2021-05-11T13:47:07-05:00 2020-06-30 131655065 LUTZ AND CARR CPAS LLP 551 FIFTH AVENUE SUITE 400 NEW YORK NY 10176 990 2019-07-01 131789318 WHITNEY MUSEUM OF AMERICAN ART WHIT 2125703600 99 GANSEVOORT STREET NEW YORK NY 10014 ID ARUEDE CFO/CO-CHIEF OPERATING OFFICER 2125703600 2021-05-11 1 FREDERICK MARTENS P00298107 2126972299 2019 2022-09-23 18:48:47Z ADAM D WEINBERG 99 GANSEVOORT STREET NEW YORK NY 10014 199852000 0 X WHITNEY.ORG X 1926 NY THE WHITNEY MUSEUM OF AMERICAN ART IS A MUSEUM DEVOTED TO AMERICAN ART OF THE 20TH AND 21ST CENTURIES. IN MAY 2015, THE MUSEUM OPENED A NEW, 210,000 SQUARE FOOT BUILDING IN DOWNTOWN MANHATTAN. LOCATED ON GANSEVOORT STREET BETWEEN WEST STREET AND THE HIGH LINE, THE NEW BUILDING, DESIGNED BY PRIZE-WINNING ARCHITECT RENZO PIANO, PROVIDES THE WHITNEY WITH ESSENTIAL NEW SPACE FOR ITS PERMANENT COLLECTION, TEMPORARY EXHIBITIONS, PERFORMING ARTS AND EDUCATION PROGRAMS IN ONE OF NEW YORK'S MOST VIBRANT NEIGHBORHOODS. 50 49 638 161 195000 2750 56108000 82725000 14269000 6875000 18227000 18298000 6376000 5245000 94980000 113143000 0 0 0 0 37812000 35598000 0 0 2677000 51569000 46594000 89381000 82192000 5599000 30951000 907108000 937771000 121724000 127581000 785384000 810190000 X THE WHITNEY SEEKS TO BE THE DEFINING MUSEUM OF 20TH AND 21ST CENTURY AMERICAN ART. THE MUSEUM COLLECTS, EXHIBITS, PRESERVES, RESEARCHES AND INTERPRETS ART OF THE U.S. IN THE BROADEST GLOBAL, HISTORICAL AND INTERDISCIPLINARY CONTEXTS. AS THE PREEMINENT ADVOCATE FOR AMERICAN ART, WE FOSTER THE WORK OF LIVING ARTISTS AT CRITICAL MOMENTS IN THEIR CAREERS. THE WHITNEY EDUCATES A DIVERSE PUBLIC THROUGH DIRECT INTERACTION WITH ARTISTS, OFTEN BEFORE THEIR WORK HAS ACHIEVED GENERAL ACCEPTANCE. 0 0 38575000 6828000 COLLECTION AND EXHIBITIONS OF AMERICAN ARTIN FY20, THE WHITNEY MUSEUM OF AMERICAN ART PRESENTED 13 EXHIBITIONS. THESE INCLUDED: SPILLING OVER: PAINTING COLOR IN THE 1960S (MARCH 29 - AUGUST 18, 2019); WHITNEY BIENNIAL 2019 (MAY 17 - SEPTEMBER 22, 2019); THE WHITNEY'S COLLECTION: SELECTIONS FROM 1900 TO 1965 (JUNE 28, 2019 - ONGOING); JASON MORAN (SEPTEMBER 20, 2019 - JANUARY 5, 2020); ORDER AND ORNAMENT: ROY LICHTENSTEIN'S ENTABLATURES (SEPTEMBER 27, 2019 - NOVEMBER 16, 2020); POPE.L: CHOIR (OCTOBER 10, 2019 - MARCH 8, 2020); RACHEL HARRISON LIFE HACK (OCTOBER 25, 2019 - JANUARY 12, 2020); ALAN MICHELSON: WOLF NATION (OCTOBER 25, 2019 - JANUARY 12, 2020); MAKING KNOWING: CRAFT IN ART, 1950-2019 (NOVEMBER 22, 2019 - ONGOING); FRUITS, VEGETABLES; FRUIT AND VEGETABLE SALAD (JANUARY 15 - FEBRUARY 17, 2020); VIDA AMERICANA: MEXICAN MURALISTS REMAKE AMERICAN ART, 1925-1945 (FEBRUARY 17, 2020 - JANUARY 31, 2021); CAULEEN SMITH: MUTUALITIES (FEBRUARY 17, 2020 - JANUARY 31, 2021); AND AGNES PELTON: DESERT TRANSCENDENTALIST (MARCH 13 - NOVEMBER 1, 2020). A NUMBER OF THESE EXHIBITIONS WERE PAUSED WHEN THE WHITNEY'S GALLERIES TEMPORARILY CLOSED IN RESPONSE TO COVID-19 ON MARCH 14, 2020.FY20 PERFORMANCES AT THE MUSEUM INCLUDED A VARIETY OF PROJECTS CONNECTED TO THE WHITNEY BIENNIAL 2019 AND JASON MORAN EXHIBITIONS. FOR WHITNEY BIENNIAL 2019, THESE INCLUDED 6 PERFORMANCE PROJECTS: SAHRA MOTALEBI: DIRECTORY OF PORTRAYALS (JULY 12-13 & 20, 2019); ELLIE GA: THE FORTUNETELLERS (JULY 22, 2019); JERRON HERMAN: MANY WAYS TO RAISE A FIST (JULY 25, 2019); MARCUS FISHER (AUGUST 8-9, 2019); STEFFANI JEMISON WITH GARRETT GRAY: ON SIMILITUDE (SEPTEMBER 13, 2019); AND MADELINE HOLLANDER: OUROBOROS: GS (SEPTEMBER 19, 2019). FOR JASON MORAN, THESE INCLUDED 11 PERFORMANCE PROJECTS: JAZZ ON A HIGH FLOOR IN THE AFTERNOON: ARCHIE SHEPP (SEPTEMBER 27-28, 2019); KARA WALKER'S KATASTWF KARAVAN WITH JASON MORAN (OCTOBER 12, 2019); JAZZ ON A HIGH FLOOR IN THE AFTERNOON: FAY VICTOR (OCTOBER 18-19, 2019); JAZZ ON A HIGH FLOOR IN THE AFTERNOON: OLIVER LAKE (OCTOBER 25-26, 2019); JAZZ ON A HIGH FLOOR IN THE AFTERNOON: ONYX COLLECTIVE (NOVEMBER 1-2, 2019); JAZZ ON A HIGH FLOOR IN THE AFTERNOON: JAMIRE WILLIAMS (NOVEMBER 8-9, 2019); JAZZ ON A HIGH FLOOR IN THE AFTERNOON: CECIL MCBEE (NOVEMBER 15-16, 2019); JAZZ ON A HIGH FLOOR IN THE AFTERNOON: JOANNE BRACKEEN (NOVEMBER 22-23, 2019); JAZZ ON A HIGH FLOOR IN THE AFTERNOON: MICHELA MARINO LERMAN'S LOVE MOVEMENT (DECEMBER 6-7, 2019); THE BANDWAGON AT 20 (DECEMBER 19-21, 2019); AND JAZZ ON A HIGH FLOOR IN THE AFTERNOON: TIGER TRIO (JANUARY 3-4, 2020).AN ONGOING SERIES OF OUTDOOR ART SHOWN ACROSS GANSEVOORT STREET FROM THE MUSEUM HAD 2 INSTALLATIONS: A PROJECT IN CONJUNCTION WITH WHITNEY BIENNIAL 2019 (MAY 17, 2019 - MARCH 1, 2020) AND JILL MULLEADY: WE WITHER TIME INTO A COIL OF FRIGHT (MARCH 2, 2020 - JANUARY 24, 2021).THE MUSEUM'S EXHIBITIONS TOURED NATIONALLY AND INTERNATIONALLY: MARY CORSE: A SURVEY IN LIGHT (LOS ANGELES COUNTY MUSEUM OF ART, LOS ANGELES, CA); VANTAGE POINTS: CONTEMPORARY PHOTOGRAPHY FROM THE WHITNEY MUSEUM OF AMERICAN ART (PEORIA RIVERFRONT MUSEUM, PEORIA, IL); ANDY WARHOL - FROM A TO B AND BACK AGAIN (ART INSTITUTE OF CHICAGO, CHICAGO, IL); DAVID WOJNAROWICZ: HISTORY KEEPS ME AWAKE AT NIGHT (MUDAM LUXEMBOURG MUSE D'ART MODERNE GRAND-DUC JEAN, LUXEMBOURG); AND ROBERT RAUSCHENBERG: FIVE DECADES FROM THE WHITNEY'S COLLECTION (NORTON MUSEUM OF ART, WEST PALM BEACH, FL). 9230000 47000 CURATORIAL AND RELATED SUPPORTIN FY20, THE WHITNEY MUSEUM OF AMERICAN ART CONTINUED ITS ONGOING STUDY INTO THE MORE THAN 25,000 OBJECTS IN THE COLLECTION BY OVER 3,600 ARTISTS. IN THE FALL OF 2019, THE WHITNEY EMBARKED ON A MULTI-YEAR, CROSS-INSTITUTIONAL RESEARCH PROJECT TO UNDERSTAND THE ORIGIN, SCOPE, EVOLUTION, USE, AND IMPACT OF THE MUSEUM'S COLLECTION. THE PROJECT, WHICH WILL CULMINATE IN THE WHITNEY'S FIRST EVER COLLECTION STRATEGIC PLAN, WILL OFFER RECOMMENDATIONS, GOALS, AND OBJECTIVES FOR THE FUTURE OF THE WHITNEY'S COLLECTION THAT IS INFORMED BY THE INSTITUTION'S HISTORY AND ENRICHED BY ITS DESIRE TO MAKE ITS HOLDINGS USEFUL, DYNAMIC, AND RELEVANT FOR TODAY AND THE FUTURE. THE WHITNEY CONTINUES TO REFINE AND EXPERIMENT WITH ITS STRATEGIES FOR DISPLAYING MORE OF THE PERMANENT COLLECTION WITHIN ITS GALLERY SPACES. THE RESULTING COLLECTION DISPLAYS CREATE THEMATIC, ART HISTORICAL CONTEXTS AND COUNTERPOINTS TO THE ONGOING SPECIAL EXHIBITIONS PROGRAM, AND EXPLORE HOW THE INSTITUTION CAN CONTRIBUTE TO NEW NARRATIVES ABOUT AMERICAN CULTURE AND HISTORY. RICH DOCUMENTATION OF THESE INSTALLATIONS AND MANY OF THE ARTWORKS WITHIN THEM ALLOWED THESE EXHIBITIONS TO REMAIN SOMEWHAT ACCESSIBLE THROUGH THE MUSEUM'S WEBSITE-ALBEIT OFFERING A VERY DIFFERENT FORMAT AND EXPERIENCE-WHEN THE WHITNEY HAD TO CLOSE TEMPORARILY DUE TO COVID-19. THE WHITNEY'S ON-SITE PROGRAM WAS PUT ON PAUSE BEGINNING MARCH 14, 2020 AND LASTING THROUGH THE END OF THE FISCAL YEAR, AS THE GOVERNMENT IMPLEMENTED RESTRICTIONS TO REDUCE THE SPREAD OF THE PANDEMIC. CURATORIAL WORK, LIKE THE REST OF THE INSTITUTION'S EFFORTS, MOVED REMOTE AND ONLINE. WORK WAS ONGOING TO DIGITIZE THE MUSEUM'S COLLECTIONS, A PROJECT THAT IS A CRUCIAL ASPECT OF THE INCREASED SCOPE OF THE CURATORIAL, CONSERVATION, AND RESEARCH RESOURCES TEAMS IN ITS GREATLY ENLARGED FACILITY. THE WHITNEY'S PERMANENT COLLECTION REMAINED ONLINE AND AVAILABLE TO THE PUBLIC AS A SEARCHABLE RESOURCE AND IS UPDATED REGULARLY AS NEW WORKS ENTER THE COLLECTION. IMPORTANT LIBRARY AND SPECIAL COLLECTIONS HOLDINGS ARE KEPT ON SITE, AS WELL AS ABOUT 15,000 WORKS ON PAPER THAT ARE STORED IN THE SONDRA GILMAN STUDY CENTER, FACILITATING ACCESS TO THEM FOR CURATORS AND SCHOLARS. THE SONDRA GILMAN STUDY CENTER SUPPORTS CROSS-MEDIUM, CROSS-DISCIPLINARY RESEARCH, ALLOWING MUSEUM STAFF, ARTISTS, SCHOLARS, AND RESEARCHERS ACCESS TO THE COLLECTION AND OPPORTUNITY FOR CLOSE MATERIAL AND TECHNICAL EXAMINATION OF OBJECTS. AS SUCH, THE STUDY CENTER IS AN EXCEPTIONAL RESOURCE FOR HISTORIANS AND CURATORS OF MODERN AND CONTEMPORARY ART, MAKING THE WHITNEY'S WORLD-CLASS HOLDINGS AVAILABLE FOR PRIMARY RESEARCH AND IN-DEPTH CONSULTATION. IN FY20, 39 EXTERNAL VISITS WITH 164 UNIQUE EXTERNAL VISITORS (34 OF THOSE BEING REPEAT VISITORS) WERE HELD IN THE STUDY CENTER. 