2025-05-15T09:44:55-05:00 2024-06-30 911194016 CLARK NUBER PS 10900 NE 4TH STREET SUITE 1400 BELLEVUE WA 98004 990 2023-07-01 237052537 THE HENRY GALLERY ASSOCIATION INC HENR 2066168625 UNIVERSITY OF WASHINGTON BOX 351410 SEATTLE WA 98195 KRISTEN SCOTT TREASURER 2066168625 2025-05-14 1 0 CAROLYN B FJELSTAD P02161439 4254544919 2025-05-14 2023 2025-03-06 01:10:19Z KRIS LEWIS UNIVERSITY OF WASHINGTON BOX 351410 SEATTLE WA 98195 3901637 0 X WWW.HENRYART.ORG X 1968 WA TO ENGAGE ALL PEOPLE IN THE TRANSFORMATIVE POWER OF CONTEMPORARY ART AND IDEAS. 27 27 55 95 0 0 4298867 2689183 40927 28443 932895 994456 -87062 -82989 5185627 3629093 0 0 0 0 3195587 3191369 0 0 518693 1263329 1188487 4458916 4379856 726711 -750763 27402638 28327036 177931 334214 27224707 27992822 X IN SUPPORT OF ITS MISSION TO ADVANCE CONTEMPORARY ART, ARTISTS AND IDEAS, THE HENRY DEVELOPS AND PRESENTS EXHIBITIONS OF CONTEMPORARY ART, MAINTAINS A 26,000+ OBJECT PERMANENT COLLECTION, AND OFFERS EDUCATION PROGRAMS TO SERVE A BROAD PUBLIC AUDIENCE, INCLUDING AN ONLINE CONSTITUENCY. FREE ADMISSION IS EXTENDED TO THE FACULTY, STAFF AND STUDENTS OF THE UNIVERSITY OF WASHINGTON AND TO STUDENTS AT ALL LEVELS OF ELEMENTARY AND HIGHER EDUCATION WORLDWIDE. 0 0 2862563 28443 THE HENRY ART GALLERY'S MISSION IS TO ENGAGE ALL PEOPLE IN THE TRANSFORMATIVE POWER OF CONTEMPORARY ART AND IDEAS. FOUNDED IN 1927 AS WASHINGTON STATE'S FIRST ART MUSEUM ON THE CONVICTION THAT ART STIMULATES INQUIRY, FOSTERS KNOWLEDGE, AND BUILDS HEALTHY COMMUNITIES, THE HENRY IS THE REGION'S MUSEUM DEDICATED TO CONTEMPORARY ART, AND WE HAVE LONG TRADITION OF SUPPORTING ARTISTS AT EVERY STAGE OF THEIR CAREERS. EXHIBITIONS RANGE FROM INTIMATE PHOTOGRAPHY DISPLAYS DRAWN FROM THE MUSEUM'S EXTENSIVE COLLECTION TO LARGE-SCALE COMMISSIONED INSTALLATIONS BY LEADING CONTEMPORARY ARTISTS. CREATIVE EXPERIMENTATION, DIVERSITY OF VOICES, AND ENRICHING VISITOR EXPERIENCES ARE CENTRAL TO THE HENRY'S MISSION. THE HENRY OFFERS FREE VISUAL ARTS EDUCATION FOR ALL AGES THROUGH EXHIBITION-RELATED TALKS, WORKSHOPS, AND OTHER PROGRAMS THAT HIGHLIGHT THE IMPORTANCE OF ART IN ENRICHING SOCIETY. AS A FREE MUSEUM AND A RESOURCE FOR ARTS AND CULTURE, THE HENRY LOWERS FINANCIAL BARRIERS TO ACCESS AND PROVIDES INVALUABLE PUBLIC BENEFIT TO SEATTLE'S RESIDENTS AND VISITORS. THE MUSEUM ENHANCES THE VIBRANCY OF SEATTLE'S CULTURAL