2021-05-14T10:34:34-05:00 2020-06-30 420714325 RSM US LLP 80 CITY SQUARE BOSTON MA 02129 990 2019-07-01 042104327 THE INSTITUTE OF CONTEMPORARY ART INC INST 6174783100 25 HARBOR SHORE DRIVE BOSTON MA 02210 JILL MEDVEDOW DIRECTOR 6174783100 2021-05-14 1 LYNNE JOHNSON P00757336 6179129000 2019 2022-09-23 18:48:47Z ICABOSTON JILL MEDVEDOW 25 HARBOR SHORE DRIVE BOSTON MA 02210 19989906 0 X WWW.ICABOSTON.ORG X 1936 MA SEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 34 33 308 177 -111232 -111232 12150076 15796561 2384150 2714152 -638 -32214 22324 243950 14555912 18722449 0 0 0 0 8109388 8439519 20105 16150 1366757 11924566 8965487 20054059 17421156 -5498147 1301293 110336752 109903281 8554297 7782964 101782455 102120317 X THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS. 0 0 7936887 1670734 ART EXHIBITIONS: GALLERY PRESENTATIONS: THE ICA PRESENTED THE FOLLOWING 12 CONTEMPORARY ART EXHIBITIONS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. ATTENDANCE FOR THE GALLERY EXHIBITS TOTALED 223,494 VISITORS, AND TOTAL PROGRAMMING ATTENDANCE WAS 38,863 IN FY20.ICA COLLECTION: ENTANGLED IN THE EVERYDAYMAR 17, 2018 - AUG 25, 2019KIM AND JIM PALLOTTA GALLERYTHE THIRTEENTH INSTALLMENT OF THE ICA'S ANNUAL COLLECTION EXHIBITION PRESENTS MAJOR WORKS THAT SHOWCASE ARTISTS' ENGAGEMENT AND ENTANGLEMENT WITH THE EVERYDAY. INTEREST IN COMMON MATERIALS AND QUOTIDIAN SUBJECTS HAS BEEN A DEFINING THEME OF ARTISTIC PRACTICE IN THE 20TH CENTURY, INSPIRING CUBIST COLLAGE, FOUND SCULPTURE, AND THE WIDESPREAD EMBRACE OF PHOTOGRAPHY. BY OBSERVING AND BEING IN THE WORLD, ARTISTS ELEVATE AND MAKE SIGNIFICANT ORDINARY TEXTURES AND EXPERIENCES.ROOMS DEDICATED TO MATERIALS AND PROCESS CELEBRATE ARTISTS' CAPACITY TO ELICIT THE WONDROUS FROM THE MUNDANE. WORKS FROM TARA DONOVAN'S TAPE INSTALLATION NEBULOUS TO DAMIAN ORTEGA'S EXPLOSION OF A 35MM CAMERA HIGHLIGHT THE TRANSFORMATIVE USE OF COMMON AND FOUND MATERIALS. OTHERS INCORPORATE EVERYDAY ACTIONS SUCH AS KNOTTING, WRAPPING, OR TYING INTO THEIR ARTISTIC PRACTICE, AS IN LYNDA BENGLIS'S KNOT SCULPTURE SIERRA AND SHEILA HICKS'S STACKED BUNDLES OF THREAD IN BANISTERIOPSIS II. FINALLY, PORTRAITURE (A NOTED STRENGTH IN THE ICA'S COLLECTION) FORMS A THIRD MEANS OF EXPLORING THE EVERYDAY WITHIN THE EXHIBITION, IN RECENTLY ACQUIRED WORKS BY ANTHONY HERNANDEZ, SANYA KANTAROVSKY, ROBERT PRUITT, AND LYNETTE YIADOM-BOAKYE. ALL OF THESE ARTISTS HAVE CREATIVELY ENGAGED WITH THEIR DAILY WORLDS, INVITING OTHERS TO PARTAKE IN THE BEAUTY, DIGNITY, AND REALITY OF THE EVERYDAY.ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, WITH JESSICA HONG, ASSISTANT CURATOR.NINA CHANEL ABNEYJAN 17, 2019 - JAN 3, 2021SANDRA AND GERALD FINEBERG ART WALLDEEPLY INVESTED IN CREATING IMAGERY THAT IS LEGIBLE AND ACCESSIBLE, NINA CHANEL ABNEY (B. 1982, CHICAGO) IS KNOWN FOR WEAVING COLORFUL GEOMETRIC SHAPES, CARTOONS, LANGUAGE, AND SYMBOLS INTO CHAOTIC AND ENERGETIC COMPOSITIONS. AT THE ICA, SHE HAS CREATED A MURAL THAT SPEAKS TO SOCIAL TENSIONS IN THE DIGITAL AGE, INCLUDING THE CONSTANT STREAM OF TRUE AND FALSE INFORMATION, THE DILEMMA OF LIBERAL RACISM, AND ABUSES OF POWER THAT LEAD TO STRUCTURAL INEQUALITY.ORGANIZED BY ELLEN TANI, ASSISTANT CURATOR.JOHN AKOMFRAH: PURPLEMAY 26 - SEP 2, 2019ICA WATERSHED CO-COMMISSIONED BY THE ICA AND MAKING ITS U.S. PREMIERE AT THE ICA WATERSHED, PURPLE IS AN IMMERSIVE SIX-CHANNEL VIDEO INSTALLATION BY THE ACCLAIMED ARTIST AND FILMMAKER JOHN AKOMFRAH (B. 1957, ACCRA, GHANA). AKOMFRAH DRAWS FROM HUNDREDS OF HOURS OF ARCHIVAL FOOTAGE, COMBINING IT WITH NEWLY SHOT FILM AND A HYPNOTIC SOUND SCORE TO ADDRESS THEMES RELATED TO THE IMPLICATIONS OF CLIMATE CHANGE ACROSS THE PLANET AND ITS EFFECTS ON HUMAN COMMUNITIES, BIODIVERSITY, AND THE WILDERNESS. SITED IN THE WATERSHED'S INDUSTRIAL BUILDING, PURPLE RESONATES DEEPLY WITH THE WATERSHED'S HARBOR LOCATION AND ITS PROXIMITY TO THE CURRENT AND HISTORICAL MARITIME INDUSTRIES OF THE BOSTON HARBOR SHIPYARD AND MARINA. SYMPHONIC IN SCALE AND DIVIDED INTO FIVE INTERWOVEN MOVEMENTS, THE FILM FEATURES VARIOUS DISAPPEARING ECOLOGICAL LANDSCAPES, FROM THE HINTERLANDS OF ALASKA AND THE DESOLATE ENVIRONMENTS OF GREENLAND TO THE TAHITIAN PENINSULA AND THE VOLCANIC MARQUESAS ISLANDS IN THE SOUTH PACIFIC. PURPLE CONVEYS THE COMPLEX AND FRAGILE INTERRELATION OF HUMAN AND NON-HUMAN LIFE WITH A SENSE OF POETIC GRAVITY THAT REGISTERS THE VULNERABILITY OF LIVING IN PRECARIOUS ENVIRONMENTS.ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH CARA KUBALL, CURATORIAL PROJECT MANAGER. LESS IS A BORE: MAXIMALIST ART & DESIGNJUN 26 - SEP 22, 2019BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIESLESS IS A BORE: MAXIMALIST ART & DESIGN BRINGS TOGETHER WORKS IN PAINTING, SCULPTURE, CERAMIC, DANCE, FURNITURE DESIGN, AND MORE THAT PRIVILEGE DECORATION, PATTERN, AND MAXIMALISM.BORROWING ITS ATTITUDE FROM ARCHITECT ROBERT VENTURI'S WITTY RETORT TO MIES VAN DER ROHE'S MODERNIST EDICT "LESS IS MORE," LESS IS A BORE SHOWS HOW ARTISTS, INCLUDING THOSE AFFILIATED WITH THE PATTERN & DECORATION MOVEMENT OF THE 1970S, HAVE SOUGHT TO RATTLE THE DOMINANCE OF MODERNISM AND MINIMALISM. ENCOURAGED BY THE PLURALISM PERMEATING MANY CULTURAL SPHERES AT THE TIME, THESE ARTISTS ACCOMMODATED NEW IDEAS, MODES, AND MATERIALS, CHALLENGING ENTRENCHED CATEGORIES THAT MARGINALIZED NON-WESTERN ART, FASHION, INTERIOR DESIGN, AND APPLIED ART.THE EXHIBITION CONSIDERS HOW ARTISTS HAVE USED ORNAMENTATION, PATTERN PAINTING, AND OTHER DECORATIVE MODES TO CRITIQUE, SUBVERT, AND TRANSFORM ACCEPTED HISTORIES RELATED TO CRAFT AND DESIGN, FEMINISM, QUEERNESS AND GENDER, BEAUTY AND TASTE, CAMOUFLAGE AND MASQUERADE, AND MULTICULTURALISM AND GLOBALISM. MORE RECENT ARTWORKS IN THE EXHIBITION CHART