2025-05-12T16:38:22-05:00 2024-06-30 131655065 LUTZ AND CARR CPAS LLP 551 FIFTH AVENUE SUITE 400 NEW YORK NY 10176 990 2023-07-01 132867442 NEW YORK CITY CENTER INC NEWY 2122470430 130 WEST 56TH STREET 9TH FL NEW YORK NY 10019 MICHAEL S ROSENBERG PRESIDENT & CEO 2122470430 2025-03-18 1 1 FREDERICK MARTENS P00298107 2126972299 2023 2025-03-06 01:10:19Z MICHAEL S ROSENBERG 130 WEST 56TH STREET 9TH FL NEW YORK NY 10019 33488294 0 X WWW.NYCITYCENTER.ORG X 1976 NY IN OUR RECENTLY COMPLETED 2023-2024 SEASON, WE CELEBRATED THE 80TH ANNIVERSARY OF OUR FOUNDING BY MAYOR FIORELLO LA GUARDIA AS A "PEOPLE'S THEATER," AS WELL AS THE 30TH ANNIVERSARY OF OUR TONY-HONORED ENCORES! SERIES, AND THE 20TH ANNIVERSARY OF THE BELOVED FALL FOR DANCE FESTIVAL. THIS HISTORIC ANNIVERSARY SEASON WAS A TREMENDOUS SUCCESS FOR OUR ORGANIZATION, MARKED BY OUTSTANDING PRODUCTIONS AND SIGNIFICANT ENGAGEMENT WITH AUDIENCES AND COMMUNITIES ACROSS NEW YORK CITY. 32 31 884 35 0 0 9424865 9420441 12146721 17700401 1016225 1789583 1105186 926261 23692997 29836686 0 0 0 0 17007633 19990686 0 0 3124068 9686659 11669333 26694292 31660019 -3001295 -1823333 75388485 77731678 4457888 6501365 70930597 71230313 X THE MISSION OF NEW YORK CITY CENTER IS TO BE NEW YORK CITY'S LEADING CENTER FOR DANCE AND MUSICAL THEATER. DEDICATED TO MAKING THE ARTS ACCESSIBLE TO THE BROADEST POSSIBLE AUDIENCE, CITY CENTER SEEKS TO CREATE A WELCOMING ENVIRONMENT AND ENGAGE AUDIENCES WITH INSPIRING PROGRAMMING THAT REFLECTS THE ECLECTICISM, ENERGY, AND SPIRIT OF NEW YORK CITY. 0 0 21105155 16318178 PRODUCTIONS AND PROGRAMMING:CITY CENTER'S 2023-2024 SEASON OPENED WITH THE FALL FOR DANCE FESTIVAL, ONE OF OUR FLAGSHIP PROGRAMS THAT HAS LAUNCHED THE SEASON FOR 20 YEARS. RENOWNED FOR ITS DIVERSE PROGRAMMING AND AFFORDABLE $30 TICKETS, FALL FOR DANCE BRINGS TOGETHER TOP DANCE COMPANIES FROM NEW YORK CITY, ACROSS THE U.S., AND INTERNATIONALLY, ATTRACTING A BROAD AUDIENCE WHILE NURTURING NEW DANCE LOVERS. THE FESTIVAL ALSO CONTINUES TO DRIVE INNOVATION THROUGH ITS COMMISSIONING PROGRAM, WHICH HAS PRODUCED 50 WORLD PREMIERES, 54 U.S. PREMIERES, AND 60 NEW YORK CITY PREMIERES TO DATE. THIS YEAR'S FESTIVAL RAN FROM SEPTEMBER 27 TO OCTOBER 8, 2023, WITH 10 PERFORMANCES ATTENDED BY 21,132 PEOPLE. THE 2023 FESTIVAL FEATURED A DYNAMIC LINEUP OF PERFORMERS, INCLUDING BALLET BC (CANADA), GIBNEY COMPANY, LIMON DANCE COMPANY, BIRMINGHAM ROYAL BALLET (U.K.), EPHRAT ASHERIE AND MICHELLE DORRANCE, AND GRUPO CORPO (BRAZIL). IT ALSO INCLUDED TWO CITY CENTER WORLD PREMIERES: JAM ON THE GROOVE 3 FOR 30, A RE-STAGING OF ADESOLA OSAKALUMI'S 1995 STREET