2022-07-11T08:25:05-05:00 2021-09-30 141918990 TEMPLETON & COMPANY LLP 222 LAKEVIEW AVENUE SUITE 1200 WEST PALM BEACH FL 33401 990 2020-10-01 590624432 NORTON MUSEUM OF ART INC NORT 5618325196 1450 S DIXIE HIGHWAY WEST PALM BEACH FL 33401 JOHN SAFRANEK CHIEF FINANCIAL OFFICER 5618325196 2022-07-11 1 JOHN SAFRANEK 999009999 WALTER G MAXWELL P00186333 5617989988 2 AAL1 IAL1 2020 2022-09-23 18:48:47Z JOHN SAFRANEK 1450 S DIXIE HIGHWAY WEST PALM BEACH FL 33401 27111475 0 X WWW.NORTON.ORG X 1941 FL SEE SCHEDULE O FOR ORGANIZATION'S MISSION. 40 40 142 110 0 0 14099854 22500924 448652 330456 4901124 2438764 -118378 1348130 19331252 26618274 0 0 0 0 5947328 5239585 0 0 879351 11664665 9362511 17611993 14602096 1719259 12016178 198420439 222458211 34411224 32833935 164009215 189624276 X THE NORTON MUSEUM OF ART WELCOMES VISITORS TO EXPERIENCE THE TRANSFORMATIVE POWER OF ART THROUGH INTIMATE AND INNOVATIVE ENCOUNTERS WITH DISTINCTIVE PROGRAMS AND WIDE-RANGING COLLECTIONS. 0 0 4690991 372853 EXHIBITIONSDURING FY21, THE NORTON MUSEUM OF ART CONTINUED TO PRODUCE ONLINE PROGRAMS RELATED TO THE COLLECTION AND SPECIAL EXHIBITIONS AS THE INSTITUTION REMAINED CLOSED TO THE PUBLIC THROUGH NOVEMBER 2020. THE MUSEUM RE-OPENED WITH EXTENDED VIEWINGS OF THE RUDIN PRIZE FOR EMERGING PHOTOGRAPHERS AND ROBERT RAUSCHENBERG: FIVE DECADES FROM THE WHITNEY'S COLLECTION, A SUCCINCT SURVEY OF RARE AND CLASSIC WORKS BY THE CONTEMPORARY MASTER OF 20TH-CENTURY ART WHO LATER CALLED FLORIDA HOME. IN JANUARY 2021, THREE NEW SPECIAL EXHIBITIONS DEBUTED JUST AFTER THE NEW YEAR INCLUDING MARIA BERRIO: ESPERANDO MIENTRAS LA NOCHE FLORECE (WAITING FOR THE NIGHT TO BLOOM), JOSE ALVAREZ (D.O.P.A.): THE KROME DRAWINGS, AND ART FINDS A WAY. THE TWO SOLO EXHIBITIONS, MARIA BERRIO AND JOSE ALVAREZ (D.O.P.A.) OCCUPIED THE GALLERIES ON EITHER END OF THE SPECIAL EXHIBITION SUITE OF GALLERIES AND BOTH FEATURED ARTWORKS THAT SPOKE TO ISSUES OF IMMIGRATION BUT FROM VASTLY DIFFERENT APPROACHES. BERRIO'S LARGE-SCALE PAPER-COLLAGE COMPOSITIONS WERE THE FOCUS OF THE EIGHTH ITERATION OF THE RAW - RECOGNITION OF ART BY WOMEN - EXHIBITION SERIES AND COMPRISED A SELECTION OF THE ARTIST'S MATURE WORK FROM 2013 THROUGH THE PRESENT, PRODUCING NEW WORK SPECIFICALLY FOR THE NORTON EXHIBITION. THE KROME DRAWINGS BY JOSE ALVAREZ (D.O.P.A.) SHOWCASED A SUITE OF PORTRAITS THE ARTIST CREATED OF FELLOW DETAINEES AT THE KROME DETENTION CENTER IN MIAMI. THE INTRICATE INK AND PAPER DRAWINGS GAVE NAMES OF THE ANONYMOUS DETAINEES AND HONORED THEIR STORIES OF TRYING TO FIND FREEDOM IN AMERICA. THE AMERICAN EXPERIENCE WAS ALSO CENTRAL TO ART FINDS A WAY, THE PROJECT OCCUPYING THE CENTRAL SPECIAL EXHIBITION GALLERIES THAT EXAMINED IDEAS SURROUNDING RACIAL INJUSTICE AND THE GLOBAL PANDEMIC THROUGH CONTEMPORARY ART. AS THE YEAR PROGRESSED, THE SPECIAL EXHIBITION SPACES ON THE