LANDSCAPE, SUPPORTS EMERGING AND ESTABLISHED ARTISTS AND AIMS TO MAKE CONTEMPORARY ART ACCESSIBLE TO ALL. THE HENRY SERVED 54,355 VISITORS IN FY2024. FREE EDUCATIONAL PROGRAMS SERVED 2,432 PEOPLE. EIGHTY SCHOOL GROUPS AND COMMUNITY TOURS BROUGHT 1,302 STUDENTS AND YOUTH TO THE GALLERY. SERVICE ACCOMMODATIONS INCLUDE IN-GALLERY SENSORY TOUCH KITS, LARGE TEXT-SIZE OBJECT LABELS, CLOSED CAPTIONS AND TRANSCRIPTS FOR VIDEO CONTENT, AND AMPLE SEATING. PUBLIC TALKS ARE LIVE STREAMED WITH LIVE CAPTIONING, AND LISTENING DEVICES ARE AVAILABLE. WE ARE CURRENTLY PILOTING LIVE ASL INTERPRETATION FOR IN-GALLERY PROGRAMS. THE MUSEUM IS ADA-ACCESSIBLE, INCLUDING BRAILLE AND LOW-VISION SIGNAGE. A) REPRESENTATIVE EXHIBITIONSHANK WILLIS THOMAS: LOVERULES - FROM THE COLLECTIONS OF JORDAN D.SCHNITZER AND HIS FAMILY FOUNDATION FEATURED 90 WORKS SPANNING 20 YEARS OF THE ARTIST'S MOST ICONIC AND WELL-KNOWN ARTWORKS ACROSS A RANGE OF MEDIA, INVESTIGATING DIVERSE THEMES RELATING TO COMMODITY, IDENTITY, MEDIA, AND POPULAR CULTURE. RAL DE NIEVES: A WINDOW TO THE SEE, A SPIRIT STAR CHIMING IN THE WIND OF WONDER FEATURED FAUX STAINED GLASS SKYLIGHT INSTALLATIONS THAT TRANSFORMED THE MUSEUM'S LARGEST GALLERY SPACE INTO A GORGEOUS CONTAINER OF COLORED LIGHT. AS AN IMMERSIVE EXPERIENCE, DE NIEVES'S INSTALLATION WAS A PORTAL TO AN ALTERNATIVE WORLD, INSPIRED BY THE POWER AND POSSIBILITY OF WONDER AND IMAGINATION IN DAILY LIFE. SOPHIA AL-MARIA: NOT MY BAG INCLUDED A RECENT TRILOGY OF FILMS AND NEW COLLAGES THAT GRAPPLED WITH THE VIOLENCE OF EMPIRE ACROSS INDIVIDUAL AND GENERATIONAL TIME SCALES, ANIMATING THE PERSISTENCE OF THE REBELLIOUS, CREATIVE SPIRIT AMID THE RUINS OF CRISIS. KELLY AKASHI: ENCOUNTERS EXPLORED THE MAPPING OF GEOLOGICAL AND ASTRONOMICAL TIMELINES TO LOCATE HUMANKIND IN THE NEAR INFINITE SCALE OF THE COSMOS FROM MICRO TO MACRO. A LARGE-SCALE VIDEO PROJECTED THE FUTURE COLLISION OF THE MILKY WAY AND ANDROMEDA GALAXIES ON THE BACK WALL OF THE GALLERY, WHILE THE SIDE WALLS PRESENTED ENLARGED IMAGES OF MICROSCOPIC CRYSTALLOGRAPHY. SCATTERED ABOUT THE GALLERY, A SERIES OF "FOLDED EARTH" SCULPTURES ERUPTED FROM THE FLOOR, UNFOLDING TO REVEAL LIFE SIZED, BRONZE SCULPTURES OF HANDS, OFTEN HOLDING DELICATE BRAIDS OF PORCELAIN AND GLASS. A/POLITICAL ROCKS AN EXHIBITION DRAWN FROM THE HENRY COLLECTION, EXPLORED THE ROLE LANDSCAPE PHOTOGRAPHY HAS PLAYED