2022-05-16T18:18:03-05:00 2021-06-30 271728945 PKF O'CONNOR DAVIES LLP 245 PARK AVENUE 12TH FLOOR NEW YORK NY 10167 990 2020-07-01 112278998 QUEENS MUSEUM OF ART QUEE 7185929700 NYC BLDGFLUSHING MEADOWS CORONAPAR QUEENS NY 11368 SALLY TALLANT EXECUTIVE DIRECTOR 7185929700 2022-05-16 1 SALLY TALLANT XXX-XX-XXXX EVA MRUK P00543254 2122862600 2 AAL1 IAL1 2020 2022-09-23 18:48:47Z QUEENS MUSEUM SALLY TALLANT NYC BLDGFLUSHING MEADOWS CORONAPARK QUEENS NY 11368 4693618 0 X WWW.QUEENSMUSEUM.ORG X 1972 NY THE QUEENS MUSEUM FEATURES EXHIBITIONS THAT RANGE FROM HISTORICAL TO CONTEMPORARY, FOCUS ON MATERIAL CULTURE TO SOCIAL JUSTICE, AND INCLUDE SITE-SPECIFIC TEMPORARY COMMISSIONS RELEVANT TO LOCAL AND GLOBAL ISSUES. IN FY21, AS THE MUSEUM AND THE CITY RECOVERED FROM THE COVID PANDEMIC, THE MUSEUM HAS SEEN CONTINUED GROWTH IN OUR EXHIBITIONS, EDUCATION AND PUBLIC PROGRAMS FOR STUDENTS, SENIORS, COMMUNITY MEMBERS, AND ARTISTS. THE MUSEUM HOSTED A CULTURAL FOOD PANTRY, BEGINNING IN JUNE 2020 AND HAS CONTINUED THROUGH FY21. TO REMOVE PHYSICAL, ATTITUDINAL AND FINANCIAL BARRIERS TO ENTRY AND TO ENCOURAGE PEOPLE TO GET MORE INVOLVED WITH THE MUSEUM THE QUEENS MUSEUM ELIMINATED OUR SUGGESTED DONATION POLICY AND MADE ADMISSION FREE. 21 21 110 151 0 0 3763404 4588060 236840 1300 8710 11019 -22743 -114610 3986211 4485769 9868 4642 0 0 2907008 3095546 0 0 328281 2241114 2235482 5157990 5335670 -1171779 -849901 38022976 37385842 714462 853113 37308514 36532729 X THE QUEENS MUSEUM IS DEDICATED TO PRESENTING THE HIGHEST QUALITY VISUAL ARTS AND EDUCATIONAL PROGRAMMING FOR PEOPLE IN THE NEW YORK METROPOLITAN AREA, AND PARTICULARLY FOR THE RESIDENTS OF QUEENS, A UNIQUELY DIVERSE ETHNIC, CULTURAL AND INTERNATIONAL COMMUNITY.THE MUSEUM FULFILLS ITS MISSION BY DESIGNING AND PROVIDING ART EXHIBITIONS AND EDUCATIONAL EXPERIENCES THAT PROMOTE THE APPRECIATION AND ENJOYMENT OF ART, SUPPORT THE CREATIVE EFFORTS OF ARTISTS, AND ENHANCE THE QUALITY OF LIFE THROUGH INTERPRETING, COLLECTING, AND EXHIBITING ART, ARCHITECTURE, AND DESIGN.THE QUEENS MUSEUM PRESENTS ARTISTIC AND EDUCATIONAL PROGRAMS AND EXHIBITIONS THAT DIRECTLY RELATE TO THE CONTEMPORARY URBAN LIFE OF ITS CONSTITUENTS WHILE MAINTAINING THE HIGHEST STANDARDS OF PROFESSIONAL, INTELLECTUAL, AND ETHICAL RESPONSIBILITY. 0 0 2355598 0 1300 EXHIBITIONSFOR FOREVER: ON LONG-TERM VIEW THE QUEENS MUSEUM, TIMES SQUARE ARTS, AND MTA ARTS & DESIGN COLLABORATION ON A NEW PUBLIC ART INITIATIVE BY ARTIST MIERLE LADERMAN UKELES, ON VIEW ON THE FACADE OF THE QUEENS MUSEUM FACING GRAND CENTRAL PARKWAY, ON THE LARGE-SCALE DIGITAL BILLBOARD AT 20 TIMES SQUARE, AND ACROSS DIGITAL DISPLAYS THROUGHOUT THE MTA SUBWAY AND RAIL SYSTEM. FOR FOREVER IS BOTH A RESPONSE TO THE PANDEMIC AND A CONTINUATION OF UKELES' LONG-STANDING DEDICATION TO HONORING THE UNENDING LABOR OF NEW YORK CITY'S PUBLIC SERVICE WORKERS THROUGH HER ARTISTIC PRACTICE.YEAR OF UNCERTAINTYFOLLOWING QM'S POST-COVID