FIRST FLOOR WERE DEDICATED TO HIGHLIGHTING THE WORK OF WOMEN ARTISTS, LARGELY FROM THE MUSEUM'S OWN HOLDINGS IN FOR THE RECORD: CELEBRATING ART BY WOMEN. FEATURING NEARLY 50 OBJECTS, AND SPANNING MULTIPLE GENERATIONS OF ARTISTS, THE EXHIBITION WAS ORGANIZED TO HIGHLIGHT ARTISTS' DIVERSE PRACTICES WHILE OFFERING OPPORTUNITIES FOR VISITORS TO REFLECT ON GENDER-BASED INCLUSION, EXCLUSION, AND EQUITY IN THE ART WORLD AND BEYOND. OTHER EXHIBITIONS ON THE MUSEUM'S SECOND FLOOR INCLUDED CELEBRATING THE NORTON: EIGHTY YEARS WHICH FEATURED A SELECTION OF ACQUISITIONS AND ARCHIVAL MATERIALS THAT TOLD THE 80-YEAR HISTORY OF THE NORTON MUSEUM AND INCLUDED NEVER-BEFORE-SEEN DOCUMENTS, PHOTOGRAPHS, AND HIGHLIGHTS FROM THE COLLECTION. DYNAMIC, SQUALID, SPLENDID: THEMES OF THE CITY ALSO WAS ON VIEW AND DREW ENTIRELY FROM THE NORTON'S HOLDINGS OF PRINTS AND DRAWINGS, FOCUSING ON THE VARYING WAYS TO ILLUSTRATE URBAN LIFE. WITHIN THE PERMANENT COLLECTION GALLERIES, VARIOUS ROTATIONS AND SPECIAL INSTALLATIONS WERE ALSO ON VIEW THROUGH A VARIED ARRAY OF THEMATIC PROJECTS INCLUDING GEORGE COHEN: ARTIST OF THE CHICAGO AVANT-GARDE AND CHAIM GROSS: BODIES IN MOTION IN THE AMERICAN COLLECTION GALLERIES; DIVINE BEINGS AND KINGS OF BIRDS: CHINESE PAINTINGS EVOKING IMPERIAL COURT TRADITIONS IN THE CHINESE COLLECTION GALLERIES; WHERE? A BRIEF HISTORY OF PHOTOGRAPH THROUGH LANDSCAPE AND WHEN? A BRIEF HISTORY OF THE RELATIONSHIP BETWEEN TIME AND PHOTOGRAPHY IN THE PHOTOGRAPHY COLLECTION GALLERY. EXHIBITIONS IN OTHER ROTATING SPACES INCLUDED THE COLLECTION OF ESTHER M. AND SUMNER L. FELDBERG AND WHAT'S NEW: RECENT ACQUISITIONS WHICH HIGHLIGHTED EXCITING NEW GIFTS OF ART AS WELL AS FRIDA AND ME, AN INTIMATE COLLECTION-BASED INSTALLATION OF ARTWORKS THAT ALIGNED THEMSELVES WITH THE LEGACY OF FRIDA KAHLO IN ANTICIPATION OF FRIDA KAHLO, DIEGO RIVERA AND MEXICAN MODERNISM FROM THE JACQUES AND NATASHA GELMAN COLLECTION WHICH WOULD LATER OPEN IN FY22. THIS FISCAL YEAR ALSO MARKED A CONTINUED DEDICATION TO PRESENTING BILINGUAL EXHIBITION AND COLLECTION DIDACTICS IN ENGLISH AND SPANISH - AN EFFORT THAT BEGAN IN FY20.ADDITIONAL EXHIBITION EFFORTS LED BY THE MUSEUM'S LEARNING AND COMMUNITY ENGAGEMENT DEPARTMENT WERE INSTALLED IN THE CHRIS AND BERNARD MARDEN COMMUNITY GALLERY TO SHOWCASE THE TALENT OF LOCAL YOUTHS IN COLLAGE AND ASSEMBLAGE: EXPLORING THE CREATIVE PROCESS, WHICH FEATURED THE WORK OF 50 STUDENT ARTISTS FROM PALM BEACH COUNTY SCHOOLS, AS WELL AS MAGIC OF FLIGHT, THE ANNUAL AFTERSCHOOL ARTS OUTREACH EXHIBITION. 