2022-11-14T21:43:17-05:00 2021-12-31 SOZO CONSULTING 573 PALO ALTO AVENUE MOUNTAIN VIEW CA 94041 990 2021-01-01 831901032 REDTONE RECORDS REDT 6509062464 321 BELL STREET EAST PALO ALTO CA 94303 JUSTIN PHIPPS ED/PRES/BOARD 6509062464 2022-11-14 true JUSTIN PHIPPS 999009999 JOSHUA M CANTWELL P01498460 6509067272 2022-11-14 X 2021 2022-09-23 18:48:47Z JUSTIN PHIPPS 321 BELL STREET EAST PALO ALTO CA 94303 301575 false X WWW.REDTONERECORDS.COM X 2018 CA REDTONE RECORDS IS AS A NONPROFIT, COMMUNITY-BASED RECORD LABEL AND RECORDING STUDIO THAT PROVIDES FREE, PROFESSIONAL MUSIC AND VIDEO PRODUCTION TO CULTURAL ARTISTS WITH POSITIVE MESSAGES. WE HAVE A SPECIFIC FOCUS ON PRESERVING AND PROMOTING VARIOUS FORMS OF TRADITIONAL AND ROOTS MUSIC FROM AROUND THE WORLD. ADDITIONALLY WE WILL BE CONDUCTING REGULAR YOUTH SONGWRITING COMPETITIONS, INCENTIVIZING POSITIVE LYRICAL CONTENT FROM YOUNG, ASPIRING, COMMUNITY ARTISTS. OUR ACTIVITIES INCLUDE: IDENTIFYING AND RECRUITING ARTISTS, BOTH LOCALLY AND INTERNATIONALLY; SUBSIDIZING TRAVEL AND LODGING EXPENSES FOR ARTIST RESIDENCIES WHEN APPLICABLE; OPERATING A COMMUNITY-BASED RECORDING STUDIO; PRODUCING MUSIC AND VIDEO; HOSTING AND PROMOTING CONCERTS, FESTIVALS AND SIMILAR ACTIVITIES; PURSUING SONG PLACEMENTS IN TV, FILM, ADVERTISING, ETC.; MARKETING AND PROMOTION OF REDTONE ARTISTS; SUBMITTING REDTONE PRODUCTIONS TO MAJOR ARTISTS FOR POSSIBLE PROGRAM REVENUE TO FUND REDTONE ACTIVITIES. REDTONE'S MISSIO 3 2 0 0 269286 32289 0 0 301575 0 0 66185 0 41026 256244 322429 -20854 73517 100047 48692 96076 24825 3971 X REDTONE RECORDS IS AS A NONPROFIT, COMMUNITY-BASED RECORD LABEL AND RECORDING STUDIO THAT PROVIDES FREE, PROFESSIONAL MUSIC AND VIDEO PRODUCTION TO CULTURAL ARTISTS WITH POSITIVE MESSAGES. WE HAVE A SPECIFIC FOCUS ON PRESERVING AND PROMOTING VARIOUS FORMS OF TRADITIONAL AND ROOTS MUSIC FROM AROUND THE WORLD. ADDITIONALLY WE WILL BE CONDUCTING REGULAR YOUTH SONGWRITING COMPETITIONS, INCENTIVIZING POSITIVE LYRICAL CONTENT FROM YOUNG, ASPIRING, COMMUNITY ARTISTS. OUR ACTIVITIES INCLUDE: IDENTIFYING AND RECRUITING ARTISTS, BOTH LOCALLY AND INTERNATIONALLY; SUBSIDIZING TRAVEL AND LODGING EXPENSES FOR ARTIST RESIDENCIES WHEN APPLICABLE; OPERATING A COMMUNITY-BASED RECORDING STUDIO; PRODUCING MUSIC AND VIDEO; HOSTING AND PROMOTING CONCERTS, FESTIVALS AND SIMILAR ACTIVITIES; PURSUING SONG PLACEMENTS IN TV, FILM, ADVERTISING, ETC.; MARKETING AND PROMOTION OF REDTONE ARTISTS; SUBMITTING REDTONE PRODUCTIONS TO MAJOR