2025-05-15T14:32:08-05:00 2024-06-30 331374517 PKF O'CONNOR DAVIES ADVISORY LLC 245 PARK AVENUE 12TH FLOOR NEW YORK NY 10167 990 2023-07-01 112278998 QUEENS MUSEUM OF ART QUEE 7185929700 NYC BLDGFLUSHING MEADOWS CORONAPAR QUEENS NY 11368 SALLY TALLANT EXECUTIVE DIRECTOR 7185929700 2025-05-15 1 1 EVA MRUK P00543254 2122862600 2023 2025-03-06 01:10:19Z QUEENS MUSEUM SALLY TALLANT NYC BLDGFLUSHING MEADOWS CORONAPARK QUEENS NY 11368 6824596 0 X WWW.QUEENSMUSEUM.ORG X 1972 NY THE QUEENS MUSEUM FEATURES EXHIBITIONS AND PROGRAMS THAT RANGE FROM HISTORICAL TO CONTEMPORARY, FOCUS ON MATERIAL CULTURE TO SOCIAL JUSTICE, AND INCLUDE SITE-SPECIFIC TEMPORARY COMMISSIONS RELEVANT TO LOCAL AND GLOBAL ISSUES. IN FY24, THE MUSEUM HAS SEEN CONTINUED GROWTH IN OUR EXHIBITIONS, EDUCATION AND PUBLIC PROGRAMS FOR STUDENTS, SENIORS, COMMUNITY MEMBERS, AND ARTISTS. 23 23 101 23 0 0 6263534 6334391 70879 134295 -5235 3520 -138053 -49120 6191125 6423086 25223 25000 0 0 4588529 4620025 0 0 459274 3194981 2647122 7808733 7292147 -1617608 -869061 36000981 36013539 1363940 2199663 34637041 33813876 X THE QUEENS MUSEUM IS DEDICATED TO PRESENTING THE HIGHEST QUALITY VISUAL ARTS AND EDUCATIONAL PROGRAMMING FOR PEOPLE IN THE NEW YORK METROPOLITAN AREA, AND PARTICULARLY FOR THE RESIDENTS OF QUEENS, A UNIQUELY DIVERSE ETHNIC, CULTURAL AND INTERNATIONAL COMMUNITY.THE MUSEUM FULFILLS ITS MISSION BY DESIGNING AND PROVIDING ART EXHIBITIONS AND EDUCATIONAL EXPERIENCES THAT PROMOTE THE APPRECIATION AND ENJOYMENT OF ART, SUPPORT THE CREATIVE EFFORTS OF ARTISTS, AND ENHANCE THE QUALITY OF LIFE THROUGH INTERPRETING, COLLECTING, AND EXHIBITING ART, ARCHITECTURE, AND DESIGN.THE QUEENS MUSEUM PRESENTS ARTISTIC AND EDUCATIONAL PROGRAMS AND EXHIBITIONS THAT DIRECTLY RELATE TO THE CONTEMPORARY URBAN LIFE OF ITS CONSTITUENTS WHILE MAINTAINING THE HIGHEST STANDARDS OF PROFESSIONAL, INTELLECTUAL, AND ETHICAL RESPONSIBILITY. 0 0 4059964 0 85165 EXHIBITIONSTHE QUEENS MUSEUM IS DEDICATED TO PRESENTING HIGH-QUALITY ARTS AND EDUCATIONAL PROGRAMMING FOR THE PEOPLE OF NEW YORK, PARTICULARLY THE RESIDENTS OF QUEENS, A UNIQUELY DIVERSE ETHNIC, CULTURAL, AND INTERNATIONAL COMMUNITY. THE MUSEUM'S WORK HONORS THE HISTORY OF OUR SITE AND THE DIVERSITY OF OUR COMMUNITIES THROUGH A WIDE-RANGING AND INTEGRATED PROGRAM OF EXHIBITIONS, EDUCATIONAL INITIATIVES, AND PUBLIC EVENTS.QM WORKS WITH ARTISTS WHOSE PRACTICES ARE BOTH HYPERLOCAL AND INTERNATIONALLY RELEVANT. OUR AUDIENCES AND CONSTITUENTS ARE FROM INTERCULTURAL, HISTORICALLY UNDERREPRESENTED COMMUNITIES IN QUEENS, AND OUR ADMISSION IS FREE. UPLIFTING BIPOC AND ARTISTS WITH DISABILITIES, DIVERSE CULTURES, AND AESTHETICS ARE CENTRAL TO OUR MISSION.QM OFFERS A FULL SUITE OF ARTS EDUCATION OFFERINGS FAMILY PROGRAMS ON WEEKENDS, SCHOOL VISITS THROUGHOUT THE WEEK, AND IN AND AFTER-SCHOOL RESIDENCIES WITH LOCAL PUBLIC SCHOOLS. WHILE THE NEW QUEENS TEENS INSTITUTE FOR ART AND SOCIAL JUSTICE (QTI) LEVERAGES QM RESOURCES TO NURTURE THOUGHTFUL, INDEPENDENT YOUNG ARTISTS AND THE NEXT