2022-05-10T12:49:06-05:00 2021-06-30 946214841 ARMANINO LLP 12657 ALCOSTA BLVD STE 500 SAN RAMON CA 945834600 990 2020-07-01 941704765 ASIAN ART MUSEUM FOUNDATION OF SAN FRANCISCO ASIA 4155813500 200 LARKIN STREET SAN FRANCISCO CA 941024734 MINFANG GAO CONTROLLER 4155813730 2022-05-05 1 MINFANG GAO 999009999 KATY BROWN P00650274 9257902600 2022-05-05 2 AAL1 IAL1 2020 2022-09-23 18:48:47Z MINFANG GAO 200 LARKIN STREET SAN FRANCISCO CA 941024734 42410598 0 X WWW.ASIANART.ORG X 1969 CA PUBLIC EXHIBITION OF ART OBJECTS 41 41 166 94 17747 15163 37746835 24997838 738346 185540 2242269 2220041 866366 226461 41593816 27629880 0 0 0 0 19556522 17311795 0 0 3899576 20847934 16678630 40404456 33990425 1189360 -6360545 256031716 268934416 85099439 83952000 170932277 184982416 X THE ASIAN ART MUSEUM OF SAN FRANCISCO IS A PUBLIC INSTITUTION WHOSE MISSION IS TO CONNECT ART TO LIFE. THE MUSEUM INSPIRES NEW WAYS OF THINKING BY CONNECTING DIVERSE COMMUNITIES TO HISTORICAL AND CONTEMPORARY ASIAN ART AND CULTURE THROUGH OUR WORLD-CLASS COLLECTION, EXHIBITIONS AND PROGRAMS. 0 0 20633878 403510 THE MUSEUM IS ONE OF SAN FRANCISCO'S PREMIER ARTS INSTITUTIONS AND HOME TO A WORLD-RENOWNED COLLECTION OF MORE THAN 18,000 ASIAN ART TREASURES SPANNING 6,000 YEARS OF HISTORY AND REPRESENTING COUNTRIES AND CULTURES THROUGHOUT ASIA. THE COLLECTION'S SCOPE AND BREADTH ENABLE THE MUSEUM TO INTRODUCE ALL THE MAJOR TRADITIONS OF ASIAN ART AND CULTURE. MORE THAN 2,500 ARTWORKS FROM THE COLLECTION ARE GENERALLY ON VIEW IN THE MUSEUM'S THIRTY-THREE COLLECTION GALLERIES, WITH ANOTHER 500 OBJECTS REMOVED AND REFRESHED WITH WORKS FROM STORAGE EACH YEAR. DUE TO COVID-19, THE MUSEUM WAS CLOSED FOR 6 MONTHS. MOST VISITORS WERE FROM THE LOCAL BAY AREA IN FY21. 1004815 THE MUSEUM PROVIDES A BROAD RANGE OF PROGRAM THAT EXPLORE ALL THE CULTURES PRESENTED IN THE MUSEUM'S COLLECTION AND EXHIBITIONS, AND ARE DESIGNED TO REACH ALL LEVELS OF EDUCATION (K-12, COLLEGE, AND ADULT) AND AWARENESS OF ART (NOVICE THROUGH EXPERT), FREE DOCENT LED TOURS OF THE COLLECTION GALLERIES AND SPECIAL EXHIBITIONS ARE CONDUCTED THROUGHOUT THE DAY. THE MUSEUM'S STORYTELLING CORPS OFFER ENTERTAINING AND EDUCATIONAL PROGRAMS FOR CHILDREN AND ADULTS RELATING TO ARTWORKS ON VIEW. SCHOOL PROGRAMS INCLUDE A VARIETY OF INDUSTRY-BASED ACTIVITIES: ALL CLASS TOURS ARE INTERACTIVE AND EMPHASIZE OBSERVATION SKILLS, CRITICAL THINKING, GROUP WORK, AND PEER PRESENTATIONS. 