2024-05-15T13:48:41-05:00 2023-06-30 873231666 PKF O'CONNOR DAVIES ADVISORY LLC 245 PARK AVENUE 12TH FLOOR NEW YORK NY 10167 990 2022-07-01 112278998 QUEENS MUSEUM OF ART QUEE 7185929700 NYC BLDGFLUSHING MEADOWS CORONAPAR QUEENS NY 11368 SALLY TALLANT EXECUTIVE DIRECTOR 7185929700 2024-05-15 1 SALLY TALLANT XXX-XX-XXXX 1 EVA MRUK P00543254 2122862600 3 AAL1 IAL1 2022 2023-04-26 12:10:37Z QUEENS MUSEUM SALLY TALLANT NYC BLDGFLUSHING MEADOWS CORONAPARK QUEENS NY 11368 6865180 0 X WWW.QUEENSMUSEUM.ORG X 1972 NY THE QUEENS MUSEUM FEATURES EXHIBITIONS AND PROGRAMS THAT RANGE FROM HISTORICAL TO CONTEMPORARY, FOCUS ON MATERIAL CULTURE TO SOCIAL JUSTICE, AND INCLUDE SITE-SPECIFIC TEMPORARY COMMISSIONS RELEVANT TO LOCAL AND GLOBAL ISSUES. IN FY23, THE MUSEUM HAS SEEN CONTINUED GROWTH IN OUR EXHIBITIONS, EDUCATION AND PUBLIC PROGRAMS FOR STUDENTS, SENIORS, COMMUNITY MEMBERS, AND ARTISTS. 21 21 117 24 0 0 6346227 6263534 31931 70879 55623 -5235 -52129 -138053 6381652 6191125 5000 25223 0 0 3660484 4588529 0 0 544196 2924118 3194981 6589602 7808733 -207950 -1617608 36572943 36000981 364339 1363940 36208604 34637041 X THE QUEENS MUSEUM IS DEDICATED TO PRESENTING THE HIGHEST QUALITY VISUAL ARTS AND EDUCATIONAL PROGRAMMING FOR PEOPLE IN THE NEW YORK METROPOLITAN AREA, AND PARTICULARLY FOR THE RESIDENTS OF QUEENS, A UNIQUELY DIVERSE ETHNIC, CULTURAL AND INTERNATIONAL COMMUNITY.THE MUSEUM FULFILLS ITS MISSION BY DESIGNING AND PROVIDING ART EXHIBITIONS AND EDUCATIONAL EXPERIENCES THAT PROMOTE THE APPRECIATION AND ENJOYMENT OF ART, SUPPORT THE CREATIVE EFFORTS OF ARTISTS, AND ENHANCE THE QUALITY OF LIFE THROUGH INTERPRETING, COLLECTING, AND EXHIBITING ART, ARCHITECTURE, AND DESIGN.THE QUEENS MUSEUM PRESENTS ARTISTIC AND EDUCATIONAL PROGRAMS AND EXHIBITIONS THAT DIRECTLY RELATE TO THE CONTEMPORARY URBAN LIFE OF ITS CONSTITUENTS WHILE MAINTAINING THE HIGHEST STANDARDS OF PROFESSIONAL, INTELLECTUAL, AND ETHICAL RESPONSIBILITY. 0 0 4162643 0 25963 EXHIBITIONSTHE QUEENS MUSEUM IS DEDICATED TO PRESENTING HIGH-QUALITY ARTS AND EDUCATIONAL PROGRAMMING FOR THE PEOPLE OF NEW YORK, PARTICULARLY THE RESIDENTS OF QUEENS, A UNIQUELY DIVERSE ETHNIC, CULTURAL, AND INTERNATIONAL COMMUNITY. THE MUSEUM'S WORK HONORS THE HISTORY OF OUR SITE AND THE DIVERSITY OF OUR COMMUNITIES THROUGH A WIDE-RANGING AND INTEGRATED PROGRAM OF EXHIBITIONS, EDUCATIONAL INITIATIVES, AND PUBLIC EVENTS.QM WORKS WITH ARTISTS WHOSE PRACTICES ARE BOTH HYPERLOCAL AND INTERNATIONALLY RELEVANT. OUR AUDIENCES AND CONSTITUENTS ARE FROM INTERCULTURAL, HISTORICALLY UNDERREPRESENTED COMMUNITIES IN QUEENS, AND OUR ADMISSION IS FREE. UPLIFTING BIPOC AND ARTISTS WITH DISABILITIES, DIVERSE CULTURES, AND AESTHETICS ARE CENTRAL TO OUR MISSION.QM OFFERS A FULL SUITE OF ARTS EDUCATION OFFERINGS FAMILY PROGRAMS ON WEEKENDS, SCHOOL VISITS THROUGHOUT THE WEEK, AND IN AND AFTER-SCHOOL RESIDENCIES WITH LOCAL PUBLIC SCHOOLS. WHILE THE NEW QUEENS TEENS INSTITUTE FOR ART AND SOCIAL JUSTICE (QTI) LEVERAGES QM RESOURCES TO NURTURE THOUGHTFUL, INDEPENDENT YOUNG ARTISTS AND THE NEXT GENERATION OF LEADERS IN THE ARTS AND SOCIAL CHANGE. LONG