GENERATION OF LEADERS IN THE ARTS AND SOCIAL CHANGE. LONG ADMIRED BY OUR PEERS, QM IS A MODEL FOR EXCELLENCE IN EDUCATION AND PUBLIC PROGRAMMING INITIATIVES SUCH AS WELL-ESTABLISHED AND RESPECTED ARTACCESS EDUCATIONAL PROGRAMMING, AS WELL AS NEW INITIATIVES LIKE OUR IN SITU ARTIST FELLOWSHIPS AND THE INDIGENOUS PRACTICES STUDIO.MORE RECENTLY, THE INDIGENOUS PRACTICES STUDIO (IPS) IS BEING CO-CREATED WITH FORMER ARTIST-IN-RESIDENCE TECUMSEH CAESAR TO FORM A SPACE FOR THE EXPLORATION OF INDIGENEITY IN QUEENS. TO ENSURE THIS WORK IS NOT EXTRACTIVE BUT UPLIFTING AND FOCUSED ON RECIPROCITY, THE QUEENS MUSEUM (QM) HAS COMPLETED AN EXTENSIVE CO-CREATION PROCESS THAT CENTERS ON LISTENING. QM HAS HELD A SERIES OF CONVERSATIONS WITH INDIGENOUS ARTISTS, ACTIVISTS, CONSULTANTS, AND PARTNERS, AS WELL AS KNOWLEDGE-SHARING SESSIONS WITH THE ENTIRE STAFF ABOUT THE HISTORY OF THE LAND, LOCAL INDIGENOUS COMMUNITIES, RESTORATIVE PRACTICES, AND RESTITUTION WORK BEING DONE IN QUEENS, AND LONG ISLAND. BEGINNING THIS SPRING, QM AND OUR IPS COMMUNITY WILL ORGANIZE SIX EVENTS OVER THE YEAR INCLUDING PUBLIC PROGRAMMING AT THE MUSEUM.RECENT EXHIBITIONS INCLUDECAMERON GRANGERIN 9999, CAMERON A. GRANGER USES THE FRAMEWORK OF VIDEO GAMES AND MAGIC TO IMAGINE AN ALTERNATIVE METHOD OF LIBERATION FOR BLACK COMMUNITIES FROM THE COMPOUNDING EFFECTS OF RACIST URBAN PLANNING. IN EARLY ROLE PLAYING VIDEO GAMES, DUE TO LOW COMPUTER PROCESSING CAPACITY, 9,999 WAS THE NUMERICAL DAMAGE LIMIT DONE TO A CHARACTER THAT COULD BE REGISTERED ON SCREEN. YET SOMETIMES, ADDITIONAL DAMAGE CONTINUED TO ACCRUE OFF-SCREEN INCAPACITATING, YET UNSEEN. GRANGER TAKES THIS CONCEPT OF THE CONCEALED YET RELENTLESS HARM, AND APPLIES IT TO THE CUMULATIVE CORROSION OF SEGREGATIVE DESIGN, ENVIRONMENTAL RACISM, AND GENTRIFICATION. LYLE ASHTON HARRIS DRAWING TOGETHER PHOTOGRAPHS AND INSTALLATIONS FROM BOTH HIS CELEBRATED AND LESSER-KNOWN SERIES, LYLE ASHTON HARRIS: OUR FIRST AND LAST LOVE CHARTS NEW CONNECTIONS ACROSS THE ARTISTIC PRACTICE OF LYLE ASHTON HARRIS (B. 1965, BRONX, NY). THE EXHIBITION EXPLORES HARRIS'S CRITICAL EXAMINATION OF IDENTITY AND SELF-PORTRAITURE WHILE TRACING CENTRAL THEMES AND FORMAL APPROACHES IN HIS WORK OF THE LAST 35 YEARS.CAS HOLMANEXPLORING THE INTERSECTION OF ART MAKING AND PLAY, CAS HOLMAN DESIGNS INNOVATIVE TOYS AND TOOLS THAT INSPIRE PARTICIPATORY IMAGINATION. PROTOTYPING PLAY EXPERIMENTS WITH THE DIFFERENT MODES OF INTUITIVE AND CHILD-DIRECTED FREE PLAY IN AN ART MUSEUM ENVIRONMENT BY EXTENDING THE BODY'S MOVEMENTS WITH UNIQUELY CRAFTED ELEMENTS AND PROMPTS. RELEASED IN TWO PHASES, HOLMAN'S OPEN-ENDED PLAYTHINGS AND PLAYSPACES FOSTER COLLABORATION, INVENTIVE THINKING, AND INTERACTIVITY. PROTOTYPING PLAY INVITES ARTISTS OF ALL AGES TO CREATE, EXCHANGE, COOPERATE, AND LEAVE YOUR MARK THROUGH THESE NEW DEVICES.CAROLINE KENTA SHORT PLAY ABOUT WATCHING SHADOWS MOVE ACROSS THE ROOM (DECEMBER 6, 2023 - DECEMBER 29, 2024) THE CHICAGO-BASED ARTIST'S WORK REINVENTS ABSTRACTION THROUGH EXPLORATIONS OF