ARTISTS FOR POSSIBLE PROGRAM REVENUE TO FUND REDTONE ACTIVITIES. REDTONE'S MISSIO false false 261924 32289 IN 2021, WE WERE ABLE TO SUCCESSFULLY BUILD UPON OUR MOMENTUM FROM 2020. COVID STILL HAD A BIG IMPACT ON LIVE MUSIC IN THE FIRST HALF OF THE YEAR. INSTEAD WE DID SEVERAL LIVESTREAM CONCERTS FOR VIRTUAL AUDIENCES, SOMETHING WE HAD NEVER ATTEMPTED BEFORE. THESE VIRTUAL CONCERTS ENDED UP BEING A GREAT WAY TO RAISE AWARENESS FOR OUR LABEL AND OUR ARTISTS, AND TO PROMOTE OUR MUSIC AND MESSAGE TO A WIDER (EVEN GLOBAL) AUDIENCE. WE WERE ALSO ABLE TO CONTINUE OUR EAST PALO ALTO MUSIC IN THE PARK WORKSHOPS FEATURING CONGOLESE DANCE ACCOMPANIED BY LIVE MUSIC FEATURING NIGERIAN AND CONGOLESE/CONGOLESE AMERICAN ARTISTS AND MUSICIANS. IN THE SUMMER WE HAD OUR FIRST OFFICIAL TOUR DATES WITH OUR LEAD ARTIST MIKO MARKS. THIS WAS A SIGNIFICANT MOVE IN RAISING AWARENESS ABOUT REDTONE ACROSS THE COUNTRY AND ATTRACTING MORE SUPPORTERS. THESE TOUR DATES WERE FOLLOWED BY MIKOS OFFICIAL SHOWCASE AT AMERICANAFEST IN NASHVILLE, A VERY SIGNIFICANT INVITATION AND PERFORMANCE RESULTING FROM THE SUCCESS OF MIKOS ALBUM OUR COUNTRY WHICH WE RELEASED IN MARCH. IN ADDITION TO OUR COUNTRY, WE RELEASED KIAZI MALONGAS ALBUM TEMBO KIA NGOMA, AND THEN QUICKLY PRODUCED AND RELEASED A FOLLOW UP ALBUM FOR MIKO CALLED RACE RECORDS BECAUSE OUR COUNTRY WAS GETTING SO MUCH ATTENTION IN THE PRESS AND MUSIC INDUSTRY. MIKOS LISTENING AUDIENCE ON SPOTIFY ALONE GREW FROM 30,000 MONTHLY LISTENERS IN 2020 TO OVER 100,000 MONTHLY LISTENERS IN 2021. THE RAPID SUCCESS OF MIKOS MUSIC MEANT THAT WE EMPHASIZED OUR FOCUS ON HER MUSIC SIGNIFICANTLY DURING THE YEAR IN ORDER TO KEEP MOMENTUM BUILDING. WE DEEPENED THE RELATIONSHIP WITH BROOKLYN BASEMENT RECORDS, THE NASHVILLE MARKETING AND PR TEAM WE HAD BEGUN WORKING WITH IN 2020. WE BEGAN WORKING WITH A NATIONAL BOOKING AGENT FOR MIKO AS WELL, AND HELPED MIKO FIND A MANAGER, ALL OF WHICH RESULTED IN MAJOR GROWTH FOR HER AND INCREASED ATTENTION AND SUPPORT FOR REDTONE. ALONG WITH THE ALBUM RELEASES WE PRODUCED SEVERAL MUSIC VIDEOS TO FURTHER PROMOTE THE ARTISTS WERE SUPPORTING. WE INVESTED MORE HEAVILY IN MARKETING AND SUSTAINABILITY, CREATING OUR FIRST PROFESSIONAL FUNDRAISING VIDEO AND PITCH DECK. WE WORKED WITH TWO LOCAL DEVELOPERS IN PARTICULAR, HARVEST PROPERTIES AND THE SOBRATO ORGANIZATION, TO ALIGN THEIR EAST PALO ALTO DEVELOPMENT PLANS WITH REDTONES VISION FOR CULTURAL AND COMMUNITY PRESERVATION THROUGH THE ARTS. THE MUSIC AND ARTISTS