ADMIRED BY OUR PEERS, QM IS A MODEL FOR EXCELLENCE IN EDUCATION AND PUBLIC PROGRAMMING INITIATIVES SUCH AS WELL-ESTABLISHED AND RESPECTED ARTACCESS EDUCATIONAL PROGRAMMING, AS WELL AS NEW INITIATIVES LIKE OUR IN SITU ARTIST FELLOWSHIPS AND THE INDIGENOUS PRACTICES STUDIO.MORE RECENTLY, THE INDIGENOUS PRACTICES STUDIO (IPS) IS BEING CO-CREATED WITH FORMER ARTIST-IN-RESIDENCE TECUMSEH CAESAR TO FORM A SPACE FOR THE EXPLORATION OF INDIGENEITY IN QUEENS. TO ENSURE THIS WORK IS NOT EXTRACTIVE BUT UPLIFTING AND FOCUSED ON RECIPROCITY, THE QUEENS MUSEUM (QM) HAS COMPLETED AN EXTENSIVE CO-CREATION PROCESS THAT CENTERS ON LISTENING. QM HAS HELD A SERIES OF CONVERSATIONS WITH INDIGENOUS ARTISTS, ACTIVISTS, CONSULTANTS, AND PARTNERS, AS WELL AS KNOWLEDGE-SHARING SESSIONS WITH THE ENTIRE STAFF ABOUT THE HISTORY OF THE LAND, LOCAL INDIGENOUS COMMUNITIES, RESTORATIVE PRACTICES, AND RESTITUTION WORK BEING DONE IN QUEENS, AND LONG ISLAND. BEGINNING THIS SPRING, QM AND OUR IPS COMMUNITY WILL ORGANIZE SIX EVENTS OVER THE YEAR INCLUDING PUBLIC PROGRAMMING AT THE MUSEUM.RECENT EXHIBITIONS INCLUDEALIZA NISENBAUMQUEENS, LINDO Y QUERIDO (APRIL 23 - SEPTEMBER 10, 2023), WHICH CHRONICLES THE ARTIST'S YEARS-LONG ENGAGEMENT WITH PEOPLE AT THE QUEENS MUSEUM AND ITS NEIGHBORHOOD, CORONATRACEY ROSESHOOTING DOWN BABYLON (APRIL 23 - SEPTEMBER 10, 2023) A RADICAL VOICE IN THE INTERNATIONAL ART WORLD SINCE THE MID-90S, TRACEY ROSE'S (B. 1974, SOUTH AFRICA) CUTTING AND UNCOMPROMISING VISION WILL BE ON VIEW IN AN EXHIBITION THAT WILL INCLUDE WORK CREATED FROM THE 1990S TO THE PRESENT. THE EXHIBITION, ORGANIZED BY THE ZEITZ MUSEUM OF CONTEMPORARY ART AFRICA IN CAPE TOWN, INTERROGATES SEVERAL THEMES INCLUDING REPATRIATION, RECOMPENSE, AND RECKONING THAT STEM FROM POST-COLONIAL ENTANGLEMENTS.EMILIE LOUISE GOSSIAUXOTHER-WORLDING (DECEMBER 6, 2023 - APRIL 7, 2024) THE ARTIST'S FIRST-EVER SOLO MUSEUM EXHIBITION AND THE CULMINATION OF HER 202223 JEROME FOUNDATION FELLOWSHIP AT THE QUEENS MUSEUM. THE EXHIBITION, WHICH PRESENTS ALL NEW WORKS CREATED AT GOSSIAUX'S STUDIO AT THE MUSEUM, RADIATES FROM A POWERFUL QUESTION: CAN WE IMAGINE ANOTHER WORLD WHERE UNITY IS CO-BUILT ACROSS SPECIES AND DISABILITY STATUS AND NOT CENTERED AROUND A SINGLE POINT OF VIEW? THIS EXHIBITION CELEBRATES THE AUTONOMY THAT GUIDE DOGS AND THE WHITE CANE PROVIDE THE BLIND AND LOW-VISION COMMUNITY IN NAVIGATING A WORLD PREDOMINANTLY DESIGNED FOR SIGHTED PEOPLE.SONIA LOUISE DAVISTO REVERBERATE TENDERLY (DECEMBER 6, 2023 - APRIL 7, 2024) THE NEW YORK-BASED ARTIST WILL PRESENT A NEW SERIES OF WORKS CREATED WHILE IN-RESIDENCE AT THE QUEENS MUSEUM. IN THE SPIRIT OF EXPERIMENTATION, TO REVERBERATE TENDERLY FOCUSES ON IMPROVISATION AS A CRUCIAL PRACTICE FOR RADICAL COLLECTIVE ACTION. WILL PRESENT TUFTED SOFT PAINTINGS, A SITE-SPECIFIC MURAL, SCULPTURAL INSTRUMENTS, AND PERFORMANCES THAT ENGAGE WITH THE PROCESS OF IMPROVISATION AS A GENERATIVE AND EMANCIPATORY FORM OF RESEARCH.CAROLINE KENTA SHORT PLAY ABOUT WATCHING SHADOWS MOVE ACROSS THE ROOM (DECEMBER 6, 2023 - DECEMBER 29, 2024) THE CHICAGO-BASED ARTIST'S WORK