SHUTDOWN, THE RE-OPENED IN SEPTEMBER 2020 AND EMBARKED ON A NEW PROGRAM, THE YEAR OF UNCERTAINTY (YOU), A FRAMEWORK FOR STRENGTHENING CONNECTION AMONG THE MUSEUM, OUR COMMUNITIES, AND CONSTITUENTS, FOCUSED ON CREATING NEW POSSIBILITIES FOR CULTURE, KINSHIP, AND MUTUAL SUPPORT.THE YEAR OF UNCERTAINTY COLLABORATIVE PROCESSES, ACTIVITIES AND FINAL EXHIBITION, WERE CENTERED AROUND THEMES OF CARE, REPAIR, PLAY, JUSTICE, AND THE FUTURE, THIS PROGRAM RESPONDED TO HYPERLOCAL AND INTERNATIONAL STATES OF PRECARITY THAT WERE HEIGHTENED BY THE COVID-19 PANDEMIC, INCLUDING THE CRISES OF INACTION AND UNACCOUNTABILITY TOWARD RACIAL JUSTICE AND XENOPHOBIA, CLIMATE REPARATIONS, AND INCOME DISPARITY. QM DEDICATED ITS MISSION TO CREATING A PROGRAM THAT OFFERED ITS SPACE AS A CENTER FOR LEARNING, RESEARCH, AND COLLABORATION. TO SET UP THIS FRAMEWORK, QM SOUGHT OUT SIX ARTISTS IN RESIDENCE (AIRS), NINE COMMUNITY PARTNERS THROUGH TWO OPEN CALLS AND TWELVE CO-THINKERS WERE INVITED BECAUSE OF THEIR SPECIFIC SKILLS AND EXPERIENCE (COMPLETE LIST BELOW). YOU ARTISTS-IN-RESIDENCEGABO CAMNITZER, TECUMSEH CEASER, UTSA HAZARIKA, MO KONG,JULIAN LOUIS PHILLIPS, ALEX STRADA & TALI KERENYOU COMMUNITY PARTNERSBORDEANDO, CARIBBEAN EQUALITY PROJECT, COLECTIVO INTERCULTURAL TRANSGREDIENDO, GUARDIANS OF FLUSHING BAY, LIFE CAMP, MALIKAH, MINKWON CENTER FOR COMMUNITY ACTION, ROCKAWAY DEVELOPMENT & REVITALIZATION CORPORATION, SAKHI FOR SOUTH ASIAN WOMENYOU CO-THINKERSTREMAINE EMORY, SHANNON FINNEGAN, CAS HOLMAN, NORA N. KHAN, SUZANNE LACY, MAE-LING LOKKO, GUADALUPE MARAVILLA, MIXDESIGN, NAEEM MOHAIEMEN, XAVIERA SIMMONS, SABLE ELYSE SMITH, KENNETH TAMTHIS COMMUNITY BROUGHT TOGETHER DIVERSE ARTISTS, COMMMUNITY PARTNERS AND CO-THINKERS ENGAGED IN RESEARCH-BASED AND SOCIALLY ENGAGED PRACTICES THAT TACKLED ISSUES INCLUDING GENDER-JUSTICE; MENTAL HEALTH; ENVIRONMENTAL JUSTICE; YOUTH ENRICHMENT; GUN VIOLENCE PREVENTION AND INTERVENTION; LGBTQ+ ACTIVISM; AND CIVIL RIGHTS FOR TGNB PEOPLE AND SEX WORKERS. THIS ITERATIVE APPROACH TO THE PROGRAM ENABLED QM TO DEEPEN ITS UNDERSTANDING OF THE COMMUNITIES WE SERVE AND HOW WE CAN CONTINUE TO DEVELOP A RELEVANT AND INFORMED PROGRAM OF EXHIBITIONS AND EVENTS. YOU WAS INITIALLY ENVISIONED AS A WAY TO MAINTAIN ACCESS TO THE QUEENS MUSEUM DURING THE COVID-19 LOCKDOWN. REFLECTING ON THE LEARNING FROM THIS EXPERIENCE WE WILL CONTINUE TO DEEPEN CONVERSATIONS AND PARTNERSHIP WITH OUR COMMUNITIES AND ARTISTS AT THE CORE OF OUR WORK AS WELL AS DEVELOP AND PRESENT RELEVANT EXHIBITIONS AND PROGRAMS. YOU TOOK A PROACTIVE APPROACH TO BETTER UNDERSTANDING OUR COMMUNITY AND COMMITTING TO ACCESSIBILITY. TO FURTHER IMPLEMENT RESILIENCY PLANNING, QM DECIDED TO OFFER QM STUDIO SPACES FREE-OF-CHARGE FOR AIRS. THIS PRACTICE, WHICH BEGAN DURING YOU WILL CONTINUE FOR FUTURE ITERATIONS OF THE STUDIO PROGRAM. AS WE LOOK TOWARD THE FUTURE, QM WILL INCREASE THE AMOUNT OF MONEY OFFERED TO SUPPORT ARTISTS AND WILL DEEPEN