WEVE BEEN PRODUCING, AND THE SUCCESS THEY BEGAN TO SHOW IN 2021, MADE A HUGE IMPACT ON THESE DEVELOPERS AND MADE THEM EAGER TO ALIGN WITH OUR VISION. WE WERE VERY ENCOURAGED BY OUR GROWTH IN 2021 AND FEEL THAT THE YEAR MOVED US CLOSER TO OUR OVERALL MISSION AND VISION IN SIGNIFICANT WAYS. 261924 true true false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false false true 20 0 0 false false false false false false false false false false false false false false X 3 2 false false false false false false false true true false false false false true true true true false CA X JUSTIN PHIPPS 6509062464 321 BELL STREET EAST PALO ALTO CA 94303 JUSTIN PHIPPS ED/PRES/BOAR 40.00 X X 55385 0 10080 CARLOS CABRERA BOARD/TREAS/ 1.00 X X 0 0 0 OLATUNDE SOBOMEHIN BOARD 1.00 X 0 0 0 55385 10080 false false false 269286 269286 PROGRAM REVENUE 23700 23700 PROGRAM REVENUE 7440 7440 PROGRAM REVENUE 1149 1149 32289 301575 32289 X 55385 44308 5539 5538 10800 8640 1080 1080 12304 9844 1230 1230 61834 59214 1310 1310 68263 54611 6826 6826 476 380 48 48 24000 19200 2400 2400 46146 46146 12176 11758 209 209 4283 3427 428 428 FUNDRAISING SUPPLIES 21548 21548 PROGRAM SUPPLIES 3297 2637 330 330 CHARITABLE GIFTS EXPENSE 1133 1133 BUSINESS SYSTEMS EXPENSED 587 469 59 59 197 157 20 20 322429 261924 19479 41026 73517 100047 73517 100047 48692 96076 48692 96076 X 24825 -1029 5000 24825 3971 73517 100047 X -20854 X false false false X 153802 48854 269286 471942 5138 32289 37427 153802 53992 301575 509369 406813 406813 406813 406813 102556 153802 53992 301575 509369 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED FORM 990 - ORGANIZATION'S MISSION REDTONE RECORDS IS AS A NONPROFIT, COMMUNITY-BASED RECORD LABEL AND RECORDING STUDIO THAT PROVIDES FREE, PROFESSIONAL MUSIC AND VIDEO PRODUCTION TO CULTURAL ARTISTS WITH POSITIVE MESSAGES. WE HAVE A SPECIFIC FOCUS ON PRESERVING AND PROMOTING VARIOUS FORMS OF TRADITIONAL AND ROOTS MUSIC FROM AROUND THE WORLD. ADDITIONALLY WE WILL BE CONDUCTING REGULAR YOUTH SONGWRITING COMPETITIONS, INCENTIVIZING POSITIVE LYRICAL CONTENT FROM YOUNG, ASPIRING, COMMUNITY ARTISTS. OUR ACTIVITIES INCLUDE: IDENTIFYING AND RECRUITING ARTISTS, BOTH LOCALLY AND INTERNATIONALLY; SUBSIDIZING TRAVEL AND LODGING EXPENSES FOR ARTIST RESIDENCIES WHEN APPLICABLE; OPERATING A COMMUNITY-BASED RECORDING STUDIO; PRODUCING MUSIC AND VIDEO; HOSTING AND PROMOTING CONCERTS, FESTIVALS AND SIMILAR ACTIVITIES; PURSUING SONG PLACEMENTS IN TV, FILM, ADVERTISING, ETC.; MARKETING