GEOMETRY, COLOR, AND PATTERN THAT UNFOLD INTO GRAND INSTALLATIONS THAT BLUR LANGUAGE, PAINTING AND SCULPTURE. THE MONUMENTAL INSTALLATION WILL SPAN A 40 X 100-FOOT WALL WHERE PAINTED IMAGES AND HIGH-RELIEF SCULPTURES MERGE INTO SCENES THAT BOTH BREAK INTERPRETATION AND UNDERSCORE ITS TENSIONS. USING AN ALL BLACK BACKGROUND AS HER BASE, THE ARTIST BRINGS TOGETHER "SHADOW SHAPES," IMPROVISED FIGURES AND HAND-PAINTED FLOOR PLANS TO CONSTRUCT DOMESTIC SPACES DEPICTING ROOMS, GRIDS, AND PLANT LIFE.NSENGA KNIGHTCLOSE TO HOME IS AN INSTALLATION THAT HONORS THE DOMESTIC SPACE AS A CUSTODIAN OF CULTURAL AND SPIRITUAL TRADITIONS BY PROVIDING SUPPORT AND COMFORT TO FORGE APPRECIATION FOR HERITAGE AND THEIR CONTINUITY. MODELED AFTER NSENGA KNIGHT'S FAMILY RESIDENCES FROM THEIR PAST SIX YEARS LIVING IN CAIRO, EGYPT, THE INSTALLATION'S ECLECTIC ATMOSPHERE REFLECTS THE HISTORIC AND COSMOPOLITAN. WHILE FURNISHED IN VARIOUS MATERIALS AND STYLES, OLD AND NEW, THIS FAMILY HOME IS ALSO ADORNED WITH ARTIFACTS FROM THE 1964-1965 NEW YORK WORLD'S FAIR AS WELL AS ARTWORKS BY KNIGHT, INCLUDING PAINTINGS, PRINTS, VIDEOS, AND WALLPAPER.CATALINA SCHLIEBENER MUOZIN BUENOS VECINOS, WHICH TRANSLATES TO "GOOD NEIGHBORS," CATALINA SCHLIEBENER MUOZ CONFRONTS THE IMPACT OF TWO WALT DISNEY ANIMATED FILMS: SALUDOS AMIGOS (1942) AND LOS TRES CABALLEROS (1944). BOTH FILMS EMERGED FROM DISNEY'S STATE-SPONSORED RESEARCH TRIPS TO SOUTH AND CENTRAL AMERICAN NATIONS AS PART OF THE GOOD NEIGHBOR POLICY, WHICH SOUGHT TO DISCOURAGE NAZI INFLUENCE AND IMPROVE THE UNITED STATES' PUBLIC IMAGE IN LATIN AMERICA FOLLOWING ITS NUMEROUS MILITARY INVASIONS THROUGHOUT THE EARLY 20TH CENTURY. DISNEY AND HIS TEAM OF ARTISTS TOURED ARGENTINA, BRAZIL, BOLIVIA, CHILE, PERU, AND MEXICO TO GENERATE VISUAL MOTIFS AND STORYLINES FOR RECOGNIZABLE CHARACTERS LIKE DONALD DUCK AND GOOFY, AS WELL TO CREATE NEW CHARACTERS, SONGS, AND DANCES BASED ON LOCAL CUSTOMS AND ARCHETYPES. 849102 25000 49130 EDUCATIONQM OFFERED A ROBUST RANGE OF EDUCATION PROGRAMS FOR INDIVIDUALS, INCLUDING K-12 SCHOOL STUDENTS, FAMILIES, RECENT ADULT IMMIGRANTS AND OLDER ADULTS WITH MEMORY LOSS OR AFFECTED BY ALZHEIMER'S, SUMMER CAMP FOR MIDDLE SCHOOL YOUTH AND TEEN PROGRAMS FOR HIGH SCHOOL STUDENTS IN OUR BOROUGH. THROUGH THESE ON- AND OFF-SITE OFFERINGS AND OUR NUMEROUS PARTNERSHIPS, WE PROVIDE ACCESSIBLE PROGRAMS THAT ENSURE ALL THOSE INTERESTED CAN ENGAGE WITH QM AND OUR RESOURCES. FOR EACH OF THESE PROGRAMS, QM INCORPORATED OUR PERMANENT EXHIBITIONS AS WELL AS THE CURRENT CONTEMPORARY ART EXHIBITIONS ON VIEW.INTERPRETATION AT QM -WHILE TAKING INTO ACCOUNT OUR UNIQUELY DIVERSE AND MULTICULTURAL CONSTITUENTS, WE HAVE FOUND IT INCREASINGLY IMPORTANT TO FOCUS ON COMPREHENSIVE INTERPRETATION OF MUSEUM RESOURCES RATHER THAN SIMPLY TRANSLATION. THIS INTERPRETATION INITIATIVE INFORMED THE CREATION OF INTERPRETATION SCHEMES FOR THE PANORAMA, THE NEUSTADT COLLECTION OF TIFFANY GLASS, AND QI 2018. PANORAMA KIDS GUIDES WERE TRANSLATED INTO SPANISH AND MANDARIN, AS THESE ARE