BOTH THE LEGACY AND TRANSFORMATION OF THESE TRAJECTORIES.SPANNING GENERATIONS, GEOGRAPHIES, AND TRADITIONS, LESS IS A BORE INCLUDES WORKS RANGING FROM EXPERIMENTS IN PATTERNING BY SANFORD BIGGERS, JASPER JOHNS, AND MIRIAM SCHAPIRO TO THE TRANSGRESSIVE SCULPTURE AND FURNITURE OF LUCAS SAMARAS AND ETTORE SOTTSASS, TO THE INSTALLATIONS OF POLLY APFELBAUM, NATHALIE DU PASQUIER, AND VIRGIL MARTI. ORGANIZED BY JENELLE PORTER, GUEST CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATOR. VIVIAN SUTERAUG 21 - DEC 31, 2019VIVIAN SUTER (B. 1949, BUENOS AIRES, ARGENTINA) WORKS IN CLOSE PARTNERSHIP WITH THE NATURAL ENVIRONMENT SURROUNDING HER HOME AND STUDIO IN PANAJACHEL, GUATEMALA. HER METHOD OFTEN INVOLVES MOVING HER CANVASES BETWEEN THE INDOORS AND OUTDOORS AND EXPOSING THEM TO THE CLIMATE IN ORDER TO ALLOW NATURE TO COMMINGLE WITH HER BROADLY PAINTED SWATHS OF VIVID COLOR. INSPIRED BY THE SURROUNDING VEGETATION AND LANDSCAPE, SUTER'S GESTURAL COMPOSITIONS WORK IN CONCERT WITH RAINFALL AND MUD PUDDLES, WITH THE LIGHT THAT PASSES BETWEEN BRANCHES AND THE ANIMALS IN THE FOREST. A PLACE OF TREMENDOUS BEAUTY AND PLANT AND ANIMAL LIFE AS WELL AS THE RICH, INDIGENOUS MAYAN CULTURE, PANAJACHEL AND THE AREA AROUND LAKE ATITLAN HAS ALSO WITNESSED COUNTLESS DISRUPTIONS THROUGHOUT HISTORY, FROM ACTIVE VOLCANOES AND NUMEROUS FLOODS TO SPANISH COLONIZATION AND A THIRTY-SIX-YEAR CIVIL WAR THAT ENDED IN 1996. THIS INSTALLATION OF LAYERED AND SUSPENDED CANVASES INVITES VISITORS TO DISCOVER HER UNIQUE DIALOGUE WITH IMAGINED AND NATURAL WORLDS.ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR. 2019 JAMES AND AUDREY FOSTER PRIZE AUG 21 - DEC 31, 2019THE 2019 INSTALLMENT OF THE ICA'S BIENNIAL JAMES AND AUDREY FOSTER PRIZE EXHIBITION HIGHLIGHTING THE WORK OF BOSTON-AREA ARTISTS WILL FEATURE FOUR INDIVIDUALS: RASHIN FAHANDEJ (B. 1978, SHIRAZ, IRAN), JOSEPHINE HALVORSON (B. 1981, BREWSTER, MA), LAVAUGHAN JENKINS (B. 1976, BOSTON, MA), AND HELGA ROHT POZNANSKI (B. 1927, TARTU, ESTONIA). THIS INTERGENERATIONAL GROUP OF ARTISTS WORKS ACROSS MEDIA INCLUDING PAINTING, SCULPTURE, FILM, AND VIDEO TO EXPLORE QUESTIONS OF PLACE, PORTRAITURE, AND BELONGING. THEIR UNIQUE AND EXCEPTIONAL WORK DEMONSTRATES THE BREADTH AND ECOLOGY OF CONTEMPORARY ART PRACTICES IN BOSTON.FIRST ESTABLISHED IN 1999, THE JAMES AND AUDREY FOSTER PRIZE IS CENTRAL TO THE ICA/BOSTON'S EFFORTS TO NURTURE AND RECOGNIZE LOCAL ARTISTS, SHOWCASE EXCEPTIONAL ARTWORK, AND SUPPORT A THRIVING LOCAL ARTS SCENE. IN THE COURSE OF SELECTING THESE ARTISTS, CURATOR RUTH ERICKSON HAD THE PLEASURE OF CONDUCTING FIFTY STUDIO VISITS WITH THE FOLLOWING ARTISTS, AND SHE WOULD LIKE TO THANK EACH OF THEM FOR SHARING THEIR TIME AND THEIR WORK: SONIA ALMEIDA, HARTMUT AUSTEN, CLINT BACLAWSKI, GERRY BERGSTEIN, STEPHANIE CARDON, CYRILLE CONAN, FUREN DAI, TAYLOR DAVIS, CATHY DELLA LUCIA, SEAN DOWNEY, TORY FAIR, ANDREW FISH, ARISTOTLE FORRESTER, ARIEL FREIBERG, LINA MARIA GIRALDO, SEAN GLOVER, GARRETT GOULD, JESSE ARON GREEN, DELL HAMILTON, ELISA HAMILTON, EKUA HOLMES, REBECCA HUTCHINSON, MASAKO KAMIYA, WOOMIN KIM, TIMOTHY MCCOOL, SUSAN METRICAN, MARIA MOLTENI, ELIZABETH MOONEY, YUKO ODA; ANTHONY PALOCCI, JR., ROBERTA PAUL, JEFF PERROTT, RACHEL PERRY, ROSAMOND PURCELL, ANABEL VAZQUEZ RODRIGUEZ, ZOE PETTIJOHN SCHADE, JEANNIE SIMMS, ALEXANDRIA SMITH, GABRIEL SOSA, JESSICA TAM, CHANEL THERVIL, JAMAL THORNE, CLARISSA TOSSIN, JOE WARDWELL, KEITH WASHINGTON, AND YU-WEN WU.ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR. YAYOI KUSAMA: LOVE IS CALLINGSEP 24, 2019 - MAR 13, 2020 1228256 PROGRAM MARKETING AND COMMUNICATIONS: DEVELOPED AND IMPLEMENTED MARKETING, ADVERTISING, SOCIAL MEDIA, AND PUBLIC RELATIONS STRATEGIES THAT PROMOTED THE EXPERIENCE OF THE ICA INCLUDING THE EXHIBITIONS, PERFORMANCES, EDUCATIONAL COMMUNITY AND SOCIAL PROGRAMS, AND FREE HOLIDAY MONDAYS AND THE ICA'S SEASONAL SPACE, THE WATERSHED, TO THE PUBLIC AND ICA MEMBERS. AFTER CLOSURE DURING COVID-19, THE TEAM'S EFFORTS SHIFTED TO ENGAGING VISITORS ONLINE THROUGH A SERIES OF DIFFERENT VIRTUAL PROGRAMS THAT RANGED FROM ART ACTIVITIES FOR CHILDREN TO ARTIST LECTURES AND SOCIAL PROGRAMMING FOR ADULTS. THE WATERSHED SPACE ALSO SHIFTED FROM A SPACE FOR ART TO A SPACE FOR FOOD DISTRIBUTION TO ASSIST OUR PARTNER ORGANIZATIONS AND COMMUNITIES IN EAST BOSTON. THESE STRATEGIES ALLOWED THE ICA TO ACHIEVE 262,357 IN TOTAL VISITORS TO THE ICA IN FISCAL YEAR 2020. 1505948 170231 PERFORMING AND MEDIA ARTS:THE ICA PRESENTS SOME OF THE MOST INNOVATIVE AND FORWARD-LOOKING CHOREOGRAPHERS, MUSICIANS, FILMMAKERS, THEATER COMPANIES AND MULTI-DISCIPLINARY ARTISTS FROM BOSTON AND THE REST OF THE WORLD. IN FY20 WE OFFERED 66 PRESENTATIONS OF 32 INDIVIDUAL PROGRAMS (PERFORMING ARTS AND FILM). ATTENDANCE TOTALED 24,143.WE ORGANIZED 37 PERFORMANCES BY THE FOLLOWING PERFORMERS, ARTISTS AND ENSEMBLE COMPANIES. ATTENDANCE AT THESE PERFORMANCES TOTALED 17,441. DANCE/THEATER* SUMMER STAGES DANCE @ ICA: LIZ GERRING SNEAK PEEK * SUMMER STAGES DANCE @ ICA: MAYA BEISER, WENDY WHELAN, LUCINDA CHILDS + DAVID LANG, - THE DAY WORK-IN-PROGRESS SHOWING * ANNE TERESA DE KEERSMAEKER/ROSAS: FASE, FOUR MOVEMENTS TO THE MUSIC OF STEVE REICH * NORA CHIPAUMIRE: #PUNK 100% POP *N!