2023-11-15T10:30:43-06:00 2022-12-31 410746749 CLIFTONLARSONALLEN LLP 2210 EAST ROUTE 66 GLENDORA CA 91740 990 2022-01-01 412077818 AMERICAN MUSEUM OF CERAMIC ART AMER 9098653146 399 N GAREY AVENUE POMONA CA 91767 BETH ANN GERSTEIN EXECUTIVE DIRECTOR 9098653146 2023-11-13 1 BETH ANN GERSTEIN 999009999 0 DERRICK DEBRUYNE CPA P00591016 6268577300 2023-11-13 2 AAL1 IAL1 2022 2023-04-26 12:10:37Z BETH ANN GERSTEIN 399 N GAREY AVENUE POMONA CA 91767 2317001 0 X WWW.AMOCA.ORG X 2003 CA CHAMPIONS THE ART, HISTORY, CREATION, AND TECHNOLOGY OF CERAMICS. 19 19 23 19 0 0 1298001 822581 119422 233933 401919 99017 181779 193676 2001121 1349207 0 0 0 0 422314 387323 0 0 46977 652946 772699 1075260 1160022 925861 189185 9364024 8809895 1729804 1616760 7634220 7193135 AMOCA BELIEVES CLAY IS MAGIC. IT IS A SIMPLE YET EXTRAORDINARY MATERIAL FROM WHICH ARTISTIC MASTERPIECES ARE CREATED AND EVERYDAY PRODUCTS ARE MADE. FROM DINNERWARE TO SCULPTURE TO CELL PHONE CHIPS AND COSMETICS, CLAY IS A PART OF EVERYONE'S LIFE. 0 0 161467 0 124627 EXHIBITIONS: THE PRIMARY MEANS OF WHICH AMOCA CONVEYS THE ASTONISHING RANGE OF CLAY ARTISTRY IS THROUGH EXHIBITIONS OF WORK THAT IS PART OF THE MUSEUM'S PERMANENT COLLECTION OR ON LOAN FROM COLLECTORS, ARTISTS, OR OTHER INSTITUTIONS. BECAUSE AMOCA HAS FOUR GALLERIES THAT CUMULATIVELY COMPRISE 9,500 SQUARE FEET OF EXHIBITION SPACE, VISITORS HAVE THE OPPORTUNITY TO VIEW A RANGE OF ARTWORK WHILE TOURING THE MUSEUM. THE THEMATIC, SUBJECT-BASED, OR ARTIST-SPECIFIC EXHIBITIONS ILLUSTRATE SPECIFIC SKILLS, DEPICT PROCESSES, AND SHOWCASE OBJECTS OF HISTORIC SIGNIFICANCE. 345905 0 98452 AMOCA'S EDUCATION PROGRAM IS PREDICATED ON OUR BELIEF THAT CLAY IS ONE OF THE MOST ENDURING INDICATORS OF CULTURE. WE TRACE CERAMIC ADVANCES BY STUDYING THE TECHNOLOGY, CONSTRUCTION, GLAZING AND FIRING PRACTICES DEVELOPED THROUGHOUT HISTORY; WE FIND CLUES TO THE SOCIAL EXPRESSION OF CERTAIN TIME PERIODS THROUGH THE STUDY OF CERAMIC SHAPES, FORMS AND STYLES OF DECORATION; AND WE ENGAGE THE COMMUNITY THROUGH THOUGHT PROVOKING EXHIBITIONS AND RELATED EDUCATIONAL PROGRAMS. IN ADDITION, AMOCA HAS AN EXTENSIVE CERAMICS STUDIO THAT PROVIDES AN OPPORTUNITY FOR INDIVIDUALS OF ALL LEVELS OF PROFICIENCY TO EXPLORE CLAY. FIELD TRIPS, TOURS, MUDMOBILE VISITS, AND LECTURES SERIES ARE AVAILABLE FOR ALL AGES. 404373 0 39862 AMOCA COLLECTS AND PRESERVES EXAMPLES OF CLAY ARTISTRY THAT ARE REPRESENTATIVE OF THE WORLD'S CULTURES FROM ANCIENT TIMES TO THE PRESENT. OUR PERMANENT COLLECTION, WHICH CONSISTS OF OVER 13,000 PIECES, IS A GROWING REPRESENTATION OF THE IMPACT OF CERAMICS ON THE DEVELOPMENT OF HUMAN CULTURES. 