THE LANGUAGES MOST SPOKEN BY OUR VISITORS. ADDITIONALLY, AS A PART OF OUR ARTACCESS INITIATIVE, QM HAS ROBUST PROGRAMS THAT PROVIDE ART MAKING ACTIVITIES FOR FAMILIES WITH CHILDREN OF DIVERSE ABILITIES, WHICH EXTENDS INTO OUR GALLERY SPACES. TO PROMOTE ACCESSIBILITY, WALL TEXT WAS MADE DARKER AND FONT SIZES INCREASED TO MEET SMITHSONIAN STANDARDS AND GUIDELINES ON ACCESSIBILITY REQUIREMENTS. EXHIBITION KITS WERE CREATED THAT FEATURE TEXTS IN BRAILLE AND LARGE PRINT AND FEATURE REPLICAS OF SELECT OBJECTS IN THE EXHIBITION TO SERVE VISITORS WHO ARE BLIND OR HAVE LOW VISION. 487141 0 0 PUBLIC PROGRAMS AND COMMUNITY ENGAGEMENTFAMILY PROGRAMSQM PLACES VALUE ON PROGRAMS THAT ENCOURAGE FAMILIES TO ENGAGE IN SHARED LEARNING EXPERIENCES THROUGH ART-MAKING AND ART-LOOKING ACTIVITIES. AN AVERAGE OF 30 FAMILIES PARTICIPATE IN THESE PROGRAMS OFFERED EACH SUNDAY, IN BOTH ENGLISH AND SPANISH. THIS PAST YEAR, WORKSHOPS INCORPORATED A VARIETY OF ART-MAKING TECHNIQUES, AS WELL AS OTHER OUTLETS FOR CREATIVE EXPRESSION, SUCH AS DANCE. ADDITIONALLY, ARTACCESS FAMILY WORKSHOPS ARE HELD ON THE THIRD SUNDAY OF EACH MONTH, AND ARE GEARED TOWARDS ENGAGING FAMILIES WITH CHILDREN OF ALL ABILITIES.QUEENS TEENSTHE QUEENS MUSEUM INVITED ALL NEW YORK CITY HIGH SCHOOLERS TO PARTICIPATE IN OUR UNIQUE QUEENS MUSEUM: QUEENS TEENS X YEAR OF UNCERTAINTY YOUTH PROGRAMMING. OVER SEVERAL MONTHS, TEENS HAD THE OPPORTUNITY TO PARTICIPATE IN VARIOUS WORKSHOPS AND EVENTS AROUND TOPICS SUCH AS SOCIAL JUSTICE, ART, AND COLLEGE, AND JOB READINESS.THIS PROGRAM IS CURATED TO ENCOURAGE EXPLORATION AND INTROSPECTION INTO THE MEANINGS OF ART AND CREATIVE EXPRESSION WHILE CREATING NEW POSSIBILITIES FOR CULTURE, KINSHIP, AND MUTUAL SUPPORT.NEW NEW YORKERSFOR THE PAST 10 YEARS, NEW NEW YORKERS HAS PROVIDED RECENT ADULT IMMIGRANTS WITH PATHWAYS TO CIVIC PARTICIPATION THROUGH THE ACQUISITION OF IMPORTANT SKILLS, AS WELL AS OPPORTUNITIES TO EXPRESS THEMSELVES AND THEIR CULTURAL TRADITIONS IN A SAFE, NON-JUDGMENTAL SETTING. THIS YEAR, QM OFFERED 21 UNIQUE COURSES, INCLUDING BOTH ONE-TIME AND FOUR TO EIGHT WEEK MULTI-WORKSHOP COURSES. FIELD TRIPS, SUCH AS A VISIT TO THE MUSEUM OF THE MOVING IMAGE, AND A NUMBER OF PUBLIC EVENTS WERE ALSO ORGANIZED, WHICH ALLOWED PARTICIPANTS TO INTERACT WITH ART AND OTHER CULTURAL INSTITUTIONS, SUPPLEMENTING THE ARTS LITERACY AND ENGAGEMENT OPPORTUNITIES OFFERED WITHIN COURSES.SOME ENGAGING COURSES OFFERED DURING THE LAST YEAR INCLUDE: MINI PAINTING I AND II OFFERED IN MANDARIN, PAINTING PORTRAITS USING WATERCOLOR TECHNIQUES OFFERED IN SPANISH, WORLD CINEMA & CULTURE OFFERED IN MANDARIN, AND ESOL & POETRY. PROVIDING BOTH ONE-DAY AND LONGER-FORM COURSES AGAIN HELPED TO ENGAGE BOTH NEW AND RETURNING PARTICIPANTS AND ACCOMMODATE VARIOUS SCHEDULES. 