REINVENTS ABSTRACTION THROUGH EXPLORATIONS OF GEOMETRY, COLOR, AND PATTERN THAT UNFOLD INTO GRAND INSTALLATIONS THAT BLUR LANGUAGE, PAINTING AND SCULPTURE. THE MONUMENTAL INSTALLATION WILL SPAN A 40 X 100-FOOT WALL WHERE PAINTED IMAGES AND HIGH-RELIEF SCULPTURES MERGE INTO SCENES THAT BOTH BREAK INTERPRETATION AND UNDERSCORE ITS TENSIONS. USING AN ALL BLACK BACKGROUND AS HER BASE, THE ARTIST BRINGS TOGETHER "SHADOW SHAPES," IMPROVISED FIGURES AND HAND-PAINTED FLOOR PLANS TO CONSTRUCT DOMESTIC SPACES - DEPICTING ROOMS, GRIDS, AND PLANT LIFE. 870576 25223 44916 EDUCATIONQM OFFERED A ROBUST RANGE OF EDUCATION PROGRAMS FOR INDIVIDUALS, INCLUDING K-12 SCHOOL STUDENTS, FAMILIES, RECENT ADULT IMMIGRANTS AND OLDER ADULTS WITH MEMORY LOSS OR AFFECTED BY ALZHEIMER'S, SUMMER CAMP FOR MIDDLE SCHOOL YOUTH AND TEEN PROGRAMS FOR HIGH SCHOOL STUDENTS IN OUR BOROUGH. THROUGH THESE ON- AND OFF-SITE OFFERINGS AND OUR NUMEROUS PARTNERSHIPS, WE PROVIDE ACCESSIBLE PROGRAMS THAT ENSURE ALL THOSE INTERESTED CAN ENGAGE WITH QM AND OUR RESOURCES. FOR EACH OF THESE PROGRAMS, QM INCORPORATED OUR PERMANENT EXHIBITIONS AS WELL AS THE CURRENT CONTEMPORARY ART EXHIBITIONS ON VIEW.INTERPRETATION AT QM -WHILE TAKING INTO ACCOUNT OUR UNIQUELY DIVERSE AND MULTICULTURAL CONSTITUENTS, WE HAVE FOUND IT INCREASINGLY IMPORTANT TO FOCUS ON COMPREHENSIVE INTERPRETATION OF MUSEUM RESOURCES RATHER THAN SIMPLY TRANSLATION. THIS INTERPRETATION INITIATIVE INFORMED THE CREATION OF INTERPRETATION SCHEMES FOR THE PANORAMA, THE NEUSTADT COLLECTION OF TIFFANY GLASS, AND QI 2018. PANORAMA KIDS GUIDES WERE TRANSLATED INTO SPANISH AND MANDARIN, AS THESE ARE THE LANGUAGES MOST SPOKEN BY OUR VISITORS. ADDITIONALLY, AS A PART OF OUR ARTACCESS INITIATIVE, QM HAS ROBUST PROGRAMS THAT PROVIDE ART MAKING ACTIVITIES FOR FAMILIES WITH CHILDREN OF DIVERSE ABILITIES, WHICH EXTENDS INTO OUR GALLERY SPACES. TO PROMOTE ACCESSIBILITY, WALL TEXT WAS MADE DARKER AND FONT SIZES INCREASED TO MEET SMITHSONIAN STANDARDS AND GUIDELINES ON ACCESSIBILITY REQUIREMENTS. EXHIBITION KITS WERE CREATED THAT FEATURE TEXTS IN BRAILLE AND LARGE PRINT AND FEATURE REPLICAS OF SELECT OBJECTS IN THE EXHIBITION TO SERVE VISITORS WHO ARE BLIND OR HAVE LOW VISION. 499461 0 0 PUBLIC PROGRAMS AND COMMUNITY ENGAGEMENTFAMILY PROGRAMSQM PLACES VALUE ON PROGRAMS THAT ENCOURAGE FAMILIES TO ENGAGE IN SHARED LEARNING EXPERIENCES THROUGH ART-MAKING AND ART-LOOKING ACTIVITIES. AN AVERAGE OF 30 FAMILIES PARTICIPATE IN THESE PROGRAMS OFFERED EACH SUNDAY, IN BOTH ENGLISH AND SPANISH. THIS PAST YEAR, WORKSHOPS INCORPORATED A VARIETY OF ART-MAKING TECHNIQUES, AS WELL AS OTHER OUTLETS FOR CREATIVE EXPRESSION, SUCH AS DANCE. ADDITIONALLY, ARTACCESS FAMILY WORKSHOPS ARE HELD ON THE THIRD SUNDAY OF EACH MONTH, AND ARE GEARED TOWARDS ENGAGING FAMILIES WITH CHILDREN OF ALL ABILITIES.QUEENS TEENSTHE QUEENS MUSEUM INVITED ALL NEW YORK CITY HIGH SCHOOLERS TO PARTICIPATE IN OUR UNIQUE QUEENS MUSEUM: QUEENS TEENS X YEAR OF UNCERTAINTY YOUTH PROGRAMMING. OVER SEVERAL MONTHS, TEENS HAD THE OPPORTUNITY TO PARTICIPATE IN VARIOUS WORKSHOPS AND EVENTS AROUND TOPICS SUCH AS