AND PROMOTION OF REDTONE ARTISTS; SUBMITTING REDTONE PRODUCTIONS TO MAJOR ARTISTS FOR POSSIBLE PROGRAM REVENUE TO FUND REDTONE ACTIVITIES. REDTONE'S MISSION/FOCUS EMPHASIZES: 1) CULTURAL PRESERVATION: MUSIC IS A POWERFUL TOOL IN KEEPING CULTURAL TRADITIONS ALIVE. WE ARE INVESTING IN "CULTURE KEEPERS," ARTISTS WHO ARE CARRYING ON THEIR CULTURAL TRADITIONS THROUGH MUSICAL EXPRESSION, PERFORMANCE, RECORDING, VIDEO, ETC. IT IS NOT UNLIKE THE WORK OF JOHN AND ALAN LOMAX, RECORDING ARTISTS ALL OVER THE AMERICAN SOUTH FOR THE LIBRARY OF CONGRESS, CAPTURING CULTURALLY SIGNIFICANT FORMS OF MUSIC AND DISTRIBUTING THEM IN AN EFFORT TO INCREASE PUBLIC INTEREST AND ENSURE THAT THESE FORMS CONTINUE TO EXIST. 2) POSITIVE MESSAGING: 90% OF BILLBOARD'S ANNUAL "HOT 100" HITS CONSISTENTLY ADDRESS THREE THEMES ONLY: SEX, DRUGS AND MONEY. WE DO NOT WANT TO COMPROMISE OUR MISSION AND MESSAGE IN ORDER TO COMPETE WITH MARKET TRENDS. THE NONPROFIT MODEL ALLOWS OUR MESSAGE AND MISSION TO BE THE ONLY CONSIDERATIONS IN THE CREATION OF OUR WORKS, ENSURING THAT WE ONLY PRODUCE AND PROMOTE POSITIVITY, REGARDLESS OF WHETHER OR NOT THE MARKET IS POINTING THAT WAY. 3) COMMUNITY IMPACT: MUSIC IS A CRITICAL PART OF COMMUNITY MOVEMENTS, CONSCIOUSNESS AND HEALTH. PART OF REDTONE'S SERVICES WILL INCLUDE THE CREATION OF MUSIC AND MESSAGES THAT EDUCATE THE PUBLIC AROUND COMMUNITY ISSUES: EDUCATION, HEALTHCARE, THE ENVIRONMENT, CIVIC ENGAGEMENT, ETC. ADDITIONALLY, WE WILL PROVIDE LIVE MUSIC FOR COMMUNITY EVENTS, FREE OF CHARGE TO EVENT ORGANIZERS, AS A WAY TO INCREASE PUBLIC PARTICIPATION AND LIFT SPIRITS. THE COSTS OF LIVE MUSIC WILL BE COVERED ENTIRELY BY THE RECORD LABEL. 4) YOUTH IMPACT: THESE MESSAGES OF THE MODERN MUSIC INDUSTRY, BECAUSE OF THEIR REACH, SHAPE COLLECTIVE CONSCIENCE AND INFLUENCE YOUNGER GENERATIONS. THEY ENCOURAGE SUBSTANCE ABUSE, GREED, PROMISCUITY, THE OBJECTIFICATION AND DEGRADATION OF WOMEN, LACK OF CRITICAL THINKING, ETC. MEANWHILE, THERE ARE INCREDIBLE VOICES OF COMMUNITY EMPOWERMENT AND POSITIVITY, BOTH LOCALLY AND AROUND THE WORLD, WHOSE IMPACT IS HINDERED BECAUSE THEY DON'T HAVE THE RESOURCES TO PROFESSIONALLY PRODUCE AND DISTRIBUTE MUSIC AND VIDEO. IT'S HARD TO FIND A YOUNG PERSON IN EAST PALO ALTO WHO DOESN'T HAVE SOME ASPIRATION OF BECOMING A FAMOUS SINGER OR RAPPER. THESE ASPIRING ARTISTS NOT ONLY NEED TO BE FLOODED WITH POSITIVE MUSIC TO COMBAT WHAT'S ON THEIR RADIOS AND PHONES, BUT THEY NEED COMMUNITY-BASED, SUCCESSFUL