OUR NETWORK OF COMMUNITY PARTNERS IN THE BOROUGH. KENNETH TAM: SILENT SPIKES (FEBRUARY 24, 2021-JUNE 23,2021)KENNETH TAM'S WORK REIMAGINES SPACES AND SOCIAL CUSTOMS FOR MALE BODIES IN ORDER TO REVEAL VULNERABLE MOMENTS THAT CAN EXIST AMONG MEN. WITH HIS SOLO EXHIBITION, SILENT SPIKES TAM FURTHERS THIS ADDRESS OF MASCULINITY, WHILE EXPLORING INTERSECTIONS OF RACE AND LABOR ECONOMICS. IN THIS NEW WORK OF VIDEO AND SCULPTURE, TAM CONSIDERS HOW ASIAN MEN HAVE BEEN STEREOTYPED AND MALIGNED AGAINST THE ICONIC TROPE OF AMERICAN MASCULINITY: THE COWBOY. THROUGHOUT THE YEAR, THE MUSEUM'S EDUCATION DEPARTMENT OFFERED HYBRID PROGRAMMING FOR ITS VARIED AUDIENCES INCLUDING UPLOADS FOR DOWNTIME IN ENGLISH AND SPANISH AVAILABLE ON YOUTUBE AND ON THE QUEENS MUSEUM WEBSITE AND SOCIAL MEDIA CHANNELS. 583123 4642 0 EDUCATIONQM OFFERED A ROBUST RANGE OF EDUCATION PROGRAMS FOR INDIVIDUALS, INCLUDING K-12 SCHOOL STUDENTS, FAMILIES, RECENT ADULT IMMIGRANTS AND OLDER ADULTS WITH MEMORY LOSS OR AFFECTED BY ALZHEIMER'S, SUMMER CAMP FOR MIDDLE SCHOOL YOUTH AND TEEN PROGRAMS FOR HIGH SCHOOL STUDENTS IN OUR BOROUGH. THROUGH THESE ON- AND OFF-SITE OFFERINGS AND OUR NUMEROUS PARTNERSHIPS, WE PROVIDE ACCESSIBLE PROGRAMS THAT ENSURE ALL THOSE INTERESTED CAN ENGAGE WITH QM AND OUR RESOURCES. FOR EACH OF THESE PROGRAMS, QM INCORPORATED OUR PERMANENT EXHIBITIONS AS WELL AS THE CURRENT CONTEMPORARY ART EXHIBITIONS ON VIEW.INTERPRETATION AT QM -WHILE TAKING INTO ACCOUNT OUR UNIQUELY DIVERSE AND MULTICULTURAL CONSTITUENTS, WE HAVE FOUND IT INCREASINGLY IMPORTANT TO FOCUS ON COMPREHENSIVE INTERPRETATION OF MUSEUM RESOURCES RATHER THAN SIMPLY TRANSLATION. THIS INTERPRETATION INITIATIVE INFORMED THE CREATION OF INTERPRETATION SCHEMES FOR THE PANORAMA, THE NEUSTADT COLLECTION OF TIFFANY GLASS, AND QI 2018. PANORAMA KIDS GUIDES WERE TRANSLATED INTO SPANISH AND MANDARIN, AS THESE ARE THE LANGUAGES MOST SPOKEN BY OUR VISITORS. ADDITIONALLY, AS A PART OF OUR ARTACCESS INITIATIVE, QM HAS ROBUST PROGRAMS THAT PROVIDE ART MAKING ACTIVITIES FOR FAMILIES WITH CHILDREN OF DIVERSE ABILITIES, WHICH EXTENDS INTO OUR GALLERY SPACES. TO PROMOTE ACCESSIBILITY, WALL TEXT WAS MADE DARKER AND FONT SIZES INCREASED TO MEET SMITHSONIAN STANDARDS AND GUIDELINES ON ACCESSIBILITY REQUIREMENTS. EXHIBITION KITS WERE CREATED THAT FEATURE TEXTS IN BRAILLE AND LARGE PRINT AND FEATURE REPLICAS OF SELECT OBJECTS IN THE EXHIBITION TO SERVE VISITORS WHO ARE BLIND OR HAVE LOW VISION. 351451 0 0 PUBLIC PROGRAMS AND COMMUNITY ENGAGEMENTFAMILY PROGRAMSQM PLACES VALUE ON PROGRAMS THAT ENCOURAGE FAMILIES TO ENGAGE IN SHARED LEARNING EXPERIENCES THROUGH ART-MAKING AND ART-LOOKING ACTIVITIES. AN AVERAGE OF 30 FAMILIES PARTICIPATE IN THESE PROGRAMS OFFERED EACH SUNDAY, IN BOTH ENGLISH AND SPANISH. THIS PAST YEAR, WORKSHOPS INCORPORATED A VARIETY OF ART-MAKING TECHNIQUES, AS WELL AS OTHER OUTLETS FOR CREATIVE EXPRESSION, SUCH AS DANCE. ADDITIONALLY, ARTACCESS FAMILY