IN SHAPING EXPERIENCES OF THE AMERICAN WEST, PAYING PARTICULAR ATTENTION TO AMONG THE MOST SUPERFICIALLY BANAL AND APOLITICAL OF LANDSCAPE SUBGENRES: IMAGES OF ROCKS.MARTINE GUTIERREZ: MONSEN PHOTOGRAPHY LECTURE PRESENTED IMAGES FROM GUTIERREZ'S RECENT SERIES "BODY EN THRALL," IN WHICH THE ARTIST EMBODIES A BLONDE CHARACTER WHO ACTS ALONGSIDE MALE AND FEMALE MANNEQUINS TO EXPLORE THE LIMITS OF HER OWN EROTIC POWER. THE PRESENTATION WAS ORGANIZED IN CONJUNCTION WITH THE HENRY'S ANNUAL MONSEN PHOTOGRAPHY LECTURE, WHICH BRINGS KEY MAKERS AND THINKERS IN PHOTOGRAPHIC PRACTICE TO THE HENRY. B) PUBLIC AND EDUCATIONAL PROGRAMSEXHIBITION ARTIST TALKS, LECTURES, PANELS, AND WORKSHOPS PROVIDE OPPORTUNITIES FOR THE COMMUNITY TO MEET THE ARTISTS FEATURED IN OUR EXHIBITION SEASON AND ENGAGE IN IN-DEPTH LEARNING OPPORTUNITIES ABOUT CONTEMPORARY ART LED BY UW FACULTY AND OTHER EXPERTS. ARTVENTURES OFFERS FREE, QUARTERLY, ONSITE AND ONLINE WORKSHOPS THAT DRAW FROM THEMES IN OUR EXHIBITIONS TO LINK SCHOOL AGED CHILDREN, FAMILIES, AND CAREGIVERS WITH OPPORTUNITIES TO EXPERIMENT WITH NEW MATERIALS AND MODES OF MAKING. THE HENRY TEEN ART COLLECTIVE CONNECTS UP TO 15 DIVERSE YOUTH FROM TEN REGIONAL SCHOOLS WITH INNOVATORS IN THE FIELD AROUND EXPERIENTIAL LEARNING. PARTICIPANTS MEET WEEKLY DURING THE ACADEMIC YEAR FOR ARTIST-LED WORKSHOPS, INDEPENDENT RESEARCH, COLLABORATIVE BRAINSTORMING, ART MAKING, AND CONVERSATIONS WITH ART PROFESSIONALS. PARTICIPANTS RECEIVE A $599 STIPEND. THE HENRY ART LIAISONS PROGRAM PROVIDES A PAID INTERNSHIP FOR UP TO SIX UNIVERSITY STUDENTS TO LEARN MUSEUM PRACTICES AND TAKE THE LEAD DEVELOPING GALLERY TOURS THAT THEY CONDUCT WITH A SOCIAL-JUSTICE LENS. HENRY ART LIAISONS ALSO FACILITATE SPECIAL TOURS FOR UNDERSERVED SENIORS TO INCREASE SOCIAL CONNECTION THROUGH INTERGENERATIONAL EXCHANGE.K12 TOURS INVITE SCHOOL GROUPS TO VISIT AND ENGAGE IN DIALOGUE THAT SPARKS STUDENTS' IMAGINATIONS AND CONNECT CONTEMPORARY ART TO THEIR CLASSROOM CURRICULUM. STAFF WORK WITH EDUCATORS TO CUSTOMIZE THE EXPERIENCE TO MEET THEIR GOALS AND NEEDS. INTERPRETIVE GUIDE PRINT PUBLICATIONS INVITE MEMBERS OF THE COMMUNITY, UW, AND PARTNER ORGANIZATIONS TO CONTRIBUTE INTERPRETIVE RESPONSES TO CURRENT HENRY EXHIBITIONS. CONTRIBUTORS RECEIVE A STIPEND. 