSHOPS, LEGAL CONSULTATIONS AND PRESENTATIONS FROM UNLOCAL, PARTNERSHIPS WITH HATE FREE ZONE QUEENS COALITION IN SELF-DEFENSE WORKSHOP AND DISCUSSION, AND A PARTNERSHIP WITH DESIS RISING UP AND MOVING IN COALITION BASED EFFORTS FOR BUILDING NEIGHBORHOOD SOLIDARITY, AMONG OTHERS.CORONA PLAZATHE SUMMER OF 2018 MARKED THE RELAUNCH OF THE RENOVATED CORONA PLAZA AND THE TEN YEAR CELEBRATION OF THE NYC DEPARTMENT OF TRANSPORTATION'S PLAZA PROGRAM. DURING THE SUMMER OF 2019, QM ORGANIZED EIGHT EVENTS UTILIZING THE NEWLY REDESIGNED CORONA PLAZA ON JULY 20, JULY 28, AUGUST 17, AUGUST 21, SEPTEMBER 21, SEPTEMBER 29, OCTOBER 19, OCTOBER 27, AND NOVEMBER 17. THE FESTIVALS WERE NAMED CORONATE, CREATING A NEW IDENTITY WHICH FOCUSED ON CORONA AND CORONA PLAZA'S POTENTIAL TO SERVE AS A CULTURAL EPICENTER. IN ADDITION TO THE FESTIVALS AT CORONA PLAZA, ANOTHER CORONATE EVENT WAS HELD AT QM IN DECEMBER. ADDITIONALLY, 25 WORKSHOP EVENTS ASSOCIATED WITH THE PLAZA AT THE QUEENS PUBLIC LIBRARY IN CORONA WERE HELD.PASSPORT THURSDAYSDURING THE SUMMER MONTHS, WE ONCE AGAIN PRESENTED PASSPORT THURSDAYS AND SUNDAYS ON THE LAWN OUTSIDE THE MUSEUM IN FLUSHING MEADOWS CORONA PARK (FMCP). THESE SERIES AIM TO ATTRACT NON-TRADITIONAL MUSEUM-GOERS TO QM WITH INTERNATIONAL FILM SCREENINGS, LOCALLY AND NATIONALLY RENOWNED MUSICAL ACTS, AND FREE ART MAKING CLASSES AND LAWN GAMES. ARTBUILT MOBILE STUDIOARTBUILT, IN PARTNERSHIP WITH NYC PARKS AND THE QUEENS MUSEUM FEATURED ARTBUILT STUDIO IN THE PARK, A SIX-WEEK RESIDENCY PROGRAM THAT PROVIDES AN ARTIST OR ARTIST COLLECTIVE USE OF ARTBUILT'S 150-SQUARE-FOOT MOBILE STUDIO SPACE IN A PUBLIC PARK FOR A COMMUNITY-ENGAGED ART PROJECT. OPERATING OUT OF FLUSHING MEADOWS CORONA PARK SINCE ITS INCEPTION IN 2015, ARTBUILT STUDIO IN THE PARK PROGRAMMING HAS EXPANDED TO ALL FIVE BOROUGHS OF NEW YORK CITY IN 2018 AND 2019. 4056167 1 1 0 1 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 1 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 129 0 148 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 20 20 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 NY X X JULIE LOU DIRECTOR OF FINANCE 7185929700 FLUSHING MEADOWS CORONA PARK QUEENS NY 113683398 MARK COLEMAN CHAIR 3.00 X X 0 0 0 PAULA KIRBY VICE CHAIR 2.00 X X 0 0 0 PETER WARWICK TREASURER 2.00 X X 0 0 0 AMY D'AMATO SECRETARY 2.00 X X 0 0 0 SUSAN L BROWNING TRUSTEE 1.00 X 0 0 0 THOMAS CHEN TRUSTEE 1.00 X 0 0 0 CHRISTINE CIAMPA TRUSTEE 1.00 X 0 0 0 JACQUIE HEMMERDINGER TRUSTEE 1.00 X 0 0 0 ANNALIESE KAMBOUR TRUSTEE 1.00 X 0 0 0 SHAILJA KOUFAKIS TRUSTEE 1.00 X 0 0 0 MARC KRAMER TRUSTEE 1.00 X 0 0 0 SETH KUPFERBERG TRUSTEE 1.00 X 0 0 0 DANIEL LOWY TRUSTEE 1.00 X 0 0 0 PETER MEYER TRUSTEE (THRU 3/13/2019) 1.00 X 0 0 0 PATRICIA MODENA TRUSTEE 1.00 X 0 0 0 ELLIOT