DANCE PRODUCTION, AND THE CENTER WILL NOT HOLD, A COLLABORATIVE PIECE BY EPHRAT ASHERIE AND MICHELLE DORRANCE FEATURING STREET AND TAP DANCE, WITH LIVE MUSIC BY DONOVAN DORRANCE. CITY CENTER'S FALL DANCE SEASON ALSO FEATURED AN EXCITING LINEUP, STARTING WITH THE LYON OPERA BALLET'S PRESENTATION OF LUCINDA CHILD'S DANCE. THIS POST-MODERN MASTERPIECE, SET TO A MINIMALIST SCORE BY PHILIP GLASS, FEATURED WAVES OF DANCERS MOVING IN INTRICATE PATTERNS ALONGSIDE VIDEO PROJECTIONS OF THE ORIGINAL PERFORMERS DESIGNED BY SOL LEWITT. THE COMBINATION OF LIVE MOVEMENT AND FILM CREATED A VISUALLY STRIKING MEDITATION ON PERPETUAL MOTION, EARNING PRAISE AS A "STUNNING AND INVENTIVE PRESENTATION" BY BROADWAYWORLD. THE PERFORMANCE OPENED THE DANCE REFLECTIONS BY VAN CLEEF & ARPELS FESTIVAL, WITH ADDITIONAL PERFORMANCES AT VENUES LIKE THE BROOKLYN ACADEMY OF MUSIC AND PARK AVENUE ARMORY. RUNNING FROM OCTOBER 19-21, 2023, THE PRODUCTION DREW 4,241 ATTENDEES. THE FALL SEASON CONCLUDED WITH PAM TANOWITZ'S SONG OF SONGS AS PART OF THE ARTISTS AT THE CENTER SERIES. THIS LONG-AWAITED NEW YORK PREMIERE, INSPIRED BY JEWISH FOLK DANCE AND SET TO DAVID LANG'S CHORAL SETTING OF THE BIBLICAL TEXT, WAS PRAISED BY THE NEW YORK TIMES AS "REFINED, RESTRAINED, AND BREATHTAKINGLY BEAUTIFUL." IT RAN FROM NOVEMBER 9-11 AND ATTRACTED 2,345 ATTENDEES.THE SPRING DANCE SEASON BEGAN WITH THE RETURN OF THE FLAMENCO FESTIVAL, A CITY CENTER STAPLE FOR OVER TWO DECADES. IN CELEBRATION OF CITY CENTER'S 80TH ANNIVERSARY, THE FESTIVAL WAS EXPANDED TO TWO WEEKS AND FEATURED STANDOUT PERFORMANCES BY THE NATIONAL BALLET OF SPAIN, OLGA PERICET, AND GALA FLAMENCA. THE FESTIVAL RAN FROM MARCH 8-17, 2024, WITH 14,821 AUDIENCE MEMBERS ATTENDING EIGHT PERFORMANCES. OTHER HIGHLIGHTS OF THE SPRING SEASON INCLUDED NEDERLANDS DANS THEATER, WHICH RETURNED AFTER A HIATUS WITH A THREE-PIECE PROGRAM THAT INCLUDED WILLIAM FORSYTHE'S N.N.N.N., AND THE U.S. PREMIERES OF THE POINT BEING AND JAKIE. THIS PROGRAM RAN FROM APRIL 3-6 AND WAS ATTENDED BY 8,879 AUDIENCE MEMBERS. THE SEASON CONCLUDED WITH MESSAGE IN A BOTTLE, A CONTEMPORARY DANCE-THEATER PIECE BY KATE PRINCE SET TO THE MUSIC OF STING. THIS PRODUCTION, PART OF A U.S. TOUR, RAN FOR 14 PERFORMANCES FROM APRIL 30-MAY 12, 2024, DRAWING 17,667 ATTENDEES AND RECEIVING ENTHUSIASTIC AUDIENCE RESPONSE FOR ITS DYNAMIC FUSION OF STREET, HIP-HOP, AND CONTEMPORARY DANCE STYLES.MAINSTAGE MUSICAL THEATRE PRODUCTIONS:CITY CENTER'S ANNUAL GALA PRESENTED A REVIVAL OF RODGERS AND HART'S PAL JOEY, REIMAGINED BY CO-DIRECTORS TONY GOLDWYN AND SAVION GLOVER. THIS NEW VERSION FRAMED JOEY AS A BLACK