35 APPOINTMENTS (BOTH INTERNAL AND EXTERNAL) WERE UNABLE TO BE FULFILLED DUE TO COVID-19. THE MUSEUM'S GOAL IS NOT ONLY TO CONTINUE TO MAKE USE OF ITS LARGE, FLEXIBLE GALLERIES BUT ALSO TO CREATE NEW PROGRAMMING POSSIBILITIES FOR THE OUTDOOR TERRACES, THEATER, BLACK BOX SCREENING SPACE, AND MORE. 4541000 EDUCATION PROGRAMS BOTH INSIDE AND OUTSIDE THE WALLS OF THE WHITNEY, THIS FISCAL YEAR CAN BE DIVIDED INTO TWO PARTS: BEFORE THE ONSET OF THE COVID-19 PANDEMIC, AND AFTER. OVER THE YEAR, WE SERVED OVER 35,000 ONSITE VISITORS THROUGH SCHOOL, YOUTH, AND FAMILY PROGRAMS, PUBLIC PROGRAMS, AND ACCESS & COMMUNITY PROGRAMS, AND AN ADDITIONAL 594,386 VISITORS ONLINE THROUGH DIGITAL ENGAGEMENT WITH INTERPRETIVE CONTENT. 12,978 OF THESE AUDIENCE MEMBERS WERE K-12 STUDENTS, THE MAJORITY OF WHOM PARTICIPATED IN THE WHITNEY'S FREE GUIDED VISIT PROGRAM FOR NYC PUBLIC AND CHARTER SCHOOLS, A FIGURE THAT INCLUDES A TOTAL OF 4,401 STUDENTS SERVED THROUGH ONLINE LESSONS. EDUCATION STAFF WORKED WITHIN AND ACROSS PROGRAM AREAS, BOTH IN PERSON AND ON SCREEN TO PRESENT DYNAMIC PROGRAMMING THAT EXPLORED CRITICAL QUESTIONS ABOUT AMERICAN ART, CULTURE, AND SOCIETY. IN-PERSON WHITNEY EDUCATION PROGRAMS INCLUDED FREE PUBLIC TOURS, GUIDED VISITS FOR SCHOOLS, TEEN PROGRAMS, FAMILY ART WORKSHOPS AND FAMILY DAY PROGRAMS, SIGN LANGUAGE AND VERBAL DESCRIPTION AND TOUCH TOURS, PUBLIC PROGRAMS, CONTINUING EDUCATION COURSES, AND ONLINE AND MULTIMEDIA EXHIBITION-RELATED CONTENT PRODUCED IN CONJUNCTION WITH THE MUSEUM'S EXHIBITIONS AND COLLECTION DISPLAYS. BEFORE WE TRANSITIONED OUR PROGRAMMING TO THE VIRTUAL SPACE, THE LAURIE M. TISCH EDUCATION CENTER, A DEDICATED SPACE TO ENLIVEN AND ENRICH VISITORS' MUSEUM EXPERIENCE, CONTINUED TO SERVE AS A HUB FOR THE DEPARTMENT'S ACTIVITIES. PROGRAMS OFFERED IN THE EDUCATION CENTER INCLUDED DROP-IN EVENTS, HANDS-ON LEARNING AND IN-DEPTH AND INTERDISCIPLINARY PROGRAMMING. WE LOOK FORWARD TO RESUMING THESE IN-PERSON PROGRAMS WHEN IT IS SAFE TO DO SO.AS NYC CLOSED DOWN TO REDUCE THE SPREAD OF COVID-19, THE WHITNEY'S EDUCATION STAFF WERE EARLY TO IDENTIFY THE DISTINCT NEED AND GROWING GAP IN PROVIDING ARTS EDUCATION TO K-12 STUDENTS AND SUPPORT FOR EDUCATORS ACROSS THE CITY. IN RESPONSE, PROGRAMS FOR SCHOOLS WERE AMONG THE FIRST TO MOVE ONLINE, AND BY THE END OF JUNE, THE WHITNEY CONDUCTED 180 ONLINE CLASSES WITH 71 DIFFERENT K-12 PUBLIC SCHOOLS ACROSS NYC. IN ADDITION, WHITNEY EDUCATION TRANSITIONED ALL ITS TEEN YOUTH INSIGHTS COHORTS ONLINE, ALLOWING THE WHITNEY TEENS TO CONTINUE TO BUILD RELATIONSHIPS WITH EACH OTHER, OUR EDUCATORS, AND ARTISTS, AS WELL AS EXPAND THEIR ARTISTIC PRACTICES FROM HOME.PRIOR TO THE MUSEUM'S TEMPORARY CLOSURE, PUBLIC PROGRAMS AND PUBLIC ENGAGEMENT CONTINUED TO PRESENT PROVOCATIVE AND EXPERIMENTAL EVENTS THAT ENGAGE AUDIENCES IN CRITICAL DIALOGUES ON ART AND CULTURAL PRODUCTION TODAY. FOR THE RACHEL HARRISON LIFE HACK EXHIBITION, PUBLIC PROGRAMS PRODUCED A SERIES OF CONVERSATIONS IN RESPONSE TO THE EXHIBITION AND HARRISON'S PRACTICE, WITH PANELISTS THAT INCLUDED ARTISTS PAUL CHAN AND RICHARD HAWKINS, WRITERS OTESSA MOSHFEGH AND LAURA COTTINGHAM, AND ART HISTORIAN ALEX KITNICK. PUBLIC PROGRAMS PRODUCED SEVERAL PERFORMANCES IN FY20, INCLUDING ELLIE GA: THE FORTUNETELLERS; AND A SONIC PERFORMANCE FROM MARCUS FISCHER. IN ADDITION TO A ROBUST SELECTION OF EXHIBITION-RELATED EVENTS, PUBLIC PROGRAMS DEVELOPED PROGRAMS HIGHLIGHTING WHITNEY COLLECTION ARTISTS SUCH AS ALEXANDER CALDER, TIONA NEKKIA MCCLODDEN, AND HENRY KOERNER. FY20 MARKS THE FIFTEENTH YEAR OF THE ANNUAL WALTER ANNENBERG LECTURE, WHICH HONORED JASON MORAN.WITH THE WHITNEY'S EDUCATION DEPARTMENT TRANSITIONING TO REMOTE LEARNING IN RESPONSE TO COVID-19, THE PUBLIC PROGRAMS AND PUBLIC ENGAGEMENT TEAM ALSO RAPIDLY DEVELOPED A NEW ROSTER OF PROGRAMS TO BOTH ENGAGE THE WHITNEY'S WORLD-CLASS COLLECTION OF AMERICAN ART AND TO REACH THE DIVERSE AUDIENCE THAT