WORKSHOPS ARE HELD ON THE THIRD SUNDAY OF EACH MONTH, AND ARE GEARED TOWARDS ENGAGING FAMILIES WITH CHILDREN OF ALL ABILITIES.QUEENS TEENSCURATED BY TEENS FOR TEENS, THE QUEENS TEENS CREATED A STAY-AT-HOME GUIDE FOR TEENS AND CIVICS GUIDE AS A RESPONSE TO THE PANDEMIC.THE QUEENS MUSEUM INVITED ALL NEW YORK CITY HIGH SCHOOLERS TO PARTICIPATE IN OUR UNIQUE QUEENS MUSEUM: QUEENS TEENS X YEAR OF UNCERTAINTY YOUTH PROGRAMMING. OVER SEVERAL MONTHS, TEENS HAD THE OPPORTUNITY TO PARTICIPATE IN VARIOUS WORKSHOPS AND EVENTS AROUND TOPICS SUCH AS SOCIAL JUSTICE, ART, AND COLLEGE, AND JOB READINESS.THIS PROGRAM IS CURATED TO ENCOURAGE EXPLORATION AND INTROSPECTION INTO THE MEANINGS OF ART AND CREATIVE EXPRESSION WHILE CREATING NEW POSSIBILITIES FOR CULTURE, KINSHIP, AND MUTUAL SUPPORT.NEW NEW YORKERSFOR THE PAST 10 YEARS, NEW NEW YORKERS HAS PROVIDED RECENT ADULT IMMIGRANTS WITH PATHWAYS TO CIVIC PARTICIPATION THROUGH THE ACQUISITION OF IMPORTANT SKILLS, AS WELL AS OPPORTUNITIES TO EXPRESS THEMSELVES AND THEIR CULTURAL TRADITIONS IN A SAFE, NON-JUDGMENTAL SETTING. THIS YEAR, QM OFFERED 21 UNIQUE COURSES, INCLUDING BOTH ONE-TIME AND FOUR TO EIGHT WEEK MULTI-WORKSHOP COURSES. FIELD TRIPS, SUCH AS A VISIT TO THE MUSEUM OF THE MOVING IMAGE, AND A NUMBER OF PUBLIC EVENTS WERE ALSO ORGANIZED, WHICH ALLOWED PARTICIPANTS TO INTERACT WITH ART AND OTHER CULTURAL INSTITUTIONS, SUPPLEMENTING THE ARTS LITERACY AND ENGAGEMENT OPPORTUNITIES OFFERED WITHIN COURSES.SOME ENGAGING COURSES OFFERED DURING THE LAST YEAR INCLUDE: MINI PAINTING I AND II OFFERED IN MANDARIN, PAINTING PORTRAITS USING WATERCOLOR TECHNIQUES OFFERED IN SPANISH, WORLD CINEMA & CULTURE OFFERED IN MANDARIN, AND ESOL & POETRY. PROVIDING BOTH ONE-DAY AND LONGER-FORM COURSES AGAIN HELPED TO ENGAGE BOTH NEW AND RETURNING PARTICIPANTS AND ACCOMMODATE VARIOUS SCHEDULES. 303846 0 -10803 303846 -10803 3594018 1 1 0 1 0 0 0 1 0 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 132 0 110 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 21 21 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 NY X X JULIE LOU DIRECTOR OF FINANCE 7185929700 FLUSHING MEADOWS CORONA PARK QUEENS NY 113683398 PETER WARWICK CHAIR 2.00 X X 0 0 0 PAULA KIRBY VICE CHAIR 2.00 X X 0 0 0 AMY D'AMATO SECRETARY 2.00 X X 0 0 0 YVONNE RILEY-TEPIE TREASURER 1.00 X X 0 0 0 SUSAN L BROWNING TRUSTEE, THRU JUNE 10, 2021 1.00 X 0 0 0 THOMAS CHEN TRUSTEE 1.00 X 0 0 0 CHRISTINE CIAMPA TRUSTEE 1.00 X 0 0 0 SALVATORE DIMARTINO TRUSTEE 1.00 X 0 0 0 PATSY DOERR TRUSTEE 1.00 X 0 0 0 JACQUIE HEMMERDINGER TRUSTEE 1.00 X 0 0 0 MARC KRAMER TRUSTEE 1.00 X 0 0 0 SETH KUPFERBERG TRUSTEE 1.00 X 0 0 0 DANIEL LOWY TRUSTEE, THRU MARCH 18, 2021 1.00 X 0 0 0 HANNA MILLER TRUSTEE 1.00 X 0 0 0 PATRICIA MODENA TRUSTEE 1.00 X 0 0 0 ELLIOT PARK TRUSTEE 1.00 X 0 0 0 THOMAS RUDZEWICK TRUSTEE 1.00 X 0 0 0 BEVIN SAVAGE-YAMAZAKI TRUSTEE 1.00 X 0 0 0 DENISE SCOOT TRUSTEE 1.00 X 0 0 0 SABLE ELYSE SMITH TRUSTEE 