MUSICIAN STRUGGLING IN 1920S CHICAGO, WITH A REVISED BOOK BY RICHARD LAGRAVANESE AND DANIEL 'KOA' BEATY, AND ADDITIONAL RODGERS AND HART SONGS. TONY NOMINEE EPHRAIM SYKES LED AS JOEY, ALONGSIDE LORETTA DEVINE, AISHA JACKSON, AND ELIZABETH STANLEY. THE PRODUCTION RECEIVED PRAISE, WITH THE NEW YORK TIMES CALLING IT "VIVID AND REVITALIZED. RUNNING FROM NOVEMBER 1 TO 5, THE SHOW WAS SEEN BY 10,683 PEOPLE. THE 2024 ENCORES! SEASON CELEBRATED ITS 30TH ANNIVERSARY WITH THREE REVIVALS NOT STAGED IN NEW YORK IN OVER 25 YEARS. CURATED BY ARTISTIC DIRECTOR LEAR DEBESSONET, CREATIVE DIRECTOR CLINT RAMOS, MUSIC DIRECTOR MARY-MITCHELL CAMPBELL, AND VP AND PRODUCER JENNY GERSTON, THE SEASON INCLUDED TWO-WEEK RUNS FOR EACH SHOW, WITH THE FIRST-EVER ENCORES! STUDENT MATINEES. THE SEASON OPENED WITH ONCE UPON A MATTRESS, THE BELOVED MUSICAL COMEDY BASED ON THE "PRINCESS AND THE PEA" FAIRYTALE. SUTTON FOSTER STARRED AS PRINCESS WINNIFRED, BRINGING HER UNIQUE CHARM TO THE ROLE, WHILE DAVID PATRICK HENRY AND HARRIET HARRIS PLAYED THE KING AND QUEEN. THE PRODUCTION WAS WIDELY PRAISED, WITH THE NEW YORK TIMES CALLING IT A "BANQUET" OF MUSICAL COMEDY. IT PLAYED TO NEARLY SOLD-OUT HOUSES FROM JANUARY 24 TO FEBRUARY 4 AND DREW 28,407 ATTENDEES ACROSS 14 PERFORMANCES. ITS SUCCESS LED TO A BROADWAY TRANSFER STARRING FOSTER AT THE HUDSON THEATRE IN AUGUST, WITH A LOS ANGELES RUN PLANNED LATER IN THE YEAR. NEXT, JELLY'S LAST JAM GRACED THE STAGE, PORTRAYING THE LIFE OF JAZZ LEGEND JELLY ROLL MORTON. NICHOLAS CHRISTOPHER'S PORTRAYAL OF MORTON WAS WIDELY PRAISED, SUPPORTED BY STANDOUT PERFORMANCES FROM LESLIE UGGAMS AS HIS GRANDMOTHER, JOAQUINA KALUKANGO AS HIS LOVER ANITA, AND BILLY PORTER AS THE OMINOUS CHIMNEY MAN. THE SHOW RECEIVED CRITICAL ACCLAIM FOR ITS EXPLORATION OF RACE, IDENTITY, AND MUSIC IN AMERICA, EARNING ANOTHER "CRITIC'S PICK" FROM THE NEW YORK TIMES. COMMUNITY ENGAGEMENT EFFORTS INCLUDED DISCOUNTED AND COMPLIMENTARY TICKETS AND A BLACK THEATER LEGACY NIGHT WITH A POST-SHOW DISCUSSION FEATURING CREATORS GEORGE C. WOLFE AND SUSAN BIRKENHEAD. RUNNING FROM FEBRUARY 21 TO MARCH 3, JELLY'S LAST JAM DREW 24,353 ATTENDEES ACROSS 14 PERFORMANCES. THE SEASON CONCLUDED WITH TITANIC; THE EPIC MUSICAL INSPIRED BY THE INFAMOUS OCEAN LINER. THE PRODUCTION WAS A GRAND ACHIEVEMENT, FEATURING A 32-PERSON CAST AND A 30-PIECE ORCHESTRA. HIGHLIGHTS INCLUDED BONNIE MILLIGAN AS ALICE BEANE, ALEXANDER JOSEPH GRAYSON AS HAROLD BRIDE, AND CHIP ZIEN AND JUDY KUHN AS ISIDOR AND IDA STRAUS, WHOSE DUET "STILL" WAS A STANDOUT MOMENT. THE NEW YORK TIMES PRAISED THE PRODUCTION'S EMOTIONAL DEPTH, AWARDING IT ANOTHER "CRITIC'S PICK." FROM JUNE 11 TO JUNE 23, IT DREW 26,059 ATTENDEES ACROSS 14 PERFORMANCES. 