2023-08-11T09:43:24-05:00 2022-09-30 381910111 UHY ADVISORS MI INC 7171 STADIUM DRIVE KALAMAZOO MI 49009 990 2021-10-01 381387136 GRAND RAPIDS ART MUSEUM GRAN 6168312904 101 MONROE CENTER GRAND RAPIDS MI 49503 CINDY FOLEY CEO 6168312904 2023-08-10 1 CINDY FOLEY 999009999 JENNIFER B WOOLF P00289894 2693817600 2023-08-10 3 AAL1 IAL1 2021 2023-04-26 12:10:37Z CINDY FOLEY 101 MONROE CENTER GRAND RAPIDS MI 49503 11434041 0 X WWW.ARTMUSEUMGR.ORG X 1910 MI CONNECTING PEOPLE THROUGH ART, CREATIVITY, AND DESIGN. 16 16 75 98 0 0 12068985 10583736 131173 265740 0 0 -80498 102534 12119660 10952010 0 0 0 0 1749648 2096281 0 0 686572 4484298 5169877 6233946 7266158 5885714 3685852 63932796 68920116 793876 2111570 63138920 66808546 X CONNECTING PEOPLE THROUGH ART, CREATIVITY, AND DESIGN. 0 0 169193 405125 DAWOUD BEY & CARRIE MAE WEEMS: IN DIALOGUEDAWOUD BEY & CARRIE MAE WEEMS: IN DIALOGUE BRINGS TOGETHER A FOCUSED SELECTION OF WORK FROM A PERIOD OF OVER FORTY YEARS BY TWO OF TODAY'S MOST IMPORTANT AND INFLUENTIAL PHOTO-BASED ARTISTS.DAWOUD BEY AND CARRIE MAE WEEMS, BOTH BORN IN 1953, CAME OF AGE DURING A PERIOD OF DRAMATIC CHANGE IN THE AMERICAN SOCIAL LANDSCAPE. SINCE MEETING AT THE STUDIO MUSEUM IN HARLEM IN 1976, THE TWO ARTISTS HAVE BEEN INTELLECTUAL COLLEAGUES AND COMPANIONS. OVER THE FOLLOWING FIVE DECADES, BEY AND WEEMS HAVE EXPLORED AND ADDRESSED SIMILAR THEMES: RACE, CLASS, REPRESENTATION, AND SYSTEMS OF POWER, CREATING WORK THAT IS GROUNDED IN SPECIFIC AFRICAN AMERICAN EVENTS AND REALITIES WHILE SIMULTANEOUSLY SPEAKING TO A MULTITUDE OF HUMAN CONDITIONS. THIS EXHIBITION, FOR THE FIRST TIME, BRINGS THEIR WORK TOGETHER TO SHED LIGHT ON THEIR UNIQUE TRAJECTORIES AND MODES OF PRESENTATION, AND THEIR SHARED CONSCIOUSNESS AND PRINCIPLES.FROM THE OUTSET OF THEIR CAREERS, BOTH BEY AND WEEMS HAVE OPERATED FROM A DEEP SOCIAL COMMITMENT TO PARTICIPATE IN, DESCRIBE, AND DEFINE CULTURE. IN SEEKING TO EXPRESS THEMSELVES FULLY, BOTH ARTISTS HAVE EXPANDED POSSIBILITIES WITHIN PHOTOGRAPHY AND VIDEO TO ADDRESS THEIR CHOSEN SUBJECTS. EACH ENGAGED IN THE MATERIAL AND CONCEPTUAL DEVELOPMENTS IN THE ART WORLD THAT WERE GAINING PROMINENCE BEGINNING IN THE 1970S, JUST AS THEIR CAREERS WERE DEVELOPING. AS BEY AND WEEMS HAVE CONTINUED TO PUSH THEIR OWN WORK FORWARD, THEIR ART AND APPROACH HAVE INSPIRED NOTABLE YOUNGER ARTISTS SUCH AS LATOYA RUBY FRAZIER, LYLE ASHTON HARRIS, MICKALENE THOMAS, AND HANK WILLIS THOMAS.BOTH BEY AND WEEMS CREATE WORK IN FOCUSED SERIES THAT GIVES THEM OPPORTUNITY TO FULLY EXPLORE THEIR COMPLEX AND LAYERED IDEAS. DAWOUD BEY & CARRIE MAE WEEMS: IN DIALOGUE IS ARRANGED IN FIVE SECTIONS THAT PRESENT THE TWO ARTISTS' WORK IN THEMATIC PAIRINGS, EMPHASIZING BOTH THEIR MUTUAL CONCERNS AND DISTINCT ARTISTIC APPROACHES. 