ARTISTS THEY CAN LOOK UP TO, INSTEAD OF IDOLIZING ONLY WHOM THEY SEE IN THE DAMAGING IMAGERY OF MODERN MUSIC VIDEOS. THE LABEL WILL ALSO HAVE YOUTH APPRENTICESHIPS AS WELL AS YOUTH SONGWRITING COMPETITIONS, INCENTIVIZING AND MONETIZING POSITIVITY IN YOUTH CULTURE. FORM 990, PAGE 1, PART I, LINE 6 VOLUNTEER BOARD OF DIRECTORS FORM 990, PAGE 2, PART III, LINE 4A IN 2021, WE WERE ABLE TO SUCCESSFULLY BUILD UPON OUR MOMENTUM FROM 2020. COVID STILL HAD A BIG IMPACT ON LIVE MUSIC IN THE FIRST HALF OF THE YEAR. INSTEAD WE DID SEVERAL LIVESTREAM CONCERTS FOR VIRTUAL AUDIENCES, SOMETHING WE HAD NEVER ATTEMPTED BEFORE. THESE VIRTUAL CONCERTS ENDED UP BEING A GREAT WAY TO RAISE AWARENESS FOR OUR LABEL AND OUR ARTISTS, AND TO PROMOTE OUR MUSIC AND MESSAGE TO A WIDER (EVEN GLOBAL) AUDIENCE. WE WERE ALSO ABLE TO CONTINUE OUR EAST PALO ALTO MUSIC IN THE PARK WORKSHOPS FEATURING CONGOLESE DANCE ACCOMPANIED BY LIVE MUSIC FEATURING NIGERIAN AND CONGOLESE/CONGOLESE AMERICAN ARTISTS AND MUSICIANS. IN THE SUMMER WE HAD OUR FIRST OFFICIAL TOUR DATES WITH OUR LEAD ARTIST MIKO MARKS. THIS WAS A SIGNIFICANT MOVE IN RAISING AWARENESS ABOUT REDTONE ACROSS THE COUNTRY AND ATTRACTING MORE SUPPORTERS. THESE TOUR DATES WERE FOLLOWED BY MIKOS OFFICIAL SHOWCASE AT AMERICANAFEST IN NASHVILLE, A VERY SIGNIFICANT INVITATION AND PERFORMANCE RESULTING FROM THE SUCCESS OF MIKOS ALBUM OUR COUNTRY WHICH WE RELEASED IN MARCH. IN ADDITION TO OUR COUNTRY, WE RELEASED KIAZI MALONGAS ALBUM TEMBO KIA NGOMA, AND THEN QUICKLY PRODUCED AND RELEASED A FOLLOW UP ALBUM FOR MIKO CALLED RACE RECORDS BECAUSE OUR COUNTRY WAS GETTING SO MUCH ATTENTION IN THE PRESS AND MUSIC INDUSTRY. MIKOS LISTENING AUDIENCE ON SPOTIFY ALONE GREW FROM 30,000 MONTHLY LISTENERS IN 2020 TO OVER 100,000 MONTHLY LISTENERS IN 2021. THE RAPID SUCCESS OF MIKOS MUSIC MEANT THAT WE EMPHASIZED OUR FOCUS ON HER MUSIC SIGNIFICANTLY DURING THE YEAR IN ORDER TO KEEP MOMENTUM BUILDING. WE DEEPENED THE RELATIONSHIP WITH BROOKLYN BASEMENT RECORDS, THE NASHVILLE MARKETING AND PR TEAM WE HAD BEGUN WORKING WITH IN 2020. WE BEGAN WORKING WITH A NATIONAL BOOKING AGENT FOR MIKO AS WELL, AND HELPED MIKO FIND A MANAGER, ALL OF WHICH RESULTED IN MAJOR GROWTH FOR HER AND INCREASED ATTENTION AND SUPPORT FOR REDTONE. ALONG WITH THE ALBUM RELEASES WE PRODUCED SEVERAL MUSIC VIDEOS TO FURTHER PROMOTE THE ARTISTS WERE SUPPORTING. WE INVESTED MORE HEAVILY IN MARKETING AND SUSTAINABILITY, CREATING OUR FIRST PROFESSIONAL FUNDRAISING VIDEO AND PITCH