2230672 884524 OFFICE TOWER AND STUDIO RENTALSTUDIO AND OFFICE RENTAL PROGRAMS ARE CONDUCTED AS PART OF THE ORGANIZATION'S EXEMPT PURPOSE. CITY CENTER'S THREE REHEARSAL STUDIOS WERE RENTED BY HUNDREDS OF DANCERS, CHOREOGRAPHERS AND COMPANIES, MANY OF THEM TAKING ADVANTAGE OF A SUBSIDIZED RATE OF $20 PER HOUR. 1291102 250865 EDUCATION:CITY CENTER'S EDUCATION AND COMMUNITY ENGAGEMENT (EDUCE) PROGRAMS ARE INTEGRAL TO OUR MISSION OF BROADENING ACCESS TO THE PERFORMING ARTS IN NEW YORK CITY. THESE INITIATIVES INCLUDE ARTS EDUCATION WORKSHOPS, RESIDENCIES, AND CAREER DEVELOPMENT OPPORTUNITIES DESIGNED FOR STUDENTS, EDUCATORS, AND EMERGING PROFESSIONALS. DURING THE 2023-2024 SEASON, CITY CENTER ENGAGED 6,989 STUDENTS FROM 50 PARTNER SCHOOLS ACROSS ALL FIVE BOROUGHS THROUGH OUR IN-SCHOOL PROGRAMS, WHICH PROVIDE DANCE AND MUSICAL THEATER INSTRUCTION. WORKSHOPS ARE TYPICALLY SHORT, INTRODUCING STUDENTS TO A SPECIFIC ART FORM, SUCH AS MODERN OR FLAMENCO DANCE, WHILE RESIDENCIES OFFER MORE IN-DEPTH TECHNICAL AND HISTORICAL STUDY OVER SEVERAL WEEKS. BOTH PROGRAMS CULMINATE IN STUDENT MATINEES, WHERE PARTICIPANTS WATCH THE TECHNIQUES THEY'VE LEARNED PERFORMED LIVE ON STAGE. THE STUDENT MATINEE PROGRAM, A CORNERSTONE OF OUR EDUCATIONAL OFFERINGS, IS DESIGNED TO MAKE PROFESSIONAL PERFORMANCES ACCESSIBLE TO ALL STUDENTS. FOR THE 2023-2024 SEASON, CITY CENTER HOSTED FIVE STUDENT MATINEES, INCLUDING PERFORMANCES BY ALVIN AILEY AMERICAN DANCE THEATER, ONCE UPON A MATTRESS, JELLY'S LAST JAM, AND THE FLAMENCO FESTIVAL. IN TOTAL, 9,993 STUDENTS AND EDUCATORS ATTENDED THESE PERFORMANCES, FURTHER ENRICHING THEIR CLASSROOM EXPERIENCES. TEACHERS WHO BRING THEIR STUDENTS TO THESE PERFORMANCES ARE PROVIDED WITH STUDY GUIDES AND PROFESSIONAL DEVELOPMENT SESSIONS TO HELP THEM INTEGRATE THE LESSONS FROM THE STAGE INTO THEIR DAILY CURRICULUM. BY OFFERING PERFORMANCES AT PRICES AS LOW AS $5 PER STUDENT--OR EVEN FREE FOR PARTNER SCHOOLS--CITY CENTER ENSURES THAT ACCESS TO THE PERFORMING ARTS REMAINS ATTAINABLE FOR ALL STUDENTS, REGARDLESS OF FINANCIAL BARRIERS. CITY CENTER'S COMMUNITY ENGAGEMENT INITIATIVES FURTHER EXPAND ACCESS TO THE ARTS BY PARTNERING WITH NONPROFIT ORGANIZATIONS THAT SERVE UNDERREPRESENTED COMMUNITIES ACROSS NEW YORK CITY. ONE OF THE STANDOUT PROGRAMS IS ARTIVISM, WHICH EMPOWERS YOUNG ARTISTS AGED 18-24 TO USE THEIR CREATIVE PRACTICE FOR SOCIAL CHANGE. IN COLLABORATION WITH ORGANIZATIONS LIKE THE DOOR AND COVENANT HOUSE, PARTICIPANTS ENGAGE IN A TEN-WEEK PROGRAM WHERE THEY LEARN THE