1874371 CHANG DAI-CHIEN: PAINTING FROM HEART TO HANDNOV 26, 2019 NOV 15, 2020CHANG DAI-CHIEN IS ONE OF THE MOST ACCLAIMED CHINESE ARTISTS OF THE 20TH CENTURY. TO MARK THE 120TH ANNIVERSARY OF HIS BIRTH AND 47 YEARS SINCE HIS PREVIOUS SOLO SHOW AT THE MUSEUM, WE ARE INAUGURATING THE NEWLY RENOVATED CHINESE PAINTING GALLERY WITH CHANG DAI-CHIEN: PAINTING FROM HEART TO HAND. COMPRISING WORKS DONATED TO THE MUSEUM BY THE ARTIST, AS WELL AS LOANS FROM HIS FRIENDS AND FAMILY, THE EXHIBITION SPOTLIGHTS CHANG'S GROUNDBREAKING MODERNIZATION OF INK PAINTING.THE BOLD BRUSH OF AU HO-NIEN PRESENTS 22 VERTICAL SCROLL PAINTINGS THAT DISPLAY THE ARTIST'S MODERN SENSIBILITY. IN HIS PAINTINGS OF FIGURES, LANDSCAPES AND WILDLIFE, AU'S BOLD AND VARIED BRUSHWORK EMPHASIZES EXPRESSION OVER PRECISE PHYSICAL DESCRIPTION TO CONVEY THE POETRY OF HIS SUBJECTS. NOW IN HIS EIGHTIES, AU IS A LEADING FIGURE OF THE LINGNAN SCHOOL OF PAINTING, WHICH SEEKS TO INVIGORATE INK-WASH PAINTING BY FUSING CHINESE AND WESTERN TRADITIONS.LOST AT SEA: ART RECOVERED FROM SHIPWRECKSNOV 26, 2019 - JUL 12, 2021LOST AT SEA: ART RECOVERED FROM SHIPWRECKS TRACES THE PATHWAYS OF 12TH-CENTURY STONE RELIEFS AND 15TH-CENTURY CERAMICS, FROM VIETNAM TO THE OCEAN FLOOR TO SAN FRANCISCO.AWAKEN: A TIBETAN JOURNEY TOWARD ENLIGHTENMENTJAN 17, 2020 NOV 30, 2020 AWAKEN: A TIBETAN BUDDHIST JOURNEY TOWARD ENLIGHTENMENT BRINGS TOGETHER BUDDHIST ARTWORKS FROM THE VIRGINIA MUSEUM OF FINE ARTS AND THE ASIAN ART MUSEUM, HOME TO TWO OF THE COUNTRY'S MOST SIGNIFICANT COLLECTIONS OF HIMALAYAN ART. SCULPTURES, PAINTINGS, TEXTILES AND BOOK ARTS MADE BETWEEN 800 AND 2016 CHART A TRANSFORMATIVE JOURNEY FROM THE ORDINARY WORLD TO AWAKENING.TEAMLAB: SKETCH AQUARIUMFEB 4, 2020 - CURRENTIN TEAMLAB: SKETCH AQUARIUM, DRAWING COMES TO LIFE. ART COLLECTIVE TEAMLAB, FOUNDED IN TOKYO IN 2001, IS A GROUP OF ANIMATORS, ARCHITECTS, ARTISTS, ENGINEERS, MATHEMATICIANS, AND PROGRAMMERS WHO SEEK TO NAVIGATE THE CONFLUENCE OF ART, SCIENCE, TECHNOLOGY, DESIGN, AND THE NATURAL WORLD.JEAN SHIN: PAUSEFEB 6, 2020 - NOV 30, 2020USING DISCARDED CELL PHONES AND COMPUTER CABLES AS THE MATERIAL AND ROUGH-HEWN ROCKS FROM CHINESE ART AS THE FORM, JEAN SHIN'S SITE-SPECIFIC INSTALLATION JEAN SHIN: PAUSE, ASKS HOW TECHNOLOGICAL INNOVATION CONTRIBUTES TO CLIMATE CHANGE. JENIFER K WOFFORD: PATTERN RECOGNITIONOCT 14, 2020 NOV 2022 TBDJENIFER K WOFFORD'S VIBRANT PATTERN RECOGNITION SPEAKS FOR ITSELF. INSTEAD OF POW! BANG! OR WHAM!, COMIC-BOOK SPEECH BUBBLES EXCLAIM RUTH ASAWA! BERNICE BING! CARLOS VILLA! AND THE NAMES OF OTHER ASIAN AMERICAN ARTISTS WHO LIVED AND WORKED IN THE SAN FRANCISCO BAY AREA. THESE FAMILIAR CARTOON GRAPHICS GIVE VOICE TO WOFFORD'S MURAL, WHICH EMBEDS RECOGNIZABLE ASIAN DECORATIVE PATTERNS WITHIN A FESTIVE 1980S DESIGN VOCABULARY TO