911745 1 1 0 0 0 0 0 1 0 0 1 1 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 1 18 0 1 23 1 0 0 0 0 0 0 0 0 0 0 0 0 X 19 19 0 0 0 0 1 0 0 1 0 0 0 1 1 1 1 1 1 1 0 0 CA X X BETH ANN GERSTEIN 9098653146 399 N GAREY AVENUE POMONA CA 91767 DAVID W ARMSTRONG FOUNDER 20.00 X X 0 0 0 ALEX MUSE EHRLICH PRESIDENT 10.00 X X 0 0 0 MARK WALSH VICE PRESIDENT 2.00 X X 0 0 0 PETER COYE TREASURER 2.00 X X 0 0 0 ROBERT DEA SECRETARY 2.00 X X 0 0 0 LYNN BALLANTYNE DIRECTOR 1.00 X 0 0 0 PATSY COX DIRECTOR 1.00 X 0 0 0 ROY DESELMS DIRECTOR 1.00 X 0 0 0 BILL GEISINGER DIRECTOR 1.00 X 0 0 0 KATHLEEN HOWE DIRECTOR 1.00 X 0 0 0 GENE KILLIAN DIRECTOR 1.00 X 0 0 0 DONALD PATTISON DIRECTOR 2.00 X 0 0 0 SUZY SASAKI DIRECTOR 1.00 X 0 0 0 NANCY SELVIN DIRECTOR 1.00 X 0 0 0 DIANE SILBER DIRECTOR 1.00 X 0 0 0 LISA SOISETH DIRECTOR 1.00 X 0 0 0 ROBIN TROZPEK DIRECTOR 1.00 X 0 0 0 ANDY VOSKO DIRECTOR 1.00 X 0 0 0 JEFFREY WARNOCK DIRECTOR 1.00 X 0 0 0 BETH ANN GERSTEIN EXECUTIVE DIRECTOR 50.00 X 147018 0 5098 147018 0 5098 1 0 1 0 0 107477 715104 16677 822581 MEMBERSHIP DUES 712100 77085 77085 CERAMIC INSTRUCTION 611600 74009 74009 FIRING SERVICES 611610 38742 38742 ADMISSION 712100 23106 23106 WORKSHOP INCOME 611610 15544 15544 5447 5447 233933 77998 77998 148802 0 148802 148802 148802 923860 902841 21019 21019 21019 93961 64953 29008 29008 OTHER REVENUE 900099 15866 15866 15866 1349207 262941 0 263685 152116 121693 22817 7606 181218 144975 27182 9061 12085 9669 1812 604 41904 33523 6286 2095 88017 70413 13203 4401 6550 6550 57743 46195 8661 2887 5718 4574 858 286 149864 119892 22479 7493 95347 76278 14302 4767 1008 807 151 50 6001 5420 581 53286 53286 70285 2236 68049 48011 38408 7202 2401 EXHIBIT EXPENSES 104742 104742 ARTIST PROGRAMS 62073 62073 MEMBER RELATIONS 16277 11340 4937 OTHER TAXES AND LICENCE 7777 6221 1167 389 1160022 911745 201300 46977 139647 162232 928525 862763 6163 5542 165256 160744 156163 165631 2026 2026 4813113 781108 3828688 4032005 3861614 151647 275942 3267305 9364024 8809895 45484 80968 115092 11152 1560711 1515028 8517 9612 1729804 1616760 X 2640206 2698319 4994014 4494816 7634220 7193135 9364024 8809895 189185 -709560 79290 0 X X 0 1 X 1 0 X 1906718 529968 882635 1298001 822581 5439903 196977 265066 251474 132328 327624 1173469 2103695 795034 1134109 1430329 1150205 6613372 1547063 145024 262047 182525 301317 2437976 0 1547063 145024 262047 182525 301317 2437976 4175396 97576 115455 93288 254345 226800 787464 97576 115455 93288 254345 226800 787464 4611 16439 15835 1211 15866 53962 2205882 926928 1243232 1685885 1392871 7454798 0.56010 0.56170 0.10560 0.13850 X SCHEDULE A, PART III, LINE 12, EXPLANATION OF OTHER INCOME: OTHER INCOME - 2018 AMOUNT: $ 4,611. 2019 AMOUNT: $ 16,439. 2020 AMOUNT: $ 15,835. 2021 AMOUNT: $ 1,211. 2022 AMOUNT: $ 15,866. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 2470000 2470000 1739377 615852 1123525 180526 165256 15270 423210 423210 4032005 RESTRICTED WILSON FUND 3267305 F 3267305 DEPOSITS HELD IN TRUST 5525 OTHER LIABILITIES 4087 9612 X 818477 -709560 185380 -524180 1342657 6550 6550 1349207 1338852 185380 185380 1153472 6550 6550 1160022 PART III, LINE 1A: THE CORPORATION MAINTAINS COLLECTIONS OF CERAMIC ART THAT ARE SIGNIFICANT IN RELATION TO ITS TOTAL ASSETS. THE CORPORATION HAS ADOPTED A POLICY OF NOT CAPITALIZING THE COLLECTION OF ARTWORK IN ITS FINANCIAL STATEMENTS. ACCORDINGLY, NO COLLECTION ITEMS ARE RECOGNIZED AS ASSETS, WHETHER THEY ARE PURCHASED OR RECEIVED AS A DONATION. PURCHASES OF COLLECTION ITEMS REDUCE NET ASSETS IN THE PERIOD WHEN PURCHASED. PROCEEDS FROM SALES OR INSURANCE RECOVERIES ARE RECORDED AS INCREASES IN NET ASSETS WHEN RECEIVED. THE CORPORATION EMPLOYS CURATORS TO ENSURE THAT THE COLLECTIONS ARE PROTECTED AND PRESERVED. THE CORPORATION HOLDS ITS COLLECTIONS FOR PUBLIC EXHIBITION, EDUCATION, AND RESEARCH RATHER THAN FOR FINANCIAL GAIN. IT PROTECTS, CARES FOR, PRESERVES, AND KEEPS ITS COLLECTIONS UNENCUMBERED, SUBJECT TO A POLICY THAT REQUIRES PROCEEDS FROM SALES OF COLLECTION ITEMS TO BE USED TO PURCHASE ADDITIONAL ITEMS FOR THE COLLECTION. PART III, LINE 4: THE PRIMARY MEANS OF WHICH AMOCA CONVEYS THE ASTONISHING RANGE OF CLAY ARTISTRY IS THROUGH EXHIBITIONS OF WORK THAT IS PART OF THE MUSEUM'S PERMANENT COLLECTION OR ON LOAN FROM COLLECTORS, ARTISTS, OR OTHER INSTITUTIONS. BECAUSE AMOCA HAS FOUR GALLERIES THAT CUMULATIVELY COMPRISE 9,500 SQUARE FEET OF EXHIBITION SPACE, VISITORS HAVE THE OPPORTUNITY TO VIEW A RANGE OF ARTWORK WHILE TOURING THE AMOCA'S EDUCATION PROGRAM IS PREDICATED ON OUR