5396207 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 134 0 101 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 23 23 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 NY X X JULIE LOU DIRECTOR OF FINANCE 7185929700 FLUSHING MEADOWS CORONA PARK QUEENS NY 113683398 PAULA KIRBY CHAIR 2.00 X X 0 0 0 YVONNE RILEY-TEPIE VICE CHAIR 2.00 X X 0 0 0 AMY D'AMATO SECRETARY 1.00 X X 0 0 0 CHRISTINA GEFFRARD TREASURER 1.00 X X 0 0 0 ANGELO BAQUE TRUSTEE 1.00 X 0 0 0 THOMAS CHEN TRUSTEE 1.00 X 0 0 0 MING CHIANG TRUSTEE 1.00 X 0 0 0 CHRISTINE CIAMPA TRUSTEE 1.00 X 0 0 0 PATSY DOERR TRUSTEE 1.00 X 0 0 0 DOMINIQUE GOSS TRUSTEE 1.00 X 0 0 0 ARTHI KRISHNAMOORTHY TRUSTEE 1.00 X 0 0 0 SETH KUPFERBERG TRUSTEE 1.00 X 0 0 0 LORRAINE CHAMBERS LEWIS TRUSTEE 1.00 X 0 0 0 HANNA MILLER TRUSTEE 1.00 X 0 0 0 PATRICIA MODENA TRUSTEE 1.00 X 0 0 0 ANWARII MUSA TRUSTEE 1.00 X 0 0 0 BEVIN SAVAGE-YAMAZAKI TRUSTEE 1.00 X 0 0 0 DENISE SCOTT TRUSTEE 1.00 X 0 0 0 SABLE ELYSE SMITH TRUSTEE 1.00 X 0 0 0 ALAN SUNA TRUSTEE 1.00 X 0 0 0 PETER WARWICK TRUSTEE 1.00 X 0 0 0 GRETCHEN WERWAISS TRUSTEE 1.00 X 0 0 0 ADEZE WILFORD TRUSTEE 1.00 X 0 0 0 SALLY TALLANT EXECUTIVE DIRECTOR 40.00 X 297437 0 45271 DEBRA WIMPFHEIMER DEPUTY DIRECTOR 40.00 X 161803 0 11586 JULIE LOU DIRECTOR OF FINANCE 40.00 X 88634 0 37531 DANIEL SAMANIEGO DIRECTOR OF ADMINISTRATION 40.00 X 106703 0 19145 HITOMI IWASAKI DIRECTOR OF EXHIBITION 40.00 X 95840 0 31927 LAUREN HAYNES DIRECTOR OF CURATORIAL AFFAIRS 40.00 X 117342 0 14511 867759 0 159971 4 0 1 0 BERLIN ROSEN LTD 15 MAIDEN LANE SUITE 1600 NEW YORK NY 10038 PR AND MARKETING SERVICE 105000 ONE SERVICE SOURCE INC 9 DANIEL ROAD S MASSAPEQUA NY 11758 CLEANING SERVICE 102979 2 27000 299029 2905382 3102980 6334391 ADMISSIONS & WORKSHOPS 713990 134295 134295 134295 2238 2238 2520 2520 178214 200549 -22335 -22335 -22335 33944 32662 1282 1282 1282 93850 299029 168299 -74449 -74449 INSURANCE SETTLEMENTS 900099 24276 24276 OTHER INCOME 900099 20868 20868 45144 6423086 134295 0 -45600 25000 25000 932735 228775 703960 2474694 2026235 170636 277823 313384 233446 48029 31909 578602 393286 133527 51789 320610 208268 86214 26128 38000 26551 8979 2470 539035 365077 116376 57582 3164 3164 182235 181351 788 96 3228 3069 131 28 126110 21585 104357 168 27461 27461 8622 8622 103565 103565 1215288 1213879 1328 81 12924 1649 11275 EXHIBITION FEES 155487 147845 6310 1332 HONORARIA 138345 96663 32690 8992 DUES AND PROF. DEVELOP. 41421 41421 MISCELLANEOUS 28920 17105 11135 680 23317 22190 931 196 7292147 5396207 1436666 459274 236046 196807 1038 1486 1513573 1380198 12600 20514 55230672 21270197 33832128 33960475 405596 454059 36000981 36013539 809940 1200663 5000 10000 549000 989000 1363940 2199663 X 32916865 32014000 1720176 1799876 34637041 33813876 36000981 36013539 -869061 45896 0 X X 0 0 0 X 3763404 4588060 6346227 6488243 6334391 27520325 289845 313662 330130 360942 354275 1648854 4053249 4901722 6676357 6849185 6688666 29169179 1885118 27284061 296761 54413 265466 119002 182972 918614 1481 44 66 45144 46735 30134528 488216 0.90540 0.90960 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: OTHER INCOME - 2019 AMOUNT: $ 1,481. 2020 AMOUNT: $ 44. 2021 AMOUNT: $ 66. 2023 AMOUNT: $ 20,868. INSURANCE SETTLEMENTS - 2023 AMOUNT: $ 24,276. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X X PROVIDE ONGOING EDUCATION 0 405478 48881 454359 364744 40734 405478 425615 -60871 364744 342239 83376 425615 339891 2348 342239 0.00000 0.72270 0.27730 0 0 54490611 20720755 33769856 331769 331769 0 408292 217673 190619 33960475 PART III, LINE 1A: IN CONFORMITY WITH PRACTICES FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED OR DONATED ARE NOT CAPITALIZED. THE MUSEUM'S ART COLLECTION CONSISTS PRIMARILY OF AMERICAN CONTEMPORARY PAINTINGS, WORKS ON PAPER, PHOTOGRAPHS AND WORLD'S FAIR ARTIFACTS. THE MUSEUM CARRIED INSURANCE COVERAGE IN AMOUNTS EQUAL TO THE ESTIMATED VALUE OF THE COLLECTION AS WELL AS SUFFICIENT COVERAGE FOR COLLECTIONS ON LOAN. IT IS THE POLICY OF THE MUSEUM TO HOLD ITS COLLECTIONS FOR PUBLIC EXHIBITION, EDUCATION, OR RESEARCH IN FURTHERANCE OF PUBLIC SERVICE, RATHER THAN FINANCIAL GAIN. ANY PROCEEDS FROM THE SALE OF COLLECTION ITEMS ARE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. PART III, LINE 4: THE QMA COLLECTION CONSISTS OF THREE PARTS: 1. THE 1939-40 AND 1964-65 NEW YORK WORLD'S FAIR ARCHIVES. NOTABLY, THIS INCLUDES THE PANORAMA OF THE CITY OF NEW YORK, A 9,335 SQUARE FOOT ARCHITECTURAL MODEL THAT REPRESENTS EVERY BUILDING IN NEW YORK CONSTRUCTED BEFORE 1992 AT A SCALE OF 1:1200 (ONE INCH = 100 FEET). BUILT BY ROBERT MOSES FOR THE 1964 WORLD'S FAIR, IN PART AS A CELEBRATION OF THE CITY'S MUNICIPAL INFRASTRUCTURE IN ALL FIVE BOROUGHS, IT INCLUDES A TOTAL OF 895,000 INDIVIDUAL STRUCTURES. 2. THE NEUSTADT COLLECTION OF TIFFANY GLASS (ON LONG-TERM LOAN. INCLUDES LAMPS AND WINDOWS AS WELL AS UNUSED GLASS FROM THE WORKSHOP, FORMERLY LOCATED IN CORONA, QUEENS.) INSTALLED IN APRIL 2016, THE EXHIBITION, A PASSION FOR TIFFANY LAMPS, HIGHLIGHTS THE EXTRAORDINARY SCOPE OF THE NEUSTADTS' COLLECTION. EXAMPLES OF TIFFANY'S MOST ICONIC LAMPS - THE WISTERIA AND DRAGONFLY - ARE ON VIEW, ALONG WITH UNUSUAL LAMPS PRODUCED IN LIMITED NUMBER, SUCH AS THE POND LILY GLOBE AND PEACOCK HANGING SHADE. 3. WORKS OF ART AS FOLLOWS: A. COLLECTIONS OF ART RELATED TO THE WORLD'S FAIRS, SUCH AS AN IN-DEPTH COLLECTION RELATING TO SALVADOR DALI'S DREAM OF VENUS (AMUSEMENT ZONE, 1939-40) AND PHOTOGRAPHS BY WELL-KNOWN PHOTOGRAPHERS SELECTED FOR THE FAIR BY MUSEUM DIRECTORS ACROSS THE U.S., GATHERED UNDER THE NAME PHOTOGRAPHY AS FINE ART (KODAK PAVILION, 1964-65). B. A COLLECTION OF OVER 2,000 PHOTOGRAPHS DONATED OVER 30 YEARS BY COLLECTOR AND PHOTOGRAPHER CHARLES SCHWARTZ, INCLUDING EXTRAORDINARY EXAMPLES OF DOCUMENTARY, PHOTOJOURNALISTIC, AND ART PHOTOGRAPHY CREATED BETWEEN 1860S - 1960S BY PHOTOGRAPHERS SUCH AS ABBOTT, SMITH, STIEGLITZ, LANGE, HALSMAN, ATGET AND OTHERS. C. 300+ ORIGINAL DRAWINGS, ETCHINGS AND LITHOGRAPHS BY EMIGRE ILLUSTRATOR, SOCIAL SATIRIST AND LONG-TERM QUEENS RESIDENT WILLIAM SHARP (1900-1961) WHOSE REALIST DEPICTIONS OF CURRENT EVENTS AND DAILY LIFE ENTERTAINED AND INFORMED A GENERATIONS OF READERS OF ESQUIRE, LIFE, NEW YORK DAILY NEWS, PM, COLLIER'S, THE NEW YORK POST AND THE