CELEBRATE ASIAN AMERICAN IMMIGRANT HISTORIES AND CULTURES.ZHENG CHONGBIN: I LOOK FOR THE SKYNOV 20, 2020 JAN 2023 TBDIN DIALOGUE WITH THE MUSEUM'S TRANSFORMATION PROJECT, I LOOK FOR THE SKY EXPLORES HOW THE MANIPULATION OF LIGHT CAN PROFOUNDLY CHANGE OUR PERCEPTION OF ARCHITECTURAL SPACE.AS AN ARTIST TRAINED IN CLASSICAL CHINESE FIGURATIVE PAINTING AT THE CHINA ACADEMY OF ART WHO WENT ON TO STUDY PERFORMANCE, INSTALLATION, AND CONCEPTUAL ART AT THE SAN FRANCISCO ART INSTITUTE, ZHENG BRINGS A SINGULAR APPROACH TO CONTEMPORARY ART.MEMENTO: JAYASHREE CHAKRAVARTY AND LAM TUNG PANGFEB 12, 2021 JUN 6, 2022THE INAUGURAL HAMBRECHT CONTEMPORARY GALLERY INSTALLATION, MEMENTO, INCLUDES TWO WORKS THAT SPEAK TO CONTEMPORARY GLOBAL ISSUES OF URBANIZATION AND POLITICAL UNCERTAINTY.AFTER HOPE: VIDEOS OF RESISTANCEFEB 12, 2021 MAY 2, 2022HOPE IS AN EMOTION THAT DRIVES US TO IMAGINE, REPRESENT, AND CREATE NEW WORLDS. DESIGNED AS A SET OF THREE INTERRELATED PROGRAMS AN IN-GALLERY PRESENTATION OF MORE THAN 50 SHORT VIDEOS FROM ACROSS ASIA AND THE ASIAN DIASPORA (VIDEOS OF RESISTANCE); A SERIES OF WORKSHOPS, ROUNDTABLE DISCUSSIONS, AND CONVENINGS (INTERNATIONAL WORKING GROUP); AND AN ONLINE PLATFORM (AFTERHOPE.COM) AFTER HOPE EXPLORES THE ROLE OF HOPE IN CONTEMPORARY ART AND ACTIVISM. THIS IS THE FIRST IN A SERIES OF PROGRAMS PRODUCED IN COLLABORATION WITH OUTSIDE CURATORS AND INSTITUTIONS THAT AIMS TO FOSTER ARTISTIC POLLINATION ACROSS COMMUNITIES, PRACTICES, AND PERSPECTIVES. AFTER HOPE IS CO-ORGANIZED WITH PADMA D. MAITLAND, ASSISTANT PROFESSOR OF ARCHITECTURAL HISTORY AND THEORY AT CALIFORNIA POLYTECHNIC STATE UNIVERSITY, SAN LUIS OBISPO.ZHENG CHONGBIN: I LOOK FOR THE SKYFEB 19, 2021 OCT 18, 2021IN HIS INSTALLATION IN OSHER GALLERY, STATE OF OSCILLATION COMPRISING INK PAINTINGS, VIDEOS, AND A CHAMBER MADE OF TRANSLUCENT MATERIAL HEIGHTENS OUR AWARENESS OF OUR BODIES MOVING THROUGH SPACE. NAVIGATING THROUGH AN EPHEMERAL CHAMBER SUFFUSED WITH OVERLAPPING PROJECTED VIDEO IMAGERY, WE CATCH GLIMPSES OF ZHENG'S PAINTINGS AND OTHER WORKS MOUNTED ON THE PERIMETER WALL. STATE OF OSCILLATION MANIPULATES OUR PERCEPTIONS OF PRESENCE AND ABSENCE, SOLID AND VOID, IMMERSION AND CIRCULATION. 23513064 1 1 0 0 0 0 0 1 0 1 1 1 0 0 0 1 0 1 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 1 0 0 0 1 56 0 1 166 1 1 1 0 0 0 0 0 0 0 0 0 0 0 X 41 41 0 0 0 0 0 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 CA X X MINFANG GAO 4155813500 200 LARKIN STREET SAN FRANCISCO CA 941024734 AKIKO YAMAZAKI CO-CHAIR (LEFT 09/20) 1.00 X X 0 0 0 FRED M LEVIN VP(THRU 09/20);CO-CHAIR(FROM 09/20) 1.00 X X 0 0 0 TIMOTHY