SOCIAL JUSTICE, ART, AND COLLEGE, AND JOB READINESS.THIS PROGRAM IS CURATED TO ENCOURAGE EXPLORATION AND INTROSPECTION INTO THE MEANINGS OF ART AND CREATIVE EXPRESSION WHILE CREATING NEW POSSIBILITIES FOR CULTURE, KINSHIP, AND MUTUAL SUPPORT.NEW NEW YORKERSFOR THE PAST 10 YEARS, NEW NEW YORKERS HAS PROVIDED RECENT ADULT IMMIGRANTS WITH PATHWAYS TO CIVIC PARTICIPATION THROUGH THE ACQUISITION OF IMPORTANT SKILLS, AS WELL AS OPPORTUNITIES TO EXPRESS THEMSELVES AND THEIR CULTURAL TRADITIONS IN A SAFE, NON-JUDGMENTAL SETTING. THIS YEAR, QM OFFERED 21 UNIQUE COURSES, INCLUDING BOTH ONE-TIME AND FOUR TO EIGHT WEEK MULTI-WORKSHOP COURSES. FIELD TRIPS, SUCH AS A VISIT TO THE MUSEUM OF THE MOVING IMAGE, AND A NUMBER OF PUBLIC EVENTS WERE ALSO ORGANIZED, WHICH ALLOWED PARTICIPANTS TO INTERACT WITH ART AND OTHER CULTURAL INSTITUTIONS, SUPPLEMENTING THE ARTS LITERACY AND ENGAGEMENT OPPORTUNITIES OFFERED WITHIN COURSES.SOME ENGAGING COURSES OFFERED DURING THE LAST YEAR INCLUDE: MINI PAINTING I AND II OFFERED IN MANDARIN, PAINTING PORTRAITS USING WATERCOLOR TECHNIQUES OFFERED IN SPANISH, WORLD CINEMA & CULTURE OFFERED IN MANDARIN, AND ESOL & POETRY. PROVIDING BOTH ONE-DAY AND LONGER-FORM COURSES AGAIN HELPED TO ENGAGE BOTH NEW AND RETURNING PARTICIPANTS AND ACCOMMODATE VARIOUS SCHEDULES. 5532680 1 1 0 1 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 1 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 102 0 117 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 21 21 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 NY X X JULIE LOU DIRECTOR OF FINANCE 7185929700 FLUSHING MEADOWS CORONA PARK QUEENS NY 113683398 PETER WARWICK CHAIR 2.00 X X 0 0 0 PAULA KIRBY VICE CHAIR 2.00 X X 0 0 0 AMY D'AMATO SECRETARY 1.00 X X 0 0 0 YVONNE RILEY-TEPIE TREASURER 1.00 X X 0 0 0 ANGELO BAQUE TRUSTEE 1.00 X 0 0 0 LORRAINE CHAMBERS LEWIS TRUSTEE 1.00 X 0 0 0 THOMAS CHEN TRUSTEE 1.00 X 0 0 0 MING CHIANG TRUSTEE 1.00 X 0 0 0 CHRISTINE CIAMPA TRUSTEE 1.00 X 0 0 0 SALVATORE DIMARTINO TRUSTEE, THRU OCT 27, 2022 1.00 X 0 0 0 PATSY DOERR TRUSTEE 1.00 X 0 0 0 CHRISTINA GEFFRARD TRUSTEE 1.00 X 0 0 0 JACQUIE HEMMERDINGER TRUSTEE, THRU OCT 27, 2022 1.00 X 0 0 0 ARTHI KRISHNAMOORTHY TRUSTEE 1.00 X 0 0 0 SETH KUPFERBERG TRUSTEE 1.00 X 0 0 0 HANNA MILLER TRUSTEE 1.00 X 0 0 0 PATRICIA MODENA TRUSTEE 1.00 X 0 0 0 ELLIOT PARK TRUSTEE, THRU OCT 27, 2022 1.00 X 0 0 0 BEVIN SAVAGE-YAMAZAKI TRUSTEE 1.00 X 0 0 0 DENISE SCOTT TRUSTEE 1.00 X 0 0 0 SABLE ELYSE SMITH TRUSTEE 1.00 X 0 0 0 ALAN SUNA TRUSTEE 1.00 X 0 0 0 GRETCHEN WERWAISS TRUSTEE 1.00 X 0 0 0 ADEZE WILFORD TRUSTEE 1.00 X 0 0 0 SALLY TALLANT EXECUTIVE DIRECTOR 40.00 X 297614 0 62984 DEBRA WIMPFHEIMER DEPUTY DIRECTOR 40.00 X 161652 0 34502 JULIE LOU DIRECTOR OF FINANCE 40.00 X 109942 0 44882 DANIEL SAMANIEGO DIRECTOR OF ADMINISTRATION 40.00 X 101586 0 24774 HITOMI IWASAKI DIRECTOR OF EXHIBITION 40.00 X 91108 0 40027 761902 0 207169 4 0 1 0 ONE SERVICE SOURCE INC 9 DANIEL ROAD S MASSAPEQUA NY 11758 CLEANING SERVICE 137025 BERLIN ROSEN LTD 15 MAIDEN LANE SUITE 1600 NEW YORK NY 10038 PR AND MARKETING SERVICE 103111 2 369755 3495136 