&GA * FAYE DRISCOLL: THANK YOU FOR COMING: SPACE * KATE WALLICH + THE YC X PERFUME GENIUS: THE SUN STILL BURNS HERE * REGGIE WILSON/FIST AND HEEL PERFORMANCE GROUP: POWERGLOBAL ARTS LIVE PRESENTS * BODYTRAFFIC * BOSTON DANCE THEATER MUSIC* HARBORWALK SOUNDS: - RIDDIM SYMPHONY - SHEILA DEL BOSQUE - ONE DROP - TRISTAN SIMONE - DREION - MESTIZAS - THEM FANTASIES - MALAYA * DJ NIGHTS: - SOULELUJAH AT THE ICA - DISCWOMAN FEATURING SHYBOI, BEARCAT, & BR0NZ3_G0DD3SS - CULTURE CLUB (PART 5): A NIGHT AT THE BEACH WITH SPACEUS - ARIEL PINK - CULTURE CLUB (PART 6): A NIGHT AT CAMP BLOOD - NANCY WHANG (LCD SOUNDSYSTEM) - NO HYPE FEST - FREEDOM FETE: A VIRTUAL JUNETEENTH CELEBRATION - THE MUSIC OF JENNIFER WALSHE FEATURING THE MIVOS QUARTET, M.C. SCHMIDT, AND WOBBLYIN FY20 WE PRESENTED 29 SCREENINGS OF THE FOLLOWING FILMS. ATTENDANCE AT THESE SCREENINGS TOTALED 6,702.FILM* SOLANGE KNOWLES: WHEN I GET HOME * KUSAMA: INFINITY * A WALL IS A WALL: SHORT FILM PROGRAM * OTTAWA INTERNATIONAL ANIMATION FESTIVAL * SUNDANCE FILM FESTIVAL SHORTS * 2020 OSCAR-NOMINATED SHORT FILMS 368273 0 703712 MEMBERSHIPS:MEMBERSHIP CONTRIBUTIONS HELP THE ICA PRESENT EXHIBITIONS, PERFORMANCES, AND PROGRAMS FOR TEENS, FAMILIES AND ADULTS, CREATING A PLACE WHERE PEOPLE OF ALL AGES AND BACKGROUNDS CAN SHARE THE EXCITEMENT OF NEW ART AND IDEAS. IN FISCAL YEAR 2020 THE MEMBERSHIP DEPARTMENT SERVED NEARLY 8,597 HOUSEHOLDS PROVIDING THE PRIMARY BENEFITS OF FREE MUSEUM ADMISSION, PERFORMANCE TICKET DISCOUNTS, DISCOUNTS IN THE ICA STORE, WATERSHED PREVIEW DAYS, FIRST FRIDAYS, OPENING EXHIBITION RECEPTIONS, PRIVATE MEMBER EVENTS AND A SUBSCRIPTION TO THE ICA MAGAZINE "NEW". THE ICA HAD OVER 28,851 MEMBER VISITS TO THE GALLERIES, PERFORMANCES AND EVENTS IN FY20. 1495123 0 642917 EARNED INCOME ACTIVITIES: - ART TRIPS: IN FY20 THE ICA SPONSORED TWO ART TRIPS TO BOGOTA AND LOS ANGELES.- EVENT SPACE RENTALS: THE ICA HAD 25 EVENT RENTALS IN FY20 THAT WERE ATTENDED BY 3,718 VISITORS WHO GOT THE OPPORTUNITY TO VIEW THE ICA'S AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS. 1527621 0 37750 EDUCATION, TEENS, ADULTS:THE ICA OFFERS A ROBUST RANGE OF EDUCATIONAL PROGRAMS BUILT AROUND THEMES IN THE ART ON VIEW AT THE ICA AND ICA WATERSHED. GEARED TOWARD ADULT, TEEN, AND FAMILY AUDIENCES, THESE INCLUDE PUBLIC TOURS, POP-UP TALKS, GALLERY GAMES, CURATOR TOURS, TEACHER RESOURCES, "BOOKS AND LOOKS" READING SESSIONS, AUDIO AND VIDEO CONTENT, AND MORE. WE EXTEND OUR GRATITUDE TO THE MANY INDIVIDUALS AND ORGANIZATIONS WHO CONTRIBUTE TO THE SUCCESS OF THESE PROGRAMS, INCLUDING TEACHING ARTISTS, VOLUNTEER TOUR GUIDES, COMMUNITY PARTNERS, SCHOOLS, PARTNER ARTS ORGANIZATIONS, AND THE ARTISTS THEMSELVES. BEGINNING IN MARCH 2020 THE EDUCATION DEPARTMENT ADAPTED MANY PROGRAMS TO VIRTUAL SETTINGS DUE TO THE COVID-19 PANDEMIC. ADULT & INTERPRETIVE PROGRAMS ADULT PROGRAMS SERVED A TOTAL OF 3,040 PEOPLE, INCLUDING GALLERY TALKS, POP UP TALKS, LECTURES (THE ARTIST'S VOICE, ICA FORUMS), AND OTHER PROGRAMS. SELECT LECTURES IN FY20 WERE DOCUMENTED AND MADE AVAILABLE THROUGH ICA'S WEBSITE AMONG OTHER RESOURCES. VIEWERS AND LISTENERS ACCESSED THESE RESOURCES ONLINE VIA ICA'S WEBSITE, MOBILE GUIDE, AND/OR ONSITE COMPUTERS (PARTICIPATION NOT QUANTIFIABLE). FOR TOUR NUMBERS, SEE TOUR PROGRAMS. THE ARTIST'S VOICE * THE ARTIST'S VOICE: RASHIN FAHANDEJ, JOSEPHINE HALVORSON, LAVAUGHAN JENKINS, AND HELGA ROHT POZNANSKI * THE ARTIST'S VOICE: MICHELLE ANGELA ORTIZ * THE ARTIST'S VOICE: RAKIM (COMMUNITY PARTNER: HIP HOP ARCHIVE & RESEARCH INSTITUTE) * THE ARTIST'S VOICE: RICHARD MOSSE THE ARTIST'S VOICE: TSCHABALALA SELF OTHER EXHIBITION-RELATED PROGRAMS * LESS IS A BORE: MAXIMALIST ART & DESIGN - CURATOR TOUR: JEFFERY DE BLOIS ON LESS IS A BORE - ICA DEEP DIVE: VIRGINIA B. JOHNSON ON LESS IS A BORE - GALLERY TALK: JAMI POWELL ON JEFFREY GIBSON GALLERY TALK: VIVIAN BEER ON MARCEL WANDERS * VIVIAN SUTER - CURATOR TOUR: RUTH ERICKSON ON VIVIAN SUTER - GALLERY TALK: NARAYAN KHANDEKAR ON VIVIAN SUTER * BEYOND INFINITY: CONTEMPORARY ART AFTER KUSAMA - GALLERY TALK: JODI COLELLA ON YAYOI KUSAMA * WHEN HOME WON'T LET YOU STAY: MIGRATION THROUGH CONTEMPORARY ART - OUR HOME: AN EASTIE COMMUNITY ARCHIVING PROJECT (ANTHONY ROMERO AND GIORDANA MECAGNI PARTNERSHIP) - ICA DEEP DIVE: ART & POETRY WITH JAMELE ADAMS (COMMUNITY PARTNER: MASS POETRY) - ICA DEEP DIVE: ART & POETRY WITH ENZO SILON SURIN (COMMUNITY PARTNER: MASS POETRY) - ICA DEEP DIVE: ART & POETRY WITH MARTHA COLLINS (COMMUNITY PARTNER: MASS POETRY) - GALLERY TALK: LUZ ZAMBRANO ON ALIZA NISENBAUM - ICA FORUM: SUITCASE STORIES UNPACKED (COMMUNITY PARTNER: INTERNATIONAL INSTITUTE OF NEW ENGLAND) - GALLERY TALK: OLIVER DE LA PAZ ON REENA SAINI KALLAT'S WOVEN CHRONICLE - CURATOR TOUR: RUTH ERICKSON ON WHEN HOME WON'T LET YOU STAY - CURATOR TOUR: EVA RESPINI ON WHEN HOME WON'T LET YOU STAY * TSCHABALALA SELF: OUT OF BODY - GALLERY TALK: PATRICIA DAVIS ON TSCHABALALA SELF: OUT OF BODY * CAROLINA CAYCEDO: COSMOTARRAYAS - CURATOR TOUR: JEFFREY DE BLOIS ON CAROLINA CAYCEDO: COSMOTARRAYAS - GALLERY TALK: TSANTA RAKOTOARISOA ON CAROLINA CAYCEDO: COSMOTARRAYAS * OTHER ADULT PROGRAMS - ICA FORUM: RACISM, PUBLIC HEALTH, AND CONTEMPORARY ART - ICA DEEP DIVE: ART+FEMINISM WIKIPEDIA EDIT-A-THON (COMMUNITY PARTNER: ART+FEMINISM) - HARVARD GRADUATE SCHOOL OF EDUCATION INFORMAL LEARNING FOR CHILDREN * WATERSHED - AQUI Y ALLA: RECETAS DE CASA (COMMUNITY PARTNER: EASTIE FARM) - AQUI Y ALLA: COSECHA COMIDA (HARVEST FOOD) - COMIDA CASERA (CO-HOSTED BY EVELYN RYDZ AND MONICA GARZA) - AQUI Y ALLA: ECO-WALK (COMMUNITY PARTNER: EASTIE FARM) - AQUI Y ALLA: GARDEN TASTE (COMMUNITY PARTNER: EASTIE FARM) FAMILY PROGRAMS FAMILY PROGRAMS SERVED 3,273 PEOPLE THROUGH PLAY DATES (INCLUDES PARTICIPANTS IN FAMILY POP UP TALKS) AND BOOKS AND LOOKS. AN ADDITIONAL 1,025 PEOPLE SERVED THROUGH WATERSHED PROGRAMS (SUNDAY STUDIO AND FAMILY DAY). AND AN ADDITIONAL 5,593 INDIVIDUALS PARTICIPATED IN ARTIST CREATED ACTIVITIES IN THE BANK OF AMERICA ART LAB (INCLUDES VACATION WEEKS AND LIVE VIRTUAL WORKSHOPS). AN UNQUANTIFIABLE NUMBER OF INDIVIDUALS UTILIZED GALLERY GAMES AND ACCESSED NEWLY DEVELOPED ONLINE FAMILY ACTIVITIES SINCE APRIL. PLAY DATES * PLAY DATE: PATTERN PLAY * PLAY DATE: SEASIDE HORIZONS * PLAY DATE: HANDMADE MOMENTS * PLAY DATE: HOME IS WHERE... * PLAY DATE: TELL ME A STORY * PLAY DATE: WE BELONG * PLAY DATE: CRAFTING COMMUNITY * VIRTUAL PLAY DATE: GO WITH THE FLOW * VIRTUAL PLAY DATE: CREATING FOR CARE VACATION WEEK PROGRAMMING * DECEMBER HOLIDAY WEEK * FEBRUARY VACATION WEEK * APRIL VACATION WEEK - VIRTUAL WORKSHOP: HANGING WONDERS! FOR AGES 6-9 - VIRTUAL WORKSHOP: HANGING WONDERS! FOR AGES 9-12 - VIRTUAL WORKSHOP: HANGING WONDERS! FOR TEENS AND THEIR SIBLINGS MAKE/MADE (DROP IN ART MAKING) * SHAPES + PATTERNS * MARTIN LUTHER KING JR. WEEKEND BANNER MAKING * MERILL COMEAU: THREADS OF CONNECTION WATERSHED * SUNDAY STUDIO * WATERSHED FAMILY DAY IN COLLABORATION WITH EAST BOSTON COMMUNITY PARTNERS ART LAB INSTALLATIONS * SHAPES + PATTERNS * MERRILL COMEAU: THREADS OF CONNECTION COMMUNITY PARTNERSHIPS THE ICA COLLABORATED WITH NUMEROUS ORGANIZATIONS THROUGHOUT FY20. BELOW IS A LIST OF SELECT PARTNER ORGANIZATIONS. PROGRAMS INCLUDE, FOR EXAMPLE, FREE FUN FRIDAY (2,351 PARTICIPANTS). BOSTON PUBLIC SCHOOLS ARTS CREDIT PROGRAM PARTNER SCHOOLS * BOSTON COMMUNITY LEADERSHIP ACADEMY * BOSTON DAY AND EVENING ACADEMY * BOSTON INTERNATIONAL NEWCOMERS ACADEMY * CHARLESTOWN HIGH SCHOOL * EAST BOSTON HIGH SCHOOL * ENGLISH HIGH SCHOOL * EXCEL HIGH SCHOOL * FENWAY HIGH SCHOOL * GREATER EGLESTON HIGH SCHOOL * NEW MISSION HIGH SCHOOL * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * SNOWDEN INTERNATIONAL SCHOOL COMMUNITY PARTNER ORGANIZATIONS * ART+FEMINISM * BLOOMBERG ARTS INTERNS * BOCH CENTER'S TEEN LEADERSHIP COUNCIL AND THE YOUTH COMMITTEE * BOSTON CHILDREN'S MUSEUM * BOSTON GLASS * BOSTON PUBLIC LIBRARY * CFA SOCIETY BOSTON * COMMUNITY ART CENTER * CONVERSE * DONALD MCKAY K-8 SCHOOL * DORCHESTER ART PROJECT * EAST BOSTON NEIGHBORHOOD HEALTH CENTER * EAST BOSTON SOCIAL CENTERS * EASTIE FARM * FENWAY HEALTH * FRESH FOOD GENERATION * HAMILTON-GARRETT MUSIC AND ARTS ACADEMY * HARVARD GRADUATE SCHOOL OF EDUCATION * HARVARD GRADUATE SCHOOL OF EDUCATION'S GUTMAN LIBRARY * HARVARD UNIVERSITY'S HIPHOP ARCHIVE AND RESEARCH INSTITUTE * HIGHLAND STREET FOUNDATION * IMPROVBOSTON * INTERNATIONAL INSTITUTE OF NEW ENGLAND * MASSACHUSETTS LITERARY EDUCATION AND PERFORMANCE COLLECTIVE (MASSLEAP) * MASSPOETRY * MASSVOTE * MAVERICK LANDING COMMUNITY SERVICES * MUSEUM OF FINE ARTS, BOSTON * NEW ENGLAND AQUARIUM * NON ISSUE STUDIO * ORIGINATION DANCE CO. * PEABODY ESSEX MUSEUM * PIERS PARK SAILING * SOCIEDAD LATINA * THE GOTTABEES * UMASS BOSTON URBAN SCHOLARS * VERONICA ROBLES CULTURAL CENTER * WEE THE PEOPLE * ZUMIX TOUR PROGRAMS IN FY20 OUR PRIVATE TOUR PROGRAM SERVED 9,539 PEOPLE WITH GUIDED, SELF-GUIDED, ART LAB VISITS AT THE ICA BOSTON AND ICA WATERSHED. OUR DROP-IN PUBLIC TOUR PROGRAM SERVED AN ADDITIONAL 1,706 PEOPLE. IN JUNE 2020, WE PILOTED A VIRTUAL VISIT PROGRAM WHICH SERVED 104 PEOPLE. THE TOTAL NUMBER OF PARTICIPANTS IN TOUR PROGRAMS IN FY20 WAS 11,349. TEEN PROGRAMS TEEN PROGRAMS SERVED A TOTAL OF 2,585 THROUGH THE IN-PERSON PROGRAMS PRIOR TO THE PANDEMIC. TEEN PROGRAMS SERVED 373 YOUTH VIRTUALLY THROUGH ONLINE PROGRAMS IN THE LATTER MONTHS OF THE FISCAL YEAR. ALL PROGRAMS ARE LISTED BELOW. IN PERSON TEEN NIGHTS, ART HAPPENINGS ORGANIZED AND PROMOTED FOR TEENS BY TEENS, SERVED 1,110 TEENS. EDUCATIONAL RESOURCES AND STUDENT FILMS CREATED THROUGH ICA TEEN PROGRAMS WERE ALSO ACCESSIBLE VIA THE ICATEENS.ORG WEBSITE AND STUDENT WORK WAS EXHIBITED AT SEVERAL LOCATIONS UNQUANTIFIABLE PARTICIPATION NUMBERS AT THIS TIME. FIELDWIDE WORK * TEEN CONVENING: JUSTICE, JUST US 3391017 0 1384379 14062108 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 238 0 308 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 34 33 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MA X NATASA VUCETIC 6174783179 25 HARBOR SHORE DRIVE BOSTON MA 02210 JILL MEDVEDOW DIRECTOR/EX-OFFICIO 37.50 X X 883173 0 30516 EVA RESPINI CHIEF CURATOR 37.50 X 221672 0 34711 KATHRYN GREENBERG MAYSHAK DIRECTOR OF DEVELOPMENT 37.50 X 188162 0 15094 NATASA VUCETIC CHIEF FINANCIAL OFFICER 37.50 X 167506 0 35770 KELLY GIFFORD DEPUTY DIRECTOR OF PUBLIC ENGAGEMENT AND PLANNING 37.50 X 163559 0 30554 TSUGUMI MAKI CHIEF OPERATING OFFICER 37.50 X 169284 0 752 MONICA GARZA DIRECTOR OF EDUCATION 37.50 X 123452 0 29674 JOHN ANDRESS DIR. OF PERFORMING & MEDIA ARTS 37.50 X 118965 0 14786 CAMILO ALVAREZ EX-OFFICIO, ADVISORY BOARD CO-CHAIR 1.00 X 0 0 0 DR PAUL BUTTENWIESER TRUSTEE 1.00 X 0 0 0 KAREN SWETT CONWAY TRUSTEE 1.00 X 0 0 0 ROBERT DAVOLI TRUSTEE 1.00 X 0 0 0 MARY SCHNEIDER ENRIQUEZ TRUSTEE 1.00 X 0 0 0 OLIVER EWALD TRUSTEE 1.00 X 0 0 0 GERALD FINEBERG TRUSTEE 1.00 X 0 0 0 DAVID FEINBERG TRUSTEE 1.00 X 0 0 0 JAMES C FOSTER TRUSTEE 1.00 X 0 0 0 ERICA GERVAIS PAPPENDICK TRUSTEE 1.00 X 0 0 0 MARK GOODMAN TRUSTEE 1.00 X 0 0 0 VIVIEN HASSENFELD TRUSTEE 1.00 X 0 0 0 HAL HESS TRUSTEE 1.00 X 0 0 0 ALLISON JOHNSON TRUSTEE 1.00 X 0 0 0 CHARLA JONES TRUSTEE 1.00 X 0 0 0 MANNY LOPES TRUSTEE 1.00 X 0 0 0 KENT LUCKEN TRUSTEE 1.00 X 0 0 0 TRISTIN MANNION TRUSTEE 1.00 X 0 0 0 TRAVIS MCCREADY TRUSTEE 1.00 X 0 0 0 DAN O'CONNELL TRUSTEE 1.00 X 0 0 0 ELLEN M POSS MD TRUSTEE 1.00 X 0 0 0 DAVID PUTH TRUSTEE 1.00 X 0 0 0 MARIO RUSSO TRUSTEE 1.00 X 0 0 0 MARK SCHWARTZ TRUSTEE 1.00 X 0 0 0 KAMBIZ SHAHBAZI TRUSTEE (FROM OCT. 2019) 1.00 X 0 0 0 NICOLE ZATLYN EX-OFFICIO, ADVISORY BOARD CO-CHAIR 1.00 X 0 0 0 CHARLES BRIZIUS CHAIR 1.00 X X 0 0 0 STEVEN D CORKIN PRESIDENT 1.00 X X 0 0 0 FOTENE DEMOULAS VICE CHAIR 1.00 X X 0 0 0 BRIDGITT EVANS VICE PRESIDENT 1.00 X X 0 0 0 BARBARA F LEE VICE CHAIR 1.00 X X 0 0 0 CHARLES RODGERS TREASURER/SECRETARY/CLERK 1.00 X X 0 0 0 CHARLOTTE WAGNER VICE PRESIDENT 1.00 X X 0 0 0 2035773 0 191857 9 0 1 0 ALLIED UNIVERSAL PO BOX 828854 PHILADELPHIA