F KAHN PRESIDENT (LEFT 09/20) 1.00 X X 0 0 0 SALLE YOO PRESIDENT (START 09/20) 1.00 X X 0 0 0 KUMAR MALAVALLI VICE PRESIDENT (LEFT 09/20) 1.00 X X 0 0 0 YOGEN DALAL VICE PRESIDENT (START 09/20) 1.00 X X 0 0 0 GORRETTI LO LUI SECRETARY 1.00 X X 0 0 0 KENNETH P WILCOX TREASURER 1.00 X X 0 0 0 BETTY N ALBERTS TRUSTEE (LEFT 01/21) 1.00 X 0 0 0 MICHELE ALIOTO TRUSTEE 1.00 X 0 0 0 NEAERA BAER TRUSTEE (LEFT 09/20) 1.00 X 0 0 0 CORI BATES TRUSTEE 1.00 X 0 0 0 ELLEN BURSTEIN BAUCH TRUSTEE 1.00 X 0 0 0 TRISTA BERKOVITZ TRUSTEE (LEFT 09/20) 1.00 X 0 0 0 RICHARD C BLUM TRUSTEE 1.00 X 0 0 0 ELIZA CASH TRUSTEE 1.00 X 0 0 0 VAISHALI CHADHA TRUSTEE 1.00 X 0 0 0 HUIFEN CHAN TRUSTEE 1.00 X 0 0 0 TIFFANY CHANG TRUSTEE 1.00 X 0 0 0 JAMIE CHEN TRUSTEE (LEFT 01/21) 1.00 X 0 0 0 CLAUDINE CHENG TRUSTEE 1.00 X 0 0 0 PEHONG CHEN TRUSTEE 1.00 X 0 0 0 SANDRA CHEUNG TRUSTEE 1.00 X 0 0 0 KAPIL CHHIBBER TRUSTEE 1.00 X 0 0 0 DIXON R DOLL TRUSTEE 1.00 X 0 0 0 FRED EYCHANER TRUSTEE 1.00 X 0 0 0 MIMI GARDNER GATES TRUSTEE 1.00 X 0 0 0 MARSHA VARGAS HANDLEY TRUSTEE 1.00 X 0 0 0 MARTHA SAM HERTELENDY TRUSTEE 1.00 X 0 0 0 CHARLES HUANG TRUSTEE 1.00 X 0 0 0 CHOONGJA MARIA KAHNG TRUSTEE 1.00 X 0 0 0 JENNIFER KAO TRUSTEE 1.00 X 0 0 0 TRAVIS KIYOTA TRUSTEE (START 09/20) 1.00 X 0 0 0 LATA KRISHNAN TRUSTEE 1.00 X 0 0 0 CHONG-MOON LEE TRUSTEE 1.00 X 0 0 0 LINDA LEI TRUSTEE (START 09/20) 1.00 X 0 0 0 JOHN MAA TRUSTEE 1.00 X 0 0 0 CONSTANCE C MILLER TRUSTEE (LEFT 09/20) 1.00 X 0 0 0 NANCI NISHIMURA TRUSTEE 1.00 X 0 0 0 VASANT PRABHU TRUSTEE (START 09/20) 1.00 X 0 0 0 MERRILL RANDOL SHERWIN TRUSTEE 1.00 X 0 0 0 VIJAY SHRIRAM TRUSTEE 1.00 X 0 0 0 EHLER SPLIEDT TRUSTEE (START 09/20) 1.00 X 0 0 0 ANTHONY SUN TRUSTEE 1.00 X 0 0 0 MINDY LIN SUN TRUSTEE (START 03/21) 1.00 X 0 0 0 ANN TANENBAUM TRUSTEE 1.00 X 0 0 0 INA GOODWIN TATEUCHI TRUSTEE 1.00 X 0 0 0 NICHOLAS UNKOVIC TRUSTEE (LEFT 09/20) 1.00 X 0 0 0 EMILY WANG TRUSTEE (LEFT 09/20) 1.00 X 0 0 0 RICHARD YEN TRUSTEE 1.00 X 0 0 0 SONGYEE YOON TRUSTEE 1.00 X 0 0 0 JAY XU DIRECTOR OF MUSEUM 40.00 X 616941 0 78863 ROB MINTZ DEPUTY DIR. OF ART & PROGRAM 40.00 X 217093 0 46446 CATHERINE FINN CHIEF HR OFFICER (LEFT 01/21) 40.00 X 39874 0 1207 BANAFSHEH PERRONE CHIEF OF STAFF (START 03/21) 40.00 X 199344 0 19610 YAEL EYTAN CHIEF MARKETING & COMMUNICATIONS OFFICER 40.00 X 192665 0 18754 SARA LEE CHIEF FINANCIAL OFFICER 40.00 X 241744 0 5777 CAROL SHERPA CONSTRUCTION PROJECT MANAGER 40.00 X 179030 0 13541 FORREST MCGILL MANAGER I 40.00 X 162760 0 42089 KO KO ZIN BUILDINGS & GROUNDS MAINTENANCE S.I. 40.00 X 152049 0 23745 JODY HART DIRECTOR OF I.T. 40.00 X 150023 0 18938 