PARK TRUSTEE 1.00 X 0 0 0 HARVEY ROSS TRUSTEE 1.00 X 0 0 0 THOMAS RUDZEWICK TRUSTEE 1.00 X 0 0 0 VICTORIA SCHNEPS-YUNIS TRUSTEE 1.00 X 0 0 0 ALAN SUNA TRUSTEE 1.00 X 0 0 0 GRETCHEN WERWAISS TRUSTEE 1.00 X 0 0 0 SIGMUND R BALKA TRUSTEE (LEFT IN FY19) 1.00 X 0 0 0 DEBRA WIMPFHEIMER INTERIM EXEC DIR. (THRU APR 2019), COO 40.00 X 149995 0 28907 YING LOU DIRECTOR OF FINANCE 40.00 X 93883 0 32556 HEIDI HOLDER DIRECTOR OF EDUCATION 40.00 X 84852 0 21486 SALLY TALLANT EXECUTIVE DIRECTOR (AS OF APR 2019) 40.00 X 0 0 0 328730 0 82949 1 0 1 0 0 2670 301473 1767136 1443646 19602 3514925 ADMISSIONS & WORKSHOPS 713990 263390 263390 263390 17502 17502 651 651 327848 314625 13223 13223 13223 501380 501405 -25 -25 -25 161992 301473 127238 34754 34754 TRAVELING EXHIBITION 900099 9449 9449 OTHER INCOME 900099 1464 1464 10913 3855333 263390 0 77018 15978 15978 500264 368932 92547 38785 2002663 1587051 248771 166841 188258 133396 40839 14023 302890 214622 65706 22562 242282 171676 52558 18048 16000 6959 8844 197 34530 2030 32500 435962 4716 424959 6287 4818 2597 2221 116100 58934 40673 16493 15900 13838 1892 170 119627 77275 42352 56228 43431 12745 52 26928 23334 3510 84 1085409 966053 92490 26866 11403 1881 9522 HONORARIA 207819 180864 24734 2221 EXHIBITION FEES & EXPEN 141319 122989 16820 1510 EQUIPMENT MAINTENANCE 42550 33583 8228 739 DUES AND SUBSCRIPTIONS 19653 16649 2348 656 35322 9379 25908 35 5621903 4056167 1250167 315569 658619 533828 54118 983 874941 730192 47748 24672 52398359 15252728 38131628 37145631 785164 343533 40552218 38778839 256976 230545 24275 62617 281251 293162 X 420399 1128972 39307529 37063666 543039 293039 40270967 38485677 40552218 38778839 -1766570 -18720 0 X X 0 1 X 1 0 X 6141168 4103050 4261503 5283976 3514925 23304622 264164 949995 373444 362399 1950002 6405332 5053045 4261503 5657420 3877324 25254624 403389 24851235 119692 317451 263894 284015 346000 1331052 47835 222479 270314 1960 61 7927 10913 20861 26876851 1845314 0.92460 0.96120 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: CAFE SALES - 2014 AMOUNT: $ 98. OTHER INCOME - 2014 AMOUNT: $ 1,362. 2015 AMOUNT: $ 61. 2016 AMOUNT: $ 7,927. 2018 AMOUNT: $ 1,464. TRAVELING EXHIBITION - 2018 AMOUNT: $ 9,449. ENERGY REBATE - 2014 AMOUNT: $ 500. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 0 0 0 0 0 0 0 0 1 34530 34530 0 PART II-B, LINE 1: THE QUEENS MUSEUM IS PART OF THE NYC CULTURAL INSTITUTIONS GROUP (CIG), A CONSORTIUM OF 33 CULTURAL INSTITUTIONS ON CITY-OWNED PROPERTY. AS A GROUP, THE CIG EMPLOYS A LOBBYIST WHO DOES ADVOCACY WORK AROUND ISSUES PERTAINING TO OUR INSTITUTIONS AND CONSTITUENCIES. THE QUEENS MUSEUM PAID DUES TOWARDS LOBBYING TO THE WILDLIFE CONVERSATION SOCIETY. THE QUEENS MUSEUM ALSO EMPLOYS A LOBBYIST WHO WILL REPRESENT THE MUSEUM