66550 WITH A LOCATION ON THE UNIVERSITY OF WASHINGTON (UW) CAMPUS, A PERMANENT COLLECTION OF NEARLY 30,000 OBJECTS, AND THE ELEANOR HENRY REED COLLECTION STUDY CENTER, THE HENRY IS A KEY CULTURAL RESOURCE AND TRAINING GROUND IN THE VISUAL ARTS FOR K-20 STUDENTS, SCHOLARS, ARTISTS, AND GENERAL AUDIENCES. THE COLLECTION INCLUDES SIGNIFICANT HOLDINGS IN PHOTOGRAPHY, MID-19TH TO 21ST CENTURY PAINTING, WORKS ON PAPER INCLUDING EUROPEAN MASTER PRINTS, A TEXTILE AND COSTUME COLLECTION, AND A GROWING BODY OF WORKS IN NEW MEDIA FORMATS. THE COLLECTION'S SEARCHABLE ONLINE DATABASE, ACCESSED THROUGH THE HENRY'S WEBSITE, IS DESIGNED TO PROVIDE MANY POINTS OF ENTRY TO INFORMATION AND IMAGES ASSOCIATED WITH COLLECTIONS OBJECTS. ANNUALLY, MORE THAN 4,300 RESEARCHERS ACCESS OUR COLLECTION ONLINE. BY APPOINTMENT, WE HOST VISITORS IN OUR STUDY CENTER, WHERE STUDENTS, SCHOLARS, AND THE PUBLIC MAY VIEW WORKS OF ART FROM OUR PERMANENT COLLECTION, FREE OF CHARGE. THE HENRY HAS A GROWING COLLECTION OF IMPORTANT WORKS FROM THE 15TH CENTURY TO THE PRESENT, INCLUDING THE RENOWNED JOSEPH AND ELAINE MONSEN COLLECTION OF PHOTOGRAPHY, AND NEW ACQUISITIONS REFLECTING THE DYNAMIC RANGE OF CONTEMPORARY ART BEING CREATED WORLDWIDE. SUB-COLLECTIONS OF NOTES ARE THE STIMSON-BULLITT COLLECTION OF 19TH CENTURY PRINTS; JAPANESE FOLK POTTERY AND NORTHWEST CERAMICS; THE THOMAS AND FRANCES BLAKEMORE COLLECTION OF JAPANESE PRINTS; THE BURT AND JANE BERMAN COLLECTION OF CONTEMPORARY ART; THE WILLIAM AND RUTH TRUE COLLECTION OF CONTEMPORARY ART; THE ALBERT FELDMANN COLLECTION OF EUROPEAN MASTER PRINTS; AND THE WASHINGTON ART CONSORTIUM COLLECTION OF AMERICAN PHOTOGRAPHS, 1970-1980. THE HENRY IS ABLE TO PRESENT A NEARLY COMPREHENSIVE SURVEY OF PRINTMAKING, GROUNDED IN ITS SOCIAL AND POLITICAL HISTORY. 2929113 1 1 0 0 0 0 0 1 0 1 0 0 0 0 0 0 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 1 55 0 55 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 27 27 0 0 0 0 0 0 0 1 1 0 0 0 1 1 1 1 1 0 0 0 X RICH REICHLEY 2066168625 UNIVERSITY OF WASHINGTON BOX 351410 SEATTLE WA 98195 STEVE HOEDEMAKER CHAIR 4.00 X X 0 0 0 ANDY COMER VICE PRESIDENT 4.00 X X 0 0 0 JULIE SYRDAL PRESIDENT 4.00 X X 0 0 0 KRISTEN SCOTT TREASURER 4.00 X X 0 0 0 JEN MILLIMAN HIGGINS SECRETARY 4.00 X X 0 0 0 GEOFFREY BARKER TRUSTEE 1.00 X 0 0 0 KRISTEN BECKER TRUSTEE 1.00 X 0 0 0 BASSEM BEJJANI TRUSTEE 1.00 X 0 0 0 DON BLAKENEY TRUSTEE 1.00 X 0 0 0 CARA EGAN TRUSTEE 1.00 X 0 0 0 JAMIE