PA 191828854 SECURITY SERVICES 378703 AMERICAN CLEANING CO PO BOX 390702 CAMBRIDGE MA 02139 CLEANING SERVICES 238641 THE CATERED AFFAIR PO BOX 432 HINGHAM MA 02043 CATERING SERVICES 212765 CROZIER FINE ARTS PO BOX 21089 NEW YORK NY 10087 SHIPPING AND STORAGE SERVICES 181699 CAPACITY INTERACTIVE CONSULTING 82 NASSAU STREET 60283 NEW YORK NY 10038 ADVERTISING SERVICES 147638 10 1379431 487800 13929330 53806 15796561 ADMISSIONS AND PROGRAM 900099 1626977 1626977 MEMBERSHIP DUES 900099 703712 703712 EXHIBITIONS 900099 251738 251738 TRIP AND TOURS 900099 131725 131725 2714152 379538 490770 -111232 -111232 -111232 32214 -32214 -32214 -32214 35600 1379431 280299 -244699 -244699 953509 464174 489335 489335 FOOD SERVICES 722210 88689 88689 OTHER REVENUE 900099 21857 21857 110546 18722449 3225344 -111232 -188224 1366188 395682 835420 135086 5859615 4647243 364526 847846 223898 165342 19637 38919 448648 363353 35165 50130 541170 418215 58319 64636 39983 39983 77429 77429 16150 16150 116960 107960 9000 646155 572730 62505 10920 315469 314801 659 9 72183 43059 23290 5834 177282 111134 39868 26280 313115 300928 6387 5800 404225 322981 36968 44276 9738 7717 1667 354 200820 190825 6317 3678 2412698 2318786 49218 44694 109185 47604 61581 ART ACQUISITIONS 848650 848650 MISC. FACILITY COSTS 746032 731628 14404 SHIPPING AND STORAGE 635981 633567 1265 1149 RENTAL AND EQUIPMENT 617458 532935 84523 1222124 1094928 65200 61996 17421156 14062108 1992291 1366757 8690695 15701242 16971326 12535765 155800 34948 371056 380232 303236 409892 67815978 25068416 44797474 42747562 38513166 37575580 533999 518060 110336752 109903281 2022248 923068 2438502 2123791 3693547 3356105 0 1380000 400000 0 8554297 7782964 X 39615232 38307513 62167223 63812804 101782455 102120317 110336752 109903281 X 1301293 -937586 -25845 X 0 1 X 1 0 X 10522512 20951011 30290807 12150076 15796561 89710967 10522512 20951011 30290807 12150076 15796561 89710967 13943150 75767817 402230 452501 249366 1104097 227565 211479 246686 239905 124289 1049924 91864988 14434291 0.82480 0.82440 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: FUNDRAISING INCOME - 2015 AMOUNT: $ 137,800. 2016 AMOUNT: $ 117,600. 2017 AMOUNT: $ 128,300. 2018 AMOUNT: $ 128,390. 2019 AMOUNT: $ 35,600. FOOD SERVICES - 2015 AMOUNT: $ 89,765. 2016 AMOUNT: $ 93,879. 2017 AMOUNT: $ 118,386. 2018 AMOUNT: $ 111,515. 2019 AMOUNT: $ 88,689. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X 0 40458720 5881208 -1045546 1750000 43544382 37567699 2867591 1623430 1600000 40458720 29617573 7347090 2018036 1415000 37567699 23668861 3951001 3122711 1125000 29617573 21210871 3692065 -299075 935000 23668861 0.00000 1.00000 0.00000 0 0 61245407 18904230 42341177 6570571 6164186 406385 42747562 X 18925386 -937586 39085 -25845 -924346 19849732 107960 -1235243 -1127283 18722449 18587524 39085 1235243 1274328 17313196 107960 107960 17421156 PART III, LINE 1A: COLLECTIONS CONSIST OF WORKS OF ART, HISTORICAL TREASURES AND SIMILAR ASSETS HELD AS PART OF A COLLECTION FOR THE PURPOSES OF EDUCATION, RESEARCH OR PUBLIC EXHIBITION, RATHER THAN FOR SALE OR FINANCIAL GAIN. COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ICA'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS A DECREASE IN NET ASSETS WITH DONOR RESTRICTIONS IF THE ASSETS ARE USED TO PURCHASE THE ITEMS ARE RESTRICTED BY DONORS. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASSES. THE COLLECTIONS ARE SUBJECT TO A POLICY THAT REQUIRES PROCEEDS FROM THEIR SALES TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. THE ICA PURCHASED 6 PIECES OF ART FOR THE PERMANENT COLLECTIONS IN THE AMOUNT OF $848,650 DURING THE YEAR ENDED JUNE 30, 2020. THE ICA PURCHASED 14 PIECES OF ART FOR THE PERMANENT COLLECTIONS IN THE AMOUNT OF $2,365,900 DURING THE YEAR ENDED JUNE 30, 2019. PART III, LINE 4: IN ACCOMPLISHING THE ORGANIZATION'S MISSION IN ART EDUCATION, CONTEMPORARY ARTWORKS FROM VARIOUS ARTISTS ARE EXHIBITED TO THE GENERAL PUBLIC. PART V, LINE 4: THE ORGANIZATION'S ENDOWMENT FUNDS ARE FOR THE ORGANIZATION'S OPERATING EXPENSES AS DESIGNATED BY DONOR. PART X, LINE 2: THE ICA IS GENERALLY EXEMPT FROM FEDERAL AND STATE INCOME TAXES UNDER THE PROVISIONS OF SECTION 501(A) OF THE INTERNAL REVENUE CODE AS ORGANIZATIONS DESCRIBED IN SECTION 501(C)(3). ACCORDINGLY, NO PROVISION FOR INCOME TAXES HAS BEEN RECORDED IN THE ACCOMPANYING FINANCIAL STATEMENTS. THE ICA RECOGNIZES A TAX BENEFIT FROM AN UNCERTAIN TAX POSTION ONLY IF IT IS MORE LIKELY THAN NOT THAT THE TAX POSITION WILL BE SUSTAINED ON EXAMINATION BY TAXING AUTHORITIES. MANAGEMENT EVALUATED THE ICA'S TAX POSITIONS AND CONCLUDED THAT THE ICA HAD NO MATERIAL UNCERTAINTIES IN INCOME TAXES AS OF JUNE 30, 2020 AND 2019. WITH FEW EXCEPTIONS, THE ICA IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE U.S., FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR FISCAL YEARS BEFORE 2017. THE ICA WILL ACCOUNT FOR INTEREST AND PENALTIES RELATED TO UNCERTAIN TAX POSITIONS, IF ANY, AS PART OF TAX EXPENSE. PART XI, LINE 2D - OTHER ADJUSTMENTS: LOSS ON SPLIT INTEREST AGREEMENTS -15,939. (LOSSES) RECOVERIES FROM PLEDGE RECEIVABLE WRITE OFFS AND ALLOWANCES -9,906. PART XI, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B -464,174. SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B -280,299. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B -490,770. PART XII, LINE 2D - OTHER ADJUSTMENTS: SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B 280,299. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B 490,770. COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B 464,174. X X X X X X X 1 SUSAN COURTENMANCHE 40 POWDER HORN HILL ROAD WILTON CT 06897 FUNDRAISING STRATEGY 0 0 16150 -16150 16150 -16150 MA GALA 962000 962000 20000 155641 WINE AUCTION 400781 365181 35600 72931 2100 28476 1 52250 52250 800 351 1415031 1379431 35600 72931 22900 184468 280299 -244699 X X X X 0 0 0 0 0 0 0 1 0 JILL MEDVEDOW DIRECTOR/EX-OFFICIO 494508 0 0 0 388665 0 14000 0 16516 0 913689 0 0 0 EVA RESPINI CHIEF CURATOR 221672 0 0 0 0 0 11412 0 23299 0 256383 0 0 0 KATHRYN GREENBERG MAYSHAK DIRECTOR OF DEVELOPMENT 188162 0 0 0 0 0 9624 0 5470 0 203256 0 0 0 NATASA VUCETIC CHIEF FINANCIAL OFFICER 167506 0 0 0 0 0 10559 0 25211 0 203276 0 0 0 KELLY GIFFORD DEPUTY DIRECTOR OF PUBLIC ENGAGEMENT AND PLANNING 163559 0 0 0 0 0 8448 0 22106 0 194113 0 0 0 TSUGUMI MAKI CHIEF OPERATING OFFICER 161034 0 8250 0 0 0 0 0 752 0 170036 0 0 0 MONICA GARZA DIRECTOR OF EDUCATION 123452 0 0 0 0 0 6508 0 23166 0 153126 0 0 0 PART I, LINE 7 THE DIRECTOR RECEIVED A RETENTION BONUS PER THE AGREEMENT EXECUTED AND APPROVED IN 2019 BY THE COMPENSATION COMMITTEE AND THE BOARD OF TRUSTEES. THIS BONUS IS REPORTED UNDER PART II, COLUMN B(III). A MASSACHUSETTS DEVELOPMENT FINANCE AGENCY 043431814 2012-05-03 6408949 REFUNDING ISSUE 0 0 0 A 4262500 6408949 96449 6312500 2006 1 0 1 1 A 0 0 1 1 0 0.01120 0.00500 0.01620 0 0 1 A 0 0 0 0 1 0 0 0 1 A 1 X 1 X 10 44091 FAIR MARKET VALUE X 6 9715 FAIR MARKET VALUE 0 0 1 0 PART I, COLUMN (B): THE NUMBER OF STOCK CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS RECEIVED. THE NUMBER OF ART CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS OF ARTWORK. THE NUMBER OF FOOD INVENTORY IS BASED ON THE NUMBER OF CONTRIBUTORS. PART I, LINE 33: CONTRIBUTED ART COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS AS PERMITTED UNDER SFAS 116 (ASC 958). FORM 990, PART III, LINE 4A CONTINUED: AN ICON OF CONTEMPORARY ART, YAYOI KUSAMA (B. 1929, MATSUMOTO, JAPAN) HAS INTERWOVEN IDEAS OF POP ART, MINIMALISM, AND PSYCHEDELIA THROUGHOUT HER WORK IN PAINTINGS, PERFORMANCES, ROOM-SIZE PRESENTATIONS, OUTDOOR SCULPTURAL INSTALLATIONS, LITERARY WORKS, FILMS, DESIGN, AND ARCHITECTURAL INTERVENTIONS OVER HER LONG AND INFLUENTIAL CAREER. LOVE IS CALLING, WHICH PREMIERED IN JAPAN IN 2013, IS THE MOST IMMERSIVE AND KALEIDOSCOPIC OF THE ARTIST'S INFINITY MIRROR ROOMS. REPRESENTING THE CULMINATION OF HER ARTISTIC ACHIEVEMENTS, IT EXEMPLIFIES THE BREADTH OF HER VISUAL VOCABULARY FROM HER SIGNATURE POLKA DOTS AND SOFT SCULPTURES TO BRILLIANT COLORS, THE SPOKEN WORD, AND MOST IMPORTANTLY, ENDLESS REFLECTIONS AND THE ILLUSION OF SPACE. IT IS COMPOSED OF A DARKENED, MIRRORED ROOM ILLUMINATED BY INFLATABLE, TENTACLE-LIKE FORMS COVERED IN THE ARTIST'S CHARACTERISTIC POLKA DOTS THAT EXTEND FROM THE FLOOR AND CEILING, GRADUALLY CHANGING COLORS. AS VISITORS WALK THROUGHOUT THE INSTALLATION, A SOUND RECORDING OF KUSAMA RECITING A LOVE POEM IN JAPANESE PLAYS CONTINUOUSLY. WRITTEN BY THE ARTIST, THE POEM'S TITLE TRANSLATES TO RESIDING IN A CASTLE OF SHED TEARS IN ENGLISH. EXPLORING ENDURING THEMES INCLUDING LIFE AND DEATH, THE POEM POIGNANTLY EXPRESSES KUSAMA'S HOPE TO SPREAD A UNIVERSAL MESSAGE OF LOVE THROUGH HER ART. A TWO-MINUTE EXPERIENCE, LOVE IS CALLING IS ACCOMPANIED BY A FOCUSED PRESENTATION DRAWN FROM THE ICA'S COLLECTION TITLED BEYOND INFINITY: CONTEMPORARY ART AFTER KUSAMA THAT WILL OFFER INSIGHT INTO KUSAMA'S INFLUENCES AND HER IMPORTANT LEGACY ON CONTEMPORARY ART. KUSAMA IS ONE OF TODAY'S MOST RECOGNIZED AND CELEBRATED ARTISTS. IN ADDITION TO HER WIDELY POPULAR INFINITY MIRROR ROOMS, KUSAMA CREATES VIBRANT PAINTINGS, WORKS ON PAPER, AND SCULPTURE WITH ABSTRACT IMAGERY. IN 1966, THE ICA EXHIBITED AN INFINITY MIRROR ROOM, NOW TITLED ENDLESS LOVE SHOW, IN THE ICA EXHIBITION MULTIPLICITY; THE MUSEUM ALSO OWNS A 1953 DRAWING BY THE ARTIST, TITLED A FLOWER (NO. 14). LOVE IS CALLING IS THE LARGEST OF KUSAMA'S EXISTING INFINITY MIRROR ROOMS, AND THE FIRST ONE HELD IN THE PERMANENT COLLECTION OF A NEW ENGLAND MUSEUM. ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR. BEYOND INFINITY: CONTEMPORARY ART AFTER KUSAMA SEP 24, 2019 - JUL 18, 2021 DRAWN PRIMARILY FROM THE ICA'S PERMANENT COLLECTION, THIS EXHIBITION PRESENTS ARTWORKS THAT ENGAGE WITH THE PIONEERING IDEAS OF YAYOI KUSAMA (B. 1929, MATSUMOTO, JAPAN). BEYOND INFINITY: CONTEMPORARY ART AFTER KUSAMA CELEBRATES KUSAMA'S PRESCIENT ARTISTIC VISION, WHICH SINCE THE 1950S HAS MERGED TECHNIQUES OF REPETITION, OBSESSIONAL PATTERNS, AND THE ACTIVATION OF THE BODY IN SEARCH OF A PATH TO LIBERATION FROM PSYCHOLOGICAL AND SOCIETAL CONSTRAINTS. THROUGH HER PAINTINGS, SCULPTURES, AND ENVIRONMENTS, AS WELL AS BODY ART, FILM, AND PERFORMANCE, KUSAMA CHANNELED THE ATTITUDES AND REALITIES OF THE MOMENT BUT AVOIDED SUCH LABELS AS POP, MINIMALISM, POSTMINIMALISM, AND PERFORMANCE ART. KUSAMA'S PEERS SHARED HER INTEREST IN TIMELESS CONCEPTS THAT PUSHED THE LIMITS OF POSSIBILITY AND OF IMAGINATION: THE IDEA OF THE INFINITE; THE EXPERIENCE OF RAPTURE; THE REPRESENTATIONAL POWER OF ILLUSION; AND THE THRESHOLD BETWEEN LIFE AND DEATH. HERE, KUSAMA'S WORK IS PRESENTED ALONGSIDE THAT OF HER CONTEMPORARIES, SUCH AS LOUISE BOURGEOIS AND ANA MENDIETA, AND OTHER ARTISTS WHOSE WORK BUILDS ON HER LASTING IMPACT ON CONTEMPORARY ART THROUGH DIZZYING ARRAYS OF FORMS AND COLORS, INFINITE REFLECTION, AND THE EVOCATIVE VOCABULARY OF THE BODY. ORGANIZED BY ELLEN TANI, ASSISTANT CURATOR. WHEN HOME WON'T LET YOU STAY: MIGRATION THROUGH CONTEMPORARY ART OCT 23, 2019 - JAN 26, 2020 WHEN HOME WON'T LET YOU STAY: MIGRATION THROUGH CONTEMPORARY ART CONSIDERS HOW CONTEMPORARY ARTISTS ARE RESPONDING TO THE MIGRATION, IMMIGRATION, AND DISPLACEMENT OF PEOPLES TODAY. WE ARE CURRENTLY WITNESSING THE HIGHEST LEVELS OF MOVEMENT ON RECORD THE UNITED NATIONS ESTIMATES THAT ONE OUT OF EVERY SEVEN PEOPLE IN THE WORLD IS AN INTERNATIONAL OR INTERNAL