TYPICALLY VISITS THE MUSEUM. THE PUBLIC PROGRAMS TEAM, IN COLLABORATION WITH OUR INTERPRETATION TEAM CREATED "ART HISTORY FROM HOME," A SERIES OF ONLINE TALKS BY JOAN TISCH TEACHING FELLOWS THAT HIGHLIGHTS WORKS IN THE MUSEUM'S COLLECTION AND RECENT EXHIBITIONS TO ILLUMINATE CRITICAL TOPICS IN AMERICAN ART FROM 1900 TO THE PRESENT. IN ADDITION, PUBLIC PROGRAMS WORKED WITH A NUMBER OF OUR FREELANCE EDUCATORS TO PILOT AND SUSTAIN "ARTMAKING FROM HOME," A SERIES OF WORKSHOPS DESIGNED FOR ALL AGES THAT ALLOWS PARTICIPANTS TO EXPERIMENT WITH ORDINARY MATERIALS IN NEW AND CREATIVE WAYS. FAMILY PROGRAMS ADDED TO THE ARTMAKING OFFERINGS WITH THE "WHITNEY KIDS ART CHALLENGE," WHICH BEGAN IN APRIL. THIS ONGOING ARTMAKING SERIES DESIGNED FOR KIDS AND GROWNUPS TO DO TOGETHER WITH MATERIALS EASILY FOUND IN THE HOME IS BASED ON WORKS IN THE WHITNEY'S PERMANENT COLLECTION.IN FY20, THE DEPARTMENT OFFERED ITS SECOND ANNUAL ART COLLEGE NIGHT FOR NYC TEENS, THIS TIME ON ZOOM, IN WHICH REPRESENTATIVES FROM COLLEGES IN THE NEW YORK AREA GAVE INFORMATION ABOUT SCHOLARSHIP OPPORTUNITIES, COLLEGE ESSAY WRITING TIPS, AND MUCH MORE.WE ALSO CONTINUED OUR COMMITMENT TO ACCESSIBILITY FOR DISABLED AND NON-DISABLED VISITORS OF ALL AGES BY DEVELOPING "AMERICAN SIGN LANGUAGE VLOGS," RUNNING "VERBAL DESCRIPTION TOURS," "FAMILY FUN FOR KIDS ON THE AUTISM SPECTRUM, AND "WHITNEY SIGNS" BOTH IN PERSON AND ONLINE. FOUR SPECIAL ACCESS EVENTS WERE PROGRAMMED BEFORE THE MUSEUM'S SHUTDOWN. THE MUSEUM ALSO LOOKED AHEAD TO THE FORTHCOMING INSTALLATION OF DAVID HAMMONS'S DAY'S END, A PUBLIC ART PROJECT THAT WILL BE LOCATED IN HUDSON RIVER PARK ALONG THE SOUTHERN EDGE OF GANSEVOORT PENINSULA DIRECTLY ACROSS FROM THE MUSEUM. IN FY20, THE MUSEUM CONTINUED TO BUILD OUT A VARIETY OF DIGITAL INTERPRETATIVE MATERIALS RELATED TO DAY'S END AND THE NEIGHBORHOOD THAT WILL BE AVAILABLE TO THE PUBLIC FREE-OF-CHARGE ON-SITE AND ONLINE. THESE MATERIALS INCLUDE NEW AUDIO AND VIDEO CONTENT INTRODUCING DAVID HAMMONS, GORDON MATTA-CLARK, AND THE HISTORY OF THE GANSEVOORT PENINSULA OVER THE CENTURIES, THEMATIC NEIGHBORHOOD WALKING TOURS WITH DIFFERENT THEMES, AN ORAL HISTORY PROJECT THAT IS COLLECTING AND PRESERVING LOCAL STORIES, INDIGENOUS SITE RESEARCH, AND AN ONLINE HUB THAT WILL OFFER A DEEPER DIVE INTO HAMMONS'S ARTWORK AND THE HISTORIES OF THE NEIGHBORHOOD.AS "THE ARTIST'S MUSEUM," ARTIST COLLABORATIONS ARE AT THE FOREFRONT OF THE EDUCATION DEPARTMENT'S WORK. PRIOR TO THE MUSEUM'S SHUTDOWN, WHITNEY EDUCATION HOSTED GREENWICH HOUSE POTTERY FOR A WEEKLONG ARTIST RESIDENCY INSPIRED BY THE MAKING KNOWING EXHIBITION. WE WERE PARTICULARLY EXCITED TO CONNECT FURTHER WITH A MEMBER OF THE WHITNEY'S EXTENDED COMMUNITY: GREENWICH HOUSE, WHICH OPENED IN 1909 WITH SUPPORT FROM MUSEUM FOUNDER GERTRUDE VANDERBILT WHITNEY. GREENWICH HOUSE IS A FOUNDING PARTICIPANT IN THE WHITNEY EDUCATION COMMUNITY ADVISORY NETWORK (WECAN). ADDITIONAL ARTIST COLLABORATIONS INCLUDED: PAUL CHAN, MARCUS FISCHER, ELLIE GA, RICHARD HAWKINS, JERRON HERMAN, KAHLIL ROBERT IRVING, TOMASHI JACKSON, JASON MORAN, LAUREN RIDLOFF, AND MORE.FOR MORE INFORMATION ABOUT WHITNEY EDUCATION, PLEASE VISIT WHITNEY.ORG/EDUCATION. 2671000 691000 PUBLICATION AND RETAIL SALES:MUSEUM RELATED AUXILLARY SERVICES THAT PROVIDE PRODUCTS RELATED TO THE MUSEUM'S COLLECTION AND EXHIBITIONS. 2671000 691000 55017000 1 1 0 1 0 0 0 1 0 1 1 1 0 0 1 0 1 0 0 0 1 0 0 0 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 247 0 1 638 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 50 49 1 0 0 0 0 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 AL AR CA FL GA HI IL KS KY MD MA MI MN NH NJ NC ND OR PA RI SC TN UT VA WV WI AK CO CT DC ME OH OK WA X X ID ARUEDE CFOCO-CHIEF OPERATING OFFICER 2126711820 99 GANSEVOORT STREET NEW YORK NY 10014 ADAM D WEINBERG ALICE PRATT BROWN DIRECTOR 35.00 X X 994169 0 119390 RICHARD M DEMARTINI PRESIDENT 1.00 X X 0 0 0 ROBERT J HURST CO-CHAIRMAN OF EXECUTIVE COMMITTEE 1.00 X X 0 0 0 FERN KAYE