BELIEF THAT CLAY IS ONE MUSEUM. THE THEMATIC, SUBJECT-BASED, OR ARTIST-SPECIFIC EXHIBITIONS ILLUSTRATE SPECIFIC SKILLS, DEPICT PROCESSES, AND SHOWCASE OBJECTS OF HISTORIC SIGNIFICANCE. PART X, LINE 2: THE AGENCY FILES INFORMATIONAL ORGANIZATION RETURNS AND WHEN APPLICABLE, UNRELATED BUSINESS INCOME TAX RETURNS IN THE UNITED STATES FEDERAL JURISDICTION AND WITH THE FRANCHISE TAX BOARD IN THE STATE OF CALIFORNIA. X X 0 0 0 0 0 0 0 0 0 BETH ANN GERSTEIN EXECUTIVE DIRECTOR 147018 0 0 0 0 0 0 0 5098 0 152116 0 0 0 X 356 0 X 146 16677 FMV 6 0 1 0 PART I, LINE 30B: THE NUMBER OF ITEMS CONTRIBUTED WAS USED IN PART I COLUMN (B). FORM 990, PART VI, SECTION A, LINE 6 THE ORGANIZATION HAS DUES PAYING MEMBERS. THESE MEMBERS DO NOT HAVE VOTING RIGHTS OR THE ABILITY TO MAKE CHANGES WITHIN THE ORGANIZATION. FORM 990, PART VI, SECTION A, LINE 8B THERE ARE NO COMMITTEES WITH THE AUTHORITY TO ACT UPON THE GOVERNING BODY. FORM 990, PART VI, SECTION B, LINE 11B IN ACCORDANCE WITH AMOCA POLICY, THE FORM 990 IS DISTRIBUTED TO THE ENTIRE BOARD OF DIRECTORS TO REVIEW AND APPROVE BEFORE THE RETURNS ARE FILED. FORM 990, PART VI, SECTION B, LINE 12C MONITORING IS PERFORMED REGULARLY BY THE OFFICERS TO IDENTIFY POTENTIAL CONFLICTS OF INTEREST. ANY QUESTION OF A CONFLICT IS ADDRESSED WITH THE INTERESTED PERSON, WHO IS REQUIRED TO DISCLOSE THE EXISTENCE OF ANY FINANCIAL INTEREST AND BE AFFORDED THE OPPORTUNITY TO DISCLOSE ALL MATERIAL FACTS TO THE BOARD AND EXECUTIVE DIRECTOR. IF A CONFLICT OF INTEREST IS IDENTIFIED, THE APPROPRIATE ACTION IS TAKEN, INCLUDING LIMITATIONS TO THE INDIVIDUAL'S INFLUENCE ON RELATED BUSINESS MATTERS. FORM 990, PART VI, SECTION B, LINE 15A THE SALARY OF THE MUSEUM DIRECTOR IS DETERMINED BY THE EXECUTIVE BOARD OF DIRECTORS IN ACCORDANCE WITH THE CALIFORNIA ASSOCIATION OF MUSEUMS ANNUAL SALARY SURVEYS. ADDITIONAL CONSIDERATION WILL BE GIVEN TO WHETHER THE SALARY RANGE ALLOWS AMOCA TO RECRUIT OR RETAIN A QUALIFIED DIRECTOR. THE PROCESS DESCRIBED HERE WAS LAST COMPLETED IN 2022. FORM 990, PART VI, SECTION C, LINE 19 AMOCA MAKES ITS GOVERNING DOCUMENTS, ORGANIZATIONAL POLICIES, AUDITED FINANCIAL STATEMENTS, AND FORM 990 AVAILABLE UPON REQUEST. IN ADDITION, THE FORM 990 WAS AVAILABLE THROUGH GUIDESTAR AND OTHER THIRD PARTIES. FORM 990, PART XII, LINE 2C: THE PROCESS FOR OVERSEEING AND SELECTING AN INDEPENDENT ACCOUNTANT HAS NOT CHANGED FROM THE PRIOR YEAR.