125787 AN ART OF CHANGES: JASPER JOHNS PRINTS, 1960-2018WHEN AMERICAN ARTIST JASPER JOHNS' PAINTINGS OF FLAGS AND TARGETS WERE FIRST EXHIBITED IN 1958, THEY BROUGHT HIM INSTANT ACCLAIM AND ESTABLISHED HIM AS A CRITICAL LINK BETWEEN ABSTRACT EXPRESSIONISM AND POP ART. OVER THE FOLLOWING 60 YEARS, JOHNS (AMERICAN, B. 1930) HAS CONTINUED TO FASCINATE VIEWERS WITH HIS BEAUTIFUL AND COMPLEX PAINTINGS, DRAWINGS, SCULPTURE, AND PRINTS. TODAY, HE IS CONSIDERED ONE OF THE GREATEST LIVING AMERICAN ARTISTS.AN ART OF CHANGES SURVEYS SIX DECADES OF JOHNS' PRACTICE IN PRINTMAKING THROUGH A SELECTION OF OVER 70 WORKS IN A WIDE RANGE OF TECHNIQUES. JOHNS IS CONSIDERED ONE OF THE MOST INNOVATIVE ARTISTS EVER TO MAKE PRINTS. HE CREATED HIS FIRST PRINT, A LITHOGRAPH OF A TARGET, IN 1960. HE IMMEDIATELY REALIZED THAT PRINTMAKING WAS THE PERFECT MEDIUM THROUGH WHICH TO EXPLORE HIS INTEREST IN CHANGE, AND HE HAS SAID "I LIKE TO REPEAT AN IMAGE IN ANOTHER MEDIUM TO OBSERVE THE PLAY BETWEEN THE TWO." SINCE 1960, HE HAS REWORKED MANY OF HIS PAINTINGS IN PRINT FORM, USING STRATEGIES AND TECHNIQUES SUCH AS FRAGMENTING, DOUBLING, REVERSING, AND VARYING SCALE OR COLOR.THE EXHIBITION IS ORGANIZED IN FOUR THEMATIC SECTIONS. VIEWERS WILL SEE EXAMPLES OF THE ARTIST'S FAMILIAR FLAGS, TARGETS, AND NUMERALS AS WELL AS IMAGES THAT INCORPORATE THE TOOLS, MATERIALS, AND TECHNIQUES OF MARK-MAKING; MORE ABSTRACT WORKS DERIVED FROM IMAGES OF FLAGSTONES AND HATCH MARKS; AND MORE RECENT WORKS THAT TEEM WITH AUTOBIOGRAPHICAL AND PERSONAL IMAGERY. THROUGHOUT, WE FOLLOW JOHNS' CREATIVE PROCESS AS HE RECONSIDERS AND REVISES SOME OF THESE KEY MOTIFS OVER TIME.AN ART OF CHANGES: JASPER JOHNS PRINTS, 1960-2018 IS ORGANIZED BY THE WALKER ART CENTER, MINNEAPOLIS. MAJOR SUPPORT IS PROVIDED BY JUDY DAYTON AND THE PROSPECT CREEK FOUNDATION. ADDITIONAL SUPPORT IS PROVIDED BY ROBERT AND REBECCA POHLAD AND ANNETTE AND JOHN WHALEY. 29074 IN A NEW LIGHT: AMERICAN IMPRESSIONISM 1870-1940 | WORKS FROM THE BANK OF AMERICA COLLECTIONA SWEEPING SURVEY OF AMERICAN IMPRESSIONISM, IN A NEW LIGHT: AMERICAN IMPRESSIONISM 1870-1940, PRESENTS GROUNDBREAKING PAINTINGS, PRINTS, AND DRAWINGS FROM ACCLAIMED ARTISTS SUCH AS GEORGE INNESS, LILLA CABOT PERRY, CHILDE HASSAM, THOMAS MORAN, JOHN SLOAN, THERESA BERNSTEIN, ERNEST LAWSON, AND GUY CARLETON WIGGINS, AMONG OTHERS. THIS COMPREHENSIVE EXHIBITION OF AMERICAN IMPRESSIONISM TRACES THE EMERGENCE AND EVOLUTION OF A TRULY AMERICAN STYLE OF ART.THE 130 WORKS INCLUDED IN THE EXHIBITION REFLECT THE CHANGING MINDSET OF AMERICA FROM THE MID-19TH TO EARLY 20TH CENTURY. THE EXHIBITION CONCENTRATES ON REGIONAL ARTISTS' COLONIES THAT WERE CRUCIAL TO THE AMERICAN IMPRESSIONISM MOVEMENT, FROM COLONIES IN THE NORTHEAST, TO THE