NEW YORK TIMES. D. CUBAN PAINTER EMILIO SANCHEZ (1921- 1999), WHO SPENT STUDENT DAYS & MATURE CAREER IN NYC, IS REPRESENTED BY 25 WORKS VIVIDLY DEPICTING HIS NATIVE CUBA AS WELL AS THE URBAN CONSTRUCTIVIST ENVIRONMENT. E. APPROXIMATELY 200 WORKS OF CONTEMPORARY CONCEPTUALLY-BASED ART IN ALL MEDIA, OFTEN SPECIALLY COMMISSIONED FOR EXHIBITIONS AT THE MUSEUM. HIGHLIGHTS INCLUDE LOUISE LAWLER'S PHOTOGRAPHS OF THE MUSEUM'S FORMER COLLECTION OF CLASSICAL PLASTER CASTS (THREE, OBJECTS AND STORAGE, 1984); THE RESULTS OF AN ARCHAEOLOGICAL DIG BY MARK DION (THE GREAT ASH DUMP DIG, FLUSHING MEADOWS PARK, 2001), NILS NORMAN'S LIBRARY-ON-A-BICYCLE (THE GERARD WINSTANLEY RADICAL GARDENING SPACE MOBILE FIELD CENTER AND WEATHER STATION, 1999); DULCE PINZON'S PHOTOGRAPHS (WONDER WOMAN, 2006) ANDREW MOORE'S PHOTOGRAPHIC SERIES ON CITY POOLS BUILT BY ROBERT MOSES (20 INKJET PRINTS, 2005); SEHER SHAH'S ARCHITECTURALLY-INFLUENCED ABSTRACTIONS (BLACK CUBE STUDY #14 AND #15, 2007); 16 OF SHAUN EL C. LEONARDO'S PERFORMANCE PHOTOGRAPHS (EL CONQUISTADOR VS. THE INVISIBLE MAN, 2004-2006), ANTHONY AUERBACH'S TRANSPARENCIES AND DIGITAL PRINT (EMPEROR PANORAMA AND THE STATE OF NEW YORK, 2007 AND 2006), PEDRO MEYER'S PHOTOGRAPHS (PEDRO MEYER'S HERESIES, 2008), DUKE RILEY'S LASER ENGRAVING AND DRYPOINT PRINT ON HANDMADE PAPER (MORITURI TE SALUTANT, 2009), AMONG MANY OTHERS. IN 2011 -2013, WE RECEIVED 18 FRANK O. LARSON DIGITAL PRINTS FROM ARCHIVAL NEGATIVES OF 1950S NEW YORK CITY STREET PHOTOGRAPHY. THE METROPOLITAN MUSEUM OF ART DONATED MICHELANGELO'S ORIGINAL PLASTER CAST OF THE PIETA TO OUR COLLECTION - ON LONG TERM LOAN TO THE MUSEUM SINCE 1975. A PURCHASE FOR THE COLLECTION INCLUDES COCO FUSCO'S VIDEO, THE COUPLE IN THE CAGE: GUATIANAUI ODYSSEY. A PARTIAL DONATION/PURCHASE WAS MADE FOR ANDREW MOORE'S PHOTOGRAPH, COOPER SCHOOL, DETROIT. PART V, LINE 4: THE MUSEUM HAS ESTABLISHED AN ENDOWMENT FUND WHICH CONSISTS OF DONOR RESTRICTED GIFTS AND CONTRIBUTIONS. THE MUSEUM APPROPRIATES FOR EXPENDITURE OR ACCUMULATION AS IS PRUDENT FOR THE USES, BENEFITS, PURPOSES AND DURATION FOR WHICH THE ENDOWMENT FUND IS ESTABLISHED, SUBJECT TO THE INTENT OF THE DONOR AS EXPRESSED IN THE GIFT INSTRUMENT. CURRENTLY, EXPENDITURES FROM THE ENDOWMENT FUNDS ARE USED TO SUPPORT OPERATIONAL PURPOSES AS NEEDED. SPRING GALA 392879 299029 93850 34097 75862 27051 31289 392879 299029 93850 34097 75862 27051 31289 168299 -74449 1 QUEENS TEENS INSTITUTE STIPENDS 25 25000 PART I, LINE 2: THE GOAL OF THE QUEENS TEENS INSTITUTE FOR ART AND SOCIAL JUSTICE (QTI) IS TO NURTURE THOUGHTFUL, INDEPENDENT ARTISTS AND THE NEXT GENERATION OF LEADERS IN THE ARTS AND SOCIAL CHANGE. QTI PARTICIPANTS WILL DEVELOP SKILLS IN THE AREAS OF ART, SOCIAL JUSTICE AND LEADERSHIP. PARTICIPANTS MUST BE A QUEENS-AFFILIATED JUNIOR OR SENIOR, MUST DEMONSTRATE AN INTEREST IN DEVELOPING LEADERSHIP IN THE ARTS AND SOCIAL JUSTICE WITHIN THE CONTEXT OF AN ART INSTITUTION, AND MUST BE HIGHLY RESPONSIBLE, MOTIVATED, AND PREPARED TO PARTICIPATE AND COMPLETE