1366850 1683115 ACQUISITIONS AND CONSERVATIONTHE MUSEUM'S WORKS OF ART COMMITTEE APPROVED A TOTAL OF APPROXIMATELY 280 ACQUISITIONS THAT INCLUDE 155 PHOTOGRAPHIC WORKS, 100 WORKS ON PAPER, 16 PAINTINGS, 8 SCULPTURES, 1 VIDEO-BASED WORK, AND 1 PIECE OF CANTON PORCELAIN WARE. GIFTS AND PROMISED GIFTS FROM GENEROUS SUPPORTERS CONTINUED TO BRING EXCEPTIONAL ART INTO THE NORTON MUSEUM OF ART COLLECTION. THESE GIFTS COMPLEMENTED THE MUSEUM'S HOLDINGS, AND MANY MARKED THE FIRST REPRESENTATION OF AN ARTIST'S WORK IN THE MUSEUM'S HOLDINGS SUCH AS THOSE BY ARLENE SCHECHET, YUE MINJUIN, JOHANNA K. W. HAILMAN, HARTWELL YEARGANS, AND A MAJOR GIFT OF WORKS BY SAUL STEINBERG FROM THE ARTIST'S FOUNDATION THAT SPAN HIS CAREER. MAJOR PURCHASED ACQUISITIONS INCLUDE A WORK BY RAW ARTIST MARIA BERRIO AND THE SUITE OF PORTRAITS SHOWCASED IN JOSE ALVAREZ (D.O.P.A.): THE KROME DRAWINGS AS WELL AS A LARGE-SCALE PHOTOGRAPH BY YINKA SHONIBARE CBE. THE NORTON CONTINUES TO MONITOR OUR COLLECTION WITH EXAMINATIONS AND CONSERVATION TREATMENTS. ONLY MINOR TREATMENTS WERE NECESSARY THIS YEAR TO ONE PAINTING AND THREE WORKS ON PAPER IN THE AMERICAN COLLECTION. THE EXTERIOR SCULPTURES IN THE NORTON'S SCULPTURE GARDEN AS WELL AS TYPEWRITER ERASER, SCALE X BY CLAES OLDENBURG AND COOSJE VAN BRUGGEN AT THE MUSEUM'S WEST ENTRANCE AND HISTORIC PAUL MANSHIP SCULPTURES ON THE EAST FAADE OF THE 1941 BUILDING WERE CLEANED AS PART OF AN ANNUAL SCHEDULE FOR CLEANING AND WAXING. WE ARE ALSO REVIEWING THE CONDITION OF CHINESE BRONZE VESSELS FOR POSSIBLE TREATMENT AND UPDATING OF AIRTIGHT CASEWORK. 2491980 198069 OTHER/EDUCATIONIN FY 21, THE MUSEUM REOPENED TO THE PUBLIC ON A LIMITED BASIS BEGINNING IN MID-NOVEMBER 2020. WHILE NO LIVE PROGRAMS WERE PERMITTED DUE TO THE ONGOING COVID PANDEMIC, VIRTUAL PROGRAMS WERE IN FULL SWING BY THIS DATE, SERVING ADULT, FAMILY, SCHOOL, AND COMMUNITY AUDIENCES. OVER THE COURSE OF FY21, THE MUSEUM'S EDUCATION DEPARTMENT OFFERED 30 VIRTUAL LECTURE PROGRAMS BY LEADING ARTISTS AND SCHOLARS IN THEIR RESPECTIVE FIELDS OF CHINESE, CONTEMPORARY, AMERICAN, EUROPEAN ART, AND PHOTOGRAPHY AND MANY MORE VIRTUAL GALLERY TALKS AND ONLINE CLASSES. SCHOOL PROGRAMS STAFF LED 103 VIRTUAL SCHOOL TOURS AND WITH THE ADDITION TO PALM BEACH COUNTY SCHOOL DISTRICT LIVESTREAMED CLASSES, SCHOOL PROGRAMS REACHED OVER 8,000 STUDENTS VIRTUALLY. AFTERSCHOOL ARTS OUTREACH PROGRAMS REACHED APPROXIMATELY 2000 STUDENTS VIRTUALLY AFTER VIRTUAL SESSIONS WERE "BROADCAST" TO ALL BOYS AND GIRLS CLUBS IN THE COUNTY. FAMILY FESTIVALS FOR HISPANIC HERITAGE MONTH AND OUR 7TH ANNUAL CHINESE NEW YEAR CELEBRATION WERE HOSTED THROUGH AN ARRAY OF ONLINE PROGRAMS, AND ART AFTER DARK DID NOT SKIP A BEAT, HOSTING A LIVELY ARRAY OF NORTON FROM HOME PROGRAMS ON A WEEKLY BASIS THROUGHOUT THE FIRST YEAR OF THE PANDEMIC. WITH THE ARRIVAL OF OUR NEW DIRECTOR AND CEO, GHISLAIN D'HUMIERES, WE BEGAN PLANNING OUTDOOR PROGRAMS IN THE MUSEUM'S GARDENS FOR THE SUMMER MONTHS, FROM MEMORIAL DAY THROUGH LABOR DAY. A NEW ARRAY OF PROGRAMS INCLUDED OUTDOOR CONCERTS AND FILMS, FAMILY FESTIVALS IN JUNE AND JULY AND SCULPTURE GARDEN TOURS LED BY MUSEUM DOCENTS. BIKE AND WALKING TOURS OF THE MUSEUM'S