DECK. WE WORKED WITH TWO LOCAL DEVELOPERS IN PARTICULAR, HARVEST PROPERTIES AND THE SOBRATO ORGANIZATION, TO ALIGN THEIR EAST PALO ALTO DEVELOPMENT PLANS WITH REDTONES VISION FOR CULTURAL AND COMMUNITY PRESERVATION THROUGH THE ARTS. THE MUSIC AND ARTISTS WEVE BEEN PRODUCING, AND THE SUCCESS THEY BEGAN TO SHOW IN 2021, MADE A HUGE IMPACT ON THESE DEVELOPERS AND MADE THEM EAGER TO ALIGN WITH OUR VISION. WE WERE VERY ENCOURAGED BY OUR GROWTH IN 2021 AND FEEL THAT THE YEAR MOVED US CLOSER TO OUR OVERALL MISSION AND VISION IN SIGNIFICANT WAYS. FORM 990, PAGE 6, PART VI, LINE 11B THE BOARD HAS THE RESPONSIBILITY FOR REVIEWING THE ORGANIATION'S FORM 990 (INCLUDING ALL PERTINENT SCHEDULES) BEFORE IT IS FILED WITH THE INTERNAL REVENUE SERVICE. A DRAFT OF THE FORM 990 IS READY FOR REVIEW BY THE BOARD NO LATER THAN A WEEK PRIOR TO THE FILING DEADLINE. AFTER THE DRAFT OF THE FORM 990 HAS BEEN OBTAINED BY THE BOARD, THEY WILL HAVE NO MORE THAN A WEEK TO COMPLETE THEIR REVIEW. IN CONDUCTING THEIR REVIEW OF THE DRAFT OF THE FORM 990, THE BOARD CONDUCTS A TOP-LEVEL OR BIG-PICTURE TYPE OF REVIEW. HOWEVER, IF THE BOARD DEEMS IT NECESSARY TO CONDUCT A MORE DETAILED REVIEW OF THE FORM 990, THEN THEY CONTACT THE PREPARER OF THE FORM 990 TO REQUESET COPIES OF THE RELEVANT DETAILED TAX RETURN WORKPAPERS WHICH THEY WOULD LIKE TO SEE. ONCE THE BOARD HAS COMPLETED ITS INITIAL REVIEW OF THE FORM 990, A MEETING OR CONFERENCE CALL IS SCHEDULED WITH THE PREPARER OF THE FORM 990 TO DISCUSS ANY QUESTIONS, COMMENTS, AND SUGGESTED REVISIONS IDENTIFIED BY THE BOARD. THE PREPARER OF THE FORM 990 MAKES ANY REVISIONS TO THE FORM 990 AS SOON AS FEASIBLY POSSIBLE TO ENSURE THAT THE FORM 990 IS FILED WITH THE INTERNAL REVENUE SERVICE ON A TIMELY BASIS. ALL QUESTIONS, COMMENTS, AND SUGGESTED REVISIONS SET FORTH BY THE BOARD ARE DOCUMENDED, ALONG WITH ANY RESPONSES FROM THE PREPARER OF THE FORM 990, IF APPLICABLE. FORM 990, PAGE 6, PART VI, LINE 12C NOT APPLICABLE FORM 990, PAGE 6, PART VI, LINE 15A THE BOARD RELIES ON COMPARABILITY DATA TO DETERMINE AND APPROVE THE COMPENSATION OF THE EXECUTIVE DIRECTOR. THE BOARD UTILIZES RESOURCES SUCH AS SIMILARY SITUATED EXEMPT ORGANIZATIONS IN THEIR AREAS TO BENCHMARK PAY ALONG WITH MARKET INFORMATION FROM OTHER EXEMPT ORGANIZATIONS AND FOR- PROFIT ORGANIZATIONS TO ASSESS THE COMPETITIVENESS AND REASONABLIESS OF THE COMPENSATION. ONCE A DECISION HAS BEEN MADE, A VOTE IS TAKEN FOR APPROVAL BY THE BOARD. RECUSAL OF THE INDIVIDUALS WHOSE