MIGRANT WHO MOVES BY CHOICE OR BY FORCE, WITH GREAT SUCCESS OR GREAT STRUGGLE. WHEN HOME WON'T LET YOU STAY BORROWS ITS TITLE FROM A POEM BY WARSAN SHIRE, A SOMALI-BRITISH POET WHO GIVES VOICE TO THE EXPERIENCES OF REFUGEES. THROUGH ARTWORKS MADE SINCE 2000 BY TWENTY ARTISTS FROM MORE THAN A DOZEN COUNTRIES SUCH AS COLOMBIA, CUBA, FRANCE, INDIA, IRAQ, MEXICO, MOROCCO, NIGERIA, PALESTINE, SOUTH KOREA, THE UNITED KINGDOM, AND THE UNITED STATES THIS EXHIBITION HIGHLIGHTS DIVERSE ARTISTIC RESPONSES TO MIGRATION RANGING FROM PERSONAL ACCOUNTS TO POETIC MEDITATIONS, AND FEATURES A RANGE OF MEDIUMS, INCLUDING SCULPTURE, INSTALLATION, PAINTING, AND VIDEO. ARTISTS IN THE EXHIBITION INCLUDE KADER ATTIA, TANIA BRUGUERA, ISAAC JULIEN, HAYV KAHRAMAN, REENA SAINI KALLAT, RICHARD MOSSE, CARLOS MOTTA, YINKA SHONIBARE, XAVIERA SIMMONS, AND DO-HO SUH, AMONG OTHERS. A FULLY ILLUSTRATED CATALOGUE ACCOMPANIES THE EXHIBITION, WITH AN ESSAY BY EVA RESPINI AND RUTH ERICKSON AND TEXTS BY PROMINENT SCHOLARS ARUNA D'SOUZA, OKWUI ENWEZOR, THOMAS KEENAN, PEGGY LEVITT, AND UDAY SINGH MEHTA, AMONG OTHERS. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, AND EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH ELLEN TANI, ASSISTANT CURATOR. TSCHABALALA SELF: OUT OF BODY JAN 20 - SEP 7, 2020 TSCHABALALA SELF (B. 1990, HARLEM, NEW YORK) CREATES LARGE-SCALE FIGURATIVE PAINTINGS THAT INTEGRATE HAND-PRINTED AND FOUND TEXTILES, DRAWING, PRINTMAKING, SEWING, AND COLLAGE TECHNIQUES TO TELL STORIES OF URBAN LIFE, THE BODY, AND HUMANITY. THE ARTIST'S FIRST BOSTON PRESENTATION AND HER LARGEST EXHIBITION TO DATE WILL INCLUDE A SELECTION OF PAINTINGS AND SCULPTURES THAT REPRESENT PERSONAL AVATARS, COUPLINGS, AND EVERYDAY SOCIAL EXCHANGES INSPIRED BY URBAN LIFE. TOGETHER, THEY ARTICULATE NEW EXPRESSIONS OF EMBODIMENT AND HUMANITY THROUGH THE EXAGGERATED FORMS AND EXUBERANT TEXTURES OF THE HUMAN FIGURE, POINTING TO ITS LIMITLESS CAPACITY TO REPRESENT IMAGINED STATES, MEMORIES, ASPIRATIONS, AND EMOTIONS. YET SELF'S CHARACTERS POSSESS AN ORDINARY GRACE GROUNDED IN REALITY: THEY ARE REFLECTIONS OF THE ARTIST OR PEOPLE SHE CAN IMAGINE MEETING IN HARLEM, HER HOMETOWN. ORGANIZED BY ELLEN TANI AND RUTH ERICKSON, MANNION FAMILY CURATOR. CAROLINA CAYCEDO: COSMOTARRAYAS JAN 20 - SEP 7, 2020 THE INTERDISCIPLINARY PRACTICE OF LOS ANGELES BASED ARTIST CAROLINA CAYCEDO (B. 1978, LONDON) IS GROUNDED IN VITAL QUESTIONS RELATED TO ASYMMETRICAL POWER RELATIONS, DISPOSSESSION, EXTRACTION OF RESOURCES, AND ENVIRONMENTAL JUSTICE. SINCE 2012, CAYCEDO HAS CONDUCTED AN ONGOING PROJECT, BE DAMMED, EXAMINING THE WIDE-REACHING IMPACTS OF DAMS BUILT ALONG WATERWAYS BY TRANSNATIONAL CORPORATIONS, INCLUDING THE DISPLACEMENT AND DISPOSSESSION OF PEOPLES, PARTICULARLY IN LATIN AMERICAN COUNTRIES SUCH AS BRAZIL OR COLOMBIA (WHERE SHE WAS RAISED AND FREQUENTLY RETURNS). AT THE ICA, CAYCEDO WILL PRESENT THE CULMINATION OF ONE COMPONENT OF THE PROJECT, A SERIES OF HANGING SCULPTURES CALLED COSMOTARRAYAS THAT ARE ASSEMBLED WITH HANDMADE FISHING NETS AND OTHER OBJECTS COLLECTED DURING FIELD RESEARCH IN RIVER COMMUNITIES AFFECTED BY THE PRIVATIZATION OF WATERWAYS. THESE OBJECTS, MANY OF WHICH WERE ENTRUSTED TO HER BY INDIVIDUALS NO LONGER ABLE TO USE THEM, DEMONSTRATE THE MEANINGFUL CONNECTIVITY AND EXCHANGE AT THE HEART OF CAYCEDO'S PRACTICE. AT THE SAME TIME, THEY ALSO REPRESENT THE DISPOSSESSION OF THESE INDIVIDUALS AND THEIR CONTINUED RESISTANCE TO CORPORATIONS AND GOVERNMENTS SEEKING TO CONTROL THE FLOW OF WATER AND THUS THEIR WAY OF LIFE. ORGANIZED BY JEFFREY DE BLOIS, ASSISTANT CURATOR AND PUBLICATIONS MANAGER. STERLING RUBY FEB 26 - OCT 12, 2020 ICA/BOSTON PRESENTS THE FIRST COMPREHENSIVE MUSEUM SURVEY FOR AMERICAN ARTIST STERLING RUBY. THE EXHIBITION FEATURES MORE THAN 70 WORKS THAT DEMONSTRATE THE RELATIONSHIP BETWEEN MATERIAL TRANSFORMATION IN RUBY'S PRACTICE AND THE RAPID EVOLUTION OF CULTURE, INSTITUTIONS, AND LABOR. SPANNING MORE THAN TWO DECADES OF THE ARTIST'S CAREER, THE EXHIBITION LOOKS TO THE ORIGINS AND DEVELOPMENT OF HIS PRACTICE, THROUGH MEDIUMS RANGING FROM LESSER-KNOWN DRAWINGS AND SCULPTURES TO HIS RENOWNED CERAMICS AND PAINTINGS. SINCE HIS EARLIEST WORKS, RUBY HAS INVESTIGATED THE ROLE OF THE ARTIST AS AN OUTSIDER. CRITIQUING THE STRUCTURES OF MODERNISM AND TRADITIONAL INSTITUTIONS, RUBY ADDRESSES THE REPRESSED UNDERPINNINGS OF U.S. CULTURE AND THE CODING OF POWER AND VIOLENCE. CRAFT IS CENTRAL TO HIS INQUIRY, AS HE EXPLORES CALIFORNIA'S RADICAL CERAMICS HISTORY AND TRADITIONS OF AMISH QUILT MAKING, SHAPED BY HIS UPBRINGING IN PENNSYLVANIA DUTCH COUNTRY. THE PROCESS OF COMBINING DISPARATE ELEMENTS IS CENTRAL TO RUBY'S MATERIAL RECLAMATIONS, WHICH SERVE AS A FORM OF AUTOBIOGRAPHICAL AND CULTURAL ARCHEOLOGY. ORGANIZED LOOSELY BY CHRONOLOGY AND MEDIUM, STERLING RUBY CONSIDERS THE ARTIST'S EXPLORATIONS OF THESE THEMES ACROSS THE MANY MATERIALS AND FORMS HE HAS UTILIZED THROUGHOUT HIS PRACTICE. FORM 990, PART III, LINE 4A CONTINUED: STERLING RUBY IS CO-PRESENTED WITH INSTITUTE OF CONTEMPORARY ART, MIAMI, AND IS ACCOMPANIED BY AN ILLUSTRATED SCHOLARLY CATALOGUE EDITED BY ALEX GARTENFELD AND EVA RESPINI, WITH A CONVERSATION BETWEEN RUBY AND ISABELLE GRAW. PUBLISHED WITH DELMONICO PRESTEL, THE CATALOGUE FEATURES ESSAYS THAT CONSIDER RUBY'S WORK AMIDST THE CONTEMPORARY ART PRODUCTION AND VISUAL CULTURE OF THE LAST 30 YEARS. STERLING RUBY (AMERICAN/DUTCH, B. 1972, GERMANY) IS A LEADING CONTEMPORARY ARTIST WHOSE WORK HAS BEEN PRESENTED IN SOLO EXHIBITIONS THROUGHOUT THE GLOBE. RUBY RECEIVED HIS B.F.A. IN 2002 FROM THE SCHOOL OF THE ART INSTITUTE OF CHICAGO, ILLINOIS, AND HIS M.F.A. IN 2005 FROM THE ART CENTER COLLEGE OF DESIGN, PASADENA. HE CURRENTLY LIVES AND WORKS IN LOS ANGELES. ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, ICA/BOSTON, AND ALEX GARTENFELD, ARTISTIC DIRECTOR, ICA, MIAMI, WITH JEFFREY DE BLOIS, ASSISTANT CURATOR AND PUBLICATIONS MANAGER, ICA/BOSTON. FORM 990, PART VI, SECTION B, LINE 11B FORM 990 IS REVIEWED BY THE ICA'S CFO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS RESPONSIBLE FOR APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE. FORM 990, PART VI, SECTION B, LINE 12C EACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A)ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B)APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C)DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D)TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY. FORM 990, PART VI, SECTION B, LINE 15 THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (CHIEF OPERATING AND CHIEF FINANCIAL OFFICERS, CHIEF CURATOR, DEPUTY DIRECTOR OF PUBLIC ENGAGEMENT AND PLANNING, DIRECTOR OF DEVELOPMENT, DIRECTOR OF EDUCATION AND DIRECTOR OF PERFORMING AND MEDIA ARTS) BUT FINAL COMPENSATION FOR THE SENIOR MANAGEMENT TEAM IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990, AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D). IN ADDITION, THE ORGANIZATION'S FORM 990 WITHOUT SCHEDULE B IS AVAILABLE VIA GUIDESTAR AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE. FORM 990, PART XI, LINE 9: LOSS ON SPLIT INTEREST AGREEMENTS -15,939. (LOSSES) RECOVERIES FROM PLEDGE RECEIVABLE WRITE OFFS AND ALLOWANCES -9,906. FORM 990, PART III, LINE 4D, OTHER PROGRAM SERVICES CONT'D: EDUCATION, TEENS, ADULTS: ARTIST INTERVIEWS & ENCOUNTERS * ARTIST INTERVIEW WITH NORA CHIPAUMIRE * ARTIST INTERVIEW WITH TSCHABALALA SELF * SELF-CARE AND PORTRAIT PHOTOGRAPHY WITH CARLIE FEBO EXTENDED TEEN PROGRAMS * ADVANCED PHOTOGRAPHY * ARTISTS & WRITERS COLLECTIVE * DJ COLLECTIVE * FAST FORWARD THURSDAY * FAST FORWARD FRIDAY * HARBOR COLLECTIVE * MUSIC PRODUCTION: AMP * PHOTOGRAPHY: SPECIAL FOCUS (FALL 2019; SPRING 2020) * TEEN ARTS COUNCIL (SUMMER 2019; SCHOOL YEAR 2019-2020) TEEN ARTS COUNCIL * IN SUMMER 2019, 17 STUDENTS FROM: - ARLINGTON HIGH SCHOOL - BOSTON ARTS ACADEMY - BOSTON DAY AND EVENING ACADEMY - BOSTON LATIN ACADEMY - BOSTON LATIN SCHOOL - BOSTON TRINITY ACADEMY - BROOKLINE HIGH SCHOOL - BURKE HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - FENWAY HIGH SCHOOL - HOME SCHOOL - LYNN CLASSICAL HIGH SCHOOL - REVERE HIGH SCHOOL - ROXBURY PREPARATORY HIGH SCHOOL - SOMERVILLE HIGH SCHOOL * IN SCHOOL YEAR 2019-2020, 17 STUDENTS FROM: - BOSTON ARTS ACADEMY - BOSTON LATIN ACADEMY - BOSTON LATIN SCHOOL - BROOKLINE HIGH SCHOOL - BURKE HIGH SCHOOL - FENWAY HIGH SCHOOL - JOSIAH QUINCY UPPER SCHOOL - LYNN CLASSICAL HIGH SCHOOL - REVERE HIGH SCHOOL - ROXBURY PREPARATORY HIGH SCHOOL - SNOWDEN INTERNATIONAL HIGH SCHOOL - SOMERVILLE HIGH SCHOOL - THE JOHN D. O'BRYANT SCHOOL OF MATHEMATICS AND SCIENCE WALL TALK SCHOOL PARTNERSHIP PROGRAM * MORE THAN 500 STUDENTS FROM: - BOSTON COLLEGIATE CHARTER SCHOOL - BOSTON COMMUNITY LEADERSHIP ACADEMY - BOSTON LATIN ACADEMY - CHARLESTOWN HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - EXCEL HIGH SCHOOL - GREATER EGLESTON HIGH SCHOOL - MCKINLEY SOUTH END ACADEMY - RAFAEL HERNANDEZ SCHOOL - SNOWDEN INTERNATIONAL HIGH SCHOOL * WALLTALK SPECIAL PROJECT WITH BOSTON INTERNATIONAL NEWCOMERS ACADEMY * WALLTALK VIRTUAL WORKSHOPS * WALLTALK VIRTUAL READING JAM TEEN NIGHTS * THE CATEGORY IS ___: LIVING YOUR AUTHENTIC TRUTH * INTANGIBLE REALITY * VIRTUAL TEEN WEEK: A CELEBRATION OF UNITY & COMMUNITY - SUNDAY BRUNCH JAMS WITH DJ YVNG PAVL + ICA TEENS DJ COLLECTIVE - THE PLAYLIST BY DJ COLLECTIVE - CREATIVE MAKING MINI SERIES BY AND WITH TEEN ARTS COUNCIL - VIRTUAL EXHIBITION: ARTISTS & WRITERS COLLECTIVE - PHOTOGRAPHY IN FOCUS: OJ SLAUGHTER - PHOTOGRAPHY IN FOCUS: LAUREN MILLER - VIRTUAL EXHIBITION: PHOTOGRAPHY - VIRTUAL OPEN MIC BY AND WITH TEEN ARTS COUNCIL - NEW MUSIC BY AMP - MINDFULNESS STRETCHING BY AND WITH TEEN ARTS COUNCIL - FAST FORWARD FILM FEST - CREATIVES IN OUR COMMUNITY BY AND WITH TEEN ARTS COUNCIL - DANCE PARTY BY AND WITH TEEN ARTS COUNCIL THE CURRENT * KEEPING YOUR HEAD ABOVE WATER OTHER EVENTS * THE CYPHER (KICKOFF FOR MASS LEAP'S WICKED LOUD YOUTH POETRY FESTIVAL) * LOVE IS CALLING YOU TO PODCAST (EVENT BY FAST FORWARD) * VDAY LISTENING SESSION (EVENT BY AMP & DJ AT DORCHESTER ART PROJECT) FIRST IN THOUGHT, THEN IN ACTION: TEENS PERFORM * PERFORMANCE: REGGIE WILSON/FIST AND HEEL PERFORMANCE GROUP: POWER * PERFORMANCE: NORA CHIPAUMIRE: #PUNK 100% POP *N!&GA * ULTRAFUSION (ICA TEENS HOLIDAY PARTY) * VIRTUAL OPEN MIC (EVENT BY TEEN ARTS COUNCIL) TEEN NEW MEDIA WORKSHOPS * DJ 101: MIX & SCRATCH ACADEMY (FALL 2019; SPRING 2020) * DIGITAL PHOTOGRAPHY: CAMERA BASICS (FALL 2019; SPRING 2020) * FILM SCHOOL: MUSIC VIDEOS * FILM SCHOOL * MUSIC PRODUCTION: BEATMAKING 101 * MUSIC PRODUCTION WORKSHOPS WITH MATT JOYNT * PROJECT COLLECTIVE * WHERE DOES IT HIT YOU: BEATS & MUSIC PRODUCTION WORKSHOP OTHER WORKSHOPS * PHOTOGRAPHY WORKSHOPS FOR UMASS BOSTON'S URBAN SCHOLARS TEEN EXHIBITIONS & SHOWCASES * FAST FORWARD WINTER SHOWCASE * PEOPLE, PLACE, THING, OR IDEA (EXHIBITION OF TEEN PHOTOGRAPHY CURATED BY TEENS) AT HARVARD - GRADUATE SCHOOL OF EDUCATION'S GUTMAN LIBRARY * EXHIBITION OF WORKS BY TEEN ARTS COUNCIL AT THE PEABODY ESSEX MUSEUM IN ARTIST WES SAM- - BRUCE'S EXHIBITION WHERE THE QUESTIONS LIVE: AN EXPLORATION OF HUMANS IN NATURE * VIRTUAL ICA TEENS SPRING SHOWCASE ALUMNI PROGRAMS * CAREER CONVERSATION WITH CONVERSE * FAST FORWARD ALUMNI SCREENING * FINANCIAL LITERACY WORKSHOPS WITH CFA SOCIETY BOSTON (BUDGETING & SAVING; CREDIT) * FIRST FRIDAY ALUMNI GATHERING * TEEN ARTS COUNCIL ALUMNI GATHERING * VIRTUAL FAST FORWARD ALUMNI EVENT