2398643 6263534 ADMISSIONS & WORKSHOPS 713990 61879 61879 TRAVELING EXHIBITION 713990 9000 9000 70879 4747 4747 445 445 113810 197784 -83974 -83974 -83974 363525 373507 -9982 -9982 -9982 48240 369755 102764 -54524 -54524 6191125 70879 0 -143288 X 25223 25223 975176 237043 738133 2599156 2103428 209127 286601 216583 174409 15799 26375 520316 374236 96609 49471 277298 180133 74567 22598 24500 17118 5789 1593 2030 2030 972667 657063 209432 106172 1785 1785 166883 137720 25672 3491 27506 20289 6738 479 80884 25977 54429 478 73963 69952 3569 442 18338 11394 6927 17 13907 13907 1168486 992304 148584 27598 13550 1729 11821 EXHIBITION FEES 273958 262288 9637 2033 HONORARIA 205307 143449 48513 13345 REPAIRS AND MAINTENANCE 65906 62667 2675 564 DUES AND PROF. DEVELOP. 49484 7781 39301 2402 35827 26447 8843 537 7808733 5532680 1731857 544196 613924 236046 122 1038 1426095 1513573 22600 12600 53826707 19994579 34144413 33832128 365789 405596 36572943 36000981 209339 809940 5000 5000 150000 549000 364339 1363940 X 34110222 32916865 2098382 1720176 36208604 34637041 36572943 36000981 -1617608 46045 0 X X 0 1 X 1 0 X 3514925 3763404 4588060 6346227 6488243 24700859 362399 289845 313662 330130 360942 1656978 3877324 4053249 4901722 6676357 6849185 26357837 1395489 24962348 346000 296761 54413 265466 119002 1081642 1464 1481 44 66 3055 27442534 626760 0.90960 0.88420 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: OTHER INCOME - 2018 AMOUNT: $ 1,464. 2019 AMOUNT: $ 1,481. 2020 AMOUNT: $ 44. 2021 AMOUNT: $ 66. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 0 0 0 0 0 0 0 0 1 2030 2030 0 PART II-B, LINE 1: THE MUSEUM IS PART OF THE NYC CULTURAL INSTITUTIONS GROUP (CIG), A CONSORTIUM OF 34 CULTURAL INSTITUTIONS ON CITY-OWNED PROPERTY. AS A GROUP, CIG EMPLOYS A LOBBYIST WHO DOES ADVOCACY WORK AROUND ISSUES PERTAINING TO OUR INSTITUTIONS AND CONSTITUENCIES. THE MUSEUM ALSO PAID DUES TO THE WILDLIFE CONSERVATION SOCIETY, A PORTION OF WHICH WAS FOR LOBBYING ACTIVITIES. X X X X X PROVIDE ONGOING EDUCATION 0 364744 40734 0 405478 425615 -60871 0 364744 342239 83376 0 425615 339891 2348 0 342239 631772 -1266 290615 339891 0.00000 0.72270 0.27730 0 0 53149360 19542311 33607049 328829 304784 24045 348518 147484 201034 33832128 X 6957688 46045 522734 197784 766563 6191125 0 6191125 8529251 522734 197784 720518 7808733 0 7808733 PART III, LINE 1A: IN CONFORMITY WITH PRACTICES FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED OR DONATED ARE NOT CAPITALIZED. THE MUSEUM'S ART COLLECTION CONSISTS PRIMARILY OF AMERICAN CONTEMPORARY PAINTINGS, WORKS ON PAPER, PHOTOGRAPHS AND WORLD'S FAIR ARTIFACTS. THE MUSEUM CARRIED INSURANCE COVERAGE IN AMOUNTS EQUAL TO THE ESTIMATED VALUE OF THE COLLECTION AS WELL AS SUFFICIENT COVERAGE FOR COLLECTIONS ON LOAN. IT IS THE POLICY OF THE MUSEUM TO HOLD ITS COLLECTIONS FOR PUBLIC EXHIBITION, EDUCATION, OR RESEARCH IN FURTHERANCE OF PUBLIC SERVICE, RATHER THAN FINANCIAL GAIN. ANY PROCEEDS FROM THE SALE OF COLLECTION ITEMS ARE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. PART III, LINE 4: THE QMA COLLECTION CONSISTS OF