MIDWEST, AND THE AMERICAN WEST. A TRANQUIL PLACE FOR ARTISTS TO SHARE IDEAS AND RESOURCES, THESE COLLABORATIVE ENCLAVES WERE OFTEN ESTABLISHED IN RURAL AREAS OF GREAT NATURAL BEAUTY, YET NOT FAR FROM GROWING URBAN CENTERS. THE SHOW EXPLORES THE WAYS IN WHICH LOCAL ARTISTS INTERPRETED AMERICA'S RURAL, MARITIME, AND URBAN SPACES AND PORTRAY DAILY LIFE USING THE IMPRESSIONIST DEVICES OF CAPTURING THE MOMENT WITH BRISK BRUSHSTROKES, A VIBRANT PALETTE, AND ATMOSPHERIC EFFECTS. IN A NEW LIGHT IS THE FIRST MAJOR EXHIBITION OF AMERICAN IMPRESSIONISM AT GRAM IN OVER A DECADE.THIS EXHIBITION IS MADE POSSIBLE THROUGH THE BANK OF AMERICA ART IN OUR COMMUNITIES PROGRAM. 3593992 OTHER EXPENSES RELATED TO THE CARE AND CONSERVATION OF THE PERMANENT COLLECTION AND THE EXHIBITIONS SHOWN DURING THIS YEAR AND EXPENSES RELATED TO PREPARATION OF EXHIBITIONS SCHEDULED FOR THE FISCAL YEAR. THIS INCLUDES CURATORIAL, CATALOGING AND RESEARCH, AS WELL AS THE PURCHASE OF ART FOR THE PERMANENT COLLECTION. 3593992 3918046 1 1 0 0 0 0 0 1 0 1 1 0 0 0 1 0 0 1 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 1 1 1 1 1 0 0 0 1 0 0 0 1 7 0 1 75 0 0 0 0 0 0 1 1 0 0 0 0 0 0 X 16 16 0 0 1 0 1 1 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MI X X BROOKE KRUPICZEWICZ 6168312904 101 MONROE CENTER GRAND RAPIDS MI 49503 KURT HASSBERGER TRUSTEE 1.00 X 0 0 0 ERIN GRAVELYN PRESIDENT 3.00 X X 0 0 0 LIZBETH O'SHAUGHNESSY VICE - PRESIDENT 3.00 X X 0 0 0 STACIE BEHLER TRUSTEE 1.00 X 0 0 0 MARILYN CRAWFORD TRUSTEE 1.00 X 0 0 0 MEG GOEBEL TRUSTEE 1.00 X 0 0 0 INDIA MANNS TRUSTEE 1.00 X 0 0 0 JANE BOYLES MEILNER TRUSTEE 1.00 X 0 0 0 JIM OVERBECK SECRETARY/TREASURER 1.00 X X 0 0 0 CHRISTOPHER ROSMARIN TRUSTEE 1.00 X 0 0 0 CAROL SAROSIK TRUSTEE 1.00 X 0 0 0 EDDIE TADLOCK TRUSTEE 1.00 X 0 0 0 MITCHELL WATT TRUSTEE 1.00 X 0 0 0 SCOTT BRANC TRUSTEE 1.00 X 0 0 0 PAT BREWER TRUSTEE 1.00 X 0 0 0 BRUCE CLIPP TRUSTEE 1.00 X 0 0 0 STEPHANIE NAITO TRUSTEE 1.00 X 0 0 0 ALEX THIBODEAU TRUSTEE 1.00 X 0 0 0 DANA FRIIS-HANSEN DIRECTOR AND CEO 40.00 X 216215 0 19842 216215 0 19842 1 0 1 0 0 143427 321657 879000 1304461 7935191 400000 10583736 ADMISSIONS 113746 113746 EXHIBITION TOURING 90000 90000 FEES 61994 61994 265740 146211 257120 -110909 -110909 -110909 118190 321657 181220 -63030 -63030 295414 43691 251723 251723 OTHER REVENUE 900099 24750 24750 24750 10952010 517463 0 -149189 X 1821107 809328 590037 421742 148487 64015 44051 40421 126687 58412 38382 29893 1137401 267661 869274 466 44039 12292 31993 -246 68408 18963 7750 41695 714979 488885 218444 7650 8723 1818 4100 2805 5440 549 4864 27 2130294 1521354 580330 28610 102791 74120 27203 1468 EXHIBITION COSTS 486328 410541 52649 23138 SUPPLIES 171205 98981 8509 63715 MISCELLANEOUS 115960 17601 90235 8124 