AREA DREW AN ENTHUSIASTIC RESPONSE AND A NEW PLATFORM FOR INTERACTION WITH THE COMMUNITY. YOGA CLASSES, AND ART WORKSHOPS LED BY ARTISTS FROM THE NEARBY ARMORY ART CENTER ALSO ALLOWED THE MUSEUM TO NURTURE NEW PARTNERSHIPS WITH BUSINESSES AND COMMUNITY NON-PROFITS. ULTIMATELY, OVER 3,000 COMMUNITY MEMBERS PARTICIPATED IN THE SUMMER INITIATIVE.THE EFFORT REALLY KICKED OFF ON SATURDAY, JUNE 19, WHEN THE JUNETEENTH: FAMILY FESTIVAL WELCOMED 467 GUESTS IN FOUR HOURS. THIS FESTIVAL WAS PART OF CELEBRATING BLACK FLORIDA, A LIVE AND VIRTUAL SERIES DEVELOPED WITH LOCAL STAKEHOLDERS REPRESENTING THE COMMUNITY. THEIR INVOLVEMENT RESULTED IN PARTNERSHIPS WITH LOCAL ARTISTS, SCHOLARS, ORGANIZATIONS SUCH AS THE LITERACY COALITION, AND OVER A DOZEN MUSICIANS AND PERFORMERS. PRESS COVERAGE INCLUDED BLACK ART IN AMERICA, PALM BEACH ILLUSTRATED, SUN-SENTINEL, AND THE PALM BEACH POST. IN JULY ATTENDANCE GREW EVEN FURTHER, AS THE GAMES AROUND THE WORLD FAMILY DAY DREW 651 PARTICIPANTS. THE EDUCATION DEPARTMENT WORKS CLOSELY WITH COMMUNITY PARTNERS FOR PROGRAMS, INCLUDING THE PALM BEACH COUNTY SCHOOL DISTRICT, PALM BEACH COUNTY PUBLIC LIBRARY, THE ARMORY ARTS CENTER, LITERACY COALITION OF PALM BEACH COUNTY, OM YOGA AND WELLNESS STUDIOS, UPCYCLE, RICK GONZALEZ OF REG ARCHITECTS, ROHI'S READERY, PALM BEACH CHESS, AS WELL AS ARTISTS AND PERFORMERS ERIKA SQUIER, THE CIEL EXPERIENCE, LIBRA SENE, I-95 BAND AND MANY MORE.IN ANTICIPATION OF THE MUSEUM'S MEXICAN MODERNISM EXHIBITION SCHEDULED TO OPEN IN THE FALL OF 2021, THE NORTON MUSEUM ALSO LAUNCHED A MEXICAN MODERNISM COMMUNITY COMMITTEE WHICH MET ON JUNE 23 AND JULY 30 TO PLAN MARKETING AND PROGRAM EFFORTS FOR THE UPCOMING EXHIBITION OF THE GELMAN COLLECTION. THE GROUP INCLUDED BUSINESS, MEDIA, AND OTHER COMMUNITY LEADERS. ULTIMATELY, OVER 30 UNIQUE PROGRAMS AND COMMUNITY COLLABORATIONS TOOK PLACE IN CONJUNCTION WITH THE EXHIBITION; HUNDREDS OF HOURS OF TOURS AND VISITOR GUIDING WERE LOGGED BY MUSEUM DOCENTS AND BI-LINGUAL MEMBERS OF THE MUSEUM'S NEW GUA PROGRAM, FEATURING HIGH SCHOOL STUDENTS FROM JOHN I. LEONARD HIGH SCHOOL WHO BEGAN TRAINING IN AUGUST, 2021. 218410 124108 MUSEUM GIFT AND BOOK STORE 218410 124108 8768231 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 106 0 1 142 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 40 40 1 0 0 0 0 1 0 1 1 0 0 1 1 1 1 1 1 1 0 0 FL X JOHN SAFRANEK 5618325196 1450 S DIXIE HIGHWAY WEST PALM BEACH FL 33401 BRUCE GENDELMAN CHAIRMAN 6.00 X X 0 0 0 THOMAS S JOHNSON VICE CHAIR 4.00 X X 0 0 0 JANE CARROLL SECRETARY 4.00 X X 0 0 0 ARTHUR MARTINEZ TREASURER 4.00 X X 0 0 0 RANDI BITOVE DIRECTOR 2.00 X 0 0 0 DIANE BODMAN DIRECTOR 2.00 X 0 0 0 CANDIA FISHER DIRECTOR 2.00 X 0 0 0 HOWARD GANEK DIRECTOR 2.00 X 0 0 0 ANNABELLE K GARRETT DIRECTOR 2.00 X 0 0 0 PAMELA GOERGEN DIRECTOR 2.00 X 0 0 0 JANE HOLZER DIRECTOR 2.00 X 0 0 0 