CALEN MCELDOWNEY DIRECTOR OF MUSEUM SECURITY 40.00 X 157946 0 40470 2309469 0 309440 32 0 1 0 SWINERTON BUILDERS 260 TOWNSEND ST SAN FRANCISCO CA 94107 CONSTRUCTION COST 7528133 CB2 BUILDERS 505 BEACH ST SUITE 210 SAN FRANCISCO CA 94133 CONSTRUCTION COST 1584237 W BRADLEY ELECTRIC INC 90 HILL RD NOVATO CA 94945 INSTALLATION SERVICES 926444 WHY ARCHITECTURE 9520 JEFFERSON BLVD SUITE C CULVER CITY CA 90232 ARCHITECTURAL SERVICES 513662 THOMAS SWAN SIGN CO INC 2717 GOODRICK AVE RICHMOND CA 94801 SIGNAGE DESIGN & PRODUCTION SERVICES 293779 18 1258965 12090275 11648598 324373 24997838 ADMISSION REVENUE 713990 147534 147534 OTHER REVENUE 722210 29669 29669 PUBLICATION REVENUE 713990 7902 7902 TOUR REVENUE 713990 435 435 185540 1594313 17747 1576566 6279 6279 1500 0 1500 1500 1500 15175513 14549785 625728 625728 625728 440539 230933 209606 209606 MISCELLANEOUS INCOME 900099 8364 8364 CAFE 722210 712 712 9076 27629880 403510 17747 2210785 1637696 899337 427790 310569 11602692 7992276 2491216 1119200 961964 676497 148298 137169 2137775 1487547 350685 299543 971668 670471 136090 165107 123611 123485 126 149228 38053 108190 2985 184097 184097 1944338 1539744 228015 176579 1028343 785972 242371 1322333 968536 324395 29402 530090 306596 222588 906 1742549 1006607 735431 511 49722 43564 1378 4780 13555 9785 1760 2010 3747962 2573343 623372 551247 3897906 2676294 648312 573300 483878 391731 89673 2474 ACQUISITION 717093 717093 PRINTING/PUBLICATION 297118 133880 2095 161143 SHIPPING/FREIGHT 196316 176133 20183 SUPPLIES 134423 94932 37480 2011 116068 17091 1017 97960 33990425 23513064 6577785 3899576 15081 13135 6763446 7717920 12520004 7704534 585859 543249 229196 196158 191793890 73114633 117928905 118679257 81340272 90762720 36648953 43317443 256031716 268934416 2961187 4105753 792753 876910 81345499 78969337 85099439 83952000 X 49690328 54623440 121241949 130358976 170932277 184982416 256031716 268934416 -6360545 20410684 0 X X 0 1 X 1 0 X 26251922 41144512 32476911 37746835 24997838 162618018 26251922 41144512 32476911 37746835 24997838 162618018 6900804 155717214 2326712 2414466 2635958 2260764 1582845 11220745 17049 17405 10521 14053 17747 76775 532873 68310 49355 38105 712 689355 174604893 10325542 0.89180 0.85140 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 71538541 -1479384 14753858 2259309 82553706 67928984 6599088 -1826979 1162552 71538541 60985984 4595000 3536000 1188000 67928984 53522984 5323000 3269000 1129000 60985984 54673938 636000 4395376 5065000 1117330 53522984 0.13310 0.57110 0.29580 0 0 175264774 58725000 116539774 12699774 11592215 1107559 3829342 2797418 