INTERSECTION OF ART AND ACTIVISM, CULMINATING IN A PUBLIC PRESENTATION OF THEIR WORK. ADDITIONALLY, THE STREET DANCE AMBASSADORS PROGRAM OFFERS EMERGING STREET DANCE ARTISTS ADVANCED TRAINING FROM RENOWNED PROFESSIONALS WHILE PROVIDING STUDIO SPACE AND A STIPEND TO DEVELOP THEIR ORIGINAL PIECES. THIS YEAR'S COHORT OF 12 ARTISTS PUBLICLY SHOWCASED THEIR CREATIONS AT A CITY CENTER EVENT, FURTHER CEMENTING CITY CENTER'S ROLE AS A HUB FOR NURTURING INNOVATIVE, SOCIALLY CONSCIOUS ARTISTS FROM DIVERSE BACKGROUNDS. CAREER PATHWAYS PROGRAMS AT CITY CENTER PROVIDE VALUABLE TRAINING AND MENTORSHIP FOR HIGH SCHOOL STUDENTS, COLLEGE GRADUATES, AND EARLY-CAREER PROFESSIONALS. THIS SEASON, 43 HIGH SCHOOL STUDENTS PARTICIPATED IN EXTERNSHIPS DESIGNED TO EXPOSE THEM TO VARIOUS CAREERS IN THE PERFORMING ARTS. CITY CENTER'S ADMINISTRATIVE APPRENTICESHIPS AND CREATIVE FELLOWSHIPS ALSO OFFERED RECENT GRADUATES AND EMERGING ARTISTS OPPORTUNITIES TO WORK ALONGSIDE LEADING PROFESSIONALS. APPRENTICESHIPS WERE AVAILABLE IN DANCE PROGRAMMING, DEVELOPMENT, EDUCATION AND COMMUNITY ENGAGEMENT, AND MARKETING/GRAPHIC DESIGN, WHILE OUR FELLOWSHIPS FOCUSED ON MUSICAL THEATER DIRECTION AND CHOREOGRAPHY OUR INAUGURAL ANN REINKING ENCORES! CHOREOGRAPHY FELLOWSHIP, AWARDED TO NIANI FEELINGS, PROVIDED HER WITH HANDS-ON EXPERIENCE WORKING ON FOUR PRODUCTIONS AND COLLABORATING ON CURRICULUM DEVELOPMENT. THESE PROGRAMS FOSTER ARTISTIC GROWTH AND EQUIP PARTICIPANTS WITH PROFESSIONAL NETWORKS THAT WILL SUPPORT THEIR CAREER DEVELOPMENT FOR YEARS TO COME. 626580 563291 STAGES I & II:MANHATTAN THEATRE CLUB PRESENTED SEVERAL SHOWS ON CITY CENTER'S STAGES I AND II, INCLUDING THE NEW YORK PREMIERES OF POOR YELLA REDNECKS AND BROOKLYN LAUNDRY 626580 563291 25253509 1 1 0 0 0 0 0 0 0 1 1 0 0 0 1 0 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 210 0 1 884 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 32 31 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 NY NJ CT X X SUSAN NEIMAN 2127631251 130 WEST 56TH STREET NEW YORK NY 10025 MICHAEL ROSENBERG PRESIDENT AND CEO 40.00 X X 426483 0 58666 RICHARD E WITTEN CHAIRMAN 1.00 X X 0 0 0 ERANA MSTENNETT VICE-CHAIR 1.00 X X 0 0 0 JULIE ABRAMS LEFF VICE-CHAIR 1.00 X X 0 0 0 PATRICK CROSETTO VICE-CHAIR 1.00 X X 0 0 0 AKILA RAMAN BOARD MEMBER 1.00 X 0 0 0 AYODELE CASEL BOARD MEMBER 1.00 X 0 0 0 BARBARA ZALAZNICK BOARD MEMBER 1.00 X 0 0 0 CARL QUINTANILLA BOARD MEMBER 1.00 X 0 0 0 DAMIAN WOETZEL BOARD MEMBER 1.00 X 0 0 0 DAVID HALLBERG BOARD MEMBER 1.00 X 0 0 0 DEBORAH GOODMAN DAVIS BOARD MEMBER 1.00 X 0 0 0 DEIDRE LATOUR BOARD MEMBER 1.00 X 0 0 0 DIANE