THREE PARTS: 1. THE 1939-40 AND 1964-65 NEW YORK WORLD'S FAIR ARCHIVES. NOTABLY, THIS INCLUDES THE PANORAMA OF THE CITY OF NEW YORK, A 9,335 SQUARE FOOT ARCHITECTURAL MODEL THAT REPRESENTS EVERY BUILDING IN NEW YORK CONSTRUCTED BEFORE 1992 AT A SCALE OF 1:1200 (ONE INCH = 100 FEET). BUILT BY ROBERT MOSES FOR THE 1964 WORLD'S FAIR, IN PART AS A CELEBRATION OF THE CITY'S MUNICIPAL INFRASTRUCTURE IN ALL FIVE BOROUGHS, IT INCLUDES A TOTAL OF 895,000 INDIVIDUAL STRUCTURES. 2. THE NEUSTADT COLLECTION OF TIFFANY GLASS (ON LONG-TERM LOAN. INCLUDES LAMPS AND WINDOWS AS WELL AS UNUSED GLASS FROM THE WORKSHOP, FORMERLY LOCATED IN CORONA, QUEENS.) INSTALLED IN APRIL 2016, THE EXHIBITION, A PASSION FOR TIFFANY LAMPS, HIGHLIGHTS THE EXTRAORDINARY SCOPE OF THE NEUSTADTS' COLLECTION. EXAMPLES OF TIFFANY'S MOST ICONIC LAMPS - THE WISTERIA AND DRAGONFLY - ARE ON VIEW, ALONG WITH UNUSUAL LAMPS PRODUCED IN LIMITED NUMBER, SUCH AS THE POND LILY GLOBE AND PEACOCK HANGING SHADE. 3. WORKS OF ART AS FOLLOWS: A. COLLECTIONS OF ART RELATED TO THE WORLD'S FAIRS, SUCH AS AN IN-DEPTH COLLECTION RELATING TO SALVADOR DALI'S DREAM OF VENUS (AMUSEMENT ZONE, 1939-40) AND PHOTOGRAPHS BY WELL-KNOWN PHOTOGRAPHERS SELECTED FOR THE FAIR BY MUSEUM DIRECTORS ACROSS THE U.S., GATHERED UNDER THE NAME PHOTOGRAPHY AS FINE ART (KODAK PAVILION, 1964-65). B. A COLLECTION OF OVER 2,000 PHOTOGRAPHS DONATED OVER 30 YEARS BY COLLECTOR AND PHOTOGRAPHER CHARLES SCHWARTZ, INCLUDING EXTRAORDINARY EXAMPLES OF DOCUMENTARY, PHOTOJOURNALISTIC, AND ART PHOTOGRAPHY CREATED BETWEEN 1860S - 1960S BY PHOTOGRAPHERS SUCH AS ABBOTT, SMITH, STIEGLITZ, LANGE, HALSMAN, ATGET AND OTHERS. C. 300+ ORIGINAL DRAWINGS, ETCHINGS AND LITHOGRAPHS BY EMIGRE ILLUSTRATOR, SOCIAL SATIRIST AND LONG-TERM QUEENS RESIDENT WILLIAM SHARP (1900-1961) WHOSE REALIST DEPICTIONS OF CURRENT EVENTS AND DAILY LIFE ENTERTAINED AND INFORMED A GENERATIONS OF READERS OF ESQUIRE, LIFE, NEW YORK DAILY NEWS, PM, COLLIER'S, THE NEW YORK POST AND THE NEW YORK TIMES. D. CUBAN PAINTER EMILIO SANCHEZ (1921- 1999), WHO SPENT STUDENT DAYS & MATURE CAREER IN NYC, IS REPRESENTED BY 25 WORKS VIVIDLY DEPICTING HIS NATIVE CUBA AS WELL AS THE URBAN CONSTRUCTIVIST ENVIRONMENT. E. APPROXIMATELY 200 WORKS OF CONTEMPORARY CONCEPTUALLY-BASED ART IN ALL MEDIA, OFTEN SPECIALLY COMMISSIONED FOR EXHIBITIONS AT THE MUSEUM. HIGHLIGHTS INCLUDE LOUISE LAWLER'S PHOTOGRAPHS OF THE MUSEUM'S FORMER COLLECTION OF CLASSICAL PLASTER CASTS (THREE, OBJECTS AND STORAGE, 1984); THE RESULTS OF AN ARCHAEOLOGICAL DIG BY MARK DION (THE GREAT ASH DUMP DIG, FLUSHING MEADOWS PARK, 2001), NILS NORMAN'S LIBRARY-ON-A-BICYCLE (THE GERARD WINSTANLEY RADICAL GARDENING SPACE MOBILE FIELD CENTER AND WEATHER STATION, 1999); DULCE PINZON'S PHOTOGRAPHS (WONDER WOMAN, 2006) ANDREW MOORE'S PHOTOGRAPHIC SERIES ON CITY POOLS BUILT BY ROBERT MOSES (20 INKJET PRINTS, 2005); SEHER SHAH'S ARCHITECTURALLY-INFLUENCED ABSTRACTIONS (BLACK CUBE STUDY #14 AND #15, 2007); 16 OF SHAUN EL C. LEONARDO'S PERFORMANCE PHOTOGRAPHS (EL CONQUISTADOR VS. THE INVISIBLE MAN, 2004-2006), ANTHONY AUERBACH'S TRANSPARENCIES AND DIGITAL