TESSLER CO-CHAIRMAN OF EXECUTIVE COMMITTEE 1.00 X X 0 0 0 SUSAN K HESS CO-CHAIRMAN 1.00 X X 0 0 0 THOMAS E TUFT CO-CHAIRMAN 1.00 X X 0 0 0 NANCY CARRINGTON CROWN VICE CHAIRMAN 1.00 X X 0 0 0 PAMELLA G DEVOS VICE CHAIRMAN 1.00 X X 0 0 0 BETH RUDIN DEWOODY VICE CHAIRMAN 1.00 X X 0 0 0 MIYOUNG LEE VICE CHAIRMAN 1.00 X X 0 0 0 WARREN B KANDERS VICE CHAIRMAN (TO JULY 2019) 1.00 X X 0 0 0 GAURAV K KAPADIA VICE PRESIDENT 1.00 X X 0 0 0 NANCY POSES VICE PRESIDENT 1.00 X X 0 0 0 SCOTT RESNICK VICE PRESIDENT 1.00 X X 0 0 0 ANNE-CECILIE ENGELL SPEYER VICE PRESIDENT 1.00 X X 0 0 0 DAVID W ZALAZNICK VICE PRESIDENT 1.00 X X 0 0 0 JOANNE LEONHARDT CASSULLO SECRETARY 1.00 X X 0 0 0 RICHARD D SEGAL TREASURER 1.00 X X 0 0 0 JUDY HART ANGELO TRUSTEE 1.00 X 0 0 0 PAUL ARNHOLD TRUSTEE 1.00 X 0 0 0 JILL BIKOFF TRUSTEE 1.00 X 0 0 0 LESLIE BLUHM TRUSTEE 1.00 X 0 0 0 NEIL G BLUHM TRUSTEE 1.00 X 0 0 0 ALESSANDRO BOGLIOLO TRUSTEE 1.00 X 0 0 0 DAVID CAREY TRUSTEE 1.00 X 0 0 0 HENRY CORNELL TRUSTEE 1.00 X 0 0 0 FIONA IRVING DONOVAN TRUSTEE 1.00 X 0 0 0 FAIRFAX N DORN TRUSTEE 1.00 X 0 0 0 LISE EVANS TRUSTEE 1.00 X 0 0 0 VICTOR F GANZI TRUSTEE 1.00 X 0 0 0 HENRY LOUIS GATES JR TRUSTEE 1.00 X 0 0 0 ROBERT GERSH EX OFFICIO TRUSTEE 1.00 X 0 0 0 ROBERT B GOERGEN TRUSTEE 1.00 X 0 0 0 SONDRA GILMAN GONZALEZ-FALLA TRUSTEE 1.00 X 0 0 0 BENNETT GOODMAN TRUSTEE 1.00 X 0 0 0 JAMES A GORDON TRUSTEE 1.00 X 0 0 0 KENNETH C GRIFFIN TRUSTEE 1.00 X 0 0 0 RAYMOND J LEARSY TRUSTEE 1.00 X 0 0 0 JONATHAN O LEE TRUSTEE 1.00 X 0 0 0 PAUL S LEVYESQ TRUSTEE 1.00 X 0 0 0 RAYMOND J MCGUIRE TRUSTEE 1.00 X 0 0 0 BROOKE GARBER NEIDICH TRUSTEE 1.00 X 0 0 0 JULIE OSTROVER TRUSTEE 1.00 X 0 0 0 JOHN C PHELAN TRUSTEE 1.00 X 0 0 0 DONNA PERRET ROSEN TRUSTEE 1.00 X 0 0 0 ROBERT ROSENKRANZ TRUSTEE 1.00 X 0 0 0 MARY E BUCKSBAUM SCANLAN TRUSTEE 1.00 X 0 0 0 PAUL C SCHORR IV TRUSTEE 1.00 X 0 0 0 JONATHAN S SOBEL TRUSTEE 1.00 X 0 0 0 LAURIE M TISCH TRUSTEE 1.00 X 0 0 0 FRED WILSON TRUSTEE 1.00 X 0 0 0 IDEHEN ARUEDE CFO/CO-CHIEF OPERATING OFFICER 35.00 X 366368 0 24872 AMY ROTH CO-CHIEF OPERATING OFFICER 35.00 X 355497 0 43289 PAMELA BESNARD CHIEF ADVANCEMENT OFFICER 35.00 X 214496 0 37138 NICHOLAS S HOLMES GENERAL COUNSEL/ASSISTANT SECRETARY 35.00 X 202252 0 46119 SCOTT ROTHKOPF - SRDEPDIR NANCY&STEVEN CROWN FAM.CHIEF CURATOR 35.00 X 403288 0 34811 DONNA M DESALVO SENIOR CURATOR & DEP. DIR. 35.00 X 268210 0 13498 CHRISTY L PUTNAM - ASSOC DIR FOR EXHIBITIONS & COLLECTIONS MANAGEMENT 35.00 X 221968 0 14480 ADRIAN HARDWICKE CHIEF VISITOR EXPERIENCE OFFICER 35.00 X 198134 0 42117 STEPHANIE ADAMS DIRECTOR,INDIVIDUAL & PLANNED GIVING 35.00 X 212433 0 44793 KATHRYN A POTTS - ASSOCDIR HELENA RUBENSTEIN CHAIR OF EDUCATION 35.00 X 201313 0 46272 CAROL C MANCUSI-UNGARO - MELVA BUCKSBAUM ASSOC.DIR.CONSERV.&RSCH. 35.00 X 250131 0 15410 LINDSAY POLLOCK - CHIEF COMMUNICATIONS AND CONTENT OFFICER 35.00 X 247436 0 1595 MARILOU AQUINO DIRECTOR OF PHILANTHROPY 35.00 X 208846 0 43565 4344541 0 527349 57 0 1 0 TEMPORARY WALLS INC 412 STONE ROW LANE BANGOR PA 18013 CONSTRUCTION SERVICES 1304695 MASTERPIECE INTERNATIONAL 39 BROADWAY SUITE 1410 NEW YORK NY 10006 ART MOVING SERVICES 865646 CROZIER FINE ARTS INC PO BOX 21089 NEW YORK NY 100871089 ART PACKING SERVICES 805897 FACEBOOK INC 1601 WILLOW RD MENLO PARK CA 94025 EXHIBITION MARKETING 488128 US ART COMPANY INC 78 PACELLA PARK DRIVE RANDOLPH MA 02368 ART MOVING SERVICES 403388 42 7817000 3897000 260000 70751000 42252000 82725000 ADMISSION INCOME 900099 5883000 5883000 TRAVELING EXHIBITIONS 900099 945000 945000 LOAN FEES 900099 47000 47000 6875000 4067000 4067000 259000 259000 4077000 74000 4003000 4003000 4003000 99205000 84974000 14231000 14231000 14231000 415000 3897000 415000 0 1937000 1246000 691000 496000 195000 RESTAURANT INCOME 900099 244000 244000 MISCELLANEOUS INCOME 900099 48000 48000 292000 113143000 7371000 195000 22852000 3530000 1292000 1590000 648000 24162000 16148000 7207000 807000 1589000 990000 520000 79000 4499000 2461000 