1031924 118679257 INVESTMENTS - LIMITED PARTNERSHIP 4948596 F INVESTMENTS - HELD IN TRUST 1289325 F INVESTMENTS - HEDGE FUND INVESTMENTS 19209113 F INVESTMENTS - OTHER INVESTMENTS 17870409 F 43317443 X 48040564 20410684 20410684 27629880 0 27629880 33990425 0 33990425 0 33990425 PART III, LINE 1A: COLLECTIONS - THE MUSEUM'S PERMANENT COLLECTIONS REPRESENT MORE THAN 40 ASIAN COUNTRIES AND SPAN 6,000 YEARS OF ASIAN HISTORY. OBJECTS ARE HELD FOR EDUCATIONAL, RESEARCH, AND CURATORIAL PURPOSES. UNDER THE MUSEUM'S COLLECTIONS MANAGEMENT POLICY, ALL OBJECTS ARE CATALOGUED, PRESERVED, AND PROVIDED WITH ONGOING CARE. ACTIVITIES VERIFYING THEIR EXISTENCE AND ASSESSING THEIR CONDITION ARE PERFORMED REGULARLY. TITLE TO THE PERMANENT COLLECTION OF WORKS OF ART RESTS WITH THE CITY. IF ACCEPTED INTO THE PERMANENT COLLECTION, DONATED ART OBJECTS BECOME THE PROPERTY OF THE CITY AND ARE NOT RECORDED IN THE MUSEUM'S COMBINED FINANCIAL STATEMENTS. PURCHASES OF ART ARE RECORDED AS AN EXPENSE IN THE MUSEUM'S COMBINED STATEMENTS OF ACTIVITIES AND CHANGES IN NET ASSETS. THE MUSEUM DEACCESSIONS OBJECTS DEEMED NO LONGER RELEVANT TO THE PERMANENT COLLECTION IN ACCORDANCE WITH THE MUSEUM'S COLLECTIONS MANAGEMENT POLICY. PROCEEDS FROM DEACCESSIONS ARE USED TO ACQUIRE OTHER OBJECTS FOR THE COLLECTION. THE MUSEUM DEACCESSIONED TWO THAI LINTELS DURING THE YEAR ENDED JUNE 30, 2021. PART III, LINE 4: THE MUSEUM'S PERMANENT COLLECTIONS REPRESENT MORE THAN 40 ASIAN COUNTRIES AND SPAN 6,000 YEARS OF ASIAN HISTORY. OBJECTS ARE FOR EDUCATIONAL, RESEARCH, AND CURATORIAL PURPOSES. UNDER THE MUSEUM'S COLLECTIONS MANAGEMENT POLICY, ALL OBJECTS ARE CATALOGUED, PRESERVED, AND PROVIDED WITH ONGOING CARE. PART V, LINE 4: THE MUSEUM'S ENDOWMENT FUND CONSISTS OF INDIVIDUAL DONOR-RESTRICTED ENDOWMENT FUNDS AND FUNDS DESIGNATED BY THE MUSEUM'S TRUSTEES TO FUNCTION AS ENDOWMENTS. THE NET ASSETS ASSOCIATED WITH ENDOWMENT FUNDS, INCLUDING THOSE FUNDS DESIGNATED BY THE TRUSTEES TO FUNCTION AS ENDOWMENTS, ARE CLASSIFIED AND REPORTED BASED ON THE EXISTENCE OR ABSENCE OF DONOR-IMPOSED RESTRICTIONS. AMOUNTS WITHDRAWN FROM THE ENDOWMENT UNDER THE ENDOWMENT SPENDING POLICY ARE FOR THE MUSEUM'S PROGRAMS AND OPERATING EXPENSES, ALLOCATED IN ACCORDANCE WITH THE RESTRICTIONS PERTAINING TO THOSE FUNDS. THE TIMING AND AMOUNTS OF WITHDRAWALS ARE DETERMINED BY THE MUSEUM'S MANAGEMENT IN CONSULTATION WITH THE BUDGET AND FINANCE COMMITTEE AND THE EXECUTIVE COMMITTEE. INVESTMENT-RELATED EXPENSES ARE CHARGED SEPARATELY AGAINST THE ENDOWMENT. PART X, LINE 2: THE MUSEUM HAS BEEN CLASSIFIED AS A PUBLICLY SUPPORTED TAX-EXEMPT ORGANIZATION