1.00 X 0 0 0 ALAN SUNA TRUSTEE 1.00 X 0 0 0 ALEXA VAN DE WALLE TRUSTEE 1.00 X 0 0 0 GRETCHEN WERWAISS TRUSTEE 1.00 X 0 0 0 ADEZE WILFORD TRUSTEE 1.00 X 0 0 0 SALLY TALLANT EXECUTIVE DIRECTOR 40.00 X 249883 0 54521 DEBRA WIMPFHEIMER CHIEF OPERATING OFFICER 40.00 X 146359 0 32010 JULIE LOU DIRECTOR OF FINANCE 40.00 X 100595 0 37621 HEIDI HOLDER DIRECTOR OF EDUCATION, THRU OCT 2020 40.00 X 71057 0 23486 HITOMI IWASAKI DIRECTOR OF EXHIBITION 40.00 X 87176 0 26143 BENJAMIN STRAUSS DIRECTOR OF DEVELOPMENT 40.00 X 85147 0 25537 740217 0 199318 3 0 1 0 0 3473 192804 2093544 2298239 4588060 ADMISSIONS & WORKSHOPS 713990 1300 1300 1300 6854 6854 3209 3209 44350 140867 -96517 -96517 -96517 32412 28247 4165 4165 4165 12500 192804 23043 -10543 -10543 4889 15692 -10803 -10803 OTHER INCOME 900099 44 44 44 4485769 -9503 0 -92788 4642 4642 921790 255166 666624 1517600 1252129 100883 164588 136271 117444 891 17936 323152 229379 65213 28560 196733 122301 60509 13923 19750 6313 11918 1519 2030 2030 457279 253766 180064 23449 3290 3195 95 98319 56184 19466 22669 9772 7547 1882 343 44070 7787 36264 19 5167 4269 606 292 6239 2344 3055 840 14 14 1085823 969818 89034 26971 12721 2086 10635 REPAIRS AND MAINTENANCE 213377 164793 41099 7485 HONORARIA 158080 50529 95390 12161 EXHIBITION FEES 46017 37207 7453 1357 DUES AND PROF. DEVELOP. 39134 20483 12995 5656 34400 27787 6195 418 5335670 3594018 1413371 328281 891122 1040870 2023 2078 692212 917636 38115 77697 52457910 17535102 36058080 34922808 341424 424753 38022976 37385842 198380 285686 22363 16375 0 150000 493719 401052 714462 853113 X 35852262 35126009 1456252 1406720 37308514 36532729 38022976 37385842 -849901 74116 0 X X 0 1 X 1 0 X 4261503 5283976 3514925 3763404 4588060 21411868 373444 362399 289845 313662 1339350 4261503 5657420 3877324 4053249 4901722 22751218 1046218 21705000 263894 284015 346000 296761 54413 1245083 222479 222479 7927 1464 1481 44 10916 24229696 1228889 0.89580 0.91630 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: OTHER INCOME - 2016 AMOUNT: $ 7,927. 2018 AMOUNT: $ 1,464. 2019 AMOUNT: $ 1,481. 2020 AMOUNT: $ 44. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 0 0 0 0 0 0 0 0 1 2030 2030 0 PART II-B, LINE 1: THE MUSEUM IS PART OF THE NYC CULTURAL INSTITUTIONS GROUP (CIG), A CONSORTIUM OF 34 CULTURAL INSTITUTIONS ON CITY-OWNED PROPERTY. AS A GROUP, CIG EMPLOYS A LOBBYIST WHO DOES ADVOCACY WORK AROUND ISSUES PERTAINING TO OUR INSTITUTIONS AND CONSTITUENCIES. THE MUSEUM ALSO PAID DUES TO THE WILDLIFE CONSERVATION SOCIETY, A PORTION OF WHICH WAS FOR LOBBYING ACTIVITIES. X X X X X PROVIDE ONGOING EDUCATION 0 342239 83376 425615 339891 2348 342239 631772 -1266 290615 339891 592866 38906 631772 542275 50591 592866 0.00000 0.68850 0.31150 0 0 52117776 17209844 34907932 277220 268648 8572 62914 56610 6304 34922808 PAYCHECK PROTECTION PROGRAM LOAN 401052 401052 X 5435268 74116 718824 156559 949499 4485769 0 4485769 6211053 