FISH TRUSTEE 1.00 X 0 0 0 GAIL GIACOBBE TRUSTEE 1.00 X 0 0 0 ADAM GLANT TRUSTEE 1.00 X 0 0 0 LYNNE GRAYBEAL TRUSTEE 1.00 X 0 0 0 SETH GRIZZLE TRUSTEE 1.00 X 0 0 0 MICHAEL HATCH TRUSTEE 1.00 X 0 0 0 ERIC HURT TRUSTEE 1.00 X 0 0 0 LINDA MCDOUGALL LEWIS TRUSTEE 1.00 X 0 0 0 SANGRAM MAJUMDAR TRUSTEE 1.00 X 0 0 0 ALAA MENDILI TRUSTEE 1.00 X 0 0 0 MAREN MONSEN TRUSTEE 1.00 X 0 0 0 STEVE SMELT TRUSTEE 1.00 X 0 0 0 PETER TRUE TRUSTEE 1.00 X 0 0 0 MOLLY JAE VAUGHAN TRUSTEE 1.00 X 0 0 0 ROBERT WADE TRUSTEE 1.00 X 0 0 0 JESS WANG TRUSTEE 1.00 X 0 0 0 KATHLEEN WARREN TRUSTEE 1.00 X 0 0 0 SYLVIA WOLF JOHN S. BEHNKE DIR. THRU 08/23 40.00 X 209389 0 31049 KRIS LEWIS JOHN S. BEHNKE DIR. FROM 08/23 40.00 X 150937 0 12191 JEESOOK KUTZ DIR. OF FINC. & ADMIN THRU 05/24 36.00 X 106246 0 21803 SHAMIM MOMIN DIRECTOR OF CURATORIAL AFFAIRS 36.00 X 102291 0 17831 568863 0 82874 4 0 0 1 0 99170 11837 418719 1254878 904579 8785 2689183 ADMISSIONS 712110 26240 26240 PUBLICATION SALES 511199 2203 2203 28443 994986 994986 185428 185958 -530 -530 -530 0 418719 85397 -85397 -85397 2553 1189 1364 1364 EVENT INCOME 900099 1044 1044 1044 3629093 28443 0 911467 506311 185038 247258 74015 2158650 1541636 346565 270449 74948 51193 7030 16725 238490 178576 31834 28080 212970 135570 53643 23757 39500 39500 60211 20578 12133 27500 47306 46304 1002 107228 32984 53819 20425 86930 8890 78040 109296 85120 20161 4015 13796 13796 EXHIBITION/CONSERVATION 497083 497083 PRINTING & PUBLICATIONS 73341 64575 1535 7231 HOSPITALITY 57252 8865 30779 17608 EQUIP RENTAL & MAINT 41505 35074 5003 1428 55039 23831 3748 27460 4379856 2929113 932050 518693 1128823 684611 597735 743873 1277292 1174531 43612 35395 23380969 24661081 974207 1027545 27402638 28327036 177931 334214 177931 334214 X 6114718 5422416 21109989 22570406 27224707 27992822 27402638 28327036 -750763 1518878 0 X 0 1 X 1 0 X 2441998 3473493 3155955 4298867 2689183 16059496 1428529 1452480 1476447 1500433 1524435 7382324 3870527 4925973 4632402 5799300 4213618 23441820 493936 22947884 754614 745115 778292 933060 994986 4206067 725 305 1638 1044 3712 27651599 138710 0.82990 0.83150 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: MISCELLANEOUS - 2019 AMOUNT: $ 725. 2021 AMOUNT: $ 305. 2022 AMOUNT: $ 1,638. 2023 AMOUNT: $ 1,044. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 24355176 3843625 2510175 25688626 24344612 1173338 1162774 24355176 26704954 -1593808 766534 24344612 19624814 1000000 6824321 744181 26704954 20372188 1971 749345 19624814 0.19580 0.50220 0.30200 1 0 0 6714662 1518878 1573816 -8314 3084380 3630282 -1189 -1189 3629093 5946547 1573816 1189 1575005 4371542 8314 8314 4379856 PART III, LINE 1A: COLLECTION ITEMS ARE NOT CAPITALIZED, WHETHER ACQUIRED THROUGH DONATION OR PURCHASE. DONATED COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENT OF ACTIVITIES AND CHANGES IN NET ASSETS. PURCHASES OF COLLECTION ITEMS, WHETHER ACQUIRED WITH FUNDS WITH OR WITHOUT DONOR RESTRICTION, ARE RECORDED AS NONOPERATING COSTS AND ACCORDINGLY, DECREASE NET ASSETS WITHOUT DONOR RESTRICTION. NET ASSETS WITH DONOR RESTRICTION ARE RELEASED WHEN COLLECTION ITEMS ARE ACQUIRED WITH RESTRICTED FUNDS. ALL PURCHASED AND DONATED COLLECTION ITEMS ARE TRANSFERRED TO THE UNIVERSITY, WHICH OWNS THE PERMANENT COLLECTIONS OF THE GALLERY. PART III, LINE 4: THE PERMANENT COLLECTION IS A DISTINCT CULTURAL ASSET SUPPORTING SCHOLARSHIP AND THE INTERESTS OF THE GENERAL PUBLIC. IT COMPRISES OVER 28,000 OBJECTS, INCLUDING SIGNIFICANT HOLDINGS IN PHOTOGRAPHY, MID-19TH TO 21ST-CENTURY PAINTING, WORKS ON PAPER INCLUDING EUROPEAN MASTER PRINTS, A TEXTILE AND COSTUME COLLECTION, AND A GROWING BODY OF WORKS IN NEW MEDIA FORMATS. THE COLLECTIONS' SEARCHABLE ONLINE DATABASE, ACCESSED THROUGH THE HENRY'S WEBSITE, IS DESIGNED TO PROVIDE MANY POINTS OF ENTRY TO INFORMATION AND IMAGES ASSOCIATED WITH COLLECTIONS OBJECTS. ANNUALLY, OUR COLLECTIONS ARE ACCESSED BY APPROXIMATELY 3,400 RESEARCHERS ONLINE. IN ADDITION, WE HOST VISITORS IN OUR ELEANOR REED COLLECTION STUDY CENTER, WHERE STUDENTS, SCHOLARS, AND THE PUBLIC MAY VIEW WORKS OF ART FROM OUR PERMANENT COLLECTION, FREE OF CHARGE. PART V, LINE 4: THE HENRY GALLERY ASSOCIATION (THE HENRY) INTENDS TO USE UNRESTRICTED ENDOWMENT FUND DISTRIBUTIONS TO SUPPORT OPERATIONS AND TO USE RESTRICTED ENDOWMENT FUND DISTRIBUTIONS ON THE RELATED RESTRICTED PURPOSE. THE HENRY'S ENDOWMENT FUND IS MANAGED BY THE UNIVERSITY OF WASHINGTON'S CONSOLIDATED ENDOWMENT FUND (CEF). DISTRIBUTIONS ARE MADE IN ACCORDANCE WITH THE SPENDING POLICY SET BY THE BOARD OF REGENTS. THE SPENDING AND INVESTMENT POLICIES OF THE CEF ATTEMPT TO PROVIDE A PREDICTABLE STREAM OF FUNDING WHILE SEEKING TO MAINTAIN THE PURCHASING POWER OF THE ENDOWMENT ASSETS. THE SPENDING POLICY IS SET AT 4% OF A FIVE YEAR MOVING AVERAGE MARKET VALUE. PART XI, LINE 2D - OTHER ADJUSTMENTS: EVENTS EXPENSE REPORTED ON PART IX -8,314. PART XI, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD REPORTED ON PART VIII -1,189. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD REPORTED ON PART VIII 1,189. PART XII, LINE 4B - OTHER ADJUSTMENTS: EVENTS EXPENSE REPORTED ON PART IX 8,314. HENRY GALA 418719 418719 6550 40320 33090 5437 418719 418719 6550 40320 33090 5437 85397 -85397 0 0 0 0 0 0 0 0 0 SYLVIA WOLF JOHN S. BEHNKE DIR. THRU 08/23 209389 0 0 0 0 0 17399 0 13650 0 240438 0 0 0 KRIS LEWIS JOHN S. BEHNKE DIR. FROM 08/23 150937 0 0 0 0 0 7611 0 4580 0 163128 0 0 0 JEESOOK KUTZ DIR. OF FINC. & ADMIN THRU 05/24 106246 0 0 0 0 0 8153 0 13650 0 128049 0 0 0 SHAMIM MOMIN DIRECTOR OF CURATORIAL AFFAIRS 102291 0 0 0 0 0 8761 0 9070 0 120122 0 0 0 SCHEDULE J, PART I, LINE 3: THE OFFICERS OF THE HENRY GALLERY ASSOCIATION ARE COMPENSATED BY THE UNIVERSITY OF WASHINGTON, NOT THE ASSOCIATION. THE OFFICERS' SALARIES ARE SET BY THE UNIVERSITY, USING COMPARABILITY AND MARKET DATA. THE UNIVERSITY'S POLICIES ARE GOVERNED BY STATE OF WASHINGTON POLICY. COMPENSATION WAS INITIALLY ESTABLISHED FOR THE DIRECTOR AND THE DIRECTOR OF FINANCE IN 2008 AND 2018, RESPECTIVELY. ANY CHANGES TO INITIAL COMPENSATION ARE MADE WITHIN THE PARAMETERS OF UNIVERSITY POLICY. SCHEDULE J, PART II: EXPLANATION OF COMPENSATION UNIVERSITY OF WASHINGTON (UW), AN UNRELATED ORGANIZATION, PROVIDES SUPPORT TO THE ORGANIZATION RELATING TO THE OPERATION OF THE GALLERY BY PAYMENT OF CERTAIN EXPENSES AND PAYROLL COSTS (PRIMARILY MANAGEMENT LEVEL EMPLOYEES). A DETAILED COMPENSATION BREAKOUT FOR SYLVIA WOLF, KRIS LEWIS, JEESOOK KUTZ, AND SHAMIM MOMIN CAN BE FOUND ON SCHEDULE J, PART II. X 65 N/A X 6 6678 FAIR MARKET VALUE X WINE 1 2107 FAIR MARKET VALUE 0 0 1 0 PART I, COLUMN (B): WORKS OF ART ARE LISTED AS THE NUMBER OF WORKS RECEIVED. ALL OTHERS ARE THE NUMBER OF CONTRIBUTORS. PART I, LINE 33: CONTRIBUTIONS OF WORKS OF ART TO THE MUSEUM'S COLLECTIONS ARE NOT CAPITALIZED OR REPORTED AS REVENUE AS ALLOWED UNDER SFAS 116. FORM 990, PART 1, LINE 6: EVENT VOLUNTEERS ASSIST WITH VISITOR COORDINATION DURING SPECIAL EVENTS. THE VOLUNTEER BOARD OF TRUSTEES, ALONG WITH ITS COMMITTEES, PROVIDES GUIDANCE AND OVERSIGHT FOR THE OPERATIONS OF THE HENRY GALLERY ASSOCIATION. THERE WERE 27 VOTING MEMBERS OF THE BOARD OF TRUSTEES WHO DONATED THEIR TIME TO THE ORGANIZATION. HOURS ARE ESTIMATED BASED ON DUTIES PERFORMED. 