COLLECTION PURCHASES 56000 56000 128309 17526 93719 17064 7266158 3918046 2661540 686572 1960561 1066428 2992296 6101390 29619 86588 12777 19204 431506 528625 91092940 30946956 58359975 60145984 103618 82292 42444 889605 63932796 68920116 249298 701102 1300000 544578 110468 793876 2111570 X 53944314 52090806 9194606 14717740 63138920 66808546 63932796 68920116 3685852 -16226 0 X 0 1 X 1 0 X 8424952 3466684 2619795 12068985 10583736 37164152 8424952 3466684 2619795 12068985 10583736 37164152 19979828 17184324 217435 252981 88350 52067 146211 757044 6219 6219 643862 81552 47697 51853 824964 38752379 746242 0.44340 0.37410 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X 0 26307693 53627 -4151960 879000 29715 21300645 21445473 692066 4190681 20527 26307693 20483596 3025 985078 26226 21445473 19938525 11980 563174 30083 20483596 19306876 159119 1202064 635412 94122 19938525 0.06300 0.93700 1 1 1 7575615 7575615 79983690 28275752 51707938 3800 3800 0 3492916 2630485 862431 36919 36919 0 60145984 ADVANCED DEPOSITS 110468 110468 11474236 -16226 56421 40195 11434041 -482031 -482031 10952010 7804610 56421 482031 538452 7266158 0 7266158 PART III, LINE 1A: PER SFAS 116, COLLECTION ITEMS ACQUIRED EITHER THROUGH PURCHASE OR DONATION ARE NOT CAPITALZIED AND SO ARE NOT INCLUDED IN THE STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IF PURCHASED WITH ASSETS WITH NO DONOR RESTRICTIONS AND AS DECREASES IN NET ASSETS WITH DONOR RESTRICTION IF PURCHASED WITH DONOR RESTRICTED ASSETS. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENT OF ACTIVITIES. PART III, LINE 4: THE MUSEUM'S ART COLLECTION CONSISTS OF DONATED AND PURCHASED ART OBJECTS, PRINCIPALLY DRAWINGS, PRINTS, STUDY ITEMS AND A REFERENCE LINRARY. THROUGH INTERACTION WITH THE MUSUEM'S ART COLLECTION, INDIVIDUALS OF ALL AGES ENRICH THEIR LIVES. PART V, LINE 4: THE GRAND RAPIDS ART MUSEUM FOUNDAITON, A RELATED ORGANIZATION, AND AN UNRELATED FINANCIAL INSTITUTION HOLD THESE ENDOWMENT FUNDS THAT ARE INTENDED TO BE USED TO PROVIDE FINANCIAL SUPPORT TO THE GRAND RAPIDS ART MUSEUM. PART XI, LINE 4B - OTHER ADJUSTMENTS: RENTAL EXPENSES -257,120. COST OF GOODS SOLD -43,691. SPECIAL EVENTS EXPENSE -181,220. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 257,120. COST OF GOODS SOLD 43,691. SPECIAL EVENTS EXPENSE 181,220. GALA 266582 199292 67290 853 50232 70604 LIVE ARTFULLY 173265 122365 50900 28 23204 36299 439847 321657 118190 881 73436 106903 181220 -63030 X X X X 0 0 0 0 0 0 0 0 0 DANA FRIIS-HANSEN DIRECTOR AND CEO 216215 0 0 0 0 0 1456 0 18386 0 236057 0 0 0 KURT HASSBERGER TRUSTEE 3219591 TRUSTEE IS THE RETIRED CHIEF COUNSEL OF THE COMPANY THAT PROVIDED THE CONSTRUCTION SERVICES TO THE MUSEUM FOR THE REMODEL OF INTERIOR SPACE FOR THE CREATIVE LEARNING CENTER THAT OCCURRED DURING THE YEAR. TRUSTEE DID NOT PARTICIPATE ON ANY CONVERSATIONS REGARDING THE HIRING OF THE CONSTRUCTION COMPANY AND HE ALSO RECUSED HIMSELF FROM THE VOTE ON RETAINING THE COMPANY FOR THE CONSTRUCTION SERVICES. 