1811000 227000 1818000 1212000 519000 87000 559000 15000 544000 78000 78000 72000 72000 547000 547000 2094000 948000 1139000 7000 1689000 1646000 42000 1000 1130000 1072000 47000 11000 4464000 2987000 1472000 5000 677000 462000 98000 117000 4549000 4549000 10168000 8789000 846000 533000 1422000 103000 1319000 ART ACQUISTIONS 13661000 13661000 OTHER(REIMBURSED),NET 3717000 1415000 2147000 155000 EXHIBITION EXPENSE 1767000 1744000 23000 82192000 55017000 24498000 2677000 16703000 13400000 926000 10124000 32221000 21739000 2420000 1226000 4299000 4450000 5493000 30562000 445120000 71147000 381573000 373973000 149386000 163361000 314087000 318936000 907108000 937771000 7508000 5174000 5502000 1316000 103429000 102976000 5000000 5593000 5285000 7522000 121724000 127581000 X 433175000 418962000 352209000 391228000 785384000 810190000 907108000 937771000 X 30951000 -3306000 -2839000 X 0 1 X 1 0 X 64028000 43203000 58671000 56108000 82725000 304735000 64028000 43203000 58671000 56108000 82725000 304735000 39881852 264853148 4840000 6408000 5821000 10047000 8403000 35519000 897000 836000 412000 488000 292000 2925000 343179000 82513000 0.77180 0.90570 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 0 0 0 0 0 0 1 84000 0 0 84000 0 PART II-B, LINE 1: LOBBYING ACTIVITIES CONSIST OF PAYMENTS TO A CONSULTANT TO ASSIST IN PREPARING MATERIALS AND CONDUCTING MEETINGS TO GAIN FUNDING FOR THE MUSEUM'S CAPITAL PROJECTS IN CITY AND STATE BUDGETS. X X X X 1 372314000 3530000 11834000 15839000 371839000 357673000 12031000 17630000 15020000 372314000 339078000 7475000 24942000 13822000 357673000 308428000 4335000 39595000 13280000 339078000 299713000 26795000 -6247000 11833000 308428000 0.12910 0.68480 0.18610 0 0 34662000 34662000 385708000 65431000 320277000 2002000 2002000 0 22748000 3714000 19034000 373973000 EQUITY INVESTMENT FUNDS 138652000 F ALTERNATIVE INVESTMENTS : MULTI-STRATEGY & OTHER 90618000 F EQUITY LONG/SHORT 63177000 F REAL ASSETS 3824000 F PRIVATE EQUITY 12975000 F INVESTMENT REDEMPTION RECEIVABLES 2190000 F PENDING INVESTMENT PURCHASE 7500000 F 318936000 ACCRUED PENSION OBLIGATION 7522000 7522000 110764000 -3306000 1399000 -1907000 112671000 472000 472000 113143000 85958000 4238000 4238000 81720000 472000 472000 82192000 PART III, LINE 1A: THE MUSEUM HAS AN EXTENSIVE COLLECTION OF ART, INCLUDING PAINTINGS, SCULPTURE, PHOTOGRAPHS, DRAWINGS, PRINTS, AND FILMS AND VIDEOS. THE COLLECTION IS MAINTAINED UNDER THE CARE OF THE REGISTRATION DEPARTMENT STAFF AND IS HELD FOR RESEARCH, EDUCATION AND PUBLIC EXHIBITION IN FURTHERANCE OF PUBLIC SERVICE, RATHER THAN FOR FINANCIAL GAIN. PROCEEDS FROM THE SALE OF COLLECTION ITEMS ARE USED TO ACQUIRE OTHER ITEMS FOR THE COLLECTION. THE MUSEUM DOES NOT INCLUDE EITHER THE COST OR THE VALUE OF ITS COLLECTION IN THE STATEMENT OF FINANCIAL POSITION, NOR DOES IT RECOGNIZE GIFTS OF COLLECTION ITEMS AS REVENUES IN THE STATEMENT OF ACTIVITIES. SINCE ITEMS ACQUIRED FOR THE COLLECTION BY PURCHASE ARE NOT CAPITALIZED, THE COST OF THOSE ACQUISITIONS IS REPORTED AS DECREASES IN NET ASSETS IN THE STATEMENT OF ACTIVITIES. PART III, LINE 4: THE WHITNEY MUSEUM OF AMERICAN ART SEEKS TO BE THE DEFINING MUSEUM OF THE 20TH & 21ST CENTURY AMERICAN ART. THE MUSEUM COLLECTS, EXHIBITS, PRESERVES, RESEARCHES AND INTERPRETS ART OF THE UNITED STATES IN THE BROADCAST GLOBAL, HISTORICAL AND INTERDISCIPLINARY CONTEXTS. AS THE PREEMINENT ADVOCATE FOR AMERICAN ART, WE FOSTER THE WORK OF LIVING ARTISTS AT THE CRITICAL MOMENTS IN THEIR CAREERS. THE WHITNEY EDUCATES A DIVERSE PUBLIC THROUGH DIRECT INTERACTION WITH ARTISTS, OFTEN BEFORE THEIR WORK HAS ACHIEVED GENERAL ACCEPTANCE. PART V, LINE 4: THE MUSEUM'S ENDOWMENT CONSISTS OF 134 INDIVIDUAL FUNDS ESTABLISHED FOR A VARIETY OF PURPOSES, PRIMARILY TO SUPPORT THE GENERAL OPERATIONS AND EXHIBITION PROGRAMS OF THE MUSEUM, AS WELL AS THE SUPPORT OF THE BIENNIAL EXHIBITION PROGRAM, PERMANENT COLLECTION ACQUISITIONS, AND CURATORIAL SUPPORT. PART XI, LINE 2D - OTHER ADJUSTMENTS: REVERSAL OF PRIOR YEAR EXPENSE ACCRUAL 1,399,000. PART XII, LINE 2D - OTHER ADJUSTMENTS: PENSION RELATED CHARGES OTHER THAN NET PERIODIC COSTS 2,839,000. REVERSAL OF PRIOR YEAR EXPENSE ACCRUAL 1,399,000. EUROPE (INCLUDING ICELAND & GREENLAND) - ALBANIA, ANDORRA, AUSTRIA, BELGIUM 0 0 PROGRAM SERVICES TRAVELING EXHIBITIONS 14000 CENTRAL AMERICA AND THE CARIBBEAN - ANTIGUA & BARBUDA, ARUBA, BAHAMAS, 0 0 INVESTMENTS - FORM 990, PART X, LINE 12 146484000 0 0 0 0 0 0 146498000 0 146498000 1 0 1 0 1 0 PART III ACCOUNTING METHOD: GALA AND STUDIO PARTY 4081000 3896000 185000 7000 178000 ART PARTY 231000 1000 230000 41000 46000 13000 130000 4312000 3897000 415000 41000 53000 13000 308000 415000 0 X 1 1 X X X X X X 0 1 0 0 0 0 0 0 0 ADAM D WEINBERG ALICE PRATT BROWN DIRECTOR 743473 0 0 0 250696 0 77093 0 42297 0 1113559 0 0 0 IDEHEN ARUEDE CFO/CO-CHIEF OPERATING OFFICER 349755 0 0 0 16613 0 0 0 24872 0 391240 0 0 0 AMY ROTH CO-CHIEF OPERATING OFFICER 325812 0 0 0 29685 0 0 0 43289 0 398786 0 0 0 PAMELA BESNARD CHIEF ADVANCEMENT OFFICER 195164 0 0 0 19332 0 0 0 37138 0 251634 0 0 0 NICHOLAS S HOLMES GENERAL COUNSEL/ASSISTANT SECRETARY 171222 0 0 0 31030 0 0 0 46119 0 248371 0 0 0 SCOTT ROTHKOPF - SRDEPDIR NANCY&STEVEN CROWN FAM.CHIEF CURATOR 388911 0 0 0 14377 0 0 0 34811 0 438099 0 0 0 DONNA M DESALVO SENIOR CURATOR & DEP. DIR. 237290 0 0 0 30920 0 0 0 13498 0 281708 0 0 0 CHRISTY L PUTNAM - ASSOC DIR FOR EXHIBITIONS & COLLECTIONS MANAGEMENT 175414 0 0 0 46554 0 0 0 14480 0 236448 0 0 0 ADRIAN HARDWICKE CHIEF VISITOR EXPERIENCE OFFICER 190710 0 0 0 7424 0 0 0 42117 0 240251 0 0 0 STEPHANIE ADAMS DIRECTOR,INDIVIDUAL & PLANNED GIVING 186045 0 0 0 26388 0 0 0 44793 0 257226 0 0 0 KATHRYN A POTTS - ASSOCDIR HELENA RUBENSTEIN CHAIR OF EDUCATION 175857 0 0 0 25456 0 0 0 46272 0 247585 0 0 0 CAROL C MANCUSI-UNGARO - MELVA BUCKSBAUM ASSOC.DIR.CONSERV.&RSCH. 202950 0 0 0 47181 0 0 0 15410 0 265541 0 0 0 LINDSAY POLLOCK - CHIEF COMMUNICATIONS AND CONTENT OFFICER 197303 0 0 0 50133 0 0 0 1595 0 249031 0 0 0 MARILOU AQUINO DIRECTOR OF PHILANTHROPY 159361 0 0 0 49485 0 0 0 43565 0 252411 0 0 0 PART I, LINE 1A THE MUSEUM'S DIRECTOR IS PROVIDED WITH A HOUSING ALLOWANCE. PART I, LINE 4B ADAM D. WEINBERG, DIRECTOR - $154,292 A THE TRUST FOR CULTURAL RESOURCES OF THE CITY OF NEW YORK 131789318 649717QZ1 2011-08-01 134329619 SEE PART V BELOW 0 0 0 A 134335175 1422855 132912320 2015 0 0 1 1 A 0 1 1 1 0 0.00000 0.00000 0.00000 0 0 1 A 0 0 0 0 0 0 0 0 0 A 1 SCHEDULE K SUPPLENTAL INFORMATION THE PROCEEDS OF THE BONDS WERE USED TO (I) FINANCE OR REIMBURSE A PORTION OF THE COSTS OF THE MUSEUM'S DOWNTOWN BUILDING PROJECT (II) FUND CAPITALIZED INTEREST ON THE BONDS; AND (III) FUND CERTAIN COSTS AND EXPENSES INCIDENTAL TO ISSUANCE OF THE BONDS AND RELATED PURPOSES. THE DIFFERENCE IN ISSUE PRICE AND TOTAL PROCEEDS IS DUE TO $3,446.92 OF INVESTMENT EARNINGS IN THE FISCAL YEAR ENDED 6/30/12 AND $2,108.83 OF INTEREST EARNINGS IN THE FISCAL YEAR ENDED 6/30/13. FUNDS WERE CAPITALIZED FOR INTEREST PAYMENTS DURING THE CONSTRUCTION PERIOD ONLY. PLEASE NOTE THAT THE BOND PROCEEDS WERE USED TO FINANCE THE CONSTRUCTION OF A NEW MUSEUM BUILDING. CONSTRUCTION HAS BEEN COMPLETED AND THE BUILDING WAS OPENED TO THE PUBLIC IN MAY 2015. THE INSTITUTION COMPLETED THE FINAL ALLOCATION IN SEPTEMBER 2016. NO PORTION OF THE BONDS WERE USED TO FINANCE PROPERTY FOR PRIVATE BUSINESS USE. NOTE ON PART III, 2: THE INSTITUTION ENTERS INTO VARIOUS LICENSE AGREEMENTS WHICH ARE ALLOCATED TO THE NON-FINANCED PORTION OF THE SPACE. X 14 N/A X 74 42184000 FAIR MARKET VALUE X VENDOR ITEMS 63 68000 FAIR MARKET VALUE 14 0 1 1 PART I, LINE 32B: AS PART OF THE MUSEUM'S FUNDRAISING EFFORTS, THE MUSEUM COMMISSIONS LIMITED EDITION WORKS OF ART FOR THE PURPOSES OF SALE. IN CONNECTION WITH THOSE SALES, THE MUSEUM ENGAGED THIRD PARTIES TO SELL THE WORKS. PART I, LINE 33: NO AMOUNT IS REPORTED ON FORM 990, PART VIII, STATEMENT OF REVENUE, LINE 1G, BECAUSE THE WHITNEY