HIRSCH BOARD MEMBER 1.00 X 0 0 0 ELINOR RUTH TATUM BOARD MEMBER 1.00 X 0 0 0 ELIZABETH H WITTEN BOARD MEMBER 1.00 X 0 0 0 HARRIS DIAMOND BOARD MEMBER 1.00 X 0 0 0 IRA RESNICK BOARD MEMBER 1.00 X 0 0 0 JAKE GYLLENHAAL BOARD MEMBER 1.00 X 0 0 0 JEANETTE W LOEB BOARD MEMBER 1.00 X 0 0 0 JENNIFER GRAZEL BOARD MEMBER 1.00 X 0 0 0 JOANNA SANDERS BOARD MEMBER 1.00 X 0 0 0 JOSEPH S STEINBERG BOARD MEMBER 1.00 X 0 0 0 KELLI O'HARA BOARD MEMBER 1.00 X 0 0 0 LUIGI CAIOLA DECEASED 1123 BOARD MEMBER 1.00 X 0 0 0 MARK KINGDON BOARD MEMBER 1.00 X 0 0 0 NANCY MACMILLAN BOARD MEMBER 1.00 X 0 0 0 PAUL SPIVEY BOARD MEMBER 1.00 X 0 0 0 SARAH JAMES IRBY BOARD MEMBER 1.00 X 0 0 0 STACY BASH-POLLEY BOARD MEMBER 1.00 X 0 0 0 STUART H COLEMAN BOARD MEMBER 1.00 X 0 0 0 SUSAN MINDELL BOARD MEMBER 1.00 X 0 0 0 THEODORE S CHAPIN BOARD MEMBER 1.00 X 0 0 0 TRACEY KNIGHT NARANG BOARD MEMBER 1.00 X 0 0 0 TRACY ELISE POOLE BOARD MEMBER 1.00 X 0 0 0 VICTORIA CLARK BOARD MEMBER 1.00 X 0 0 0 NAOMI WEINSTOCK VP DEVELOPMENT 40.00 X 264952 0 68259 JULIE GROOB SR VP & COO 40.00 X 249084 0 33123 STANFORD MAKISHI VP, PROGRAMMING 40.00 X 238862 0 40257 MOLLY MELOY VP MARKETING 40.00 X 234581 0 52295 SUSAN NEIMAN CHIEF FINANCIAL OFFICER 40.00 X 214911 0 39641 TIA POWELL HARRIS VP EDUCATION AND COMM. ENG 40.00 X 194434 0 26638 JENNY GERSTEN VP MUSICAL THEATRE 40.00 X 135590 0 8292 EVAN VORONO STAGEHAND 40.00 X 277156 0 119155 GERARD GRIFFEN STAGEHAND 40.00 X 204498 0 85889 AUGUST PROPERSI JR STAGEHAND 40.00 X 192735 0 80949 JUSTIN MALONE STAGEHAND 40.00 X 231163 0 97089 ALEXANDER FRENKEL CONTROLLER 40.00 X 150722 0 43374 3015171 0 753627 38 0 1 0 LISA L DEBESSONET 405 LEXINGTON AVENUE NEW YORK NY 10174 ARTISTIC DIRECTOR 216433 1 682587 1782261 6955593 209213 9420441 BOX OFFICE RECEIPTS 711110 12629853 12629853 TICKET SERVICE CHARGES 711110 1783509 1783509 TOWER AND STUDIO RENTAL INCOME 711110 884524 884524 THEATRE RENTAL 711110 816325 816325 PRODUCTION ENHANCEMENT REVENUE 711110 772034 772034 814156 814156 17700401 1017119 1017119 400499 400499 4241833 3469369 772464 772464 772464 182239 682587 182239 0 OTHER INCOME 900099 525762 316457 209305 525762 29836686 18016858 0 2399387 2352757 829143 1044083 479531 12787746 10803189 572589 1411968 1196331 1020534 50003 125794 2042502 1622645 197011 222846 1611350 1251560 163393 196397 53327 53327 66197 66197 161155 161155 2003258 1817717 172369 13172 2082522 1723928 86245 272349 543432 343795 185217 14420 154922 53267 48953 52702 1777839 1628389 142538 6912 338645 274216 40423 24006 26508 4456 22052 1357894 1208303 149591 312908 273619 39289 PRODUCTION EXPENSES 2061418 