THAT IS EXEMPT FROM FEDERAL TAXES UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE AND FROM CALIFORNIA FRANCHISE AND/OR INCOME TAXES UNDER REVENUE AND TAXATION CODE SECTION 23701(D). THE MUSEUM BELIEVES THAT NO LIABILITIES ARE REQUIRED TO ACCRUE FOR UNCERTAIN TAX POSITIONS AS OF JUNE 30, 2021. EAST ASIA AND THE PACIFIC - AUSTRALIA, BRUNEI, BURMA, CAMBODIA, 0 0 INVESTMENTS 2931879 EUROPE (INCLUDING ICELAND & GREENLAND) - ALBANIA, ANDORRA, AUSTRIA, BELGIUM 0 0 INVESTMENTS 4383858 NORTH AMERICA - CANADA AND MEXICO, BUT NOT THE UNITED STATES 0 0 INVESTMENTS 15242235 SOUTH AMERICA - ARGENTINA, BOLIVIA, BRAZIL, CHILE, COLUMBIA, ECUADOR, 0 0 INVESTMENTS 69643 SOUTH ASIA - AFGHANISTAN, BANGLADESH, BHUTAN, INDIA, MALDIVES, NEPAL, 0 0 INVESTMENTS 237423 0 0 0 0 0 0 22865038 0 22865038 0 0 1 1 1 0 PART III ACCOUNTING METHOD: X X X X X 0 0 0 0 0 0 0 1 0 JAY XU DIRECTOR OF MUSEUM 547210 0 69731 0 0 0 49708 0 29155 0 695804 0 0 0 ROB MINTZ DEPUTY DIR. OF ART & PROGRAM 217093 0 0 0 0 0 44372 0 2074 0 263539 0 0 0 SARA LEE CHIEF FINANCIAL OFFICER 241744 0 0 0 0 0 5777 0 0 0 247521 0 0 0 BANAFSHEH PERRONE CHIEF OF STAFF (START 03/21) 199344 0 0 0 0 0 4738 0 14872 0 218954 0 0 0 YAEL EYTAN CHIEF MARKETING & COMMUNICATIONS OFF 192665 0 0 0 0 0 4623 0 14131 0 211419 0 0 0 FORREST MCGILL MANAGER I 162760 0 0 0 0 0 31809 0 10280 0 204849 0 0 0 CALEN MCELDOWNEY DIRECTOR OF MUSEUM SECURITY 157946 0 0 0 0 0 31809 0 8661 0 198416 0 0 0 CAROL SHERPA CONSTRUCTION PROJECT MANAGER 166915 0 12115 0 0 0 3598 0 9943 0 192571 0 0 0 KO KO ZIN BUILDINGS & GROUNDS MAINTENANCE S.I. 152049 0 0 0 0 0 0 0 23745 0 175794 0 0 0 JODY HART DIRECTOR OF I.T. 149523 0 500 0 0 0 3471 0 15467 0 168961 0 0 0 PART I, LINE 7 DURING THE 2020 CALENDAR YEAR, THE DIRECTOR OF THE MUSEUM RECEIVED A BONUS PAYMENT OF $69,731, AND THE PAYMENT WAS INCLUDED IN 2020 FORM W-2 AND REPORTED ON SCH J, PART II, COLUMN B(II). THE DIRECTOR OF THE MUSEUM IS ELIGIBLE ANNUALLY FOR A BONUS WHICH IS APPROVED BY THE BOARD'S COMPENSATION COMMITTEE BASED ON HIS PERFORMANCE. A CALIFORNIA ENTERPRISE DEVELOPMENT AUTHORITY 352273601 2011-02-11 96985000 REFUND BONDS ISSUED 2/3/2005 0 0 0 A 17755000 96985000 6473584 1439 96983561 2016 1 0 1 1 A 0 0 0 0 0.00000 0.00000 0.00000 0 0 0 A 0 0 0 1 0 0 1 JP MORGAN CHASE 18.800000000000 1 0 1 A 1 SCHEDULE K, PART IV, LINE 2C: (A) ISSUER NAME: CALIFORNIA ENTERPRISE DEVELOPMENT AUTHOR, DATE THE INTERIM ARBITRAGE REBATE COMPUTATION WAS PERFORMED: 2/22/21 X 14 324373 FMV 0 0 1 0 PART I, COLUMN (B): THIS NUMBER REPRESENTS THE NUMBER OF CONTRIBUTIONS MADE, NOT THE NUMBER OF ITEMS CONTRIBUTED. FORM 990, PART