718824 156559 875383 5335670 0 5335670 PART III, LINE 1A: IN CONFORMITY WITH PRACTICES FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED OR DONATED ARE NOT CAPITALIZED. THE MUSEUM'S ART COLLECTION CONSISTS PRIMARILY OF AMERICAN CONTEMPORARY PAINTINGS, WORKS ON PAPER, PHOTOGRAPHS AND WORLD'S FAIR ARTIFACTS. THE MUSEUM CARRIED INSURANCE COVERAGE IN AMOUNTS EQUAL TO THE ESTIMATED VALUE OF THE COLLECTION AS WELL AS SUFFICIENT COVERAGE FOR COLLECTIONS ON LOAN. IT IS THE POLICY OF THE MUSEUM TO HOLD ITS COLLECTIONS FOR PUBLIC EXHIBITION, EDUCATION, OR RESEARCH IN FURTHERANCE OF PUBLIC SERVICE, RATHER THAN FINANCIAL GAIN. ANY PROCEEDS FROM THE SALE OF COLLECTION ITEMS ARE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. PART III, LINE 4: THE QMA COLLECTION CONSISTS OF THREE PARTS: 1. THE 1939-40 AND 1964-65 NEW YORK WORLD'S FAIR ARCHIVES. NOTABLY, THIS INCLUDES THE PANORAMA OF THE CITY OF NEW YORK, A 9,335 SQUARE FOOT ARCHITECTURAL MODEL THAT REPRESENTS EVERY BUILDING IN NEW YORK CONSTRUCTED BEFORE 1992 AT A SCALE OF 1:1200 (ONE INCH = 100 FEET). BUILT BY ROBERT MOSES FOR THE 1964 WORLD'S FAIR, IN PART AS A CELEBRATION OF THE CITY'S MUNICIPAL INFRASTRUCTURE IN ALL FIVE BOROUGHS, IT INCLUDES A TOTAL OF 895,000 INDIVIDUAL STRUCTURES. 2. THE NEUSTADT COLLECTION OF TIFFANY GLASS (ON LONG-TERM LOAN. INCLUDES LAMPS AND WINDOWS AS WELL AS UNUSED GLASS FROM THE WORKSHOP, FORMERLY LOCATED IN CORONA, QUEENS.) INSTALLED IN APRIL 2016, THE EXHIBITION, A PASSION FOR TIFFANY LAMPS, HIGHLIGHTS THE EXTRAORDINARY SCOPE OF THE NEUSTADTS' COLLECTION. EXAMPLES OF TIFFANY'S MOST ICONIC LAMPS - THE WISTERIA AND DRAGONFLY - ARE ON VIEW, ALONG WITH UNUSUAL LAMPS PRODUCED IN LIMITED NUMBER, SUCH AS THE POND LILY GLOBE AND PEACOCK HANGING SHADE. 3. WORKS OF ART AS FOLLOWS: A. COLLECTIONS OF ART RELATED TO THE WORLD'S FAIRS, SUCH AS AN IN-DEPTH COLLECTION RELATING TO SALVADOR DALI'S DREAM OF VENUS (AMUSEMENT ZONE, 1939-40) AND PHOTOGRAPHS BY WELL-KNOWN PHOTOGRAPHERS SELECTED FOR THE FAIR BY MUSEUM DIRECTORS ACROSS THE U.S., GATHERED UNDER THE NAME PHOTOGRAPHY AS FINE ART (KODAK PAVILION, 1964-65). B. A COLLECTION OF OVER 2,000 PHOTOGRAPHS DONATED OVER 30 YEARS BY COLLECTOR AND PHOTOGRAPHER CHARLES SCHWARTZ, INCLUDING EXTRAORDINARY EXAMPLES OF DOCUMENTARY, PHOTOJOURNALISTIC, AND ART PHOTOGRAPHY CREATED BETWEEN 1860S - 1960S BY PHOTOGRAPHERS SUCH AS ABBOTT, SMITH, STIEGLITZ, LANGE, HALSMAN, ATGET AND OTHERS. C. 300+ ORIGINAL DRAWINGS, ETCHINGS AND LITHOGRAPHS BY EMIGRE ILLUSTRATOR, SOCIAL SATIRIST AND LONG-TERM QUEENS RESIDENT WILLIAM SHARP (1900-1961) WHOSE REALIST DEPICTIONS OF CURRENT EVENTS AND DAILY LIFE ENTERTAINED AND INFORMED A GENERATIONS OF READERS OF ESQUIRE, LIFE, NEW YORK DAILY NEWS, PM, COLLIER'S, THE NEW YORK POST AND THE NEW YORK TIMES. D. CUBAN PAINTER EMILIO SANCHEZ (1921- 1999), WHO SPENT STUDENT DAYS & MATURE CAREER IN NYC, IS REPRESENTED BY 25 WORKS VIVIDLY DEPICTING HIS NATIVE CUBA AS