1784895 70477 206046 SECURITY 601048 601048 MISCELLANEOUS EXPENSE 60250 17261 35126 7863 INDIRECT BENEFIT EXPENS 44010 44010 24000 24000 31660019 25253509 3282442 3124068 4936480 8289866 786929 391632 15544909 12417243 471629 460852 277658 728215 38394687 17801595 21685986 20593092 31036059 34624171 219561 226607 429274 0 75388485 77731678 1875082 2392584 2523110 4050338 59696 58443 4457888 6501365 X 42708349 43605185 28222248 27625128 70930597 71230313 75388485 77731678 -1823333 2123049 0 X 0 1 X 1 0 X 10046499 26179123 21529486 9424865 9420441 76600414 9576022 1234531 10365417 12146721 17700401 51023092 19622521 27413654 31894903 21571586 27120842 127623506 2252237 1277701 5173133 1797743 1222528 11723342 508497 188625 177937 318037 272649 1465745 2760734 1466326 5351070 2115780 1495177 13189087 114434419 610037 417332 669701 1450149 1417618 4564837 610037 417332 669701 1450149 1417618 4564837 1050086 26541 285166 399173 525762 2286728 21282644 27857527 32849770 23420908 29064222 134475071 0.85100 0.85330 0.03390 0.02960 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 31498114 31498114 1000000 250000 0 0 1000000 1000000 1000000 1000000 4000000 6000000 250000 250000 250000 250000 1000000 1500000 29469644 1147820 3344540 1002465 32959539 22679236 6500000 2239289 1948881 29469644 23282690 3222880 -3022461 803873 22679236 18918349 870000 3791093 296752 23282690 17564567 2013980 723752 1383950 18918349 0.58705 0.30738 0.10556 0 0 31642464 12231848 19410616 6752223 5569747 1182476 20593092 SECURITY DEPOSITS HELD 58443 58443 31798580 2123049 2123049 29675531 161155 161155 29836686 31498864 0 31498864 161155 161155 31660019 PART V, LINE 4: -BOARD DESIGNATED ENDOWMENT (QUASI ENDOWMENT) IS USED TO ASSIST IN PROVIDING LONG-TERM INSTITUTIONAL FINANCIAL SECURITY WHILE PROVIDING FLEXIBILITY BASED ON INSTITUTIONAL PRIORITIES. ANNUAL ALLOCATIONS PER BOARD APPROVED SPENDING POLICY SERVE GENERAL OPERATIONS. -PERMANENT ENDOWMENT (LOEB EDUCATIONAL FUND) IS A RESTRICTED FUND TO ASSIST IN SUPPORTING EDUCATIONAL PROGRAMMING, SUBJECT TO BOARD APPROVED SPENDING POLICY. -PERMANENT ENDOWMENT (FALL FOR DANCE FESTIVAL FUND) IS A RESTRICTED FUND TO ENSURE FINANCIAL STABILITY AND CONTINUATION OF THE FALL FOR DANCE FESTIVAL, SUBJECT TO BOARD APPROVED SPENDING POLICY. GALA BENEFIT 864826 682587 182239 140375 9500 32364 864826 682587 182239 140375 9500 32364 182239 0 X X X X 0 0 0 0 0 0 0 0 0 MICHAEL ROSENBERG PRESIDENT AND CEO 426483 0 0 0 0 0 36630 0 22036 0 485149 0 0 0 NAOMI WEINSTOCK VP DEVELOPMENT 264952 0 0 0 0 0 30869 0 37390 0 333211 0 0 0 JULIE GROOB SR VP & COO 249084 0 0 0 0 