3 EVENT VOLUNTEERS HELPED SUPPORT THE HENRY DURING FY24. FORM 990, PART VI, SECTION B, LINE 11B THE FORM 990 IS PREPARED BY A THIRD PARTY ACCOUNTING FIRM AND REVIEWED IN DETAIL BY THE DIRECTOR OF FINANCE AND THE FINANCE COMMITTEE CHAIR. THE PUBLIC DISCLOSURE COPY OF FORM 990 IS PROVIDED TO BOARD MEMBERS PRIOR TO SUBMISSION TO THE IRS. THE BOARD DOES NOT REVIEW THE COMPLETE 990 AS IT DOES NOT WISH TO ELECTRONICALLY DISTRIBUTE THE DONOR INFORMATION CONTAINED IN SCHEDULE B. FORM 990, PART VI, SECTION B, LINE 12C ANNUALLY OFFICERS, TRUSTEES AND EMPLOYEES REVIEW THE ORGANIZATION'S CONFLICT OF INTEREST POLICY, INCLUDING DEFINITIONS AND EXAMPLES OF POTENTIAL CONFLICTS. OFFICERS, TRUSTEES AND EMPLOYEES ARE ANNUALLY REQUIRED TO SIGN A STATEMENT THAT THEY HAVE READ THE POLICY AND UNDERSTAND IT, ARE IN COMPLIANCE WITH IT AND WILL DISCLOSE ANY FUTURE POTENTIAL CONFLICT OF INTEREST IN ACCORDANCE WITH THE POLICY. WHENEVER A CONFLICT OF INTEREST ARISES, A TRUSTEE IS REQUIRED TO GIVE FAIR AND FULL DISCLOSURE IN SUFFICIENT TIME TO ALLOW PROPER STEPS TO BE TAKEN TO INSULATE THE INDIVIDUAL FROM INFLUENCING DECISIONS RELATING TO SUCH CONFLICT. SAID TRUSTEE SHALL CLEARLY DISCLOSE THE NATURE OF THE CONFLICT TO THE CHAIR OF THE COMMITTEE OR THE PRESIDENT OF THE BOARD OF TRUSTEES AND REFRAIN FROM VOTING UPON THE ACTION. CONFLICTS ARE REVIEWED BY THE BOARD OF TRUSTEES AND AND/OR ALL COMMITTEES WITH BOARD DELEGATED POWERS. THE RESTRICTIONS IMPOSED ARE DETERMINED AT THE TIME OF CONFLICT EVALUATION AND ARE DEPENDENT UPON THE CONFLICT. FORM 990, PART VI, SECTION B, LINE 15 THE OFFICERS OF THE HENRY GALLERY ASSOCIATION ARE COMPENSATED BY THE UNIVERSITY OF WASHINGTON, NOT THE ASSOCIATION. THE OFFICERS' SALARIES ARE SET BY THE UNIVERSITY, USING COMPARABILITY AND MARKET DATA. THE UNIVERSITY'S POLICIES ARE GOVERNED BY STATE OF WASHINGTON POLICY. ANY CHANGES TO COMPENSATION ARE MADE WITHIN THE PARAMETERS OF UNIVERSITY POLICY. FORM 990, PART VI, SECTION C, LINE 19 THE ASSOCIATION'S GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY AND FINANCIAL STATEMENTS ARE AVAILABLE TO THE PUBLIC UPON REQUEST. THE PUBLIC IS MADE AWARE OF THIS PROCEDURE THROUGH AN EXPLANATION ON THE ASSOCIATION'S WEBSITE.