WELL AS THE URBAN CONSTRUCTIVIST ENVIRONMENT. E. APPROXIMATELY 200 WORKS OF CONTEMPORARY CONCEPTUALLY-BASED ART IN ALL MEDIA, OFTEN SPECIALLY COMMISSIONED FOR EXHIBITIONS AT THE MUSEUM. HIGHLIGHTS INCLUDE LOUISE LAWLER'S PHOTOGRAPHS OF THE MUSEUM'S FORMER COLLECTION OF CLASSICAL PLASTER CASTS (THREE, OBJECTS AND STORAGE, 1984); THE RESULTS OF AN ARCHAEOLOGICAL DIG BY MARK DION (THE GREAT ASH DUMP DIG, FLUSHING MEADOWS PARK, 2001), NILS NORMAN'S LIBRARY-ON-A-BICYCLE (THE GERARD WINSTANLEY RADICAL GARDENING SPACE MOBILE FIELD CENTER AND WEATHER STATION, 1999); DULCE PINZON'S PHOTOGRAPHS (WONDER WOMAN, 2006) ANDREW MOORE'S PHOTOGRAPHIC SERIES ON CITY POOLS BUILT BY ROBERT MOSES (20 INKJET PRINTS, 2005); SEHER SHAH'S ARCHITECTURALLY-INFLUENCED ABSTRACTIONS (BLACK CUBE STUDY #14 AND #15, 2007); 16 OF SHAUN EL C. LEONARDO'S PERFORMANCE PHOTOGRAPHS (EL CONQUISTADOR VS. THE INVISIBLE MAN, 2004-2006), ANTHONY AUERBACH'S TRANSPARENCIES AND DIGITAL PRINT (EMPEROR PANORAMA AND THE STATE OF NEW YORK, 2007 AND 2006), PEDRO MEYER'S PHOTOGRAPHS (PEDRO MEYER'S HERESIES, 2008), DUKE RILEY'S LASER ENGRAVING AND DRYPOINT PRINT ON HANDMADE PAPER (MORITURI TE SALUTANT, 2009), AMONG MANY OTHERS. IN 2011 -2013, WE RECEIVED 18 FRANK O. LARSON DIGITAL PRINTS FROM ARCHIVAL NEGATIVES OF 1950S NEW YORK CITY STREET PHOTOGRAPHY. THE METROPOLITAN MUSEUM OF ART DONATED MICHELANGELO'S ORIGINAL PLASTER CAST OF THE PIETA TO OUR COLLECTION - ON LONG TERM LOAN TO THE MUSEUM SINCE 1975. A PURCHASE FOR THE COLLECTION INCLUDES COCO FUSCO'S VIDEO, THE COUPLE IN THE CAGE: GUATIANAUI ODYSSEY. A PARTIAL DONATION/PURCHASE WAS MADE FOR ANDREW MOORE'S PHOTOGRAPH, COOPER SCHOOL, DETROIT. PART V, LINE 4: THE MUSEUM HAS ESTABLISHED AN ENDOWMENT FUND WHICH CONSISTS OF DONOR RESTRICTED GIFTS AND CONTRIBUTIONS. THE MUSEUM APPROPRIATES FOR EXPENDITURE OR ACCUMULATION AS IS PRUDENT FOR THE USES, BENEFITS, PURPOSES AND DURATION FOR WHICH THE ENDOWMENT FUND IS ESTABLISHED, SUBJECT TO THE INTENT OF THE DONOR AS EXPRESSED IN THE GIFT INSTRUMENT. CURRENTLY, EXPENDITURES FROM THE ENDOWMENT FUNDS ARE USED TO SUPPORT OPERATIONAL PURPOSES AS NEEDED. PART X, LINE 2: THE MUSEUM RECOGNIZES THE EFFECT OF INCOME TAX POSITIONS ONLY IF THOSE POSITIONS ARE MORE LIKELY THAN NOT TO BE SUSTAINED. MANAGEMENT HAS DETERMINED THAT THE MUSEUM HAD NO UNCERTAIN TAX POSITIONS THAT WOULD REQUIRE FINANCIAL STATEMENT RECOGNITION OR DISCLOSURE. THE MUSEUM IS NO LONGER SUBJECT TO EXAMINATIONS BY THE APPLICABLE TAXING JURISDICTIONS FOR PERIODS PRIOR TO FISCAL 2018. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES REPORTED ON PART VIII, LINE 6B 140,867. COST OF GOODS SOLD REPORTED ON PART VIII, LINE 10B 15,692. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES REPORTED ON PART VIII, LINE 6B 140,867. COST OF GOODS SOLD REPORTED ON PART VIII, LINE 10B 15,692. RESILIENCE FUND EVENT 205304 192804 12500 4588 1566 5112 11777 205304 192804 12500 4588 1566 5112 11777 23043 -10543 X X X X 0 0 0 0 0 0 0 0 0 SALLY TALLANT EXECUTIVE DIRECTOR 249883 0 0 0 0 0 27737 0 26784 0 304404 0 0 0 DEBRA WIMPFHEIMER CHIEF OPERATING OFFICER 146359 0 0 0 0 0 16246 0 15764 0 178369 0 0 0 FORM 990, PART VI, SECTION B, LINE 11B THE ORGANIZATION'S FORM 990 IS PREPARED BY AN OUTSIDE ACCOUNTING FIRM, AND THEN REVIEWED BY THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES. ONCE APPROVED BY THE COMMITTEE, A COMPLETE COPY IS PROVIDED TO ALL MEMBERS OF THE BOARD OF TRUSTEES FOR THEIR REVIEW AND COMMENT PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM HAS A CONFLICT OF INTEREST POLICY WHICH COVERS ALL TRUSTEES, THE EXECUTIVE DIRECTOR, AND ALL STAFF MEMBERS. THIS POLICY REQUIRES THESE INTERESTED PERSONS TO COMPLETE A QUESTIONNAIRE TO ANNUALLY DISCLOSE ANY POTENTIAL CONFLICTS OF INTEREST. POTENTIAL CONFLICTS MUST ALSO BE DISCLOSED TO THE BOARD OF TRUSTEES AS THEY ARISE. THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES DETERMINES IF A CONFLICT EXISTS, AND DETERMINES IF THE MUSEUM CAN OBTAIN WITH REASONABLE EFFORTS AN EQUALLY OR MORE ADVANTAGEOUS TRANSACTION THAT WOULD NOT GIVE RISE TO AN ACTUAL OR APPARENT CONFLICT. THE INTERESTED PERSON DOES NOT PARTICIPATE IN SUCH DECISIONS. FORM 990, PART VI, SECTION B, LINE 15 COMPENSATION IS PART OF THE ANNUAL BUDGET PROCESS WHICH IS DELIBERATED BY THE FINANCE COMMITTEE AND APPROVED BY THE BOARD OF TRUSTEES. AS A PART OF THIS PROCESS, COMPENSATION DECISIONS ARE MADE FOR ALL MUSEUM STAFF, INCLUDING THE EXECUTIVE DIRECTOR AND THE DIRECTOR OF FINANCE. THE COMMITTEE USES COMPARABLE DATA FROM FUNCTIONALLY COMPARABLE POSITIONS AT SIMILAR ORGANIZATIONS TO FRAME COMPENSATION DECISIONS. INCLUDED SOURCES OF COMPENSATION DATA USED FOR SETTING EXECUTIVE COMPENSATION INCLUDED SALARY SURVEYS OF LOCAL MUSEUM DIRECTORS, AND FORMS 990 OF OTHER ORGANIZATIONS. DOCUMENTATION OF DELIBERATIONS AND DECISIONS MADE REGARDING COMPENSATION ARE ENTERED INTO COMMITTEE AND BOARD MINUTES AND KEPT ON FILE BY THE ORGANIZATION. THIS PROCESS MOST RECENTLY OCCURRED IN 2019. FORM 990, PART VI, SECTION C, LINE 19 QUEENS MUSEUM OF ARTS' FORM 990 IS AVAILABLE FOR PUBLIC INSPECTION AS REQUIRED UNDER SECTION 6104 OF THE INTERNAL REVENUE CODE AS IT IS POSTED ON GUIDESTAR.ORG AND OTHER SIMILAR TYPES OF WEBSITES. IN ADDITION, THE ORGANIZATIONS FORMS 990, FORM 1023, FINANCIAL STATEMENTS, CONFLICT OF INTEREST POLICY, AND BYLAWS ARE AVAILABLE UPON WRITTEN REQUEST TO THE ORGANIZATION AT NEW YORK CITY BUILDING, FLUSHING MEADOWS CORONA PARK, QUEENS, NY 11368-3398 OR BY CALLING THE ORGANIZATION DIRECTLY AT (718) 592-9700. FORM 990, PART VI, LINE 1: THE MUSEUM HAS AN EXECUTIVE COMMITTEE WITH THE AUTHORITY TO MAKE GOVERNANCE DECISIONS ON BEHALF OF THE FULL BOARD. FORM 990, PART XII, LINE 2C: THE MUSEUM HAS AN AUDIT COMMITTEE THAT IS RESPONSIBLE FOR THE OVERSIGHT OF THE AUDIT AND THE SELECTION OF AN INDEPENDENT ACCOUNTANT. THE PROCESS HAS NOT CHANGED FROM THE PRIOR YEAR.