DEDICATED WORK IN COLLABORATION WITH STAFF. PARTICIPANTS OF THE QTI PROGRAM APPLIED, WERE INTERVIEWED AND WERE SELECTED TO BE A PART OF THE LEADERSHIP COHORT FOR PARTICIPATION IN THE 9-MONTH PROGRAM. THE STIPENDS WERE DISTRIBUTED THROUGH THE FINANCE DEPARTMENT. X X X X 0 0 0 0 0 0 0 0 0 SALLY TALLANT EXECUTIVE DIRECTOR 297437 0 0 0 0 0 9000 0 36271 0 342708 0 0 0 DEBRA WIMPFHEIMER DEPUTY DIRECTOR 161803 0 0 0 0 0 0 0 11586 0 173389 0 0 0 FORM 990, PART VI, SECTION B, LINE 11B THE ORGANIZATION'S FORM 990 IS PREPARED BY AN OUTSIDE ACCOUNTING FIRM, AND THEN REVIEWED BY THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES. ONCE APPROVED BY THE COMMITTEE, A COMPLETE COPY IS PROVIDED TO ALL MEMBERS OF THE BOARD OF TRUSTEES FOR THEIR REVIEW AND COMMENT PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM HAS A CONFLICT OF INTEREST POLICY WHICH COVERS ALL TRUSTEES, THE EXECUTIVE DIRECTOR, AND ALL STAFF MEMBERS. THIS POLICY REQUIRES THESE INTERESTED PERSONS TO COMPLETE A QUESTIONNAIRE TO ANNUALLY DISCLOSE ANY POTENTIAL CONFLICTS OF INTEREST. POTENTIAL CONFLICTS MUST ALSO BE DISCLOSED TO THE BOARD OF TRUSTEES AS THEY ARISE. THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES DETERMINES IF A CONFLICT EXISTS, AND DETERMINES IF THE MUSEUM CAN OBTAIN WITH REASONABLE EFFORTS AN EQUALLY OR MORE ADVANTAGEOUS TRANSACTION THAT WOULD NOT GIVE RISE TO AN ACTUAL OR APPARENT CONFLICT. THE INTERESTED PERSON DOES NOT PARTICIPATE IN SUCH DECISIONS. FORM 990, PART VI, SECTION B, LINE 15 COMPENSATION IS PART OF THE ANNUAL BUDGET PROCESS WHICH IS DELIBERATED BY THE FINANCE COMMITTEE AND APPROVED BY THE BOARD OF TRUSTEES. AS A PART OF THIS PROCESS, COMPENSATION DECISIONS ARE MADE FOR ALL MUSEUM STAFF, INCLUDING THE EXECUTIVE DIRECTOR AND THE DIRECTOR OF FINANCE. THE COMMITTEE USES COMPARABLE DATA FROM FUNCTIONALLY COMPARABLE POSITIONS AT SIMILAR ORGANIZATIONS TO FRAME COMPENSATION DECISIONS. INCLUDED SOURCES OF COMPENSATION DATA USED FOR SETTING EXECUTIVE COMPENSATION INCLUDED SALARY SURVEYS OF LOCAL MUSEUM DIRECTORS, AND FORMS 990 OF OTHER ORGANIZATIONS. DOCUMENTATION OF DELIBERATIONS AND DECISIONS MADE REGARDING COMPENSATION ARE ENTERED INTO COMMITTEE AND BOARD MINUTES AND KEPT ON FILE BY THE ORGANIZATION. THIS PROCESS MOST RECENTLY OCCURRED IN 2022. FORM 990, PART VI, SECTION C, LINE 19 QUEENS MUSEUM OF ARTS' FORM 990 IS AVAILABLE FOR PUBLIC INSPECTION AS REQUIRED UNDER SECTION 6104 OF THE INTERNAL REVENUE CODE AS IT IS POSTED ON GUIDESTAR.ORG AND OTHER SIMILAR TYPES OF WEBSITES. IN ADDITION, THE ORGANIZATIONS FORMS 990, FINANCIAL STATEMENTS, CONFLICT OF INTEREST POLICY, AND BYLAWS ARE AVAILABLE UPON WRITTEN REQUEST TO THE ORGANIZATION AT NEW YORK CITY BUILDING, FLUSHING MEADOWS CORONA PARK, QUEENS, NY 11368-3398 OR BY CALLING THE ORGANIZATION DIRECTLY AT (718) 592-9700. FORM 990, PART XII, LINE 2C: THE MUSEUM HAS AN AUDIT COMMITTEE THAT IS RESPONSIBLE FOR THE OVERSIGHT OF THE AUDIT AND THE SELECTION OF AN INDEPENDENT ACCOUNTANT. THE PROCESS HAS NOT CHANGED FROM THE PRIOR YEAR.