DOES NOT CAPITALIZE ITS COLLECTIONS, AS PERMITTED UNDER GENERALLY ACCEPTED ACCOUNTING PRINCIPLES. FORM 990, PART VI, SECTION A, LINE 1 IN ACCORDANCE WITH THE MUSEUM'S BY-LAWS, THE EXECUTIVE COMMITTEE CONSISTS ENTIRELY OF MUSEUM TRUSTEES. THE EXECUTIVE COMMITTEE CURRENTLY CONSISTS OF 23 MEMBERS AND IS COMPOSED OF CERTAIN TRUSTEE OFFICERS, CERTAIN TRUSTEE COMMITTEE CHAIRS, AND OTHER TRUSTEES ELECTED BY RESOLUTION OF THE BOARD OF TRUSTEES. BETWEEN MEETINGS OF THE BOARD OF TRUSTEES, AND SUBJECT TO THE GENERAL POLICIES ESTABLISHED BY THE BOARD, THE EXECUTIVE COMMITTEE HAS ALL THE POWERS OF THE FULL BOARD, EXCLUDING (I) THE REMOVAL OF TRUSTEES AND OFFICERS, (II) APPOINTING OF COMMITTEE CHAIRS, AND (II) AMENDING THE BY-LAWS. FORM 990, PART VI, SECTION A, LINE 2 NEIL BLUHM (TRUSTEE) AND LESLIE BLUHM (TRUSTEE) - FAMILY RELATIONSHIP. THOMAS LEE (HONORARY TRUSTEE) AND JONATHAN O. LEE (TRUSTEE) - FAMILY RELATIONSHIP. FIONA DONOVAN (TRUSTEE) AND FLORA MILLER BIDDLE (HONORARY TRUSTEE) - FAMILY RELATIONSHIP. DAVID W. ZALAZNICK (TRUSTEE) AND JAMES A. GORDON (TRUSTEE), THOMAS E. TUFT (CO-CHAIRMAN), NEIL G. BLUHM (TRUSTEE) - BUSINESS RELATIONSHIP. RICHARD DEMARTINI (TRUSTEE) AND ROBERT HURST (TRUSTEE) - BUSINESS RELATIONSHIP. ROBERT ROSENKRANZ (TRUSTEE) AND JAMES A. GORDON (TRUSTEE) - BUSINESS RELATIONSHIP FORM 990, PART VI, SECTION B, LINE 11B THE MUSEUM'S FORM 990 TAX FILING IS COMPILED BASED ON INFORMATION OBTAINED FROM THE MUSEUM'S GENERAL LEDGER, AUDITED FINANCIAL STATEMENTS AND OTHER FINANCIAL SYSTEMS. THE MUSEUM'S CO-CHIEF OPERATING OFFICER AND CHIEF FINANCIAL OFFICER, SENIOR FINANCE/ACCOUNTING STAFF, GENERAL COUNSEL AND EXTERNAL TAX ADVISORS PARTICIPATE IN A SERIES OF DETAILED REVIEWS OF ALL INFORMATION TO BE INCLUDED IN THE FILING. ALL INFORMATION INCLUDED IN THE RETURN IS REVIEWED BY THE GROUP FOR ACCURACY AND CONTENT. THE COMPLETED FORM 990 AND RELATED SCHEDULES ARE ALSO PROVIDED TO THE MUSEUM'S SENIOR MANAGEMENT AND REVIEWED IN DETAIL WITH THE CO-CHIEF OPERATING OFFICER AND CHIEF FINANCIAL OFFICER. FINALLY, A PUBLIC INSPECTION COPY IS PROVIDED TO EACH MEMBER OF THE BOARD OF TRUSTEES PRIOR TO FILING THE RETURN. THE MUSEUM'S EXTERNAL TAX ADVISORS FILE THE FORM 990 ELECTRONICALLY WITH THE INTERNAL REVENUE SERVICE. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM'S CODE OF CONDUCT CONTAINS DETAILED DISCLOSURE REQUIREMENTS WITH RESPECT TO THE CONFLICTS OF INTERESTS FOR ITS BOARD AND STAFF. ON A REGULAR BASIS, THE BOARD AND OFFICERS OF THE MUSEUM COMPLETE A CONFLICTS OF INTEREST QUESTIONNAIRE. RESPONSES ARE COMPILED, REVIEWED WITH GENERAL COUNSEL AND THE CO-CHIEF OPERATING OFFICER AND CHIEF FINANCIAL OFFICER, AND FORWARDED TO THE AUDIT COMMITTEE. IF A CONFLICT IS DISCLOSED, BOARD MEMBERS WITH POTENTIAL CONFLICTS MAY NOT PARTICIPATE IN DELIBERATIONS AND NEED TO RECUSE THEMSELVES FROM VOTING ON PARTICULAR MATTERS. IN ADDITION, OFFICERS AND KEY EMPLOYEES ARE ASKED ANNUALLY TO REVIEW AND ACKNOWLEDGE COMPLIANCE WITH THE MUSEUM'S CODE OF CONDUCT. FORM 990, PART VI, SECTION B, LINE 15 THE WHITNEY HAS A HUMAN RESOURCES/COMPENSATION COMMITTEE OF THE BOARD. MEMBERS INCLUDE THE CHAIRMAN, PRESIDENT, CHAIR OF THE FINANCE COMMITTEE ALONG WITH THREE OTHER TRUSTEES. THE COMMITTEE MEETS PERIODICALLY TO REVIEW PERFORMANCE AND COMPENSATION FOR THE DIRECTOR AND CERTAIN OTHER SENIOR STAFF. AS PART OF THE PROCESS, THE COMMITTEE REVIEWS COMPARATIVE DATA OBTAINED FROM SEVERAL INDEPENDENT SOURCES WHICH PROVIDE DATA FOR SIMILAR POSITIONS IN NEW YORK CITY AND NATIONALLY. FORM 990, PART VI, SECTION C, LINE 19 AUDITED FINANCIAL STATEMENTS ARE MADE AVAILABLE ON THE MUSEUM'S WEBSITE. ALL OTHER DOCUMENTS ARE AVAILABLE UPON REQUEST. FORM 990, PART XI, LINE 9: PENSION RELATED CHARGES OTHER THAN NET PERIODIC PENSION COSTS -2,839,000. FORM 990 - GENERAL AMOUNTS REFLECTED IN THE 2019 FORM 990 FOR THE YEAR ENDED JUNE 30, 2020 HAVE BEEN ROUNDED TO THE NEAREST THOUSAND TO CONFORM WITH THE PRESENTATION IN THE MUSEUM'S AUDITED FINANCIAL STATEMENTS.