PRINT (EMPEROR PANORAMA AND THE STATE OF NEW YORK, 2007 AND 2006), PEDRO MEYER'S PHOTOGRAPHS (PEDRO MEYER'S HERESIES, 2008), DUKE RILEY'S LASER ENGRAVING AND DRYPOINT PRINT ON HANDMADE PAPER (MORITURI TE SALUTANT, 2009), AMONG MANY OTHERS. IN 2011 -2013, WE RECEIVED 18 FRANK O. LARSON DIGITAL PRINTS FROM ARCHIVAL NEGATIVES OF 1950S NEW YORK CITY STREET PHOTOGRAPHY. THE METROPOLITAN MUSEUM OF ART DONATED MICHELANGELO'S ORIGINAL PLASTER CAST OF THE PIETA TO OUR COLLECTION - ON LONG TERM LOAN TO THE MUSEUM SINCE 1975. A PURCHASE FOR THE COLLECTION INCLUDES COCO FUSCO'S VIDEO, THE COUPLE IN THE CAGE: GUATIANAUI ODYSSEY. A PARTIAL DONATION/PURCHASE WAS MADE FOR ANDREW MOORE'S PHOTOGRAPH, COOPER SCHOOL, DETROIT. PART V, LINE 4: THE MUSEUM HAS ESTABLISHED AN ENDOWMENT FUND WHICH CONSISTS OF DONOR RESTRICTED GIFTS AND CONTRIBUTIONS. THE MUSEUM APPROPRIATES FOR EXPENDITURE OR ACCUMULATION AS IS PRUDENT FOR THE USES, BENEFITS, PURPOSES AND DURATION FOR WHICH THE ENDOWMENT FUND IS ESTABLISHED, SUBJECT TO THE INTENT OF THE DONOR AS EXPRESSED IN THE GIFT INSTRUMENT. CURRENTLY, EXPENDITURES FROM THE ENDOWMENT FUNDS ARE USED TO SUPPORT OPERATIONAL PURPOSES AS NEEDED. PART X, LINE 2: THE MUSEUM RECOGNIZES THE EFFECT OF INCOME TAX POSITIONS ONLY IF THOSE POSITIONS ARE MORE LIKELY THAN NOT TO BE SUSTAINED. MANAGEMENT HAS DETERMINED THAT THE MUSEUM HAD NO UNCERTAIN TAX POSITIONS THAT WOULD REQUIRE FINANCIAL STATEMENT RECOGNITION OR DISCLOSURE. THE MUSEUM IS NO LONGER SUBJECT TO EXAMINATIONS BY THE APPLICABLE TAXING JURISDICTIONS FOR PERIODS PRIOR TO FISCAL 2020. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES REPORTED ON PART VIII, LINE 6B 197,784. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES REPORTED ON PART VIII, LINE 6B 197,784. ANNUAL GALA 417995 369755 48240 67754 1583 33427 417995 369755 48240 67754 1583 33427 102764 -54524 1 QUEENS TEENS INSTITUTE STIPENDS 24 25223 PART I, LINE 2: THE GOAL OF THE QUEENS TEENS INSTITUTE FOR ART AND SOCAL JUSTICE (QTI) IS TO NURTURE THOUGHTFUL, INDEPDENDENT ARTISTS AND THE NEXT GENERATION OF LEADERS IN THE ARTS AND SOCIAL CHANGE. QTI PARTICIPANTS WILL DEVELOPE SKILLS IN THE AREAS OF ART, SOCIAL JUSTICE AND LEADERSHIP. PARTICIPANTS MUST HAVE A QUEENS-AFFILIATED JUNIOR OR SENIOR, MUST DEMONSTRATE AN INTEREST IN DEVELOPING LEADERSHIP IN THE ARTS AND SOCIAL JUSTICE WITHIN THE CONTEXT OF AN ART INSTITUTION, AND MUST BE HIGHLY RESPONSIBLE, MOTIVATED, AND PREPARED TO PARTICIPATE AND COMPLETE DEDICATED WORK IN COLLABORATION WITH STAFF. PARTICIPANTS OF THE QTI PROGRAM APPLIED, WERE INTERVIEWED AND WERE SELECTED TO BE PART OF THE LEADERSHIP COHORT FOR PARTICIPATION IN THE 9-MONTH PROGRAM. THE STIPENDS WERE DISTRIBUTED THROUGH THE FINANCE DEPARTMENT. X X X X 0 0 0 0 0 0 0 0 0 SALLY TALLANT EXECUTIVE DIRECTOR 297614 0 0 0 0 0 33035 0 29949 0 360598 0 0 0 DEBRA WIMPFHEIMER DEPUTY DIRECTOR 161652 0 0 0 0 0 17943 0 16559 0 196154 0 0 0 JULIE LOU DIRECTOR OF FINANCE 109942 0 0 0 0 0 12204 0 32678 0 154824 0 0 0 FORM 990, PART VI, SECTION B, LINE 11B THE ORGANIZATION'S FORM 990 IS PREPARED BY AN OUTSIDE ACCOUNTING FIRM, AND THEN REVIEWED BY THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES. ONCE APPROVED BY THE COMMITTEE, A COMPLETE COPY IS PROVIDED TO ALL MEMBERS OF THE BOARD OF TRUSTEES FOR THEIR REVIEW AND COMMENT PRIOR TO FILING. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM HAS A CONFLICT OF INTEREST POLICY WHICH COVERS ALL TRUSTEES, THE EXECUTIVE DIRECTOR, AND ALL STAFF MEMBERS. THIS POLICY REQUIRES THESE INTERESTED PERSONS TO COMPLETE A QUESTIONNAIRE TO ANNUALLY DISCLOSE ANY POTENTIAL CONFLICTS OF INTEREST. POTENTIAL CONFLICTS MUST ALSO BE DISCLOSED TO THE BOARD OF TRUSTEES AS THEY ARISE. THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES DETERMINES IF A CONFLICT EXISTS, AND DETERMINES IF THE MUSEUM CAN OBTAIN WITH REASONABLE EFFORTS AN EQUALLY OR MORE ADVANTAGEOUS TRANSACTION THAT WOULD NOT GIVE RISE TO AN ACTUAL OR APPARENT CONFLICT. THE INTERESTED PERSON DOES NOT PARTICIPATE IN SUCH DECISIONS. FORM 990, PART VI, SECTION B, LINE 15 COMPENSATION IS PART OF THE ANNUAL BUDGET PROCESS WHICH IS DELIBERATED BY THE FINANCE COMMITTEE AND APPROVED BY THE BOARD OF TRUSTEES. AS A PART OF THIS PROCESS, COMPENSATION DECISIONS ARE MADE FOR ALL MUSEUM STAFF, INCLUDING THE EXECUTIVE DIRECTOR AND THE DIRECTOR OF FINANCE. THE COMMITTEE USES COMPARABLE DATA FROM FUNCTIONALLY COMPARABLE POSITIONS AT SIMILAR ORGANIZATIONS TO FRAME COMPENSATION DECISIONS. INCLUDED SOURCES OF COMPENSATION DATA USED FOR SETTING EXECUTIVE COMPENSATION INCLUDED SALARY SURVEYS OF LOCAL MUSEUM DIRECTORS, AND FORMS 990 OF OTHER ORGANIZATIONS. DOCUMENTATION OF DELIBERATIONS AND DECISIONS MADE REGARDING COMPENSATION ARE ENTERED INTO COMMITTEE AND BOARD MINUTES AND KEPT ON FILE BY THE ORGANIZATION. THIS PROCESS MOST RECENTLY OCCURRED IN 2022. FORM 990, PART VI, SECTION C, LINE 19 QUEENS MUSEUM OF ARTS' FORM 990 IS AVAILABLE FOR PUBLIC INSPECTION AS REQUIRED UNDER SECTION 6104 OF THE INTERNAL REVENUE CODE AS IT IS POSTED ON GUIDESTAR.ORG AND OTHER SIMILAR TYPES OF WEBSITES. IN ADDITION, THE ORGANIZATIONS FORMS 990, FINANCIAL STATEMENTS, CONFLICT OF INTEREST POLICY, AND BYLAWS ARE AVAILABLE UPON WRITTEN REQUEST TO THE ORGANIZATION AT NEW YORK CITY BUILDING, FLUSHING MEADOWS CORONA PARK, QUEENS, NY 11368-3398 OR BY CALLING THE ORGANIZATION DIRECTLY AT (718) 592-9700. FORM 990, PART IX, LINE 11G AUDIO/VISUAL/PHOTOGRAPHY: PROGRAM SERVICE EXPENSES 19,694. MANAGEMENT AND GENERAL EXPENSES 5,732. FUNDRAISING EXPENSES 4,925. TOTAL EXPENSES 30,351. SERVICE CONTRACTS: PROGRAM SERVICE EXPENSES 212,884. MANAGEMENT AND GENERAL EXPENSES 61,965. FUNDRAISING EXPENSES 53,220. TOTAL EXPENSES 328,069. OTHER CONSULTANTS: PROGRAM SERVICE EXPENSES 371,291. MANAGEMENT AND GENERAL EXPENSES 126,252. FUNDRAISING EXPENSES 34,729. TOTAL EXPENSES 532,272. CATERING AND EVENT SERVICES: PROGRAM SERVICE EXPENSES 53,194. MANAGEMENT AND GENERAL EXPENSES 15,483. FUNDRAISING EXPENSES 13,298. TOTAL EXPENSES 81,975. FORM 990, PART XII, LINE 2C: THE MUSEUM HAS AN AUDIT COMMITTEE THAT IS RESPONSIBLE FOR THE OVERSIGHT OF THE AUDIT AND THE SELECTION OF AN INDEPENDENT ACCOUNTANT. THE PROCESS HAS NOT CHANGED FROM THE PRIOR YEAR.