0 X 5 X 6 172275 AVG OF HIGH & LOW X FURNITURE 0 400000 FMV 0 1 0 PART I, LINE 33: THE MUSEUM REPORTED A ZERO AMOUNT ON FORM 990, PART VIII, STATEMENT OF REVENUES, LINE 1G, BECAUSE THE MUSEUM DID NOT CAPITALIZE ITS COLLECTIONS AS ALLOWED UNDER SFAS 116. FORM 990, PART VI, SECTION A, LINE 4 THE BYLAWS WERE AMENDED IN JUNE 2022, WITH CHANGES APPROVED BY THE BOARD ON JUNE 21, 2022. CHANGES INCLUDE: - THE SEPARATION OF THE EXECUTIVE/FINANCE COMMITTEE INTO SEPARATE EXECUTIVE AND FINANCE COMMITTEES. - THE CREATION OF A DIVERSITY, EQUITY, AND INCLUSION COMMITTEE. - A CHANGE IN THE NUMBER OF TRUSTEES FROM 15-29 TO 20-25. - A CHANGE IN TERM LIMITS FOR BOARD OFFICERS FROM ONE TERM TO TWO OR UNTIL A SUCCESSOR IS APPOINTED. - THE DUTIES OF THE SECRETARY/TREASURER SHALL CHAIR THE FINANCE COMMITTEE. FORM 990, PART VI, SECTION A, LINE 6 THOSE WHO HAVE PURCHASED A MEMBERSHIP IN THE MUSEUM ARE CONSIDERED MEMBERS OF THE ORGANIZATION. FORM 990, PART VI, SECTION A, LINE 7A THE MEMBERS OF THE MUSEUM ELECT THE BOARD OF TRUSTEES FROM A BALLOT PREPARED BY THE BOARD OF THE ORGANIZATION. MEMBERS DO NOT EXERCISE ANY OTHER CONTROL OVER THE BOARD. FORM 990, PART VI, SECTION B, LINE 11B A DIGITAL COPY OF FORM 990 IS PROVIDED TO THE FINANCE COMMITTEE FOR REVIEW AND APPROVAL PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C THE POLICY IS DISTRIBUTED TO THE BOARD AS PART OF THEIR TRUSTEE PACKAGES ANNUALLY. FORM 990, PART VI, SECTION B, LINE 15 THE COMPENSATION PROCESS FOR THE DIRECTOR/CEO IS REVIEWED AND APPROVED BY THE BOARD OF TRUSTEES. THE COMMITTEE UTILIZES INDUSTRY WAGE REPORTS FOR COMPARISON LEVELS AND THE MEETING RESULTS ARE DOCUMENTED. THE MUSEUM HAS A "COMPENSATION AND BENEFITS SUB COMMITTEE OF THE EXECUTIVE FINANCE COMMITTEE" THAT REVIEWS PROPOSED COMPENSATION FOR ALL STAFF. THE COMMITTEE UTILIZES INDUSTRY WAGE REPORTS FOR COMPARISON OF COMPENSATION LEVELS AND THE MEETING RESULTS ARE DOCUMENTED. FORM 990, PART VI, SECTION C, LINE 19 THE GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS ARE AVAILABLE IN THE OFFICE OF THE FINANCE DIRECTOR AND CAN BE PROVIDED UPON REQUEST. FORM 990, PART IX, LINE 11G PROFESSIONAL SERVICES: PROGRAM SERVICE EXPENSES 267,661. MANAGEMENT AND GENERAL EXPENSES 869,274. FUNDRAISING EXPENSES 466. TOTAL EXPENSES 1,137,401. GRAND RAPIDS ART MUSEUM FOUNDATION 101 MONROE CENTER GRAND RAPIDS MI 49503 383027880 SUPPORT MI 501(C)(3) LINE 12D, III-O N/A 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 1 0 1 0 0 GRAND RAPIDS ART MUSEUM FOUNDATION C 879000