COMPENSATION IS BEING DETERMINED IS MANDATORY. A SIMILAR PROCESS IS IN PLACE FOR DETERMINING COMPENSATION OF THE OTHER KEY EMPLOYEES, IF ANY. FORM 990, PAGE 6, PART VI, LINE 15B THE BOARD RELIES ON COMPARABILITY DATA TO DETERMINE AND APPROVE THE COMPENSATION OF THE EXECUTIVE DIRECTOR. THE BOARD UTILIZES RESOURCES SUCH AS SIMILARY SITUATED EXEMPT ORGANIZATIONS IN THEIR AREAS TO BENCHMARK PAY ALONG WITH MARKET INFORMATION FROM OTHER EXEMPT ORGANIZATIONS AND FOR- PROFIT ORGANIZATIONS TO ASSESS THE COMPETITIVENESS AND REASONABLIESS OF THE COMPENSATION. ONCE A DECISION HAS BEEN MADE, A VOTE IS TAKEN FOR APPROVAL BY THE BOARD. RECUSAL OF THE INDIVIDUALS WHOSE COMPENSATION IS BEING DETERMINED IS MANDATORY. A SIMILAR PROCESS IS IN PLACE FOR DETERMINING COMPENSATION OF THE OTHER KEY EMPLOYEES, IF ANY. FORM 990, PAGE 6, PART VI, LINE 19 THE FOLLOWING ORGANIZATIONAL DOCUMENTS ARE AVAILABLE (FOR INSPECTION OR COPYING) AT THE ORGANIZATION'S MAIN OFFICE DURING NORMAL BUSINESS HOURS AT NO CHARGE: -TAX EXEMPTION APPLICATION (FORM 1023) -INTERNAL REVENUE SERVICE DETERMINATION LETTER -ARTICLES OF INCORPORATION -BY-LAWS THE PUBLIC INSPECTION COPY OF THE ORGANIZATION'S FORM 990 AND FORM 990-T, FROM THE PREVIOUS THREE YEARS (AT A MINIMUM), WILL BE AVAILABLE (FOR INSPECTION OR COPYING) AT THE ORGANIZATION'S MAIN OFFICE DURING NORMAL BUSINESS HOURS AT NO CHARGE, IF APPLICABLE. THE PUBLIC INSPECTION COPY OF THE FORM 990 WILL NOT INCLUDE THE SCHEDULE OF SCHEDULE A EXCESS CONTRIBUTORS OR THE SCHEDULE B NAMES AND ADDRESSES OF CONTRIBUTORS. THE ORGANIZATION WILL MAKE BEST EFFORTS TO ENSURE THAT THE FORMS 990 AND 990-T HELD AT THEIR MAIN OFFICE ARE THE MOST UPDATED VERSIONS OF SUCH. FOR EXAMPLE, IN THE INSTANCE WHERE A FORM 990 HAS BEEN AMENDED, THE AMENDED VERSION OF THE FORM 990 OR FORM 990-T WILL BE THE ONE AVAILABLE FOR PUBLIC INSPECTION. WHEN RESPONDING TO A PUBLIC INSPECTION REQUEST FOR ANY ORGANIZATIONAL DOCUMENT OR FORM 990 (INCLUDING FORM 990-T) BY ANYONE, THE ORGANIZATION FULFILLS SUCH REQUEST IN A TIMELY FASHION WITHOUT INQUIRING AS TO THE REASON FOR THE PUBLIC INSPECTION REQUEST. THE FOLLOWING OTHER DOCUMENT (MOST UPDATED VERSIONS) IS MADE AVAILABLE FOR INSPECTION OR COPYING) AT THE ORGANIZATION'S MAIN OFFICE DURING NORMAL BUSINESS HOURS AT NO CHARGE: -CONFLICT OF INTEREST POLICY FORM 990, PART IX, LINE 11G CONTRACT LABOR - PROGRAM 48,730 0 0 CONTRACT LABOR - PROGRAM 10,484 1,310 1,310 TOTAL 59,214 1,310 1,310 FORM 990, PART XI, LINE 9 PRIOR YEAR ADJUSTMENT 0