0 28383 0 4740 0 282207 0 0 0 STANFORD MAKISHI VP, PROGRAMMING 238862 0 0 0 0 0 27235 0 13022 0 279119 0 0 0 MOLLY MELOY VP MARKETING 234581 0 0 0 0 0 26867 0 25428 0 286876 0 0 0 SUSAN NEIMAN CHIEF FINANCIAL OFFICER 214911 0 0 0 0 0 26295 0 13346 0 254552 0 0 0 TIA POWELL HARRIS VP EDUCATION AND COMM. ENG 194434 0 0 0 0 0 22755 0 3883 0 221072 0 0 0 EVAN VORONO STAGEHAND 277156 0 0 0 0 0 69839 0 49316 0 396311 0 0 0 GERARD GRIFFEN STAGEHAND 204498 0 0 0 0 0 51124 0 34765 0 290387 0 0 0 AUGUST PROPERSI JR STAGEHAND 192735 0 0 0 0 0 48184 0 32765 0 273684 0 0 0 JUSTIN MALONE STAGEHAND 231163 0 0 0 0 0 57791 0 39298 0 328252 0 0 0 ALEXANDER FRENKEL CONTROLLER 150722 0 0 0 0 0 17397 0 25977 0 194096 0 0 0 X 13 209213 FAIR MARKET VALUE 0 0 1 0 FORM 990, PART VI, SECTION A, LINE 2 RICHARD E. WITTEN, CO-CHAIRMAN, AND ELIZABETH H. WITTEN, BOARD MEMBER - FAMILY RELATIONSHIP. FORM 990, PART VI, SECTION B, LINE 11B MANAGEMENT REVIEWS THE FORM 990 AND THEN DISTRIBUTES IT TO THE FULL BOARD OF TRUSTEES FOR REVIEW AND COMMENT BEFORE FILING. FORM 990, PART VI, SECTION B, LINE 12C THE CONFLICT OF INTEREST POLICY COVERS ALL OFFICERS, DIRECTORS AND TRUSTEES AND KEY EMPLOYEES. THESE INDIVIDUALS ARE REQUIRED TO RESPOND TO A DISCLOSURE FORM AT THE ANNUAL MEETING OF THE BOARD OF DIRECTORS, HELD IN SEPTEMBER OF EACH YEAR, WHEREIN ACTUAL OR POTENTIAL CONFLICTS OF INTEREST ARE DISCLOSED. DETERMINATIONS OF CONFLICT OF INTEREST ARE CONFINED TO THE CONTEMPLATION OF TRANSACTIONS OR ARRANGEMENTS OR DIRECT MONETARY COMPENSATION THAT MIGHT BENEFIT THE PRIVATE INTEREST OF AN OFFICER, DIRECTOR, TRUSTEE OR KEY EMPLOYEE. INDIVIDUALS WHO HAVE BEEN DETERMINED AS HAVING A CONFLICT OF INTEREST MAY NOT PARTICIPATE IN DECISIONS RELATED TO THE CONFLICT. ONCE A CONFLICT OF INTEREST HAS BEEN IDENTIFIED, SPECIFIC PROCEDURES ARE IN PLACE FOR THE BOARD TO ELECT TO ELIMINATE THE CONFLICT OR TO CONTINUE WITH THE CONFLICT IN THE CONTEXT OF FULL DISCLOSURE. FORM 990, PART VI, SECTION B, LINE 15 AS PART OF THE BUDGETING PROCESS, COMPENSATION REVIEWS ARE PERFORMED ANNUALLY FOR ALL ADMINISTRATIVE EMPLOYEES, AS WELL AS THE CEO, OFFICERS AND KEY EMPLOYEES. A NUMBER OF FACTORS DETERMINE THE AMOUNT OF THE INCREASE SUCH AS COST OF LIVING AND AN INCREASE IN RESPONSIBILITIES. FURTHER, WHEN CONSIDERING COMPENSATION FOR THE CEO, OFFICERS OR KEY EMPLOYEES, RESEARCH IS CONDUCTED BY REVIEWING SALARY SURVEYS, COMPARABILITY DATA FROM EMPLOYMENT BASED WEB SITES AND GUIDESTAR. FORM 990, PART VI, SECTION C, LINE 19 DOCUMENTS ARE NOT ROUTINELY MADE AVAILABLE TO THE PUBLIC. THE ORGANIZATION IS RESPONSIVE TO WRITTEN AND PHONE REQUESTS.