HARRY HOWELL DIRECTOR 2.00 X 0 0 0 LORNA JAMES DIRECTOR 2.00 X 0 0 0 MICHELLE JACOBS DIRECTOR 2.00 X 0 0 0 MICHELE KANG DIRECTOR 2.00 X 0 0 0 GILBERT C MAURER DIRECTOR 2.00 X 0 0 0 BONNIE MCELVEEN-HUNTER DIRECTOR 2.00 X 0 0 0 JOHN NIBLACK DIRECTOR 2.00 X 0 0 0 MARGARITA PINKOS DIRECTOR 2.00 X 0 0 0 ANNE REYES DIRECTOR 2.00 X 0 0 0 PAM REYES DIRECTOR 2.00 X 0 0 0 RICHARD SALOMON DIRECTOR 2.00 X 0 0 0 THOMAS A SAUNDERS III DIRECTOR 2.00 X 0 0 0 ROGER W FERGUSON JR DIRECTOR 2.00 X 0 0 0 BETTY LEVIN DIRECTOR 2.00 X 0 0 0 HEIDI MCWILLIAMS DIRECTOR 2.00 X 0 0 0 HILARIE MORGAN DIRECTOR 2.00 X 0 0 0 GOPAL RAJEGOWDA DIRECTOR 2.00 X 0 0 0 LEW SANDERS DIRECTOR 2.00 X 0 0 0 JEAN SHARF DIRECTOR 2.00 X 0 0 0 LARRY SOSNOW DIRECTOR 2.00 X 0 0 0 LISA TANNANBAUM DIRECTOR 2.00 X 0 0 0 ROBBI TOLL DIRECTOR 2.00 X 0 0 0 SIMONE VICKAR DIRECTOR 2.00 X 0 0 0 KELLY WILLIAMS DIRECTOR 2.00 X 0 0 0 SUE HOSTETLER WRIGLEY DIRECTOR 2.00 X 0 0 0 HOWARD COX EX-OFFICIO 2.00 X 0 0 0 RONNIE HEYMAN EX-OFFICIO 2.00 X 0 0 0 IRENE KARP EX-OFFICIO 2.00 X 0 0 0 GHISLAIN D'HUMIERES DIRECTOR AND CEO 40.00 X X 0 0 0 JOHN SAFRANEK CFO 40.00 X 226668 0 7620 CHRISTINE M MYERS DIRECTOR OF MAJOR GIFTS 40.00 X 232765 0 7620 CHERYL BRUTVAN DIRECTOR OF CURATORIAL AFF 40.00 X 134695 0 7467 CHERYL MACMILLAN DIRECTOR OF FINANCE 40.00 X 113594 0 301 SAMUEL ANKERSON DEPUTY DIRECTOR 40.00 X 108244 0 7397 ELLIOT B DAVIS FORMER CEO 0.00 X 390576 0 5715 1206542 0 36120 6 1 1 0 FOSTER & PARTNERS LIMITED 300 WEST 57TH STREET 26TH FLOOR NEW YORK NY 10019 ARCHITECTURE 512500 LOCAL PROJECTS LLC 123 WILLIAM STREET SUITE 801 NEW YORK NY 10038 DESIGN 501986 VICTORIA MIRO GALLERY LIMITED 16 WHARF ROAD LONDON N RW LONDON UK ART 382500 CONSTELLATION CULINARY GROUP 2151 NW 1ST CT MIAMI FL 33127 CATERING 381366 HARBOR ENTERTAINMENT 1103 BELL GRIMES LN NASHVILLE TN 37207 EVENT PRODUCTION 359777 5 1726265 1091861 1161419 18521379 3389326 22500924 ADMISSIONS 713990 319611 319611 PROGRAM REVENUE 611610 10845 10845 330456 755649 755649 29591 0 29591 29591 29591 1683115 0 1683115 1683115 1683115 1301900 1091861 347935 953965 953965 269374 145266 124108 124108 FACILITY USE REVENUE 531390 148455 148455 PARKING REVENUE 812930 44570 44570 OTHER INCOME 900099 29525 29525 17916 17916 240466 26618274 2378145 0 1739205 702955 469135 233820 3660957 2106832 1094731 459394 450366 254397 172377 23592 425307 292390 103071 29846 484415 484415 683308 193293 489515 500 145692 12443 133249 171476 103010 60072 8394 155516 65222 33355 56939 1408087 1140553 197131 70403 68801 33066 29641 6094 642957 642957 3680149 2980922 515219 184008 805747 87553 718194 ACQUISITION OF ART 522729 522729 EXHIBITS 221003 221003 PRINTING AND GRAPHIC DE 146376 104480 37046 4850 ARTIST FEES 101657 101657 124598 79546 9721 35331 14602096 8768231 4954514 879351 4353 4350 5658510 10049975 16285959 13032610 174153 162475 