ON THE CITY AND STATE LEVEL, SECURE DISCRETIONARY FUNDING AND MEMBER ITEMS FROM THE CITY OF NEW YORK, AND TAKE RESPONSIBILITY FOR ALL COMMUNICATION WITH EXTERNAL GROUPS. X X X X X PROVIDE ONGOING EDUCATION 0 631772 -1266 290615 339891 592866 38906 631772 542275 50591 592866 545601 -3326 542275 544820 781 545601 0.86220 0.13780 0 0 51782121 14954702 36827419 565419 247207 318212 50819 50819 0 37145631 X 4878296 -18720 727058 314625 1022963 3855333 0 3855333 6663586 727058 314625 1041683 5621903 0 5621903 PART III, LINE 1A: IN CONFORMITY WITH PRACTICES FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED OR DONATED ARE NOT CAPITALIZED. THE MUSEUM'S ART COLLECTION CONSISTS PRIMARILY OF AMERICAN CONTEMPORARY PAINTINGS, WORKS ON PAPER, PHOTOGRAPHS AND WORLD'S FAIR ARTIFACTS. THE MUSEUM CARRIED INSURANCE COVERAGE IN AMOUNTS EQUAL TO THE ESTIMATED VALUE OF THE COLLECTION AS WELL AS SUFFICIENT COVERAGE FOR COLLECTIONS ON LOAN. IT IS THE POLICY OF THE MUSEUM TO HOLD ITS COLLECTIONS FOR PUBLIC EXHIBITION, EDUCATION, OR RESEARCH IN FURTHERANCE OF PUBLIC SERVICE, RATHER THAN FINANCIAL GAIN. ANY PROCEEDS FROM THE SALE OF COLLECTION ITEMS ARE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. PART III, LINE 4: THE QMA COLLECTION CONSISTS OF THREE PARTS: 1. THE 1939-40 AND 1964-65 NEW YORK WORLD'S FAIR ARCHIVES. NOTABLY, THIS INCLUDES THE PANORAMA OF THE CITY OF NEW YORK, A 9,335 SQUARE FOOT ARCHITECTURAL MODEL THAT REPRESENTS EVERY BUILDING IN NEW YORK CONSTRUCTED BEFORE 1992 AT A SCALE OF 1:1200 (ONE INCH = 100 FEET). BUILT BY ROBERT MOSES FOR THE 1964 WORLD'S FAIR, IN PART AS A CELEBRATION OF THE CITY'S MUNICIPAL INFRASTRUCTURE IN ALL FIVE BOROUGHS, IT INCLUDES A TOTAL OF 895,000 INDIVIDUAL STRUCTURES. 2. THE NEUSTADT COLLECTION OF TIFFANY GLASS (ON LONG-TERM LOAN. INCLUDES LAMPS AND WINDOWS AS WELL AS UNUSED GLASS FROM THE WORKSHOP, FORMERLY LOCATED IN CORONA, QUEENS.) INSTALLED IN APRIL 2016, THE EXHIBITION, A PASSION FOR TIFFANY LAMPS, HIGHLIGHTS THE EXTRAORDINARY SCOPE OF THE NEUSTADTS' COLLECTION. EXAMPLES OF TIFFANY'S MOST ICONIC LAMPS - THE WISTERIA AND DRAGONFLY - ARE ON VIEW, ALONG WITH UNUSUAL LAMPS PRODUCED IN LIMITED NUMBER, SUCH AS THE POND LILY GLOBE AND PEACOCK HANGING SHADE. 3. WORKS OF ART AS FOLLOWS: A. COLLECTIONS OF ART RELATED TO THE WORLD'S FAIRS, SUCH AS AN IN-DEPTH COLLECTION RELATING TO SALVADOR DALI'S DREAM OF VENUS (AMUSEMENT ZONE, 1939-40) AND PHOTOGRAPHS BY WELL-KNOWN PHOTOGRAPHERS SELECTED FOR THE FAIR BY MUSEUM DIRECTORS ACROSS THE U.S., GATHERED UNDER THE NAME PHOTOGRAPHY AS FINE ART (KODAK PAVILION, 1964-65). B. A COLLECTION OF OVER 2,000 PHOTOGRAPHS DONATED OVER 30 YEARS BY COLLECTOR AND PHOTOGRAPHER CHARLES SCHWARTZ, INCLUDING EXTRAORDINARY EXAMPLES OF DOCUMENTARY, PHOTOJOURNALISTIC, AND ART