VI, SECTION B, LINE 11B THE FINANCE OFFICE MAKES AVAILABLE AND SENDS THE PUBLIC DISCLOSURE COPY OF THE FORM 990 TO THE AUDIT COMMITTEE OF THE FOUNDATION BOARD FOR REVIEW AND APPROVAL BEFORE FILING. WE ALSO SEND THE PUBLIC DISCLOSURE COPY OF THE FORM 990 TO THE FULL FOUNDATION BOARD FOR REVIEW PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C THE POLICY COVERS BOARD MEMBERS AND STAFF. TRUSTEES ARE ASKED TO INFORM THE BOARD IN ADVANCE AND AS FULLY AS PRACTICABLE OF ANY TRANSACTIONS WITH THE MUSEUM OR THROUGH A BUSINESS RELATIONSHIP WITH AN ASIAN ART COMMISSIONER OR A FOUNDATION TRUSTEE IN WHICH THEY HAVE AN ECONOMIC INTEREST IN ORDER FOR THE TRUSTEES TO REVIEW AND APPROVE OR DISAPPROVE THE TRANSACTION. IF A CONFLICT IS DETERMINED TO EXIST, THE CHAIRPERSON OF THE GOVERNING BOARD OR COMMITTEE SHALL, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE WHETHER THE ORGANIZATION CAN OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED DIRECTORS WHETHER THE TRANSACTION OR ARRANGEMENT IS IN THE ORGANIZATION'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE. IN CONFORMITY WITH THE ABOVE DETERMINATION IT SHALL MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. IF THE GOVERNING BOARD OR COMMITTEE HAS REASONABLE CAUSE TO BELIEVE A MEMBER HAS FAILED TO DISCLOSE ACTUAL OR POSSIBLE CONFLICTS OF INTEREST, IT SHALL INFORM THE MEMBER OF THE BASIS FOR SUCH BELIEF AND AFFORD THE MEMBER AN OPPORTUNITY TO EXPLAIN THE ALLEGED FAILURE TO DISCLOSE. IF, AFTER HEARING THE MEMBER'S RESPONSE AND AFTER MAKING FURTHER INVESTIGATION AS WARRANTED BY THE CIRCUMSTANCES, THE GOVERNING BOARD OR COMMITTEE DETERMINES THE MEMBER HAS FAILED TO DISCLOSE AN ACTUAL OR POSSIBLE CONFLICT OF INTEREST, IT SHALL TAKE APPROPRIATE DISCIPLINARY AND CORRECTIVE ACTION. FORM 990, PART VI, SECTION B, LINE 15 THE EXECUTIVE DIRECTOR'S COMPENSATION IS STIPULATED BY AN EMPLOYMENT CONTRACT WITH THE ORGANIZATION. THE CHAIR OF THE BOARD AND THE COMPENSATION COMMITTEE NEGOTIATE THIS EMPLOYMENT CONTRACT WITH THE DIRECTOR PRIOR TO ITS APPROVAL BY THE FULL BOARD. THE BOARD'S COMPENSATION COMMITTEE RELIES UPON SURVEY DATA FROM OTHER LIKE ARTS ORGANIZATIONS TO DETERMINE THE MARKET VALUE OF THE DIRECTOR'S POSITION. FORM 990, PART VI, SECTION C, LINE 19 THE AUDITED FINANCIAL STATEMENTS AND THE PUBLIC DISCLOSURE COPY OF FORM 990S ARE POSTED TO THE ASIAN ART MUSEUM WEBSITE. ALL OTHER INFORMATION IS PROVIDED TO THE PUBLIC UPON REQUEST. FORM 990, PART XII, LINE 2C: THIS PROCESS HAS NOT CHANGED FROM THE PRIOR YEAR. CHARITABLE REMAINDER TRUSTS (3) INVESTMENT CA N/A 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0