551154 1031171 113207097 12597631 103431884 100609466 51472020 73350813 17962662 20932939 2873667 3278337 2 6075 6075 198420439 222458211 1242994 1030256 266805 544635 32633500 30649555 267925 609489 34411224 32833935 X 98735447 113740024 65273768 75884252 164009215 189624276 198420439 222458211 12016178 13598883 0 X X 0 1 X 1 0 X 14259373 50507338 12404995 14099854 22500924 113772484 207790 208282 644550 448652 330456 1839730 14467163 50715620 13049545 14548506 22831380 115612214 0 0 0 115612214 2451605 3102009 2531568 4063187 3422220 15570589 2451605 3102009 2531568 4063187 3422220 15570589 40264 210 980863 453754 240470 1715561 16959032 53817839 16561976 19065447 26494070 132898364 0.86990 0.87580 0.11720 0.11140 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 73143037 13403204 15028778 3554720 98020299 81959833 4003100 6133245 18953141 73143037 86015007 161777 1559954 5776905 81959833 77559191 7111820 5622957 4278961 86015007 70753931 4118486 6191533 3504759 77559191 0.36500 0.38500 0.25000 0 0 14098682 14098682 89343633 12597631 76746002 9082621 9082621 682161 682161 100609466 BENEFICIAL INTEREST IN PERPETUAL TRUSTS 20932939 F 20932939 OBLIGATIONS UNDER CAPITAL LEASE 449167 FAIR VALUE OF DERIVATIVE INSTRUMENT 160322 609489 X 40225943 13598883 493201 14092084 26133859 484415 484415 26618274 14610882 493201 493201 14117681 484415 484415 14602096 PART III, LINE 1A: THE NORTON HAS ELECTED TO EXCLUDE THE VALUE OF OBJECTS IN THE PERMANENT COLLECTION FROM THE STATEMENT OF FINANCIAL POSITION, AS PERMITTED BY SFAS NO. 116. AN ADDITION OF ART TO THE PERMANENT COLLECTION IS MADE EITHER BY GIFT OR THROUGH PURCHASE USING ART ACQUISITION FUNDS. THE ACCEPTANCE AND DISPOSAL OR REMOVAL OF WORKS OF ART IN THE COLLECTION IS PERFORMED IN ACCORDANCE WITH A FORMAL POLICY ADOPTED BY THE BOARD OF TRUSTEES IN 2003. PURCHASES FOR THE COLLECTION ARE RECORDED AS EXPENDITURES FOR THE ACQUISITION OF ART OBJECTS IN THE STATEMENT OF ACTIVITIES FOR THE YEAR IN WHICH THE OBJECTS ARE ACQUIRED. PART III, LINE 4: RALPH AND ELIZABETH NORTON ESTABLISHED THE NORTON MUSEUM OF ART AS THE NORTON GALLERY AND SCHOOL OF ART IN 1941. IT WAS FOUNDED ON THE BASIS OF THEIR PRIVATE COLLECTION, WHICH WAS COMPRISED OF A HANDFUL OF OLD MASTER PAINTINGS AND FAR MORE EXTENSIVE HOLDINGS OF FRENCH AND AMERICAN PAINTING, SCULPTURE, AND WORKS ON PAPER, MOST MADE AFTER 1870. BEFORE HIS DEATH IN 1953, NORTON EXPANDED THE COLLECTION TO INCLUDE CHINESE ART, SUCH AS ANCIENT BRONZES AND JADES, CERAMICS, FURNITURE, AND TEXTILES. HIS BEQUEST ADDED MANY MORE WORKS IN EACH OF THESE CATEGORIES TO THE COLLECTION. IN SUBSEQUENT DECADES, ACQUISITIONS FROM ALL SOURCES HAVE ENRICHED THE ORIGINAL COLLECTING AREAS OF EUROPEAN, AMERICAN, AND CHINESE ART IN TERMS OF BREADTH AND DEPTH WHILE CONFORMING TO THE HIGH QUALITATIVE STANDARDS ESTABLISHED BY THE