PHOTOGRAPHY CREATED BETWEEN 1860S - 1960S BY PHOTOGRAPHERS SUCH AS ABBOTT, SMITH, STIEGLITZ, LANGE, HALSMAN, ATGET AND OTHERS. C. 300+ ORIGINAL DRAWINGS, ETCHINGS AND LITHOGRAPHS BY EMIGRE ILLUSTRATOR, SOCIAL SATIRIST AND LONG-TERM QUEENS RESIDENT WILLIAM SHARP (1900-1961) WHOSE REALIST DEPICTIONS OF CURRENT EVENTS AND DAILY LIFE ENTERTAINED AND INFORMED A GENERATIONS OF READERS OF ESQUIRE, LIFE, NEW YORK DAILY NEWS, PM, COLLIER'S, THE NEW YORK POST AND THE NEW YORK TIMES. D. CUBAN PAINTER EMILIO SANCHEZ (1921- 1999), WHO SPENT STUDENT DAYS & MATURE CAREER IN NYC, IS REPRESENTED BY 25 WORKS VIVIDLY DEPICTING HIS NATIVE CUBA AS WELL AS THE URBAN CONSTRUCTIVIST ENVIRONMENT. E. APPROXIMATELY 200 WORKS OF CONTEMPORARY CONCEPTUALLY-BASED ART IN ALL MEDIA, OFTEN SPECIALLY COMMISSIONED FOR EXHIBITIONS AT THE MUSEUM. HIGHLIGHTS INCLUDE LOUISE LAWLER'S PHOTOGRAPHS OF THE MUSEUM'S FORMER COLLECTION OF CLASSICAL PLASTER CASTS (THREE, OBJECTS AND STORAGE, 1984); THE RESULTS OF AN ARCHAEOLOGICAL DIG BY MARK DION (THE GREAT ASH DUMP DIG, FLUSHING MEADOWS PARK, 2001), NILS NORMAN'S LIBRARY-ON-A-BICYCLE (THE GERARD WINSTANLEY RADICAL GARDENING SPACE MOBILE FIELD CENTER AND WEATHER STATION, 1999); DULCE PINZON'S PHOTOGRAPHS (WONDER WOMAN, 2006) ANDREW MOORE'S PHOTOGRAPHIC SERIES ON CITY POOLS BUILT BY ROBERT MOSES (20 INKJET PRINTS, 2005); SEHER SHAH'S ARCHITECTURALLY-INFLUENCED ABSTRACTIONS (BLACK CUBE STUDY #14 AND #15, 2007); 16 OF SHAUN EL C. LEONARDO'S PERFORMANCE PHOTOGRAPHS (EL CONQUISTADOR VS. THE INVISIBLE MAN, 2004-2006), ANTHONY AUERBACH'S TRANSPARENCIES AND DIGITAL PRINT (EMPEROR PANORAMA AND THE STATE OF NEW YORK, 2007 AND 2006), PEDRO MEYER'S PHOTOGRAPHS (PEDRO MEYER'S HERESIES, 2008), DUKE RILEY'S LASER ENGRAVING AND DRYPOINT PRINT ON HANDMADE PAPER (MORITURI TE SALUTANT, 2009), AMONG MANY OTHERS. IN 2011 -2013, WE RECEIVED 18 FRANK O. LARSON DIGITAL PRINTS FROM ARCHIVAL NEGATIVES OF 1950S NEW YORK CITY STREET PHOTOGRAPHY. THE METROPOLITAN MUSEUM OF ART DONATED MICHELANGELO'S ORIGINAL PLASTER CAST OF THE PIETA TO OUR COLLECTION - ON LONG TERM LOAN TO THE MUSEUM SINCE 1975. A PURCHASE FOR THE COLLECTION INCLUDES COCO FUSCO'S VIDEO, THE COUPLE IN THE CAGE: GUATIANAUI ODYSSEY. A PARTIAL DONATION/PURCHASE WAS MADE FOR ANDREW MOORE'S PHOTOGRAPH, COOPER SCHOOL, DETROIT. PART V, LINE 4: THE MUSEUM HAS ESTABLISHED AN ENDOWMENT FUND WHICH CONSISTS OF DONOR RESTRICTED GIFTS AND CONTRIBUTIONS. THE MUSEUM APPROPRIATES FOR EXPENDITURE OR ACCUMULATION AS IS PRUDENT FOR THE USES, BENEFITS, PURPOSES AND DURATION FOR WHICH THE ENDOWMENT FUND IS ESTABLISHED, SUBJECT TO THE INTENT OF THE DONOR AS EXPRESSED IN THE GIFT INSTRUMENT. CURRENTLY, EXPENDITURES FROM THE ENDOWMENT FUNDS ARE USED TO SUPPORT OPERATIONAL PURPOSES AS NEEDED. PART X, LINE 2: THE MUSEUM RECOGNIZES THE EFFECT OF INCOME TAX POSITIONS ONLY IF THOSE POSITIONS ARE MORE LIKELY THAN NOT TO BE SUSTAINED. MANAGEMENT HAS DETERMINED THAT THE MUSEUM HAD NO UNCERTAIN TAX POSITIONS THAT WOULD REQUIRE FINANCIAL STATEMENT RECOGNITION OR DISCLOSURE. THE MUSEUM IS NO LONGER SUBJECT TO EXAMINATIONS BY THE APPLICABLE TAXING JURISDICTIONS FOR PERIODS PRIOR TO FISCAL 2016. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES REPORTED ON PART VIII, LINE 6B: 314,625. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES REPORTED ON PART VIII, LINE 6B: 314,625. QMA ANNUAL GALA 446472 301473 144999 65174 5000 44620 SPOOKTACULAR EVENT 16993 16993 2755 2200 7489 463465 301473 161992 67929 7200 52109 127238 34754 1 STIPENDS FOR TEEN DOCENT PROGRAM 24 15978 PART I, LINE 2: TEEN DOCENTS INITIALLY COME TO QMA THROUGH A GENERAL APPLICATION PROCESS WHICH IS THEN FOLLOWED BY A GROUP INTERVIEW WITH THEIR FELLOW PEERS ALREADY IN THE PROGRAM. PARTICIPANTS ARE NOT ELIGIBLE TO EARN A STIPEND UNTIL AFTER THEY HAVE ATTENDED A FULL SEMESTER OF THE AFTER-SCHOOL COMPONENT OF THE PROGRAM, AND THEN THEY MUST ALSO SUCCESSFULLY COMPLETE A FOUR WEEK TRAINING PROGRAM MENTORED BY THEIR ELDER PEERS. ONCE STUDENTS HAVE SHOWN THAT THEY ARE CAPABLE OF REPRESENTING THE MUSEUM AS A TEEN DOCENT THEY ARE FINALLY INVITED TO EARN A STIPEND BY ASSISTING WITH VARIOUS PROGRAMS IN THE MUSEUM SUCH AS THE SUNDAY DROP-IN FAMILY WORKSHOP. OPPORTUNITIES ARE DISTRIBUTED AMONGST STUDENTS IN A BALANCED FASHION, CONSISTENT WITH THE DOCENTS' PERFORMANCE IN THEIR DUTIES. THIS PROCESS AND ASSOCIATED RECORDKEEPING IS OVERSEEN BY THE MANAGER OF FAMILY AND AFTER SCHOOL PROGRAMS IN THE MUSEUM'S EDUCATION DEPARTMENT. THE MUSEUM REGULARLY FURNISHED FINAL NARRATIVE AND EXPENDITURE REPORTS FOR GRANTS AND MAINTAINS ELIGIBILITY AS A 501(C)(3) NON-PROFIT. X X X 0 0 0 0 0 0 0 0 0 DEBRA WIMPFHEIMER INTERIM EXEC DIR. (THRU APR 2019), COO 149559 0 0 0 436 0 16649 0 12258 0 178902 0 0 0 FORM 990, PART VI, SECTION B, LINE 11B THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES RECEIVES A PAPER COPY OF THE FORM 990 TO REVIEW AND APPROVE. THE FORM 990, AS APPROVED BY THE FINANCE COMMITTEE, IS FORWARDED ELECTRONICALLY TO THE FULL BOARD OF TRUSTEES FOR REVIEW AND COMMENT BEFORE IT IS FILED. FORM 990, PART VI, SECTION B, LINE 12C THE EXECUTIVE DIRECTOR, TRUSTEES AND STAFF MEMBERS MUST DISCLOSE THE TRANSACTION WHICH LIKELY AMOUNTS TO AN ACTUAL OR POTENTIAL CONFLICT OF INTEREST TO THE BOARD AND EXECUTIVE COMMITTEE, AND ABSTAIN FROM ANY DISCUSSION ABOUT THE POTENTIAL TRANSACTION. THE EXECUTIVE DIRECTOR, TRUSTEES AND STAFF MEMBERS WITH A CONFLICT MUST RECUSE THEMSELVES FROM ANY VOTING RELATED TO THE TRANSACTION. THE EXECUTIVE COMMITTEE WILL DETERMINE WHETHER THE QUEENS MUSEUM CAN OBTAIN