NORTONS. TODAY, THE COLLECTION NUMBERS APPROXIMATELY 7,000 OBJECTS. AMONG THE MOST SOUGHT-AFTER WORKS FOR LOANS TO EXHIBITIONS BOTH HERE AND ABROAD ARE MONET'S "GARDENS OF VILLA MORENO," GAUGUIN'S "CHRIST IN THE GARDEN OF OLIVES," POLLOCK'S "NIGHT MIST, AND OUR THREE O'KEEFFE PAINTINGS. THE NORTON MUSEUM OF ART STRIVES TO PRESERVE, DEVELOP, EXHIBIT AND INTERPRET ITS OUTSTANDING COLLECTION AND TO EDUCATE THE PUBLIC THROUGH SPECIAL EXHIBITIONS, PUBLICATIONS AND PROGRAMS. AS A RECOGNIZED LEADER IN THE ARTS IN THE YEARS SINCE ITS FOUNDING, THE NORTON MUSEUM OF ART BRINGS A SIGNIFICANT CULTURAL AND EDUCATIONAL PRESENCE TO THE STATE OF FLORIDA AND REACHES NATIONALLY AND INTERNATIONALLY THROUGH ITS PROGRAMMING AND VISITORS, LOANS OF WORKS OF ART, AND TRAVELING EXHIBITIONS. A PRINCIPAL STRENGTH OF THE NORTON LIES IN ITS PERMANENT COLLECTION SINCE THE QUALITY, DEPTH AND BREADTH OF ITS HOLDINGS ARE USED AS THE BASIS FOR EXHIBITIONS, EDUCATIONAL PROGRAMS AND SCHOLARSHIP. FOR EXAMPLE, SCHOOL AND SUMMER CAMP TOURS INTRODUCE APPROXIMATELY 10,000 K-12 STUDENTS TO WORKS IN THE MUSEUM'S COLLECTION EACH YEAR. NINE MUSEUM COLLECTION THEME TOURS AND FIVE SPECIAL EXHIBITION TOURS ARE AVAILABLE FOR TEACHERS TO CHOOSE FROM, FREE OF CHARGE, ON TOPICS RANGING FROM MEDIEVAL AND RENAISSANCE TREASURES TO THE ART OF SCIENCE AND AFRICAN AMERICAN ART AND CULTURE. THE NORTON COLLECTION IS ALSO THE FOCUS OF EDUCATIONAL PROGRAMS FOR ADULTS. CONCERTS AND PERFORMANCES RELATE TO SPECIAL EXHIBITIONS AND CULTURAL THEMES REPRESENTED BY WORKS IN THE GALLERIES. TOURS, AND TREASURE OF THE MONTH TALKS ALLOW VISITORS TO ENGAGE WITH DOCENTS AND STAFF IN THE GALLERIES IN INFORMAL DISCUSSIONS OF SUBJECTS IN ART AND WORKS ON VIEW. A CLOSER LOOK PROVIDES PUBLIC ACCESS TO LECTURES FOR DOCENT CANDIDATES CONCERNING SPECIFIC WORKS IN THE MUSEUM COLLECTION AND THE HISTORICAL CONTEXTS AND CIRCUMSTANCES OF THEIR ORIGIN. PART V, LINE 4: THE NORTON'S ENDOWMENT IS ESTABLISHED FOR THE PURPOSES EXPRESSED IN THE MISSION OF THE NORTON. PART X, LINE 2: THE NORTON IS EXEMPT FROM FEDERAL AND STATE INCOME TAXES UNDER INTERNAL REVENUE CODE SECTION 501(C)(3). ACCORDINGLY, NO PROVISION FOR INCOME TAXES HAS BEEN RECORDED IN THE FINANCIAL STATEMENTS. THE NORTON IS REQUIRED TO OPERATE IN CONFORMITY WITH THE PROVISIONS OF THE INTERNAL REVENUE CODE TO MAINTAIN ITS EXEMPT STATUS. UNDER THE PROVISIONS OF FASB ASC 740, UNCERTAINTY IN INCOME TAXES, MANAGEMENT ANALYZES TAX POSITIONS IN JURISDICTIONS WHERE IT IS REQUIRED TO FILE INCOME TAX RETURNS. INTEREST AND PENALTIES ATTRIBUTABLE TO INCOME TAXES, IF ANY, ARE INCLUDED IN OPERATING EXPENSES. NO SUCH INTEREST OR PENALTIES WERE RECORDED FOR THE YEARS ENDED SEPTEMBER 30, 2021 AND 2020. THE NORTON IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS FOR YEARS PRIOR TO SEPTEMBER 30, 2018. PART XI, LINE 2D - OTHER ADJUSTMENTS: SPECIAL EVENTS EXPENSES 347,935. COST OF SALES 145,266. PART XII, LINE 2D - OTHER ADJUSTMENTS: SPECIAL EVENTS EXPENSES 347,935. MUSEUM STORE 145,266. GALA 2393761 1091861 1301900 347935 2393761 1091861 1301900 347935 347935 953965 X 0 0 X X X 1 0 0 0 0 0 0 0 0 JOHN SAFRANEK CFO 226668 0 0 0 0 0 0 0 7620 0 234288 0 0 0 CHRISTINE M MYERS DIRECTOR OF MAJOR GIFTS 232765 0 0 0 0 0 0 0 7620 0 240385 0 0 0 ELLIOT B DAVIS FORMER CEO 390576 0 0 0 0 0 0 0 5715 0 396291 0 0 0 PART I, LINE 1B THE NORTON MUSEUM OF ART'S EXECUTIVE DIRECTOR LIVES IN A HOME OWNED BY THE MUSEUM. THE HOME GIVES THE DIRECTOR A PLACE TO HOST SMALL, INTIMATE GATHERINGS OF DONORS AND OTHER GUESTS FOR FUNDRAISING AND OTHER PURPOSES RELATED TO THE NORTON'S MISSION. PART I, LINE 4A ELLIOT DAVIS, FORMER CEO: $336,538.50 SEVERANCE PAYMENTS X 18 2783179 MARKET VALUE X AUCTION ITEMS 22 592400 MARKET VALUE X INTERNET ADS 12 13667 MARKET VALUE X OTHER 1 80 MARKET VALUE 0 1 1 PART I, LINE 32B: THE NORTON MUSEUM OF ART UTILIZES THIRD PARTY BROKERS TO SELL SECURITIES THAT IT HAS RECEIVED AS NONCASH CONTRIBUTIONS. PART I, LINE 33: THE NORTON HAS ELECTED NOT TO ASSIGN A FINANCIAL VALUE TO GIFTS OF ART TO BE HELD IN THE COLLECTIONS FOR PURPOSES RELATED TO ITS MISSION, OR FOR WHICH THE PROCEEDS FROM ANY SALE WILL BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS, AS ALLOWED BY SFAS 116. FORM 990, PART I, LINE 1: THE NORTON MUSEUM OF ART WELCOMES VISITORS TO EXPERIENCE THE TRANSFORMATIVE POWER OF ART THROUGH INTIMATE AND INNOVATIVE ENCOUNTERS WITH DISTINCTIVE PROGRAMS AND WIDE-RANGING COLLECTIONS. FORM 990, PART VI, SECTION A, LINE 2 DIRECTOR ANNE REYES AND DIRECTOR PAM REYES ARE RELATED AS SISTERS-IN-LAW. FORM 990, PART VI, SECTION A, LINE 7A DIRECTORS OF THE GOVERNING BOARD APPOINT NEW DIRECTORS TO THE GOVERNING BOARD. FORM 990, PART VI, SECTION B, LINE 11B THE AUDIT AND RISK COMMITTEE CONDUCTS A THOROUGH REVIEW OF THE FINAL DRAFT BEFORE IT GOES TO THE FULL BOARD OF TRUSTEES. THE FINAL DRAFT IS THEN PROVIDED TO THE ENTIRE BOARD OF TRUSTEES PRIOR TO FILING FOR THEIR REVIEW AND CONCURRENCE. FORM 990, PART VI, SECTION B, LINE 12C ANNUALLY, THE BOARD IS PROVIDED WITH A CONFLICT OF INTEREST QUESTIONNAIRE WHICH IS USED BY THE ORGANIZATION TO DETERMINE IF THERE ARE ANY CONFLICTS BETWEEN THE BOARD AND THE ORGANIZATION. FORM 990, PART VI, SECTION B, LINE 15A CEO COMPENSATION FOR THE CURRENT PERIOD WAS DETERMINED BY THE CHAIRMAN OF THE BOARD'S ANALYSIS OF COMPARABLE SALARY DATA OF SIMILAR POSITIONS IN OTHER ORGANIZATIONS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION RETAINS ALL REQUIRED PUBLIC INSPECTION DOCUMENTS AT ITS CORPORATE OFFICE. SHOULD THE PUBLIC REQUEST TO REVIEW ANY OF THE DOCUMENTS, THE ORGANIZATION HAS THEM READILY AVAILABLE FOR INSPECTION. FORM 990, PART XII, LINE 2C: THE POLICY FOR THE OVERSIGHT COMMITTEE HAS NOT CHANGED DURING THE YEAR.