A TRANSACTION THAT IS EQUALLY OR MORE ADVANTAGEOUS TO THE MUSEUM FROM A PERSON OR ENTITY WITHOUT A CONFLICT OF INTEREST. IF THE QUEENS MUSEUM CANNOT REASONABLY DO SO (OBTAIN AN EQUALLY OR MORE ADVANTAGEOUS TRANSACTION FROM A NONINTERESTED PARTY), THE BOARD MAY APPROVE THE TRANSACTION BY A MAJORITY VOTE OF THE DISINTERESTED TRUSTEES AND THE EXECUTIVE DIRECTOR. A QUORUM MUST BE PRESENT, MEANING A MAJORITY OF ALL TRUSTEES. THE INTERESTED EXECUTIVE DIRECTOR, TRUSTEE AND STAFF MEMBER MAY BE COUNTED IN DETERMINING THE PRESENCE OF A QUORUM BUT NOT IN DETERMINING A MAJORITY VOTE TO AUTHORIZE THE TRANSACTION. THE QUEENS MUSEUM MUST DISCLOSE THE TRANSACTION AND THE VOTING DETAILS IN ITS MINUTES. THIS INCLUDES THE NAMES OF THE PERSONS PRESENT FOR DISCUSSION AND VOTING, THE CONTENT OF THE DISCUSSION, INCLUDING ANY ALTERNATIVES TO THE DISCUSSION, AND A RECORD OF ANY VOTES TAKEN. THE MUSEUM DOCUMENTS THE PROCESS IT UNDERTOOK TO VERIFY THAT THE TRANSACTION IS FAIR. THE EXECUTIVE DIRECTOR, TRUSTEES AND STAFF MEMBERS ARE REQUIRED TO DISCLOSE THIS INTEREST IN WRITING ON THE ANNUAL ACKNOWLEDGEMENT OF CODE OF ETHICS AND CONFLICTS OF INTEREST QUESTIONNAIRE. FORM 990, PART VI, SECTION B, LINE 15 COMPENSATION IS PART OF THE ANNUAL BUDGET PROCESS WHICH IS VETTED THROUGH THE FINANCE COMMITTEE AND APPROVED BY THE BOARD OF TRUSTEES. AS A PART OF THIS PROCESS, COMPENSATION DECISIONS ARE MADE FOR ALL MUSEUM STAFF, INCLUDING THE EXECUTIVE DIRECTOR AND THE DIRECTOR OF FINANCE. THE COMMITTEE USES COMPARABLE DATA FROM FUNCTIONALLY COMPARABLE POSITIONS AT SIMILAR ORGANIZATIONS TO FRAME COMPENSATION DECISIONS. OTHER SOURCES OF COMPENSATION DATA USED FOR SETTING EXECUTIVE COMPENSATION INCLUDED SALARY SURVEYS OF LOCAL MUSEUM DIRECTORS, COMPENSATION STUDIES PREPARED BY HIRED CONSULTANT, AND FORMS 990 OF OTHER ORGANIZATIONS. DOCUMENTATION OF DELIBERATIONS AND DECISIONS MADE REGARDING COMPENSATION ARE ENTERED INTO COMMITTEE AND BOARD MINUTES AND KEPT ON FILE BY THE ORGANIZATION. THIS PROCESS MOST RECENTLY OCCURRED IN 2018. FORM 990, PART VI, SECTION C, LINE 19 QUEENS MUSEUM OF ARTS' FORM 990 IS AVAILABLE FOR PUBLIC INSPECTION AS REQUIRED UNDER SECTION 6104 OF THE INTERNAL REVENUE CODE AS IT IS POSTED ON GUIDESTAR.ORG AND OTHER SIMILAR TYPES OF WEBSITES. IN ADDITION, FORMS 990 AND 1023 AS WELL AS THE FINANCIAL STATEMENTS, CONFLICTS OF INTEREST POLICY, ARTICLES OF INCORPORATION AND BY-LAWS ARE AVAILABLE UPON WRITTEN REQUEST AT NEW YORK CITY BUILDING, FLUSHING MEADOWS CORONA PARK, QUEENS, NY 11368-3398 OR BY CALLING THE ORGANIZATION DIRECTLY AT (718) 592-9700. FORM 990, PART XI, LINE 2C: THE MUSEUM HAS AN AUDIT COMMITTEE THAT IS RESPONSIBLE FOR THE OVERSIGHT OF THE AUDIT AND THE SELECTION OF AN INDEPENDENT ACCOUNTANT. THE PROCESS HAS NOT CHANGED FROM THE PRIOR YEAR.